I have been overjoyed to play a part in The Well/ Mindful Poetry events over the past few years, (since Lockdown 2020/21). For the 2nd year running I am delighted to have poetry included in the anthology.
The Book Launch happens today at The Mercantile Library, which is incredibly beautiful and in Cincinnati… however, if you are not you can still watch the event on Crowdcast, to register: book tickets for the Live Launch or reserve your spot virtually check here.
I am really looking forward to spending some of my Birthday celebrating with these poets and can’t wait to hear everyone’s words.
Hope you can join us!
Book cover artwork courtesy of @alexandraramirezarts Mindful Poetry Moments was incubated with @onbeing and virtual gatherings are supported by @cincyhive @wordplaycincy and @themercantilelib #TheWellWorld #TheWell #MindfulPoetryMoments #MindfulPoetry #Poetry #PoetryCollection #OnBeing #PoetryUnbound #Poems #Poets #Poet
As anyone who follows the blog will know, April is mainly a space for NaPoWriMo, half of which falls during Easter break, the other 15 days are snatched between work and life. This April we also had lots of family needs and it was necessary to step back from work as much as possible to support and survive.
I realise it is now almost the end of June and I have not posted, so here is a little flashback beyond NaPoWriMo.
I had two wonderful events in April, Peter Sutton’s Book Launch, where I was a Guest Reader and Country Voices in Ironbridge, where I performed alongside Nick Pearson & Cherry Doyle. It was a brilliant afternoon of poetry.
Both of these gigs saw my return to LIVE events (after an attempt last September). There is something very strange about the act of leaving your home to perform nowadays, it all feels so new and different. Both events were well attended, so it shows not everyone was as nervous as me.
I have read Cherry’s and Nick’s work but never met them, that was a pleasure. I saw Nick perform again this month at Welshpool Festival. I have also worked with and been aware of Sara-Jane Arbury for years but had never met face to face, that was lovely after knowing her online for a few years.
In Elmslie House the gallery also had a few pieces on display which were created by another of Sara- Jane’s Ledbury Poetry workshop participants. We had fun finding them. Peter’s book launch was an incredible event, a packed audience and so much rich poetry. Black Pear Press know how to throw a party/launch!
I also took part in the Mindful Poetry gathering run by The Well in partnership with the On Being Project. I have attended since 2020 lockdown year, it is a wonderful group of creative Americans and is always a lovely hour of soulfulness attended by people from all around the world. I have really missed these events and was looking forward to them coming back for National Poetry Month.
The Well is nourished by the non-profit organization A Mindful Moment. Our mission is to improve the mental and emotional well-being, connectedness, and effectiveness of all citizens through arts integration, mindfulness, music, movement, and healing-centered practices.
I went to lots of events and watched some stunning sets. I was lucky enough to see Jason Allen-Paisant, who I came across just two years ago during Lockdown. His poetry is amazing and my bookshelves now house him.
May was full of medical appointments, work and family. We celebrated some of our American relatives arriving in our part of the UK after time in London and before a trip across to Dublin. I was also busy developing the program for Worcestershire LitFest & Fringe, along with the rest of the team. I missed several events due to complete exhaustion. Later in the month there were some family needs which very much took over everything.
I did manage some much needed time at the ocean (my first time away from home in 4 years), it was a long trip to Wales for a short amount of time there but worth every hour of the journey.
I received a beautiful copy of a pamphlet a group of Stanza members worked on in 2018 as part of a Forest of Dean project. It is beautiful and a privilege to read all our words from that day. Thank you to Andrew Hoaen for my copy of SILVA – it brings that incredible day with the trees back to me!
I went to the Nine Arches Press Book Launch of Julia Webb and Tom Sastry, a wonderful event and two stunning collections! They were joined by Daniel Sluman, who’s latest collection ‘Single Window’ is also on my shelf!
Another great Book Launch with Bloodaxe poets Jo Clement, Sarah Wimbush & Clare Shaw.
I admire the work of all these poets. It is also lovely knowing (most of) them!
I also had the gift of a Verve Poetry Launch which included Sarah James and her latest collection Blood Sugar, Sex, Magic. I have heard Kathy Pimlott read before, I have read some of Kayleigh Campbell’s work and it was fascinating hearing Georgina Wilding.
I finally finished work on a project I have been sitting on for the best part of two years. And by the end of the May WLFF Festival was ready and we were all busy with promotion.
I had some poems accepted for publication, which was fabulous as I have been unable to submit much since March and there have been lots of rejections stacking up the inbox! I have had all three of my poems accepted for a project which will entail an anthology both hardcopy and digital. I had some of my manuscript poems accepted by an anthology too and have managed to get some work into the Mindful Poetry Anthology (USA) for the second year running.
Now we are in June and I have been working full time and trying to balance the rest of life on plates with small circumferences. I have to get back to the desk at some point, but I am not quite there yet.
I am very much still working and writing but also whirling and spinning through each day!
Since 2016 I have been fortunate enough to have written endorsements for new collections. It is always an honour to be asked and to be trusted with the m/s, to read it before it’s published and to ultimately string words together which will encourage other’s to buy it from the blurb.
When Peter Sutton approached me in 2021 I was delighted to be one of the poets writing an endorsement for his latest collection. I have known Peter for many years and know what an expert he is on Elgar, I knew this collection would be a m/s I would enjoy. I wasn’t wrong! I read it many times.
Fast forward the publishing process and Peter is ready to launch. I am invited as one of his Guest Readers and all LIVE tickets have SOLD OUT! It will be my first live event since January and I am looking forward to seeing real people, (I still only leave home for work/medical/family visits).
Elmslie House, Malvern – 4pm Sunday 3rd April
You can join the fun online – instructions will appear here tomorrow.
The Facebook event page can be found here. Peter will be joined by guests Sara-Jane Arbury, Nina Lewis and Michael W. Thomas who will also be reading.
