Category Archives: Readings

Flashback May: How to Grow Matches Book Launch

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I have a whole page in my TO DO List book of missing Blog posts from May – July. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Saturday, 19 May – Park’s Cafe, Droitwich. How to Grow Matches – A Live Lit Celebration.

Back in the Spring I was asked to be a poetry judge at Sarah Leavesley’s Launch for How to Grow Matches, published by Against the Grain Poetry Press. Following her Launch in London in March at the Poetry Cafe, Sarah had a local launch in May.

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This is Sarah’s 7th poetry book and she made sure that this was a Launch with a difference. She used her Launch as an opportunity to raise money for St. Paul’s Hostel who help people through homelessness. The evening was filled with Poetry and Fiction, as Sarah was also launching her latest novella Always Another Twist.

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Sarah’s Guest Poets/Writers were Jenny Hope, Liz Kershaw and Holly Magill, the evening was MCed by Charley Barnes, there was an Open Mic with prizes (hence the poetry judging). The prizes were amazing – bags of poetry books and poetry pictures.

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Sarah launch  The evening started with a translated reading by Sylv Coultier of ‘Matryoshka Portrait’, the opening poem in How to Grow Matches. Followed by Guest readings, open mic poets and readings from Sarah.

It was a lovely evening and thoroughly enjoyed. Appreciation and generosity were the feelings I took away from the evening.

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How to Grow Matches was SHORTLISTED in the poetry category of the INTERNATIONAL RUBERY BOOK AWARDS 2018 and ‘His Secret Daughter’ from How to Grow Matches is Carol Rumens’s Guardian Poem of the Week

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‘What immediately strikes me in Leavesley’s poetry is that sense of being spoken to directly, forcefully. The anger – at impossible advice, at the hidden and neglected work, at mere survival against the odds – is always balanced with craft and an impeccable sense of timing, and a vision which ranges from the orchestra pit to the research laboratory, via geopolitics, extinction and the recurring nested image of the matryoshka doll. An essential pamphlet.’
– Luke Kennard

‘Uncomfortable, powerful, and compelling, these poems demand to be read. And to read them is to ride a discomfiting turbulent current expressed in images of clocks with disparate rhythms, clouds that dissolve into “dark angels of rain”, piles of spent matches that might make a bonfire. And burning is what these poems do: searing through skilfully controlled anger at the invisibility of women, their lack of a powerful role model to follow, they are ready to burst into flame, urging women to “reclaim their share”.’
– Gill McEvoy

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You can buy your own copy here againstthegrainpoetrypress.wordpress.com/shop/

Reviews of HOW TO GROW MATCHES.

Flashback May: ‘Cutting the Green Ribbon’ Book Launch

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I have a whole page in my TO DO List book of missing Blog posts from May – July. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Friday 18 May, 6pm in the Studio at The Hive

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Back in May I was fortunate enough to attend Katy Wareham Morris’s Book Launch for her debut collection ‘Cutting the Green Ribbon’. The collection is published by experimental, Bristol-based publisher, Hesterglock.

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Katy is a writer and lecturer in Media and Culture, based in the West Midlands, UK. She has a particular interest in gender and queer studies, identity politics and digital humanities. Her debut pamphlet was a poetry duet entitled, Inheritance published by Mother’s Milk Books and was launched at Ledbury Poetry Festival (2017). It went on to win ‘Best Collaborative Work’ at this year’s Saboteur Awards.

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Her poems have also featured in the webzines I am not a silent poet and Ink, Sweat and Tears. Katy is also the Birmingham, UK Branch Leader of the Women’s Equality Party, of which she was a founding member.

cutting 2Hesterglock specifically asked for feminist poetry in the submission call and Katy gave them that and more. Here is what she says about the ‘Cutting the Green Ribbon’.

This collection is a collage of womxn’s voices, attempting to call time on the ‘female’ identities attributed to women by patriarchal  culture. The poetry is personal, political and provocative.

I am incredibly proud of this collection, which I have been working on for some years now. It is informed by my own love of poetry, which began with the Romantics -Wordsworth, Keats and Blake – when I was a child, to the Modernists, particularly HD, and the Beats, namely Diane di Prima whom I discovered as part of my Undergraduate and Postgraduate degree courses. It also reflects my appreciation of pop culture and the research I have undertaken in gender studies and identity politics. There were many times when I thought this poetry was too controversial or risky to ever be published. I persevered to prove to myself, if no one else, that womxn can fight for an equal place in this society, and that we have many different, equally valuable stories to share. © https://katywarehammorris.com/

Katy was joined by Guest Poets Kathy Gee, Holly Magill & Claire Walker.

