Category Archives: workshops

Ash Dickinson Workshop & Licensed to Rhyme

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The perfect way to start any week is a Poetry Workshop and when that workshop is with Ash Dickinson, you know you have backed a winner!

I first met Ash back in April 2014 (I had to look that up), we were talking on Monday night about a particular gig in the Autumn of that year and I knew that was the 2nd time I caught his act but couldn’t remember when I actually first discovered his work. I have been a fan ever since of his surreal and sincere voice.

Having missed the opportunity to do a workshop in Burton last year I was delighted to discover that he was doing one before/for Licensed to Rhyme and because I had been at work all day, it was literally just down the road in the next village!

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So my poetry week started on a high! It was a fantastic workshop, a great group of poets (all of whom I knew) and what’s more – all of us managed to write poems, including Ash!

We worked from many lists of prompts (which leaves us with plenty to get stuck into post-workshop). Ash used various forms, including one new to all of us. I wrote my 2nd, 3rd and 4th ever Clerihew! I still feel wary of the poetry produced  but the genre falls into nonsensical as a technique so those question marks or perhaps exclamation marks appearing from my ears are allowed.

It was great to hear everyone’s responses to the prompts and some were even brave enough to share their raw work (including Ash) in their L2R sets later in the evening.

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Licensed to Rhyme, is always a great night, the brainchild of Maggie Doyle & Spoz. I haven’t been available to get to one for a while so I was looking forward to spending a sunny evening in Cafe Morso enjoying words.

Charley Barnes had the Guest Spot, Brenda Read-Brown tested new material, the workshop poets all had open mics and Ash Headlined.

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It was a fabulous evening of laughter and poetry and set me up for the week. If people could just pop round to my lounge every Monday and recreate this I could start every Tuesday on a high! (A new idea awakens.)

Thanks Ash, for poems that definitely wouldn’t now be existence if it wasn’t for your workshop.

Discover his world for yourself here.

https://burningeye.bigcartel.com/product/slinky-espadrilles-by-ash-dickinson

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https://burningeye.bigcartel.com/product/strange-keys

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RELATED LINKS:

http://ashdickinson.com/

https://burningeyebooks.wordpress.com/2016/04/12/guest-blog-ash-dickinson-from-slinky-to-strange/

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April Review 2018

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This month saw a return to full time work and as a result I missed a fortnight of poetry I had planned. Which I still haven’t really forgiven myself for.

Week 1: 

Started with the Easter weekend and some time offline. I registered AWF on napowrimo.net and spent most of my time organising the long overdue exhibition at the Jinney Ring of our Sculpture workshop poems.

I am also involved in a Shakespeare Birthplace Trust project with local schools in Stratford-Upon Avon and received letters from two children who I then wrote a peace poem for. I made that sound easier than it was, the one child requested a humorous poem. I have a repertoire includes about 20 funny poems (which sounds a lot, but I have been writing for 4 years now)! I had a 6 day deadline and the poems had to be received by post. I managed 2 poems which I am proud of and hope that they are excited to be working with a Laureate.

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I started the long process of editing and digitally compiling the Special Edition of Contour Poetry Magazine. Proof copies were sent out in March and now I have to fix edits and complete the desk top publishing, due to work commitments I know that it will be May before this issue is live. I had hoped for an April release originally.

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I have worked on ATOTC A Tale of Two Cities since July 2017, one of the first long term Poet Laureate projects, it has been an amazing project which saw poems exchanged between UK and USA partners throughout 2018, all copy was back on my desk by March and after all the hard work of the 47 people involved I want the issue to be the best that it can be. I would rather take more time over it than hash it out this month, I simply no longer have time scheduled for it as other items, events and work have to take priority.

Even when these magazines are seemingly ready they have historically eaten another 14+ hours in the end process of conversion and upload.

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I worked on the Suffragette Anthology – now live over at the Worcestershire Poet Laureate site Suffragettes Anthology.

I had a workshop in Stratford with Angela France, we wrote about trees and it was warm enough to sit in the garden, unfortunately a sunny day + Easter break saw Stratford full of tourists and this meant our usual haunt was not available for lunch. Sitting on a wall opposite the river chatting with Angela was a bonus though.

The following day I was facilitating a workshop with the Basement Project, I booked 3 with this charity back in November as part of my local Laureate work. The charity support young people 16-25 who are or are at risk of becoming homeless. It is a great team there and I have already established work with them post-Laureateship, which is great.

Find out more about them here.

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I started NaPoWriMo and over the weekend took some of my Napo poems for editing treatment.

I finally got to see Idle Women on tour – it had been nearly a fortnight since I inhabited the world of poetry, due to tiredness I missed 42 at the end of March and had not been out to a poetry gig since Earth Hour.

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It was the 2nd time in as many weeks I had had the pleasure of going out with my mum, we saw the ROH ballet at the Artrix the Tuesday before and then shared Idle Women.

Idle Women is theatre/spoken word/poetry/music, read the review here https://awritersfountain.wordpress.com/2018/04/11/not-so-idle-women/

They still have tour dates in May, catch this show if you can. You will not be disappointed.

Week 2

I continued to write a poem a day for NaPoWriMo.

