Category Archives: motivation

INKSPILL 2018 ARCHIVE Open

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Our Archive is open for the final time this weekend. Find articles, workshops. reviews, Interviews and writing to keep you busy for the next few hours before the exciting launch of the final WPL issue of Contour Poetry Magazine.

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From 2014 our Guest Writer William Gallagher talks to us about Making Time to Write.

https://awritersfountain.wordpress.com/2014/10/25/inkspill-making-time-to-write-guest-writer-williamgallagher/

 

 

Sticking with 2014 here is an exercise to help you write an article in 30 minutes.

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https://awritersfountain.wordpress.com/2014/10/25/inkspill-speed-write-how-to-produce-an-article-in-less-than-30-minutes/

 

 

The next article comes from 2013 and was not part of INKSPILL but is gold dust for anyone attempting NaNoWriMo this Autumn.

https://awritersfountain.wordpress.com/2013/10/31/nanowrimo-survival-tips/

 

 

From INKSPILL 2013 another article from me about getting organised to write.

https://awritersfountain.wordpress.com/2013/10/27/inkspill-getting-organised/

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From INKSPILL 2015 our Guest Poet Interview with Daniel Sluman.

https://awritersfountain.wordpress.com/2015/10/25/inkspill-guest-poet-interview-with-daniel-sluman/

 

A write up of Daniel’s Book Launch in February 2016.

https://awritersfountain.wordpress.com/2016/02/15/daniel-slumans-book-launch-the-terrible/

 

This evening we are launching ISSUE 4 of Contour –

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Read Issue 1 of Contour Poetry Magazine

https://awritersfountain.wordpress.com/2017/10/29/inkspill-2017-closing-with-something-new/

 

 

From INKSPILL 2017 The Editors

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https://awritersfountain.wordpress.com/2017/10/29/inkspill-the-editors/

Finding your voice and what editors look for.

 

INKSPILL 2018 Guest Writer Workshop with Kevin Brooke – The Sealed Envelope

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This workshop was devised with Young Writer’s in mind… we were all young once upon a time and still are at heart… so give it a go. 

Guest Writer Workshop with Kevin Brooke 

The Sealed Envelope

Young Writer’s Workshop on the theme of A Sealed Envelope with the story to be written in approximately 300 words

In giving advice to a writer, J K Rowling has been quoted as saying “Write the story as well as you can, revise it, refine it, and if it still seems alive to you, you’re done”.

The items each student requires are to complete the workshop are – a pen, some paper and an imagination.

The Workshop begins with each student being handed a sealed envelope

Please don’t open this as yet, because this is crucial in the creation of your story. All you need to do to begin with, is think about what is inside the envelope. Write down a few ideas of what it could be, for example, a letter, pictures, symbols, something else?

Character Creation

Now that you have some idea of what’s inside, I want you to think about who or what would send it to you? Try and picture them, imagine what they’d look like. Are they young / old / a boy / a girl / an alien / a Vampire / a goblin?

If you are struggling, have a look around the room to see if there is something that catches your eye or inspires you. If you are in a library, have a look at some of the books on the shelves and focus on what you can see on the front covers / internal illustrations.

Plot creation

Now that you have a picture of what is inside the envelope and who may have sent it, try to think of a reason why? For example, is it a threat, a wish of goodwill, a symbol of hope / disaster or a cry for help or even a goodbye?

Setting creation

Now we have a character and a reason why the envelope has been sent. The next stage is to try and imagine where they were when they sent it. Were they on the beach, on the moon, hidden in a wardrobe, inside a dungeon? Draw some pictures if this helps.

The Resolution

The story you have written so far should tell you whether it will be a happy ending, an open ending, or a sad / violent ending…read the story, think about the character, the setting. Read it through your notes several times – the ending is there if you think about it. The most important aspect is that the resolution must be based on how you think the story should end.

