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Writing

5th Annual Writing Retreat INKSPILL

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INKSPILL 2017 Coming Soon Celebrate Our 5th Year

Book yourself some time off and treat yourself to a FREE online writing retreat this Autumn. Join us in real time, or wander around the posts at your leisure.
Easy links to previous years will also be available.

SPECIAL GUESTS TO BE ANNOUNCED SOON!

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Review June 2017

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What a cracking, action-packed month!

Week 1:

At the end of May, I was notified of the Worcester Poet Laureate finals as I was a finalist, I still hadn’t told many people I had entered. This year our poems were not open to vote on the LitFest site and so many people didn’t know who the participants were.

But I knew. I am getting used to keeping success secret until the time comes when you can share the news. It is tricky and sometimes frustrating, but it is delightful when you can finally go public.

So after the official finalists announcement, I did just that and went public with my news. Damon Lord and Louise Reeder were the other finalists and it is a competition all of us had entered before.

Most of this week was spent preparing for the 9th (WLF Poet Laureate Final/Launch), memorising poetry and writing my brief summary of what I would do in role were I lucky enough to be awarded the position.

I also prepared for our WLF show (11th June) 30-40-60 in collaboration with Kathy Gee & Claire Walker. I had poetry film work to edit and a major software crisis. I was also co-ordinating/ organising the Open Mic section of the show.

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Thursday 1st June saw UNCORKED at Bottles, Holly Daffurn’s wonderful new vibey poetry/spoken word night. This started back in April (20th) and at the time I am sure Holly hoped to do it again, at the time she wasn’t sure if it would become a regular event. I am glad to see that it has.

The Headliners were Charley Barnes, Hannah Teesdale and Spoz. I was going to be on this bill but then Charley’s book was released and it was decided better timing for her to appear. (I am happily headlining next month.) It was a fabulous night and I thoroughly enjoyed reconnecting with Hannah and listening to sterling sets from all the featured artists. uncorked-june (2)

The open mic section (of which I was part) worked well too. I wish I had more time to write timely reviews, like I used to back in the day. One man who can be relied upon to do just that is Rick Sanders, re-reading his review brought it all back to me, so hopefully it will make you feel like you were there too.

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Friday night was Stanza and Saturday saw a clash of events, a pre-book Book Launch in Walsall and a editing/workshop in Cheltenham. I always go with the first booking and that was the workshop.

I was due to perform in the Stoke Newington Literature Festival for the Shabda Press launch, but was geographically not close enough to make it to London in time and after cancelling last month’s workshop, didn’t really want to do the same.

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In the end common sense won (rare result) and I headed home.

On Sunday a new event happened in Walsall – the brainchild and action of  Dave Pitt, Steve Pottinger and Emma Purshouse – Yes we Cant – they had a banner made and everything. I love the pay what you think concept and I LOVED the fact that Jonny Fluffypunk was the first headliner. I was going anyway – but when I discovered that it sealed it for sure!

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Paul Francis was the other featured guest and I have not seen him for so long. Back to full health and with a new pamphlet, an irresistible buy at only £3 and for a ruddy good cause. Breaking Point – Poems about Migration.

You can read more about the launch in Much Wenlock here.

I like regular forms – so there’s sonnets, a ballad rhymed couplets and a villanelle; and I’m not shy about political commitment. I think the Farage side of the leave campaign was despicable, and am strongly opposed to the explicit hostility to migrants which has resulted from the campaign. So there. I’m not, of course, on the front line, but Wolverhampton city of Sanctuary are, and the booklet is being sold to raise money for them. £72.00 in the first week, which is not a fortune but is better than nothing. Paul Francis © 2017

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I had a great night, the venue was packed and hot! It will be interesting to see how they configure the furniture next time, the open mic spots were enjoyed and I was lucky enough to get there in time to grab one! They had an open poetry competition, on the night 8 lines of topical story in poetic form, with a winner (Mogs, of course) and prizes and everything.

They had table decorations and a fun party atmosphere, frantically fun at times. Paul’s set was incredible powerful and thought provoking and Jonny was on TOP form! I was delighted to get to chat a bit at the end, always aware of getting in the way of new fandom for this man. I snapped up Poundland Rimbaud, his latest Burning Eye collection and chatted politics for a while (on the cusp of the election).

I had a great night and this is definitely a night I will attend again, although I have to miss Brenda Read-Brown on the 2nd July due to a festival event and a family party.

Rick mentions the banner too! https://willisthepoet.wordpress.com/2017/06/05/did-someone-mention-a-banner/

It was a wild way to end the week and leaves me wishing Walsall could be moved a little closer!


Week 2:

After a 5 day run on events, I planned to crack on with some down time pre- Worcester LitFest and apart from working and the inevitable household chore list, I managed some rest – from performing at least.

I have been so busy for the past few months that I have missed the opportunity of submitting work and things on the desk are now living in mountainous piles. My focus was the LitFest and our show 30-40-60 that allowing brainspace for anything else was almost impossible.

I had two poems published by Weasel Press in a digital anthology highlighting Domestic Abuse. degen 1 One of the poems ‘Ripped’ was written this year during NaPoWriMo, the other ‘Statues in Stone’ is a poem I have tinkered with for years.

On Friday the 7th Worcester LitFest kicked off with the Launch and Poet Laureate Final at Worcester Racecourse, just thinking back makes me feel exhausted. There is so much tension and anxiety caused by putting yourself through any competition, but one with these stakes… well.

I thoroughly enjoyed the new venue, I couldn’t enjoy the bar and nibbles as I had work to do and much as I managed to circulate and converse the thrilling excitement everyone else was experiencing was just like nauseating sea-sickness in my mind and stomach.

The Young Writers Competition entries were read and those teens had so much talent I bet there was not a person in the room who didn’t consider hanging up their pen! The 3 winning flash fiction entries were also celebrated before us finalists took to the floor with our poems and promises.

In case you have missed social media for the past 3 weeks… I won! Delighted.

Read more about it https://awritersfountain.wordpress.com/2017/06/10/worcestershire-poet-laureate-final/

https://awritersfountain.wordpress.com/2017/06/10/worcestershire-poet-laureate-201718/

https://journalread.com/2017/06/16/congratulations-nina-lewis-worcestershire-poet-laureate-2017-2/

PL Suz Winspear – Former Worcestershire Poet Laureate, Nina Lewis and Steve Wilson – County Arts Officer.

For up to date information and all things Worcestershire/Poetry check out my Laureate blog here.

Saturday was a tough day – after the excitement of becoming the new Poet Laureate, I had 3 hours sleep and journeyed into Birmingham to the University for the National Writers Conference, organised by Writing West Midlands.

This used to be called the Writers Toolkit, I haven’t been since 2014. Tickets are fairly pricey but completely worth the investment. If you do the sums, (three break out sessions, 2 key-note speakers, priceless networking opportunities, lunch, refreshments and performances are all included in the ticket price AND a goody bag) – it does not feel unreasonably high. This year as I am in Room 204 a free ticket is one of the many perks of the development programme and only 3 hours sleep was NOT going to stop me attending.

I had a wonderful day, met a few new people and reconnected with poet/writer friends. It was lovely to snatch brief conversations with a few of the keynote speakers before they rushed off to Welshpool Literature Festival, I will write a designated post next month and link it back to here. Too much to say in a review paragraph. Needless to say, loved the whole event and got some things out of it. It felt very different to the first time.

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I managed a couple of hours at home before my first OFFICIAL engagement as Worcestershire Poet Laureate.

Night at the Museum III – Suz Winspear – Poet in Residence at the Porcelain Museum, Matt Windle – Birmingham Poet Laureate, Oakley – Young Poet Laureate of Worcestershire, Chloe Clarke – Former Young Poet Laureate Worcestershire and myself performed sets of poetry before Suz launched her new Worcester Porcelain pamphlet – The Aniseed Elite. https://www.museumofroyalworcester.org/product/pamphlet-2/

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It was a fabulous night of top notch poetry from a talented bunch of poet laureates, a pleasure to be part of and I felt very special. My set included my two finalists poems ‘Lit Up’ (on the theme of Voice) and ‘Tasseomancy’. A less nervous performance of both.

