Tag Archives: book launch

Mindful Poetry Moments Book Launch

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I have been overjoyed to play a part in The Well/ Mindful Poetry events over the past few years, (since Lockdown 2020/21). For the 2nd year running I am delighted to have poetry included in the anthology.

The Book Launch happens today at The Mercantile Library, which is incredibly beautiful and in Cincinnati… however, if you are not you can still watch the event on Crowdcast, to register: book tickets for the Live Launch or reserve your spot virtually check here.

I am really looking forward to spending some of my Birthday celebrating with these poets and can’t wait to hear everyone’s words.

Hope you can join us!

Book cover artwork courtesy of @alexandraramirezarts⁠ ⁠ Mindful Poetry Moments was incubated with @onbeing and virtual gatherings are supported by @cincyhive @wordplaycincy and @themercantilelib⁠ ⁠ #TheWellWorld #TheWell #MindfulPoetryMoments #MindfulPoetry #Poetry #PoetryCollection #OnBeing #PoetryUnbound #Poems #Poets #Poet

Book Launch ~ Elgar Country by Peter Sutton

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Published by Black Pear Press

Since 2016 I have been fortunate enough to have written endorsements for new collections. It is always an honour to be asked and to be trusted with the m/s, to read it before it’s published and to ultimately string words together which will encourage other’s to buy it from the blurb.

When Peter Sutton approached me in 2021 I was delighted to be one of the poets writing an endorsement for his latest collection. I have known Peter for many years and know what an expert he is on Elgar, I knew this collection would be a m/s I would enjoy. I wasn’t wrong! I read it many times.

Fast forward the publishing process and Peter is ready to launch. I am invited as one of his Guest Readers and all LIVE tickets have SOLD OUT! It will be my first live event since January and I am looking forward to seeing real people, (I still only leave home for work/medical/family visits).

Elmslie House, Malvern – 4pm Sunday 3rd April

You can join the fun online – instructions will appear here tomorrow.

The Facebook event page can be found here. Peter will be joined by guests Sara-Jane Arbury, Nina Lewis and Michael W. Thomas who will also be reading.

Elgar Country is an exploration of the landscapes, lanes, towns and cities that formed the backdrop to Elgar’s life and inspired so much of his music. Sutton’s own love for this part of the country is manifest in these poems as he urges us to ‘come to the Malvern Hills, to the counties of Hereford and Worcester, and hear the marvellous words of poets, the sounds of the earth, and the magical music of Elgar’. © Black Pear Press

Click the link below to find out more and hear recordings of Peter reading some of the poems from his latest collection.

Black Pear Press

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2020 Writing from Inlandia Book Launch

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During the 1st UK Lockdown, (which for me lasted 6 months before I was back to face to face work), I signed up to many workshops and writing classes. It was not just a way of navigating the pandemic, coping with mental health or a way to travel when grounded, it helped me find community.

The pandemic came after 15 months of ill health, in which I barely worked or lived and was, aside from hospital appointments and the occasional tea out with friends, pretty much locked down. I had been back at work for a few weeks and was trying to find my writing mojo again. I managed to edit my collection on morphine (not recommended) and through the kindness of friends was able to attend Stanza meetings and the join the Worcester Poetry Film Collective, I even made one event at the Worcestershire LitFest & Fringe in 2019. But I struggled to be at the desk and it was a long journey back to creating. The realisation of the global pandemic hit and … those of us lucky to have story, have story.

Poets in Motion was a great class with US/NZ/UK participants, a real international mix and a range of lives and stories. CelenaDiana Bumpus was a joy, there is no other word to describe her. Sadly, Celena passed away in 2020, before she had chance to make many of her plans realities. She is missed dearly and I am so grateful that we were able to write a class poem in her honour, which appears in the anthology too.

The day I received my book in the post I was so excited, I knew Inlandia Institute had planned a LIVE USA launch event and I never dreamed I would have the opportunity to read, then they announced an online launch event.

I am a panelist this evening AND so are some of my much loved and missed class members. It will be a great event, it is a splendid Anthology and I am blessed to have some words on the pages.

It’s free to come and watch – 9PM GMT.

