We made it to 2022, in this exhausting world where everyday we’re grateful to be alive! I hope your start to 2022 has been a quality one.
Since my health issues at the end of 2018, I haven’t really been an active creative. During my treatment I couldn’t write at all. After 6 months I stopped needing morphine, I gradually worked on editing the book which was delayed due to my medical needs. The editing process takes months and by the end of that I had little energy to invest. At this time I was still on over 20 pills a day.
I struggled with myself, feelings of failing and frustrations of inability all through 2019. It took a further year after I was free from the stick walking and consultants to tackle this. By this point we were tackling the pandemic.
Many creatives suffered. I read an article which explained the area of the brain we use to process/ manage the emotional fallout of a pandemic is where the creativity comes from, so it was no surprise we all suddenly felt empty. I had been staring at my wall/garden in isolation for a year already so I didn’t have to tackle that feeling of having nothing to write about, but survival mode doesn’t lend itself to play and I lost any potential of artistic bliss.
I desperately needed to escape into words and place focus away from what was happening globally and at home. Thanks to many generous poets I was able to stay creatively buoyant throughout Lockdown, despite a gauntlet of life’s challenges. And I was finally able to write about my annus horribilis.
By 2021 my m/s was ready but I’ve sat on it for so long that it has become changed. Which was its destiny, but I know it needs to become a priority if it is ever to be completed.
That’s what I am working on as well as taking on almost full time real life work by way of compensating the devastation to the bottom line over the past three years! I am grateful to have work in these times and to be able to do it.
I was diagnosed with a chronic disease at the end of 2019 and another chronic condition in the summer of 2020, obviously the NHS was already in crisis before the pandemic, so people with other issues (1/5th of the population, I believe) are waiting for appointments connected to other conditions. The backlog is not something which can be worked through.
I was lucky to see the consultant for all allocated appointments last year. But news like this also takes some adjusting. So in addition to working offline on the manuscript, I am also giving myself time to focus on health and future.
I am involved in projects which take place over the next two weekends and WLFF (Worcestershire LitFest & Fringe) are planning the 2022 Festival.
I am still here and I am delighted that you are too. I wish you every success and happiness in 2022. Fingers crossed!
During the 1st UK Lockdown, (which for me lasted 6 months before I was back to face to face work), I signed up to many workshops and writing classes. It was not just a way of navigating the pandemic, coping with mental health or a way to travel when grounded, it helped me find community.
The pandemic came after 15 months of ill health, in which I barely worked or lived and was, aside from hospital appointments and the occasional tea out with friends, pretty much locked down. I had been back at work for a few weeks and was trying to find my writing mojo again. I managed to edit my collection on morphine (not recommended) and through the kindness of friends was able to attend Stanza meetings and the join the Worcester Poetry Film Collective, I even made one event at the Worcestershire LitFest & Fringe in 2019. But I struggled to be at the desk and it was a long journey back to creating. The realisation of the global pandemic hit and … those of us lucky to have story, have story.
Poets in Motion was a great class with US/NZ/UK participants, a real international mix and a range of lives and stories. CelenaDiana Bumpus was a joy, there is no other word to describe her. Sadly, Celena passed away in 2020, before she had chance to make many of her plans realities. She is missed dearly and I am so grateful that we were able to write a class poem in her honour, which appears in the anthology too.
The day I received my book in the post I was so excited, I knew Inlandia Institute had planned a LIVE USA launch event and I never dreamed I would have the opportunity to read, then they announced an online launch event.
I am a panelist this evening AND so are some of my much loved and missed class members. It will be a great event, it is a splendid Anthology and I am blessed to have some words on the pages.
Join Inlandia Institute for a special online reading of selected works from 2020 Writing from Inlandia! This yearly anthology has been published since 2011 and is an Inlandia tradition, with contributors from sixteen of Inlandia’s creative writing workshops in the 2020 edition. Packed with over 300 pages of stories, poems, and essays, 2020 Writing from Inlandia explores the experience of being alive through memoir, food writing, reflections on the COVID pandemic, and more. Participants will read their work aloud in reflection of the myriad challenges – and rewards – of being human. Don’t miss it!
In memory of Candace Shields, Morris Mendoza, and CelenaDiana Bumpus.
The Writing from Inlandia series was created to celebrate the participants in our creative writing workshops program and to serve as a record of who we are at the present moment. May these writings pay tribute to a year unlike any other.
I love NPD, or as I like to call it – Christmas for poets!
HAPPY BELATED NATIONAL POETRY DAY!
Over my morning coffee, I took great pleasure reading social media feeds and seeing all the poems people were sharing. I was lucky enough to be busy on NPD (and working from home, which is rare these days). I had hoped to post here, especially as there have been several blank months – but like most things in 2021 it was delayed.
You will recall I dived into a year of online poetry/learning in 2020 during the 1st Lockdown, there were a multitude of reasons, including my mental health. I was back face to face work in November (after 3 months of zero income, our Furlough set for only 4 months and for me was 80% of nothing as I had been off sick for a year)! So work was a battle, navigating my way through the 10 day self isolation rules and the possibility of Covid. After 9 months I was exhausted and spent most of the summer offline and away from the desk. This term work has picked up (thank goodness) after several non-existent/fallow years!
I had decided to cut back the amount of online activity but it naturally happened when the laptop was out of reach. I also tried a LIVE event and discovered I have a huge amount of anxiety about any indoor gathering other than family and work (which makes no sense but is one of those things we have little control over). Work IS the biggest risk of all, but is one I have to take/make.
So I paced down the events… however, this was NPD… so I was back to full throttle.
My day started with a workshop. I have been fortunate enough to facilitate Poetry Workshops 2020/21 to a group of Higher Ed students. As it was NPD we invited other departments to join us on Thursday and had a very active, fun workshop. Choice was such a great theme to work with. This group is creative and they generate amazing work. Plans are in motion for publishing it soon.
