Tag Archives: Worcestershire Poet Laureate

WLF Mini-Fest 2021

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WLF Mini-Fest 2021

WLF Mini-Fest 2021!
Come and join us 6th-11th June.

Worcestershire LitFest & Fringe

Excited to announce the 2nd WLF Mini-Festival 2021! Come and join us 6th-11th June.

Keep up to date with Festival announcements here.

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Worcestershire LitFest & Fringe 2021

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A brand new website for Worcestershire LitFest & Fringe. Find out about all the 2021 competitions, join in with virtual open mics at SpeakEasy (9th April) and coming soon announcements for Worcestershire LitFest 2021.

YOUNG WRITER COMPETITION

7-17 years old/ FREE entry/ International

FLASH FICTION COMPETITION

300 words £4 or £10 for 3 entries/ International

And if you are a resident of Worcestershire, for £5 you can enter the Worcestershire Poet Laureate Competition.

International Women’s Day 2021

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There are many online events marking IWD – there are always Spoken Word and Poetry events that mark this day, the joy of this year was discovering the Creative Profiles on the main IWD site include poets.

Almost too many choices happening this evening, but you will find there are events throughout the week for IWD. I booked a ticket for an event tonight a long time ago, so haven’t even explored other events as I know I won’t be able to make them and then that just makes me feel frustrated.

All information and images below are ©International Women’s Day/IWD2021 (unless otherwise stated) and the text is from the official website.

IWD 2021 campaign theme: #ChooseToChallenge

A challenged world is an alert world. Individually, we’re all responsible for our own thoughts and actions – all day, every day.

We can all choose to challenge and call out gender bias and inequality. We can all choose to seek out and celebrate women’s achievements. Collectively, we can all help create an inclusive world.

From challenge comes change, so let’s all choose to challenge.

International Women’s Day (March 8) is a global day celebrating the social, economic, cultural, and political achievements of women. The day also marks a call to action for accelerating women’s equality.

IWD has occurred for well over a century, with the first IWD gathering in 1911 supported by over a million people. Today, IWD belongs to all groups collectively everywhere. IWD is not country, group or organization specific.

#IWD2021 #ChooseToChallenge

For full information on Women Creatives click here.

Firstly, a poet I was lucky enough to meet and hear during the first Lockdown, Sharena Lee Satti. She has been snapped up by Verve Poetry Press.

Sharena Lee Satti is an independent spoken word artist, author and workshop facilitator who writes with her emotions to the fore, her heart at the centre, and a power that can leave peopple breathless. 

“My poems are real, raw and honest – addressing issues like survival, cultural-identity, life’s battles, self-love, body dysmorphia and many subjects people struggle to speak out about,” says Sharena.

Writing has never been optional for Sharena Lee Satti. Like eating and breathing, it’s something integral to her existence. Everyday she is thankful to be able to make a small difference to society, sharing something she is deeply passionate about.

©www.sharenaleesatti.com

When you choose to challenge… through spoken word poetry

Anisa Nandaula is a very talented spoken word poet, play writer, educator and published author

Spoken word is one of the most powerful forms of poetry because it passionately expresses the poet’s deepest thoughts while simultaneously engaging and inspiring listeners. So, spoken word poetry seems a perfect medium to reinforce and amplify this year’s International Women’s Day #ChooseToChallenge theme. Spoken word poets from around the world are stepping forward in solidarity to choose to challenge. 

Anisa was born in Kampala, Uganda and later moved to Australia at the age of 8. Growing up in Australia, Anisa observed the vast distinctions between these two countries and the fundamental difference in living standards sparked her passion to use her voice to articulate her thoughts on social justice. Her poetry explores issues of race, feminism and politics – while employing her talent and wisdom to educate and engage people to have difficult and challenging conversations. Her often controversial work explores the complexities of being a child of diaspora, history and the importance of philosophical questioning. Anisa’s soulful and passionate performance style is incredibly moving.

Some of Anisa’s most influential poems see her confrontationally and powerfully explore concepts of identity, violence and worth.

Anisa has received a multitude of accolades, appeared at numerous high-profile events, and performed upon many prestigious stages including at the Sydney Opera house.

Anisa discusses her passion, struggles and inspiration

“I guarantee there are going to be moments where you want to give up – where you don’t think that you’re good enough or your ideas are good enough – but you have to be resilient enough to keep going…There are going to be days when no one believes in your idea but you, but you have to have belief in what you can see and what you can be in yourself,” says a young Anisa.

Aminah Rahman is an award-winning British-Bangladeshi poet and spoken word artist

Aminah Rahman is a 17-year-old award-winning published poet and spoken word artist born and raised in Cambridge, UK. She is a third-generation British-Bangladeshi with over 60 years of family history in Cambridge. She has been writing poetry since she was eight years old. Most of her poetry focuses on fighting racism and celebrating who we are as individuals. 

To support the International Women’s Day #ChooseToChallenge​ theme and to call upon further spoken word poets to step forward and use their voice to influence positive change, Aminah crafted an inspiring poem “Changing the Future”.

