Category Archives: Collections

INKSPILL 2018 CONTOUR Poetry Magazine Issue 4 COMING SOON

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We hope you have enjoyed the INKSPILL weekend.

During my time as worcestershire Poet Laureate I created Contour – A Poetry Magazine. The launch of this issue was hoped to be our final post for INKSPILL 2018*.  Here I was to invite you to curl up with a warm drink and experience the world of poetry and all things poetical in the latest issue of CONTOUR.

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*However, the issue is not ready to go live (in case you missed the post I have had an operation) and this has set me back/time online not possible etc. This issue will go live very soon and I will post on the blog to promote it when it does.

Until then I can share some news and the previous issues of Contour for you to enjoy.

Inkspill news

My Laureateship ended in June 2018 but I have decided to continue with Contour.

It will now be an annual publication released as the final event of INKSPILL weekend. Submissions will open in July 2019, keep your eye on A Writers Fountain for more details.

LINKS:

SPECIAL EDITION ISSUE 3 A TALE OF TWO CITIES

Transatlantic Poetry Project as featured in Poetry Society Poetry News.

 

ISSUE 2 CONTOUR LOVE

 

ISSUE 1 CONTOUR PLACE

 

INKSPILL 2018 Bookshop

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The INKSPILL Book Shop posts provides you with access to this year’s Guest Writers books and other books featured over the weekend.

Our Guest Writers give their time for free and the whole weekend is free for you to access… so if you are in the market for a book, you have come to the right place.


Kate Garrett

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The Density of Salt

These are poems of journeying, transformation, and growth, woven through with fairytale and myth, forest, sky and sea; they are elaborations of the dark times that make us look for light. This book is a place where love is never the same feeling twice, and neither is revenge.

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You’ve never seen a doomsday like it

These are poems about surviving doomsdays. People use the word doomsday to describe the apocalypse, and apocalypse simply means ‘an uncovering of knowledge’. Every life has its share of apocalyptic moments—not only great catastrophes, but also small secret revelations, and surprise twists of good fortune as well. They leave you with lessons learned, and stories to tell.

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Deadly, Delicate 

Here are fourteen poems circumnavigating the world of historical piracy, presented at a slant where the men are dangerous and the women are lethal. The violence and the sweetness, the freedom and the acceptance of death are all given equal footing. Never straying from the brutality of a lawless life on the seas, Deadly, Delicate welcomes you to the depths…

Three Drops Press and Picaroon Titles can be found here – 4 pages of books.

Spotlight Kate Garrett

 

Bonnie’s Crew Poetry Anthology 

The Bonnie’s Crew poetry anthology is here! Our tiny A6 paperback contains 41 poets and 52 pages of poetry. It’s a limited first print run of 200, and they’ve been flying out my front door – but we do still have plenty available.

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INKSPILL 2018: Articles – A Revolutionary Act: Samantha Zighelboim by Zachary Pace

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Inkspill news

This year’s articles during INKSPILL are based on Poetry. The first article we would like to share was published in August 2018.

The Fat Sonnets (Argos Books)—Samantha Zighelboim’s debut poetry collection.

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A Revolutionary Act: Samantha Zighelboim by Zachary Pace

The poet on confronting societal limitations about the body, navigating the language of fatness, and celebrating friendships that embrace the joy of food.

This article was published in Bomb Magazine. Click the link to read it.


 

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Samantha Zighelboim’s debut collection conducts a radical re-examination of what we mean by body. In these poems, body is noun, verb and adverb; body is dearly beloved and fiercely rejected; it is by turns a singularly beautiful process and a frightening object. Zighelboim takes the sonnet form as a loose premise, a la Bernadette Mayer, but then explodes, expands, defies and otherwise grows out of supposed formal limits, making language into a living embodiment of the refusal of (institutional, patriarchal, cultural) control. 

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PRAISE FOR THE FAT SONNETS

The Fat Sonnets are greathearted, wickedly brilliant, and wise. Samantha Zighelboim writes with rare passion and exactitude: she can cure, or kill what ails you, and yet she sings from the soul, which is beyond diagnosis, at once perfect; eternal and savagely hungry since whenever eternity began. Hilarious and cruel, every page swells with compassion. I love this book. It is deeply nutritious. It will feed you.