Sunday was filled with preparation for our debut showing of 30-40-60 at the LitFest, another incredible, adrenaline fuelled evening of poetry and pleasure.

Read all about it https://awritersfountain.wordpress.com/2017/06/22/30-40-60/

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WEEK 3:

I started promoting 30-40-60, before the show I had sent press releases out in the hope of future festival bids, after hearing the audience reaction I was spurred on to get something concrete organised for 2018.

I also started Laureateship work, traditionally the Poet Laureate has a local radio slot (BBC Hereford & Worcester), Suz put me in touch with the contact and my first radio interview is on 3rd July. The past Laureates have been strong and I want to build on their success, continuing work where the foundations have been laid as well as building new poetry constructs is all part of my mission.

I organised a poetry performance and picnic at an established event ‘SALT KING 200’ at the Chateau Impney – in celebration of John Corbett and put a call out for poetry submissions for a Refugee Anthology, World Refugee Day/ Refugee Awareness Week.

I also created a dedicated WPL blog and email account. I have a feeling I will need both this year!

Worcester LitFest was in full swing and I attended and performed at 42 Festival Special, which featured the Anti-Poet and was an anarchy driven night of high spirits and the following night SpeakEasy with Pete the Temp, which was also the evening Suz and I did the official hand over and had a few more photos taken of the now engraved WPL award!

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I hope to create a dedicated blog post for more details in review of the 7th Worcester LitFest – keep your eyes peeled!

I also received a couple of gifts, a wooden ‘Laureate’s Nook’ sign from Mr G. for my Book Nook (to be created) and a folder with a certificate from Maggie Doyle Poet Laureate Emeritus.

After performing my Grenfell Tower poem at 42 (the reaction it got), I decided it was necessary to share it on social media. I later decided to send it to Reuben Woolley at I Am Not A Silent Poet. https://awritersfountain.wordpress.com/2017/06/19/sudden-emptiness-by-nina-lewis/ He kindly published it.

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WEEK 4:

Laureate wise – I produced the poetry collection for World Refugee Day (20th) https://worcestershirepoetlaureateninalewis.wordpress.com/2017/06/20/world-refugee-day-in-poetry/ showcasing established, emerging and beginner poets – Local, National & International poets represented. I was amazed by the response and with just 48 hours from call out to end result – it is a fine collective of voices. Strong points that need to be heard and should be made.

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I also promoted National Writing Day NationalWritingDay_Featured (1) and performed at the final WLF Fringe event for the 2017 Festival – Words on Water – A Midsummer celebration of poetry and prose on the banks of the River Severn. It was an excellent evening and this year even saw a stop off for a much needed rest (it was during the heatwave) and rehydration at the Diglis Hotel. An addition the whole team agree to repeat next year. I will write more about it in my LitFest round up review next month.

At the beginning of the week when my recent win was not the wide-spread news it is now – I was invited to perform at a well established Poetry Festival later this year!

I had a 10 minute Guest Spot at Licensed to Rhyme at the Artrix – the night is run by Maggie Doyle & Spoz.

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I worked on a couple of projects I am currently involved with. Spent an afternoon at Croome Court as preparation for the Adam Speak Project (Room 204) with 9 other poets.

On Friday evening I ventured back to Birmingham to Waterstones (seems like ages), for Three Midland Poets a night with Nichola Deane, Rich Goodson and Charles G Lauder Jr.

I loved all of their performances and always enjoy meeting, hearing and reading new-to-me-poets. I ended up buying all three books thanks to some (intentionally) hidden handbag book money! It was a great night and despite being exceptionally tired, I thoroughly enjoyed myself.

https://www.list.co.uk/event/788728-three-midlands-poets/

I also had an open mic spot and was able to share my Laureate poems as practise for next week’s Headline spot (booked back in April).

Saturday saw my final Writing West Midlands Spark Writers Group for this academic year.

Sunday was a day of rest… of course it wasn’t! I had organised the Poetry Performance and Picnic at SALT KING 200 which was a good event and I will blog about it in more detail next month.

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Design by Rosie Philpott.

https://awritersfountain.wordpress.com/2017/06/25/salt-king-200-with-added-poetry/

WEEK 5: 

The extra bit – I finally sat at my desk long enough to consider submissions and writing, for the first time in months. I have been busy with shows, festival events, organising and promoting – which is all well and good but sometimes a poet just wants to write. It felt good. Like the cleanse of the first wash after a long-distance trip.

I even managed a submission!

I heard back from Editors, long awaited Leonard Cohen Anthology response and am delighted that my poem ‘Shadow Line’ will be published in Anthem: A Tribute to Leonard Cohen, more news on that soon. I love signing poetry contracts before work, that will never grow old as a brilliant way to start the morning!

I contacted local media/newspapers about WPL (Worcestershire Poet Laureate) and enjoyed a 2nd influx of messages.

Earlier this month there was talk of both a festival booking possibility and a dedicated one off poetry day/event with publishers. Both things came to fruition – and guess what – they are planned for the same day! Of course I will do both!

I had my first headline gig for a while, featured poet at Spoken Trend in Kings Norton (Weds 28th). A great night and plenty of new to the mic poets and first timers at the event. Tom McCann did himself proud and Tom Crossland was the god of memorised words! 18156973_234039340410245_5610446431448437883_n I thoroughly enjoyed the whole evening. Some fabulous open mic slots, plenty of featured artists amongst them.

SPOKEN TREND One of those nights you wish you could repeat, straight away!

And to complete my month there is a meeting taking place later (30th) about a current project and Stanza this evening, where I plan to take a current project poem along for editing advice!

What a glorious month of sun, heat and poetry!

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Worcestershire Poet Laureate Final

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Towards the end of May I received the news that I had made it to the final of the Worcestershire Poet Laureate competition. There were three finalists, myself, Damon Lord and Louise Reeder.

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I spent the first few hours twirling around with excitement at being a finalist. ‘That’s a win, right there!’ commented a poet I know. She was right. This alone is an achievement and one we should all be proud of.

I decided not to make it public when I sent my entry earlier on in the year, the poetry network being what it is some people who know how to read me, guessed. I still didn’t go public. Once the finalists had been officially announced  https://worcslitfest.co.uk/2017/05/30/and-the-worcestershire-poet-laureate-finalists-are/ I went public – but the Nation as a whole was understandably focused on the Election by then, which continues as the main social media topic now.

The week I discovered the news was a fully booked one with Stourbridge Library – Jo Bell & Roy McFarlane, Uncorked with Charley Barnes, Spoz and Hannah Teasdale, Stanza on Friday and a workshop in Cheltenham on Saturday – Stoke Newington Literature Festival and Shabda Press reading had to be cancelled as I did not have enough hours to make the journey in time and the Sunday night was Yes, We Cant in Walsall with Jonny Fluffypunk – poetry heroes aplenty. I thoroughly enjoyed myself but in the back of my mind my competition poems were stirring. I decided to give myself the 2nd week of June off from poetry events and other writing to concentrate on the poems.

I missed Stirchley Speaks – the 2nd birthday and a good night – but I did spend that particularly evening enjoying the summer house clear out Mr. G. had worked his socks off on, got drenched in the downpour and read my poems through a few times. I learnt them by heart. I spent Election day waiting in for a fridge and reciting lines. I voted on my way back from work – don’t you worry!

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Tonight after a haircut (much needed), I headed to the Racecourse for the final. I arrived about 40 mins early – the Friday night traffic I had predicted came later. I am never early and with a tummy full of butterflies this was not easy.

The evening itself was the LAUNCH of Worcester LitFest – all the finalists had an informal interview with the 5 judges and then we watched/heard the talented competition winners. The Young Writers read their entries, followed by the winning Flash Fiction entries.

