Tag Archives: workshop

INKSPILL 2018 Guest Writer Workshop with Kevin Brooke – The Sealed Envelope

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This workshop was devised with Young Writer’s in mind… we were all young once upon a time and still are at heart… so give it a go. 

Guest Writer Workshop with Kevin Brooke 

The Sealed Envelope

Young Writer’s Workshop on the theme of A Sealed Envelope with the story to be written in approximately 300 words

In giving advice to a writer, J K Rowling has been quoted as saying “Write the story as well as you can, revise it, refine it, and if it still seems alive to you, you’re done”.

The items each student requires are to complete the workshop are – a pen, some paper and an imagination.

The Workshop begins with each student being handed a sealed envelope

Please don’t open this as yet, because this is crucial in the creation of your story. All you need to do to begin with, is think about what is inside the envelope. Write down a few ideas of what it could be, for example, a letter, pictures, symbols, something else?

Character Creation

Now that you have some idea of what’s inside, I want you to think about who or what would send it to you? Try and picture them, imagine what they’d look like. Are they young / old / a boy / a girl / an alien / a Vampire / a goblin?

If you are struggling, have a look around the room to see if there is something that catches your eye or inspires you. If you are in a library, have a look at some of the books on the shelves and focus on what you can see on the front covers / internal illustrations.

Plot creation

Now that you have a picture of what is inside the envelope and who may have sent it, try to think of a reason why? For example, is it a threat, a wish of goodwill, a symbol of hope / disaster or a cry for help or even a goodbye?

Setting creation

Now we have a character and a reason why the envelope has been sent. The next stage is to try and imagine where they were when they sent it. Were they on the beach, on the moon, hidden in a wardrobe, inside a dungeon? Draw some pictures if this helps.

The Resolution

The story you have written so far should tell you whether it will be a happy ending, an open ending, or a sad / violent ending…read the story, think about the character, the setting. Read it through your notes several times – the ending is there if you think about it. The most important aspect is that the resolution must be based on how you think the story should end.

How? First of all, don’t forget the basic checklist

  • 300 words isn’t many. Try to keep characters to a minimum – maybe one main character and a maximum of two others.
  • Use dialogue if you can as this brings the characters alive.
  • Try not to use too many adverbs i.e. words ending in ‘ly’. If the man is tall, we don’t need to know he is really tall. Tall is usually enough.
  • Try to be specific i.e. instead of ‘she ate a pizza’ maybe think of the ingredients i.e. ‘spicy pepperoni with mushrooms’. In this way, the reader not only knows the details of what is on the pizza, they gain a sense of taste.
  • Avoid clichés – one way of doing this by using Imagery. As Stephen King is quoted as saying “see everything before you write it”. Try, therefore, to visualise every sentence you write and then write what you see.
  • Another way of bringing your story alive is by experiencing what your character is experiencing. If they go into a forest, do this for yourself, make some notes on what you saw, felt, heard or smelt and use these in your story.

Reading your work aloud

I’m a great believer in the notion that story telling is best told live. It provides the storyteller with a few, powerful minutes to take us to their alternative world, wherever it may be. In addition, if you are reading to others, listen to their feedback – they might tell you something you hadn’t considered, but something that could transform the entire story.

 

INKSPILL 2018 ARCHIVES Open

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Yesterday we opened the Archive and shared some posts from previous years of INKSPILL. Today the Archive opens once more – an offering from 2015 a workshop on Creating Characters by me, Nina Lewis.

https://awritersfountain.wordpress.com/2015/10/24/inkspill-workshop-2-creating-characters/

 

INKSPILL 2018 ARCHIVES Open

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This is the 6th year AWF has hosted INKSPILL. Spend some time delving into our Archives.

From 2014 

Guest Writer Heather Wastie on Editing a Poem.