During the 1st UK Lockdown, (which for me lasted 6 months before I was back to face to face work), I signed up to many workshops and writing classes. It was not just a way of navigating the pandemic, coping with mental health or a way to travel when grounded, it helped me find community.
The pandemic came after 15 months of ill health, in which I barely worked or lived and was, aside from hospital appointments and the occasional tea out with friends, pretty much locked down. I had been back at work for a few weeks and was trying to find my writing mojo again. I managed to edit my collection on morphine (not recommended) and through the kindness of friends was able to attend Stanza meetings and the join the Worcester Poetry Film Collective, I even made one event at the Worcestershire LitFest & Fringe in 2019. But I struggled to be at the desk and it was a long journey back to creating. The realisation of the global pandemic hit and … those of us lucky to have story, have story.
Poets in Motion was a great class with US/NZ/UK participants, a real international mix and a range of lives and stories. CelenaDiana Bumpus was a joy, there is no other word to describe her. Sadly, Celena passed away in 2020, before she had chance to make many of her plans realities. She is missed dearly and I am so grateful that we were able to write a class poem in her honour, which appears in the anthology too.
The day I received my book in the post I was so excited, I knew Inlandia Institute had planned a LIVE USA launch event and I never dreamed I would have the opportunity to read, then they announced an online launch event.
I am a panelist this evening AND so are some of my much loved and missed class members. It will be a great event, it is a splendid Anthology and I am blessed to have some words on the pages.
Join Inlandia Institute for a special online reading of selected works from 2020 Writing from Inlandia! This yearly anthology has been published since 2011 and is an Inlandia tradition, with contributors from sixteen of Inlandia’s creative writing workshops in the 2020 edition. Packed with over 300 pages of stories, poems, and essays, 2020 Writing from Inlandia explores the experience of being alive through memoir, food writing, reflections on the COVID pandemic, and more. Participants will read their work aloud in reflection of the myriad challenges – and rewards – of being human. Don’t miss it!
In memory of Candace Shields, Morris Mendoza, and CelenaDiana Bumpus.
The Writing from Inlandia series was created to celebrate the participants in our creative writing workshops program and to serve as a record of who we are at the present moment. May these writings pay tribute to a year unlike any other.
Summer’s late to the UK this year and so is my May review. I didn’t manage to finish the content in time before getting swept up with festival programming. Rather than leave people out I decided to delay the post.
Better late, than never… May.
May and June are always Festival busy and life online is no different. I also had a few exciting projects I was working on, so it has been another packed month.
The Stay at Home! Literary Festival celebrated a 2nd year of stunning, FREE events and brought us a fortnight packed with Readings, Interviews, Workshops, Panel Discussions and Books! It was fantastic.
You can read my posts about the SAHLF events starting here.
Saboteur Awards Festival (10th – 15th May) The team have been working hard on how to adapt the awards to a digital platform for the 2nd year and have introduced the Saboteur Awards Festival -a Panel Discussion, Workshop, Reading Series ‘specifically to promote work that had been impacted by the pandemic and/or the various lockdowns throughout the UK’. At the end of the festival this year’s winners will be announced and then you can lock forward to the Spotlight Winners Series running all the way into June.
https://www.stayathomefringe.co.uk (11th -26th May ) The Still-at-Home! Fringe Fest is the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. Now a year old, and on our third festival, we’re letting loose one last time because we’re still at home!
MASS Poetry Festival (13th – 16th May) This was an absolutely packed programme of events – ‘more than 50 events in total featuring well over 100+ poets‘ – no wonder it’s a biennial event! The festival is a mix of in place events and virtual. I attended a lot of MASS PF workshops and have always had an eye on this one so it is a delight to be in a position to join in.
This was an incredible festiand I am so glad I had a chance to catch it and be part of it online.
I was delighted to see the Urban Tree Festival back after its award winning 2020 Festival.
‘2021 marks the Urban Tree Festival’s fourth year As lockdown eases in the UK, we hope to bring some on-the-ground events and activities, however, the majority of the Urban Tree Festival is online. Building on the success of our entirely on-line festival last year, that introduced us to new audiences across the UK and far beyond…’
There were lots of great readings this week. Cheltenham Poetry Festival had more wonderful offerings, I went to the reading by Jonathan Davidson and Wendy Pratt. It was a joy. Pavillion Poets 2021 Reading (Liverpool University Press), featuring Alice Miller, Alice Hiller & SarahWestcott. I enjoyed the fine new work from these poets.
I managed to catch a wonderful reading at White Whale Book Store, with Adrienne Su reading from her latest collection peach state. She was joined by Kazim Ali & Erika Meitner. It was another reading worth staying awake for. Beautiful event. The flipside of no work for a 5th week… meant I managed to get back to the Live Canon Lunchtime reading series and enjoyed sets from: Nora Nadjarian, Benjamin Cusden, Sara Levy and Jeffery Sugarman.
I experienced the final MASS PF PEM Museum Workshop with Kirun Kapur which was a delightful look at epistolary poetry. Well worth staying up late for. I am now busy crafting these poems.
After seeing Rachel Bower again at SAHLF this year, I was delighted to discover her‘Glimmers: Writing out of the Ordinary’ Workshop with Union Street (which had a similar theme to the workshop I planned for Cheltenham Poetry Festival Freeverse series this month). And I found it just in time to attend this wondrous hour!
I took part in the final (of a series) Mindful Poetry Workshops with The Well. This week was Sarah Yeung of SKY Sound Yoga who opened our time with a sound meditation. And, Eddie Gonzalez, Director of Engagement at The On Being Project who led the poetry workshop. It was a fantastic experience to be a part of. I am now baking these poems too.
I finally submitted toIS&T earlier this year, a magazine I have read for years. I was delighted to have a poem accepted by them ‘Where We Begin’, was featured on the 2nd May.
Was a whirlwind of real world work, readings, workshops and multiple festivals. I also managed to make a submission and craft some new poems.