I took the Sculpture Poem Exhibition to the Jinney Ring. It is now on display in the restaurant near the entrance, an entire wall of poetry. They are able to keep it up for the next month and this means that when we have our Hanbury Reading at the Church in May, the poems will still be at the Craft Centre for visitors to go and see. Also I am hoping that this will in turn promote the next Sculpture Trail workshop in September 2018.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/09/poetry-exhibition-at-the-jinney-ring/

 

 

I started to write copy for the Worcestershire LitFest Festival Programme, the Poet Laureate Review, traditionally this has been half a page, I requested a full page and still edited out over 200 words! I had a lovely evening out with poetry friends.

I had my final workshop at the Basement Project planned and got up early to prep for it, unfortunately it was cancelled as some of the mums who had booked their children onto it were unable to make it. I will hold another Junior workshop in October half term.

I wanted to go to Scary Canary for Permission to Speak as Natalie Burdett – a poetry friend from 2014/15 who is now doing a Phd in Manchester and has just had her pamphlet published by the Poetry Business. http://www.poetrybusiness.co.uk/natalie-burdett I missed her set and the entire evening as Mr. G was on a course in Worcester and I met up with him afterwards for a Cinema date, we weren’t home in time, plus we had just been on a date. ‘Lovely date, thanks darling – just going out poeting now.’ wouldn’t have gone down too well!

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I missed SpeakEasy which Tony Judge was headlining due to a backlog of work. I am currently writing an evaluation for the WMRN and was prepping for poetry festivals and working on ATOTC.

I am also involved in a poetry/art (PoARTry) project in Ledbury which is being led by Rick Sanders, it is his 2nd time running this project. He partners poets and artists – like the football pools, I was paired with Molly Bythell, a talented young graduate who creates amazing collages and paints in oil. Her work screams story and it has been a great collaboration so far. https://mollybythell.com/

I missed Stanza for the 2nd month (my poor unedited poems) as I was too tired and was actually asleep by 8 PM which would have been rather impolite on someone else’s settee!

I spent my final weekend of freedom with Mr G. and did some work on the house and a little editing on ATOTC. 

Week 3

Full time work (my first time in 5 years) arrived kicking and screaming on my doorstep.

I continued to write a poem a day for NaPoWriMo.

I missed the Me Too event at The Hive, Case Bailey in the Jewellery Quarter, and Sean Colletti at Dear Listener.

Most of my free time in the evening was spent recouping from the day. Emotionally and physically! I managed to write a review for BMAG on the Hackathon experience and started writing my Verve Review for Sabotage. I was also asked to do a Poetry Surgery at the Anchor Gallery in Birmingham as part of the work Nellie Cole is doing there.

I managed to get to Jenna Plewes Book Launch, it was a sunny evening and very pleasant to spend an hour or so listening to her poetry from her new V. Press pamphlet Against the Pull of Timejenna pullI will be writing a review of the Launch in May.

 

 

 

 

 

I had my Sparks Young Writer group (WWM) at The Hive on Saturday which saw the welcome return of members to the group and we were also witness to a group of Librarians helping move a gigantic fish through the ground floor of the library. There was a procession of some sort down to the river, elements of which found there way into our writing.

Week 4

I finally got the European Twin Town project between Droitwich Spa and Voiron off the ground. I had been working on this WPL project since July, mainly at a committee level and like with all these projects it was a slow start, but perseverance pays and by the beginning of 2018 I had a french contact who put me in touch with a poet, Alain Graiz. Alain helped me find other poets from Voiron and by February/ March I had communicated with all involved. Again I had hoped to get the exchange up and running by March.

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I am happy to say that it is now in full swing, some poems have already been exchanged. It is a much smaller project than ATOTC and the full collection of poems should be live before the end of my Laureateship (10th June).

Read more here.

I received news of my Grant Application but have so far been locked out of the system. So I have no idea if my bid was successful yet or not.

I spent the week preparing for Cheltenham Poetry Festival and Bohemian Voices and getting incredibly nervous over the fact I have not performed poetry for a month! That must be the longest length of unintentional abstinence ever! But what I have learnt is it is hard to facilitate projects, write new poetry, edit magazines, teach and still find the time to perform! I needn’t have worried. What I did is over rehearsed and then I don’t think anyone would have thought – she clearly hasn’t read for a month!

I have been doing NaPoWriMo throughout this whole month, occasionally falling behind a few days and playing catch up. To produce 30 poems in a month in no mean feat. I am also working on something more too.

I researched the Nation’s Laureates for a post over at the WPL site for St. George’s Day. https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/23/st-george-the-poets/

I missed the Bare Fiction Launch and 42 (for the 2nd month running). I wanted to save my energy for Cheltenham Poetry Festival and the last fortnight at work has been exceedingly hard going, so I had little energy to spare to travel to events.

Cheltenham Poetry Festival arrived, funny when you are booked so far in advance it seems forever in the diary as coming up… then suddenly one week it is days to go. I was slightly gutted that I had been invited to do Stablemates with Jill Abram in London and missed it because it was on the same night. Sarah went in my place and it sounds like they had a great time.

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Cheltenham Poetry Festival was excellent, as it always is. Just a shame work meant that I wasn’t able to get to much other than on the day I was booked. Cheltenham Poetry Festival I made it for the Indigo Dreams Showcase which was at the same venue before my Fragile Houses reading. I will write a full review post next month.