Aminah Rahman

Aminah’s mission is to break down any barriers that could stop people from reaching their potential, and she hopes to connect to the souls of many people who draw comfort from her words.

“I believe that it is important to be there for one another. I remember when I wrote my first rap ‘Accept Me Please’, after hearing stories about tackling racism. I ran up the stairs, taking two steps at a time as so many ideas came flooding in to me, and then I put pen to paper,” she explains. “I had never written so quickly! It was an incredible feeling knowing that I had my first rap right in front of my eyes. Poetry has enabled me to learn about the world around me and most importantly who I am as an individual.”

Winner of prestigious awards and accolades

Aminah wrote her first poetry collection Poems by Aminah in 2016. She then wrote Soul Change, her next collection of poems about social issues that affect humanity today. Five of Aminah’s poems have been published in Young Writers UK anthologies. Aminah is featured in the June 2020 edition of Writing Magazine, the UK’s biggest and bestselling magazine for writers, where she talks about her passion for poetry. Aminah was also recognised as one of the ‘Top 6 Most Influential Muslim Youth’ in Hayati Magazine, Nigeria’s #1 Muslimah fashion and lifestyle magazine.

She was the winner of the Young Muslim Writers Awards Key Stage 2 Poetry category in 2015. In 2017, she was the joint winner of the Cambridge News and Media Education Awards: Pupil of the Year award. She also took part in the BBC Upload Festival 2020, a festival that showcases talent from across England and the Channel Islands. Aminah represented Cambridgeshire with her poem ‘Please’. She has spoken at numerous events, actively promoting inclusion and diversity.

Using poetry to understand the people and the world

Aminah Rahman

Poetry can be a powerful mechanism for change. For Aminah, it is the heartbeat for change.

It helps her to understand and appreciate the way the world is today. Poetry is a form of expression that helps her to process her thoughts and feelings. Writing and reading poetry helps her to see things from a different perspective.

For Aminah, words are the best reflections. “Poetry helps me to empathise with others and it leads us to love. It also helps me to understand my own identity. My journey has helped me to discover my own voice. Poetry is a powerful gift because it addresses feelings which can be hard to describe. Poetry brings us together,” she adds.

©International Women’s Day/IWD2021

I will be celebrating with some women I know this evening.

And I couldn’t post IWD without a link back to one of the many anthology collections I edited/curated as Worcestershire Poet Laureate in 2018. This one came from a Mini Workshop I facilitated in The Hive, based on the wonderful exhibition they displayed to mark 100 years of votes for women/ the Suffragette Movement. Those women certainly chose to challenge! #ChooseToChallenge.

Suffragettes Anthology – Worcestershire Poet Laureate 2018

I was the 7th WPL and the 4th woman to take the role, my plate was very full 3 years ago, so for IWD I created this call out IWD which resulted in this brilliant post all about female poets and inspirational & influential women. Many listed are friends of mine and poets I know, I have now (in the past 3 years read all of them), maybe you will find a new read somewhere in there and they are all STRONG women!

I couldn’t quite leave it there – I created this post with the former female Worcestershire Poets Laureate – Maggie Doyle (2012-13), Heather Wastie (2015-16) & Suz Winspear (2016-17) celebrating their work and influential women in their lives.

It’s IWD – it can’t pass without another watch of Amanda Gorman!

And, from the power of performance through words of wisdom, we reflect on that moment when our spirits were ignited across the world by the stirring call from Inaugural poet Amanda Gorman who delivered her poem ‘The Hill We Climb’ at President Joe Biden’s inauguration. An American poet and activist, Amanda Gorman’s work focuses on issues of oppression, feminism, race, and marginalization. © International Women’s Day 2021

#IWD2021 #ChooseToChallenge

I have always been a letter writer, at 13 I had 33 International pen-pals and many of us wrote well into our 20s and have since found each other via social media! Lifelong friendships. I used to love receiving post… nowadays it is mainly business and bills but occasionally someone sends me gold. I was overjoyed to see this… although (typically) it is a no-post day for me. A wonderful gesture from the Royal Mail.

Millions observe Royal Mail’s significant #ChooseToChallenge awareness raising efforts

Thank you to the UK’s Royal Mail for celebrating International Women’s Day, raising community awareness, and amplifying the call-to-action to #ChooseToChallenge. ⁠

Royal Mail’s special #IWD2021 #ChooseToChallenge postmark is being applied to millions of stamped mail items over three days of the International Women’s Day period. 

Important support for women’s empowerment

Royal Mail’s special moment-related postmarking provides an important opportunity to amplify key messsages, mobilize positive action, and engage communities.

Not only will women appreciate the organization’s support in reinforcing equality, but the #IWD2021 #ChoooseToChallenge postmarking is relevant to all genders inviting people to courageously step forward and call out stereotyping, bias and discrimination. 