I loved catching up online with everything poets were doing to mark NPD and catching up with friends and not having to wear work trousers!
Just like Christmas (NPD for me/poets) a special meal is created… for me it was my mentoring session – when I booked it I had no idea it was NPD. A very brilliant way to spend an hour!
Prose poetry is something I write infrequently (I think I have managed 3 or 4), there is only one I am proud of. I do love Jennifer Wong, both her poetry and workshops. It was a last minute spot and a gift from Pen to Print! I absolutely loved spending time with Jenny and an international group (as most are) of writers & poets and I ended up with some decent material to work with!
Worcestershire Poet Laureate, Ade Couper was on FB Live for NPD, I managed to catch the video after the Livestream. There are always multiple events happening and NPD that ramps up!
Malika’s Kitchen were celebrating NPD with a special online event featuring Malika’s Poetry Kitchen contributors to the recently published Too Young, Too Loud, Too Different anthology. The event was hosted by the Director of the MPK writers’ collective, Jill Abram, and featured poets Dean Atta, Be Manzini, Soul Patel and Joolz Sparkes. And Nine Arches /celebrated in partnership with Birmingham Literature Festival with a Planetary Poetics event featuring Gregory Leadbetter, Khairani Barokka, Caleb Parkin and Cynthia Miller. I managed to catch all streams at leisure a little later on. Nine Arches had an enlightening Q&A and I loved Dean Atta talking age… he’s still YOUNG! Both events were a joy and I glad I managed to get to them, all be it in a different time-zone!
Hoping I wouldn’t have work the next day (I DID)! I stayed up late to attend a workshop in US for Ohio Poetry Day with the Riffe Gallery. A Creative Writing Workshop with Kari Gunter-Seymour (SHIFT). Another fantastic workshop, but after the first hour (bedtime) the brain fog started to get to me. I wrote some of the prompts down to try another day.
I don’t know how Santa manages to get to all those houses, it’s impossible to get to every poet or do all your social media posting on the day! CHOICEs had to be made… but I had a FEAST of a day. Huge gratitude to everyone involved.
June – we finally got our summer after perhaps the wettest May on record since 1967! The sunshine has made up for it since. The plants are finally thriving (with a bit of watering help). Festival season continues although I have made a conscious decision to calm the diary down and get back to the desk work (actually writing)!
Despite having to quarantine for 10 days, I didn’t have time to complete this post. So I will share it in two halves, like every wonderful Euro match!
PART 1:
FESTIVALS
HAY festival – ran until 6th June
Roxbury Poetry Festival 5th June
Worcestershire LitFest & Fringe 6th -11th June
WEEK 1:
I spent most of the week enjoying events at the Hay Festival. I blogged the 2020 Digital Hay extensively here on AWF – but this year I got to fewer events than I hoped. By the end of the week I was busy spending days organising the WLFF Festival. I managed to make Ade Couper’s Amnesty International event on Friday night. A deeply touching experience. I was quite involved with Amnesty International as a young person, it shocks me that are still having to do the same work decades later and more. I used to write quite a few social activism/political poems, I need to dust this part of my brain off because our words and actions are still necessary!
The weekend was complete madness! I discovered Roxbury Poetry Festival at the end of May and booked tickets. Three weeks before in a workshop with Denise Duhamel and Maureen Seaton, I met an Anglo-American poet, Chloe Firetto-Toomey. We collaborated together in the workshop and Maureen presumed we knew each other and had worked together before… well we are now and Roxbury was a chance for us to experience a festival together in real time! It was a fantastic programme of events and beautiful knowing we were there together. There were several simultaneous events and we had no communication over any of them* and yet we turned up attuned in each session the same.
*We did discuss going to Rachel McKibbens Craft Talk – as Chloe had sent me one of Rachel’s poems days before.
Roxbury was an amazing hybrid festival. I watched a reading, participated in a wonderful workshop, attended a craft talk reading and the Keynote Speaker Reading:
POETRY IS NOT A LUXURY Reading & Discussion with Janice Lobo Sapiago & Angelo Geter.
Hosted by the Academy of American Poets, this reading and discussion brings together the Poet Laureate of Rock Hill, SC, Angelo Geter and the Poet Laureate of Santa Clara County, CA Janice Lobo Sapiago. Poets will perform a reading of their work and engage in conversations around poetry, civic service, and landscaping spaces for youth poets.
Connecting Body, Breath, and Image: Writing Workshop
In this workshop we will connect and constellate the poet’s body to the literary image and to the poetic line.Taking a tip from breathing exercises, we will work together to create unexpected and deep images that bear our understanding of what the body can do as an antenna for our experience of being human. Central to this will be thinking through the various migrations and motions our bodies make and have a memory of making. This will include engaging the concept of home in its complexities for the poet and the poem’s speaker.
This workshop with Rajiv Mohabir was intense and generative. Some incredible things came up for me, I was so glad to have the experience and with Chloe too. So much of what we’re tackling came up in theme or thought throughout the day, it was almost as if the organisers had seen right into our minds.
CRAFT TALK W/ RACHEL MCKIBBENS
This event is in partnership with GrubStreet
As poets, we use devices to resurrect or bury, but how often are we willing to lean into our own wickedness, to give it its rightful placement as the second face of our vulnerability instead of an agent of confession? This craft talk encourages participants to bring their lunch on screen while enjoying a craft talk from poet and performer, Rachel McKibbens.
There was so much deep honesty in Rachel’s talk, that sometime afterwards in an email exchange with Chloe, I wrote the darkest, most honest work I have ever shared. Darker than any of my 42Worcester poems or anything I wrote in gloom. I have Rachel McKibbens to thank for opening that door.
KEYNOTE ADDRESS W/ JERICHO BROWN
2020 Pulitzer Prize winner, Jericho Brown, will read from his book The Tradition and answer a few questions from the audience. This talk will be moderated by a local artist.