How? First of all, don’t forget the basic checklist

  • 300 words isn’t many. Try to keep characters to a minimum – maybe one main character and a maximum of two others.
  • Use dialogue if you can as this brings the characters alive.
  • Try not to use too many adverbs i.e. words ending in ‘ly’. If the man is tall, we don’t need to know he is really tall. Tall is usually enough.
  • Try to be specific i.e. instead of ‘she ate a pizza’ maybe think of the ingredients i.e. ‘spicy pepperoni with mushrooms’. In this way, the reader not only knows the details of what is on the pizza, they gain a sense of taste.
  • Avoid clichés – one way of doing this by using Imagery. As Stephen King is quoted as saying “see everything before you write it”. Try, therefore, to visualise every sentence you write and then write what you see.
  • Another way of bringing your story alive is by experiencing what your character is experiencing. If they go into a forest, do this for yourself, make some notes on what you saw, felt, heard or smelt and use these in your story.

Reading your work aloud

I’m a great believer in the notion that story telling is best told live. It provides the storyteller with a few, powerful minutes to take us to their alternative world, wherever it may be. In addition, if you are reading to others, listen to their feedback – they might tell you something you hadn’t considered, but something that could transform the entire story.

 

INKSPILL 2018 Writing Activity Jigsaw

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For this writing activity you will need an old magazine. If you do not have an old magazine available you can use the images at the end of this post, just close your eyes and hover your cursor across the screen at random.

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  • Look through the magazine and cut out interesting words, phrases and images.
  • Place them in a bowl, close your eyes and pull out two of these magazine snippets.
  • Write a Flash Fiction 300 words max. or a poem if you prefer.
  • Repeat until tired.

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For those with no spare paper magazines use the area below.

 

 

 

 

Shakespeare Birthplace Trust – School Poetry Project

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Back in early Spring I attended a workshop where we were offered the opportunity to get involved with a project between Young Writers in Local Schools & the Shakespeare Birthplace Trust.

I registered my interest in March with Elizabeth Dollimore the Informal Learning and Programmes Manager and by April had received my two letters from local school children, in which they set a poetry challenge. My real challenge was the fast turn around with just 6 days to write two poems and get them posted back to the team at the Birthplace. As you know, April was busy – the week I was writing for this I was also organising the Poetry Exhibition at the Jinney Ring, facilitating 1 workshop for The Basement Project, attending another one (ironically in Stratford – but my poems were not ready to drop in) and had tickets to Idle Women.

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I knew I had to get the writing done before the weekend and here I faced a new set of challenges. Mainly everything had to be handwritten – nowadays I type almost everything. Still I thought it would be good for the children to see how great their handwriting was in comparison!

The poems were about peace, one pupil asked for humour and the other asked for nature to be included. The resulting poem ‘A Need for Peace’ was written using a rhyming scheme (rare in my work) and took a few drafts before it scanned properly, I think it was funny – hopefully my pupil did too. The second poem ‘Ground Control’ was brimming with nature and used terms to describe aspects of nature like ‘Komorebi’. They were both fun to write.

Along with the poems sent back we had to give the pupil a new poetry challenge which they then used in a workshop.

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This month I received an email from Julie Harris-Grant to say;

The local primary school has been in touch to say that the children were absolutely thrilled with their replies!  Your letters have really inspired them to engage with and enjoy a variety of poetry.

A second workshop was held at MENCAP and this has produced yet more exciting work for us to share.

 

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I enjoy any poetry projects which focus on Peace & Reconciliation, I love to collaborate and try something new.

It has been a pleasure to help connect young people to poetry and I am looking forward to the final event on the 23rd June as part of the

Poetry Festival 2018

Inspired by a theme of Peace and Reconciliation

where we get to meet the school teams and hear some of the work they have produced.

Black Box Poetry
Saturday 23 June, 2.00 -3.00 pm

Local school children, community groups and poetry enthusiasts have all been working with In-Public to create poetry about peace. Join us to hear the poems they created and be inspired by the talent and creativity on show.