© The Guardian 2014

An iconic organization where women choose to work, Royal Mail is one of the oldest organizations in the world, and can trace its origins back over 500 years to 1516.

They are also one of the UK’s largest employers and mantain a solid focus on diversity and equal opportunity within its workforce.

Royal Mail Group has a strong community engagement focus which provides an important opportunity for its people to interact and build relationships with the communities they serve – and this is of benefit to both parties. The organization’s ongoing commitment to community engagement is significant.

© Alison Evans @artsyalisondesigns

Typography From the Creatives IWD.

Alison Evans is from Sacramento in California, USA and her design focuses on challenging and calling out gender bias and inequity. ” I love the empowerment in the message and knew I had to create something that not only celebrates the day, but shows solidarity with the mission,” she says.

“I like to serve up positive, uplifting art with a side of feminism and pop culture. The main focus of my work is based on my own personal experiences with mental health, feminism and being raised by the television screen. While most of my work is focused on illustration, my main inspiration and motivation is typography, lettering and calligraphy.” 

“My concept behind my IWD design is that I really wanted to embody the celebration of women’s achievements and promote a sense of inclusion and togetherness. Hands are something I gravitate towards illustrating, so I thought that holding hands would be a perfect depiction of that idea. I also wanted to incorporate the international symbol for women, and decided to include that with the background pattern.”

“For the process, the program I use for all of my lettering/typography/illustration is Procreate. I started with the message: ‘Happy International Women’s Day’ and decided I wanted to have that as the biggest element in the design. I sketched the lettering out first and realized that I had a blank spot underneath the lettering portion. As mentioned, I enjoy drawing hands so I thought this would be a perfect addition to the design at the bottom. I sketched those until they fit how I wanted them to, then went back and lettered the writing, and designed the ribbon-like texture to it. After that, I finalized the hands and colored them in. I always have a problem selecting colors, so that part took a long time, but I finally settled on a darker background so that the messaging popped.”

“When it comes to IWD, I believe that as a society we need to celebrate women’s successes and stand up for gender parity in every aspect of life. Although I would love if everyday could be International Women’s Day, it is nice that we can set aside one day where we can focus our efforts on raising awareness about equality and come together for a common cause to celebrate the achievements the world has made in the goal of gender equity and inclusion.”

© International Women’s Day 2021

And finally pop over to this post to read some inspirational quotations from more authors.

Worcestershire LitFest 2020 The Launch

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The WLF Team have been busy organising the first online Worcestershire LitFest – we launch on Sunday 13th and as we are hosting events on Zoom – the whole world is invited!

‘A Tale of Two Cities, Worcester — USA & UK’ a poetry event at Sprinkler factory

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By Richard Duckett
Telegram & Gazette Staff

How do you rhyme “Worcester”? You bring together poets from Worcestershire, England, and the Worcester County (Massachusetts) Poetry Association. A cross-Atlantic collaboration project has resulted in exchanged poems, publication of 92 poems in “Contour Poetry Magazine” edited by Worcester, England, poet laureate Nina Lewis, and a gala reading of the poems in our English Twin City.

Now it’s our turn with “A Tale of Two Cities, Worcester — US & UK.” Brian Evans Jones, former poet laureate of Hampshire, England, will read the British poetry, and there will be readings by many of the Central New England poets who have participated in the project, including Pam Bernard, Robin Boucher, Sylva Boyadjian-Haddad, Tony Brown, Dennis Caldwell, Clair Degutis, Gordon Elliot, Patricia Fargnoli, Jennifer Freed, Claire Golding, Victor D. Infante, Maura MacNeil, Cynthia Martell, Rodger Martin, Susan Roney-O’Brien, Kyle Potvin, Eve Rifkah, Karen Sharpe, Beth Sweeney, Paul Szlosek, Henry Walters, Linda Warren, and Patricia Youngblood.

What: “A Tale of Two Cities, Worcester — USA & UK” When: 7:30 p.m. Sept. 28 Where: The Sprinkler Factory, 38 Harlow St., Worcester.

How much: $10 suggested donation. Proceeds benefit the Sprinkler Factory and the Worcester County Poetry Association. http://www.worcestercountypoetry.org

Source: ‘A Tale of Two Cities, Worcester — USA & UK’ a poetry event at Sprinkler factory

 


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A TALE OF TWO CITIES, WORCESTER

The Worcester County Poetry Association and the Sprinkler Factory have joined together to host a benefit fundraiser – “A Tale of Two Cities, Worcester – USA & UK.” The transatlantic poetry project is a result of a collaboration between poets from either side of the pond.


Forty-seven poets began writing and exchanging poems with each other from December 2017 to March 2018. The poets from Worcester, Mass., wrote an initial poem and got a response poem from their partner in Worcestershire, England.

At the Sprinkler Factory, Worcester poets will read their initial poem and their partners’ response.

Months of editing and reworking these poems has left a remarkable result worth hearing from those who participated. Proceeds from this event will go toward the Worcester County Poetry Association and the Sprinkler Factory, which hosts ever-changing art exhibitions. There is a wide range of topics for the poems, from love to self-discovery.