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-heather-wastie-editing-a-poem/

Heather Wastie headshot

From 2015 

Our Guest Writer interview with this year’s Featured Writer – Alison May. Find out about her latest novel tomorrow.

https://awritersfountain.wordpress.com/2015/10/24/inkspill-guest-writer-interview-with-alison-may/

Alison May (2)

From 2016 

Our Guest Writer Workshop with Roy McFarlane – Writing their presence

https://awritersfountain.wordpress.com/2016/10/23/inkspill-guest-writer-workshop-roy-mcfarlane-writing-their-presence/

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Photo by Janko Ferlic on Pexels.com

INKSPILL 2018 Guest Writer Workshop with Kate Garrett – Fear of the Known

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INKSPILL GUESTS Kate G

Fear of the Known

What scares you?

The other day my husband remarked that horror films and books, as clever and dark as they are, usually don’t write about the mundane things that really scare and disgust people – aging, speaking in public, listening to people chew, answering telephones, bananas… all the seemingly normal things that get to us in our day to day lives.

So what I would love to see is this:

pick one of your everyday fears – or if you are truly fearless, try to imagine what it would be like to be afraid of a commonplace thing – and write a poem about it in the vein of real hauntings-and-monsters-and-slashers horror.

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Photo by Pixabay on Pexels.com

A Flurry of Poetry – Open Mic, Workshop, Stanza

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As I am gearing up for Australia I am winding down other poetry activities apart from the desk-bound art of actually writing.

There are however, a few events still in the diary and the end of July saw Poetry Bites, a workshop in Stratford-Upon Avon and a Stanza meeting before it ground to a halt – where I had blanked out days to ensure that all my paperwork, adventure shopping, packing and performance/workshop preparation is in place.

I thoroughly enjoyed Headlining the bi-monthly Poetry Bites event in May and was looking forward to seeing Holly Daffurn and Jonathan Edwards perform.

It was a wonderful evening in a packed out Kitchen Garden Cafe. I am always delighted when friends discover poets I know and hear/see how good their work is.

As a Costa Award Winning Poet Jonathan Edwards wowed the room. (Some of us already knew he would.)

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Holly Daffurn Headlined with a POWER set! She went on to win the Oooh Beehive Slam at the Blue Orange Theatre in Birmingham a couple of nights later as well.  WP_20180724_004.jpg

It was a fabulous night and my final open mic before I whizz off around the world.

Remaining photos © Elaine Christie

Roger D_boer

Rodger D’boer

maggie

Maggie Doyle

neil richards

Neil Richards

Moggs

Moggs

Anne Hodnette

Anne Hodnette

Al Barz

Al Barz

clive oseman

Clive Oseman

matt nunn

Matt Nunn

jonathan edwards

Then our first headliner – Jonathan Edwards

 

 

Matt Nunn and Elaine Christie have done a sterling job taking over Poetry Bites from Jacqui Rowe. It is always lovely to see the venue full and this evening certainly pulled the crowds in.

andrew barnes

Andrew Barnes

mickey ali

Mickey Ali

nigel hutchinson

Nigel Hutchinson

me pb1

Nina Lewis

mike alma

Mike Alma

gerald kells

Gerald Kells

Liz Jolly

Liz Jolly

ruth williams

Ruth Williams

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The evening ended with Holly Daffurn Headlining.

It was definitely an action packed poetry evening, sometimes it can feel overwhelming listening to this many acts, but I thoroughly enjoyed myself.

 

Following this event my next was a workshop where we looked at Travel – an apt theme, especially as I plan to work on a book during my 20 hour lay over! Which is fortunately on the return journey. That’s the thing with travelling so far you lose 4+ days just getting there and back!

 

I finished my poetry diary with a Stanza meeting which was a great evening. Lots of exciting news to come from this.

 

The final, FINAL poetry outing is the  4th August for the Cat Rescue Anthology Launch. Then Australia… I am coming to see you!

Ash Dickinson Workshop & Licensed to Rhyme

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The perfect way to start any week is a Poetry Workshop and when that workshop is with Ash Dickinson, you know you have backed a winner!

