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Writing

Verve Poetry Festival: Day 3 Poetry Breakfast

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Verve Poetry Festival had nearly 40 events, I spent the whole day at the festival both Saturday and Sunday, missing only the children’s events some workshops and some performances (because of workshops).

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POETRY BREAKFAST

Saturday kicked off with Roz Goddard and Cynthia Miller treating us to a Poetry Breakfast. Free pastries and Philip Larkin Jazz – what is there not to like? Roz opened the event with her love poem to Birmingham.

Cynthia talked about the programme and how the festival evolved from an enthusiastic tweet. One the rest of the city is grateful she sent. They hoped for an accessible poetry festival and that is exactly what they created with Verve. They wanted to reflect the spirit of Birmingham, the passion and drive and they certainly accomplished that too.

Cynthia is one of the new Primers poets (Primers Vol. 2) from The Poetry School and Nine Arches Press and will see her poetry published soon. She shared ‘Anthem for a Nasty Woman’.

Roz talked candidly about falling out of love with poetry and then falling back in love for it with the help of this festival. We all lose confidence and fall out with poetry from time to time, for me it is a weekly occurrence. It always feels good to hear others talk about what you experience, as it answers that question – is it just me? – with a resounding NO!

I really enjoyed waking early and catching a bus into town to catch this FREE event, it was definitely worth it. Even though the decision not to do a writing activity stung (my brain was ready), instead we did Speed Dating (hold onto your hat Mr.G, not like that)! It was a genius idea as it got us mingling and talking to each other about the festival and the future of poetry. We swapped three times, discussing a cue question given to us by Cynthia and moved on at the sound of a Tibetan Singing Bowl (perfect for the early hours). It was fun watching Birmingham wake up behind the screen (festival marquee).

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A great way to greet a full on day of poetry and workshops.

And it was FULL ON. The team have realised that scheduled breaks are necessary, especially as they had certain hard-core participants (Dean Atta, I may be looking at you and Angi Holden) who did 3 back-to-back workshops, that is 6 hours of focus. That is beyond most of us.

 

RELATED LINKS

Reviews of the Dice Slam and reading from Friday Night, Outspoken and Nine Arches – read them here: http://createdtoread.com/poetic-delights-verve-poetry-festival/

https://burningeyebooks.wordpress.com/2017/02/22/verve-poetry-and-diversity/

 

Review of the Month – November (let’s get one blogged in time) UPDATED

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UPDATED

I cannot believe it is the end of November already. I have marked it with a great night in Worcester at an ‘Arthur Rackham’ themed 42. Great to see some new faces too.

This month has been abundant with opportunities and I am witnessing the domino effect. There is a lot to review and I am busy with end of month submissions, so this post has recently been updated and completed.

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REVIEW OF NOVEMBER

Week 1

I finally managed to get back over to Permission to Speak, where David Calcutt was headlining with his V. Press Pamphlet ‘The Old Man in the House of Bone’. d-cal-old-man

It was a great night and I performed some new work written from An Atomic Sun Workshop facilitated by Antony Owen that I attended earlier this year. Writing about Hiroshima takes time and finding places where it is comfortable enough to know you can perform it, is the next challenge. They worked. People were reminded.

Antony Owen and myself (along with many other writers) have work in a Shabda Press anthology. Accepted a while ago, contracts signed in Spring, we are happily approaching proof and publication and it should be out February time. There are big issues that we must not shy away from, but it can be a lonely place, it is great to meet like-minded writers. I have to say that Antony writes from the heart and everything he writes matters socially, whereas my political poems come and go.

Writing about such horrific histories can be hard without support of those around you.

I did lots of writing this week and with working, found I was too exhausted after October to manage evening events on top. I missed them. Forgave myself and spent time at the desk.

I had my writing group, which over the past fortnight has taken time preparing. I spent hours researching for topical writing tasks for the Writing West Midlands group and structuring the session and resources, they all seemed to enjoy it and we had some new members too. Even treated them to some time in the book booth windows to write outside of the space. My group discovered an interesting Jukebox on display and created all sorts of ideas about what it was really.

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Mr G. and I went to another big gig.

 

Week 2

I completed an interesting challenge set by Helen Calcutt and was rewarded with two new poems, one that stands out well, was performed at SpeakEasy and will be published.

I attended my first Birmingham Stanza at Waterstones, run by Roz Goddard. Jane Commane was the invited guest talking about publishing. It was an enjoyable evening and I was able to take another recently penned poem for some editing support. In fact I spent most of my week at Waterstones.

I missed HOWL as I was working and already had 48 hours with double events. Let me state – I am too old for double event nights!

I went to SpeakEasy in Worcester to see Ben Parker Feature and buy his new book. bp-seIt was a great night of poetry, thoroughly enjoyed and lovely to see Ben again. I missed the last chance to see him as Mr G and I were away when he organised his poetry event at the Swan Theatre, where he is poet in residence. I first met Ben at the end of his poetry residency at Royal Worcester Porcelain Museum at his Worcester LitFest event two years ago.

I cannot wait to read his new collection ‘The Amazing Lost Man’, which was released November 1st.

In this startling and energetic first collection, Ben Parker explores real and imagined territories and reports back in poems that are both darkly funny and vividly descriptive. Combing concision with a surreal lyricism, the worlds of The Amazing Lost Man are at once strange and familiar, while the central sequence of ‘Insomnia Postcards’ is a joyous clash of the quotidian and the bizarre. These poems have a subtle music, and a confident voice that draws the reader in. (cover)

cover_parker_1024x1024 I know the rule is never judge a book by the cover and I tend not to. Fortunately there is no rule about falling in love with a cover and I have. It is much brighter in reality – buy one and see. https://store.eyewearpublishing.com/products/the-amazing-lost-man

More from Ben here http://www.benparkerpoetry.co.uk/about

My recent poetry book buys have been piling up as I have spent the past few months invested in a crime novel with a bitterly disappointing ending (I still do not know who the murderer was)! Back to poetry for a while.