National Poetry Day 2018 ~ Change

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It’s nearly here!

This year I have been invited to perform on National Poetry Day as part of the Autumn Malvern Festival.

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I performed as part of Credo last year at Elmslie House and it is a lovely venue. This year five Poets Laureate, including this year’s Worcestershire Poet Laureate Betti Moretti, will be performing on 4th October. This event was organised by Tim Cranmore.

Autumn In Malvern Festival

The Autumn in Malvern Festival is a renowned series of artistic events & exhibitions held annually in the surroundings of the glorious Malvern Hills. Some of the most prestigious musicians, poets, writers, film makers and other artists perform during Autumn every year.

More information on Autumn Malvern Festival.

This video is from 2009 and includes Peter Smith – Artistic Director & Founder.

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This year’s beautiful design is the work of Chie Hosaka.

https://nationalpoetryday.co.uk/education/free-education-resource-downloads/

This year’s NPD anthology can be bought here. https://www.otterbarrybooks.com/poetr-for-a-change

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Review June 2018

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June this year was definitely a month of transition.

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Photo by Artem Bali on Pexels.com

It saw my final 10 Days as Worcestershire Poet Laureate, the end of 4 years working for Writing West Midlands as a Lead/Assistant Writer for their Spark Young Writers Group in Worcester and although I am not saddened by this particular transition– I have just 3 weeks left in full time employment (which is funding my trip to Australia in the summer).

Week 1: 

I intentionally missed every poetry event this week to conserve energy for the WLF – Worcestershire LitFest & Fringe – the emotional onslaught of watching another poet taking up the mantle of Laureate and the amount of work. work I have to balance meant that there was no time or energy left to support anything else.

WLF&F logo concepts

I was desk busy: creating 10 Days – a sequence of films charting my final 10 Days as WPL -reflecting back over the year. These were fun to make but time consuming. Especially after uploading I would spot an incorrect frame and have to go back to the virtual cutting room floor!

Editing the final WPL Anthology Collection of Science/Maths based poems, wrapping up the Twin Town project between Voiron & Droitwich and reading submissions for the final WPL Contour (although perhaps not the final Contour).

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My WPL Twin Town project between Droitwich and Voiron went live on June 7th.

This features 9 poets from England and France exchanging poems on the town and writing responses using something in the original town poem which sparked inspiration.

The collection is bi-lingual and poetry appears in English, French & Portuguese. There is a Food Festival in Droitwich this month and I am hoping to meet Madeleine Silvestri from Voiron Twinning Association, who found the Poet Alain Graz who helped me find our French town poets.

european TT The Anthology can be read here Twin Town.

My poetry films can be found here 10 Days

 

Week 2:

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On Saturday I joined a collective of Stanza Poets in the Forest of Dean for a Heritage Poetry Project organised by Andy Hoaen. After his involvement in survey/heritage work ‘Veteran Tree History Project Speech House Survey’ he decided he wanted to create something. His vision:

I would like to see this as an opportunity for an encounter between two different ways of seeing the world, archaeology with its rigorous approach routed in scientific “objective” description of place and space, and poets with their ability to succinctly capture the essence of things and provide an imaginative subjective view on the world.

It was an interesting and fruitful day for photography and notes and now we all hope to create some tree poetry and more. There may be an exhibition or pamphlet. It was also a great day out and lovely to see some poets who are sadly missed at Stanza meetings.

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© Kathy Gee (no filters)

I wanted the Science/Maths Anthology (my final WPL Anthology) to go live before the Festival Launch and as I was (I just deleted ‘am’) the 7th Poet Laureate I scheduled the arrival for 7:07 AM!

Every Word Counts WPL

You can read the collection here.

Then it was onto the opening of Worcestershire LitFestival & Fringe.

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It was a great Launch – one of the best, although the judging panel missed the Young Writers Competition reading and the Flash Fiction winners as we were interviewing and preparing to judge the WPL competition. My fellow judges were Polly Stretton (former WLF Director), Stephen Wilson (Arts, County) & Rachel Evans (Worcestershire Young Poet Laureate).

The finalists were Peter Sutton, Betti Moretti & Sarah Leavesley and it was a close competition. It was a pleasure to hear them perform poetry  that we judged anonymously just a few weeks ago. Any one of them would have been a worthy winner and done Worcestershire proud. There can only be one winner though and this year it was Betti Moretti.

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Before the winner was announced I performed the poems which won me the Laureateship: Lit Up & Tasseomancy.

 

I couldn’t believe the length of appreciative applause at the end. It was a joyous moment.

 

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© Catherine Crosswell

I had previously joked (since about March when you have to start promoting the competition) that I was going to be the 1st WPL who refused to step down. It was Betti’s idea (for the record) but we had a little tug ‘o’ war over the award.

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It wasn’t as hard as I thought it would have been to congratulate the new WPL and hand it all over. Some relief even, perhaps.

