May (like April) was a funny month of missing events I had planned to attend. My main focus returned to writing, more precisely editing which I find harder and less fun than creating, it is a bit like cleaning (which I also despise) but the end result of fresh and better is rewarding. I enjoy re-reading a tighter collection, but the editing time is like moving rocks with bare hands! I have to force myself into editing mode. It isn’t about being precious over my darlings, I learnt to kill them in my first year (2013), it is just the effort of crafting, the exhausted mind, the energy needed – and time.
May started with a Bank Holiday weekend and Mr G and I went to see Mark Lanegan perform (our 3rd time), the next day at work was hard and followed by an evening at Stirchley Speaks, where Mike Alma was one of the featured poets. I was glad I managed to make it over to support him, it was (as always) a great night, filled with warmth and energy.
Next month is Jess Davies’ last month hosting before she moves on to her new exciting plan of events and workshops. She has had an exceptional year at the P Café, I am sure Callum Bate and his sister, Melissa, will do well hosting this established spoken word night when they take over in the summer and I wish them luck. They are dynamic performers themselves and featured as ‘Prime Poetry’ at the first Stirchley Speaks back in 2015.
An exciting Friday Night (6th May) saw Kathy Gee’s Book Launch, her first collection, published by V Press. It was at Avoncroft Museum , I hadn’t been there for years and it was the PERFECT venue. Buy a copy here Book of Bones It was a wonderful evening of poetry in the Long Room. https://awritersfountain.wordpress.com/2016/07/24/book-of-bones-kathy-gee/
I missed several writing events over the weekend as Mr G and I went to a Kate Bush Tribute, which was amazing. ‘Cloudbusting‘ are the UKs longest running Kate Bush tribute. Mr G is a total fan of Bush, she never hit my radar (being slightly younger), of course I knew of her – who doesn’t! As an adult I appreciate the poetry of her music and her wildly free artistry.
The singer of Cloudbusting was amazing, what she could do with her voice! Incredible. We loved every minute, they were down a guitarist and still it was exceptional. I can only imagine how good the full band would have been. What was lovely was her references to Kate and seeing what big fans of her music they all were.
I finally made it back to SpeakEasy (12th May) in there new home, Café Bliss, a venue I love so much I am currently trying to organise a party there! It was great to hear everyone again, Spoz was the featured poet and he brought lots of his Calais Refugee poetry with him for a hard hitting set. It was good to catch up with him, as he is having a busy year including touring TEN LETTERS, which I was lucky enough to catch in Birmingham. Link to follow.
We have also been in our lovely home for 3 years now (still with lots to do), this made me appreciate that I have been living the creative dream for a while. This will always be my Poetry house. I feel grateful, although due to getting the house straightened out and working on my manuscript I have only managed to carve writing time out recently and long for the weeks to find structure again, where I can manage a writing day/ days.
Mum and I experienced the World Premiere of Liam Scarlett’s amazing new ballet ‘Frankenstein’, performed by the Royal Opera House in association with San Francisco Ballet (I stayed just up the road from the dance school on one of my US trips)! I felt like I was watching the next BIG thing, this ballet steps into the shoes of a 21st Century The Rite of Spring, with regard to the importance of what Scarlett has achieved. I only hope it is studied in years to come. Bravo to the ROH for taking the risk, Scarlett is an immensely talented 30 year old (jealous). I was part of something special that night and it bore a new ambition. One day I hope my writing may become a ballet (I danced until my 20s).
On the 19th I took part in Worcester’s first WLF Poetry Salon, based on the European Poetry Brothel concept. This was the brainchild of Charley Barnes and was an exciting night at the Rectifying House. I shared my booth with Maggie Doyle and a great time was had by performers and listeners alike. Link to follow.
May 20th saw the end of Mental Health week, something which is close to my heart as it was own demise which brought me back to writing from a depression diary to the world of poetry. Leisa Taylor/ Woo Feminista took over Café Bliss with a night of Spoken Word, where brave poets shared more than words and stories. It was incredibly moving.
The evening after (21st May) I performed a set for Arts Week in Parks Café, as part of the Poetry Extravaganza.
I finally made it to a Stanza meeting after missing several months. It was great to reconnect although I had been busy with work and my editing brain was fairly useless. I took a poem which was inspired by a Nano poem prompt in a roundabout way.
I didn’t get a chance to submit anything this month, I didn’t even finish my action plan for May. My main focus was editing my manuscript and I put enough time into that to let it have some rest time before coming back to it for further reading.
I missed Cheltenham Poetry Festival completely (Wenlock & Stratford too) and as I write this I have so far missed all earmarked events at my local festival, Worcester LitFest – look out for some posts on this too.
The past 18months of work on my pamphlet has taught me lots on the process, I am also becoming aware that the focus and energy needed to achieve such things means sacrifices, including festival tickets. Still I will focus on the petrol I have saved and how much smaller my carbon footprint will be this year – silver linings!
I missed a photo shoot for the poetry E-book with Shakti Women, as my car was failing its MOT at the time! I have a photographer willing to take head shots now though, all is not lost. If only I could lose my double chin(s)!
I had two personal invites to workshops in June from poets I respect and was very touched to have been thought of. I signed a poetry contract for Shabda Press, three poems in the up and coming Nuclear Impact Anthology, Broken Atoms in Our Hands. There is nothing like signing contracts to make you feel like a real writer.
I performed at 42 – where fairly hilariously most of us worked the theme of the evening into lines in our poems or stories ‘Blacker than the Night’- by the time I performed in the 2nd half people were listening for the theme punchline I think.
It was also a platform for me to perform one of my Nuclear poems, the message is important and the places you can share such material is limited.
It was a great night. Thoroughly enjoyed.
I am certainly back in my poetry skin after a few wobbly months and look forward to the upcoming festivals and booked performances of the summer.