It is also good to hear when your poetry inspires others;

Big thank you to Suz Winspear, Nina Lewis and Lauren Hill. Those poems of heartbreak inspired me to write my first new prose in five months, while sat in the audience!

Afterwards I rushed out to the sticks to celebrate a friend’s birthday, made it in time for cake and just before the bar closed for drinks.

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The following night I went to the Poetry Business – Poet Laureate Choice Readings at Waterstones Birmingham. The Poetry Business publish under smith/doorstop imprint.

“One of the most vital and vitalising literature organisations in the country”
Andrew Motion
The Laureate’s choice 2016, picked by (of course) Carol Ann Duffy.
The four winning pamphlets are:
Geraldine Clarkson’s ‘Dora Incites the Sea-Scribbler to Lament’
Zeina Hashem Beck’s ‘There Was and How Much There Was’
Mark Pajak’s ‘Spitting Distance’
Tom Sastry’s ‘Complicity’
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I am lucky enough to know Tom through Jo Bell’s 52 project (2014) and have met Geraldine a few times since this new life started in 2013, although this was the first time we had properly met for some time. Nice to be remembered though.
It was wonderful to meet Mark and always good to expand the world of known poets, he was smashing to talk to and I will remember his early morning running and the bear. When in the states (Yosemite), 2015 I had a running mantra ‘Let me see a bear, let me be at a point of safety’… I did see a bear and her cub, I was on one of many transport buses at the time (thank goodness) – as up close and personal as I wanted to get!
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Zeina’s video performance from Dubai kicked off the evening, impressive, soul-driven poetry and from there we enjoyed a live set from the PB poets. It was a pleasant evening and they have since celebrated again in Bristol and I have only heard good things about that event too.
There is currently a special offer – just in time for Christmas – you can buy all 4 pamphlets for just £20.00
‘Geraldine Clarkson’s poems are musical, often playful incantations that delight in the power of words. Formally inventive and vivid with natural imagery.’ – Carol Ann Duffy
pb2© 2016  Robert Harper
Zeina Hashem Beck’s ‘There Was and How Much There Was’
‘Whether drawing on myth or fairytale, or writing directly from women’s experience, these are powerful poems by a new writer with a remarkable gift for storytelling.’  – Carol Ann Duffy 
‘Mark Pajak’s skilful poems keep themselves open, especially to childhood and adolescent experience.  Even so, they are far from frail – their insight and imaginative verve make them robust as well as eloquent.’ – Carol Ann Duffy 
pb4© 2016  Robert Harper
‘Tom Sastry navigates the mysterious everyday in this honest and often funny collection, making friendships and love affairs new and strange.’ – Carol Ann Duffy
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Mark also won the Bridport Prize this year with ‘Spitting Distance’.
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After this event I rushed to the other side of Birmingham to perform from Fragile Houses, my own pamphlet at Spoken Word at the Ort. It was a fabulous night, run by Debbie Aldous. It always feels like coming home.

I am too old for consecutive nights of double bookings though.

The next evening I was back in Waterstones (told you I need a bed there) for a wonderful evening with Indigo Dreams poets, also doing a whistle stop reading tour.

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It was a fabulous evening and a pleasure to meet Kate, Mab and Bethany W Pope, all of whom I knew of but hadn’t met and the lovely Bethany Rivers, who I met at a Writers Network event hosted by WWM back in 2013 and know from poeting in Shropshire, where she does a lot of work. I can highly recommend all their pamphlets. I am currently reading ‘Off the Wall’ By Bethany Rivers.

This evening was delightful, a magical experience and a thoroughly enjoyable Q & A after the readings. Powerful poets doing what they do best.

I shared the evening with Claire Walker and Holly Magill and it was special.

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I also received news that I had won 2nd place in the Museum of Royal Worcester Poetry Challenge and I had to keep this a secret, even the judges didn’t know as it truly was judged anonymously by the panel. It was so hard not telling anyone and slightly awkward as I was going to see Claire Walker headline at Poetry Café Refreshed in Cheltenham on the same night as the awards/reading. This wasn’t quite as hard as keeping my publishing opportunity quiet, but I just wanted to celebrate the success openly!

 

Week 3

I made some submissions, finally! And enjoyed Licensed to Rhyme, where Emma Purshouse was headlining.  She has just won a book award too.

I Once Knew a Poem who Wore a Hat Emma Purshouse and Catherine Pascall Moore
Lots of wonderful imaginative and outrageous poems in this collection which is full of the charms and idiosyncrasies of childhood.  It’s easy to see how children could love these breezy poems and become attached to them.  One could easily imagine them being learnt by heart and repeated in playgrounds.  The illustrations by Catherine Pascall Moore are quirky and appropriate.  The hints about, for example, the best way to learn a poem or how to speak a poem aloud, are unusual in a book of this sort and never patronising. 

 

A first was VIP invite to the Verve Poetry Festival Launch – I will be telling you lots more about the festival throughout the coming months. verve12 Luke Kennard

I love watching Luke perform, dynamic doesn’t cover it – you may notice a group of us chatting – we are not talking through his set – here he is preparing to dive in!

The event was everything I hoped my first VIP experience would be and along with brilliant performances from Luke and Amerah Saleh. verve11

I spent the evening eating divine V cakes and mingling with many people, also had the pleasure of meeting some people for the first time.