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© Catherine Crosswell

Coffee and cake wouldn’t have fuelled another year at acceleration and it isn’t as if I am not busy.

It was a delight to be part of the event (although if I could, I would have got out of judging), part of the remit – I knew it was coming. Thought it was nice how we were up on the balcony rather than beside the stage as in previous years. This was possibly easier for the finalists. Although there is nothing easy about being a finalist. It is a hard, emotional competition.

A full review of the Launch and announcement of the New WPL here Launch of WLF 2018

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Worcestershire LitFest & Fringe dominated the week, the festival ran from 10th-16th June and was as fantastic as ever. I had to get used to not posting everything on https://worcestershirepoetlaureateninalewis.wordpress.com/ but at least the waters of the fountain are well and truly active and in full spring again!

You can read write ups of the events I was involved in:

Tuesday 12th – Night at the Museum IV – a wonderful night organised by Worcestershire Poet Laureate (2016-17), Suz Winspear – featuring Young Worcestershire Poet Laureate Rachel Evans, Former YPL Chloe Clarke, Nina Lewis Worcestershire Poet Laureate (2017-18) and the NEW Worcestershire Poet Laureate Betti Moretti in the first half and Suz Winspear in the 2nd half with her poems from the Archives to celebrate the end of her 2 year Residency at Royal Worcester. It was a marvellous evening.

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Wednesday 13th 42 Festival Special – A wonderful evening that saw the Antipoet back in Worcester, with their new book – C:/Users/HP/Documents/Writing Projects/Black Pear/Does My Bass/D published by Black Pear Press.

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© Donna Ray

In the second half a plethora of 42 regulars took to the stage for a themed night ‘The Bewitched Worcestershire Inn’.

Thursday 14th June SpeakEasy Special at Worcester Arts Workshop. Headlined by the amazing Dub Thieves, it was also Betti Moretti’s official WPL hand-over with her newly engraved WPL award. A superb night of performances and some who were new to SpeakEasy too.

 

Week 3:

Festival By The River – LitFest Take Over.

An exciting opportunity arose in the Spring to be part of the festival happening at the Weorgoran Pavilion on South Quay, Worcester. The events for the 10 day festival have been programmed by Cat Roberts. The Festival launched on Friday 15th

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and on the 16th Peter Sutton and I took to the stage and what a sparkly, wondrous stage it is!

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I spent a while creating a water based set and wrote some long awaited poems from our Canal trip (Poet’s Day Out) 2017. I had great fun compiling the half hour set.

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It was a brilliant end to my week.

I spent some time over the weekend planning the next couple of events and promoting ATOTC, 30-40-60, ARTSFEST and PoARTry. I also had a rare day off from poetry.

 

Week 3:

Started with an evening organising the Launch/ Reading Event for PoARTry Ledbury with Leena Batchelor. We already have 12 people interested in reading at the event. The next stage is to confirm dates and then we can get on with creating the schedule and marketing the event.

POARTry Ledbury coming soon

 

I finally managed time to create answers for the remaining four questions sent to me to market the Perth Poetry Festival and I started working on an interview for a new article. More on that news soon.

I promoted 30-40-60 which is soon to be rehearsed and performed again (July).

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I promoted the UK/USA readings for ATOTC which I am very excited by.

 

Ludlow Fringe Festival

logo ludlow fringe Dirty Laundry Launch with Deb Alma & Guest Poets.

I was one of Deb’s Guest Poets at this Launch along with Angela Topping, Roz Munro Derry, Holly Magill & Ruth Stacey. It was a fantastic evening and lovely to share a meal in The Blue Boar first and have a good catch up.

A full review can be found here.

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During the week I worked on interviews and poetry, organised my final WWM session and promoted Festival events.

I attended a Room 204 Workshop in Birmingham at Evolve (which back in the day was the Adam & Eve and venue for Sunday Xpress). Creative Writing to Promote Wellbeing workshop by Emma Marks & Sandra Griffiths of The Red Earth Collective CIC, was a half day event on Creative Writing in the Mental Health Setting.

A half day course for writers who want to develop or improve creative writing workshops for people with a lived experience of mental health problems. The workshop will be an experimental and engaging reflection on ideas and issues associated with running creative writing workshops within a mental health setting. © Red Earth

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It was an intense and useful workshop with plenty of participation. I have more ideas now than ever and a good network of support for future ventures in this direction.

Having missed 1.5 days of work to attend Festivals & training I hit the ground running and had a backlog of assessment marking which came home with me and sadly meant I missed Rob Francis at Dear Listener, the fault of my work schedule. test marking and the lack of time to reach the city. No guilt here – only frustration!

This is the weekend I missed 2 events I was supposed to attend and had a clash of two events too. This always makes me feel low. I wish I could clone myself and attend everything!

On Friday night I had hoped to make it to Birmingham Waterstones for the Verve Poetry Press Book Launch of Leon Priestnall and Nafeesa Hamid’s Debut collections.