Register HERE

Join Inlandia Institute for a special online reading of selected works from 2020 Writing from Inlandia! This yearly anthology has been published since 2011 and is an Inlandia tradition, with contributors from sixteen of Inlandia’s creative writing workshops in the 2020 edition. Packed with over 300 pages of stories, poems, and essays, 2020 Writing from Inlandia explores the experience of being alive through memoir, food writing, reflections on the COVID pandemic, and more. Participants will read their work aloud in reflection of the myriad challenges – and rewards – of being human. Don’t miss it!

In memory of Candace Shields, Morris Mendoza, and CelenaDiana Bumpus.

ORDER your copy here.

The Writing from Inlandia series was created to celebrate the participants in our creative writing workshops program and to serve as a record of who we are at the present moment. May these writings pay tribute to a year unlike any other.

© 2021 Inlandia Institute

ATG Book Launch Chaucer Cameron and Cheryl Moskowitz

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Against the Grain Press present In an Ideal World I’d Not Be Murdered by Chaucer Cameron and Maternal Impression by Cheryl Moskowitz

Yesterday afternoon I had the pleasure of being one of many (126 attendees), at this book launch. It was lovely to see people I know and spend a few hours listening to and celebrating poetry.

I have known about Chaucer’s pamphlet for a while and was able to celebrate the publishing contract with her (virtually, of course) in 2020, I saw her International Guest Reading and have heard many poems from this pamphlet. It is a difficult and necessary subject and I am delighted for her that ATG picked it for one of the 2021 Pamphlets.

This was such an amazing event, I am struggling to put my feelings into words. It will take a while for my mind (and heart) to settle. It was remarkable, a phenomenal reading of poems from four skilful poets. The subject matter of much of the work had my emotions staggering, I was prepared for In an Ideal World I’d Not Be Murdered but I hadn’t readied myself for what I have just experienced. I don’t think I could have.

As far as Book Launches go, we all witnessed something so much more. I felt we had been churned by a rough sea voyage and sprinkled with the relief of a shower after a long, muddy trek. We were taken to some incredibly dark places and also bound to cherished, unconditional love.

I feel like I spent the afternoon in some sort of immersive performance piece. These books carry stories which are difficult to read. As humans it is always hard for us to be open to the truth of what we do to each other, our potential to harm and destroy. They are also mighty pamphlets brimming with monumental poems.

Abegail Morley introduced the event and Cheryl Moskowitz. Cheryl introduced us to her Guest Poet, Isabelle Baafi, who gave us an incredible reading from her pamphlet, Ripe which was a Poetry Book Society Pamphlet Choice: Spring 2021 Selections. I can see why it was selected.

“Ripe is a pamphlet which draws on the mundane to forge beauty, using sensual tones to deal with and address harsh subject matter. Baafi’s poems are great inventions in terms of their use of form. Throughout this book, her use of language is never laboured in its endeavour to draw the reader’s attention. […] Overall, Baafi’s poems often step outside the rational and waking consciousness in order to investigate other realms, be that paranoia, dream states etc. […] Through her lyric poems, prose poetry, erasures and much besides, Baafi offers us a complex world worth savouring, as she revels in language both sacred and profane. This is a pamphlet to enjoy and a poet to watch.”
— Nick Makoha and Mary Jean Chan, PBS Pamphlet Selectors

Her work is wonderful, powerful and honest. Stunning poems. Something special. Isabelle’s work spoke to Cheryl’s work well. And was a perfect set.

PHOTO BY SARAH KIKI NYANZI

Cheryl Moskowitz shared work from Maternal Impression. Cheryl’s work was both enthralling and epic. She talked generously about the inspiration behind the poems and some of the places, narratives and people featured throughout her work. Cheryl also shared an astonishing film poem produced by her filmmaker son for ‘A Son Awake’.