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The tickets were live within 24 hours and I have already bought my festival pass for February. I also plan on doing as many workshops as I can and all of this has happened just in time –  for Christmas I have asked for Verve to be gifted back to me… so although with transport etc. I will be running up a bill, the tab is already paid for. Result. verve5

Find out all about the festival and buy tickets here http://vervepoetryfestival.com/

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The night after this was the Poetry Challenge event at the Museum – Royal Worcester Porcelain Museum. Which was a lovely event facilitated by Suz Winspear (Poet in Residence) and the Museum.

cup Prize winning treats – unexpected and beautiful.

It was an absolute joy to surprise all the judges who had chosen the winning poems without knowing who wrote them. I was delighted to be placed and loved the fact the winner and my fellow runner up, Shelagh Wain (from Burton-on-Trent), were poets I did not know.

Georgina Byrne (first place – Winner) had never written a poem before. Here is the article Worcester News

You can read Georgina Byrne’s poem here http://www.museumofroyalworcester.org/winner-of-the-poetry-challenge/

paper-1100254_1280 The event was a lovely, relaxing evening of poetry and it was great to have the judges perform alongside the poetry challenge winners. The museum was also open to have a browse around, a treasure trove of porcelain. I love it there, it gives me the same feeling libraries do. (Imagine – chocolate cake…)

The next night was the Poetry Parlour at Waterstones, I had planned to go but after work and the busy month so far – I missed it. Roy McFarlane was the Poetry Parlour this month, once again I have heard positive reviews about this evening from the open mic-ers.

I spent time writing a current piece that cannot yet be disclosed. Looked over a manuscript for someone and finally, on Sunday went to perform at Open Poetry Walsall Arboretum. Which was a great way to finish a ram-packed week! Relaxing to poetry and afterwards having a quick drink in a pub with poets.

 

Week 4

Missed Shrewsbury Literature Festival completely having only found out about it a few weeks ago. I made it back to Poetry Bites which I have not been able to go to for a long time.

Prepped for The Book Party. Post-book launch open mic event where I showed 4 exclusive poetry films and one that has already been shared publically, from Fragile Houses. It was an intimate affair and a great night. Sadly a lot of people couldn’t make it in the end, but it was a perfect evening of poetry and friends. We all enjoyed each other’s poems and I am (as always) delighted when my poetry circles meet for the first time. Glad I have given some more people Lesley Ingram and John Mills and some more Worcestershire poets are now known to them.

a-fh I was touched by everyone supporting and participating in this evening of poetry, had a gorgeous bouquet (thanks Anne Milton), a poem written about Fragile Houses (thanks Charley Barnes) and good friends who travelled great distances to be there.

Suz Winspear & Mogs performing – photography Charley Barnes

The next night I had to miss Stanza (for the 2nd month running) as I was at  a Book Launch in Birmingham. For ‘Womanly Words’ an anthology of poetry (20 female poets) produced by Shakti Women.

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It was an incredibly absorbing evening – I missed a lot of readings whilst driving around in circles trying to park. A relaxed affair around a huge conference table laden with scrabble, sweets, cakes, champagne and soulful women. It was great that a people came just to listen and that so many of the 20 poets in the anthology were able to make the event. It was lovely reconnecting with everyone.

I was unable to participate throughout the year as much as I would have liked due to working on editing Fragile Houses. There are plans afoot already for 2017 though. It was great meeting some of my fellow anthology poets and just spending time chatting with like-minded activists.

I am a little in love with this book. Well done to Zara Walker for her impressive design work on this gem.

http://www.shaktiwomen.co.uk/

Siobhan and Cheryl even sent us away with goodie bags!

After this event, I was asked to do Radio (for the 2nd time this year), I would have loved to have read my poem on air, but after the excitement of this week’s events and my need to be at home and with Mr.G, added to the fact that it wasn’t local and everybody has started Christmas shopping on Saturdays, I sadly passed up this opportunity. I am kicking myself now a bit.

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I spent the weekend at home with Mr G and fitted in a little poetry writing and film making time.

I also received news of 2 exciting opportunities for 2017, that for now I have to keep quiet. (There is a pattern emerging here!)

And I have finished off the month at 42 with an inspiring evening of writing on the theme of ‘Arthur Rackham’s Brain’. Many of us had completed enjoyable research into the works of this artist. As a child I experienced his Wind in the Willows and my poems were written whilst considering his artwork ‘Mischief’, illustrations for ‘The Old Lady in the Wood’ and ‘Undine’. I was pleased with the resulting poems and had some positive feedback on them. A fabulous event to complete the month – literally – on the 30th!

 

 

 

 

Review of October

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Review of October

Week 1

Following advice I was trying to not be too busy pre-book launch but after a week off events I took my writing group for Writing West Midlands, watched all the poetry coverage on BBC2, missed another writing deadline and decided that I would drive to Cheltenham to Buzzwords and catch David Clarke and Cliff Yates (another new-to-me poet).

Buzzwords was great, I realised I hadn’t been for over a year. I had a fabulous evening and do not regret it, despite it being the night before my launch. I read my latest poem – a work on tribal philosophy and have some poetry drafts from the workshop to work on when I get a chance (Christmas holidays maybe).

I had imagined I would spend Monday getting ready for the evening – but in reality I missed writing deadlines, overslept, did everything I could to reduce the nervous anxiety of what if no-one turns up and finally at about 2pm started to get organised.

I am going to write a full post about the launch and some follow up posts about the organisation aspects, as there is a gap of relevant information in this area.

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Waterstones Book Launch for Fragile Houses in Birmingham with Guest Readers – Roy McFarlane, Antony Owen and Claire Walker. It was a cracking night, the next morning I woke up to go to work and it felt like a dream.