WP_20180518_002It was a terrific, uplifting evening and a warmly received launch. There are striking poems in this collection. See for yourselves – order a copy here.

 

 

 

 

 

 

Review August 2018

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Well this is the first post this month online but August was packed, PACKED with poetry. I am still catching up on some blog posts from June-July and now will be adding August to the pile.

Here’s the month in snapshot!


Before Perth Poetry Festival I blanked my diary out as much as possible and missed some fine Midlands poetry events.

Week 1: 

I did a lot of research for Perth Poetry Festival and signed up to an anthology which I was lucky enough to be online for when the thread was posted, a project that is so popular it has a reserve list (more on this later).

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The main event this week was a Book Launch in Cheltenham for a charity anthology that I was fortunate to have the shortest poem (apart from short form) I have ever written included in it. The event at Hatherley Manor was dreamy and wonderful and the book raises funds for the cat rescue charity New Start Cat Rescue Centre, Huntley, Gloucestershire.

I will be creating a full blog post soon (and link back here when I am done).

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This anthology ‘All a Cat Can Be’ was the brainchild of Sharon Larkin and I am privileged to be involved. It would make a great Christmas gift for any cat lover.

 

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“This book is as gloriously varied as the beloved cats it celebrates. Here you will find poems which are witty, thoughtful, moving, and light-footed. ‘All a Cat Can Be’ offers something to please every reader, while helping cats desperate for a good home. And the photographs are irresistible!” – Alison Brackenbury

Edited by Sharon Larkin and Sheila Macintyre.

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I also sent a poem to Lucy Dougan for her Monster Field Workshop.

Week 2 & 3

I started working on INKSPILL – annual online writing retreat right here on AWF. More on this soon. Secured this year’s Guest Writers and started research.

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I worked tirelessly for a fortnight attempting to get the final issue of Contour Poetry Magazine live before flying off to the Southern Hemisphere. I was at this point still waiting for copy, so did what any good editor should do and contacted the poets who had successfully made publication and shelved the remaining editorial until my return.

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COMING SOON!

And then I flew to Perth, WA.

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Where I had an incredible time (lots of posts to follow). It was an amazing festival and I did as much of it as I could!

 

Week 4

Was mainly jet lag and editing… not a workable combination.

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I managed to get myself back into Birmingham – it has been too long – over 12 months I think. I went to the Big White Shed Brum night and it was packed with poetry – wall to wall and heart through heart.

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I am going to write the evening up over the weekend if I have a chance but it was a special night. The fusion of East & West (Midlands). There is a cracking poetry scene in Nottingham and this evening was proof of fine work happening in the region.

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A soft spot for me as I started Spoken Word in the East Midlands in Leicester.

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https://awritersfountain.wordpress.com/2018/09/04/cheltenham-big-white-shed-brum/

And I tie August up nicely with a night at Stanza.

I cannot believe the summer holidays are nearly over!

Review July 2018

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July

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Week 1:

July – the season of Festivals. Ledbury Poetry Festival (30th June – 8th July) kicked off with a weekend of events I had hoped to manage. Work has been exceptionally busy and I have grabbed any time I can at the weekend to just recoup a little. My Ledbury Saturday (which was also a reason I couldn’t make this year’s National Writing Conference) was much diminished.

Sunday saw the morning at Evesham Festival of Words and Polly Stretton’s final Poetry Walk Event. It was lovely that she acknowledged those of us who have managed all three of these. It was also great that I had time to stay for the extra reading which takes place in the Almonry Gardens after the walk. http://www.almonryevesham.org/

Read the full review here https://awritersfountain.wordpress.com/2018/07/30/evesham-festival-of-words/

I booked events for the Autumn and promoted several current projects. I also started firming up plans for Australia and the Perth Poetry Festival in August.