—Ariana Reines

 

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Samantha Zighelboim Photo credit Alexis Baldwin © 2018

BIO: Samantha Zighelboim is a 2017 NYFA/NYSCA Fellow in Poetry, a recipient of a Face Out grant from CLMP, and the co-recipient of the 2016 John Frederick Nims Memorial Prize in Translation from The Poetry Foundation. Her poems and translations have appeared in POETRYBoston ReviewThe Guardian (as part of Asymptote’s ‘Translation Tuesday’ series), PEN Poetry SeriesStonecutterFanzinePublic PoolSixth FinchBone Bouquet and Springhouse, among others. She  lives in New York City, and teaches creative writing and literature at Rutgers University and The New School.

INKSPILL 2018 Guest Writer Kate Garrett Interview

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Kate Garrett talks to us about writing poetry, her influences, books and reading as well as the latest on her current projects.

 

1) When did you realise you were a writer/ poet? 

I realised I was a writer somewhere around age three. I wanted to write my own books (I’d learned to read when I was two) – so my grandma would bind scraps of leftover wallpaper in cardboard, and I’d spend my days drawing Care Bears and My Little Pony fan fiction in them. I recall one of my Care Bears holding a knife, so I think my personal style was set long, long ago…

Poetry came several years later, with reading ‘The Highwayman’ by Alfred Noyes for the first time. It was historical fiction, it was a ghost story, it was full of emotion – it was everything I loved about prose fiction but in ballad form. It made me realise poetry was storytelling, too; it was when I learned ‘poetry’ was not just the amusing rhymes they taught us as small children. From there I moved on to the Beat Generation, then Sharon Olds, all in my teens, and became obsessed with writing it myself. I was 12 when ‘The Highwayman’ got that started. Strangely enough, it was through school that I came to love it – which is what quite a lot of people cite as a turn off.

2) Tell us about your process: Pen and Paper, computer, notebooks … how do you write? 

Pen and paper first, words and ideas jotted down in stream of consciousness, scribbles, only I know what I am trying to say (and sometimes even I don’t know). Then I take it to the computer, start typing anything that sounded salvageable in my notes, and stronger images and phrasing will come to me as I work. While I write the proper first draft, I must discover something I didn’t know was there – something about a character I’m writing (because much of my poetry is historical fiction or horror or both), or about myself, or a situation/experience. If that doesn’t happen, if I don’t learn something while writing, the poem isn’t working.

3) Which writer would you most like to have a drink with, and why?

Søren Kierkegaard and Albert Camus, because both of their books have helped with my emotional and mental wellbeing over the years… being comfortable with your own anxiety in an absurd world has a lot going for it, and without these guys and their own forms of existentialism, I don’t know if I’d have reached that point.

4) Where do you buy your books? 

Everywhere books are sold! I mean that sounds like an exaggeration, but I buy books literally everywhere I go, as well as from the internet. Two of the books I’m currently reading were purchased from the gift shop at the top of the Great Orme in Llandudno…

5) Who are you reading now? 

It’s more what am I reading than who just now. I’m reading a lot of history books, especially witch and/or occult and/or religion related – nothing new there – and I’m reading Against Nature (À Rebours) by J.-K. Huysmans, because I just love Huysmans’ novels, they hypnotise me a bit. But I tend to have anywhere from 10-25 books on the go at once (not an exaggeration), depending on what I feel like picking up on any given day. I do go through phases of reading poetry book after poetry book, but right now I’m not in one of those – I imagine I’ll be in one again before the new year! The last handful of poetry books I read included Sheffield Almanac by Pete Green, Sunshine by Melissa Lee-Houghton, Killing the Piano by Joe Williams, Moon Milk by Rachel Bower, & by Amy Kinsman, and Somewhere Between Rose and Black by Claire Walker.

6) Tell us about your latest collection. 