The following evening I headlined at Stirchley Speaks. I have been headlining since Autumn 2014 but this is the first time I had a book to sell. I did leave home without them and had to turn back to grab the bag, I knew there was something I had forgotten. Since this night I have started using a large event handbag and always carry a couple of copies.

Stirchley Speaks was a great night and I sold lots of books, I realised at this point I had underestimated how many I should order. Taking advice from Jane Commane back in 2014 who said that audience doesn’t necessarily convert to readership. I was aware not everyone I know will buy the book. I have a list of people who want a copy next time I see them too.

It was good to catch up with everybody in the P Café and it was an incredible night of poetry.

The next day I contacted my publishers and ordered another box.

I hadn’t submitted any poetry for a while and had news of one of my poems being published in the USA. More on that when it happens.

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I treated myself to an evening off and a little rest before National Poetry Day, which is fast becoming one of my favourite dates on the calendar.

I collected my new batch of books and went to Suz Winspear’s NPD event in Worcester. As Worcestershire Poet Laureate, Suz is working hard this year in the city and found a brand new venue for the NPD Event. Berkeley Almshouses was the venue and some of the residents came to enjoy the event. It was a great evening and the old chapel had fabulous acoustics and suited Suz very well.

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This year’s theme was messages and I certainly sent a few texts whilst trying to track down the entrance to the venue. Great sets from everyone and I got to catch up with Math Jones (up from London) and Ruth Stacey. I even sold a book!

I spent the weekend Fri- Sun at Swindon Poetry Festival, it was 2nd year there and much as I loved it last year, this year was EVEN better! It deserves a full post and as I pretty much did everything on the programme, will certainly need one. A great way to finish an exhausting, fantastic week in my poetryskin!

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Other great news was Matt Windle became Birmingham’s new Poet Laureate and by the end of the week I had sold over 50 copies of my book!

 

Week 2

Started with a recovery day. I started to create Poetry Films, something I have got hooked on. Last year Sarah Leavesley kindly tutored a group of us in the art of production and I was inspired by the Poetry Films I had seen at Swindon. There are several poems in my pamphlet that I will rarely perform. These are all now Poetry Films.

On my recovery day I spent some INKSPILL admin time and rehearsed a set for Licensed to Rhyme. Roy McFarlane was headlining. It was a great night and I was allowed to sell my pamphlets, they had a table and everything.

The next evening I went to Ledbury to the Poetry Salon where Deborah Alma was reading and finally got a copy of her book, ‘True Tales of the Countryside’, a beautiful Emma Press pamphlet. deb-alma2

I unexpectedly performed in the open mic section. Fragile Houses reached Ledbury. It has since reached Palestine, Malta, Holland and Australia to my knowledge. It was a wonderful, rich evening and great to see Ledbury folk again.

This week was also Birmingham Literature Festival and due to work commitments and events was the first time since coming back to writing (2013) that I missed it. The night after Ledbury Liz Berry and Benjamin Zephaniah were performing and also Gregory Leadbetter had his book launch for ‘Fetch’ (Nine Arches) at Waterstones, Birmingham with Angela France and Jo Bell reading.

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© 2016 Nine Arches

I was gutted to miss both these events but with working and poeting I had no energy and if I remember rightly was asleep as soon as I had finished tea.

The following night Luke Kennard was performing in Birmingham and I missed it because it clashed with SpeakEasy, where I was already performing. Roy McFarlane was the feature and it was a joy to listen to him twice in one week.

Fragile Houses received a Chez Nous Review which I was delighted to discover came from Gram Joel Davies. He actually chose some of my favourite foods – go and have a read.

http://vpresspoetry.blogspot.co.uk/2016/10/chez-nous-recommendations-for-fragile.html

By the end of the week I was run down with illness and missed Holding Baby a play by Jan Watts and the rest of the Book to the Future Festival (again for the first time since 2013). I hope to catch the show another time, I have heard nothing but good things about it.

It was great to finish the week with a Madhatter Review http://www.madhatterreviews.co.uk/books–e-books.html

 

Week 3

Fragile Houses has positive reviews on Amazon and Good Reads.

I was asked to do something that I am really excited about, more on that next year. I spent days preparing for INKSPILL in shifts of 8 – 12 hours.

Mr G and I went to London to see Woven Hand.

I was too tired to manage Hit the Ode and Smokestack Poetry Evening event clash), both in Birmingham, both top nights. I also missed the Dylan Thomas Festival, running for the first year in Cheltenham. Unfortunately it clashed with INKSPILL this year.

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I signed up to an online course ‘Arts for Health’ and performed poetry for ‘She Speaks Her Mind’ Woo Feministas – alongside Suz Winspear, Charley Barnes, Claire Badsey & Holly Magill.

Then of course it was INKSPILL with Gaia Harper, Roy McFarlane and Deanne Gist. This was the 4th year for us and it was a success. I already have Guests and plans lined up for 2017.

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The Magnetic Diaries – which I saw in it’s infancy in Hereford last year was on at the MAC and although I couldn’t make the show I did make Sarah Leavesley’s workshop ‘Pain to Poetry’. I have some poetry notes and one poem so far from this and it was a challenging (emotionally) but not unpleasant experience. I also got time to reconnect with many poetry friends I have not seen in a while.

 

Week 4

I spent the early part of the week writing. I entered a few free poetry competitions. I took some bookings for next year and exchanged pamphlets with J.V Birch through the post. She is a childhood friend, now living in Australia and has also become a poet at the same time as me. It has been exciting to map and mirror each other’s journeys through this new world.

I dressed up for Halloween as a ‘Cereal Killer’ and went off to perform at the Halloween Special 42 in Worcester. Where (due to the wig) people didn’t recognise me. It was a fabulous night and a great excuse to dress up. Fantastic sets from everyone.

