Hello waters… it has been a long while! Lots has happened since the Autumn post. I am here to start 2023’s NaPoWriMo on AWF but realise that there are huge gaps of blogging and news to share. I will write on some of this in detail in May, after NaPo. Until then here are the highlights:
Blasts from the Past
At the end of 2022 I was busy working on a major project, a book endorsement and planning for 2023 WLFF Festival.
My ATOTC (A Tale of Two Cities -2017/18) project was reinstated in the summer of 2022. This was call & response poetry between poets in Worcester UK and Worcester USA as part of my Poet Laureate year. What started with the idea of an online international reading soon became a 2nd edition project with new pairings and new poems. The result was an International Reading AND a book!
The original project was anthologised digitally as it involved over 45 poets and ran to 120 pages, sadly it was too large a project to publish traditionally.
This time we worked with a smaller group of poets (20) and Black Pear Press published the resulting anthology — which I have to say is an absolute bargain, the cheapest poetry book I know of and that is NO reflection in quality either of the product or content within, it is packed with magnificent poetry. It is a not-for-profit publication and you will find it for £2.83 which converts to $3.58. See, told you!
With huge thanks to Black Pear Press and Polly Stretton for joining me on managing and editing ATOTC II.
Can’t wait for the full post? Find out more here including a link to buy a copy:
This weekend I am a Guest Reader for Brian Comber at his Book Launch. Last year I was delighted to get a sneak preview of this collection when I wrote an endorsement.
I am involved in a project with WLFF, Bevere Gallery & Yew Tree Artist Studios who are running an exhibition of Art & Poetry with a competition linked to it, an open call to poets and artists in Worcestershire.
Five Worcestershire Poets Laureate & five artists were commissioned to work on the theme ‘Enough to See… but not enough to see by’.
Anne-thology – Poems Re-Presenting Anne Shakespeare by Broken Sleep Books.
Last year I had great fun researching to write my submission for this anthology. We were limited to one poem, so I am delighted mine made it through. Packed with amazing poems, some great commissioned poets and it’s lovely to see lots of friends in there too… and of course, Will himself.
Later this month there’s an Anthology Launch in Stratford.
And in other news – I have taken several bookings for 2023, several projects from last year are due publication and Mr. G and I got engaged! All good things are worth waiting for. I promise you.
I have been overjoyed to play a part in The Well/ Mindful Poetry events over the past few years, (since Lockdown 2020/21). For the 2nd year running I am delighted to have poetry included in the anthology.
The Book Launch happens today at The Mercantile Library, which is incredibly beautiful and in Cincinnati… however, if you are not you can still watch the event on Crowdcast, to register: book tickets for the Live Launch or reserve your spot virtually check here.
I am really looking forward to spending some of my Birthday celebrating with these poets and can’t wait to hear everyone’s words.
Hope you can join us!
Book cover artwork courtesy of @alexandraramirezarts Mindful Poetry Moments was incubated with @onbeing and virtual gatherings are supported by @cincyhive @wordplaycincy and @themercantilelib #TheWellWorld #TheWell #MindfulPoetryMoments #MindfulPoetry #Poetry #PoetryCollection #OnBeing #PoetryUnbound #Poems #Poets #Poet
This is a collection of ultra-short Thumbnail Nature pieces from a February workshop ‘Nature Writing Through the Window’ which Amanda Tuke co led with Helen Jones, an inspirational disabled nature writer.
It was a great workshop and the last from this particular Arts Council funded project. It has been a pleasure to get to know Amanda and delve into thumbnail nature. I am delighted to have pieces in all the anthologies of workshops I was able to attend.
Angi Holden also attended the workshops and been published in the anthologies. It is always a great delight when you see friends sign up for the same events. An extra delight in February was spotting Elizabeth Uter in attendance. Liz and I met at the Poetry in Motion classes 2020/21 with CelenaDiana Bumpus, Liz still attends classes with Inlandia. Her poem is above mine, it’s so lovely to share the virtual page with her again.
Thanks again to Amanda Tuke for these incredible workshops and for giving my first thumbnails a home.
Amanda Tuke – workshop co-leader and Great North Wood nature-writer-in-residence in partnership with London Wildlife Trust. Once covering a large area of south London, today the Great North Wood consists of a series of small green spaces – all of which provide a home for nature within a modern urban landscape.The workshop was made possible thanks to public funding from the National Lottery through Arts Council England.