Live from The Butchery hosted another fabulous afternoon of poetry with Tim Liardet, Jennifer Militello, Jenny Pagdin and a week later were announced as winners of the Best Regular Spoken Word Night Saboteur Award 2021 , acategory full of stiff competition, so kudos to the team.
Followed by an equally exceptional evening at Cafe Writers featuring Tiffany Atkinson and support from Tristan Coleshaw & Eve Esfandiari Denney.
I did my usual sessions Line Breaks and Bronx Beats with Peggy Roubles-Alvarado which is always fast, furious fun and Redwing’s groups. The WLF team started finalising mini-festival 2021 plans and I had some wonderful readings and workshops from the Saboteur Festival and MASS Poetry Festival.
I made it to most of the Poetry Business Spring Launch and caught up on rewatch. Evesham Festival of Words have also been producing events online. I managed to get to Home and Away featuring the Cheltenham Poetry Festival – Anna Saunders, Ben Ray and Zoe Brooks.
I also missed some events and readings as I was working.
The festival events continued and a workshop I had been looking forward to for a long time with Denise Duhamel and Maureen Seaton. Great things have come from this session ‘Collision, Collusion & Craft’.
I enjoyed a workshop with Sarah L. Dixon and a Fair Acre Book Launch for Carl Tomlinson and Annie Freud’s wonderful launch event ‘Hiddensee’ with Jacqueline Saphra.
Last Autumn I was booked by Cheltenham Poetry Festival for the Freeverse Programme to facilitate a poetry workshop day. The theme I chose was‘Finding Fortune’and it was a pleasure to provide a bespoke Freeverse Workshop for this project.
To wind down afterwards I joined the Urban Tree Festival for Sounds of Plants with Planet Utopia. I discovered a while back the magic of tree communication – it was wonderful to hear it and lovely to be part of such a laid back hour.
I also caught another reading with Adrienne Su, for Caltech, a wonderfully generous event.
The organisation of Worcestershire LitFest & Fringe Festival ran full steam. I was busy with the tech side of the our 2nd Digital Mini Festival. Preparing for pre-festival meetings and Poet Laureate interviews as well as organising events and herding poets (and everyone knows we are like cats or badly behaved sheep)!
I had to miss events due to work and carved out one evening away from the desk.
I missed at lot of the Still-at-Home! Fringe LitFest (Fringe for SAHLF) – or as marketed, the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. I did manage to get to enjoy Tawnya Renelle’s workshop and one at the Urban Tree Festival – Writing Wood Words with Electra Rhodes and the other with Chris Vox on ‘Serendipity’ as part of the SAHLFringe Festival. As well as a Magma Poetry Talk and I managed a couple of submissions.
I spent my weekend at a variety of festivals, went to a couple of workshops we had the 2021 Worcestershire Poet Laureate Interviews and I finally made it back to USA open mic with Great weather for Media. I missed some submissions, due to work commitments. I arranged an interview in June for BBC Hereford & Worcester radio. And the HAY Festival began with an amazing Gala event.
Sadly this year I didn’t make it to all the events I had hoped to catch at HAY. I haven’t been able to work properly for 2 years, so I am currently snapping jobs every time they come. I managed to catch some before they disappeared into Hay Player – which has a reasonable rate for an annual subscription. I was working and full of cold. I had lost my voice completely when 42Worcester came about and so for the 2nd time this year (after not missing any for the best part of 5 or 6 years) I missed it again, I managed to pop on for a few readings and then had to leave. I had managed to pen an on theme poem in my lunch hour and was fully prepared to join in.
I thought I had a quiet(ish) weekend to finish the month, especially after three weeks of work… but then, along came The Black Country Living Museum with a whole day of workshops facilitated by the Poets, Prattlers and Pandemonialists as part of the Loff Out Loud Festival, a Sheffield Libraries event and HAY.
May was finished off at the WWBPA where we celebrated Walt Whitman’s 202nd Birthday with a presentation of artwork and film inspired by Leaves of Grass. It was marvellous curation and an enjoyable watch.
Last year I tried not to write about Coronavirus, it crept into a lot of the work and in the end I fell into the school of thought that part of the job of a poet is to comment on our experiences and the times and 2020 was certainly packed with events that found way to many pens for those of us who could still write.
As far as submissions go, I haven’t actively been working on that as I have been busy with writer/editor/reader head on for a while and have seen many collections pass my way. I did have a couple of other poems published in another anthology too, Geography is Irrelevant but most of my C0’19 poems cling on in notebooks!
I am excited to be performing again at the Walt Whitman Birthplace this evening, (I featured there in Oct. 2020).
WWBA is delighted to host a live poetry reading to celebratethe release of “Corona: An Anthology of Poems” editedby Gayl Teller, the Nassau County Poet Laureate for 2009-11 and the 2016 Walt Whitman Birthplace Poet of the Year. This luminous collaboration of 98 poets, including many poets laureate from the US and abroad, evinces a kaleidoscope of perspectives and experiences during our historic and traumatic time of pandemic and racial strife. Celebrate Poetry Month with us on Zoom during a live reading with a diverse group of poets sharing their reflections on the quarantine, social distancing, masks, and other aspects of the global pandemic.
Yesterday afternoon I had the pleasure of being one of many (126 attendees), at this book launch. It was lovely to see people I know and spend a few hours listening to and celebrating poetry.
I have known about Chaucer’s pamphlet for a while and was able to celebrate the publishing contract with her (virtually, of course) in 2020, I saw her International Guest Reading and have heard many poems from this pamphlet. It is a difficult and necessary subject and I am delighted for her that ATG picked it for one of the 2021 Pamphlets.
This was such an amazing event, I am struggling to put my feelings into words. It will take a while for my mind (and heart) to settle. It was remarkable, a phenomenal reading of poems from four skilful poets. The subject matter of much of the work had my emotions staggering, I was prepared forIn an Ideal World I’d Not Be Murdered but I hadn’t readied myself for what I have just experienced. I don’t think I could have.