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photos by Liam Cortintias

The next day I had to do my best to get all the make up off and go to a workshop run by Angela France, the theme was Fairy Tales and I had a thoroughly enjoyable day and even sold a few books.

I listened to poetry on Radio 4 and missed my Stanza meeting to take part in a Charity Quiz night. All teams of 8 and due to circumstances we ended up with just 4 in our team. We were going for the Booby Prize but decided it was hard to share a bottle of wine and so started to get answers right. We came in 5th not too shoddy, somewhere in the middle. Over £1000 was raised for MacMillan.

I hoped to go to Lania Knight’s workshop, having missed her last one due to a crash on the motorway, but this weekend we celebrated a special family birthday.

 

September Review (better late than never)

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So the Christmas adverts haven’t gone unnoticed and I realise we are fast approaching the end of November, (I realise this as I haven’t started seasonal shopping yet)! It has been a really busy Autumn, which is great as this is the life I wanted… it does mean that my blogging time has diminished.

I have some great ideas how to utilise this blog in 2017 that will fit into the ever-increasingly busier patterns I now exist in. I will save the big reveal for the New Year whilst I focus on the backlog!


REVIEW OF SEPTEMBER

September was the most exciting month of 2016 so far, my debut pamphlet ‘Fragile Houses’ made it out of editorial and to the printers and I was able to get my teeth into something I do well, organising the Book Launch event and promoting.

fragile-houses-best I was always a little unsure how soon to the end of the process the book had to be before the promoting could begin. Hard work after keeping it a secret for so long. Frustrating though the length of time it all took was, I am glad we launched in October because it is close enough to still being NEW at Christmas! So if, like me, you haven’t started shopping yet…

The rest of September wasn’t too bad either.

Week 1

I finally managed to get back over to Permission to Speak, where Walsall Poetry Society had the headline slot. A collective of poets with a great range of work. Richard Archer – a poet from Walsall helped set this up. Richard has written 3 books of poetry and has performed his work on TV and radio. He describes his poems as a sideways look at life as he tries to dissect the world around him, failing or succeeding in equal measure.

Richard was joined by founding member Bryan Sydney Griffin a.k.a “LaGrif”, Marrianne Burgess, Paul Elwell, Ian Ward and Vicki MacWinyers.

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I was also delighted to see Steve Harrison there, our paths haven’t crossed in a while. Busy poets that we are, with a few Counties of separation. It was a good evening and it felt like coming home. Rob Francis is always so welcoming and it is a great venue to perform in with one of my favourite stages (because it is made out of old school desks) and features in one of my poems. It was lovely to share the evening with Claire Walker and Ian Glass.

I missed the Fringe Festival in Digbeth, as I was out celebrating my birthday (yes! It was in August), I like to party! It was at the expense of missing several submission deadlines this month though. I try to be kind to myself when that happens but the inner voice is screaming ‘GET ORGANISED GIRL!’

 

Week 2

I spent my time organising new term workshops for my Writing West Midlands group and sifting my way through the admin mountain.

I went to Waterstones to watch fellow V. Press poets David Calcutt, Kathy Gee and Claire Walker who have spent months planning ‘From Birth to Bone’, a scripted reading combining poems from all of their collections. I was a little gutted that Fragile Houses wasn’t out in time to participate, I have had conversations about collaboration for sometime. Still I have a few ideas to bounce around in 2017.

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It was a fabulous night and their work blended well. I thoroughly enjoyed it, it was a jolly good performance. The other thing I loved was the programme. Listed on it were all the poems and the relevant pages from their books.

What I did manage to do was speak to Stuart, as an Area manager and Poet himself he is fully behind events in Waterstones. I have over the year attended several, but from this point onwards the book shop becomes my second home! I confirmed my book launch was to take place in Waterstones ! Oh, my wake me up – I am dreaming!

I went to SpeakEasy in Worcester where the featured artists was a three piece, ‘Threezacrowd‘ – Michael Thomas on words and Campbell and Jan Perry on music. SpeakEasy tends to be poetry so it was different to have some music and singing. Mike Alma and Pip Barlow brought us guitar and voice the month before.

mike-and-pip-barlow-mary-davis Photograph – Mary Davis

The photo is from the August SpeakEasy, where I read some of the canal poems (still in draft form) from our poetry trip. I was wearing my Tiller Girl badge and Alan Durham wore his pirate badge.

speakeasy Photograph – Mary Davis

I spent the rest of the week planning and promoting my Book Launch, working for Writing West Midlands, wrote endorsements for ‘Birth to Bone’ and my pamphlets became real and reached the editor. I still cannot believe I waited to pick them up for several days as our schedules weren’t matching.

They were published in time for the London Book Fair, which was exciting.

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Week 3

Following some summer preparation, I started organising INKSPILL – our online writing retreat. Sending emails and making contact with writers was fun and in the process have pretty much organised next year’s Guest Writers too.

It was also the first ‘Licensed to Rhyme’ – my most local poetry night! Finally my hometown can offer something and what a something it is. Maggie Doyle and Fergus McGonigal ran SpeakEasy for a couple of years and both took retirement from it earlier in 2016. Maggie and Fergus worked hard finding the perfect venue and pricing and all the millions of behind the scenes work, we never really consider.

licensed-to-rhyme The Advertiser

Spoz co-hosts the event with Maggie Doyle once a month. This first evening was a great success and because the venue is an Arts Centre (Artrix) we have professional sound and sound engineers to boot. We walked on to ‘James Bond theme music’ and the atmosphere was electric. Which all helps performers to perform well. I had a 10 minute Guest Spot and Maggie mentioned my pamphlet was to launch in a few weeks too.