On Tuesday I went to Ledbury to the Homend Poets – who were launching the 11th anthology and a small collective of PoARTry poets promoted the Launch (11th) by reading some of our exhibited poetry. It was a great night – slightly soured by the M50 slip roads being closed for Roadworks and adding time onto my journey home. I had recorded the match (World Cup) and had to avoid using the radio and sadly, the 1.5 hour round the rigging route home meant I was met by revellers leaving the pub and rather giving the result away! I did witness an amazing sunset with the Malvern Hills which I would have missed if the roads had been open.

I managed to secure at least one musician for our Launch event. Bonus.

Much as I wanted to go to Ledbury for Pascale Petit and Tishani Doshi*  I had no energy after work for a mid-week jaunt across for an hour. *Tishani was part of the inspiration behind one poem in my debut pamphlet ‘Fragile Houses’.

I also wanted to go back the following evening to see Martin Figura –Dr Zeeman’s Catastrophe Machine. I spent a few days buckling down promoting events and organising shows and magazines from my desk in the evenings.

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The week finished with a rehearsal for our poetry show 30-40-60. Which was brilliant and made the three of us want to do this show again. None of us can quite believe it has been a year since the premiere event at Worcestershire LitFest 2017!

 

Week 2

Much as the first week of the month work kept me busy with report writing and assessments. I received an exciting invitation for November, more news on that once plans get firmed up.

My main focus was PoARTry at Ledbury. We had our launch night on Wednesday 11th July (another England World Cup game… this time slightly given away by the raucous cheers from the pub next door)!

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© Rick Sanders

It was a great event, mainly the Artists and Poets attended but some of us brought guests so there was an audience. The Exhibition itself did really well.

A more detailed review can be found here.

Thursday saw Ben Banyard Headline SpeakEasy in Worcester, a poet (from our 52 gang) who I wanted to meet and hear in person. It was a great evening in a new venue and the first time this event has been hosted outside. The garden was set for a wedding the next day and was beautiful. It was a fun night! Read more here.

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Friday saw a staff meal (nice to be invited) and then Saturday there was a workshop I wanted to attend in Walsall but after a full week of work and 3 nights out on the trot I needed a breather before Charley Barnes’ Book Launch in the evening.

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I was delighted to be a Guest Poet alongside Claire Walker, Sarah Leavesley and Holly Magill. As it fell during Droitwich Artsfest they advertised it as an Artsfest event. It was well attended and an exceptional evening. A pleasure to welcome Charley to the V. Press family. Read more about this sparkling evening here

https://awritersfountain.wordpress.com/2018/07/30/a-z-hearted-guide-to-heartache-by-charley-barnes-book-launch/

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I had the day off on Sunday – except I didn’t – I spent 6 hours sorting and editing film for our 30-40-60 performance. As well as working on a current Stanza project, sorting Issue 4 of Contour and organising paperwork for the trip to Australia.

 

Week 3 

On Monday night I spent another 5 hours in the cutting room, editing the new film for our event the next day.

On Tuesday 17th July Kathy Gee, Claire Walker and myself performed 30-40-60 in St. Andrew’s Church as part of the Artsfest. We had a small but mighty audience, it was a wonderful evening and lovely to hear people on the Open Mic and see poets visit Droitwich for the first time. Lots of people commented on the venue and of course the show.

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Read more about it here.

Also if you missed it – there is a review here. With thanks to Mad Hatter Reviews.

https://awritersfountain.wordpress.com/2018/07/31/30-40-60-performance-review/

One of the exciting things about an International Guest Poet is I get to attend plenty of workshops throughout the festival. I have had the schedule for a few months but now the programme is out was able to book into them. I am as excited about this as I am about being part of Perth Poetry Festival!

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I also had more exciting news – again under wraps for now.

Work finished – another splatter of excitement after a 3 month lock in! It was lovely working with such a great team. As everyone met in the pub to celebrate I stayed in and got an early night because my weekend was a wild one! Poetry WILD that is!

ArtsFest traditionally have a poetry day and for the past 2 years I have had the honour of organising it!

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We started at 2 PM with Poetry in the Square – my guests this year were John Mills and Liz Mills, two poets I met through 52. They put me up for the night before Stafford Festival – it was a welcome return to Stone for me – I lived there for a few years – and we have been friends ever since!

They are also brilliant poets and between us we managed the 2 hour stint in town.

Then I rushed off to Worcester to Guest Poet at Kieran Davies’ Book Launch for Legacy, published by Black Pear Press. Which was a great event, a true celebration – read more about it here.