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The following evening (events are like buses) I had the pleasure of being one of 5 artists involved in Bohemian Voices, organised and MCed by Steve Soden, he used to run these events in London and the experience at the Jinney Ring was probably as far from his original nights as you can imagine. It was a great night and I will link the review back to this post. (That goes for all the promised reviews of…)

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I had a fantastic evening and was delighted by the surprise appearance of my mum and Aunty.

With little time to recover from a 2 night fix of poetry (which certainly made up for missing a month of it), I had a Book Launch.

This weekend also saw Birmingham Literature Festival Spring Edition, which I totally missed due to bookings and other commitments.

The Book Launch on Saturday was in Walsall at Southcart Books for Diverse Verse 3, a charity anthology edited by Richard Archer, it was a beautifully relaxed event with plenty of opportunity to catch up with friends and Richard, myself and Rick Sanders were interviewed for the West Midlands Magazine, more on that soon I hope. Click the link for the full review.

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https://awritersfountain.wordpress.com/2018/05/15/diverse-verse-3-charity-anthology-book-launch/

I finally finished the month with a submission – not sent any poems anywhere since March!

I also had to write Q&A for Australia – Western Australia Poetry Festival – for the promotion and marketing and complete my review of Verve Poetry Festival and my evaluation for WMRN. That is a lot of midnight oil after a day at work!

 

NEXT MONTH:

Priorities in May include: Finishing WPL projects, tying up the reviews for WMRN Reader Residency for Warwickshire Libraries, organising poets for Artsfest events, performing and discussion at Midland Arts Institute, possible participation in a Heritage Project, a workshop with Ash Dickinson, a poetry judge at Sarah Leavesley’s Book Lauch for How to Grow Matches, being a poet at the Living Library, Headlining Poetry Bites (my first Headline for a while) and more, including new writing and Ledbury Poetry Festival – oh, yes and work!

 

Poetry Exhibition at the Jinney Ring

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March Review 2018

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This month I got stuck into two new projects, missed several events due to the snow, submitted poems, sent proof copies/edited Special Edition Contour Magazine in preparation for the next issue launch (April) ATOTC, organised a poetry exhibition at the Jinney Ring & a Hanbury Reading for the Sculpture Trail Poets, facilitated 1 community workshop and 2 school workshops, dressed as Little Miss Splendid for World Book Day, worked on a special celebration of poetry to mark International Women’s Day, finished my Reader in Residence residency at Rugby Library with WMRN, did Poetry on Demand for Mother’s Day, organised my official WPL remit World Poetry Day event, took my WWM Spark Young Writers group through the editing process, attended the final Room 204 17/18 cohort meeting, a Book Launch, celebrated Earth Day and worked pretty much full time as a one week contract turned into 3 weeks!

I now feel and look about 10 years older!

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Week 1: The Snow

I missed Images from the Past at The Hive, due to snow and a workshop and oakley’s Book Launch for the same reason.

I was booked for an exciting event as part of the Anchor Gallery in April and asked to do Stablemates – which I would have loved, but the date clashed with my appearance at Cheltenham Poetry Festival.

I facilitated the 1st of 3 workshops booked with The Basement Project, a charity in Bromsgrove. The first community workshop (in WPL role) was Arts & Words where participants created their own canvas. It was a successful morning and gave me a welcome break from the classroom. The snow meant we were thin on the ground, but those involved had a good time.

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Read more here.

 

Week 2: Planning, Poetry on Demand & New Projects

All of the final proofs from ATOTC were sent.

I planned my next workshop, this one at a school in Worcester. Gathering the resources and researching the subject matter. I missed Stirchley Speaks with Cynthia Miller as work is exhausting and I am busy online for most of the evening when I get home, mainly with ATOTC – now in proof reading stages with copy flying out to 46 poets.

I was booked as part of an event for this year’s Worcester LitFest alongside the new Poet Laureate (my time finishes on 10th June).

I attended an exciting meeting in Ledbury with Rick Sanders as he unveiled the 2nd PoArtry project. I have been buddied up with Mollie Bythell – a talented young artist and cannot wait to make a start on this.

I missed the MeToo Anthology Launch in Birmingham because I was asleep before 6:30 after a particularly bad end to an otherwise good but tiring week of work.

On Saturday I had my WWM writing group and ran a workshop (at their request) on editing and we wrote about mum’s too with Mother’s Day being so close.

From Worcester I hot-footed to Rugby for a job as Poetry on Demand for Mother’s Day. I wrote bespoke poems and made lots of people very happy.

It was an exhausting but fun day!

 

Week 3: Workshops, Interviews & Book Launches

The week started with full days of work (a one week temporary cover  turned into 3 weeks full-time, with a day off for good behaviour/ I mean pre-booked workshops)!

On Thursday I filled an entire day with poetry to make up for all the poetry I had missed from being too exhausted after work!

My School Workshops at Blessed Edward Oldcorne Catholic College in October were postponed. I was delighted to offer new bespoke workshops to fit the work they have been doing on Monsters. It was a fantastic, fun morning and they thoroughly enjoyed it.

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You can read a review here

From there I hot-footed across to BBC Hereford & Worcester for my radio interview with Tammy Gooding, where I was able to promote WPD.