“Every time I have heard Cheryl Moskowitz read “The Donner Party”, strange things have happened – a bell has rung with no-one at the door, candles have guttered in a church setting, and shivers always run down my spine. Moskowitz’s poetry summons spirits and spills beyond the words on the page into a mystical space where we are all connected in body and mind. These are poems that once read or heard, leave their mark. Mesmeric, soul-feeding, uneasy, I come back to them again and again for reassurance, admonishment, and recognition of what it is to hang onto the maternal in our collective journey. Maternal Impression is a call to arms – maternal arms – and all that implies in the Anthropocene. It has a beating heart that needs to be heard, felt, and heeded.” – Lisa Kelly

“Reading Maternal Impression is to have the feeling of walking on nails with bare feet, with the assurance of trust. I go tenderly where these fine poems take me, knowing they will advance my pleasure, my empowerment.” – Daljit Nagra 

Jessica Mookherjee introduced Chaucer Cameron, both poets spoke highly of their editing experience with ATG. Chaucer talked about an interview with Jeffrey Sugarman ‘Voicing our Silences‘ about the impact of prostitution and trauma on the body. Chaucer introduced Lucy English as her Guest Reader.

The Book of Hours

Burning Eye Books

This book has recently become a filmmaking project with 27 filmmakers involved. Lucy wanted to create it in three-dimensional form. You can discover more and watch here.

Lucy shared some of her Lockdown writing, after expressing how difficult creativity has been at this time. Her poetry was brilliant, cinematic, microscopic, the specific and this new work captured the feeling of being trapped well.

Chaucer Cameron read an epic set, strong, brave, vulnerable poems which hinge around characters in the industry, including Crystal. It is an incredible body of work and like nothing I’ve ever read. As Chaucer says ‘the characters have their own reasons for being in the industry and only they know where they stand at any given time‘.

In an Ideal World I’d Not be Murdered is part memoir/part fiction and is Chaucer’s debut pamphlet. The poems explore the impact of prostitution.  

“These poems ring out like gunshots in the night; they will wake you from your sleep. Yet despite its distilled directness, this book is lifted by both mystery and surprise. Listen for the songs emerging from the dark centre of this transformative work of experience and survival.’  Jacqueline Saphra.  

Chaucer also shared a film poem made by Helen Dewbery ‘Hooked (with internal song)‘. Another amazing work.

Both poets spoke of their connections to each other having never met they discovered amongst other things, giving birth to their children in the same hospital.

Every reading was outstanding! I love being introduced to new-to-me poets and Isabelle Baafi and Cheryl Moskowitz are now both on my reading list. It was a joy to watch two new poetry films. ATG asked for our questions and plan to produce blog content with the Q&A. It was such a rich and full afternoon of content I am glad they didn’t add a Q&A on. As audience we were stunned and needed time to sit in the sensations we felt. I look forward to reading the Q&A from the ATG poets soon. Instead we heard extra poems from Cheryl and Chaucer.

There really are no words to express this Book Launch, those lucky enough to have been there, know.

BUY the books here.

Book Launch Nature at a Cost by Annie Ellis

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Annie is a much-loved member of the Cheltenham Poetry Festival team and her Book Launch was hosted by them. Presented by Howard Timms. Annie’s collection has been described by Ankh Spice as ‘a clarion call to find the edges we have forgotten’, and by Ben Ray as ‘a haunting love letter to the natural world’.

It was a pleasure listening to all the poems, a delight to watch her excitement as Guest Readers shared some of their own poetry and read poems picked from her first collection. It is always exciting to hear your words coming from the mouth of another. Something magical about that process. I was touched when several readers shared poems written especially for Annie or inspired by poems in this collection. Annie’s Special Guests were Ben Ray, Anna Saunders, Zoe Brooks and Ankh Spice. In addition to these four powerful poets, Annie had asked other members of the poetry community to read a poem from the collection.

It was an honour to be there, to listen, to watch, to see. The witness and kinship. Annie’s poems bring nature in until it becomes us (as it should be, as it is). We are, after all part of it, we are it, it is us. As more people (through Lockdown Nature) are realising and we’re all bearing witness to the proof of our ecological impact.

About the Book

Nature at a Cost is a collection of poems essentially focusing on the interaction between humans and the environment. Poet Annie Ellis explores the impact that our way of life is having on other species that share our planet, offering a unique perspective on the disturbing situation we are currently creating. Her words send a powerful message to all of us to protect rather than exploit the natural world, to bring harmony and balance for a better future.