I always love it when I am in a room with people who have never seen Jericho read live before. Such intense atmosphere and performance. I am grateful for the fortune of watching this man in action throughout 2020 and 2021. I have never seen him perform without tears, his and mine.
A truly exceptional spirit!
I saw Holly McNish & Simon Armitage at HAY. And Worcestershire LitFest & Fringe kicked off Festival week with the Launch and crowning of the NEW Worcestershire Poet Laureate.
You can read about the whole festival (link in Week 2).
Week 2
For any Fast Show fans… this week I have mainly been organising and facilitating Worcestershire LitFest & Fringe Festival events. I am one of the Directors but also in charge of tech and port of call for a lot of the poets /judges involved in events. I was prepared for a HARD WORK week — what I didn’t bank on, was a week at the chalk-face too. Timing!
The whole WLFF Team worked exceptionally hard to make the mini-festival 2021 as successful as it was.
Congratulations to Ade Couper – Worcestershire Poet Laureate 2021-22.
I kept things small the weekend after LitFest but did manage to have breakfast in Australia back with Perth Poetry Club, followed by a Sheffield Libraries workshop with Claire Walker and a night in America at the WWBPA with the Poet in residence 2021 – Forrest Gander.
On Sunday I went to the fabulous Black Pear Press Launch for Brian Comber and Beth O’Brien.
Summer’s late to the UK this year and so is my May review. I didn’t manage to finish the content in time before getting swept up with festival programming. Rather than leave people out I decided to delay the post.
Better late, than never… May.
May and June are always Festival busy and life online is no different. I also had a few exciting projects I was working on, so it has been another packed month.
FESTIVALS OVERVIEW:
SAHLF 202126th April – 9th May
The Stay at Home! Literary Festival celebrated a 2nd year of stunning, FREE events and brought us a fortnight packed with Readings, Interviews, Workshops, Panel Discussions and Books! It was fantastic.
You can read my posts about the SAHLF events starting here.
Saboteur Awards Festival 10th-15th May
Saboteur Awards Festival (10th – 15th May) The team have been working hard on how to adapt the awards to a digital platform for the 2nd year and have introduced the Saboteur Awards Festival -a Panel Discussion, Workshop, Reading Series ‘specifically to promote work that had been impacted by the pandemic and/or the various lockdowns throughout the UK’. At the end of the festival this year’s winners will be announced and then you can lock forward to the Spotlight Winners Series running all the way into June.
https://www.stayathomefringe.co.uk (11th -26th May ) The Still-at-Home! Fringe Fest is the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. Now a year old, and on our third festival, we’re letting loose one last time because we’re still at home!
MASS Poetry Festival 13th-16th May
MASS Poetry Festival (13th – 16th May) This was an absolutely packed programme of events – ‘more than 50 events in total featuring well over 100+ poets‘ – no wonder it’s a biennial event! The festival is a mix of in place events and virtual. I attended a lot of MASS PF workshops and have always had an eye on this one so it is a delight to be in a position to join in.
This was an incredible festiand I am so glad I had a chance to catch it and be part of it online.
I was delighted to see the Urban Tree Festival back after its award winning 2020 Festival.
‘2021 marks the Urban Tree Festival’s fourth year As lockdown eases in the UK, we hope to bring some on-the-ground events and activities, however, the majority of the Urban Tree Festival is online. Building on the success of our entirely on-line festival last year, that introduced us to new audiences across the UK and far beyond…’
Norfolk & Norwich Festival 17-30th May
Norfolk & Norwich Festival is a Festival of the Arts being celebrated this year both in place and online.
HAY Festival 2021 26th May – 6th June
www.hayfestival.com Back for a 2nd year on Digital platforms (and still FREE) is Hay Festival – nearly every bit as good as the real life one! Extensive programme of events and a long run. If you missed it completely, you can view it if you subscribe to Hay Player.
There were lots of great readings this week. Cheltenham Poetry Festival had more wonderful offerings, I went to the reading by Jonathan Davidson and Wendy Pratt. It was a joy. Pavillion Poets 2021 Reading (Liverpool University Press), featuring Alice Miller, Alice Hiller & SarahWestcott. I enjoyed the fine new work from these poets.
I managed to catch a wonderful reading at White Whale Book Store, with Adrienne Su reading from her latest collection peach state. She was joined by Kazim Ali & Erika Meitner. It was another reading worth staying awake for. Beautiful event. The flipside of no work for a 5th week… meant I managed to get back to the Live Canon Lunchtime reading series and enjoyed sets from: Nora Nadjarian, Benjamin Cusden, Sara Levy and Jeffery Sugarman.
I experienced the final MASS PF PEM Museum Workshop with Kirun Kapur which was a delightful look at epistolary poetry. Well worth staying up late for. I am now busy crafting these poems.
After seeing Rachel Bower again at SAHLF this year, I was delighted to discover her‘Glimmers: Writing out of the Ordinary’ Workshop with Union Street (which had a similar theme to the workshop I planned for Cheltenham Poetry Festival Freeverse series this month). And I found it just in time to attend this wondrous hour!
I took part in the final (of a series) Mindful Poetry Workshops with The Well. This week was Sarah Yeung of SKY Sound Yoga who opened our time with a sound meditation. And, Eddie Gonzalez, Director of Engagement at The On Being Project who led the poetry workshop. It was a fantastic experience to be a part of. I am now baking these poems too.
I finally submitted toIS&T earlier this year, a magazine I have read for years. I was delighted to have a poem accepted by them ‘Where We Begin’, was featured on the 2nd May.
WEEK 2:
Was a whirlwind of real world work, readings, workshops and multiple festivals. I also managed to make a submission and craft some new poems.
Live from The Butchery hosted another fabulous afternoon of poetry with Tim Liardet, Jennifer Militello, Jenny Pagdin and a week later were announced as winners of the Best Regular Spoken Word Night Saboteur Award 2021 , acategory full of stiff competition, so kudos to the team.