As far as Book Launches go, we all witnessed something so much more. I felt we had been churned by a rough sea voyage and sprinkled with the relief of a shower after a long, muddy trek. We were taken to some incredibly dark places and also bound to cherished, unconditional love.
I feel like I spent the afternoon in some sort of immersive performance piece. These books carry stories which are difficult to read. As humans it is always hard for us to be open to the truth of what we do to each other, our potential to harm and destroy. They are also mighty pamphlets brimming with monumental poems.
Abegail Morley introduced the event and Cheryl Moskowitz. Cheryl introduced us to her Guest Poet, Isabelle Baafi, who gave us an incredible reading from her pamphlet, Ripe which was a Poetry Book Society Pamphlet Choice: Spring 2021 Selections. I can see why it was selected.
“Ripe is a pamphlet which draws on the mundane to forge beauty, using sensual tones to deal with and address harsh subject matter. Baafi’s poems are great inventions in terms of their use of form. Throughout this book, her use of language is never laboured in its endeavour to draw the reader’s attention. […] Overall, Baafi’s poems often step outside the rational and waking consciousness in order to investigate other realms, be that paranoia, dream states etc. […] Through her lyric poems, prose poetry, erasures and much besides, Baafi offers us a complex world worth savouring, as she revels in language both sacred and profane. This is a pamphlet to enjoy and a poet to watch.” — Nick Makoha and Mary Jean Chan, PBS Pamphlet Selectors
Her work is wonderful, powerful and honest. Stunning poems. Something special. Isabelle’s work spoke to Cheryl’s work well. And was a perfect set.
Cheryl Moskowitzshared work from Maternal Impression. Cheryl’s work was both enthralling and epic. She talked generously about the inspiration behind the poems and some of the places, narratives and people featured throughout her work. Cheryl also shared an astonishing film poem produced by her filmmaker son for ‘A Son Awake’.
“Every time I have heard Cheryl Moskowitz read “The Donner Party”, strange things have happened – a bell has rung with no-one at the door, candles have guttered in a church setting, and shivers always run down my spine. Moskowitz’s poetry summons spirits and spills beyond the words on the page into a mystical space where we are all connected in body and mind. These are poems that once read or heard, leave their mark. Mesmeric, soul-feeding, uneasy, I come back to them again and again for reassurance, admonishment, and recognition of what it is to hang onto the maternal in our collective journey. Maternal Impression is a call to arms – maternal arms – and all that implies in the Anthropocene. It has a beating heart that needs to be heard, felt, and heeded.” – Lisa Kelly
“Reading Maternal Impression is to have the feeling of walking on nails with bare feet, with the assurance of trust. I go tenderly where these fine poems take me, knowing they will advance my pleasure, my empowerment.” – Daljit Nagra
Jessica Mookherjee introduced Chaucer Cameron, both poets spoke highly of their editing experience with ATG. Chaucer talked about an interview with Jeffrey Sugarman ‘Voicing our Silences‘ about the impact of prostitution and trauma on the body. Chaucer introducedLucy English as her Guest Reader.
This book has recently become a filmmaking project with 27 filmmakers involved. Lucy wanted to create it in three-dimensional form. You can discover more and watch here.
Lucy shared some of her Lockdown writing, after expressing how difficult creativity has been at this time. Her poetry was brilliant, cinematic, microscopic, the specific and this new work captured the feeling of being trapped well.
Chaucer Cameron read an epic set, strong, brave, vulnerable poems which hinge around characters in the industry, including Crystal. It is an incredible body of work and like nothing I’ve ever read. As Chaucer says ‘the characters have their own reasons for being in the industry and only they know where they stand at any given time‘.
In an Ideal World I’d Not be Murdered is part memoir/part fiction and is Chaucer’s debut pamphlet. The poems explore the impact of prostitution.
“These poems ring out like gunshots in the night; they will wake you from your sleep. Yet despite its distilled directness, this book is lifted by both mystery and surprise. Listen for the songs emerging from the dark centre of this transformative work of experience and survival.’ Jacqueline Saphra.
Chaucer also shared a film poem made by Helen Dewbery ‘Hooked (with internal song)‘. Another amazing work.
Both poets spoke of their connections to each other having never met they discovered amongst other things, giving birth to their children in the same hospital.
Every reading was outstanding! I love being introduced to new-to-me poets and Isabelle Baafi and Cheryl Moskowitz are now both on my reading list. It was a joy to watch two new poetry films. ATG asked for our questions and plan to produce blog content with the Q&A. It was such a rich and full afternoon of content I am glad they didn’t add a Q&A on. As audience we were stunned and needed time to sit in the sensations we felt. I look forward to reading the Q&A from the ATG poets soon. Instead we heard extra poems from Cheryl and Chaucer.
There really are no words to express this Book Launch, those lucky enough to have been there, know.
I was lucky enough to be at this Reading, hosted by Cheltenham Poetry Festival at the beginning of March (4th). It was incredibly moving and the whole time I was thinking what a powerhouse of a project it was, what an undertaking. Although, in the Q&A Carl Griffin (curator) brushed it off as not being overly complicated. Many of us feel we wouldn’t have known where to begin. He started with a kitchen table and some cut up pieces. Carl looked for pattern and he was certainly able to orchestrate that. It was interesting to hear about the process of the book coming together from the initial idea to the finished product. I am still amazed at the seaming of 100 voices into one book length poem.
Here is the information from Cheltenham Poetry Festival about the event and the Publisher (Against the Grain Poetry Press) promotion.
A reading from the epic, pandemic-inspired book – Arrival at Elsewhere( Against the Grain Press).
Arrival at Elsewhere is a ground-breaking, book-length poem, curated by Carl Griffin, in which poets from across the world speak in one voice in response to 2020’s life-changing pandemic.
Arrival at Elsewhere symbolises the fact that all people, no matter our differences, are equally vulnerable, and this rich and eclectic joint voice is a made up of a multitude of individual experiences.