I first met Ash back in April 2014 (I had to look that up), we were talking on Monday night about a particular gig in the Autumn of that year and I knew that was the 2nd time I caught his act but couldn’t remember when I actually first discovered his work. I have been a fan ever since of his surreal and sincere voice.

Having missed the opportunity to do a workshop in Burton last year I was delighted to discover that he was doing one before/for Licensed to Rhyme and because I had been at work all day, it was literally just down the road in the next village!

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So my poetry week started on a high! It was a fantastic workshop, a great group of poets (all of whom I knew) and what’s more – all of us managed to write poems, including Ash!

We worked from many lists of prompts (which leaves us with plenty to get stuck into post-workshop). Ash used various forms, including one new to all of us. I wrote my 2nd, 3rd and 4th ever Clerihew! I still feel wary of the poetry produced  but the genre falls into nonsensical as a technique so those question marks or perhaps exclamation marks appearing from my ears are allowed.

It was great to hear everyone’s responses to the prompts and some were even brave enough to share their raw work (including Ash) in their L2R sets later in the evening.

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Licensed to Rhyme, is always a great night, the brainchild of Maggie Doyle & Spoz. I haven’t been available to get to one for a while so I was looking forward to spending a sunny evening in Cafe Morso enjoying words.

Charley Barnes had the Guest Spot, Brenda Read-Brown tested new material, the workshop poets all had open mics and Ash Headlined.

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It was a fabulous evening of laughter and poetry and set me up for the week. If people could just pop round to my lounge every Monday and recreate this I could start every Tuesday on a high! (A new idea awakens.)

Thanks Ash, for poems that definitely wouldn’t now be existence if it wasn’t for your workshop.

Discover his world for yourself here.

https://burningeye.bigcartel.com/product/slinky-espadrilles-by-ash-dickinson

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https://burningeye.bigcartel.com/product/strange-keys

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RELATED LINKS:

http://ashdickinson.com/

https://burningeyebooks.wordpress.com/2016/04/12/guest-blog-ash-dickinson-from-slinky-to-strange/

Writing Book Reviews – WMRN Reader in Residence

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This summer I had the exciting opportunity to apply to be a Reader in Residence, my application was successful and Warwickshire Libraries now have me in role at Rugby Library. The position started in September and runs until March 2018.

Following meetings on site, emails and team meetings I spent a month planning and promoting the first workshop ‘Writing A Book Review’.

wmrn review writing workshop

My group comprised of talented, experienced writers. It was lovely to watch the enthusiasm during the session as people relaxed and got to know each other. One of the great spin offs from this event was the networking opportunities. I am certain some of the participants will keep in contact with each other and explore what the county has to offer.

I was happy with how the workshop went, after spending several days tweaking plans and making sure the massive amount of input could be covered in the time we had available. We did just fit it all in, the most important elements were given as a handout at the end.

I opted for a very informal evaluation, but was too anxious to read people’s feedback straight away.

It was very positive and useful. We plan to repeat the workshop next year with some members from the various Reading Groups associated with Rugby Library – and the general public, so if you missed it and you fancy learning some Top Tips and insights, look out for further promotion in the Library and on Eventbrite.

https://librariesblog.warwickshire.gov.uk/2017/11/24/meet-our-reader-in-residence/

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Feedback: 

An amazing amount of interesting information in an hour and a half. 

An inspiring afternoon.

I found this afternoon encouraging for my writing in the future.

I love getting together with people who love to read!

Enjoyed the workshop, you have a calm, free-spirited air about you. 

Overall, extremely enjoyable and more importantly, informative.

The ideas mentioned are going to be really helpful.

Lovely atmosphere.

Informative and useful.

Great to meet like-minded people.

It inspired me to write and read more. 

Really well structured session with great tips.

Relaxed atmosphere, I really enjoyed it. 

rugby Lib.png© Rugby Library 2017

It was a relief to know everyone had enjoyed it and the information helped and inspired them. I can now pass all the good news onto the team at Rugby Library.