This will take place at The Shakespeare Centre, Henley Street, Stratford Upon Avon, CV37 6QW

 

NaPoWriMo – Survival Skills – The Final Week!

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Firstly, congratulations! You made it to the FINAL week! You probably have 10-21 poems and a handful you like. That’s more than 3 poems which would not otherwise exist, cherish them, keep them safe and edit them over the coming months.

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Now you have to keep going, you have come so far along this road. Just 7 more days, filled with the possibility of 7 new poems. Just a few minutes a day will get you there. No need for 50 reps at this stage!

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Carve some time out for yourself and use it. I have written several NaPo poems whilst cooking in the kitchen, the laptop is in the room next door and popping in and out can work wonders in that 30-50 minutes.

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Remember it IS good enough, NaPoWriMo isn’t about perfection, it is not about the finished article, it is about generating the ideas, feeding the mind and most importantly HAVING FUN!

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So a few survival tips:

  • Forgive yourself for lagging behind, either spend time catching up or just accept those days are gone and move on.
  • Try a prompt, they are optional but great for generating new ideas and styles.
  • Look up a form you do not know and give it a try.
  • READ! There are 100s of sites on  napowrimo.net who have signed up and 1000s of poems to go and read.
  • Try a Haiku – a good way to catch up the days of missed poems.
  • Blog about the process.
  • Read the craft articles.
  • Just keep going.
  • Reward yourself for getting it done.
  • Write freely, edit in May!

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Explore & enjoy the adventure!

NaPoWriMo 2018 A Review of a Week of Poetry

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Napo! Napo! Napo!

Well we have just completed the first week of poetry for NaPoWriMo and I am feeling positive about the daily writing. Being Worcestershire Poet Laureate is amazing but I would be lying if I said my own writing time hasn’t suffered. It needn’t have, I just decided to spend my year organising lots of events and opportunities for other writers and as far as my own progression through that time, it has been left organic.

My grey cells needed a few days to get used to the writing process again and I had to drag myself out of hiding in research.

What I love about NaPo is the optional prompts I attempt to follow often reveal offshoot ideas which I am banking for a quieter time. A notebook page is filling up nicely, I can only imagine what it might look like by the end of the month.

So at the end of a week in Napoland what have I got other than this fun new jpeg?

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A desk full of poems.

From Day 1:

Best Before (a poem about secret shame)

The Sea Jewel (John Harrison) which has since had editing circle treatment and promises to be a good finished piece sometime in the future. Plus I have now written many poems about Historical figures, a future pamphlet maybe.

Resources: A list of trivia prompts for the future and a short list of secret shames & pleasures.

 

From Day 2:

The Home at Christmas (a poem which links to work I have written on Dementia for a current PoArtry project, this poem has also received editing circle treatment and I hope one day will have stanzas all as strong as the final stanza, which is already one of those POW moments!

Apology (a humorous performance poem)

Resources: An article of Poetic I

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From Day 3:

Bring Me The Shoes (a quirky performance poem/list poem)

Several Wordle Band Name/poems

 

From Day 4:

Pudding Protest (a coupling written for the Suffragette Poetry Anthology project using a workshop prompt I created)

From Day 5:

In the Park (A translation poem)

Resources: A collection of black and white photographs and a whole list (website) of poetry in translation.

 

From Day 6:

Picking Blackberries (A poem about Dementia which uses long lines from Poetic Lines Napo prompt and part of the writing I am doing for the PoARTry Project)

Resources: Alberto Ríos’s article on the Poetic Line

 

From Day 7:

The Teacher and the Poet Are Not the Same (Working title)

So considering I have fallen 2 days behind due to real life poetry work, I have managed 7 poems and a few wordles, a stack of ideas to be used in the future and some great craft resources.

Success!

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I picked Day 6 & 7 up on Day 9. Just Day 8 & 9 to go and I will be back on track!

International Women’s Day

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IWD – Happy International Women’s Day. This post comes from the generosity of women. Find yourself a new poet, a new read, a bit of wisdom – lots to celebrate!