The evening saw 3 clashing events. I went to Math Jones’ Book Launch of Sabrina Bridge published by Black Pear Press. This was the 2nd collection I was asked to endorse and it is a magical read. It was wonderful to watch Math breathe fire into his work in a stellar performance. Being an actor helps! It was great fun and an opportunity to see Suz Winspear, Jenny Hope, Polly Stretton and Keleigh Wolf perform too.

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I missed Stanza but spent the evening prepping for my next school workshop next week, creating film clips and found poetry texts. I also wrote copy to promote World Poetry Day.

I had the final Room 204 Cohort meeting on Saturday at The Custard Factory, crazy to think nearly 12 months has gone already, the new cohort will be announced mid-April, exciting to think they already know who they are.

This was followed by a new project with Birmingham Museum and Art Gallery, encompassing two weekend workshops and a performance at BMAG – and involves using their digital archive. None of us really knew what it would entail but I am always up for an afternoon in a Museum/Art Gallery, notebook in hand.

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It all sounded intriguing and I had a fun afternoon filling myself up with artefact inspiration.

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Birmingham Museums Trust © 2018

Sunday – a day of rest? No, Mr G and I are expecting some much needed work on the house and we spent the day clearing spaces!

 

Week 4 Workshops, World Poetry Day and Earth Hour

How is it the last week of March already? The week started with my Inter-School Gifted & Talented workshop at Bromsgrove School with the theme of Nature. nature-3231651_1920

Where I had prepared a film element in case our Nature Walk was eradicated by weather – the snow and a mini-beast storm was forecast over the weekend. It certainly rained!

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It was an action packed afternoon and great fun. A full review can be found here

I spent the beginning of the week (3 days) preparing for World Poetry Day, this was an evening event and the only official task I had to undertake in my WPL (Worcestershire Poet Laureate) remit.

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After months of preparation Wednesday 21st arrived and I spent the day with high alert butterflies and every organiser worst worry – will there be an audience?

It was a fabulous night! People came and enjoyed and all the performers were exceptional. A full review can be read here.

On Saturday I had the 2nd workshop for the BMAG Rebel Uncut Digital Archive project. This was my first ever Hackathon and a long day 8-6pm – on site from 10-5. It was fun working with techies and writers and seeing our initial writing inform a digital archive. Having opportunities to play with VR and AR. We all worked in teams and there was a series of presentations at the end of the afternoon, a constant flow of refreshments and lunch thrown in too.

I love opportunities for writing beyond the page and stage, it was a great experience to be part of and the last mark of this year’s Room 204 cohort.

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I followed my hour bus journey home with a power nap which meant I missed the first half of Earth Day. I made it to Worcester just after 8 PM which isn’t bad considering I got in after 6PM, had a power nap, prepared my poems including one written especially for this year’s Earth Hour Event and one I wrote on the bus journey in the morning, filled the car with petrol and made it to Worcester (can take up to 45 minutes).

Earth Hour was a brilliant event, as always. Organised by Martin Driscoll and in Support of WWF and Earth Hour. It was held at Cafe Bliss and the food (which was included in the ticket) was exceptional. Traditional Belize. Amazing, I can taste it now over a week later writing this blogpost!

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The Final Week 

Was mainly work. I didn’t get the writing done I had scheduled. I missed all of my end of month targets, I could kick myself… but I am choosing to go easy on myself. I have had a full-on month and do not want to submit substandard work for the sake of ticking off a deadline. There will be writing time in the future and until then I am writing bare bones and noting ideas.

I missed the 8th Birthday at 42, as I had been to the ROH Ballet the night before with mum *a Christmas gift from Mr G. We both had a thoroughly enjoyable evening but with a full week of work, I arrived home exhausted on the Wednesday and was asleep by 8:30 pm.

I managed some work on the Art Poetry PoArtry Project for Ledbury, Molly Bythell (my partnered artist) and I have started laying out groundwork for our collaboration after exchanging artworks/poems. Her painting inspired by my poem (published by Silver Birch Press Me In A Hat series)

hat-cover2 has been added to her website and I am currently scaffolding a poem based on her work ‘Flower Gel’.

I also had communication with the Festival team in Perth, Australia. My trip is in planning stages and I am excited to find out more about the festival programme. I know I am able to attend as much as I can manage.

Hopefully will be fully over jet lag during the pre-festival. Last time I went over (2005) my jet lag there was almost non-existent – cancelled out by adrenaline. It was coming home I faltered. I was talking to my friend who did the airport run and just fell asleep on my rucksack mid sentence and on the lounge floor. I do have a 20 hour lay over, so hoping that will help the lag if I play on GMT/UK time.

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Then I had the Easter weekend off with Mr G. to catch up with family, enjoy the warmth of our house – new boiler fitted this week after 3 months without heat or running hot water! Glad to be back in the 21st Century with that one.

I have an exhibition to organise that I am a week behind on, due to working.

In April aside from NaPoWriMo (now GloPoWriMo) – I have the Special Edition Contour magazine to edit and compile for the ATOTC Transatlantic Poetry Project, I may have a talking paper interested in some work on that and have future plans for performance and publication. It has been my main project as WPL and has been a steep learning curve tinged with fun!

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I am also getting a smaller European project off the ground with new poetry partners between Twin Towns next month. Our Suffragette Collection will also go live. The rest of the month is a packed schedule of  workshops, festivals and performances.