The team were very supportive today, huge thanks to those involved in ensuring this event ran smoothly, for taking photos, bringing us more hot water for a 2nd round of caffeine -much needed as we were whizzing through at a great pace! For the biscuits/refreshments & setting up the space.

Thanks to Ann Brine (Manager Rugby Library) for coming to evaluate and debrief. The session went really well and I am now ready for my next Reader in Residence mission, watch this space!

Thanks also to Roz Goddard at WMRN.

November Update

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November is nearly halfway through. The diary is full and we are fast approaching the busy home season too. 

This week events run back to back and there are some that I will sadly have to forego to make sure I keep my head above water and sleep! 

LtR

Tonight is Licensed to Rhyme with Ash Dickinson. I am delighted that a poem which was inspired by a conversation with him earlier this year, is finally ready to perform this evening. 

L2R

 

Tomorrow is the almost-conclusion* of the WPL Hanbury Hall Poetry Project. 18 poets signed up to visit Hanbury Hall over 3 weeks in October during the DAN Art Exhibition in the Long Gallery. Poets used the artworks to inspire writing.

hanbury hall LG malcolm ross

© Malcolm Ross 2017

Since then Polly Stretton and I went along to the closing ceremony to share our poems. Polly’s poem ‘Curves’ won a competition to find a reader for the event judged by Peter Hawkins (Chair) and mine was slipped in as the organiser and Worcestershire Poet Laureate. 

 

This Tuesday Parks Cafe will host 9 of the poets, our reading is accompanied by the artwork on screen and I am very grateful to Rosie Philpott for coordinating that side of the event. It is FREE and I hope many of the artists will be able to attend. 

Parks Cafe Hanbury Poems

 

* Some of these poems may appear in the next issue of Contour the WPL Digital Magazine (Spring Issue – February)

I am organising an exhibition of the poetry along with photos of the artwork that inspired them in 2018 at Hanbury Hall in the Long Gallery – which will be the eventual conclusion of this project.

Wednesday is a poetry outing – a few Worcestershire poets are heading over to Smokey Joes in Cheltenham for Poetry Cafe Refreshed. I haven’t made it back since I headlined in 2015, so well overdue a visit! 

smokey joes

Thursday sees the 7th Anniversary of Hit The Ode – a special event taking place in Waterstones this month. I am keeping everything crossed that I have time after work to make it there. I love this event and haven’t been able to make one since they started back after the summer. They always feature National and International Headliners.

Featuring:
From London, Shadè Joseph
Shadè Joseph is a 23 year old Writer/Musician from East London.
She has been writing/performing poetry and producing, composing and accompanying musicians singer/songwriters and poets for the past four years and worked alongside the likes of London Symphony Orchestra, Ayanna Witter -Johnson
Caleb Femi, Tolu Agbelusi, Tshaka Campbell and Buddy Wakefield. When she’s not doing all of that good stuff she’s probably somewhere laughing or dancing or eating plantain chips or giving someone a hug.

From Northampton, Roger Robinson
Roger Robinson has performed worldwide and is an experienced workshop leader and lecturer on poetry. He was chosen by Decibel as one of 50 writers who have influenced the black-British writing canon. He received commissions from The National Trust, London Open House, The National Portrait Gallery, The V&A, INIVA and Theatre Royal Stratford East where he also was an associate artist.

He was shortlisted for The OCM Bocas Poetry Prize and highly commended by the Forward Poetry Prize 2013. He has toured extensively with the British Council and is a co-founder of both Spoke Lab and the international writing collective Malika’s Kitchen and is an alumni of The Complete Works. His New and Selected Poems is soon to be published on Peepal Tree Press.
He released two albums with Disrupt on every reggae lovers favourite label Jahtari in 2015 and is a founding member of King Midas Sound on Ninja Tune.