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Then back to Park’s Cafe for Poetry Extravaganza and the first UK reading of ATOTC. It was a delightful evening of poetry.

ATOTC ME © Rhys Jones – Droitwich Arts Network

Read about it in full here https://awritersfountain.wordpress.com/2018/07/31/artsfest-2/

 

Week 4

At this point my diary suggested (because I pencilled it in – in May), taking the first 2 weeks of my summer holiday off from poetry events and prepare for Australia… to a certain extent I have missed events I would have otherwise attended, but as always there were some which slipped through that I couldn’t possibly miss.

The week started in Ledbury collecting work from the Exhibition. PoARTry was a great project and I know I will be staying in touch with my artist, Molly Bythell.

I got everything organised for my trip except money and mini-toiletries! It took a while to find cabin luggage small enough for the airline restriction and a while longer after that to choose just 1 piece! I also invested in a large but extremely lightweight suitcase… mine date back to when wheels were first introduced and the handle extends only 6 cm from the corner… they work like a supermarket trolley with a wonky wheel and have mainly been used for storage. Travelling with soft bags and backpack ever since! However, I am not backpacking and the last time I used that on Long Haul it caused a few problems, so decided to do the respectable suitcase thing!

Tuesday saw Poetry Bites at the Kitchen Garden Cafe with Jonathan Edwards and Holly Daffurn headlining. 

Thursday I was in Stratford at a workshop and Friday I went to Stanza, where there was even more exciting news.

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This weekend I received my copy of Hex – by Jennie Farley, published by IDP Indigo Dreams. Jennie was kind enough to ask me for an endorsement. It is the third book I have endorsed and it was a pleasure reading it. It is a mesmerising collection and I look forward to the official Launch in December!

Hex – Jennie Farley IDP

I also approached Guest Writers for this year’s INKSPILL online writing retreat and both have confirmed (exciting), so I spent a little time on this promotional film to encourage you to book it into your diaries NOW!

Find out more INKSPILL 2018.

I am now spending the rest of the month working on 3 writing projects, editing and organising myself ready for Perth!

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Sculpture Workshop Reading

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I have a whole page in my TO DO List book of missing Blog posts from April – June. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks. We have now reached May!

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Photo by Aris Ioakimidis on Pexels.com

This event started with a workshop back in September at the Jinney Ring, celebrating the annual Sculpture Trail. I am running a new Sculpture Trail workshop this year in September, drop me a line if you are interested in making an advanced booking.

For information – worcspl@gmail[dot]com

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Following the workshop the project went twofold – an exhibition of our poetry which has been on display at The Jinney Ring since April and a Reading.

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It took a while to find a venue in the village, but in the end it was perfect and the Church even had a Book Sale! Plus it was an extremely warm Bank Holiday and a stone building is the perfect air con and a new opportunity has arisen for some Autumn/Spring workshops based in St. Mary’s.

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© 2018 Martin Aspley-Davis

We are a vibrant church set upon a hilltop in the village of Hanbury in Worcestershire. We, at the Parish Church of St Mary the Virgin, attract people of all ages and outlooks to services that range from the contemporary to the traditional, from the informal to the formal and we would love to meet you. © 2018 https://www.hanburychurch.org/

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On arrival the path from the gates had been chalked, the church steps were chalked and there was a billboard advertising the event.

Just as I hoped, this brought people in for a few poems, we also had an audience who enjoyed the full almost hour of poetry about the Jinney Ring Sculptures.

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The workshop poets all thoroughly enjoyed hearing each other’s take on the Artwork and it brought back many memories of the trail. It is always interesting to hear other people’s poems when there is a shared source. The Mermaid sculpture featured in a fair few poems and not one of them the same.

It was unfortunate that not every poet was able to be there, however other Workshop Poets kindly read poems from the missing participants.

Maggie Doyle, Margaret Adkins, Polly Stretton & Nigel Hutchinson.

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            Jenna Plewes & Serena Trowbridge

The acoustics in the Church were great and the poetry was quality. It was a wonderful celebration of work, we read poems by Claire Walker, Roz Levens, Cass Osborn, Anne Milton and Linda Williams too.

To make more of a day of it we went back to where it all started and enjoyed tea and cake in the sunshine at The Jinney Ring.