This book-length poem contains lines from T.S. Eliot Prize winners (Philip Gross, Sean O’Brien, George Szirtes), National Poetry Competition winners (Linda France, Beatrice Garland), and a Pulitzer Prize winner (Yusef Komunyakaa), alongside several newcomers and overlooked veteran poets, and seeks to raise money for NHS.
The book is edited by Carl Griffin. Carl Griffin lives in Swansea, in South Wales. He has written extensively on Welsh poetry and poets, in the form of reviews and essays. Though born in Stockton-on-Tees, in 1984, he has spent most of his life living in each of the Welsh cities, and these are the places that inspire many of his poems. His poetry collection, Throat of Hawthorn, was a winner of the Geoff Stevens Memorial Poetry Prize and was published by Indigo Dreams Publishing.
Readers at the event include Abegail Morley, George Szirtes, John Glenday, Julian Stannard and Graham Clifford.
In this book-length poem, curated by Carl Griffin, poets from across the world speak in one voice in response to 2020’s life-changing pandemic. Not a definitive voice, nor an authoritative one. But a contrasting, contradicting, confused voice, set both in the UK and everywhere else, represented by one narrator who, just like the rest of us, is made up of a hundred different people. A narrator cohesive only in his/her/their contemplation of Elsewhere.
Elsewhere has arrived…
to everyone affected by the Covid-19 pandemic – in aid of NHS Charities Together
When the idea for this book was pitched to us it was still fairly early in the global Covid-19 pandemic. We were all still probably in a state of shock. All locked down, uncertain what was happening – we certainly felt we had landed in a new place. All three of us, like many poets, were unsure how to creatively assess this new situation. That’s why we wanted to support this book. A collaboration of sorts, a creation of a road through all the work of poets who contributed to its making and a maker who has sensitively crafted this winding path of a poem from all our tongues. We are happy to support this work and its intention to support the NHS.
Abegail Morley, Karen Dennison and Jessica Mookherjee Against the Grain Poetry Press
February arrived and I could barely believe January was over! Another month fully booked and brimming with adventure… and more snow! After suffering several lack work years, work came like buses and I said YES to it all. So right from the get go I was aware of pacing myself. I worked full time for a couple of weeks, balanced deadlines with new ventures, took on a new role and celebrated Mr G’s birthday, Valentine’s and other family celebrations and finished the month off with a Poetry Festival! Perfect! This is certainly one of the longest review posts for a while, you may want to munch through it in several sittings!
The first day of the month threw treasure at me, I started a new course with Tawnya Renelle – Experimenting with… it was inspiring as ever and started me in a new direction with some material I have been chewing over for a while. I even created a sketch! There is a shiny new website/platform and lots of resources to get my teeth into (especially now I have finished chewing)!
I also had some happy news hit the inbox, after a two year hiatus (health + pandemic) I am back with the DAN team supporting them with an online Poetry Extravaganza again. AND…. last year I completed the Poetry Renewed Project and my commission with Elephant’s Footprint to produce 10 animated Poetry Films. One of these, ‘Territory’ has been shown at the ReelpoetryFestival in Houstonthis month (24th Feb.) – the joy is abundant! https://awritersfountain.wordpress.com/2021/02/27/reelpoetry-festival-houston-tx/
I made some submissions with close deadlines and applied for more work. Which was time consuming and exciting. I had proof copies of Recoil 12 back from MullaMulla Press, I had a poem accepted by Literary AlchemyPress, an online magazine I discovered last year. They have taken a poem I wrote in an Angela France workshop and one I am particularly fond of. In addition to that, by publishing it they have become an International Press, which is brilliant for them!
Connect Dudley, (a project I was commissioned for back in May 2020 during the 1st Lockdown) is coming to the third leg. Rick Sanders facilitated community workshops where participants wrote letters over several weeks, in the 2nd leg Rick and I turned these letters into poems and shared them with the participants. We also completed an interview with the funders, CoLab and recorded audio of our work (which is connected to the High Street poems via QR codes).
Rick is now in possession of some very shiny and graphically exciting posters of the poems which will go up in empty shops in Dudley’s High Street over the next 5-10 weeks and I am booked for a reading later this month which will be a webinar and Q&A. It was a wonderful project that has helped many people and I am honoured to have been a part of it.
I caught an interview withCasey Bailey – Birmingham Poet Laureate, on Midlands News, which made me happy and I had my final workshop class with Zelda Chappel. It was on Life and Death – so not a light subject but it was a wonderful few hours, I have loved being part of this group and the work we have covered has uncovered some of those poems that have been living inside me. Now the hard work begins to get them fully formed.
I would recommend Zelda’s classes they are great fun and she has a wonderful way of facilitating 2 hours of intense writing and reading in such a relaxed and caring way you leave in a state of cleansed tiredness, definitely lighter and happier and with ink that is worth page space. It has been a January/February highlight. You can book the full course of just choose a week that you feel pulls you in. Most of our group did all 4 sessions. I first met Zelda through Jo Bell’s 52 project back in 2014, we read at the same event in London and have been following each other ever since. Do check out her poetry.The Girl in the Dog tooth Coat by Zelda Chappel.
I had the pleasure of attending a Book Launch, Nature at a Cost a first collection for Annie Ellis. I was tired but I wouldn’t have missed this Launch for the world. I am delighted for Annie. It was a lovely to watch her excitement as Guest Readers shared some of their own poetry and read poems picked from new collection. Annie’s Special Guests were Ben Ray, Anna Saunders, Zoe Brooks and Ankh Spice.
I recently discovered we landed in poetry around the same time, when I first met Annie (back in 2015), I thought she was an established writer. Annie’s collection has been described by Ankh Spice as ‘a clarion call to find the edges we have forgotten’, and by Ben Ray as ‘a haunting love letter to the natural world’.