Followed by an equally exceptional evening at Cafe Writers featuring Tiffany Atkinson and support from Tristan Coleshaw & Eve Esfandiari Denney.
I did my usual sessions Line Breaks and Bronx Beats with Peggy Roubles-Alvarado which is always fast, furious fun and Redwing’s groups. The WLF team started finalising mini-festival 2021 plans and I had some wonderful readings and workshops from the Saboteur Festival and MASS Poetry Festival.
I made it to most of the Poetry Business Spring Launch and caught up on rewatch. Evesham Festival of Words have also been producing events online. I managed to get to Home and Away featuring the Cheltenham Poetry Festival – Anna Saunders, Ben Ray and Zoe Brooks.
I also missed some events and readings as I was working.
WEEK 3:
The festival events continued and a workshop I had been looking forward to for a long time with Denise Duhamel and Maureen Seaton. Great things have come from this session ‘Collision, Collusion & Craft’.
I enjoyed a workshop with Sarah L. Dixon and a Fair Acre Book Launch for Carl Tomlinson and Annie Freud’s wonderful launch event ‘Hiddensee’ with Jacqueline Saphra.
Last Autumn I was booked by Cheltenham Poetry Festival for the Freeverse Programme to facilitate a poetry workshop day. The theme I chose was‘Finding Fortune’and it was a pleasure to provide a bespoke Freeverse Workshop for this project.
To wind down afterwards I joined the Urban Tree Festival for Sounds of Plants with Planet Utopia. I discovered a while back the magic of tree communication – it was wonderful to hear it and lovely to be part of such a laid back hour.
I also caught another reading with Adrienne Su, for Caltech, a wonderfully generous event.
The organisation of Worcestershire LitFest & Fringe Festival ran full steam. I was busy with the tech side of the our 2nd Digital Mini Festival. Preparing for pre-festival meetings and Poet Laureate interviews as well as organising events and herding poets (and everyone knows we are like cats or badly behaved sheep)!
I had to miss events due to work and carved out one evening away from the desk.
I missed at lot of the Still-at-Home! Fringe LitFest (Fringe for SAHLF) – or as marketed, the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. I did manage to get to enjoy Tawnya Renelle’s workshop and one at the Urban Tree Festival – Writing Wood Words with Electra Rhodes and the other with Chris Vox on ‘Serendipity’ as part of the SAHLFringe Festival. As well as a Magma Poetry Talk and I managed a couple of submissions.
WEEK 4:
I spent my weekend at a variety of festivals, went to a couple of workshops we had the 2021 Worcestershire Poet Laureate Interviews and I finally made it back to USA open mic with Great weather for Media. I missed some submissions, due to work commitments. I arranged an interview in June for BBC Hereford & Worcester radio. And the HAY Festival began with an amazing Gala event.
Sadly this year I didn’t make it to all the events I had hoped to catch at HAY. I haven’t been able to work properly for 2 years, so I am currently snapping jobs every time they come. I managed to catch some before they disappeared into Hay Player – which has a reasonable rate for an annual subscription. I was working and full of cold. I had lost my voice completely when 42Worcester came about and so for the 2nd time this year (after not missing any for the best part of 5 or 6 years) I missed it again, I managed to pop on for a few readings and then had to leave. I had managed to pen an on theme poem in my lunch hour and was fully prepared to join in.
I thought I had a quiet(ish) weekend to finish the month, especially after three weeks of work… but then, along came The Black Country Living Museum with a whole day of workshops facilitated by the Poets, Prattlers and Pandemonialists as part of the Loff Out Loud Festival, a Sheffield Libraries event and HAY.
May was finished off at the WWBPA where we celebrated Walt Whitman’s 202nd Birthday with a presentation of artwork and film inspired by Leaves of Grass. It was marvellous curation and an enjoyable watch.
Julian Bishop, Maggie Butt, Sarah Doyle and Cheryl Moskowitz are four well-published and prize-winning members of Poets for the Planet, who have come together to perform climate emergency poems and publish a pamphlet ‘Poems for the Planet’ (2020) with all profits to eco-charities.
Author Bio
Julian Bishop
Julian Bishop is a former television journalist living in North London. He was longlisted in this year’s National Poetry Competition and won the 2021 Poets and Players Competition. He’s also a former runner-up in the Ginkgo Prize for Eco Poetry.
Maggie Butt
Maggie Butt’s sixth poetry collection is everlove (The London Magazine Editions 2021) and a novel, The Prisoner’s Wife, under the name Maggie Brookes was published internationally in 2020.
Sarah Doyle
Sarah Doyle is a poet and PhD researcher. She is widely placed and published, with a pamphlet of collage poems inspired by Dorothy Wordsworth’s journals – Something so wild and new in this feeling – published by V. Press in March 2021.
Cheryl Moskowitz
Cheryl Moskowitz is a poet, novelist and creative translator. Together with composer Alastair Gavin she runs the poetry and electronics performance series, All Saints Sessions, http://www.allsaintssessions.uk. Her recent pamphlet, Maternal Impression, is published by Against the Grain Poetry Press.
This was a great reading from a book which got swallowed a bit by the pandemic, like my pamphlet ‘Patience’, this collective of poets also saw the readings they had lined up for the promotion of this publication cancelled. This is an important book – as all books are- but the message here is even more believed from the year we have all just experienced.
Sunday 9th
Write a Book in 10 Easy Steps!
Blank page and no idea how to begin? This practical hour-long workshop is guaranteed to kickstart your inspiration. We will explore the nuts and bolts of what a satisfying story needs. If you want to write commercial fiction that readers will adore this workshop is perfect for you!
Author Bio
Cesca Major is a novelist and screenwriter. She writes books based on mysterious events and The Thin Place is based around the sinister happenings at Overtoun Bridge in Scotland – a place where dogs have been known to leap to their deaths. Cesca has presented shows for ITV West and Sky Channels in the past. She enjoys hosting or speaking on festival panels and films vlogs about the writing process. She runs writing retreats twice a year in the West Country and teaches creative writing courses for the Henley School of Art. She writes uplifting books under other names and currently has a TV series in development. Cesca lives in Berkshire with her husband, son and twin girls.