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Sadly I missed it, you can read about it and find out more about these new collections here When You Miss Something BIG!

 

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BUY A COPY Leon Priestnall is something quite rare on the Spoken Word circuit – a romantic, a lost soul, with so few of the right answers and so many of the wrong ones. His poems are full of questions, not solutions, or even a step further back from that – are asking the question of what questions to ask. © Verve Poetry Press

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BUY A COPY Besharam – Nafeesa Hamid’s glorious debut collection – asks this and many other questions. When does a girl become a woman? When does her world allow her to become a woman? And what kind of woman should she be? The answers aren’t readily forthcoming. © Verve Poetry Press

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There was also a welcome return of Confab Cabaret in Malvern and they had Elvis McGonagall Headlining and I had a chance to get to Stratford Poetry Festival to see Tony Harrison. Of course neither of these events were possible as I was already committed to the Book Launch. Exhaustion is a hard thing to forgive.

Week 4:

On Saturday I headed to The Hive for my last Spark Young Writer group. It has been a pleasure to work for WWM for the past 4 years, 3 of those as a Lead Writer and I shall miss this part of my writing life a lot!

Spark YW

Afterwards I planned to go to Stratford Poetry Festival to The Black Box event, which was part of a schools/education project I worked on this Spring. My eldest nephew also had a very important birthday – plans for Sunday were rearranged to Saturday and I was already late as they started whilst I was still in my WWM session. I decided I couldn’t miss his momentous occasion and so instead bailed on watching the children perform at the festival. If there is one thing guaranteed to make you feel more guilty than exhaustion it is letting children down!

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Saturday also saw a 10th Birthday Summer Party for Nine Arches Press, having attended their celebrations before for a few years, I was gutted when I discovered this clashed with WWM and my nephew’s birthday party!

I knew I was never able to go – this did not stop me wanting to be there. Again, I have heard wonderful reviews. Sharing photos that have been shared on social media.

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#TenforNine: Nine Arches Press celebrates ten years of publishing

Join us to celebrate ten years of publishing with a series of birthday events on Saturday 23rd June at the Royal Birmingham Conservatoire.

Saturday 23rd June at the Royal Birmingham Conservatoire

© Nine Arches Press will publish new work by ten poets in 2018.

(Top: l-r Aviva Dautch, Romalyn Ante, Sarala Estruch, Robert Peake, Josephine Corcoran. Bottom: l-r Riche McCaffery, Deborah Alma, Roy McFarlane, Suzannah Evans, Isobel Dixon)

There will be something for everyone:‘The Big Read In’ is a chance for readers’ groups to hear TS Eliot Prize shortlisted poet Jacqueline Saphra (All My Mad Mothers) discussing her work, followed by an exclusive writing workshop with former Canal Laureate Jo Bell as well as the launch of Josephine Corcoran’s debut collection, What Are You After? The evening will see a ‘Birthday Mixtape’ event in the conservatoire’s jazz club, co-hosted by Nine Arches Driector and Editor Jane Commane and Rishi Dastidar (Ticker-Tape) featuring favourite readings from a range of Nine Arches Press poets. © Nine Arches Press

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I missed the WLF Poetry Picnic in Cripplegate Park as I had to finish marking before I could journey to Cheltenham for Anna Saunders Book Launch. I also had an opticians appointment earlier in the week and needed to take Mr. G. into town to help me decide which frames to buy. I was walking around with 9 pairs at one point!

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Anna’s Book Launch at The Retreat Wine Bar was amazing, a pure night of celebration. Her guests were David Clarke and Jonny Fluffypunk and there was an open mic section with Ghost themed poems to start proceedings. It was packed and the open mic list read like ‘Beautiful South Lyrics’.

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Full review COMING SOON.

The main focus this week was the PoARTry Ledbury project, my own writing and Book Launches, more family birthdays and Poetry Festivals. I attempted to keep my schedule free of evening events as this is the busiest time at work with lots of deadlines to meet by the beginning of July and in the current heatwave all I really want to do is feast on ice lollies and sleep!

 

The date was finally set for the PoARTry event, we decided it then spent a week trying to match schedules before finding an AGM clash with the date and reverting back to the original one, which sadly means Rick Sanders won’t be there.

We have had about half the collective sign up to say they are coming so it looks to be a great evening shaping up. Leena and I now have our work cut out developing a running order/ details of the evening. I am looking forward to it and getting extremely excited about seeing my artist’s work in the flesh. Molly Bythell was my extremely talented partner on this project and our collaboration has been bountiful. I am only framing 2-3 poems but have written close to 20!

Ledbury PoARTry SHARE

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On Thursday evening I made my way into Birmingham to David Calcutt’s Book Launch at Waterstones, which was in the Art Room, where I had my own Launch back in 2016. It was great to catch up with people and was a lovely evening. Full review here.

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Ledbury Poetry Festival is also underway, I am hoping to get across there at some point. I am definitely there on Tuesday 3rd July.