Even more exciting was finally meeting Dreadlock Alien, a man people have constantly spoken about since I hit the circuit in 2014. I knew some of his poems and have seen him perform online but to meet him was thrilling and it was lovely to see a lot of the Birmingham crowd over here too.

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I also worked on (for hours) a professional writing website where people can find me, book me etc. A space I can keep for promo and work. And guess what? I found the only web space that doesn’t link to SEO on Google searches etc. which means unless I send the direct link – you cannot find me. I am limited by free webpages at the moment and many of these need you to install all sorts. I am tempted to use WordPress and as I bought ‘A Writers Fountain’, 16 years ago, I know I can do it again, when money flows a little better.

I still haven’t sat down to work this out but will spend those post-Christmas moments on it, ready to hit 2017 hard.

Come and see it anyway – http://ninalewis.webs.com/ – save it to your favourites, it may be the only way to find it again!

This is the week term started and for this half term I faced a new challenge, I have taken on a 3 day week. Okay, that doesn’t sound a lot but they are full paced and challenging days in a block and I am still on medication. What it will mean is I needn’t worry about not having enough work and it will give me a chance to build up skills with individuals, which is half the battle at the chalk-face or whatever it is called now we are all fully interactive.

It was also super busy with Poetry Events, such as Roy McFarlane’s book launch for his collection ‘Beginning with your Last Breath’- Nine Arches. roy-beg-last-breath

A superb event that took place in Wolverhampton at the Arena Theatre. This was a night I did manage to blog about in real time and you can read the post here.

https://awritersfountain.wordpress.com/2016/09/19/beginning-with-your-last-breath-by-roy-mcfarlane/

Hit The Ode was the next evening and I was just too exhausted by then to get myself back to the city, fortunately in a move of pure genius Carl Sealeaf was providing LIVE streaming, which was no way as good as being there – but was much better than missing it all. It also meant I had time for 2 hours worth of research and some book promotion work.

I also started to write properly again, something I haven’t really been able to do whilst the pamphlet was still in editorial.

I booked guest poets for my book launch; Roy McFarlane, Antony Owen and Claire Walker. Delighted they all agreed to read.

This week didn’t stop. On Friday I went to Kenilworth to see a Poetry Reading at the Talisman Theatre, curated by David Morley. Just in the foyer alone I was excited to see so many people, many I had seen just a couple of days earlier at Roy’s book launch. By far the most exciting sightings were John & Liz Mills, I had no idea they were coming, we have already decided to make a reunion of it next year, treating ourselves to pre-show dinner, after show drinks and a hotel. They had booked a hotel, I live a little nearer so opted for a night drive.

I also saw Julie Boden and that was a treat. So glad that she made it to the show.

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The show itself was mighty fine. I loved meeting and hearing new to me poets – Luke Kennard, who I have missed every time the opportunity has arisen, Sarah Howe who writes beautiful, honest poetry and Claire Trévien, who loves language and was a joy to watch/listen to. I enjoyed the sets from the poets I do know David Morley, Jo Bell, Jonathan Edwards too. They promised a special evening – and it was!

I really wish I had blogged about it at the time, because so much has happened since, it was a wonderful evening and I remember it fondly.

http://www.kenilworthartsfestival.co.uk/events/poetry

I missed Jo Bell’s workshop on Saturday as I was going to Worcester Music Festival to see The Anti-Poet, after missing them at WLF (Worcester LitFest) in the summer. I loved it! It was a total nightmare to park, but well worth the agro. anti-poet-2

After this I finally COLLECTED my PAMPHLETS!

It was also London Book Fair and although I couldn’t make it this year and missed the opportunity to perform Ambiguous Answers for Paper Swan Press,

 

my book did make it and I got to follow it all on Twitter.

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And FINALLY on Sunday I headed out to the MAC where I watched the new version of Ten Letters. The original last year was crowdfunded, a project that was the brainchild of Lorna Meehan and Spoz. This year they have a few new performers, lots of new writing and media and have been funded by the Lottery and Arts Council.

I was also asked to appear on a panel of writers on Radio – which I was jumping about over, until I realised it was a work day and I wouldn’t be able to get to the studio. However, I have been booked to do this in January. Which hopefully will be an easier month on the calendar and I will be all fresh and ready.

Week 4

This is the week of the Poetry Festival in Stratford-Upon-Avon and I was gutted to miss every event I had hoped to get to. After typing week 3 for the past hour, I can see why I didn’t have the energy to work, play and drive all over the place. The final performance from all the resident poets, ‘Unexpected Encounters’ was something I really wanted to see, but had booked (way back in August) my final birthday meal with friends, where we got to cook our food on hot volcanic rocks and this was something that couldn’t be undone. It was a great night!

It was also Leicester Shindig and I hadn’t realised Claire Walker was featuring there, missed it completely. Leicester was the city I came out as a poet in and performed spoken word for the first time.

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I had several invites to events I missed this week – it was hard enough to stay awake and work without going out in the evenings. I was getting in and falling asleep. I did admin tasks, promotion online and booked tickets for Swindon Poetry Festival. I also managed to get to the local Stanza meeting as well as taking a Headline booking for Stirchley Speaks next month, the night after my Book Launch. I also took my first booking for 2017 and booked up October.

On Sunday I read at Open Poetry in the Arboretum, Walsall and promoted my forthcoming pamphlet. It was a lovely afternoon.

 

The last 5 days – no wonder this month seemed so long!

I continued Market Research, promoting and organising the Book Launch (1 week to go).

I missed some submission deadlines.

Took pre-orders for the pamphlet.