The latest anthology of nature writing is live on the London Wildlife Trust website – with thanks to Amanda Tuke/ Goldcrest Projects.
A great collection of thumbnail nature from a workshop Amanda co-led on 18 December 2021 with Rebecca Gibson, wildlife writer and photographer. These workshops fill me with joy and are precious spaces of calm in this distressed world of ours.
Since the opening of live events back in 2020, I have struggled to physically attend any. Partly as I am involved in family elder care and have a duty to protect others, partly because I am already taking a gamble working across many different schools. Lastly, I tried back in September 2021 for the first LIVE SpeakEasy event (WLFF) at The Swan Theatre and had a complete anxiety attack.
Last year I was booked to feature in person in February and am grateful my booking was postponed (now in April), as I am very unsure. I didn’t work much physically at events in 2019, only a handful of times (as opposed to 100+) and wasn’t on the road at all as I couldn’t drive… so there has been a 3 year gap in this practice!
However, I became involved in this wonderful project and have decided to go for it – our internet is not stable at the weekends so there was a risk of failure attached to the live stream and I know the venue/event will be Covid safe.
You can enjoy it from the comfort of your own home! Join us!
The event will be in-person and live streamed – tickets are free but registration required. Register
I:DNAis a multimedia installation with a huge aluminium sculpture as its centrepiece, forming a journey through the lives of those affected by genetic conditions. A film and evocative soundscape create an arresting and thought-provoking event. I:DNA has toured Oxford, Coventry, the British Science Festival and Millennium Point, Birmingham. I:DNA is currently at Leamington Spa Art Gallery and Museum.
I:DNA art installation, for I:DNA – at MILLENNIUM POINT Birmingham UK 2020
LATEST NEWS: DNA – OUR STORIES Spoken Word Event Join us to hear new poetry exploring what it is to be human, at a special event Saturday 22nd January 2022 at Warwick Arts Centre (also live streamed). This is part of the Resonate Festival.
A performance of shared spoken word and poetry that follows on from the successful installation and workshops at Leamington Spa Gallery where writers and poets explore their responses to identity individuality and DNA inspired by the installation at the gallery entitled I:DNA.
This is a thought provoking event that explores the impact of ground breaking biological sciences on our everyday life.
The poetry anthology that is being compiled is unveiled and investigates the themes of identity, individuality, genetics and what it is to be human. The work includes contributions from across the region and beyond, supported by published poet Nigel Hutchinson and hosted by Sandra Godley (BBC CWR).
This event is part of a series of creative outputs reflecting the research of Professor Felicity Boardman of Warwick Medical School, which explores the lived experiences of families affected by genetically inherited conditions. The art installation which features a sculpture of a denatured helix I:DNA (available to see at Leamington Art Gallery until the end of January) was created directly from this research using research participants own words in the soundscape and is an arresting and thought-provoking journey into the world of what it is to be human, using sculpture, film, and a sung/spoken soundtrack.
Following the success of the touring installation, DNA Our Stories will feature poetry readings created by contributors across the region and beyond.
The Installation, workshops and this live poetry event are produced by STAMP Theatre and Media Productions CIC.
The event will be in-person and live streamed – tickets are free but registration required. Register
Register in advance for the live poetry streamed event. After registering, you will receive a confirmation email containing information about accessing the stream.
During the 1st UK Lockdown, (which for me lasted 6 months before I was back to face to face work), I signed up to many workshops and writing classes. It was not just a way of navigating the pandemic, coping with mental health or a way to travel when grounded, it helped me find community.
The pandemic came after 15 months of ill health, in which I barely worked or lived and was, aside from hospital appointments and the occasional tea out with friends, pretty much locked down. I had been back at work for a few weeks and was trying to find my writing mojo again. I managed to edit my collection on morphine (not recommended) and through the kindness of friends was able to attend Stanza meetings and the join the Worcester Poetry Film Collective, I even made one event at the Worcestershire LitFest & Fringe in 2019. But I struggled to be at the desk and it was a long journey back to creating. The realisation of the global pandemic hit and … those of us lucky to have story, have story.
Poets in Motion was a great class with US/NZ/UK participants, a real international mix and a range of lives and stories. CelenaDiana Bumpus was a joy, there is no other word to describe her. Sadly, Celena passed away in 2020, before she had chance to make many of her plans realities. She is missed dearly and I am so grateful that we were able to write a class poem in her honour, which appears in the anthology too.