Extracts from the testimonials for Nature at a Cost 
A collection of vivid and beautifully observed poems by a writer who loves nature in all its manifestations – from the jack-of-all-trades to the king of the pack, all the creatures in this charming collection are depicted with awe and delight.
Anna Saunders, CEO of the Cheltenham Poetry Festival and poet

A raw, real and honest update on the Romantics’ odes to the natural world, Nature at a Cost is an engrossing and challenging collection which flows from the page as naturally as the rivers and forests it describes – a haunting love letter to the natural world, which stays with the reader long after the final stanza. Sometimes unsettling and uncomfortable in its questioning of our self-centred perception of the world, Ellis is not afraid to explore the nature’s raw and often violent mechanics: seals twist in water to escape ‘a cave of daggers’, millions of ladybirds bury a small town, and the seasons turn unstoppably in ‘pompoms of autumn fizz’. Ellis is disarmingly honest and open about her own position in this wildness, which she finds reflected inside herself: ‘I feel the pain of solitude, / with the twist of time coming round.’ Yet throughout this collection, Ellis’ writing consistently holds a deep love and respect for nature and its inhabitants. This is twinned with a keen and subtle eye for observation: goats ‘wander like lost pebbles’, whilst ducks swim in an ‘army of ripples’. As the collection’s title suggests, there is an underlying tension between the human and wild here: but Ellis masterfully negotiates this distance, using poetry as the bridge to carry us from the familiar into the wilderness. In the final poem, a tree speaks of this innate connection: ‘find me in the pencil / you are holding.’ If you are looking for this entry point into the wilds, look no further than Nature at a Cost.  
Ben Ray

‘Nature at a Cost’ beckons you to step beyond your comfortable human skin and allow your boundaries to be repainted in a wilder shape. Ellis’s poetic gift is for suspending time on the wing, on the hoof, the claw, or the branch – she offers vivid moment after moment as a series of natural Attenborough-esque observations, still moving as we watch – or better still as we step in with the poet to channel our consciousness into her global family of flora and fauna, weather and wile. In this time of disconnection from the deep and intimate living our own animal experience could, and should, offer us, this collection is a clarion call to find the edges we have forgotten, and to redefine what we notice and protect as valuable.
‘Because of you I want to keep living’ realises Ellis in ‘Wolf’, and it is truly that simple. We are in the quietly clamouring presence of every reason to persist in symbiosis, not at odds, and every beast captured by this poet’s keen and tender lens shows us how – from revelling ladybug to nursing doe to goats on the edge. This collection is, in every sense, a vital one.

Ankh Spice, Co-Editor of Ice Floe Press.

– Source Cheltenham Poetry Festival

You can order a copy of Annie’s collection here.

Congratulations to Annie Ellis.

INKSPILL 2018 Feature – All That Was Lost By Alison May

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2018 VERSION GUEST POETS TO USE

Alison May was a Guest Writer for INKSPILL back in 2015. We are delighted that this September Alison launched her latest novel ‘ALL THAT WAS LOST’. This afternoon we are happily featuring Alison May and her new book on INKSPILL.

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Author bio

Alison is a novelist, short story writer, blogger and creative writing tutor who grew up in North Yorkshire, and now lives in Worcester. She has worked as a waitress, a shop assistant, a learning adviser, an advice centre manager, a freelance trainer, and now a maker-upper of stories.

Alison won the RNA’s Elizabeth Goudge trophy in 2012, and her short stories have been published by Harlequin, Choc Lit and Black Pear Press.

Alison has also been shortlisted in the Love Stories and RoNA Awards.

Alison writes emotional fiction, and her seventh book, All That Was Lost, was published by Legend Press in September 2018.

She also writes modern retellings of misunderstood classics, in collaboration with Janet Gover, under the penname Juliet Bell. Alison is currently Vice-Chair of the Romantic Novelists’ Association.