Missed Poetry Bites and the Open Mic at Waterstones, 42 and a Scratch Night. I was attempting to take my editor’s advice and take it easy the week before the launch. Which I managed ALL WEEK and then at the weekend (with 48hrs to launch) I broke my promise to myself.

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MORE ON THAT IN THE OCTOBER REVIEW.

 

 

 

INKSPILL Gratitude – With Thanks

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That was INKSPILL 2016, I can hardly believe it is over already. Missed it? Our posts remain active so come and treat yourself whenever you have the time to write or watch.

HUGE thanks to Roy McFarlane

our Guest Writer who went beyond the line for effort and input. We are grateful for the fabulous workshops you prepared for INKSPILL this year, we are sure people will be writing from them for some time to come.

It has been a pleasure.

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© 2011 Smokestack Books

 

To Gaia Harper, our Guest Writer who was interviewed exclusively for INKSPILL. We are hugely grateful for your time. We hope you keep on writing.

Thank-you Gaia.

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Thanks to Deeanne Gist

For your advice and allowing us to share your wonderful video blogs (vlogs) on the craft of writing, we look forward to hearing more from you in the future and appreciate the time you gave us.

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© Artfix Daily

 

And finally to Robert Harper, who unfortunately, due to unforeseen circumstances, was not able to take part this year. Keeping our fingers crossed he will agree to be one of our 2017 Guest Writers.

Thank-you Rob for all the good intentions.

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We are very grateful to all our Guest Writers who gave their time freely to produce part of the programme this year and make INKSPILL as great as it is.

We would also like to thank you, yes YOU for taking part, remember the links and pages remain active so come back and dip into INKSPILL whenever you have time. Treat yourself before Christmas.


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We encourage a showing of gratitude by offering you news and publications from our Guest Writers, available NOW right here.

 

Have a browse. We promise not to ask if you need any help!

 

 

lamp-641559_1280 Gaia-Rose Harper can be found here:

https://www.facebook.com/gaiaroseharper/

LIKE her page and keep an eye out for more exciting events featuring this talented young writer.

 

letters-1161947_1280 Robert Harper can be found here:

http://www.robert-harper.co.uk/

We urge you to buy Bare Fiction, a magazine packed with poetry, fiction AND theatre. The literary equivalent of a great gig/spa retreat/best day of your life.

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http://www.barefictionmagazine.co.uk/issues/

 

PFLB Roy McFarlane can be found here:

http://roymcfarlane.com/

Buy his book here Nine Arches Press roy-bwylb

 

Deeanne Gist can be found here http://www.iwantherbook.com/ deanne-gist

She is a keynote speaker and workshop facilitator at this year’s La Jolla Writer’s conference in California.

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La Jolla Writers Conference in San Diego, CA.

 

 

INKSPILL Guest Writer Deeanne Gist Two Minute Tips

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Deeanne Gist

When we contacted Deeanne she gave us the following advice;

As for words of advice, I think the best advice I can give is:
1) Learn your craft. (And you’re off to a good start if you’re attending this retreat!)
2) Finish the book. (Truly. You wouldn’t believe how many people never finish their book. You can always go back and edit, but that book needs to be finished before you can proceed to the next step … publishing!)
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© Artfix Daily

We are sharing some of Deeanne’s tips with you this evening from this wonderful sequence of videos she has produced on the craft of writing.

 

 

The introduction to Deeanne’s video blog. Write the book you are excited about.

 

What to Leave Out

Deeanne talks about judging contests, editing, writing and advises us on what to leave out and why in this Two Minute Tip video.

 

 

 

 

In our second video Deeanne explores how to write conflict and drive your book forward. This video includes great advice from this International Best Selling Author.

How to Write Conflict

 

Our final tip for aspiring writers is about character. This is a really interesting way of working and beats my index card system. Advice on how to give your protagonists depth.

 

How to Give Your Character Depth

 

We hope to bring you more from Deeanne Gist next year.

 

INKSPILL Guest Writer – Introducing Robert Harper

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DUE TO UNFORESEEN CIRCUMSTANCES we regret to inform you that there will be no INKSPILL exclusive from Rob Harper today. We have decided to include the introductory post anyway so you can spend some time reading his poetry and checking out his websites and of course, Bare Fiction magazine.


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Robert Harper is an actor, poet, producer and director of theatre and television. Since the early 90’s, Robert has performed in hundreds of varied productions on radio, screen and stage throughout the UK, most notably as a member of the BBC Radio Drama company.

He is Founding Editor of Bare Fiction Magazine, which started the same year I did (2013) and Artistic Director of Bare Fiction Theatre Company which is dedicated to the production and presentation of new work.

Robert holds a BA in Theatre Studies from RWCMD, has just completed his MA in Creative Writing and runs Shrewsbury Poetry Stanza.

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Robert Harper – Poet

As part of his MA he recently collaborated with composer Zakiya Leeming on a new piece for four voices based on his poem Hush, along with a solo piece developed especially for the Rosamond Prize.

He regularly reads at Poetry Events and read alongside David Morley and Gregory Leadbetter at the Wenlock Poetry Festival 2014, where his poetry also appeared on the Wenlock Festival Poetry Trail.

His work has featured in The Interpreter’s House, Prole, Acumen, Royal Philharmonic Society and for National Children’s Heart Week 2014. He was Highly Commended in the Poetry Book Society Student Poetry Competition 2014 and performed at ‘An Evening with Carol Ann Duffy and Friends’.

Robert’s poetry can be found here http://www.robert-harper.co.uk/poet/

 

INKSPILL: Guest Writer Workshop Roy McFarlane ‘Writing their presence…’

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Are you ready for more from Roy McFarlane? Today we will be sharing the remaining Workshops he has generously prepared for us. In this workshop Roy uses ‘Hands’ a poem by Elaine Feinstein from ‘Talking to the Dead’.