There were quality performances by Matt Windle – Birmingham Poet Laureate – who MCed the event, Oakley Flanagan – Young Poet Laureate and Suz Winspear – who has just completed her tenure as Worcestershire Poet Laureate. Matt performed followed by the finalists and Oakley and Suz performed after the judging and before the winner was announced.

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Damon Lord, Louise Reeder and I had all entered the competition  before. This doesn’t prevent nerves or anxiety. Everyone performed their poems well. This year there was no public vote so we hadn’t seen or heard each other’s poems before. Another addition this year was to give a brief outline of what you hoped to achieve as Poet Laureate should you be the fortunate winner. I really wish I had typed mine because the ill-ordered scribble was hard to deliver cohesively! It was also difficult not to have every politicians mucked up manifesto in my mind as I delivered my hopes.

My happy news is that I am the Worcestershire Poet Laureate for 2017/18!

My first official engagement is tomorrow night, The Night at The Museum III with Suz Winspear, Matt Windle and Chloe Clarke. It starts at 7:30 PM see the link for programme/ ticket information – £5 a festival fiver is what you pay.

https://worcslitfest.co.uk/programme-tickets-2017/

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Of course, I am off to National Writers Conference first, in about 7 hours! Matt Windle is performing there too.

 

 

Diverse Verse 2 The Book Launch

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When I discovered Diverse Verse it had already been produced, so when I saw a call for submissions for Diverse Verse 2, I jumped on it. Charity is a big thing for most people and I love giving art for good causes. I like to try to get involved when I can. So earlier this year, I submitted some work to Richard Archer and was delighted to find myself sharing pages with other great poets from the Midlands.

The proceeds raise money for Cancer Research U.K, a cause close to my heart.

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I was delighted when I found out the Book Launch was on 27th May, as I knew I could make it and if the motorways had allowed it – I would have… I was a little late but fortunately after the drag of a 30 m.p.h traffic quilt managed to miss none of the actual reading!

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It was great to see old friends there and put faces to names I knew. Scott and Amy hosted the Launch at Southcart Books and it was lovely to see them in their new shop.

Unfortunately, due to my delayed arrival and forgetting to reserve a copy, the anthology had sold out before I arrived. I have since ordered and received my copy and look forward to indulging a read (sometime in July, I think I am free)!

You can buy a copy here diverse verse 2

It was a fantastic afternoon of poetry, Scott and Amy had laid on a buffet and the interval was time enough to mingle AND buy books.

I never leave the place empty handed but the treat was on them really. I bought a Rupert Brooke collection and they gifted me a historical hardback that I already have ideas on and a canvas ‘Books are my bag’ bag! What a sweet deal that was.

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There were 20 poets reading and a good number of audience too, even some customers lingered.

Elaine Christie and Scott Carter snapped the photos, I have some of Elaine reading but need to get the mobile talking to the internet to upload them. I will add one of Elaine.

All these poets AND MORE are published in Diverse Verse 2, as I listened I noted poems from their sets I was inspired by – buy the book to discover them for yourselves amongst the pages.

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Richard Archer kicked off proceedings, seconds after I sat down. I met Richard at Permission to Speak but also know him from David Calcutt’s Arboretum Poetry events. His poetry is sometimes hard-hitting, powerful, social commentary and sometimes full out fun. He is the Chairman of Walsall Poetry Society and a truly supportive advocate of poetry in the Midlands.

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Paul Elwell runs a writing workshop group that I recently became involved with, it was good to meet him and put a face to the name. On the back of what he heard from short set and the fact that I had mentioned Worcester, he extended the invite – funny how the universe works like that, isn’t it? I particularly enjoyed his very clever Latin Poem.

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I know Carole Howard from David Calcutt’s Arboretum poetry events. I enjoyed hearing her poem about secrets, which she has performed before at the Arboretum.

 

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Rick Saunders delighted us with his brilliant poem, ‘Goldilocks’. I also enjoyed ‘Cannabis Anarchist’, which I had heard before. Rick is everywhere (I have passed on the ubiquitous mantle to him), but I will never tire of hearing his poems, they make me smile. Rick burst onto the scene late 2016 and I met him at Permission to Speak, where he cut his teeth on spoken word (well, it can be sharp), where he created Willis the Poet – and the story behind that is heartwarming!

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Ian Henery is a poet I have not seen for a while. I liked his poem ‘Walsall Bus Driver’s Prayer’.

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Al Lane, is a new poet to me. I thoroughly enjoyed his set. His nature poem was great and the Disappointment of Parenting was a real treat too.

sc dv9 Samatee read her poem about Mauritius and the Dodo. It was great to see her delight in having poems published. I met Samatee at Stirchley Speaks and have watched her become more confident with her writing and sharing of work. She is a regular at Spoken Trend now too.

sc dv7 Janet Jenkins gave us a wonderful set, I particularly liked her Umbrella poem. I first met Janet properly when I started the Caldmore Garden workshops with David Calcutt. Our paths had passed prior to this and our poetry can be found in the same collections.

 

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Scarlett Ward is a poet I do not know, her work is delicately laced but inside are iron fast ideas. Her poem ‘Wordless’ is incredible. Moving. She reminded me what it was to be young once. The concentrated force of emotions we carry.

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Jon Jack Neil was a poet I discovered just 5 days before in Lichfield, at Poetry Alight. I enjoyed hearing more from him. Particularly his poem ‘The World and His Wife’.

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Amanda Glover is another poet I know through Open Poetry at the Arboretum, her bus poem was great to listen to.

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Jan Hedger had travelled some distance to be at the launch with her sister, both of whom grew up around the area. Jan is a new to me poet and I enjoyed her set. She writes lots about animals (so I knew she would enjoy Elaine’s work). I enjoyed the poem exploring her Birmingham/West Midland roots.

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Ian Ward is someone I have known on the poetry circuit since 2014, we are often at the same events. He shared some poems he performed at Poetry Alight, it was good to hear them a second time. Poets should worry less about repeating their work. I particularly enjoyed his poem ‘What is a Map?’

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Steve Harrison is a poet I met in 2014 somewhere over Shropshire way, I am delighted that he ventures across to share his poems in Birmingham and it is always a pleasure to watch his performance. An entertaining and well written poem is guaranteed – although he does serious too. I enjoyed his Classified Ad poem, which I had heard but not for a while and I live in hope of a day when we can be found in the classified ads amongst the plumbers.

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Ian Davies is a poet I have seen in Walsall before, I enjoyed his poem ‘Gwyn Ap Nudd’. I didn’t get a chance to talk to him in the interval, next time.

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Pauline Faulkner had travelled up to support her sister (Jan) and is not a poet I know. She shared a poem about the Mason’s yard which I enjoyed.

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Calvin Allen is a poet I do not know, he had great delivery and his poem ‘Black Friday’ and his Newsreader poems were highlights of his set. I shall look out for him again in the future.

Elaine Christie wowed the audience with ‘The Lion King’ a brilliant poem of us concerning animal welfare and it packs punches. I met Elaine at the end of 2013 and her poetry speaks to the heart, she has a lot of love for the animal kingdom and it was simply a pleasure to see her again. I have been a little absent from the Birmingham scene recently.

18671007_10156279244119741_170669724986059691_n Well done, Richard for a great Book Launch.

RELATED LINKS:

https://skaggythepoet.wordpress.com/2017/05/28/diverse-verse-2-is-launched-and-ready-to-buy/

https://willisthepoet.wordpress.com/2017/05/27/no-not-the-one-in-poland/

Cheltenham Poetry Festival

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This year’s programme was fantastic and I wish I had managed more events than I did. I however, managed a full dose of Hegley – which makes up for missing the rest of the long list of performances and events I wanted to attend.

John Hegley is one of the few poets that I discovered in my Young Writer years – back when he was touring with his band, Popticians. In fact one of the few university birthdays I remember was watching them at the Phoenix Arts Centre and meeting him.