It’s called Land and Sea and Turning, and it’s a limited edition (only 100 copies will ever exist) chapbook published by CWP (Cringe-worthy Poets) Collective Press in Buffalo, NY, USA. It’s 22 poems about fate, and free will… and ok, also death. There are mythological, historical, and personal poems, and a few which are horror fiction. I don’t like to say which poems are which. I’m sure people can figure it out…

7) What influenced it?

History, mythology, literature, astrology, and inevitably, life. There are poems about cannibalism in Jamestown during the winter of 1609-1610; medieval belief in revenants in the abandoned Yorkshire village of Wharram Percy; a crime/horror fiction poem narrated by a very superstitious understudy during a run of Macbeth; a poem about The Girl in Blue, a figure of Ohio folklore who really existed, but her identity was a mystery for 60 years. Some of it is based in my own experience, but I’m increasingly weary of focusing on myself. I like giving life to history. I want people to feel those who came before us as fully fleshed out humans, not just names and dates and ideas, because learning history by memorising dates misses the point. More than anything I want to unsettle people in unexpected ways, not just with stories of my childhood abuse and bad choices as a younger adult. And that’s kind of what happened in Land and Sea and Turning – though some of the poems are personal, the need to dig around in other darkness, the stuff outside of myself, that took over.

8) What are your current/future projects?  

I’ve just finished a mini pamphlet of 12 poems called She looks just like you, which is currently under consideration at a press, and my fingers are firmly crossed. This one is very much based in my personal experience, but it’s through the lens of an elf or a changeling in the human world.

I also just finished my four-part poem ‘The fifth & final’ (to be released this winter as a Stickleback micro collection from Hedgehog Poetry Press), which is about magic, and how I blend my Christian and pagan beliefs, and sort of mythologising my youngest daughter Bonnie’s conception/gestation/birth. It’ll be part of my first full-length collection of poetry, The saint of milk and flames, which I’m halfway through writing. It’s full of faith and doubt, ideas about belonging and outsiders, and has a thread of fire running through it while being simultaneously soothing – hence the title, which is after Brigid, who is both Christian saint and pagan goddess.


 

Later we interview Kate Garrett in her role as Editor.

A Night of Light

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I had the pleasure of attending a Book Launch on Thursday night. It had been an exceptionally long and somewhat emotional day at work and then I had to dash off for more work before heading across to the suburbs to catch a train into the city. My train was delayed with a 15 minute wait in between stations, déjà vu to my last post-Book Launch ride home, which took the best part of an hour (three times the journey). I managed to arrive just in time, but not looking too fresh after all my whizzing around!

I am so glad I made it though as it was a most special evening. Part of me knew it would be because – it was David Calcutt’s Launch.

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I know that some of the poems in this new collection The last of the light is not the last of the light, published by Fair Acre Press, are going to be a hard read, tissues on stand by and I was worried that I may fall apart during the launch but the set David chose suited us celebrating his poetry perfectly.

There was music from Glen Buglass, poetry from Nadia Kingsley, Roz Goddard, Helen Calcutt and even a Harmonica, cakes, Prosecco and BOOKS.

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We were in the Art Room, which is where I had my own Book Launch back in 2016. The evening was hosted by Jonathan Davidson and the room was full of poets, friends and family. With the talented work of photographer Wayne Fox, whose images will hopefully capture something of the experience for you. Thank you to Wayne for allowing me to use his work in this review.

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Despite knowing I would write a review, I really felt that not taking notes was important. I wanted to be 100% present. The evening began with music from Glen Buglass , it ended with music and in between we were treated to some fine poetry.

Nadia Kingsley was the first poet to take a spot, as Editor of Fair Acre Press this was a fitting start. Nadia and David have a working relationship that stretches back years. I loved Nadia telling us that the initial seed for their collaborative work started through a conversation they had a poetry festival whilst waiting in a queue to buy books! I saw them perform together in Kidderminster and bought both books Roadkill and Through the Woods. Nadia writes a lot about Nature, and treated us to a set of superb poems and spoke about David and the opportunity and pleasure of publishing this collection.