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© 2011 Smokestack Books

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Writing their presence rather than the grief of loss

Talking to the Dead opens with a death in winter, and closes with a grandchild ‘as tender as blossom’. In poems which are moving but never dispiriting, Elaine Feinstein evokes her husband as he was – now affectionate, now querulous. It is his presence, rather than the grief of loss, which is the centre of the book. The next bit I love the truth of poetry, their willingness to be naked; theirs was not an easy relationship. Feinstein registers the difference between them, the ambivalence of a long marriage, and the intimacy of their last month together, this is what you’re going to do but we’ll read a few extracts before we start writing.

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Hands

We first recognized each other as if we were siblings,

And when we held hands your touch

Made me stupidly happy.

Hold my hand, you said in hospital.

You had big hands, strong hands, gentle

As those of a Mediterranean father

Caressing the head of a child.

Hold my hand, you said. I feel

I won’t die while you are here.

You took my hand on our first aeroplane

And in opera houses, or watching

A video you wanted me to share.

Hold my hand, you said. I’ll fall asleep

And won’t even know you’re not there.

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© Alma Books

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Exercise

This is where you go crazy, write down, quirks, infuriating actions, sayings, proverbs, habits, things that you pissed you off (be careful), things you loved, something they said that takes you back to a moment, or something said that has echoed over time or generations. Go for it, spend (15mins) just writing as many things as you can.

Ok, step back and see if you can find a refrain, an outstanding statement or action to repeat and build a poem. Here’s something extra see if you can find two strong lines and try to create a villanelle, I suggest the two lines that you’re using should be different, maybe opposites, or complimentary to each other, like;

Do not go gentle into that good night

Rage, rage against the dying of the light.

The greatest villanelle of all is by Dylan Thomas.


 

 

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For those who need it find out how to write a villanelle here.

http://www.wikihow.com/Write-a-Villanelle

 

 

RELATED LINKS:

http://www.elainefeinstein.com/

Talking to the Dead is available to buy here

Read the full poem – a preview page showing ‘Hands’ can be read here Roy used the full poem in this post, other poems are available to read in this book preview, should you wish for more from Elaine Feinstein.

 

INKSPILL: Poetry Film Night (3)

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POETRY FILM NIGHT presents Kei Miller

This is poetry and poet on film really. Another favourite poet of mine, Kei Miller, who I was fortunate to watch and meet at Swindon Poetry Festival 2015.

Let us start with the interview.

 

And now for a poem.

 

INKSPILL: Guest Writer Roy McFarlane Workshop ‘Letters, Phone calls and Texting’

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Following on from the earlier workshop ‘Objects to hang our words on’, Roy takes us deeper into exercises and writing in the next session ‘Letters, Phone Calls and Texting’.

This workshop focuses on poetry from Pascale Petit and Roy McFarlane. You are invited to extend on your earlier writing. So take a deep breath and dive in.


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Letters, phone calls and texting

Arrival of the Electric Eel from Fauverie by Pascale Petit

Each time I open it I feel like a Matses girl

handed a parcel at the end of her seclusion,

my face pierced by jaguar whiskers

to make me brave.

I know what’s inside – that I must

unwrap the envelope of leaves

until all that’s left

squirming in my hands

is an electric eel.

The positive head, the negative tail,

the rows of batteries under the skin,

the smell, almost blind eyes,

The day turns murky again,

I’m wading through the bottom of my life

when my father’s letter arrives. And keeps on arriving.

The charged fibres of paper

against my shaking fingers,

the thin electroplates of ink.

The messenger drags me up to the surface

to gulp air then flicks its anal fin.

Never before has a letter been so heavy,

growing to two metres in my room,

the address, the phone number, then the numbness

I know you must be surprised, it says,

but I will die soon and want to make contact.

Pascale captures the dread of opening a correspondence, there’s that association with an indigenous girl from the Amazon, a brave Matses girl, the knowledge of knowing and then we have the electric eel. The letter is alive; charged fibres of paper, thin electroplates of ink. Now feel the weight of the letter watch it grow two metres and then the last two lines leave us in turmoil.

The next one is Leaves are falling from my collection Beginning with your last breath. Autumn plays a big part here, the way I guess things slow down when you hear bad news, like leaves falling but for me a storm is coming and you pray that the weather forecasters have got it wrong.

I didn’t notice the leaves falling

the day they told me it would be

weeks more than months.

The rest of their words

fell softly on deaf ground.

I remembered in the morning

they had forecast an oncoming storm,

the tail end of a hurricane

from the Caribbean seas.

What do they know?

They never get things right,

it will never ever reach here.


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Exercise

Take yourself back to the moment you received news about a terminal illness, the passing away of a loved one, somebody moving on or a message via letter, email, friends, or searching through your beloved belongings and you find a message addressed to you. Hold that moment, imagine the feeling, numb, shock, surprised, scared, angry, start writing those feelings, just the feelings, get a thesaurus and explore the feelings, look at its root meaning, the etymology of the word you’re playing with. (15 mins writing) Now think of an animal, weather, or nature inhabit their essence, their very being, imagine every nuance you can think of, don’t link the two together yet, just keep writing (15 mins) Now you should have two A4 writing of notes, (I’m joking, a few lines are just as good). Now put the two together, hopefully you’ve been bursting to correlate the two things to make your poem.

 

 

RELATED LINKS:

Beginning with your last Breath by Roy McFarlane – buy a copy here

http://ninearchespress.com/publications/poetry-collections/beginning%20with%20your%20last%20breath.html

Fauverie by Pascale Petit – buy a copy here

https://www.serenbooks.com/productdisplay/fauverie

http://www.pascalepetit.co.uk/