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All in all, an incredible month of ‘not being —— anymore’, getting used to just being again.

WLF 2018 SpeakEasy Special

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So the world goes World Cup Mad but here we are, all about the Poetry!

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So the amazing monthly Poetry night SpeakEasy (usually held on the 2nd Thursday of the month) does a Festival Special. It was held at Worcester Arts Workshop and I only knew of one cellar area – like the Cavern and wondered how they were ever going to fit the band in… well, I needn’t have worried because there was another area (now the theatre part makes sense). The stage was fully kitted out ready for the Dub Thieves in the 2nd half and a Poet’s mic was placed on the step, central to the stage – preventing us from impromptu sessions on the instruments. (As if Poets misbehave!)

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The first half of the night was book-ended in the traditional way of outgoing Laureate (who could that be?) and new Poet Laureate with a plethora of performers in between including some prose and a former Poet Laureate too. A truly, special evening hosted by the marvellous Charley Barnes (one of the LitFest Directors).

There will be more photos to follow, but here is a taster.

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I kicked off the evening with a 10 minute set, I included a poem I wrote for Credo, as it has been a year since Grenfell and although a Festival Special may not appear to the right place for such a poem, I spent my journey listening to the news of the silent walks and ceremonies being held for the first anniversary in memory of the 72 who lost their lives. I also included some new writing, poems I have written over the past few months and finished a fairly serious set with the poem written especially for WLF 2018, for Suz Winspear’s Night at the Museum IV ‘Art Attack’.

Stevie Quick performed a dramatic set including poems about Newton and Thank You Mr Donald. Kevin Brooke apologised for bringing prose to a poetry gig but definitely didn’t need to apologise for the prose, a war story from WW1. Fay Whitfield made her SpeakEasy debut with a stunning set, Sometimes I’m Not Okay was moving and her political poem Skin packed a punch. Tim Stavert performed a poem based on the WPL ‘Future echoes’ theme, his poem Stresses had important things to say about Mental Health. James Burr brought more prose. As a performing artist, I loved Man on the Street. Neil Richards performed several short poems and an emotionally charged poem inspired by ‘Burial’ by Cathy Linh Che.

Then came more Poets Laureate. Suz Winspear treated us to 3 new poems, including some she had written about the canal especially for her Weorgoran Pavilion Festival event on Tuesday 19th June. I loved her poem about the Theatrical Boarding House for actors from the Worcester Theatre Royal.

The first half was closed by the NEW Worcestershire Poet Laureate, Betti Moretti. We were treated to a 10 minute set which included her winning poems and amongst others: A Napple a Day, 13 and Genetic Wealth, which is a beautiful poem. A heartfelt and superb set.

And before she had chance to leap off the step Charley presented me with her newly engraved WPL Award and Betti and I had the handover photos. There will never be a serious photo shoot if Betti and I have anything to do with it. I cannot wait to see what we have come up with this time!

The SpeakEasy Special was fantastic fun and a band to finish the night, was perfect. The Dub Thieves were a great band, amazing. They transported the Worcester Arts Workshop to somewhere far away, there was dancing, singing and even some writing. Lots of chatter and laughter… like someplace else I know…

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That is nearly it from me for the Worcestershire LitFest & Fringe. I do have one final performance at the Weorgoran Pavilion Festival on Saturday 16th from 12 – 1 PM.

Peter Sutton (WPL 2018 Runner Up) and I will be taking to the stage to share our Worcester poems and more.

 

WLF 2018 Night at the Museum IV

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A Night at The Museum

is always a great event for WLF. In recent years organised by Suz Winspear (Worcestershire Poet Laureate 2016-17) and Poet in Residence at Royal Worcester (2016-18).

The night included many poets laureate, including former Young Poet Laureate Chloe Clarke, who is now at university.

Featuring the Museum’s Poet-in-Residence Suz Winspear and friends, including the former Worcestershire Young Poet Laureate Chloe Clarke, Worcestershire’s current Young Poet Laureate Rachel Evans and the Worcestershire Poet Laureate Nina Lewis.

There is also a chance to have a private view of the newly-refurbished galleries of the Museum of Royal Worcester and to enjoy an evening of poetry.

A plethora of poets, including Worcestershire Poets Laureate and Young Poets Laureate past and present, will be performing their work, and Suz will showcase her new poetry inspired by a year’s work in the museum’s archives, discovering its remarkable collection of rare nineteenth century Japanese books, illustrations and photographs.

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I spent Monday night working on my set. It included ‘Art’ based poetry from 2017, my Royal Worcester competition poem ‘The Unfading Cornflower’ – which won 2nd place in 2016 when Suz created her WPL competition with the Museum, as well as poems written during NaPoWriMo 2018 and a new piece which started in historic Royal Worcester research and ended in L.A!

It was fun to try to create a new piece of work for this event.