This was an incredible workshop to finish my festival experience and a true lesson in how much can be packed into a one hour session. Busily scribbled notes throughout and it was a delight to hear a truthful, honest account of a career writer. Lots of insight into the process of simplifying the big obstacles that stop people from completing projects.
Huge gratitude to the SAHLF team for making Spring 2021 slightly less of a weight to bear. This has been pure escapism and I have enjoyed every session I managed to attend.
Pulling off online festivals is no mean feat and you have, once again, been incredible.
Snippet reviews from some of my festival experience. Enjoy your bite of SAHLF 2021.
All the featured books can be purchased in the S@HLF Bookshop here.
Thursday 6th
Layers in Flash Fiction
A writing workshop on imagery and structure, with Anita Goveas and Farhana Khalique.
Author Bio
Farhana Khalique
Farhana Khalique is a writer, voiceover artist and teacher from London. Her stories are forthcoming or have appeared in the National Flash Fiction Day Anthology 2021, Leicester Writes Short Story Prize Anthology 2020, Reflex Fiction and more. Farhana has been shortlisted for The Asian Writer Short Story Prize, and she has won a Word Factory Apprentice Award. She is also the editor of Desi Reads and a submissions editor at SmokeLong Quarterly.
This was an amazing workshop, I signed up with the thought of getting back into Flash Fiction writing and these two certainly spurred me on. This was an excellent workshop, they managed to squeeze so much into the hour. I didn’t really know what to expect. They made me think about writing in a fresh, new way.
Thank You for The Small Things: Poetry Workshop with Nadine Aisha Jassat
A workshop with award-winning writer Nadine Aisha Jassat on using poetry to help give thanks for the small things. This gentle workshop will feature prompts to reflect and write on, suitable for folks writing for the first time or those who write regularly, and will make use of some zoom features including the chat box.
This was another incredible workshop, one which warmed all our hearts and again, so much packed into the hour. I got some writing done and have useful ideas to run with in the future. This hour was a pleasure and a joy and I am SO GLAD I didn’t miss this!
Friday 7th
Friday was exceptionally busy so I didn’t make it to the festival until the evening.
Solace in Sound – Three Bloodaxe Poets Explore the Landscape of Grief
Join a trio of Bloodaxe poets whose recent poetry collections span Scotland, Ireland, England and Estonia. Each shares a powerful sense of their formative landscapes; whether farmland, forest, mountains, estuaries, rivers or beyond. In poems that consider the impact of loss – of friends and friendships, parents, or a communal event of the most traumatic kind – these collections foster sympathy and strength. The poets will read from their own work, and also from each other’s, creating a unique conversation about memory and resonance in the landscape.
Author Bio
Jane Clarke
Jane Clarke is the author of two poetry collections, The River and When the Tree Falls (Bloodaxe Books 2015 & 2019), and an illustrated chapbook, All the Way Home, (Smith|Doorstop 2019). Four of her poems feature in Staying Human (Bloodaxe Books 2020) and one of the poems from When the Tree Falls was selected for The Forward Book of Poetry 2021. She grew up on a farm in Co. Roscommon and her work explores enduring connections to people, place and nature. She lives in Glenmalure, Co. Wicklow where she combines writing with teaching & mentoring creative writing.
Philip Gross
Philip Gross, born in Cornwall, son of an Estonian wartime refugee, has lived in South Wales since 2004. He won the T.S. Eliot Prize in 2009, a Cholmondeley Award in 2017, and is a keen collaborator – with artist Valerie Coffin Price on A Fold In The River (Seren, 2015), with poet Lesley Saunders on A Part of the Main (Mulfran, 2018) and with scientists on Dark Sky Park (Otter-Barry, 2018). His latest collections are Between The Islands (Bloodaxe, 2020) and Troeon/Turnings (Seren, 2021) with Welsh language poet Cyril Jones. A new Bloodaxe collection, The Thirteenth Angel, is due in 2022.
Heidi Williamson
Heidi Williamson grew up in Norfolk and spent many years living in Central Scotland. Her first collection, Electric Shadow, was a Poetry Book Society Recommendation and shortlisted for the Seamus Heaney Centre Prize. The Print Museum won the 2016 East Anglian Book Award for Poetry. Return by Minor Road, published in 2020, revisits her time living in Dunblane at the time of the Primary School shooting and its aftermath. She is an Advisory Fellow for the Royal Literary Fund and also works for the Poetry Society, Poetry School, National Centre for Writing and The Writing Coach.
I did not want to miss this reading. I saw Heidi last year at the SAHLF and have been fortunate enough to attend several of Philip’s readings. This was an hour filled with incredible poetry. It’s always interesting to hear how themes from different bodies of work can chime together.
Three years after the emergence of the global #MeToo movement, we revisit the poems (and poets) behind the #MeToo Women’s Poetry Anthology. Poets Jill Abram, Deborah Alma, Kim Moore, Wendy Pratt, Victoria Bennett, and Jhilmil Breckenridge discuss breaking the silence, whether there is still hope for change, and what needs to happen next for survivors to be heard. Any donations contributed during this event will be given to Women’s Aid.
The proceeds from this event and all proceeds from the book go to Women’s Aid – a charity supporting women in crisis.
Author Bio
Jill Abram
Jill Abram is Director of Malika’s Poetry Kitchen, a collective encouraging craft, community and development. Publications include The Rialto, Magma, Under the Radar, Ink Sweat & Tears, And Other Poems, and Harana.
Deborah Alma
Deborah Alma is a UK poet and teacher. Deborah is editor of #MeToo: A Women’s Poetry Anthology. Her first full collection, Dirty Laundry, is published by Nine Arches Press and she now runs the Poetry Pharmacy in Shropshire.