There was a Hegley shaped hole for a while – he seemed to have disappeared – possibly into fatherhood – for the past few years he has been back on the radar. Or on my radar at least. Some of you will remember my posts from his performances and workshops back in 2015.

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I was delighted to see New and Selected Potatoes as an error in reading dates on a flyer meant I missed him at the MAC. It was an enjoyable show, thoroughly entertaining as one would expect – but the magic treat was bestowed on Cheltenham that night in the Playhouse. We were privy to a new poem, something he is working on for the Roundhouse. I always feel privileged when my ears get an inside like this.

I finally bought John’s book and had a lovely chat about the show, because he is a very kind man who always spends time with each person queuing for a signature. Someone in the line behind me nearly bought a book that wasn’t one of his – I am sure he would have signed it anyway, he has a big heart like that.

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I made a night of it by going for an Italian meal with friends who had been to see the show too.

The following day, (I know I should have booked a B&B) I was back in Cheltenham to enjoy my second Hegley workshop. It was great fun, a good group and lots of people I did not know, which is always exciting for me. We had taken a poem and some art and most of our activities were based around these.

John had us all write about Potatoes too (of course) and crowd sourced a fantastic poem for Anna Saunders *Director of the festival – I will have to go and see if she has had time to use it anywhere.

It was a fabulous morning and finishing slightly before time I headed down to Waterstones with John and Anna, chatting and narrowly missing lampposts along the way! Once at Waterstones, I mingled with the poets from the Open Mic event which had finished and caught up with friends. Then John started his impromptu take over of the floor. (Photos to follow.)

We all joined in with a choral poem and had a great time before he was whisked away to that place festival poets go and I was left to retrace steps and try to find my car before the ticket ran out!

Next year, I have to plan work better to be released for this poetry festival.

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Poetry Ballroom

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An exquisite event, the brainchild of the current Worcestershire Poet Laureate, Suz Winspear, who wanted to combine poetry with other agencies. She teamed up with DanceFest Worcester and a select group of poets to produce ‘Poetry Ballroom’.

In ancient times, the arts were as one – the words the bards created and recited merged with music, and the active expression of the human body gave them expression and physical form . . . .

As the current Worcestershire Poet Laureate, Suz Winspear wants to bring artists back together once again.

Dance and Poetry now seem like distant art forms, but both can speak to one another . . . .dancers and poets can interact . . . . word and dance can come together to create something new . . . .

Welcome to the Poetry Ballroom!

It was an incredible evening and I was delighted to be involved. As an ex-dancer it gave me so much joy to watch the choreography and to write on the theme of dance. I have a body of work associated with dance/dancers already but also set to write new poems for the event.

Worcestershire’s Poet Laureate, Suz Winspear, has brought together Dancefest and Worcestershire LitFest to create a very special evening of poetry and dance.

Local poets Polly Stretton, Kevin Brooke, Holly Magill, Nina Lewis, alongside London-based Math Jones, will be joined by over 30 dancers of all ages from Dancefest’s Chance to Dance Company, DFA (Dancefest Adults) and Elevate Junior Youth Dance Company, who have created new dances inspired by poems.

Suz will be compering the evening and sharing some of the poems she’s written during her time as the county’s Poet Laureate. DanceFest © 2017

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https://worcslitfest.co.uk/2017/02/25/welcome-to-the-poetry-ballroom/

It was the sort of evening which totally absorbs you. From start to finish.

Suz had the idea of poets performing from different parts of the venue, the dancers were delighted to discover that the poetry was dance related and talking to members of DanceFest afterwards, I know they enjoyed the show as much as we did.

The space inside the Angel Centre, is gorgeous, I can see why it is home to dance. The lighting was magical, fairy-lights and blackout curtains contained the large audience in an other worldly place for the night. A night, I for one, did not want to end. It was spectacular.

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Suz opened the event,

pb followed by Polly Stretton, who brought some instrumental percussion to proceedings

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before Elevate Junior Dance Company took to the floor to perform The Ballroom of Squid. The inspiration behind this dance, (choreographed by Janene Wyatt & Company), came from a poem written by Suz Winspear, which she performed alongside the dancers.

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Kevin Brooke was the next poet to perform, high up on the balcony. Followed by the most beautiful dance ‘I Know Why the Caged Bird Sings’ performed by DFA (DanceFest Adults) who equalled professional companies in there execution of the awe inspiring choreography (Clare Wood). A dance based on a Maya Angelou poem is a sure fire winner in my book and I was mesmerised.

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It was incredibly moving, so much so I was not really emotionally ready to take to the floor for my spot.

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I performed The Fourth wall – a poem I wrote back in 2013, one of the first poems in my book when I started back along the poetry road. It explores the feelings of an ex-dancer watching dance, exactly how I felt after watching the DFA Company.

2/4, 3/4, 4/4 – a poem I wrote especially for the Ballroom event explores 8 different ballroom styles.

Underwater Gothic – a poem I had written a month or so before, before I heard Suz perform The Ballroom of Squid, at 42 to tease us prior to the Poetry Ballroom event. It was inspired by nature films and is based under the sea, much the same as Elevate’s dance.

I completed my set with Tango – a poem I have written for an upcoming poetry anthology as a tribute to Leonard Cohen.

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I thoroughly enjoyed performing, despite the nerves and cramp in my calf muscle, which was ironic as all I wanted to be able to do was dance once more.

After the interval we were treated to Math Jones’ dynamic, theatrical performance. He made almost as much use of the space as the dancers!

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Followed by Holly McGill who performed wonderfully. Then the final dance treat Ghost of Castle Street From Sonnet to Sestina. This was performed by the Chance to Dance Company (choreographed by Marie Oldaker with the dancers). It was inspired by a poem of the same title written by Stephen Murphy in 2004 about the then-deserted Worcester Royal Infirmary.

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This captivating dance incorporated sound and word as fragments of communication. Copies of the poem and definitions of the form were handed out along with the programme.

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Finally Suz completed this enchanting evening with a poem and farewell.

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With kind permission from DanceFest/ Worcester LitFest

Photography Clare Wood/DanceFest © 2017


The poets

Polly Stretton

Polly follows many writerly pursuits in her hometown of Worcester. Her poetry has been displayed at Croome Court and in many anthologies. She’s a coordinator and judge of various writing competitions and works with Black Pear Press, Worcestershire LitFest & Fringe, and OU Poetry Society. Polly’s writing includes a collection of poetry, a series of poems about the tragic young poet Thomas Chatterton, and a pamphlet of children’s poetry. She’ll go into ecstasies about her puppy: Mabel.

Nina Lewis

Nina Lewis has poetry published in anthologies and magazines, her début pamphlet Fragile Houses is published by V. Press. Nina’s poetry has featured in an Art Installation, on Poetry Trails and at a Dance Festival. In 2014 she was commissioned to perform at Birmingham Literature Festival. She organises an annual writing retreat at https://awritersfountain.wordpress.com

Holly Magill

Holly Magill is from Worcestershire. She has a BA in Creative Writing from University Of Birmingham and has had poems in various publications, including Clear Poetry, Ink Sweat & Tears and The Emma Press’ anthology of Mildly Erotic Verse. She is fond of cats and strong tea above most things.

Kevin Brooke

Kevin writes a bit of poetry and is also known to try out a few steps of ballroom. Currently studying Creative Writing and English Literature at the University of Worcester, he is hoping to increase his repertoire in both. A writer of children’s fiction, his YA novel Jimmy Cricket was published by Black Pear Press in 2014 

Math Jones 

Math Jones has been sweet on his pins since childhood, He’s cut many a caper, promenaded and do-ci-do’ed, waltzed and polka’ed, stamped heels in traditional Indian, Galliarded, and Cell-block Tango’ed. Now, of course, he’s more likely to be dancing with his eyes.

dancefes

The dancers

Dancefest Elevate Junior Youth Dance Company

A company for Herefordshire-based creative dancers aged 10 to 13 to develop creative and technical skills, with performance opportunities throughout the year. Auditions to join the company take place on Monday 17 July at Hereford College of Arts.