Poet Laureate

pexels-photo-261453.jpegTo celebrate International Women’s Day I asked you for your thoughts and inspirations. ENJOY! 

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POETS/POEMS – Recommended Reads

Rachel Curzon – Scan poem – highly recommended (Faber and Faber) – Michelle Diaz

Julia Copus any of her spectacular poems, just so very cleverly constructed but the form is always appropriate to the meaning. – Nikki Fine

Colette Bryce who I was lucky enough to do a workshop with last year as part of a local literary festival. – Penny Blackburn

Gillian Allnutt – Ode. I read poetry on my Sociology/Social Policy under graduate course. – Rachel Burns

Mary Oliver I’m reading more of her work and folding over the corners of so many favourite poems in each book…when I run out of post-it notes! I grew up in inner city Birmingham & moved to London at 18, and it’s only in my 40’s that I discovered nature and now understand what all…

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Hit a Writing Dip? Stay Motivated

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We all find ourselves in the dreaded dip from time to time, unsurprisingly the pressure of a new year and new goals is enough to send the most sturdy writer over the edge… so I have put together this motivational post just for you.

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Remember pursuing a writing career is a guarantee you will face rejection, find projects stall and possibly feel no confidence in your ability. But remember this is what you want to do, this is what you live for, this is enjoying work on those good days in a way you never could before. For those times when your world is rocking, it is all worth it and all part of this path you have chosen.

The best way to deal with it is to learn the tricks, keep the dream alive and know even the greatest feel this way from time to time.

 

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Rejection is not personal

Sometimes maybe the writing wasn’t up to scratch but more often than not it doesn’t fit alongside accepted work, may not be the taste of a particular editor, may be too similar to work which has already been published/accepted.

The main thing is – rejection – means you are submitting your work, which is an achievement in itself. If the writing is good it will find a place eventually and sometimes that place is a better match than the place you initially sought acceptance from.

It won’t make it hurt any less, but it is normal. Normal to be rejected and normal to feel a bit dejected by it.

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TLC

I do not reward myself when I get writing accepted, unless you count mentally doing the happy dance, but I do commiserate myself when I read a rejection.

Do something that refocuses or lifts you for a while. Go for a walk, read a chapter of a book (if you can still bear to hold one in your hands), try a few relaxation exercises, watch a comedy show, or even eat cake. Do something that makes you feel better. Just something between 10-30 minutes just to get your mindset shifted.

The best thing is to send something else out there (as long as your writing is ready) a flight of new hope, then move on.

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Create Deadlines

Of course you know the actual submission deadline. We all miss them from time to time (learn to forgive yourself and let go). In Life Coaching* we always break goals down into smaller steps. Each chunk needs a deadline. These skills can be transferred to how you work as a writer.

*I qualified as a Life Coach in 2007.

 

Commitment

Allocate enough writing time to achieve your goals. Yes! I am well aware there is never enough writing time and few of us are lucky enough to fulfil a full-time writing career, but every dream needs commitment otherwise it is just a wish/ wishy washy.

So take yourself seriously and allow it.

Give priority to your writing time.

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Speaking of time…

Time 

Discover when the best time for your writing is. I tend to be best early in the morning both at the beginning of the day before lunchtime and now at 1 AM in the morning.

I organise my writing day so I am actually producing at my optimum times and fit the admin tasks and chores and everything else into the time that my writing brain isn’t in prime working mode.

We are all different. It takes a while to find out what is the best time for you, but it is worth bearing it in mind.

Note: A few hours before deadline is really not the best time for quality writing/editing.

Once you know when to write you can learn how to write. Allowing yourself 1 hour can be more productive than allocating an entire afternoon. Some people work in blocks of 25 minutes ‘The Pomodoro technique’, I tend to find that I need longer to write but I do take my breaks to do other things in blocks of 20 minutes.