Kim Moore
Kim Moore’s first collection The Art of Falling (Seren, 2015) won the 2016 Geoffrey Faber Memorial Prize. Her second collection All The Men I Never Married will be published by Seren in October 2021.
Wendy Pratt
Wendy Pratt’s latest collection When I Think of My Body as a Horse won the Poetry Business Book and Pamphlet award. She is a poet, author and workshop facilitator and the creator and editor of Spelt magazine.
Victoria Bennett
Her most recent poetry pamphlet, To Start The Year From Its Quiet Centre, was published by Indigo Dreams in 2020, and is an invitation to witness to the intimate moments of dying, telling the story of a relationship between women that is transformed through grief.
Jhilmil Breckenridge
Jhilmil Breckenridge is a poet, writer and activist. She is the founder of Bhor Foundation, an Indian charity, which is active in mental health advocacy. Her debut poetry collection is Reclamation Song.
#Me Too was first coined in 2006 by New Yorker Toronto Burke. In 2017 following major press coverage (Harvey Weinstein) the # was used over 12 million times in a couple of weeks. Deborah Alma, after following the news, put out a message on Facebook asking who HADN’T experienced… and only 3% hadn’t. And actually in further conversation, this 3% had as well. The book was published in 2018 (Fair Acre Press), in a time when the #me too movement was hitting everyone’s radar.
Sadly, it is still a necessary message to get out to the world. More so since Lockdown.
I went to a few #Me Too readings when the book was launched. My submission didn’t make it between the cover there were hundreds of submissions and the book couldn’t accommodate them all, so Victoria Bennett stepped in and published them on the Wild Women Press website (mine can be found here along with many others). It was also included in a body of work exhibited as part of the ASKING FOR IT exhibition in 2019.
It was hearing Kim Moore read from The Art of Falling, which enabled me to find the strength to write it into existence in the first place.
This, I knew would be a brilliant reading and it was with lots of Q&A too and because of the weight of the subject matter they finished the event off with a touch of self-care. A question to every member of the panel.
Explore the ways fiction writing can be used as a powerful distraction to help manage chronic pain in this one-hour workshop led by Gillian Shirreffs, a writer who lives with multiple sclerosis.
Snippet reviews from some of my festival experience. Enjoy your bite of SAHLF 2021.
All the featured books can be purchased in the S@HLF Bookshop here.
Monday 3rd
Monday was a Bank Holiday here which meant Mr G. had a rare day off work and we spent it not online much. I missed a good programme of events today but actually ended up going to the open mic as well, which I hadn’t anticipated.
The Pleasures of Detail
Join writer and University of Glasgow senior lecturer Elizabeth Reeder for a short workshop about gather original details – and how to them as a driving force in your writing.
This was a brilliant hour, lots of advice and thoughts on editing. People are still talking about this session *and we are on the last weekend of the festival now. I am not surprised, it was great. We did a short writing exercise from multiple angles, a useful take on the ordinary.
It was a fun hour and lovely to put names to faces from the INSTA sessions.
It was so successful and popular the SAHLF team have added a 2nd one, where people can share writing they have completed during the festival. Tuesday 4th
Kathryn Koromilas
Join Kathryn Koromilas for a daily morning meditative writing session. In this calm and mindful session, we’ll meditate – in writing – with a poem. The intention of meditative writing is to help you remove mental obstacles, encourage mindful concentration, enhance your creative practice, and just generally supercharge your day. Sessions will be streamed live on Instagram, every morning from 9:15am to 9:45 am for the duration of the festival.
I have been joining in with these sessions on IGTV but TODAY I made my first LIVE session. They are a great way to start the day. Most of the recordings can be found on the SAHLF Instagram, a few had technical difficulties and unfortunately are not available.
The basis is meditative writing from the starting point of copy work. I have enjoyed this practise and have also found some of my own writing completed in these sessions has some gold within it too.
On top of that, these sessions are relaxing and fun.
Claire Dyer on Instagram Live
Poet and novelist Claire Dyer reads from Yield, her new poetry collection. In Yield, the the eponymous verb is repeatedly redefined over a poetic odyssey that sees a son becomes a daughter as the mother becomes a poet, only to see the daughter follow suit.
I was lucky enough to be at the Launch of Yield, but these poems do not lose their power the more you read/hear them.
I was glad to listen in again to this short reading from Yield.
Anthony Anaxagorou: A Workshop on Strangeness and Associative Logic in Poems
Acclaimed poet Anthony Anaxagorou reads from his collection After the Formalities and leads a workshop on strangeness and associative logic in poetry.
Author Bio
Anthony Anaxagorou is a British-born Cypriot poet, fiction writer, essayist, publisher and poetry educator. His poetry has been published in POETRY, The Poetry Review, Poetry London, New Statesman, Granta, and elsewhere. His work has also appeared on BBC Newsnight, BBC Radio 4, ITV, Vice UK, Channel 4 and Sky Arts. His second collection After the Formalities published with Penned in the Margins is a Poetry Book Society Recommendation and was shortlisted for the 2019 T.S Eliot Prize. It was also a Telegraph and Guardian poetry book of the year.
In 2020 he published How To Write It with Merky Books; a practical guide fused with tips and memoir looking at the politics of writing as well as the craft of poetry and fiction along with the wider publishing industry. He was awarded the 2019 H-100 Award for writing and publishing, and the 2015 Groucho Maverick Award for his poetry and fiction. In 2019 he was made an honorary fellow of the University of Roehampton. Anthony is artistic director of Out-Spoken, a monthly poetry and music night held at London’s Southbank Centre, and publisher of Out-Spoken Press.
I was fortunate enough to attend a few of Anthony’s workshops in the first lockdown and even had a 1 to 1 with him in 2020, I was delighted to have another opportunity and was excited to discover it wasn’t a repeat class.