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You can find out more about Alison on her website: www.alison-may.co.uk, by following her on Twitter or Instagram @MsAlisonMay or on her facebook page: www.facebook.com/AlisonMayAuthor/

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‘Intriguing with a cast of complex characters that keep you fascinated, this is a page-turner and surprisingly tender’ Katie FForde

‘A resonant, emotional story about grief, loss and love with a complex, tragic heroine—a fake psychic reaching the end of her career. Although it’s about death, this story is never depressing, and ultimately it’s about recovery and healing’ Julie Cohen

‘A beautiful and compelling story that delves into what is real, what we are willing to believe and the power of grief’ Liz Fenwick

‘”All That is Lost” is a bold, beautiful thought-provoking novel, that sensitively confronts difficult themes’ Rowan Coleman

‘It is a triumph. What Alison May has produced is an intimate and affecting study of loss, grief and identity that is just wonderful.’ Linda’s Book Bag

‘What an interesting and unique book… a fascinating, at times heart-wrenching, look at secrets, the cost of keeping them hidden, and whether hiding them requires lies.’ Fireflies and Free Kicks

 

 

Don’t Oil The Hinges Heather Wastie’s Book Launch

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Behind every Worcestershire Poet Laureate is a book and 2018 sees the launch of a new one. Heather Wastie was Worcestershire Poet Laureate 2015-16 and since passing her crown onto Suz Winspear (who in turned passed the crown to me), Heather has been busy touring Idle Women, writing a book of poems for The Ring Project and creating Nationwide adverts… so it is no surprise that this new collection (her 7th book) took a while in the making.

The beautiful cover is designed by Jess Silk.

I was delighted to attend her launch last Saturday 15th September at Park’s Cafe, Droitwich. Apt that we celebrated the launch in the very cafe that features the door which led to the poem/title of the collection. ‘Park’s Cafe Poetry Reading’.

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It was a delightfully fun evening which brought back lots of memories and people. Heather loves to collaborate and I found it particularly touching to see the amount of people in the room who were part of some of the projects touched on in this collection. There were also plenty of ‘Mouth & Music’ friends I hadn’t seen for a while and it lovely catching up and conspiring to do some one off event in 2019.

Knowing Heather and her poetry, I knew we were in for a treat… and I wasn’t wrong! The evening was filled with poetry and music, all of Heather’s Guests had appeared in the book in some way.

After brief introductions from Rod Griffiths & Polly Stretton (Black Pear Press) Heather shared poems from Don’t Oil The Hinges.

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Sharing with us details of where the poems came from, these context introductions are included in her book. She prefaced every poem with ‘I wouldn’t have written this poem if it were not for…’ and when that came round to Chaucer it had us all chortling!

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Heather’s first guest was Sarah Tamar who she used to host Mouth & Music with. We were all delighted to see Sarah again & to hear her poems.

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Then Heather’s Idle Women partner in crime Kate Saffin was next, delivering poetry used in the show (from the Idle Women book), delivered with aplomb. Kate blames Heather for getting her writing poetry. She is a talented Theatre maker and performer.

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Another feature of a Black Pear Press Launch is the author Q&A, hosted by Tony Judge. His wicked sense of humour left us all aghast as he asked Heather who her favourite collaborator was, we knew he was joking… it was a magical moment when Heather answered. We also heard about her writing process, other work she has been involved in and future plans.

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Following an interval we had music from Dave Sutherland, he had set Heather’s poem ‘Carrying the Evening Home’ to music – it was a great sing along and we got to hear one of his own songs too.

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Then Sunny Ormonde, an actor from The Archers performed Heather’s poem ‘Dad Was A Fan of The Archers’, which she performs in her one-woman show.

“Needing a poem about local life for my show at Bewdley Festival I discovered Heather’s wonderfully funny poems on line. Immediately smitten, I contacted her and was over the moon when she kindly offered to write a special poem for the show and Dad was a fan of The Archers was born. Nothing could have been more perfect—it was a huge hit and continues to be so.” – Sunny Ormonde

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Then Emma Purshouse closed the evening with a brilliant set including a poem she had written about the Canal for Heather & Kate to use in Idle Women. Her performance of it moved the room, we were all in that water. This poem will be included in Emma’s next book.

Exceptional!

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A well oiled (unlike Paul’s door) and relaxing evening. A most enjoyable launch and I now have my own copy of Heather’s latest book of poems.