 

Lists

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Mr G. used to laugh at my TO DO LISTS as they would always have wash hair, breakfast etc. on them. He knew these were not things I would forget to do. I explained they enabled me to tick something off before 10 AM.

My lists have come a long way since then, I rarely put shower/hair on them anymore. They will include a little box of chores that need attention to make sure I do not get too lost in the admin and the writing and there is an important point. It no longer amazes me, but for years it did – the amount of admin a writer has. You could easily fill whole days without actually getting any writing done and so when you are scheduling your time allow yourself the discipline of actually writing. I used to work on a laptop that didn’t recognise we have Internet.

Nowadays I am better on focusing on one job at a time and avoiding social media/internet distractions (don’t judge me, but I never needed the LOLCats).

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What alchemy is this? The magic of lists. I simply write 2 or 3 things at a time that need to be completed and keep adding. If you write a long list of everything your brain will freak out at the sight of it and this is not good for creativity and free flowing thoughts.

 

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Plan your time and reward yourself. 

 

RELATED LINKS: 

From INKSPILL (Our online Annual Writing Retreat) 2014

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INKSPILL SHARE BUTTON

From INKSPILL (Our online Annual Writing Retreat) 2017

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From INKSPILL (Our online Annual Writing Retreat) 2016

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the-ups-and-downs-of-creatives/

the-emotional-spectrum-of-writing/

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2017 Optimus Anno Tamen

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The end of this year marks 4 years as a writer. I still have 10 months to go before I make 4 years as a poet. I originally planned everything from Olympic inspiration, meaning this time next year (or next October) will be my true review.

This post feels slightly egocentric – the initial purpose for this blog was to share such news. It has always given me pleasure to discover what steps poets took to get where they are today and this information – the scaffold of their career is not something widely shared. A glimpse behind the scenes is encouraging for want to be/would be/ emerging writers, so please forgive the ‘I, I, I’ of this 2017 Highlights post.

I can already safely say that I have been blessed with an amazing year. Here are my 2017 highlights.

tree-2904844_1920 January: 

Collaboration: At the end of 2016 Claire Walker and I met to discuss collaborating. We have both had exceptionally busy years and lots of new opportunities, but we started well by submitting and being published in the collaboration issue of Zoomoozophone Review Magazine.

New Learning – Events Management: I organised events for Literature/Arts Festivals this year. I organised a Poetry Collective for Stourbridge Literature Festival – David Calcutt, Kathy Gee, myself and Claire Walker.

I sent an application to Worcester LitFest for a collaborative Poetry Show with fellow V. Press Poets Kathy Gee and Claire Walker.

Performances: Baldy Poems Presents Kings and Queens of Comedy in association with the Worcester LitFest & Fringe.

Wolverhampton Literature Festival – Quiet Compere with Sarah Dixon.

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car-2039180_1920 February:

Festivals: attending a new festival in Birmingham – Verve Poetry & Spoken Word Festival, 4 days of total immersion, some fabulous workshops with Kim Moore and Sarah Howe and a Festival Review published on Sabotage Reviews.

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Events Management: I began organising the poetry elements for ArtsFest in Droitwich for the DAN team.

Opportunities: I applied for WWM Room 204.

Published: 3 of my poems were published in Nuclear Impact – Broken Atoms in Our Hands – Shabda Press, this labour of love started in 2015. It is a massive anthology and contains 4 poets from the U.K.

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spring-1209086_1920 March

Fragile Houses: received two incredible reviews from Rachel Stirling & Sam Smith.

Opportunities: I got into Room 204 (but was embargoed until April, one of the hardest secrets to keep)! This writer development scheme can be life changing for many writers. For those already embedded in the writing world it is a chance to gain further knowledge, experience and guidance/support.

I was asked to promote Cheltenham Poetry Festival.

Festivals: my poems made it to Scotland, they appeared on the High Street for the BIG Lit Festival Stewartry, Scotland.

WLF (Worcester LitFest) my bid for the Poetry Show was accepted.