Chance to Dance Company

Dancefest’s Chance to Dance Company is for experienced dancers aged 50 and over, who like to create, experiment and have a passion to perform.

DFA (Dancefest Adults)

DFA is for experienced dancers with a sense of adventure who enjoy the creative process and want to perform in outdoor and unusual spaces.

The choreographers

Janene Wyatt

Janene has been leading contemporary and creative dance classes across Herefordshire over the past 14 years, working extensively with children, young people and adults of all ages and abilities in community settings and in education. Janene’s main passion and focus is the development and teaching of dance for children and young people [more]

Marie Oldaker

Marie is a freelance choreographer, creative dance practitioner and arts project coordinator with over twenty five years’ experience working in community and education contexts. Her artistic focus is predominantly about working creatively with local communities and their histories, across generations, inclusively and to promote health [more]

Clare Wood

Clare has worked for Dancefest for 14 years devising and delivering dance projects and teaching regular classes. In her various roles at Dancefest Clare has led work for all ages and abilities including GCSE Dance, GP referred adults, Parents and Wobblers, visually impaired and learning disabled participants [more] 

DanceFest © 2017

The Poetry Ballroom took place on April 2nd, I wanted access to the photography before I posted and by then it was May and I was wrapped up in working on our show 30-40-60 for Worcester LitFest.

I wish I had had time to complete the review months ago when this wondrous night was crystal clear but hopefully I have captured the essence of this spellbinding evening of pleasure.

 

Review May 2017

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May was a busy month which included a mid-point glitch when we found ourselves offline and for a while lost all our resources from the laptop!

Week 1:

Sent some submissions, organised festival events and promoted Cheltenham Poetry Festival for Anna Saunders. There were several open mic events in Birmingham and Coventry that I didn’t make and a headline gig that was cancelled due to venue closure.

The team met for work on our show, 30-40-60. This was accepted in March for the Worcester LitFest and takes place next month on Sunday June 11th, 7pm at The Hive, Worcester.

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I was looking forward to Cheltenham Poetry Festival but due to work commitments was not able to make as much of the programme as hoped. I did, however, have a run of 9-10 days of events. Unless I am immersed in a festival, I try not to make bookings like this anymore as I appreciate the energy it requires.

My mini-tour started in Malvern with Carol Ann Duffy, I am so glad that I bought a ticket for this, it was a wonderful night of emotive, uplifting and hard hitting poetry. Last time I saw her, I bought books and although I love what the book co-operative are achieving I was fund poor, I had taken a copy off the shelf at home and hoped she’d be happy to sign. Carol Ann was and she didn’t mention nearly taking me out with the stage door at all!

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John Sampson was his wonderful self too. Loved his music this evening. Glad the Queen gave him away!

The following day I went to Stratford-Upon-Avon for a workshop with Angela France. It was lovely to reconnect with poets I have not seen for a while and the writing was fun. There are some nuts and bolts in my notebook ready to work on. I am finding writing hard at the moment. Maybe it is post-NaPoWriMo or just because I am busy that my mind has no time to settle.

I then went to Birmingham to see Rob Gee at The MAC. Rob and I were friends in Leicester, back when I was at university and discovering the Spoken Word scene for the first time. I have not seen him for nearly 20 years, (how did we get that old?). I met up with him before and after the show and it was as if there had been a gap of days not years.

I thoroughly enjoyed the concept of his show and the delivery. Enjoyed is a strong word as it deals with end of life/people in care. A dramatic framework that works so well and Rob (Pro) shows us how easy it can be to create multi-characters in one space.

ROB GEE

He first  produced this show a long time ago and has toured it internationally – I was so happy to catch it – and the best news for you? He is doing it again for Ledbury Poetry Festival. Go and catch it if you can – book tickets here 3rd July

Read all about it here FORGET ME NOT

As a student nurse, Rob spent three months on a Challenging Behaviour ward for people with late stage Alzheimer’s. Largely based on Rob’s experiences, many of the stories depicted in the show are true. Except the murders, obviously.

The show’s director Tara Gatherer has recently directed three acclaimed short films, Cafe des Fils de Putes, Self Portrait and The Group, the latter of which explored the theme of self-empowerment for older people. Forget Me Not is her first theatre show. © Forget Me Not

I was so wired after the evening. We are not leaving it 20 years until next time!

On Sunday 7th it was the much awaited Book Launch of C.S Barnes, for ‘The Women You Were Warned About’. It was an amazing afternoon of words and cake, stories and poems.

Charley Barnes Book

I was lucky enough to read it a while ago, as Luke Kennard and I were asked to endorse the book. It was still magical to hear Charley read her own words and I didn’t revisit these women on purpose before getting a copy at the launch.

Charley asked Claire Walker, Alan Durham, Polly Stretton and myself to share poetry on women at her launch. I had fun writing a few poems specifically for the event and reworked some NaPoWriMo poems from April that featured women and worked well. I was stupidly nervous about this performance. the pressure not to mess the launch up.

I thoroughly enjoyed the afternoon and so did everyone else. You can read about it and buy your copy here.

Black Pear 

The Women You Were Warned About: Answers to Absent Questions,
is Barnes’s first full-length publication and, after having so much
fun with the women contained within these stories, she sincerely
looks forward to the possibility of working with such hideous
women again in the future. © Black Pear Press

cs barnes

Week 2

I booked tickets for the National Writer’s Conference. I attended in 2014 and decided that I needed to be further into my career to truly benefit. Tickets for this event are not cheap, but with lots of keynote speakers and a choice of seminars to attend it IS worth every penny. One major pull/benefit of being in Room 204 is you are gifted a ticket to the conference, so I knew back in the Spring that I would be going. So excited. Delighted they have released the information too, I am bad enough with menus and always at these things want to go to absolutely everything – the NWC is set up so you only take 3/9 sessions. Maybe I can bribe some of the cohort to swap notes.

I also spent my writing day working on the multimedia element of our show, 30-40-60. I spent the writing time tidying – I told you I have writers block!

In the evening, I finally made it back to Licensed to Rhyme, my most local poetry night which I have not managed since last year. Steve Pottinger was headlining and Brenda Read-Brown came back for a guest spot. The other guest spots and open mics were all top quality and it was lovely to share a night of fine words. Also fabulous to have Fergus McGonigal back on the scene. Plus it is light enough for me to walk there now so I was able to sample the bar. I also shared my NaPowriMo Bop written about the EDL in Birmingham. I was unsure of this poem, but it went down well – next stop, performing it in Birmingham.

licensed-to-rhyme

The next day I had hoped to make it to Cheltenham for Compound Poets with Gram Joel Davies  and Hannah Linden, it seems a large amount of poetry friends made it over. Work had left me sadly lacking in time and energy so I headed over to Kidderminster instead for the final bow to Mouth & Music. Sarah Tamar organised a one off event to raise money for the People in Motion Charity (helping refugees) and it was a chance for a reunion with Peter Williams (PTR), Tim and Pam Scarborough, Coz and Sarah herself.

It was attended by a writing group Sarah works with and there were a diverse range of performances. It was good to share some work that is harder to hear. I often feel guilty reading social/political poetry at events where people have gone to be entertained. I shared some activist poetry written for events back in 2014/15 and work from my pamphlet, ‘Fragile Houses‘ as it was MHAW (Mental Health Awareness Week).

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I had news about a project I hoped to be part of (Room 204). Last year Croome Court produced Plum Lines an exhibition/project involving many poets I knew. At the time I had a yearning to do something with the National Trust too… you know the universe picks up on this stuff, right? I saw a call out for poets to get involved in the next project ‘Adam Speakes’ which involves writers from 4 key places and an artist, previously accepted.

I am delighted to be part of the Writing West Midlands team working on this. Unfortunately, a pinnacle workshop has landed on a day I should be elsewhere. You know how much I hate not being able to do everything simultaneously. Things will be re-arranged.