The weekend saw more events and workshops withRedwing, Rakaya Fetuga & Sarah L. Dixon. Nine Arches Press celebrated the launch of Jacqueline Saphra‘s One Hundred Lockdown Sonnets. I watched the conception of this back in 2020 and have read a good number of Jacqueline’s sonnets, several poets joined her but most managed 80 something sonnets. This is not just another collection of Lockdown thoughts and poems, these are sonnets that in years to come will form a historical record and someone suggested may linger in our heads like lines of Shakespeare’s sonnets. It was also a treat to hear her Guest Poets: Anja Konig, Miriam Nash, Jacob Sam-La Rose and video readings from Ian McMillan & Naomi Shihab Nye.
If you missed it you can treat yourself now.
Sunday saw a warm gathering for Live from The Butchery and some stunning performances by: Annie Freud, Jane Burn & Anja Konig. I thoroughly enjoyed myself and it felt like the perfect end to the weekend, except there was more!
I have a few favourite landing places in America that I’ve discovered throughout the lockdowns and many offer free events. I am lucky enough to be working again but after the past 2 years the surplus spends are absorbed by previous bills so I am still not in a position to pay booking fees let alone ticket costs. Which is a great shame as there are lots of opportunities around at the moment – including a workshop with Carolyn Forché at the Kendal Poetry Festival. A festival I will get time to write about soon as I’ve spent an amazing 9 days with Clare Shaw and Kim Moore to complete the month!
I spent an inspiring night with Carolyn Forché & Lori Soderlind, thanks to Hudson Valley Writers Center. It was a deeply moving and inspiring event and I loved both readings. I have become a big fan of Carolyn’s work over this pandemic year. I received an order for In the Lateness of the World (Penguin Press, 2020) for Christmas and it should be arriving next week!
Carolyn Forché is an award winning author of poetry and prose. Renowned as a “poet of witness,” Carolyn Forché is the author of five books of poetry. Her most recent collection, In the Lateness of the World (Penguin Press, 2020), is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death.
I loved discovering Lori and the story behind her work.
I wrote a proposal which took a lot longer than I expected. I’ve written a few applications this year and one of these was for Mass Poetry Festival in May. I was keeping my fingers crossed for a positive outcome on this and gathering some of the poets together again. Unfortunately it was rejected via a very kind email. Four years ago I started my Laureate Legacy Project (2017), a Transatlantic poetry exchange with Worcester, UK and Worcester MA, A Tale of Two Cities. You can read all about it here. And read the publication, Special Issue of Contour here. Many of the poets have gone on to republish their poems in other anthologies and collections.
In the UK we launched the project at Droitwich Arts Festival 2018 as part of the Poetry Extravaganza event, USA had an event at The Sprinkler Factory in September and then in 2019 it was part of the Evesham Festival of Words. I had hoped to role out a lot more with this massive project, there were plans but due to health issues and then COVID nothing has happened since. Evesham was booked in the summer of 2018 when I was 100% fit and not expecting an operation, it was only through the support of friends that I managed to get to the Festival and undertake the organisation of the event. So when I saw the call for MASS Poetry Festival I thought it was destiny! The application took some time, I was delighted to obtain a reference and all was well. I have been checking the inbox for a while. Maybe more opportunities will present themselves. Due to the pandemic I am back in touch with the WCPA who provided the rich American pool of poets for this project. So maybe when I am less busy I can organise something myself.
I missed the Cafe Writers Competition Winner Readings with Helen Ivory (Judge), I thought I had booked a ticket, I had registered interest in the event but not got a ticket. I was a actually double booked so would have missed the start of it, but kicked myself for not keeping tabs. This is overwork tiredness. It continued the next day. I had booked for a presentation (one which was recorded) and decided by the time I made it home I was too tired for any screen time. I forgot I have a Tuesday night class at 9PM (in USA) and was asleep before 7:30 pm. This week I have been putting the finishing touches together for Mr. G’s Lockdown birthday and Valentine’s Day as well as working on projects, writing applications and advertising copy.
Midweek I managed to attend Sheffield Libraries workshop, it was a writing week filled with food. Tawnya’s Experimenting with… class on Monday was Food and this Recipes and Memories workshop, facilitated by the wonderful Central Librarian, Claire Walker, links to a project later in the month. I spent a couple of hours in good company recollecting all sorts of stories that were decades thick in dust. It was inspiring and I hope to write up a couple of poems. It was also nice to see some of my 52 Poetry friends at the workshop and everyone shared such inspiring memories that many of us left with pages and pages of notes after the 2 hour workshop finished. At Midnight there was a USA reading, but I was asleep long before then.
On Thursday it was Worcester SpeakEasy, it was a wonderfully tender and entertaining evening, which included an impromptu ‘hat off’, bountiful love, valentine and non-valentine poems and we had a band too! I finished working full time and celebrated with Wolverhampton Literature Festival, Food for Thought poetry cafe, Poet’s Cafe featuring Corrupted Poetry a collective of writers, Nic Stringer, Michelle Penn & Fiona Larkin.
My 2nd proposal written and sent a week ago was acknowledged with an incredibly kind rejection email. They have kept my contact details and had over 3000 applications, they said my detailed pitch was well written, so some upskill desk time & pitching if nothing else. It’s a shame as it sounded like an exciting project to be involved in. Hopefully it has future-paved something!
This weekend was Mr G’s birthday and Valentine’s so I originally avoided booking anything in, until a conversation made me realise that 48 hours with me was not the way he planned to mark the weekend (harsh), so I booked a few bits into the last days of the week. On Saturday I went to Rakaya Fetuga‘s workshop and then the Annual Lucille Clifton Celebration: Today We Are Possible. It was a moving event full of tenderness and power – the best combination, stories and poems and memories of Lucille.
I was glad not to miss Charley Barnes‘ Book Launch for her Poet Laureate Collection, Lore. A collection which feeds more than her obsession with flowers and footnotes. I will be adding a post about this soon.