Applied for Worcestershire Poet Laureate 2017/18

Performance: Manchester Headline Quiet, Quiet Loud with Mark Pajak and Becky Cherriman.

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easter-2110346_1920 April

Challenges: I successfully completed NaPoWriMo, using three different prompts – resulting in 99 poems!

Festivals: Stourbridge Literature Festival Voices From The Middle, an event I organised.

Performances: Poetry Ballroom with Suz Winspear & DanceFest.

Endorsement: I was asked to endorse a new poetry collection, this is the 2nd book I have written an endorsement for.

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tea-time-1035261_1920 May:

Promotions: Promoted Cheltenham Poetry Festival for Anna Saunders.

Events & Reunions: I started the Performance Poetry/Spoken Word scene whilst at uni in Leicester, where I met Rob Gee. In those early days I did some PR for him and watched him become a mega star. Fast forward 15 years and I saw he was doing Cheltenham Literature Festival. Fast forward a few more years and here I am back in the Poetry World and who should be bringing his Forget Me Not Tour to the MAC! We hadn’t seen each other for nearly 2 decades and it felt like we had been together just the day before. Incredible show, A M A Z I N G reunion! One of my very definite highlights of 2017!

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Following my 2nd John Hegley Workshop (Cheltenham Poetry Festival), we wandered into town for an impromptu performance in Waterstones (we did not make it in time for the end of the Open Mic there – but we created our own stage). The looks on people’s faces, especially the kids, when John started his performance was special. This was also my 2nd opportunity to have a real conversation with Mr. H. Such a lovely man. Supportive, genuine and interested.

Book Launches: Book Launch of C.S Barnes, for ‘The Women You Were Warned About’, the first book I was asked to endorse, on the back cover with Luke Kennard. An incredibly dark and fascinating book of monologues/short stories. A really interesting concept and a great read!

Room 204: I started working on the Adam Speaks Croome Court Project with Chris Alton (Lead Artist) & 10 writers from Room 204.

Completed a Screen Writing Course with UEA (University of East Anglia).

WLF: I became a finalist for the WLF Worcestershire Poet Laureate Competition.

 

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P1030946.JPG June – Here comes the BIG ONE! 

WLF: I became the 7th Worcestershire Poet Laureate.

Festivals – Worcester LitFest: Performed 30-40-60, our collaborative Poetry Show with Kathy Gee & Claire Walker.

WPL: Appeared as WPL at many of the festival events.

Organised my first event as WPL at the Chateau Impney as part of Salt King 200 Celebrations. A performance from local poets.

Organised a Poetry Anthology/ Collection to mark World Refugee Day. A 48 hour turn around project.

Room 204: Attended the National Writers’ Conference – organised by WWM, the last time I went was back in 2014.

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kupvirag-839751_1920 July:

WPL: Started my regular Radio Slot with Tammy Gooding for BBC Hereford & Worcester.

Had my official WPL T-shirt!

Worked on a European/Twinned Town Poetry Project.

Created Contour the WPL Digital Magazine, submissions opened for poems on Place/Worcestershire.

 

Festivals: Ledbury Poetry Festival

Evesham Festival of Words

Droitwich ArtsFest – Day of Poetry, where I organised & performed in 2 events.

Artsfest Poet in Residence at Droitwich Library.

 

Opportunities: Was asked to apply for Reader in Residence position with WMRN.

 

Workshop: with Helen Ivory and Martin Figura, finally got to meet these two!

 

Performances: Commissioned performance for Buildings Talk – Hospital Histories.

 

Room 204: Adam Speaks Croome Court Project Creative Session/Workshop with Chris Alton.

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wolfenbuttel-2438812_1920 August: 

WPL: Planned a Transatlantic Poetry Project (initiated in July).

Planned a Sculpture Trail Workshop at The Jinney Ring.

Organised a poetry event to celebrate Salt Day at the Salt Festival.

 

Festivals: Performed at LakeFest.

Salt Festival Poetry Event.