 

So I took a very deep breath over the holiday weekend and have plenty of chocolate eggs in reserve.

Oh, and I am going back to work full-time, a temporary measure to cover summer living (as there are 3 months a year I don’t earn any money) and this year had a record 10 days over a 3 month period, so this just plugs the first term being so bad.

Onward!

Monsters With Year 8

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February Review 2018

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Week 1: 

I started the month with my editing hat on. Submissions closed for Contour (digital WPL magazine), the 2nd Issue – ‘Love’, scheduled for release 4 months after the 1st Issue ‘Place’. My plan was to have 3 to 4 magazines during my tenure. I will successfully manage that, there is a Special Edition coming in April for the ‘A Tale Of Two Cities’ Project and then in June on the day I hang up my Laureate crown and watch the new Laureateship launch, I will release the final issue.

It has been a steep and brilliant learning curve and a real pleasure. It has been a great opportunity to discover talented poets on a National and International level too.

Whatever else I think, I can rest soundly knowing that I promoted poetry and offered abundant opportunities for writing during my year. I have 3 months (I like to say a quarter of a year because it sounds longer) left, but already the competition is open to find the next Laureate and the feelings of being bereft are already settling. I shall find ways of dealing with this. Such as embarking on International Poetry Adventures and writing my first collection. But I am sure it will feel a little strange.

I also spent an incredible amount of time on the ATOTC project, which again has been a huge bite to chew, but I have loved every minute. It has certainly taught me a thing or two. The Response poems are coming in and it is wonderful to read the interpretations of the Call poems. I am slightly worried that the whole project may total over 200 pages… certainly enough reading material to keep you busy on a rainy day!

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ATOTC is my main WPL project and it has certainly been the biggest. I am incredibly excited by the next stages of the project and the plans I have for it beyond that. It is going to be magnificent!

I edited some poems which had been waiting patiently in the wings and finally started working on my own response poem for ATOTC. I wanted to get it cast to paper before the weekend as I have a chance to edit it.

Things are intentionally quiet on the performance front with most of my attention set for Verve Poetry & Spoken Word Festival in Birmingham, mid-February. Other than this I am busy with desk tasks and workshop preparation.

This week I prepared for a meeting for a Gifted and Talented Workshop I am doing, I am excited as it involves multiple local schools.

I also prepared for my final session/workshop at Rugby Library as the Reader in Residence.

I attended an editing group at the weekend where my ATOTC was fine tuned and is now a strong pastiche of Linda Warren’s poem. Look out for the Special Edition Contour in April to read our Call & Response poems.

I took a booking for National Poetry Day. (4th Oct.) after which I will be heading off to Swindon Poetry Festival.

 

Week 2

A very busy start to the week editing Issue 2 of Contour Magazine, working out the running order and formatting. It took an inane amount of time (roughly 3 days), lots of difficulties on the technical side of desktop publishing – but the results were worth it.

 

I had a meeting regarding school workshops booked for March, which was fabulous. I am very excited about this workshop.

bromsgrove school theatre Andrew Haines © 2017

The following day I drove to Rugby Library for my final Reader in Residence workshop. It was a small group but a wonderful morning and those in attendance enjoyed it.

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I am writing a Guest Blog Review for the library and will link it back to AWF. My Residency finishes in March and I hoping for one last trip to the library for something special, more on that soon.

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I planned my Suffragette Workshop for Saturday at The Hive, started work organising the poetry events for the summer ArtsFest in Droitwich, sent emails to successful contributors of Contour and took a booking for Brum Stanza.

I also started prep for Verve Poetry & Spoken Word Festival (15-18th Feb.). This year I am the Official Festival Blogger, last year I blogged about most of the events and attended pretty much the entire festival (which is no mean feat – with a packed 2 day weekend programme, workshops and events on the preceding evenings), worth the exhaustion though and I also wrote a full review for Sabotage Reviews. This year, I have arranged to write the review for them again and have booked my workshops (one of which I won by coming 2nd in the Haiku Slam at Grizzly Pear) and have my new Kindle Bluetooth Keyboard Case (Christmas present) all ready. Look out for lots of updates, I shall be sharing from the Verve official site.

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Thursday I went to SpeakEasy which was Headlined by the wonderful Jenna Clake and I enjoyed her set from Fortune Cookie, which won the 2016 Melita Hume Prize for Poetry . It was a vibrant evening of poetry and even though I was shattered, I had a great night. I shared a couple of city poems and it was good to catch up with Jenna before Verve.

JENNA SE Watch out for an Interview with Jenna Clake in the Contour Issue 4 (June).

You can buy a copy of this award winning debut collection published by Eyewear here.

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Friday it snowed (which is as exciting as anything writing related), I was working in a school on the hills and was slightly concerned about getting home, but it had melted by then!

I also had Stanza where I took my Contour Love Poem for some editing treatment, it was a lovely evening, filled with poetry and critique. It was good to reconnect, I missed our December meeting due to being too tired after work and January from ill health. It was good to be back. Also a new exciting opportunity was discussed.

Saturday was a busy writing day, I had my WWM group in the morning, who used the Royal Society of Photography Science exhibition to inspire Science Fiction writing.