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Find out more about this collection and treat yourself to a copy here https://blackpear.net/authors-and-books/heather-wastie/dont-oil-the-hinges/

black pearPublished by Black Pear Press.

Book Launch: Unable Mother by Helen Calcutt

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Described as a ‘violent grapple with our cosy notions of motherhood’ (Robert Peake)  this bold and breathtaking new book of poems exposes the painful and the beautiful experience  of becoming a new mother, torch-lit with violent and tender experience, sung from the body, and cast through a unique metaphoric lens.
This promises to be an unforgettable evening, celebrating themes of womanhood, transformation, and new life.

 

A much awaited Book Launch happened this month. Helen Calcutt’s first collection UNABLE MOTHER published by V. Press was launched at Waterstones, Birmingham.

I have heard Helen read from Unable Mother several times and was looking forward to getting my hands on a copy. The journey to Birmingham was epic with several issues that had occurred earlier in the day, trains were not running well. We waited on a platform for nearly an hour. By the time we arrived in Birmingham it felt like we should have least made it to Manchester!

I was delighted to see lots of familiar faces and the room was buzzing with pre-launch excitement. Helen had some 90s pop quietly playing in the background and everyone was settling in ready to hear some stunning poetry.

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The evening was hosted by Gavin, who is a Storyteller but he still treated us to a poem.

Helen invited Guest Poets Nellie Cole, Isabel Galleymore, Claire Walker and David Calcutt to read during the first part of the evening. Each poet read 3 or 4 poems which was enough to catch the flavour of their writing and leave the audience wanting more.

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Nellie Cole

I first heard Nellie at Stirchley Speaks a few years ago and thought how confident she was back then, how grounded her work is. I am delighted that I have heard some of the poems in her debut pamphlet in genesis form. I find it fascinating following the progress through to end results. ‘Bella’ is published by Offa’s Press.

http://offaspress.co.uk/poets/nellie-cole/

Nellie is from the Black Country and started writing poetry when she studied at Birmingham University.

Bella is … a work which blends factual evidence with folklore, superstition, hearsay and the imagination, these poems explore the Worcestershire murder mystery ‘Who Put Bella in the Wych Elm?’

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The book table at Helen’s Launch generously featured her Guest Poets, I needed more than my train fare and money for Unable Mother. I had hoped to catch Nellie performing at Permission to Speak on the 12th but due to work commitments was not able to make it. Bella is a book destined for my reading pile.

You can grab yourselves a copy here http://offaspress.co.uk/shop/

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Isabel Galleymore

I was really excited to hear Isabel’s set as I had not heard her read before. I have read her work, several poems are published on the Poetry Foundation website. She also won the Eric Gregory Award in 2017.

Isabel shared a beautiful set, her poetry draws the listener in. I definitely wanted to hear more.

Isabel’s first collection ‘Significant Other’ will be out next year (March 2019) published by Carcanet. Until then copies of Dazzle Ship published by Worple Press can be found here.

http://www.worplepress.com/dazzle-ship/

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Claire Walker

Claire Walker is a poet I know well, having met her on my first adventure as a poet back in September 2013, she is a good friend and a fellow V. Press poet and it is always a pleasure to listen to her work.

Her debut pamphlet ‘The Girl Who Turned Into a Crocodile’ (V. Press 2015) has sold out, but the poems in those covers remain strong. I was so glad she shared ‘Teaching Your Daughter to Crack Eggs’. Claire’s second pamphlet ‘Somewhere Between Rose and Black’ (2017) published by V. Press was available on the book table.

You can get a copy here http://vpresspoetry.blogspot.com/2017/12/launching-somewhere-between-rose-and.html

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David Calcutt

Three marvellous sets by three amazing poets and I thought it would be Helen next. Then we were introduced to David Calcutt who after his set was then to introduce Helen.

I had not expected David to be reading and was very happy when I discovered he was. It was a captivating set. He read from his latest collection ‘The last of the light is not the last of the light’, published by Fair Acre Press which launched earlier this year. https://awritersfountain.wordpress.com/2018/06/30/a-night-of-light/

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You can buy a copy here https://fairacrepress.co.uk/shop/david-calcutt-the-last-of-the-light-is-not-the-last-of-the-light/

 

 

 

 

As a daughter of a musician (and an ‘in the shadow of’ musician) I understand the need for a daughter of a writer/poet to want to feel she has established herself without standing on the shoulders of her father. Helen has definitely done that and I was touched by her metaphorical sigh of relief. Her first collection now published she could confidently invite David to be part of the Launch.