Worcester Festival – Performed at Ben Parker’s Event at Huntingdon Hall.

Booked for Cheltenham Poetry Festival 2018.

 

WMRN: Appointed as Reader in Residence at Rugby Library 2017/18

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sunset-2805693_1920 September:

WPL: Sculpture Trail Workshop (the 1st workshop I have facilitated for over 12 years).

Headlined SpeakEasy.

Realised I am the youngest WPL!

First talk as a Poet – Evesham Festival of Words Second Friday Stories organised by Sue Johnson.

 

WPL Commission: was asked to write 3 poems for the Unremembered of WW1 Anthology.

 

Commission: Was approached by Liz Johnson to write and perform poetry for Credo.

 

Festivals: Salt Festival

Birmingham Literature Festival

 

Performances: Performed at Free Verse, London’s Poetry Book Fair, V. Press.

 

Room 204: Performed as part of Birmingham Literature Festival Literary Allsorts.

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forest-2165911_1920 October:

WPL: Contour WPL Digital Poetry Magazine Issue 1 released.

Worked on the Hanbury Hall Poets Project Ekphrastic poetry with DAN Exhibition.

Created Mental Health Anthology for World Mental Health Awareness Day.

Created a Halloween Poetry Film.

Children’s Workshop Halloween Event LITtleFest WLF.

 

WPL Commission: Asked by Peter Sutton to write and perform at his Elgar Poetry Event, a fundraiser for the Elgar Festival 2018 at the Elgar School of Music.

 

Festivals: Poetry Swindon – Performed V. Formation.

Birmingham Literature Festival.

 

Workshops: As part of Poetry Swindon Festival with Daljit Nagra and Rishi Dastidar.

 

Room 204: Adam Speaks Tree House poem accepted.

Applied for Wolverhampton Literature Festival 2018.

 

and of course INKSPILL – our online writing retreat right here on AWF and I started submitting poetry again.

 

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INKSPILL SHARE BUTTON

 

autumn-2900166_1920 November:

WPL: Hanbury Hall Poetry & Art Event. (Last physical PL event of the year.)

Having my poem displayed by my artist (Stephen Evans) in his Malthouse Exhibition.

Talk – Worcester University, Creative Writing Society.

Talk – U3A Worcester.

Compiled International Remembrance Anthology – the largest number of submissions yet.

Organised school workshops and community workshops with The Basement Project.

 

Festivals: Asked to be a Guest Poet at an International Festival 2018.

V.I.P Verve Festival Launch Party.

 

Performances: Elgar Poetry Event.

 

WMRN: Writing A Book Review Workshop.

 

Room 204: Adam Speaks Launch & poems in exhibition.

Booked for Wolverhampton Literature Festival 2018.

 

Fragile Houses: SOLD OUT in just over 12 months, a 2nd print run was published.

fragile-houses-best

V. Press were shortlisted for the Michael Marks Publishers’ Award. ‘The pamphlets that V. Press had in for this year are: Alex Reed’s A Career in Accompaniment, Nina Lewis’ Fragile Houses, David Clarke’s Scare Stories and Stephen Daniels’ Tell Mistakes I Love Them.’

Parks 2 HHverve cynthia millerverve 9adam speaks launch invite25wmrn review writing workshop

 

christmas-background-2985552_1920 December:

WPL: Contour Issue 2 opened to submissions.

Radio: Brum Radio Interview/Guest.

Haiku Slam: 2nd place, Grizzly Pear.

Opportunities: Asked to endorse a poetry collection, my 3rd endorsement. I am honoured.

Contour Issue 2 PreviewBrum-Radio-logo-cropgrizzly pear

 

It has been a great year. 2018 is starting in ‘busy’ so I indulged in a wonderful fortnight off with friends & family over Christmas & New Year to finish the year on a high!

Nina taken Julia Webb

 

Happy New Year! 

Dream,

Goal set,

Achieve!

Here’s to 2018 – may it be your best year yet!emotions-2915279_1920