The day I received my book in the post I was so excited, I knew Inlandia Institute had planned a LIVE USA launch event and I never dreamed I would have the opportunity to read, then they announced an online launch event.
I am a panelist this evening AND so are some of my much loved and missed class members. It will be a great event, it is a splendid Anthology and I am blessed to have some words on the pages.
Join Inlandia Institute for a special online reading of selected works from 2020 Writing from Inlandia! This yearly anthology has been published since 2011 and is an Inlandia tradition, with contributors from sixteen of Inlandia’s creative writing workshops in the 2020 edition. Packed with over 300 pages of stories, poems, and essays, 2020 Writing from Inlandia explores the experience of being alive through memoir, food writing, reflections on the COVID pandemic, and more. Participants will read their work aloud in reflection of the myriad challenges – and rewards – of being human. Don’t miss it!
In memory of Candace Shields, Morris Mendoza, and CelenaDiana Bumpus.
The Writing from Inlandia series was created to celebrate the participants in our creative writing workshops program and to serve as a record of who we are at the present moment. May these writings pay tribute to a year unlike any other.
I love NPD, or as I like to call it – Christmas for poets!
HAPPY BELATED NATIONAL POETRY DAY!
Over my morning coffee, I took great pleasure reading social media feeds and seeing all the poems people were sharing. I was lucky enough to be busy on NPD (and working from home, which is rare these days). I had hoped to post here, especially as there have been several blank months – but like most things in 2021 it was delayed.
You will recall I dived into a year of online poetry/learning in 2020 during the 1st Lockdown, there were a multitude of reasons, including my mental health. I was back face to face work in November (after 3 months of zero income, our Furlough set for only 4 months and for me was 80% of nothing as I had been off sick for a year)! So work was a battle, navigating my way through the 10 day self isolation rules and the possibility of Covid. After 9 months I was exhausted and spent most of the summer offline and away from the desk. This term work has picked up (thank goodness) after several non-existent/fallow years!
I had decided to cut back the amount of online activity but it naturally happened when the laptop was out of reach. I also tried a LIVE event and discovered I have a huge amount of anxiety about any indoor gathering other than family and work (which makes no sense but is one of those things we have little control over). Work IS the biggest risk of all, but is one I have to take/make.
So I paced down the events… however, this was NPD… so I was back to full throttle.
My day started with a workshop. I have been fortunate enough to facilitate Poetry Workshops 2020/21 to a group of Higher Ed students. As it was NPD we invited other departments to join us on Thursday and had a very active, fun workshop. Choice was such a great theme to work with. This group is creative and they generate amazing work. Plans are in motion for publishing it soon.
I loved catching up online with everything poets were doing to mark NPD and catching up with friends and not having to wear work trousers!
Just like Christmas (NPD for me/poets) a special meal is created… for me it was my mentoring session – when I booked it I had no idea it was NPD. A very brilliant way to spend an hour!
Prose poetry is something I write infrequently (I think I have managed 3 or 4), there is only one I am proud of. I do love Jennifer Wong, both her poetry and workshops. It was a last minute spot and a gift from Pen to Print! I absolutely loved spending time with Jenny and an international group (as most are) of writers & poets and I ended up with some decent material to work with!
Worcestershire Poet Laureate, Ade Couper was on FB Live for NPD, I managed to catch the video after the Livestream. There are always multiple events happening and NPD that ramps up!
Malika’s Kitchen were celebrating NPD with a special online event featuring Malika’s Poetry Kitchen contributors to the recently published Too Young, Too Loud, Too Different anthology. The event was hosted by the Director of the MPK writers’ collective, Jill Abram, and featured poets Dean Atta, Be Manzini, Soul Patel and Joolz Sparkes. And Nine Arches /celebrated in partnership with Birmingham Literature Festival with a Planetary Poetics event featuring Gregory Leadbetter, Khairani Barokka, Caleb Parkin and Cynthia Miller. I managed to catch all streams at leisure a little later on. Nine Arches had an enlightening Q&A and I loved Dean Atta talking age… he’s still YOUNG! Both events were a joy and I glad I managed to get to them, all be it in a different time-zone!
Hoping I wouldn’t have work the next day (I DID)! I stayed up late to attend a workshop in US for Ohio Poetry Day with the Riffe Gallery. A Creative Writing Workshop with Kari Gunter-Seymour (SHIFT). Another fantastic workshop, but after the first hour (bedtime) the brain fog started to get to me. I wrote some of the prompts down to try another day.