My gratitude to Judith Burman, the Church Warden for advertising and helping organise this event and to the Rev. David Morris for allowing poets to use the Church in the first place. We all had a wonderful time and it was a great success.

What was also special is a number of people had never had the pleasure of exploring/discovering the Church before and I know they too will now probably take a walk through the woods up to the Church (as we did when we were children). I look forward to working with words inside the Church later in the year.

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PoARTry Ledbury Launch – Special Evening Exhibition & Poetry Reading

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Leena Batchelor and I have been busy for the past fortnight arranging this special event. We have plenty of poets and artists who are gathering together for this special Launch. The exhibition runs from 10th – 22nd and the gallery is open during the daytime for members of the public to come and marvel at the Artwork and read the poetry for themselves.

On the 11th July the gallery will be open in the evening for a celebration, you will have a chance to hear the artists talking about the collaboration and the process of their creations as well as hearing readings from the poets.

It is a free event and will be a wonderful evening, so do come and join us if you are free.

 

ledbury 18 Ledbury Poetry Festival kicked off this evening, we had originally hoped to have the PoARTry Exhibition during festival week (10 days), you can hear some of the poetry, a sneak preview during the festival. A selection of PoARTry poets will be celebrating their collaborations on Tuesday 3rd July with Homend Poets 6.30pm – 8.30pm at Icebytes. 

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POARTry Ledbury evening event

Festivals, Dirty Laundry & #MeToo

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Just home from a great night at The Blue Boar in Ludlow where Deb Alma Launched her first collection ‘Dirty Laundry’ published by Nine Arches Press.

 

This event was part of the Ludlow Fringe Festival.

Deb invited Guest Poets to perform: I read alongside Angela Topping, Roz Munro Derry, Holly Magill and Ruth Stacey.

I had not seen Angela since she launched Hearth (Mother’s Milk Books pamphlet written with Sarah James), it was lovely to catch up and also hear her read. I was particularly in awe of her final poem. Holly and Ruth both treated us to powerful new poetry, Holly’s debut pamphlet The Becoming of Lady Flambé is published by IDP. It was lovely to meet Roz, full kudos for her being brave enough to finish her wonderful set with her Me Too themed poem, written after Deb had created the anthology published by Fair Acre Press.

Deb Alma then took the stage after a great introduction from Jim Sheard. I thoroughly enjoyed the Launch in Birmingham and Deb’s reading here on (old) home soil was perfect too. Her set was a brilliant mix of all that Dirty Laundry offers and I admire her ability to perform some of the material in front of her family. It has been splendid watching Deb take off beyond her ever-amazing Emergency Poet work.

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Deborah Alma’s debut poetry collection Dirty Laundry is raucous, daring and honest, drawing contemporary women’s lives and those of our foremothers into the spotlight. It voices bold, feminist songs of praise: of persistence, survival, adventures of sexual rediscovery, each reclaiming the space to speak its mind and be heard and seen. A perfect remedy for the heartsick and weary, Alma’s intimate and particular poems are resolute enchantments, a form of robust magic.

© Nine Arches Press

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After an interval I was part of the #MeToo Anthology experience. These compelling performances have been occurring up and down the UK, at Festivals and Poetry Events. This book (sadly) is a necessary collection full of sincere and authentic poetry. This collection rallies against sexual assault and harassment.

The Guest Poets joined Deb in reading their own and other’s poems from the anthology before a group performance of Pippa Little’s Spartaca. A moving end to an amazing evening.

#MeToo Anthology was a Saboteur Award Winner earlier this year. All profits go to Women’s Aid and Refuges & domestic and sexual violence services can apply for a 50% discount on the cover price.

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“…Something was released and given a space within social media. It was easy to add our voice to the rising shout of #MeToo. We felt the sisterhood. Many women felt emboldened by this to share more difficult stories, more details; the lid has come off this box and now cannot be forced back on. I’m a poet, and an editor, and someone suggested we collect these stories somehow and it was obvious to collect them as poems. It was what I could do. I am very proud of this book, proud of the poets for sharing their stories and for putting their names to their words…These poems are painful, angry, often difficult to bear, but the result of these voices singing together is one that is beautiful, full of sisterhood, strength, and recovery…” (Deborah Alma, Editor)

 

My own poem ‘Ripped’ was shortlisted. Many of the shortlisted poems appear on Vik Bennett’s Wild Women #Us together.