It was great, a reading and lots of thoughts on writing as well as a chance to do some writing of our own. If you get a chance to catch this, please do.
The Stay at Home! Literary Festival finishes today – a brilliant fortnight of bookish (and beyond) events & opportunities from Carolyn Jess-Cooke & the SAHLF team. But fear not… next week I will continue blogging about it and I believe the You Tube channel will be open for donations to watch replay/catch up of some of the Festival Events.
Welcome to the 2nd part of week 1 – these are just snippet reviews from some of my festival experience. Enjoy your bite of SAHLF 2021.
NaPoWriMo drew to a close and May began, so too the first festival weekend. With a list of many great events programmed for the SAHLF.
All the featured books can be purchased in the S@HLF Bookshop here.
Saturday 1st
What We Do to Get Through
Q and A and discussion with author and editor James Withey about his new book What I Do to Get Through: How to Run, Swim, Cycle, Sew or Sing Your Way Through Depression, with writers Orna Cunningham and Georgina Woolfrey.
I remember James Withey from last year’s SAHLF. As I have already mentioned in these review posts, dealing with Mental Health and Wellbeing are essential movements in my life. When I suffered clinical depression (8+ years ago), I (like James) could not read, I couldn’t do anything for a long while. Due to being heavily medicated I mainly slept and even as I progressed with treatment it was a long time before I could look at words. I wanted there to be books to help, had there been it may have been a swifter recovery (but possibly not) and in truth, I will always be on this road. I did eventually find black rainbow by Rachel Kelly and that saved me, I blogged about it a lot and the book itself was one of the few available at the time from the perspective of a person who had suffered. I met Rachel a year later – there are some old posts about it all here:
Anyway, this long preamble is to say that these books, this issue are so IMPORTANT. I was amazed and heartened by the attitude towards the audience as this being our space, our time and how willingly people joined in the conversation. Brilliant to see as everything took a lot of guts and courage.
The impact of this session on me cannot really be placed within the framework of words or emotion. Those of you from here will know why.
What I Do to Get Through: How to Run, Swim, Cycle, Sew, or Sing Your Way Through Depression
James Withey is author of the bestselling book How to Tell Depression to Piss Off: 40 Ways to Get Your Life Back, published by Little, Brown in 2020. The follow up book How to Tell Anxiety to Sod Off, will be published in Jan 2022. He is the founder of The Recovery Letters project which publishes online letters from people recovering from depression, addressed to people experiencing it. He is the co-editor of The Recovery Letters book which was a World Book Night title and selected as a Reading Well title. Cosmopolitan magazine named it as ‘One of the 12 mental health books everyone should read’.
What I Do to Get Through: How to Run, Swim, Cycle, Sew, or Sing Your Way Through Depression, was published by Jessica Kingsley in Feb 2021. James lives in Hove with his husband and emotionally damaged cat.
Orna Cunningham
Orna Cunningham is an editor, illustrator and designer. Hailing from Dublin, Ireland, she has been based in her adopted home of Toronto, Canada, since 2015. She has worked for titles like the Irish Independent, The Daily Mail, The Irish Sun, and Russia Today. She is passionate about destigmatising topics surrounding mental health, and apart from her work as a journalist, writes short stories, personal essays, and poetry, and presents the occasional podcast.
It was interesting to hear the genesis of this book and to listen to how various hobbies and the act of doing something helps manage this deep illness. Also loved the fact that James told us all about an Avocado he planted/nurtured and the next day it appeared on his Twitter feed.
Georgina told us the writing which was viewed over 90,000 times was written to try and explain to her friends and family how and where she was.
Home in Our Bodies
Was an incredible powerful event, a reading and a workshop activity. It was joy to discover the brave, honest voice of Aoife Lyall and the equal depth of Victoria Kennefick’s poetry.
Her first collection Mother, Nature (Bloodaxe Books, 2021) has been described as ‘crucial’, ‘daring’, ‘heart-rending’ and ‘staggeringly tender’.
Aoife Lyall
Aoife Lyall (née Griffin) was born in Dublin in 1987 and now lives in the Scottish Highlands. Awarded an Emerging Scottish Writer residency by Cove Park in 2020 and twice shortlisted for the Hennessy New Irish Writing Awards, her poems have also been shortlisted in the Wells Festival of Literature Open Poetry Competition and the Jane Martin Poetry Prize. She was longlisted for the inaugural Rebecca Swift Foundation Women Poets’ Prize in 2018. Her first collection, Mother, Nature, is published by Bloodaxe Books in 2021. She has worked as a guest curator for the Scottish Poetry Library and as a guest editor for Butcher’s Dog. Her reviews have appeared in Browse, The Interpreters’ House, Poetry London and PN Review.
The writing points produced some page surprises for me, not least as I chose a different focal point for the first one and then discovered this had been chosen for the 2nd exercise, so I reverted back to the initial prompt for my second one.
This evet was a dream, if you have a chance to catch these two talented poets, please do.
Witches of Scotland Podcast – Claire Mitchell QC and Zoe Venditozzi
Claire Mitchell QC and Zoe Venditozzi talk about their Witches of Scotland podcast and their work to secure a national monument and apology for those accused of witchcraft during the Scottish Witch trials.
Claire Mitchell
Claire Mitchell studied Law at the University of Glasgow and was called at the Scottish Bar in 2003, having been a solicitor in private practice since 1996. She specialises in criminal law and criminal extradition. She has built up a strong Appeal Court practice, with an emphasis on constitutional, human rights and sentencing questions. She has attended the Privy Council and Supreme Court on a number of occasions in relation to cases of general public importance to the law of Scotland. At the 2013 Law Awards of Scotland, she received a “Special Recognition Award” for her contribution to legal thinking over the previous decade.
Zoe Venditozzi
Zoe Venditozzi is a writer and teacher who lives in Scotland with her husband and various children. She works as a Support for Learning teacher and also teaches Creative Writing in various settings. Her first novel Anywhere’s Better Than Here won the Guardian newspaper’s Not the Booker popular prize and she has just finished writing a book about madness and psychic phenomena.