The Worcestershire LitFest competitions opened and I spent several hours web-building. This week was marked to work on one main project. I managed a few last minute submissions and was looking forward to Cheltenham Poetry Festival who had Kim Addonizio & Christina Thatcher booked. It was an incredible event. Epic in the truest sense of the word. I will be writing February blogposts long into March!
I had a project (which has been postponed) booked in for this week so hadn’t filled the diary. I am spending most of the week working on a manuscript which is due to be submitted. Looming deadlines are always a good reason to set to work. I have been working on this since last year, but decided not to sub it out in the end in the Autumn as I had originally planned. The poems involved have been written since 2019 and I am keeping my fingers crossed. It feels strange as in pre-pandemic times there would have been bountiful events to sell my previous book Patience and I am aware I have stock upstairs, I have sent any interest since March 2020 to the publisher website.
I recently discovered these lunch time readings, PM for UK. A lovely way to finish a day of one workshop, one class and one group.Jennica Harper tender poems touched us all deeply and listening to Frances Boyle force with nature, family, grief was fantastic. I thoroughly enjoyed listening to these two Canadian poets. The Q&A was interesting, I love listening to the poet’s process.
Frances Boyle’s first poetry collection, Light-carved Passages was published by Buschek Books in 2014, and her second, This White Nest, by Quattro Books in 2019. She also writes fiction and has published a collection of Short Stories and a Novella.
Jennica Harper is the author of three previous books of poetry: Wood (Anvil Press, 2013), which was shortlisted for the Dorothy Livesay prize, What It Feels Like for a Girl (Anvil Press, 2008), and The Octopus and Other Poems (Signature Editions, 2006).
I often miss Cafe Muse nowadays due to work, Canadian events tend to be on in the early hours here in the UK. But I was still awake so I went to listen to the reading series Poets Vs the Pandemic. And I was glad I did, because I got to hear some great poetry from all three poets. Some of the poems were amazing.
Grace Cavalieri is Maryland’s Tenth Poet Laureate. She’s written 22 books and chapbooks of poetry; and 26 produced short-form and full-length plays. Her newest poetry publications are What The Psychic Said (2020;) Showboat,(2019;) and Other Voices, Other Lives (ASP Pub. 2018.) Her latest play was “Quilting The Sun,” Theatre for The New City, NYC, 2019. Grace founded and still produces “The Poet and the Poem” on public radio, celebrating 44 years on-air in 2021. The show’s recorded at the Library of Congress and transmitted via Pacifica Network.
Diane Wilbon Parks founded The Write Blend collective in 2018. She is a visual poet and artist who has published two collections of poetry, and has read widely as a featured poet, radio show guest poet and interviewee on The Poet and the Poem national broadcast from the Library of Congress. Her artwork has been displayed widely. She lives in Prince George’s County, MD.
ROSE SOLARI is the author of three collections of poetry, The Last Girl, Orpheus in the Park, and Difficult Weather, the one-act play, Looking for Guenevere, and the novel, A Secret Woman. She has lectured and taught writing workshops at many institutions, including the University of Maryland, College Park, MD; St. John’s College, Annapolis, MD; and the University of Oxford’s Centre for Creative Writing in Oxford, England. Her awards include the Randall Jarrell Poetry Prize, an EMMA award for excellence in journalism, and multiple grants. In 2010, she co-founded Alan Squire Publishing. Rose Solari lives in Bethesda, MD.
I booked tickets for Rita Dove and Terence Hayes and fell asleep before Jane Hirshfield‘s event Poetry and the Wild with the Natural History Institute. I caught up with a recording of it, another event which deserves an entire blogpost. It’s on the list!
I received some very sad news about our Poets In Motion teacher Celena Diana Bumpus, who passed away along with her mother, Shirley Bumpus. It has been an honour to have known Celena for almost a year, she was a creative person full of light and such a connector in these difficult times. Memorials have been organised. Words are the only fitting way for me to remember her and her generous spirit, spreading love and vision, globally. Her emails bore the signature ‘Be the inspiration the world needs‘. At the end of month I was reunited with classmates via email and we’ve decided to complete the collective unity poem Celena was working with us on.
I recently discovered Live Canon’s Lunchtime Reading Series, I went to the 4th one (I missed the 5th one, which had a great line up as I was at work). I am hoping there may be more in the future. They are just an hour and a perfect poetry lunch. I listened to with Adham Smart, Robin Houghton, Gillie Robic and Laura Theis
Friday night saw the Launch of Kendal Poetry Festival, a fabulous reading from Bernadette Mayer, followed by listening to the winning poems from the Pre-Ralphaelite Society.
The weekend saw the beginning of 9 days of early morning light workshops alternating between Clare Shaw and Kim Moore. These have been wonderful and productive. This weekend saw the first one with Clare followed by a morning with Kim on Sunday. I had a rehearsal for Connect Dudley. I went back to Kendal Poetry Festival for a Workshop and two readings: Hafsah Aneela Bashir, who I discovered last year through the Jerwood Arts events and Jackie Hagan who I have had the pleasure of watching LIVE several times before. Both were incredible events and will appear in my KPF post when I get around to working through the February list!
I finished my Saturday night with Rakaya’s weekly workshop and the Oystercatcher reading, which I was especially pleased to be available to attend as I was missing Vahni Capildeo at KPF. It was a powerful night of work with: Lee Duggan, Zoe Skoulding & Vahni Capildeo.
Sunday saw me back at Kendal Poetry Festival for the early morning writing session with Kim Moore and a reading from These Are the Hands the NHS anthology which came out last year. I will write more on this event. I spent the day building websites, workshops and going to Claire Dyer‘s Book Launch of Yield and trying to squeeze every last drop of freedom from the night. Then that was my week off work, gone.
I was back at work, missed deadlines, completed a week at Kendal Poetry Festival, made a performance/event video (not done one of those for a while), did some classes, had an emotional Worcester 42 in tribute to Kieran Davis, we all shared some of his poems and our memories of him, it was a moving experience. By Wednesday it was all I could do to stay awake after work, I had a fun reading event with Rick Sanders to launch the Connect Dudley Exhibition and had an animation shown in the REELpoetry Festival the same day.