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Helen Calcutt read poems from her forthcoming V. Press collection ‘Unable Mother’ which launches in September. She told us she was honoured to be one of the Guest Poets and had not expected it. Her set took us through womanhood, motherhood, nature and loss.

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Following on was Roz Goddard who read some poems from her Flarestack Pamphlet ‘Spill’ and others. She lifted me with her poem about the joy of Buddhism. Another beautiful set.

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Then we had an interval of books, cake and Prosecco. I had planned to mingle like mad, but with so many people in the room I wanted to talk to, this was impossible. I barely made it from my seat, I managed to catch up with five people – although hugging with Prosecco & cake hands is a fine art!

Sadly, I missed a chat with Helen (who flew off to teach Dance) and wasn’t there at the end when I managed my mingle.

The room was a hive of activity and it took professional shepherding to get us all back to our seats.

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Before Jonathan introduced David, there was more music.

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David shared just six poems, although true to his impromptu style changed his mind on at least one, I wasn’t counting – he may have added or substituted. Whatever he did, it was magical to hear. I think most people bought the collection so we will be able to read it for ourselves, it is always memorable to hear the poet read their own words.

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I was grateful that the light was very much present throughout the evening and in David’s set. And to finish the night- we were treated to a musical duet. I don’t think I have ever heard the musician David Calcutt and it was a treat. I was certainly transported to Mississippi, lost on dreams of travel I thoroughly enjoyed this highlight.

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It was great to catch up with friends and Birmingham, to find pockets of time to catch up with Stuart Bartholomew and to buy the book. I had a good mingle after the event and managed to catch up with most people.

 

A thoroughly enjoyable Book Launch with a relaxed atmosphere. A perfect evening.

calcutt  If you click the cover you can buy a copy for yourself.

“This is a collection full of grace, at once deeply authentic and heart-felt, a set of beautiful lyrical poems.”

 

RELATED LINKS:

https://www.waynefoxphotography.com/

Festivals, Dirty Laundry & #MeToo

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Just home from a great night at The Blue Boar in Ludlow where Deb Alma Launched her first collection ‘Dirty Laundry’ published by Nine Arches Press.

 

This event was part of the Ludlow Fringe Festival.

Deb invited Guest Poets to perform: I read alongside Angela Topping, Roz Munro Derry, Holly Magill and Ruth Stacey.

I had not seen Angela since she launched Hearth (Mother’s Milk Books pamphlet written with Sarah James), it was lovely to catch up and also hear her read. I was particularly in awe of her final poem. Holly and Ruth both treated us to powerful new poetry, Holly’s debut pamphlet The Becoming of Lady Flambé is published by IDP. It was lovely to meet Roz, full kudos for her being brave enough to finish her wonderful set with her Me Too themed poem, written after Deb had created the anthology published by Fair Acre Press.

Deb Alma then took the stage after a great introduction from Jim Sheard. I thoroughly enjoyed the Launch in Birmingham and Deb’s reading here on (old) home soil was perfect too. Her set was a brilliant mix of all that Dirty Laundry offers and I admire her ability to perform some of the material in front of her family. It has been splendid watching Deb take off beyond her ever-amazing Emergency Poet work.

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Deborah Alma’s debut poetry collection Dirty Laundry is raucous, daring and honest, drawing contemporary women’s lives and those of our foremothers into the spotlight. It voices bold, feminist songs of praise: of persistence, survival, adventures of sexual rediscovery, each reclaiming the space to speak its mind and be heard and seen. A perfect remedy for the heartsick and weary, Alma’s intimate and particular poems are resolute enchantments, a form of robust magic.

© Nine Arches Press

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After an interval I was part of the #MeToo Anthology experience. These compelling performances have been occurring up and down the UK, at Festivals and Poetry Events. This book (sadly) is a necessary collection full of sincere and authentic poetry. This collection rallies against sexual assault and harassment.

The Guest Poets joined Deb in reading their own and other’s poems from the anthology before a group performance of Pippa Little’s Spartaca. A moving end to an amazing evening.

#MeToo Anthology was a Saboteur Award Winner earlier this year. All profits go to Women’s Aid and Refuges & domestic and sexual violence services can apply for a 50% discount on the cover price.