I don’t know how Santa manages to get to all those houses, it’s impossible to get to every poet or do all your social media posting on the day! CHOICEs had to be made… but I had a FEAST of a day. Huge gratitude to everyone involved.
Last year I tried not to write about Coronavirus, it crept into a lot of the work and in the end I fell into the school of thought that part of the job of a poet is to comment on our experiences and the times and 2020 was certainly packed with events that found way to many pens for those of us who could still write.
As far as submissions go, I haven’t actively been working on that as I have been busy with writer/editor/reader head on for a while and have seen many collections pass my way. I did have a couple of other poems published in another anthology too, Geography is Irrelevant but most of my C0’19 poems cling on in notebooks!
I am excited to be performing again at the Walt Whitman Birthplace this evening, (I featured there in Oct. 2020).
WWBA is delighted to host a live poetry reading to celebratethe release of “Corona: An Anthology of Poems” editedby Gayl Teller, the Nassau County Poet Laureate for 2009-11 and the 2016 Walt Whitman Birthplace Poet of the Year. This luminous collaboration of 98 poets, including many poets laureate from the US and abroad, evinces a kaleidoscope of perspectives and experiences during our historic and traumatic time of pandemic and racial strife. Celebrate Poetry Month with us on Zoom during a live reading with a diverse group of poets sharing their reflections on the quarantine, social distancing, masks, and other aspects of the global pandemic.
There are many online events marking IWD – there are always Spoken Word and Poetry events that mark this day, the joy of this year was discovering the Creative Profiles on the main IWD site include poets.
Almost too many choices happening this evening, but you will find there are events throughout the week for IWD. I booked a ticket for an event tonight a long time ago, so haven’t even explored other events as I know I won’t be able to make them and then that just makes me feel frustrated.
A challenged world is an alert world. Individually, we’re all responsible for our own thoughts and actions – all day, every day.
We can all choose to challenge and call out gender bias and inequality. We can all choose to seek out and celebrate women’s achievements. Collectively, we can all help create an inclusive world.
From challenge comes change, so let’s all choose to challenge.
International Women’s Day (March 8) is a global day celebrating the social, economic, cultural, and political achievements of women. The day also marks a call to action for accelerating women’s equality.
IWD has occurred for well over a century, with the first IWD gathering in 1911 supported by over a million people. Today, IWD belongs to all groups collectively everywhere. IWD is not country, group or organization specific.
For full information on Women Creatives click here.
Firstly, a poet I was lucky enough to meet and hear during the first Lockdown, Sharena Lee Satti. She has been snapped up by Verve Poetry Press.
Sharena Lee Satti is an independent spoken word artist, author and workshop facilitator who writes with her emotions to the fore, her heart at the centre, and a power that can leave peopple breathless.
“My poems are real, raw and honest – addressing issues like survival, cultural-identity, life’s battles, self-love, body dysmorphia and many subjects people struggle to speak out about,” says Sharena.
Writing has never been optional for Sharena Lee Satti. Like eating and breathing, it’s something integral to her existence. Everyday she is thankful to be able to make a small difference to society, sharing something she is deeply passionate about.
When you choose to challenge… through spoken word poetry
Anisa Nandaula is a very talented spoken word poet, play writer, educator and published author
Spoken word is one of the most powerful forms of poetry because it passionately expresses the poet’s deepest thoughts while simultaneously engaging and inspiring listeners. So, spoken word poetry seems a perfect medium to reinforce and amplify this year’s International Women’s Day #ChooseToChallenge theme. Spoken word poets from around the world are stepping forward in solidarity to choose to challenge.
Anisa was born in Kampala, Uganda and later moved to Australia at the age of 8. Growing up in Australia, Anisa observed the vast distinctions between these two countries and the fundamental difference in living standards sparked her passion to use her voice to articulate her thoughts on social justice. Her poetry explores issues of race, feminism and politics – while employing her talent and wisdom to educate and engage people to have difficult and challenging conversations. Her often controversial work explores the complexities of being a child of diaspora, history and the importance of philosophical questioning. Anisa’s soulful and passionate performance style is incredibly moving.
Some of Anisa’s most influential poems see her confrontationally and powerfully explore concepts of identity, violence and worth.
Anisa has received a multitude of accolades, appeared at numerous high-profile events, and performed upon many prestigious stages including at the Sydney Opera house.