I have also booked my day to Croome Court to start the exploration. This project will last until November, there will be a special event on the 25th. I cannot wait to get stuck in and I am sure I will keep you all updated.

I missed HOWL – which was legendary and a great, regrettable shame. Featuring Anthony Anaxagorou (who I missed at Verve), Casey Bailey and Anne Gill. I needed some downtime in amongst all this busy and work really was zapping me of strength and time.

I finally made it to Grizzly Pear – Sean Colleti/ UoB (University of Birmingham) Spoken Word event. this event clashes with SpeakEasy and has yet never fallen on a day I could manage. I wanted to see Inua Ellams, who I had missed at BLF Spring Edition. I was sad to miss Sue Johnson at SpeakEasy, but until I invent that cloning machine, had no choice. I also missed the Indigo Dreams showcase at Cheltenham Festival featuring Jennie Farley, Mab Jones, Bethany Pope and Anna Saunders, which was an event I had hoped to make it across for. Again work had not left enough of a margin to make the road trip viable.

I was glad that I managed to see Inua and his brave acceptance of audience offering key words. His set was then built up from poems linking to that context. Tukaiisloveletter – I had seen at Verve and it was terrifying (in a good way) to see his dynamic, highly emotive, actioned performance. It was good to talk to him about it afterwards too.

I shared my EDL poem, which was responded to well.

The following morning I was not bright eyed or bushy tailed (after the late night gig, I had forgotten how this time frame does not affect the student population) for our 30-40-60 meeting, in fact I was still eating breakfast when we set to work.

It was exciting to see the programme in print for the first time. It was released earlier in the week and since Tuesday had seen lots of teasing photos like this one! WLF © Holly Magill

We worked on our scripting and rehearsed the show. Later on our laptop died after an automated update and took all our files with it. Friday night’s plans changed as we desperately ranted to Microsoft support via the Kindle and attempted to back up everything off our computer. We entered OfflineLife.

The next day I was working for Writing West Midlands, Spark Young Writers group in Worcester with our new Assistant Writer, Rick Saunders. It was a great session on journalism and was embraced well by the group. I got my hands on Worcester LitFest programmes and started distributing.

Following this I went to Cheltenham for John Hegley ‘New and Selected Potatoes‘, which I missed at The MAC last year. It was great to see him live again and another master showing me in this age of ‘you have to do more with your poems’ that actually just being on stage with them should be enough. He had us in stitches and was a joy to watch.

hegley©ents24.com 

LINK TO FOLLOW

The following day I was back over in Cheltenham for my 2nd Hegley Workshop, completely brilliant. Followed by walking to Waterstones in conversation and watching a delighted public as he hit the shop floor with poetry and his mandolin, *Steve, as fans will know.

It was a superb day.

I also had poems Anchored and Hallmarks up for MHAW on Sarah James’s website. They are now archived in the 2015/17 ‘With You In Mind’ Anthology. Read more about this project here. https://awritersfountain.wordpress.com/2017/05/21/mental-health-awareness-week-with-you-in-mind-anthology/

sl © Sarah Leavesley 

Week 3: 

I joined a Screenwriting course online, with UEA and Future Learn. It has been brilliant, although somewhat challenging completing most of it on the Kindle. I have discovered that I know more than I thought I did. I have also been playing with a few ideas banked for the future.

I worked on the film element of 30-40-60 and missed both events I had pencilled in. A book launch for Nigel Hutchinson at Waterstones and HIT THE ODE. Rather disappointed with myself but I came home from work on Thursday and hour later than I should have with barely time to make it to the city. By arrival time I had gone to bed and slept right through to Midnight! I needed the rest.

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I also spent a day online (now that I mended the internet) at the Hay House World Summit. Back in 2015 I took every seminar and film going. This year, I have been more selective and currently have a notebook filled with 12 of the programmes available. It is free to sign up and a real annual blessing as far as I am concerned.

I spent the weekend organising festival events and reading. It was beneficial to take a break from performing and recover from the busy schedule last week.

I felt re-energised ready for the final busy push of May.

Week 4

I booked a workshop with Helen Ivory and Martin Figura, completed the UEA Screen Writing course,

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and booked tickets for a book launch in July.

On Tuesday I went to Poetry Alight in a new venue in Lichfield to catch poetry from Roy Marshall and Jane Commane. It was a brilliant (if not extremely hot evening). The new venue is lovely. It was great to catch up with Roy and Jane.

Photography by Ben Macnair

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I missed Kathy Gee headlining at Poetry Bites – that was also a wonderful evening so I have heard.

On Thursday evening I missed a Book Launch, Ali Oxbury – we met on the Writing For Children course in 2013 has had her poetry collection published. I would have loved to have been there – I have also spent the past 4 years wishing for bookings. You can’t have it all.

I was booked to perform alongside Kevin Brooke, Holly Daffurn, Kieran Davis and Alan Durham for the Poetry Salon. This was my 2nd year for Worcester LitFest & Fringe, I have lost count of the Poetry Brothel/Salons I have participated in… I think it may be 5 or 6. It was an enjoyable evening, concluded with a wonderful open mic. A precious evening for poetry organised and hosted by Charley Barnes.

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We had our final editing meeting/rehearsal for our 30-40-60 show. It is going to be great. I have since finished cutting the film and Kathy has created a good looking program of the acts. We have all our open mic-ers signed up – a publisher, a Laureate, published poets and a festival poet! It is going to be fun and happens in just 11 days time!

30-40-60

Over the Bank Holiday weekend I attended the Book Launch for Diverse Verse 2, an anthology compiled by Richard Archer. It was a fantastic turn out at Southcart Books and lovely to see the new shop. A good few hours of immersive poetry & a buffet. Sadly the M5 was crawling at 30 m.p.h and I was delayed. I got there in time for the start but missed coffee (much needed) and a chance to buy the book (I have since ordered it). Wonderful that they sold every copy and a lesson to myself to ask for a reserved copy in future. The proceeds are for Charity and it has already raised lots.

https://skaggythepoet.wordpress.com/2017/05/28/diverse-verse-2-is-launched-and-ready-to-buy/

https://willisthepoet.wordpress.com/2017/05/27/no-not-the-one-in-poland/

diverse verse 2

http://www.lulu.com/shop/richard-archer/diverse-verse-2/paperback/product-23201198.html

It was good to catch up with old friends and meet new ones.

The Extra Days

I organised to write a review for a topnotch poetry magazine, received news that I am one of three finalists for the Worcestershire Poet Laureate 2017/18 competition. Which happens next Friday, 9th June – the start of the LitFest. I am delighted by the news, excited and as nervous as can be!

https://worcslitfest.co.uk/2017/05/30/and-the-worcestershire-poet-laureate-finalists-are/

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Last night was one of the most clashing for events- Charley Barnes was headlining at Cafe Grande Slam, Matt Windle at Spoken Trend, 42 in Worcester (my regular Wednesday night feast) was also happening and way back in April, I booked tickets for Stourbridge Library to go and see Jo Bell & Roy McFarlane.

I was an incredible evening & a pleasant way to finish the month.

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Book Launch ‘The Women You Were Warned About’ by C.S. Barnes

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This is definitely one of those posts I wish I’d written and posted when it happened a few weeks ago. It was during my 10 Day immersion in the poetry world and there was no spare time. This is a copy of a social media message sent around the right time – I think the over-use of the exclamation mark sums up how ecstatic I was.

A fabulous launch – really good fun! Loved hearing you breathing life into the women between these pages! Delighted to hold a really copy! CONGRATULATIONS! Thanks for asking me to read.  I cannot wait for the next one! x

It was a wonderful sunny afternoon when we took off to the city of Worcester to celebrate success with Charley. Charley Barnes Book

There are three factors that made this launch an incredibly exciting time for me;

  1. Knowing about the conception of the project and secretly knowing it was to be published by Black Pear Press. Charley and I went through the publishing process at the same time and were there for each other throughout.
  2. This was the first book I was asked to endorse, along with Luke Kennard. It always will be the first book I endorsed.
  3. Charley asked me (along with Claire Walker, Polly Stretton & Alan Durham) to read at the launch.