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This was followed by my Suffragette Workshop in The Hive, Worcester. The workshop was attended by 11 people and I was happy to see a mix of friends, strangers & people who have followed my WPL projects online. It was an informal, whistle stop creative session of just an hour (which worked particularly well for those who left partners in the Hive’s cafe). It was fun and I have already started to receive work for the anthology.

The exhibition runs until 23rd February and can be found on Level 2.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/02/11/open-submission-suffragette-poetry-exhibition-workshop-the-hive/

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Mr G. and I went to see Cloudbusting (Kate Bush Tribute band) again, the 4th time I think, this time they had a full stage with Media show, which we had not seen before! The next day I was busy editing Contour Magazine – YES! For the WHOLE day!

 

Week 3

My first full writing day in over 2 weeks and I planned a whole list of writing tasks (none of which were actual writing)… however, I spent another whole day on the magazine. It was finally live by the evening.

With a reach of over 600 readers already (in less than 24 hours). Issue 2 has a fine collection of love poetry, a load of Interviews with Pete The Temp, Jeff Cottrill, Amy Rainbow and Sharon Carr and a list of Top Poems voted by the public and is well worth a read.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/02/12/contour-issue-2-love/

Please share the link.

Contour Issue 2

I also booked my flights to Australia – where I am an International Guest Poet at the Festival in Perth (August), this made it very real! I also shared this news, which I have been sitting on since November.

I shared the next stage of the Suffragettes Poetry Project with workshop attendees and attended a Worcester LitFest Committee Meeting. There have been many changes to the team since I took up the Poet Laureate post, it was an agenda packed evening. It also helped me finalise plans for World Poetry Day (21st March) my official Laureate remit event. It should be great.

I have since worked on publicity and marketing but as ever with organisation, need to wait for one confirmation before I can go live!

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I have been busy working through Response Poems (ATOTC), dreading the proofing stage with over 40 poets… but we have a good stock of coffee and I plan to use Half Term to get the majority ready.

I received my copy of mind anth a wonderful book, brainchild of Isabelle Kenyon. I have yet to read it in full. I have dipped in. A great collection of poems and funds raised with be donated to MIND – Mental Health Charity. I will be writing a full blog post soon to promote this project.

I had my BBC Hereford & Worcester Radio Interview with Tammy Gooding and this month it was a slightly extended recording due to us discussing love poetry and the work of Pablo Neruda! It was fun and I shared the love poem recently published in Contour.

http://www.bbc.co.uk/radio/player/p05vtpj5

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All performers confirmed World Poetry Day & marketing & promotion was set to GO!

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The deadline for ATOTC response poetry was 15th February & knowing what a huge undertaking it is the proof copies are already leaving my inbox… about 10% proofed & approved in 2 days.

I finished my 3rd book endorsement and am very excited to read a bound copy of this collection soon.

And then there was Verve!

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Verve Poetry Festival (with links to my official blogs)

I spent 5 glorious hours in Waterstones, 15th Feb. then 6 hours writing & editing the official blog reviews.

https://awritersfountain.wordpress.com/2018/02/15/verve-ready/

https://awritersfountain.wordpress.com/2018/02/16/verve-day-1/

After very few hours sleep I was back at the Festival on Friday night

https://awritersfountain.wordpress.com/2018/02/17/verve-day-2-friday-16th/

And then spent my entire weekend there.

https://awritersfountain.wordpress.com/2018/02/21/verve-day-3-saturday-17th-am/

https://awritersfountain.wordpress.com/2018/02/21/verve-day-3-saturday-17th-pm/

https://awritersfountain.wordpress.com/2018/02/21/verve-day-4-sunday-18th/

Since this wonderful festival full of verve… I have been busy writing the official blog reviews which are being drip fed onto the official blog.

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Read more of them here

Week 4 

Started with jet lag, which is the only way to describe the post festival haze of Verve. Wise to this, having attended the full programme last year too – I made sure the diary was empty and the bed was full! I slept, I ate my first meal for 5 days and I hit the desk.

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Writing Verve Reviews, sending proofs for ATOTC, working on bids, sent promo for an event I am part of at the end of end of April, Bohemian Voices organised by Steve Soden and slept some more!

Fortunately it was half term this week so I didn’t have to juggle work into the equation. I mainly worked on proof copy for ATOTC Special Edition Contour magazine and had meetings.

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Starting with Room 204, one of the main attractions is the 1 to 1 mentoring with Jonathan Davidson. It was a productive and useful meeting and I have come away with a page of tasks to incorporate into my work and gold-dust that I needed to acknowledge.

I met with Carolyn Baldwin at the Jinney Ring to finalise the exhibition of our sculpture trail poems from the workshop in September. The poems will be on display in the restaurant for the whole of April. Wonderful news AND even better news for me I have secured future Sculpture Trail workshops. So there will be a new one in September! Carolyn also sent me home with a generous portion of cake! Always a bonus – perfect meeting requirements I would suggest.

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On Thursday I met with Stephen Evans, one of the DAN artists involved in the Hanbury Hall event. My poem has been displayed alongside his artwork in exhibitions in January and now this month too, so far it has been part of Maltstones Exhibition, an exhibition in the Library and now in Parks Cafe.

Stephen showed me a family album from WW2 at the reading event for Hanbury Hall Poets back in November. I used it as primary source inspiration and managed to write 4 poems or so but it is a precious object and I feel much happier now he has it back.