This was a fascinating talk. One thing which amazes me is how much local history/National History we never hear about. I knew about the Witch Trials but had not realised just how many lost their lives in Scotland. In other countries, these trials form a central part of the area, here it is hidden, swept shamefully away.
And in the next event, I laughed for practically the full hour. Helen Lederer, I love you!
This was just a stunning, hilarious and insightful three-way conversation/ interview and reading. I am SO glad I didn’t miss it!
How to be Funny When the World is Far From It
Join the founder of the Comedy Women in Print prize Helen Lederer and witty authors Lucy Vine and Abigail Mann to talk about funny fiction, what it’s been like writing comedy when the world doesn’t seem funny, and whether humour has the power to unite us.
Helen Lederer
Helen began her career in stand-up comedy at London’s famous Comedy Store, as part of the early 80s comedians including French & Saunders and Rik Mayall. She wrote her first play aged ten and was an avid diarist which served her well when asked to reveal them in BBC Radio 4’s My Teenage Diary. On television, Helen is possibly best known for her role as the dippy Catriona in all five series of ‘Absolutely Fabulous’. She has written and performed several one-woman shows- ‘Still Crazy’ a sell out at the Edinburgh Festival in the 90’s, ‘I Might As Well Say It’ was a sell out in 2018. Books include, Coping with Helen Lederer (Angus and Robertson), Single Minding (Hodder and Stoughton) and Finger Food (Accent Press). Her comedy novel, Losing It, published by Pan Macmillan was nominated for the Bollinger Everyman Wodehouse Prize. She founded the Comedy Women Print Prize to celebrate witty writing by women in 2019.
Lucy Vine
Lucy Vine is a writer, editor and the bestselling author of novels, Hot Mess, What Fresh Hell, Are We Nearly There Yet? and Bad Choices, out 10 June 2021. Her books have been translated into ten languages around the world, with Hot Mess optioned for a TV series in America. She’s been twice longlisted for the Comedy Women In Print Award and also hosted the podcast and live event series, the Hot Mess Clubhouse, celebrating funny women. Her journalism has appeared in the likes of GRAZIA, Stylist, heat, Fabulous, New, Now, marie claire, Glamour Online, COSMOPOLITAN, The Guardian, The Telegraph, The Sun and The Mirror.
Abigail Mann
Abigail is a comedy writer living in London and surviving on a diet of three-shot coffee, bourbons, and vegetarian sausage rolls. She was born and brought up in Norfolk, which she says is to blame for the sardonic humour that runs through her novels. Abigail was the runner up in 2019’s Comedy Women in Print award for The Lonely Fajita and has recently published her second book The Sister Surprise. Abigail takes inspiration from unconventional cross-sections of modern society and the impact this has on identity and the relationships we create. When she’s not writing, she teaches creative workshops.
Readings from Katie Griffiths, Arji Manuelpillai, Courtney Conrad and Janett Plummer, introduced by the Director of Malika’s Poetry Kitchen, Jill Abram. Malika’s Poetry Kitchen (aka MPK, aka Kitchen) is a writers’ collective founded in Brixton by Malika Booker and Roger Robinson in 2001. It nurtures the writing, performance and careers of poets by emphasising craft, community and development.
Malika’s Poetry Kitchen (aka MPK, aka Kitchen) is a writers’ collective founded in Brixton by Malika Booker and Roger Robinson in 2001. It nurtures the writing, performance and careers of poets by emphasising craft, community and development. Jill Abram has been the Director since 2010. Under her stewardship the group meets for workshops on Friday evenings (the saying goes that, as MPK members give their Friday nights over to poetry, we must be very dedicated). Some sessions are led by members of the collective, others by guest poets from the UK and beyond, such as Kei Miller, Mona Arshi and Olive Senior. MPK Alumni include Inua Ellams, Warsan Shire, Kayo Chingonyi, Karen McCarthy Woolf, Nick Makoha and Aoife Mannix. This lively, London-based community of dedicated poets has inspired similar Kitchen models to be set up worldwide, from Chicago to Delhi, creating an international MPK family.
I’ve known about Malika’s Kitchen for years (since 2015), I have seen a few live events with members of the Kitchen and watched countless interviews (well, I could count them, less than 10) with Roger Robinson, Malika Booker or Jill Abram. I was not going to miss this event and I am glad I didn’t.
It was lovely to be reminded of the whole story, to be introduced to the newest member, Courtney Conrad and one of the original poets, Janett Plummer and to see and hear poets I know and or/have met and those I don’t know. A great mix of work in this reading. And I have to mention – Janett’s amazing balloon arch!
I recently attended Kate Griffiths Book Launch (and have seen her read over the years) and Live from the Butchery (Helen Ivory, Martin Figura & Kate Birch – IS&T) had a Malika’s Kitchen reading in March with Malika Booker, Jill Abram and Fahad Al-Amoudi – I have watched Jill and Malika reading many times over the years at various festivals and had caught some of Fahad Al-Amoudi’s work. In Lockdown1 – 2020, I was fortunate enough to be led back to Wayne Holloway-Smith and through him discovered Arji Manuelpillai just in time to make his book launch for Mutton Rolls.
So I was excited by the line up and knew this was going to be a golden event! And I was not disappointed!
As well as enjoying and listening to a variety of readings, Jill Abram introduced this new book, (which I was aware of). It is packed with poems from Malika’s Kitchen members, the title is how poets in this group were viewed 20 years ago. You can pre-order this book. Inside there are more than 60 new poems from members.
The poetry collective and I discovered this through a session Malika led and also a Poetry Society event, is international. Similar groups in this model have been set up and there is a section of the book where Malika Booker talks to this.
Published 5th August 2021
Again – if you missed this event, go and find it on the channel after the festival, treat yourself!
awritersfountain 