From New Zealand, Penny Ashton,
Penny Ashton is New Zealand’s own global comedienne who has been making a splash on the world stage since 2002. She has performed over 600 solo shows and has sold out from Edinburgh to Adelaide to Edmonton. She has represented both New Zealand in The World Cup of Theatresports in Germany, and Australasia in a Performance Poetry Slam Tournament Tour of the UK. She has also performed poetry by invitation at The Glastonbury Festival, her solo musical Promise and Promiscuity at The Jane Austen Festival in Bath and has reported from the Miss Universe Pageant in Las Vegas.

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On Friday Jack Crowe has organised another extravaganza – I heard so many good things about the first event of this kind (February 2017) and I would like to think by Friday I may have grown wings to fly back into the city. However, looking at the schedule as I type I am having palpitations. 

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This event happens at The Edge in Digbeth 7:30 -10:30 PM

If you go on the back of seeing it here – let Jack know, especially if I don’t manage to get there myself, he will be happy that I sent you to the door. 

Funkenteleky, in which four poets and four musicians wake up together.

*they combine live on-stage at The Edge, in a unique, one time only, funky, verby spoken potion which makes y’all do a dance in your minds.

*it’s Birmingham’s most irregular Poetry and Music collaboration night, and it’s gonna be well fun.

Doing this this time shall be:

FERRIS / LEE / WEIR

are an organ trio of critically acclaimed musicians: Dave Ferris on organ, Ben Lee on guitar, and Billy Weir on drums. The name of the band is their surnames, we notice. Expect Latin grooves, New Orleans shuffles, mind-boggling improvisation, and a set of their own inspired tunes to close the night. Don’t expect acid-skiffle space thrash, but equally don’t be surprised if it happens. For Funkenteleky the band will be joined by a player of brass, who will remain mysterious, silhouetted in these pixels, an untapped funk spring.
“I love this kind of grooving, funky organ trio music, and last night Ferris/Lee/Weir took it to new heights of originality, creativity, imagination, feel and chops.”
We can’t wait. https://billyweir.com/ferris-lee-weir/
https://www.youtube.com/watch?v=U6shj9zpF1I

LEON PRIESTNALL

is one of Birmingham’s best poets. His work scatters back and forth between the observational and the vulnerable, humorous and raw. Bearing his heart in lines of tongue twisting insight, Leon tells us stories of love and betrayal, and stories of innocence and bliss. The host of Howl, the city’s hippest poetry knees up, we’re thrilled that he’ll be treating us to a unique performance of his own work. A headliner at events such as Hit the Ode, Level Up, Grizzly Pear and more, he is a consummate performer who lives and breathes spoken word. He’s awesome, basically.
https://www.youtube.com/watch?v=dQvLIcujRkI

BETHANY SLINN

loves the po. She combines political commentary with small moments, using sensory imagery s k i pping with movement to depict individual and collective urban experiences. She makes the truth vivid and the vividness true. She’s done so at Verve Poetry Fest, Level UP!, Howl, Stirchley Speaks and Shanty Town and is currently focusing on building Agora Poetry, a platform for spoken word and storytelling inviting underrepresented voices into the room. Never-stop-being-curious.
Bethany Slinn- Poet https://www.youtube.com/watch?v=qddLIvHI008&t

TARIK ROSS-CAMERON

crafts stories of his experiences in Birmingham, mixing warm humour with authentic social observation. He has honed his talents in headline slots at Howl and Stirchley Speaks. On the 25th of October he launches his new collection ‘Do What you Can’, commissioned by Punch Records, Arts Connect and the Gallery 37 Foundation. In 2016 he was part of the Hippodrome’s B-Side Hip Hop Festival, showcasing his poetic propensity for rhythm and rhyme. He’s a Brummie of whom the city is very proud, and we can’t wait for him to light up the Funkenteleky stage.
https://www.youtube.com/watch?v=leyl2zLAfYQ&list=PLHtPk-aPh1AaNJIX37Kv47sq5ALe0UBXn