Even if David was aware he may be sounding like Father of the Bride in introducing us to her.

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Helen Calcutt

Like Claire, I have known Helen for a while and always enjoy listening to her work. I had the pleasure of hearing a set from Unable Mother at David’s Launch back in June and had heard some of the poems from the collection at other events. But this evening I was buying my own copy.

Hearing some of the poems for a second or third time works for me, because like a good film you notice something else. Something new. When I read poetry books it is not unusual for me to read a poem twice. Of course, in an extended set Helen shared more poems than I had heard and also the stories woven into the poems. How poems written for one thing take on significant and different meanings because of her experiences since.

She even shared the stories behind the magnificent cover.

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Helen Calcutt

It was a very moving set and left a few of us in tears. Helen trusted us enough to expose parts of her life on a soul level, it was painfully honest. The poems speak this honesty, this undoing of secrets, uncovering the things we don’t talk about, the experiences we hide – it all holds importance.

As Robert Peake says in his endorsement: “This work challenges our abstract and cosy notions of motherhood with a brutal and vulnerable delve into the psyche.” 

Helen’s set was brave and touching.

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An excellent evening and a wonderful book launch and a fine celebration with cake, wine and book signings afterwards.

Unable Mother Calcutt 978-1-9998444-0-0 You can buy a copy here

http://vpresspoetry.blogspot.com/p/unable-mother.html and also read a sample poem and hear Soundcloud audio of a selection of poems from the book.

“This work challenges our abstract and cosy notions of motherhood with a brutal and vulnerable delve into the psyche. Calcutt grapples, sometimes violently, sometimes with aching tenderness, each hard-won line ‘like squeezing / flesh and fruit from the bone, / this terrible love’. Yet these poems reach even further, into the rent world, and the remarkable kinds of beauty to which poetry alone can allude. This is an intimate book, the kind that comes in close to your ear to whisper dark secrets and unavoidable truths. These poems are spare, careful, insistent–and devastatingly good.” Robert Peake

“Helen Calcutt’s poems are full of surprising and intricate moments – they unfold like origami, deftly packing and unpacking themselves into new forms and presenting the reader with confidences, secrets and insight, the tender words for the things that are hard to say. In their explorations of motherhood, loss and discovery, Calcutt’s poetry is steeled with precise language, always finding clarity forged in the heart of experience.  These are intimate poems which are felt in the body, and written with a keen physicality – ‘love is meant to live on in the body’ writes Calcutt, ‘My flesh making heaven of it.’ In their makings and re-makings, each poem here reveals this to be a remarkable and potent debut.” Jane Commane

https://helencalcutt.org/

 

Stuart Bartholomew Waterstones Regional Manager is a huge supporter of Poetry (as well as co-director of Verve Poetry Festival and Verve Poetry Press) and he made sure this evening was smooth and possible, so I think he deserves some poetry thanks and praise too!

Flashback May: ‘Cutting the Green Ribbon’ Book Launch

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I have a whole page in my TO DO List book of missing Blog posts from May – July. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Friday 18 May, 6pm in the Studio at The Hive

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Back in May I was fortunate enough to attend Katy Wareham Morris’s Book Launch for her debut collection ‘Cutting the Green Ribbon’. The collection is published by experimental, Bristol-based publisher, Hesterglock.

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Katy is a writer and lecturer in Media and Culture, based in the West Midlands, UK. She has a particular interest in gender and queer studies, identity politics and digital humanities. Her debut pamphlet was a poetry duet entitled, Inheritance published by Mother’s Milk Books and was launched at Ledbury Poetry Festival (2017). It went on to win ‘Best Collaborative Work’ at this year’s Saboteur Awards.