Anisa discusses her passion, struggles and inspiration
“I guarantee there are going to be moments where you want to give up – where you don’t think that you’re good enough or your ideas are good enough – but you have to be resilient enough to keep going…There are going to be days when no one believes in your idea but you, but you have to have belief in what you can see and what you can be in yourself,” says a young Anisa.
Aminah Rahman is an award-winning British-Bangladeshi poet and spoken word artist
Aminah Rahman is a 17-year-old award-winning published poet and spoken word artist born and raised in Cambridge, UK. She is a third-generation British-Bangladeshi with over 60 years of family history in Cambridge. She has been writing poetry since she was eight years old. Most of her poetry focuses on fighting racism and celebrating who we are as individuals.
To support the International Women’s Day #ChooseToChallenge theme and to call upon further spoken word poets to step forward and use their voice to influence positive change, Aminah crafted an inspiring poem “Changing the Future”.
Aminah Rahman
Aminah’s mission is to break down any barriers that could stop people from reaching their potential, and she hopes to connect to the souls of many people who draw comfort from her words.
“I believe that it is important to be there for one another. I remember when I wrote my first rap ‘Accept Me Please’, after hearing stories about tackling racism. I ran up the stairs, taking two steps at a time as so many ideas came flooding in to me, and then I put pen to paper,” she explains. “I had never written so quickly! It was an incredible feeling knowing that I had my first rap right in front of my eyes. Poetry has enabled me to learn about the world around me and most importantly who I am as an individual.”
Winner of prestigious awards and accolades
Aminah wrote her first poetry collection Poems by Aminah in 2016. She then wrote Soul Change, her next collection of poems about social issues that affect humanity today. Five of Aminah’s poems have been published in Young Writers UK anthologies. Aminah is featured in the June 2020 edition of Writing Magazine, the UK’s biggest and bestselling magazine for writers, where she talks about her passion for poetry. Aminah was also recognised as one of the ‘Top 6 Most Influential Muslim Youth’ in Hayati Magazine, Nigeria’s #1 Muslimah fashion and lifestyle magazine.
She was the winner of the Young Muslim Writers Awards Key Stage 2 Poetry category in 2015. In 2017, she was the joint winner of the Cambridge News and Media Education Awards: Pupil of the Year award. She also took part in the BBC Upload Festival 2020, a festival that showcases talent from across England and the Channel Islands. Aminah represented Cambridgeshire with her poem ‘Please’. She has spoken at numerous events, actively promoting inclusion and diversity.
Using poetry to understand the people and the world
Aminah Rahman
Poetry can be a powerful mechanism for change. For Aminah, it is the heartbeat for change.
It helps her to understand and appreciate the way the world is today. Poetry is a form of expression that helps her to process her thoughts and feelings. Writing and reading poetry helps her to see things from a different perspective.
For Aminah, words are the best reflections. “Poetry helps me to empathise with others and it leads us to love. It also helps me to understand my own identity. My journey has helped me to discover my own voice. Poetry is a powerful gift because it addresses feelings which can be hard to describe. Poetry brings us together,” she adds.
I will be celebrating with some women I know this evening.
And I couldn’t post IWD without a link back to one of the many anthology collections I edited/curated as Worcestershire Poet Laureate in 2018. This one came from a Mini Workshop I facilitated in The Hive, based on the wonderful exhibition they displayed to mark 100 years of votes for women/ the Suffragette Movement. Those women certainly chose to challenge! #ChooseToChallenge.
I was the 7th WPL and the 4th woman to take the role, my plate was very full 3 years ago, so for IWD I created this call out IWD which resulted in this brilliant post all about female poets and inspirational & influential women. Many listed are friends of mine and poets I know, I have now (in the past 3 years read all of them), maybe you will find a new read somewhere in there and they are all STRONG women!
I couldn’t quite leave it there – I created this post with the former female Worcestershire Poets Laureate – Maggie Doyle (2012-13), Heather Wastie (2015-16) & Suz Winspear (2016-17) celebrating their work and influential women in their lives.
It’s IWD – it can’t pass without another watch of Amanda Gorman!
I have always been a letter writer, at 13 I had 33 International pen-pals and many of us wrote well into our 20s and have since found each other via social media! Lifelong friendships. I used to love receiving post… nowadays it is mainly business and bills but occasionally someone sends me gold. I was overjoyed to see this… although (typically) it is a no-post day for me. A wonderful gesture from the Royal Mail.