ANDY OWEN COOK

is a writer, theatre maker and friendly human from Sheffield. He has performed and made work for and in Theatre Deli, Arts Depot, Camden People’s Theatre, Wardrobe Theatre, Glasgow School of Art, Flim Nite, West Yorkshire Playhouse, Bradford Poetry City, and elsewhere. Currently he’s touring a performance called The Church of Jim, after a successful month of performing it in one place, at the Edinburgh Fringe Festival. State of the Arts gave it five stars, calling it “weird, wonderful and somewhat outrageous… from terrifying and bizarre, to beautiful and hypnotic.” Andy once said ‘rimming’ in a poem on BBC Radio Sheffield. Outside of poetry, Andy is a hysterical railway signalman, and you are a glistening moon. He is a wristwatch with no strap and you are a magnifying glass, kindling a fire purely from the thoughts of winged squid scudding to the cities of humans to warn us of ourselves.
https://www.youtube.com/watch?v=G3_Nm421q7w
https://www.youtube.com/watch?v=qEuRnEJbRNI&t=2s

 

Saturday I will spend the morning with my Spark Young Writers Group (another reason I may not make it to Funkenteleky). In the afternoon there is a Room 204 workshop that I hope to attend. 

And next week looks just as full! 

Happening this month:

Verve Poetry Festival V.I.P Launch, a WPL meeting for a new community project, WPL radio interview BBC Hereford & Worcester with Tammy Gooding, Burning Eye Books Event, A Night of Music and Poetry at the Jinney Ring, the conclusion of the Croome Court Adam Speaks Performance and 42.

My WMRN role at Rugby Library is also active with the public now. I shall be facilitating my first workshop at the end of the month. 

wmrn review writing workshop

In addition to all this I am trying to secure work and focus on my own writing and submissions after submerging myself in the Poet Laureate role for the past 5 months. 

There are patches of the blog which need updating. I will get to them as soon as I can. I am planning some time out from the circuit in December (fortunately it winds down a little anyway).

RELATED LINKS:

https://worcestershirepoetlaureateninalewis.wordpress.com/2017/11/08/hanbury-hall-poetry-at-parks-cafe/

https://worcestershirepoetlaureateninalewis.wordpress.com/2017/11/03/art-down-words-up/

 

Cheltenham Poetry Festival

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This year’s programme was fantastic and I wish I had managed more events than I did. I however, managed a full dose of Hegley – which makes up for missing the rest of the long list of performances and events I wanted to attend.

John Hegley is one of the few poets that I discovered in my Young Writer years – back when he was touring with his band, Popticians. In fact one of the few university birthdays I remember was watching them at the Phoenix Arts Centre and meeting him.

There was a Hegley shaped hole for a while – he seemed to have disappeared – possibly into fatherhood – for the past few years he has been back on the radar. Or on my radar at least. Some of you will remember my posts from his performances and workshops back in 2015.

hegley

I was delighted to see New and Selected Potatoes as an error in reading dates on a flyer meant I missed him at the MAC. It was an enjoyable show, thoroughly entertaining as one would expect – but the magic treat was bestowed on Cheltenham that night in the Playhouse. We were privy to a new poem, something he is working on for the Roundhouse. I always feel privileged when my ears get an inside like this.

I finally bought John’s book and had a lovely chat about the show, because he is a very kind man who always spends time with each person queuing for a signature. Someone in the line behind me nearly bought a book that wasn’t one of his – I am sure he would have signed it anyway, he has a big heart like that.

nspot Bloodaxe © 2013

I made a night of it by going for an Italian meal with friends who had been to see the show too.

The following day, (I know I should have booked a B&B) I was back in Cheltenham to enjoy my second Hegley workshop. It was great fun, a good group and lots of people I did not know, which is always exciting for me. We had taken a poem and some art and most of our activities were based around these.

John had us all write about Potatoes too (of course) and crowd sourced a fantastic poem for Anna Saunders *Director of the festival – I will have to go and see if she has had time to use it anywhere.