Besides all that I would have been excited anyway. Launches are like birthdays, I always get just as enthusiastic for others as I do for my own.

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Book Launch, Drummonds Bar, Worcester, 7th May 4pm

It was fun preparing my set and I was able to use the bounty of my NaPoWriMo poems, some with small rewrites.

Polly went first, much to our delight, (the pressure of kicking off the event) and as the publisher (part of the Black Pear Press) it seemed fitting.

I was up next followed in the second half by Claire Walker and Alan Durham. Everyone produced fine sets and performances were top notch.

There was cake, chocolate cake, friends, family & conversation. Perfectly timed with enough space to chat and mingle, hear each other perform and enjoy Charley choosing pieces and talking about the story behind the short stories.

CB launch

It was simply a lovely, Sunday afternoon. Having resisted the temptation to pre-order my copy, I was happy to queue up and buy my perfectly bound edition of The Women You Were Warned About. I savoured every moment of watching (or trying not to watch) Charley sign it.

I loved the atmosphere of pride and celebration that held the room together, beyond words to watch this happen right before my eyes. There were plenty of faces I recognised and people I knew who had come to celebrate with Charley and on such a sunny day too. Fabulous room full of people all eager to find out just what those warnings were.

I loved listening to and watching the audience reaction to the collection of answers. Charley completed the event with a brave Q & A. Some of the points are still being discussed, weeks later, now that’s how to get a book to linger!

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You can buy a copy here

https://blackpear.net/2017/05/08/c-s-barnes-launches-first-book/

C.S. Barnes is a Worcestershire-based writer and poet who is
currently working towards her doctorate in Creative Writing.
While Barnes’s interests initially lay exclusively in poetry, her
academic studies have seen her experiment with other styles of
writing—namely the short story—and, as part of her current
degree, Barnes is now working on her first full-length novel.

Alongside her writing endeavours Barnes is also a creative writing
tutor. She has worked with primary and secondary school
students, all the way through to the undergraduate students at her
own university, where she has been tutoring for the past two
years.

The Women You Were Warned About: Answers to Absent Questions,
is Barnes’s first full-length publication and, after having so much
fun with the women contained within these stories, she sincerely
looks forward to the possibility of working with such hideous
women again in the future.© 2017 BLACK PEAR PRESS

black pear

Review April 2017

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As always NaPoWriMo takes over April and makes it challenging to keep other blog posts up to date. I have made an effort to keep the blog NaPo intentionally this month with a few posts breaking the thread. I have had some amazing experiences this month which deserve a dedicated blogging. I plan to pepper them in throughout May.

 

WEEK 1:

I was asked to co-ordinate an event for a Festival I am already involved with – this task took the best part of a fortnight. But I am happy that it is all now booked and in place for this summer. I spent further weeks this month planning and organising the events for an Arts Festival in July.

I went to an editing workshop. Taking with me a poem from 2014 that has never fully worked. I can safely say it has the treatment now and just in time because it formed part of the set I performed at The Poetry Ballroom.

Poetry Ballroom

I experienced the Poetry Ballroom. Suz Winspear (this year’s Worcestershire Poet Laureate) organised this event in partnership with DanceFest. It was an amazing night. I will be blogging a full write up in May, I was honoured to be an invited performer at the event and had great fun writing some dance poems especially for it. The evening was a sound success and the dancers appreciated the theme of our poetry – not realising that we would focus on dance. As an ex-dancer, it was a pleasure.

I was asked to endorse a book (my 2nd one). The first book I endorsed is due to launch in May, more on that next month too. I am currently reading this manuscript and am delighted that the publishers thought of me.

I was asked to read at a Book Launch next month. I have spent some time this month penning new poems for this occasion. To be honest the poems were also part of NaPoWriMo, but why not make your projects work hard for you. Lots of prompts leant themselves to current project pies I have my thumbs in, so given half a chance…napo2017button1

I went to a reading at The Hive with Sarah Leavesley & Melissa Lee-Houghton. I was really excited by this. Ruth Stacey had arranged it for her students at university and just gave a bit of a quiet shout out. thehiveworcsorg

Being part of an audience of students, listening to their woes made me glad this wasn’t my life anymore. It is all to easy to glamorize the undergraduate/post grad life… but really… as much pressure as the real world.

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I loved hearing Sarah read from Magnetic Diaries again after all this time and it was a real treat to hear Melissa Lee-Houghton, as she sadly couldn’t make Verve festival in the end. It was a great evening and I am glad I managed the post work rush to get there. Had to drive a hire car too – as my window decided to malfunction and I spent over an hour finding a garage willing to help me so late on in the day. The window was stuck in the down position. My lesson: using air con is cheaper in the long run!

I spent time writing the brief for a 2nd poetry festival event, involving the other two poets. It is amazing how many days it can take 3 poets to come up with less than 3 lines!

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Back in February (my month of applications), I applied for Room 204 Writer Development Programme run by WWM. They had over 130 applicants this year for 15 places. I am delighted to announce the embargo has lifted and I can share this news. We had our first cohort meeting – what a great year to be in, so much talent. We had a photo shoot (one I wanted a haircut and weight-loss for) – neither happened in the days beforehand, but Paul Stringer is a talented photographer. It was a fun morning, we were all so excited to be part of the 2017/18 cohort and already good things have happened as a result. There is a whole year of mentoring and career development ahead, over £1000 worth. Priceless if you ask me.

room 204

I am extremely excited to be part of Room 204, I discovered it back in 2013 and have been biding my time and developing my writing to the point I thought I was able to qualify for a place on the scheme. I am grateful my application was successful. That my writing stood up to the scrutiny and competition. Here’s the rest of this year’s cohort

https://www.writingwestmidlands.org/room-204-participants-201718/

I also reconnected with a good friend of mine afterwards and we plan to exchange books and do lunch next time I am back in the area. I used to spend more time in Birmingham than I do at the moment. I am spending less time on the road this year and more time at the desk, the natural pattern of a writer. It was good catching up.

WEEK 2

Went to an incredibly exciting meeting at the Custard Factory for this year’s Room 204 programme, which we were embargoed about. The news was finally released on the 11/12th. Rm-204-logo-final-solo-600x328

Started typing NaPo poems, I decided to write longhand this year, which gave me that workshop feeling as much of my writing is straight to screen nowadays. It meant I successfully completed the challenge with 97 poems by the end of the month, however I have typed about 10 to edit so far.

Made a promotional Easter video for Fragile Houses. I was reading advice on marketing and promotion and find it hard to detail what my pamphlet with give you beyond shared experience, memory and space to work through mirrored realities. Which all seems a high promise or at the worst an abstract manifesto. Then I thought about chocolate, the calories (personally delighted this year to have so many eggs and treats). easter Had another 3 eggs after this photo was taken!

I spent half a day making the video. Poetry – less calories than chocolate. Maybe I should have offered a free egg with every book sold.

I booked onto a Room 204 event for later in the month.

Started writing a book review and went to see Kate Bush tribute Cloudbusting with Mr G. katebush

I missed License to Rhyme again as the next day I was going to Swindon. Rick Saunders aka Willis the Poet was headlining and he was happy to take me on the road trip. It was a cracking night at Oooh Beehive – a night that Clive Oseman and Nick Lovell started a while ago. Swindon is quite a way on a school night and it was the early hours by the time I was home, but it was the Easter holidays and I am glad I managed it. Lovely to see Sam Loveless and Edward, who I met at the Poetry Festival last year.

I went to HOWL and watched amazing headline sets from Charley Barnes, Tom McCann and Rhythmical Mike. It was a great night and I was happy I made an open mic spot. It was fabulous to see everyone again. HOWL

I went to SpeakEasy where Gareth Owens was headlining. That was a good night too – rare these days that I manage 3 nights on the hoof like this. I spent the day beforehand making media for an upcoming festival shoe and dealing with programme copy.