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#UsTogether
voices from the #MeToo movement

In collaboration with the creators of the anthology, Wild Women Press have created an online platform for some of the additional submissions sent in response to the #MeToo call for poems. This platform is a place to celebrate the courage of the women who have shared their poems — voices that join together across counties and countries, in strength and sisterhood. #MeToo #UsTogether #NoMore

Celebrating being a Poet Again!

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DAY 1 of 9

The last 6 weeks has been much harder than the 15 years I spent not writing whilst I focused on my career. A career I gave up on in 2013 after an 8 year slide into depression. I have spent the past 5 years doing what I do best without having to put up with all the hoop jumping, red tape, politics and thankless 80 hour weeks! I also spent the last half a decade saying a resounding NO to any opportunity to work longer than a 2 week period.

However with an International Poetry Festival scheduled I felt the universe was delivering when I was offered a complete term. Here I am halfway through, I managed a whole month and a half back at the chalk-face full time (almost, some pre-booked poetry events allowed me a little time off for good behaviour). It has certainly been a hectic whirlwind working and freelancing simultaneously!

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Tonight I am celebrating my 9 day freedom by working on everything in the montage above and more. My poetry skin is slipped back on and I do not need to think about work (or report writing) for a while.

This Bank Holiday weekend I am spending some time offline with Mr. G. as the Bank Holiday at the beginning of May was filled with Poetry Events.

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I have a fortnight left as Worcestershire Poet Laureate and excitingly the judging process has begun to find the next one, the three finalists have been announced by themselves across social media, not sure WLF have posted the official announcements yet.

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I am planning my penultimate Spark Young Writer group for Writing West Midlands, many of us have been given the nod this year. It is not a forever job, they tell you this at the beginning. WWM like to support as many writers as they can and they feel these roles benefit from fresh Leaders and so, if you are lucky you will squeeze about 3 years out of the deal. I will be sad to lose this part of my writing life, but it has been a fantastic opportunity and left me with a bank of wonderful, creative plans and activities to incorporate into future work/workshops for Young Adults/children.

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I have a backlog of Blog posts to come reviewing Book Launches, Festival appearances and interviews.

I am working on Issue 4 of Contour, the final WPL digital magazine and reading submissions to the Science collection. There is still time to submit your work to both, just follow these links:

Contour: https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/29/submissions-open-contour-final-wpl-issue-4/

Science:  https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/30/submissions-open-tomorrow-for-the-final-wpl-poetry-collection/

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The Twin Town is going well, the European Project hosts just 4 collaborations, certainly an easier task to manage than ATOTC, with it’s mammoth 23 pairings! Several French/Anglo pairs have completed their poems and the deadline is this evening, so I am hoping to wrap it up before the end of my tenure (10th June). The French work is being translated, a truly bilingual collection.

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I am currently organising events for the Poetry Day at Artsfest 2018 and as part of the Poetry Extravaganza in the evening we will have the first UK ATOTC Collective Reading.

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UK READING

 

A few weeks ago many poets received copies of Bonnie’s Crew, a poetry anthology compiled by Kate Garrett to raise funds for Leeds General Infirmary Congenital Hearts Unit, via the Children’s Heart Surgery Fund.

Kate agreed to an interview a few weeks ago, I hope to start promoting it as soon as I can. It is a fabulous collection of poems.

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Here is her Just Giving Page https://www.justgiving.com/fundraising/bonnieandcrew

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And then I shall have an early night and be bright eyed for getting creative tomorrow.

 

Diverse Verse 3 Charity Anthology Book Launch

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Richard Archer produced the first Diverse Verse (2016) before I happened upon his charitable project, I made sure that I was on board when he did it again in 2017 and after creating Diverse Verse 2, he has done it again!

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I am proud to have a rather strange poem written during NaPoWriMo 2017 included in this publication. Proceeds go to Cancer Research UK.

Richard Archer commented on how the collection affords an opportunity for first time publication, which I think is great – you never forget the feeling of the first poem published.

The books are certainly diverse with a mix of known, novice and up and coming poets from all over the world, bound together in a perfectly formed paperback!

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Scott and Amy – owners of Walsall and the Black Country’s only independent bookshop. 