It was a fabulous morning and finishing slightly before time I headed down to Waterstones with John and Anna, chatting and narrowly missing lampposts along the way! Once at Waterstones, I mingled with the poets from the Open Mic event which had finished and caught up with friends. Then John started his impromptu take over of the floor. (Photos to follow.)

We all joined in with a choral poem and had a great time before he was whisked away to that place festival poets go and I was left to retrace steps and try to find my car before the ticket ran out!

Next year, I have to plan work better to be released for this poetry festival.

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INKSPILL Guest Writer Roy McFarlane Workshop ‘Missing You’

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In this workshop Roy uses the poetry of Abegail Morley roy-abegail-morley and

Sarah James roy-sarah-james information on purchasing copies of their collections can be found in Related Links at the bottom of the post.

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Missing you

Wow, after that incredible and powerful poem that you’ve written (Being There Workshop), let’s write I miss you poems, how do we say I miss you, that sings a litany, a beautiful melody so far removed from tireless clichés, this is the one, this is where we write them into life, we go back to those beautiful moments and make time stop or we create a sliding doors (the movie or alternative universe) moment as in this wonderful poem by Abegail Morley from The Skin Diary

Before you write off your imaginary sister

remember how she didn’t take her blunt playschool scissors

to your Tiny Tears doll, didn’t lop off a curl,

how it didn’t make you cry for three nights in a row,

your only consolation, not inviting a mantra to your lips:

You are not my sister, you are not my sister.

Think of that night she wasn’t at the tap-end

of the bath, not blowing bubbles through her fingers,

not sloshing them over your face, how water didn’t slop

over the bath’s rim, how you didn’t slip

when your mother hugged you out in a towel.

Memorise how she didn’t cuddle close for those stories,

clap when they escaped the Gingerbread House. Learn how

she didn’t travel with you on the school bus, wasn’t there

when you rubbed your fingers over the invisible bruise

that couldn’t yellow on your thigh, wasn’t bashed by her bag.

Before you know it, she’s not at your wedding,

taking the posey from your nervous hands, doesn’t smile

when she doesn’t do it. Bear in mind she didn’t

have a look in her eyes when she didn’t hold your son

in her arms in amazement. Learn by heart those miles

she couldn’t take because you couldn’t call her at two a.m.

thinking he might die from colic. Remember how

she doesn’t say she loves you more than ever, and how

desperate that cannot make you feel. And know now

all you can say is, I miss you, I miss you.

Find an arc in your poems from the first stanza that sets up the premise you are not my sister, you are not my sister to the pay back, I miss you, I miss you.

Or this gorgeous (can you hear my Craig Revel Horwood impression) poem from Sarah James Plenty-Fish

Bagging Up

I found it this morning: a single pink bootee

gaping white like an empty shell.

When I see flowers,

or bonnets and frilly dresses

next to the boys’ dungarees

I picture you.

You should be grown tall by know.

But I can still hold you: fosilled

fragments from the scan cupped

in my hand: small as a bullet,

or hole in the heart.

I imagine dark curls and shy smile,

though when you speak,

it’s merely an echo of their toddler talk.

I write this to you,

my child that never was,

yet is,

but

I write it for me –

though words won’t bend

to explain that longing for you,

I love the boys no less.

So, as I fold away bibs and bodysuits

And bag up blue for my friends,

The pink of your bootee creases my thoughts.

I ought to throw it, finish this, say goodbye…

Instead, I reach up, hide it high

In a cupboard my sons must never find.


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Exercise

Write them, write their beautiful stories, you don’t need a prompt for this one.

We started with objects at the beginning, so let’s finish with the idea of what we possess after our loved ones have passed away, and again explore beyond the normal aspects of gift, but maybe they left you with a burden, left you with a secret, left you with a joke, left with your beautiful memories; the page is yours.

 


 

RELATED LINKS:

Buy The Skin Diary by Abegail Morley here

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Buy Plenty Fish by Sarah James here

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