It was nice to escape for a few hours and immerse myself in poetry.

The Beltane Anthology for 2017 was published by Three Drops from a Cauldron, which has my Rag Tree poem in it. I know you should never judge a book by the cover – but with this stunning design, who wouldn’t want to see their poetry inside!

beltane.jpg

Featuring poetry and flash fiction by Jane Burn, Rhiannon Hooson, Alison Stone, Denise Blake, Abigail Elizabeth Ottley Wyatt, Eleanor Penny, Tom Moody, Bee Smith, Rebecca Buchanan, Rebecca Gethin, Nina Lewis, Wendy Mannis Scher, Ceinwen E. Cariad Haydon, Sarah Hart, Raquel Vasquez Gilliland, Kitty Coles, Donald Illich, Dennis Trujillo, Lesley Burt, Cynthia June Long, Vivien Jones, Moyra Donaldson, Maggie Mackay, Bethany Rivers, Lewis Buxton, Carmina Masoliver, Nico Solheim-Davidson, R.M. Francis, Linda Goulden, Ilse Pedler, and Joanna Swan.

Edited by Kate Garrett, with the Three Drops from a Cauldron editorial team: Becca Goodin, Loma Jones, Amy Kinsman, Holly Magill, Penny Sharman, Grant Tarbard, and Claire Walker.

http://www.lulu.com/shop/kate-garrett/three-drops-from-a-cauldron-beltane-2017/paperback/product-23143262.html

It is now also available in digital copy.

https://threedropspoetry.co.uk/2017/04/14/three-drops-from-a-cauldron-beltane-2017/

Week 3

I had a free writing webinar with The Writers Academy & Penguin Random House, it was an interesting few hours, although I wrote copious notes not realising they were sending follow up information via email.

I had my first Room 204 1 to 1 session, we get 3 over the course of the year. It was useful and I have already started working on decisions.Rm-204-logo-WITH-WORDS

I spent an entire day co-ordinating and planning for festival events.

Holly Daffurn has started a new venture – at Bottles Wine Bar, ‘Uncorked’ an evening of Spoken Word, there were over 50 tickets sold and the night was divided into 3 parts with 5 headliners and open mic. Ambitious scheduling, beautiful venue and a stellar line up made for a perfect evening. uncorked

I performed on the open mic. Brilliant Headliners: Jasmine Gardosi, Casey Bailey, Holly Daffurn, Leon Priestnall & Joe Cooke

The Spring edition of Birmingham Literature Festival happened and despite a fantastic programme (all well received), I was unable to make it across to the city for any events. I even missed Cynthia Miller’s Primers Launch.

BLF Spring

I had my WWM group which meant I couldn’t attend some of the events/workshops on Saturday. The group went really well, we made our own magazines. I have since planned the final two session, so feel ahead of the game.

Week 4

I booked tickets to go and see Carol Ann Duffy in May, continued to organise festival events. The Stourbridge Literature Festival started. I went to see Emma Purshouse headline at Spoken Trend, saw Carla Rickets headline too. It was a great night, I even went home with 3 daffodils, now that is a good night.

I took a Napowrimo poem to Stanza and it was approved. I have written 97 in total this month as I have followed 2 main prompts, the main site napwrimo.net and joined Carrie Etter’s group where she provided us with 30 optional prompts. Beyond the poems, I have researched and stumbled into new project territory which is most exciting. Carrie’s group was amazing for comradery and support. Jo Bell spent the entire month posting poems for us to read as it is as important as writing and a sure way to learn/ learn about poetry. I have thoroughly enjoyed reading the poems and discussions on her blog and will miss this daily ritual and ponder more than I will miss the onslaught of daily poetry writing.

imgID54935282.jpg.gallery I went to the first talk organised by Room 204 and now have a notebook full of information and ideas.

And the month finished with a flurry of PR for VOICES FROM THE MIDDLE at Stourbridge Literature Festival.

The first of 3 events I have been organising. A combined reading with: vpress sb I will blog about the festival/event over the coming days. Within 24 hours I will be promoting Cheltenham Poetry Festival and over the next 5 days working towards 30-40-60 the collaborative performance booked into this year’s Worcester Literature Festival.

I will not have time to be sad about the end of NaPoWriMo, but I hope to have time to type edit some of the work produced during April.

This was a GREAT month!

 

 

NaPoWriMo – Day 29 – The Penultimate Day

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Well we have nearly made it! 1 more day to go…

Day Twenty-Nine

On April 29, 2017

Hello, everyone! It’s the penultimate day of NaPoWriMo/GloPoWriMo!

Our featured participant for the day is orangepeel, where the Skeltonic verse for Day 28 celebrates (sort of) the experience of being sprayed by a skunk!

Today’s interview is with another poet/publisher, Sarah Gorham, the editor-in-chief of Sarabande Books. This interview explores her dual role as writer of her own work and the promoter of others’ poetry. You can learn more about Gorham here and read some of her poetry here and here.

And now for our (optional) prompt. Today, I’d like to challenge you to take one of your favorite poems and find a very specific, concrete noun in it. For example, if your favorite poem is this verse of Emily Dickinson’s, you might choose the word “stones” or “spectre.” After you’ve chosen your word, put the original poem away and spend five minutes free-writing associations – other nouns, adjectives, etc. Then use your original word and the results of your free-writing as the building blocks for a new poem.

Happy writing!

I really enjoyed this prompt as it gave me time to indulge in my poetry bookcase before choosing my starter poem – Mansion Polish by Maurice Riordan (who I was lucky to meet back in 2013, after 4 weeks in my poetry skin).

I followed the prompt and my concrete noun was horseshoe. After free writing I settled to the making of a poem. Not happy with my first two attempts, I cracked it on the 3rd. They are all relatively short poems. I have currently written 94 NaPo poems! I took one to Stanza last night and it was approved, so there is some hope for a small % of them.

the brass one her mother hung over the fireplace

is now a dead tissue memory, wrapped carefully

in brown paper.


Carrie Etter’s prompt was to write about an object belonging to a parent, the focus was on what it means to you. I was happy with the overall result although it still needs a little work.

I could read stories, but not between the lines.

… I outgrew my own, this hand

was never for giving.


Jo Bell posted This by Maitreyabandhu

This neat poem describes a single moment of paying attention.

…. Give yourself permission to read critically, and if a poem you enjoy seems to have a hairline crack in it, take Maitreyabandhu’s mindful approach – notice it, but don’t let it spoil your enjoyment of the poem as a whole. The poems we learn from, like the people that we learn from, can be imperfect. – Jo Bell

I shall miss Jo’s daily reads and discussions much more than writing daily poems.

Thanks for the great effort, Jo. jo bell

http://www.jobell.org.uk/


The Poetry School  58d3e6b0bba6c-bpfullseem to have gone AWOL – they are in, but seem to have hidden the prompt. Thanks to Jackie Biggs, I found it on an attachment.

Day 29: The Self-Cento

Good morning on this penultimate NaPoWriMo day! Today, we’re asking you to reuse, recycle and rehash with a cento.

A cento is a poem made up entirely of lines from other poets’ poems. Our version differs in only one way. We’d like a 28 line cento, but it should use lines from your own poems written during NaPoWriMo. Not managed 28 poems so far? No matter. Write a shorter poem, or use multiple lines from the same poem, or use lines from your pre-existing poems. The important thing is it’s your own voice you’re remixing and restyling. You’re allowed to make minor tweaks to the lines to make them fit, so don’t worry about changing tenses, adjusting grammar, or rephrasing slightly, but don’t add words.

There are lots of excellent centos out there, but we’re going to go for a classic: John Ashbery’s ‘The Dong with the Luminous Nose’: http://www.english.txstate.edu/cohen_p/poetry/Ashbery.html