On Thursday I managed to get to a Finding the Words, to hear readings from Gaia Holmes, Natalie Rees and Miles Salter.
It was a great reading and I listened to some inspiring, humour filled and new (to me) poetry which I loved. Kirsten Luckins also had her Book Launch with Guest Readers, it was a real treat to see her in a real book shop!
After work on Friday I managed to get to a panel discussion at Kendal Poetry Festival – Rising to the Challenge: Poetry in the Age of Covid, which was brilliant. I had a workshop and a reading cancelled and was relieved as I needed some time away from the desk. Saturday and I FINALLY made it back to Australia to the Perth Poetry Club – that had been a long time coming too. It will be no surprise that most weekends involve waking up later than 6 AM and so I often miss these by the time I surface after a late Friday night (or even an early one). Still just to wound off the month perfectly, I made it! After a great morning of poetry I joined Kim Moore for her final KPF early morning write. I spent most of the time offline and popped on for RakayaFetuga‘s workshop and to be WOWed by the UoB Slam Team! More to follow.
Sunday marks the last day of Kendal Poetry Festival and I got up to write (for the final festive writing) with Clare Shaw. I have a workshop this evening and plan to spend the rest of the day as Sunday’s should be! Feels like I need a big lie down in March! I am taking a more relaxed approach to filling the diary as it is already full with a desk schedule I need to keep and the last month of contracted work.
On This Day She… puts women back into history, one day at a time.
This book comprises short pieces about 365 women who have made history but are not necessarily in the history books. It is an inspiring collection that shines a light on incredible women who were never given the acknowledgement they deserved. Ailsa, Jo and Tania will read from the book and discuss how it came about and why it is needed.
I am fairly absent on Twitter (I originally got the account to communicate at an Eddie Izzard gig), and so I had missed the movement of this project completely, in fact the first I heard of the book was a couple of weeks ago when I dipped into Facebook and saw a link to extra tickets. It’s great that they needed extra places to be allocated. It shows the commitment and interest into women in history. Follow @onthisdayshe on Twitter.
I knew this hour would be a real treat and I was not disappointed. Each author chose a selection of women to read to us. Tania Hershman started the conversation, talked about positive priming and gave us an overview of the book layout. A woman a day (as suggested by the blurb citing 365 women), the entries are linked to a specific date/ or time that was important to the featured woman. There are short introductory articles at the beginning of each month and the hope that you will research further any woman you are particularly drawn to.
What surprised (and delighted me) was the serial killer and the conversation around including all sorts of women – not just the inspirational ones, ‘women not as muse. We are human, complete with flaws’. They believe it is important to represent women, including the bad ones (it isn’t just bad men in history). Being a Science Journalist (in a former life) Tania shared some of the Scientists.
Ailsa Holland talked about a Joanna Russ book ‘How to suppress Women’s Writing’, which she first read at University. This led to a whole chat conversation and one on screen between Holland, Hershman and Bell about the writing of History.
Women being left out of Literary History and history itself. History traditionally written by the victors, reflecting on people like themselves and was written by those with the time (and finances) to research and write it. Not those ‘too busy staying alive’. We often read history and take it as fact, but it is a story created and constructed like any other. ‘Defined as much by what is left out than what is put in’. History shapes our knowledge of the past and expectations of the future.
Jo Bell (an archaeologist in her former life,) went on to talk to us about more inspirational women from the book. Some of the women started their journeys to greatness when they were older (65) and I particularly enjoyed hearing about the first female cellist. And the first woman she picked, Poly Styrene (Marianne Joan Elliott-Said), celebrating the foul mouthed and unruly haired women!
Also the spy in the 1640s, her mission to save the King failed despite smuggling gold into Oxford in barrels of soap. The failing was due to His Majesty not measuring the window properly! It is important to celebrate the failures too, the unsuccessful activists of history. So much about life is down to luck, or measuring twice!
I also enjoyed hearing about Margaret Harrison and her act of anti-nuclear protest. Which led to a conversation about acts of protest, organising peaceful opposition. These are often movements led by women, the unsung heroes.
“It’s so important for busting the myth that women didn’t do anything for centuries – women have always been doing!” – Attendee.
The Q & A was great, a real insight to how the project became a book and how many astronomers they had to cut from the manuscript! It started as a Twitter account, as a social media project. They talked of how many extensions this project could offer, for them as well as the reader of their work. Aisla had received a calendar of people in history and there was a severe lack of women which was the impetus for the Twitter account.
They all appeared in their Venus of Willendorf t-shirts (RedBubble), shown off several times during the launch and Jo Bell declared people who bought this book (or perhaps more than one copy) were to be known as Willendorfs. And aware of tired zoomers they packed it all into and hour thus avoiding zoom fatigue. AND there was a quiz! I am rarely lucky with raffles and prizes and this evening proved no different but it was fun (made funnier by people offering male artist names as answers on a quiz about a book of women) and I was delighted I knew 2 of the 3 answers. The prize was a copy of this book – which you can get here:
On This Day She : Putting Women Back Into History, One Day At A Time
Publisher: John Blake Publishing Ltd
Published: February 18, 2021
Country of Publication: UK
The tried and tested ‘On This Day in History’ format has elevated the stories of many people and their impact on the wider world. However, of those considered noteworthy by the Establishment, just a fraction are women. But this is not the whole story – not by half. Our past is full of influential women, many of whom have been unfairly confined to the margins of history. Politicians, troublemakers, explorers, artists, writers, scientists and even the odd murderer; these women have shaped society around the globe. From Beyonce to Doria Shafik, Queen Elizabeth I to Lillian Bilocca, On This Day She sets out to redress this imbalance and give voice to both those already deemed female icons, alongside others whom the history books have failed to include: the good, the bad and everything in between – this is a record of human existence at its most authentic.