The Launch took place in Walsall at SouthCart Books on 28th April and was great fun. There may even be a write up in a Midland Arts Magazine soon. I will keep you posted. Rick Sanders, myself and Richard Archer were interviewed and offered insights into the project and the writing process/life of a poet.

There was a relaxed atmosphere throughout the launch and as ever Scott and Amy put on a generous spread and served hot drinks to keep us caffeinated, wine was available but I was driving.

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Richard Archer

The event ran from 11 – 3 PM and was divided into 3 readings with plenty of time to catch up, socialise and browse the Bookshop between each set. It was great to catch up with poets I have not seen for ages and to promote the last Laureate opportunities to them.

I also love the fact Southcart Books is open, so sometimes customers come and have a listen or just come to browse the shelves above your head as one guy did in the 3rd Reading.

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In the first section we heard 5 minute sets from these poets;

John mills
Liz mills
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Alison Reed
Mike Alma
Ian Henery
Matthew Cash
Martha Cash

Many performed the poem they had in the anthology alongside other work. Some sets were deeply moving and I thoroughly enjoyed sitting back for a listen.

Then we had an interval, food, mingling – lots of love in the Bookshop.

There is a poetry chair people to read from (a tradition in the Bookshop).

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So I settled down (cake on shelf) to open the 2nd section;

Nina Lewis
Jan Wilkes
Pauline Faulkner
Claire Sutton
Kristina Griffiths
David Wilkinson
Al Barz
Paul Elwell
Amy Carter

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Then another break, more coffee and a final readings from;

Richard Archer
Rik Sanders
Leanne Cooper
Jerry Peterson
Matt Humphries
Rachel Oram
Dale Parnell
Grace Dore

A really superb launch and a great anthology. You can buy a copy here

Diverse verse 3 is a poetry collection full of the finest poems from across the globe.

Within its covers are words that will send hearts soaring with joy or just as easily bring them crashing back to earth. Turn a page and find yourself on the wrong side of an argument, lost in a fantastical city or battling with malevolent inner demons. Read on and live vicariously through the words within.

Diverse Verse 3 is sold to raise money for Cancer Research UK.

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© 2018 MNA Express & Star (photo taken in the first shop premises) – Scott Carter

RELATED LINKS:

http://southcart.weebly.com/southcart

https://skaggythepoet.wordpress.com/2017/06/12/diverse-verse-2-sells-out-again-at-southcart-books/

In Conversation – BMI Poetry Project

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Last night I had the pleasure of a reading in Birmingham at the Birmingham & Midland Institute, a booking which was taken last year.

We were competing with an event at Waterstones (Cinnamon Press Showcase which was postponed from earlier in the year and an event I would have attended myself), final assignment deadlines for Birmingham Universities and the sunshine which made an appearance around 4 PM and again at 8 and probably had most people running for their gardens!

Still we had a good time and it was great meeting new poetry lovers. I was surprised and delighted by the support of Roy McFarlane who is the current Poet in Residence at BMI and fast approaching the launch of his next collection (Nine Arches Press).

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I was a little nervous, I have 3 Guest Speaker events under my belt and a string of radio interviews but had never had a live Q&A in front of a theatre audience and I am always mindful of what people probably want to hear and the art of gentle disclosure.

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Photo credits Paul Stringer (Room 204) and PhotoGiraffe

Talking to people during the interval, the insights that came up were from points where I relaxed and answered honestly hiding behind the 4th wall (forgetting we were being watched). It was fun talking about writing and all things poetry.

The event was held in the John Lee theatre, acoustics were great. I had woken up without a voice and used it all day at work.

John Lee Theatre

I enjoyed the reading – the first half was Fragile Houses and the second part a mixture of poems from the book and some newer material. Again, lots of positive feedback and although the audience was not as large as hoped my work has found new ears.

The evening finished with an Open Mic and this was a chance for new performers. The poetry was good, some of it deeply moving and we even managed to convince Roy to treat us to a poem.

The sun was just setting as we made our way back to New Street (now Grand Central).

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Fragile Houses is now housed in the Library at BMI.

Huge thanks to Jo, who stepped into Serena Trowbridge’s shoes, I wish Serena a speedy recovery and look forward to more events the BMI has to offer.

Images © 2017 Birmingham & Midland Institute https://bmi.org.uk/