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The night was magical. An adventure around the newly refurbished Museum plus hours of wonderful poetry. Royal Worcester was always a Museum with heart, I loved the old place – but now, it is shiny, modern & inviting and hasn’t lost any of the original charm. I arrived in time to explore, Suz organised a half hour interval to allow the audience Museum time.

The porcelain is well lit and is really shown off amongst complimenting colours and new interactive displays. I particularly love the 70s kitchen. It is definitely family friendly and ready for the 21st Century. Do go and visit. (Details below.) And I think, especially for us there was a display of some of the Archive photos alongside Suz’s poems.

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The night was opened by Suz Winspear and then Worcestershire YPL Rachel Evans shared a couple of her poems including the winning YPL poem. Despite exam time she joined us all for a night of poetry, true dedication and a delight to watch perform again.

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Then I shared my Art set,

the new poem ‘Art Attack’ went down well and got more laughs than I had expected.

Next Chloe Clarke took to the floor – we have not seen each other since LakeFest, 10 months ago! It was a joy to hear Chloe’s poems again and her self-assured performance was a treat and her Key poem, just funny & fabulous! It was lovely to reconnect.

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To finish the first half, our new Worcestershire Poet Laureate, Betti Moretti treated us to her winning poems and one from her first WPL Final (where she came 2nd) and more besides.

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This was Betti’s first official WLF/WPL event although she did have a Guest Spot Monday at Licensed to Rhyme. Betti is in that early onset whirlpool stage of being bombarded with all things Laureate. It was a great set and thoroughly enjoyed!

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After our extended interval where we all went to view the museum and Chloe and I fell in love with the big chair…

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Suz Winspear performed the 2nd half. A half hour of poetry from the Porcelain Museum Archives. It was brilliant hearing the history and her residency experience first hand and she set our minds to places before sharing the connected poetry which made us all feel that we had been with her when she made discoveries in the books that cannot be displayed.

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I loved her poems and hearing about her research and experiences was enchanting. I know Suz has a deep affiliation with Japan and all things Japanese so this interconnection has been thrilling for her.

It was a superb evening! I am still on a LitFest high!

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Visit Royal Worcester

royal worcs  £5.50/£6.50 – children under 15 FREE.

http://www.museumofroyalworcester.org/your-visit/opening-times/

INFORMATION & RELATED LINKS:

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Museum of Royal Worcester

Severn Street, WORCESTER, WR1 2ND

The Museum of Royal Worcester is situated in the city’s Historic Quarter, within two minutes walk of the Cathedral, Commandery, Birmingham Canal and River Severn. An informative and entertaining audio tour featuring Henry Sandon and skilled craftsmen is free with entry and tells the story of the factory’s history, its famous customers, the talented workforce and everyday life. Gallery displays from 1751 to the 20th century include Oriental simplicity and Victorian extravaganza and offer a glimpse of times past, taking the visitor on a memorable journey from 1751 to the present day.

The Museum Shop is a treasure trove where you will find an abundance of vintage and antique Royal Worcester china and porcelain that was made in Worcester on the Severn Street factory site.

http://www.museumofroyalworcester.org/

 

Suz’s 2016 WPL Competition

http://www.worcesternews.co.uk/news/14946284.Dinner_service_inspires_success_in_porcelain_museum_poetry_competition/

8th Wonder of the World… Worcestershire LitFest 2018

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Yesterday was the Launch of the 8th WLF Worcestershire LitFest & Fringe and it all starts with celebrating competition winners for Flash Fiction & Young Writers before the Worcestershire Poet Laureate Finalists take to the stage.

Leading up to the final I felt nervous and nauseous in equal measure, knowing I was on the judging panel was almost as difficult as entering the competition, and like many Laureates before me – I didn’t really want to give it up.

Still, it is someone else’s time now and at least I have had the pleasure of looking back on a year of superb work, I have thoroughly enjoyed the role as an ambassador for poetry.

 

The Launch was a fantastic event and I needn’t have worried at all – although the judging bit was difficult, there was a whole team deliberating (judges for the competition this year were Polly Stretton, Stephen Wilson, myself and Rachel Evans -Worcestershire’s Young Poet Laureate) and apart from the emotional gauntlet, it was fun. Having the YPL Rachel Evans buddy up helped, I hope I eased her worries too.

I managed to not cry after Charley Barnes (one of the WLF Directors) introduced me and I remembered all of my words. I performed my winning Laureate poems, which strangely (for me) have not been over performed and are not as familiar to me as other works. I had planned to spend the week before rehearsing – but I started making countdown films instead!

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The Launch was well attended (over 70 people) and it was a delight to hear the poems we had judged being performed by the poets.

Peter Sutton, Betti Moretti & Sarah Leavesley this year’s Finalists.

Following my performance Charley Barnes introduced the winning poet…and who is the new Worcestershire Poet Laureate for 2018/19?

Betti Moretti! Congratulations to her and all the finalists this year.

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It was a great event and congratulations should go to the WLF team for pulling it off. The new afternoon slot worked well, especially for the YW competition winners.