Thursday Night I went to support Claire Walker who was headlining at The Caffe Grande Slam in Dudley. Ian Glass and I found ourselves unwittingly signed up for the slam. I don’t Slam.

It was a fun night and a great little cafe to be in on a cold night. Ian smashed the slam and won! He goes back in April to perform a 10 minute set.

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He also won the Xylophone of Mirth, but as he had driven us all to Dudley he wasn’t able to play it all the way home!

Jean Atkin was facilitating a workshop at the Bishop Castle Artsfest that I had hoped to attend, but our boiler is broken and I had to be home for the engineer. I spent most of the day at the desk writing for Verve, the boiler is still broken.

On Saturday I had a workshop with Angela France, it was a great session and I managed at least one poem and have a page of potential other poems.

On Sunday, whilst writing a poem for a Festival Anthology (more on this soon), I unearthed another line of writing I want to pursue, I have 3 pages of notes to return to at a quieter time (perhaps 2019). The exciting element is they balance something I am already working on.

The Extra Days

On Monday (after turning up for work and discovering I was a day early) I went home and wrote copy for a Worcester News Article promoting the Poet Laureate competition. Jess Charles jumped on it and it was live by the afternoon.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/02/26/3769/

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I also worked on my first ever Grants application and booked a workshop in May.

Tuesday work was cancelled, it started to snow (we have no working boiler) and I spent 14 hours completing my application. 14 hours. A steep learning curve – on evaluation I will give myself a month to complete the forms next time!

I took on a temporary teaching position for a fortnight (just in time for World Book Day) and drove in the snow! I went to see the Royal Ballet Live Screening of The Winter’s Tale (one of my favourite Shakespeare plays), a present from Mr. G’s mum for Christmas. It was amazing!

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And a special way to end the month.

 

 

 

Verve Day 4 Sunday 18th

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Ginny Saunders

Ginny Saunders © 2018

Due to Sunday Service on the trains I wasn’t able to make it for Brum Stanza – the first event of the day. I was in time for my first workshop with the ever-amazing heroine of mine Pascale Petit. A most enjoyable and productive workshop.

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Sadly it clashed with Sabrina’s Masterclass which I would have liked to have done also. Sabrina had rave reviews too.

After the workshop I managed to catch Nymphs & Thugs – which was loud, raucous and fun, at times hard hitting. Salena Godden, Matt Abbott, Maria Ferguson and Jamie Thrasivoulou; four vital performers all rattling with the sense of urgency that makes the UK spoken word scene so exciting at present. Nymphs & Thugs is an independent spoken word record label formed in 2015 as an imprint on Heist Or Hit. They aim to champion the UK’s most vital spoken word poets.

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The first round was superb – it got a little hard for me to concentrate on everyone’s 2nd sets (surviving on just 4 hours sleep again and with post workshop brain), I ducked out just before the end of the final set to get caffeinated and give myself a breather before my next workshop with Liz Berry.

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Hannah Swings © 2018

Cabin fever had set in and I found myself outside of Waterstones for a quick stretch of the legs and fresh air. I really wanted a cosy chair and quiet corner for 10 mins R & R but during Verve that is not likely. Instead I trudged back up the stairs and went to enjoy the Lunar podcast with Roy McFarlane before heading upstairs for a workshop with Liz Berry.

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I went straight from Berry delightfully playful workshop on Tenderness, to the tail end of the Stand Up Poetry Reunion catching almost all of Luke Wright’s set but sadly none of Ross Sutherland’s.

Then I had a very quick break to freshen up before The festival Poetry Finale with Liz Berry, Nick Makoha (seen at Ledbury) and Nuar Alisdar chaired by Jonathan Davidson. It was exceptional.

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NickMakoha

 

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Then Local Legends which was a great concept and one I hope they do again. Sadly I missed Luke Kennard and Bohdan Piasecki in their Headline slots, Sunday transport and the fact that I had hit the wall. I still wouldn’t be home much before Midnight and needed to drive safely from the station.

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It was a tough call, but I have seen them before and will see them again. Not one to leave a party early usually… but when that party has been going for 35 hours… even the sweet shop couldn’t save me!

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Verve Day 3 Saturday 17th (AM)

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I will link to the official review/blog posts over on the Verve website as soon as they are live. For now, here are some thoughts and LOTS of harvested photos. Verve © 2018 unless otherwise credited.

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^^^ This one is actually from 2017 – but demonstrates how I felt energy wise for most of the morning, on just 4 hours sleep…

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Another wild day at Verve Poetry Festival, an action packed programme and a FULL DAY of poetry. Fortunately, having survived the 4 day run of almost every event last year – this year I was prepared (Trail Mix, seat cushion, ballet pumps, a fresh t-shirt etc.), having said that, I stayed up far too late Friday night writing blog posts and overslept!

This meant I missed Cynthia Miller’s Poetry Breakfast and quite possibly some of the most creative conversations to be had about poetry.

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Plus a bit of food (it was 4 days before I had a proper meal)! I did manage to get from bed to the train station in record time and caught the tail end of the event (there was still half an hour of it, but today was a day of Workshops).