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Her poems have also featured in the webzines I am not a silent poet and Ink, Sweat and Tears. Katy is also the Birmingham, UK Branch Leader of the Women’s Equality Party, of which she was a founding member.

cutting 2Hesterglock specifically asked for feminist poetry in the submission call and Katy gave them that and more. Here is what she says about the ‘Cutting the Green Ribbon’.

This collection is a collage of womxn’s voices, attempting to call time on the ‘female’ identities attributed to women by patriarchal  culture. The poetry is personal, political and provocative.

I am incredibly proud of this collection, which I have been working on for some years now. It is informed by my own love of poetry, which began with the Romantics -Wordsworth, Keats and Blake – when I was a child, to the Modernists, particularly HD, and the Beats, namely Diane di Prima whom I discovered as part of my Undergraduate and Postgraduate degree courses. It also reflects my appreciation of pop culture and the research I have undertaken in gender studies and identity politics. There were many times when I thought this poetry was too controversial or risky to ever be published. I persevered to prove to myself, if no one else, that womxn can fight for an equal place in this society, and that we have many different, equally valuable stories to share. © https://katywarehammorris.com/

Katy was joined by Guest Poets Kathy Gee, Holly Magill & Claire Walker.

WP_20180518_002It was a terrific, uplifting evening and a warmly received launch. There are striking poems in this collection. See for yourselves – order a copy here.

 

 

 

 

 

 

Review August 2018

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scenic view of beach

Photo by Pixabay on Pexels.com

Well this is the first post this month online but August was packed, PACKED with poetry. I am still catching up on some blog posts from June-July and now will be adding August to the pile.

Here’s the month in snapshot!


Before Perth Poetry Festival I blanked my diary out as much as possible and missed some fine Midlands poetry events.

Week 1: 

I did a lot of research for Perth Poetry Festival and signed up to an anthology which I was lucky enough to be online for when the thread was posted, a project that is so popular it has a reserve list (more on this later).

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The main event this week was a Book Launch in Cheltenham for a charity anthology that I was fortunate to have the shortest poem (apart from short form) I have ever written included in it. The event at Hatherley Manor was dreamy and wonderful and the book raises funds for the cat rescue charity New Start Cat Rescue Centre, Huntley, Gloucestershire.

I will be creating a full blog post soon (and link back here when I am done).

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This anthology ‘All a Cat Can Be’ was the brainchild of Sharon Larkin and I am privileged to be involved. It would make a great Christmas gift for any cat lover.

 

https://www.poetrybooks.co.uk/products/all-a-cat-can-be

“This book is as gloriously varied as the beloved cats it celebrates. Here you will find poems which are witty, thoughtful, moving, and light-footed. ‘All a Cat Can Be’ offers something to please every reader, while helping cats desperate for a good home. And the photographs are irresistible!” – Alison Brackenbury

Edited by Sharon Larkin and Sheila Macintyre.

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I also sent a poem to Lucy Dougan for her Monster Field Workshop.

Week 2 & 3

I started working on INKSPILL – annual online writing retreat right here on AWF. More on this soon. Secured this year’s Guest Writers and started research.

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I worked tirelessly for a fortnight attempting to get the final issue of Contour Poetry Magazine live before flying off to the Southern Hemisphere. I was at this point still waiting for copy, so did what any good editor should do and contacted the poets who had successfully made publication and shelved the remaining editorial until my return.

contour 4 celebration - Made with PosterMyWall

COMING SOON!

And then I flew to Perth, WA.

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Where I had an incredible time (lots of posts to follow). It was an amazing festival and I did as much of it as I could!

 

Week 4

Was mainly jet lag and editing… not a workable combination.

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I managed to get myself back into Birmingham – it has been too long – over 12 months I think. I went to the Big White Shed Brum night and it was packed with poetry – wall to wall and heart through heart.

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I am going to write the evening up over the weekend if I have a chance but it was a special night. The fusion of East & West (Midlands). There is a cracking poetry scene in Nottingham and this evening was proof of fine work happening in the region.

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A soft spot for me as I started Spoken Word in the East Midlands in Leicester.

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https://awritersfountain.wordpress.com/2018/09/04/cheltenham-big-white-shed-brum/

And I tie August up nicely with a night at Stanza.

I cannot believe the summer holidays are nearly over!