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“…Something was released and given a space within social media. It was easy to add our voice to the rising shout of #MeToo. We felt the sisterhood. Many women felt emboldened by this to share more difficult stories, more details; the lid has come off this box and now cannot be forced back on. I’m a poet, and an editor, and someone suggested we collect these stories somehow and it was obvious to collect them as poems. It was what I could do. I am very proud of this book, proud of the poets for sharing their stories and for putting their names to their words…These poems are painful, angry, often difficult to bear, but the result of these voices singing together is one that is beautiful, full of sisterhood, strength, and recovery…” (Deborah Alma, Editor)

 

My own poem ‘Ripped’ was shortlisted. Many of the shortlisted poems appear on Vik Bennett’s Wild Women #Us together.

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#UsTogether
voices from the #MeToo movement

In collaboration with the creators of the anthology, Wild Women Press have created an online platform for some of the additional submissions sent in response to the #MeToo call for poems. This platform is a place to celebrate the courage of the women who have shared their poems — voices that join together across counties and countries, in strength and sisterhood. #MeToo #UsTogether #NoMore

Science & Maths Poetry Anthology – Every Word Counts

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Diverse Verse 3 Charity Anthology Book Launch

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Richard Archer produced the first Diverse Verse (2016) before I happened upon his charitable project, I made sure that I was on board when he did it again in 2017 and after creating Diverse Verse 2, he has done it again!

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I am proud to have a rather strange poem written during NaPoWriMo 2017 included in this publication. Proceeds go to Cancer Research UK.

Richard Archer commented on how the collection affords an opportunity for first time publication, which I think is great – you never forget the feeling of the first poem published.

The books are certainly diverse with a mix of known, novice and up and coming poets from all over the world, bound together in a perfectly formed paperback!

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Scott and Amy – owners of Walsall and the Black Country’s only independent bookshop. 

The Launch took place in Walsall at SouthCart Books on 28th April and was great fun. There may even be a write up in a Midland Arts Magazine soon. I will keep you posted. Rick Sanders, myself and Richard Archer were interviewed and offered insights into the project and the writing process/life of a poet.

There was a relaxed atmosphere throughout the launch and as ever Scott and Amy put on a generous spread and served hot drinks to keep us caffeinated, wine was available but I was driving.

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Richard Archer

The event ran from 11 – 3 PM and was divided into 3 readings with plenty of time to catch up, socialise and browse the Bookshop between each set. It was great to catch up with poets I have not seen for ages and to promote the last Laureate opportunities to them.

I also love the fact Southcart Books is open, so sometimes customers come and have a listen or just come to browse the shelves above your head as one guy did in the 3rd Reading.

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In the first section we heard 5 minute sets from these poets;

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Liz mills
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Alison Reed
Mike Alma
Ian Henery
Matthew Cash
Martha Cash

Many performed the poem they had in the anthology alongside other work. Some sets were deeply moving and I thoroughly enjoyed sitting back for a listen.

Then we had an interval, food, mingling – lots of love in the Bookshop.

There is a poetry chair people to read from (a tradition in the Bookshop).

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So I settled down (cake on shelf) to open the 2nd section;

Nina Lewis
Jan Wilkes
Pauline Faulkner
Claire Sutton
Kristina Griffiths
David Wilkinson
Al Barz
Paul Elwell
Amy Carter

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Then another break, more coffee and a final readings from;

Richard Archer
Rik Sanders
Leanne Cooper
Jerry Peterson
Matt Humphries
Rachel Oram
Dale Parnell
Grace Dore

A really superb launch and a great anthology. You can buy a copy here

Diverse verse 3 is a poetry collection full of the finest poems from across the globe.

Within its covers are words that will send hearts soaring with joy or just as easily bring them crashing back to earth. Turn a page and find yourself on the wrong side of an argument, lost in a fantastical city or battling with malevolent inner demons. Read on and live vicariously through the words within.

Diverse Verse 3 is sold to raise money for Cancer Research UK.