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PeyPey © 2018

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Workshop with Karen McCarthy Woolf to start the day – yes please! I won this workshop as a prize for coming 2nd in the Haiku Poetry Slam at Grizzly Pear in December. An amazing event, a fabulous prize and a good way to start the day. The forms she covered were ones I knew (but with a tired brain this was fortunate), her workshop got my mind rolling and resulted in a few works in progress. I was already inspired by the reading from the night before. I just need to book myself some writing time… may use that 20 hour lay over in the summer!

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Karen McCarthy Woolf, Sasha Dugdale & Mir Mahfuz Ali.

The City Poems Book Launch clashed with the Workshop, but I caught the very end of it. A great anthology.

 

The Verve Press had a fair amount of exciting announcements this weekend including up and coming collections. The mystery of Casey Bailey’s next publisher – solved!

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Verve Poetry Press News

From here I hit Level 6 (inner sanctum) for my 2nd workshop with Sasha Dugdale. I thoroughly enjoyed her set the night before. Her workshop looked at Memorial and writing poems for/to our unsung heroes.

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For the first time in ages I found myself unable to complete a poem in the workshop, but do have a skeleton of an idea. I was mightily impressed with the workshop poetry read, there were some highly acclaimed poets in our group.

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Offord Road Books  © 2018

By the afternoon, after such a busy morning (mentally), I felt exhausted but I went straight back to the main stage and snuck in on Stablemates Offord Road Books with Jill Abram.

 

Working on Workshops

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My week started with a meeting about a workshop booked for March. The next day I was back to Rugby Library where I facilitated a workshop in my

https_cdn.evbuc.comimages386723151810659541211original  WMRN role of Reader in Residence. It was a repeat of the successful workshop I ran in 2017 on Writing Book Reviews.

Last week I decided to offer a workshop to mark the Centenary of the Suffragettes, The Hive have an exhibition on, so this Saturday after my WWM Spark Young Writers group I am meeting 6-10 poets to spend an hour writing.

There are 3 community workshops planned with The Basement Project in March and April, some for adults and some with children.

I have a workshop booked at a school in Worcester with Year 7 in March.

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Finally, a workshop with Bromsgrove School plus schools in the community. Following a wonderful meeting today I am all set for this one, what a fantastic space, the newly opened Cobham Theatre.

It certainly is workshop season! It is a great feeling when work booked back in November/December starts to roll closer.

Cheltenham Poetry Festival 2018 – Power

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It is that beautiful time of the year again when Cheltenham Poetry Festival reveal the programme and tickets go on sale!

 

 

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Cheltenham Poetry Festival 2018

18 – 30 April, venues throughout the town

https://cheltenhampoetryfest.co.uk/

Visitors to Cheltenham Poetry Festival will have the chance to fight the power, at least with a pen – this Spring.

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The Festival, which has been described as ‘ A poetry party with a healthy dose of anarchy’ by the Guardian offers a jam packed programme of readings, performances, cinema, music and socially conscious workshops all inspired by a theme of ‘power’.

On offer this year is a workshop with poet Peter Raynard called Fight the Power and plus David PunterProfessor of Poetry at the University of Bristol talks about anarchy, capitalism and political poetry.

The Eighth Cheltenham Poetry Festival celebrate the power of words in a programme of exciting live literature events, challenge the abuse of power in a series of outspoken readings, empower lives with inspiring and innovative community activities and powder keg your poetry with our potent workshops.

Highlights of 2018 include BBC Radio 6 Music’s Poet in Residence Murray Lachlan Young – ‘A rock ‘n’ roll poet of our time’ (Chrissie Hynde),‘Chap hop’s leading exponent’ (The Wall Street JournalProfessor Elemental, Salford rising star JB Barrington, hip hop artist TrueMendous,  ‘the missing link between Jarvis Cocker and Roger McGough’ (Irish TimesVinny Peculiar, internationally acclaimed writer Amir Darwish, ex judo champ turned poet Owen Lowery and TS Eliot Prize winner Jacob Polley.

As ever the Festival welcomes some of the UK’s most important contemporary poets to the Festival. They include Jonathan Davidson, Martyn CrucefixSam Willets, Costa- Prize winner Jonathan Edwards, Rishi Dastidar, Pat Borthwick, Gill McEvoy, Peter Raynard, Tom Sastry, Wayne Holloway Smith,  Cora GreenhillAdam Horovitz, Jane Commane, Chrys Salt, Nina Lewis, Rachael Allen, Patrick Mackie and Ben Wilkinson to name just a few!

Also on offer are poetry film showcases from Elephants Footprint, a screening the critically acclaimed film Love Somehow – a poetic re- telling of Caitlin’s Relationship with Dylan Thomas (staring Griff Rhys Jones as the voice of Dylan), Scarestories – a multi-media dystopian vision of the western word featuring poetry from David Clarke and the chance to explore local history with Angela France’s praised poetry show The Hill. 

Read more www.cheltenhampoetryfest.co.uk

 

‘ A poetry party with a healthy dose of anarchy’ – the Guardian.

‘Talks, walks, workshops and lots of lovely poetry take the streets of Cheltenham to a higher plane for this yearly celebration of all things lyrical’. METRO UK

‘One of the foremost poetry festivals in the country’. Hamish Wilson

Cheltenham Poetry Festival 2018 (18 Apr 2018 – 30 Apr 2018)

The biggest and best yet!