Millions observe Royal Mail’s significant #ChooseToChallenge awareness raising efforts
Thank you to the UK’s Royal Mail for celebrating International Women’s Day, raising community awareness, and amplifying the call-to-action to #ChooseToChallenge. Royal Mail’s special #IWD2021 #ChooseToChallenge postmark is being applied to millions of stamped mail items over three days of the International Women’s Day period.
Important support for women’s empowerment
Royal Mail’s special moment-related postmarking provides an important opportunity to amplify key messsages, mobilize positive action, and engage communities.
Not only will women appreciate the organization’s support in reinforcing equality, but the #IWD2021 #ChoooseToChallenge postmarking is relevant to all genders inviting people to courageously step forward and call out stereotyping, bias and discrimination.
An iconic organization where women choose to work, Royal Mail is one of the oldest organizations in the world, and can trace its origins back over 500 years to 1516.
They are also one of the UK’s largest employers and mantain a solid focus on diversity and equal opportunity within its workforce.
Royal Mail Group has a strong community engagement focus which provides an important opportunity for its people to interact and build relationships with the communities they serve – and this is of benefit to both parties.The organization’s ongoing commitment to community engagement is significant.
Alison Evans is from Sacramento in California, USA and her design focuses on challenging and calling out gender bias and inequity. ” I love the empowerment in the message and knew I had to create something that not only celebrates the day, but shows solidarity with the mission,” she says.
“I like to serve up positive, uplifting art with a side of feminism and pop culture. The main focus of my work is based on my own personal experiences with mental health, feminism and being raised by the television screen. While most of my work is focused on illustration, my main inspiration and motivation is typography, lettering and calligraphy.”
“My concept behind my IWD design is that I really wanted to embody the celebration of women’s achievements and promote a sense of inclusion and togetherness. Hands are something I gravitate towards illustrating, so I thought that holding hands would be a perfect depiction of that idea. I also wanted to incorporate the international symbol for women, and decided to include that with the background pattern.”
“For the process, the program I use for all of my lettering/typography/illustration is Procreate. I started with the message: ‘Happy International Women’s Day’ and decided I wanted to have that as the biggest element in the design. I sketched the lettering out first and realized that I had a blank spot underneath the lettering portion. As mentioned, I enjoy drawing hands so I thought this would be a perfect addition to the design at the bottom. I sketched those until they fit how I wanted them to, then went back and lettered the writing, and designed the ribbon-like texture to it. After that, I finalized the hands and colored them in. I always have a problem selecting colors, so that part took a long time, but I finally settled on a darker background so that the messaging popped.”
“When it comes to IWD, I believe that as a society we need to celebrate women’s successes and stand up for gender parity in every aspect of life. Although I would love if everyday could be International Women’s Day, it is nice that we can set aside one day where we can focus our efforts on raising awareness about equality and come together for a common cause to celebrate the achievements the world has made in the goal of gender equity and inclusion.”
I’m busy preparing for the 2nd part of January and I want to share some of the happiness so far. We all need these silver linings at the moment.
Last year Nik Perring was the Writer in Residence for Sheffield’s Year of Reading. You can find out about the multitude of exciting projects he was involved in by clicking the link. Sheffield Libraries have been incredibly proactive throughout all 3 Lockdowns offering a wide range of workshops, interviews and groups.
I was fortunate enough to participate in several of Nik’s Autumn workshops and then two larger projects at the end of the year. On the 7th January one of the outcomes was released on the web for you all to enjoy and this is the first chance I’ve had to share it!
Many of us will be haunted by the ghosts of 2020 – the strangest of years. We’re giving you the opportunity, the voice, and the audience to put them to bed.
Working with the BBC (The Novels That Shaped Our World) Dear 2021, The Start of It takes the spirit of Dickens’ A Christmas Carol and challenges you to exorcise the ghosts of 2020 by writing a letter to Donald Trump, the universe, Santa, the future – to someone or everyone, telling us what you want to change and the whys and hows.
During this two-part workshop, Sheffield Year of Reading Writer in Residence Nik Perring, will show you the best ways of making your ideas, and desires, into brilliant poems, letters, or stories – and then he’ll show you how to shape them into pieces good enough to send up the chimney/out to the world.
The workshops were in November, many of our finished pieces were collated into a special book which came out in December and lots of people who took part in the workshops recorded their work which was broadcast via Sheffield Library Service’s Digital platform 10 days ago!
awritersfountain 