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© 2018 MNA Express & Star (photo taken in the first shop premises) – Scott Carter

RELATED LINKS:

http://southcart.weebly.com/southcart

https://skaggythepoet.wordpress.com/2017/06/12/diverse-verse-2-sells-out-again-at-southcart-books/

In Conversation – BMI Poetry Project

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Last night I had the pleasure of a reading in Birmingham at the Birmingham & Midland Institute, a booking which was taken last year.

We were competing with an event at Waterstones (Cinnamon Press Showcase which was postponed from earlier in the year and an event I would have attended myself), final assignment deadlines for Birmingham Universities and the sunshine which made an appearance around 4 PM and again at 8 and probably had most people running for their gardens!

Still we had a good time and it was great meeting new poetry lovers. I was surprised and delighted by the support of Roy McFarlane who is the current Poet in Residence at BMI and fast approaching the launch of his next collection (Nine Arches Press).

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I was a little nervous, I have 3 Guest Speaker events under my belt and a string of radio interviews but had never had a live Q&A in front of a theatre audience and I am always mindful of what people probably want to hear and the art of gentle disclosure.

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Photo credits Paul Stringer (Room 204) and PhotoGiraffe

Talking to people during the interval, the insights that came up were from points where I relaxed and answered honestly hiding behind the 4th wall (forgetting we were being watched). It was fun talking about writing and all things poetry.

The event was held in the John Lee theatre, acoustics were great. I had woken up without a voice and used it all day at work.

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I enjoyed the reading – the first half was Fragile Houses and the second part a mixture of poems from the book and some newer material. Again, lots of positive feedback and although the audience was not as large as hoped my work has found new ears.

The evening finished with an Open Mic and this was a chance for new performers. The poetry was good, some of it deeply moving and we even managed to convince Roy to treat us to a poem.

The sun was just setting as we made our way back to New Street (now Grand Central).

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Fragile Houses is now housed in the Library at BMI.

Huge thanks to Jo, who stepped into Serena Trowbridge’s shoes, I wish Serena a speedy recovery and look forward to more events the BMI has to offer.

Images © 2017 Birmingham & Midland Institute https://bmi.org.uk/

 

 

 

Verve Day 3 Saturday 17th (PM)

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Stablemates is the brainchild of Jill Abram. These nights usually take place in London, but she has brought poets to Ledbury Festival from Peepal Tree

FullSizeRender-300x161 Ledbury Poetry Festival ©2018 with Roger Robinson, Nick Makoha and Seni Seneviratne and Waterstones, (Oct. 2017) with Henry Normal, Rosie Garland and Jackie Hagan of Flapjack Press… Flapjack-SM-pic

Jill brought Stablemates to Verve.

Jill leads conversation with each poet in turn and then they do a 15 minute set. Verve saw poets from Offord Road Press: with Martha Sprackland, James Brookes and Bobby Parker.

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Apart from July, August & December the Stablemates reading series takes place at The Poetry Cafe (22 Betterton St, London, WC2H 9BX) on the fourth Thursday of the month. Do go and check it out.

 

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Next came The Poetry Assembly with Jane Commane, the much awaited book launch of Assembly Lines.

A fantastic event, certainly a festival highlight!

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With readings from Romalyn Ante, Roz Goddard, Liz Berry and Matt Black.

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And a book signing WITH cake!

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Introductions to Jane’s Launch by David Morley.

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The first evening event brought the Poetry Headline of three award winning poets… the wonders of Pascale Petit, Hannah Lowe and Sandeep Parmar, introduced by Gregory Leadbetter. A thoroughly breathtaking event. Loved the poetry and broke my book budget after spending a long time stroking the covers!

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Louise Palfreyman ©2018

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Day 3 finished with Outspoken Press Showcase, back for another Verve after their success last year, one of the biggest events audience talked about in 2017 and all of us in Workshops felt we had truly missed out. Back with words and spirit, introduced by Joelle Taylor the always amazing: Anthony Anaxagorou, Sabrina Mahfouz, Raymond Antrobus, Bridget Minamore and Ollie O’Neill as well as a set from Joelle.

 

An incredible way to finish a night/day of poetry.

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