During the 1st UK Lockdown, (which for me lasted 6 months before I was back to face to face work), I signed up to many workshops and writing classes. It was not just a way of navigating the pandemic, coping with mental health or a way to travel when grounded, it helped me find community.
The pandemic came after 15 months of ill health, in which I barely worked or lived and was, aside from hospital appointments and the occasional tea out with friends, pretty much locked down. I had been back at work for a few weeks and was trying to find my writing mojo again. I managed to edit my collection on morphine (not recommended) and through the kindness of friends was able to attend Stanza meetings and the join the Worcester Poetry Film Collective, I even made one event at the Worcestershire LitFest & Fringe in 2019. But I struggled to be at the desk and it was a long journey back to creating. The realisation of the global pandemic hit and … those of us lucky to have story, have story.
Poets in Motion was a great class with US/NZ/UK participants, a real international mix and a range of lives and stories. CelenaDiana Bumpus was a joy, there is no other word to describe her. Sadly, Celena passed away in 2020, before she had chance to make many of her plans realities. She is missed dearly and I am so grateful that we were able to write a class poem in her honour, which appears in the anthology too.
The day I received my book in the post I was so excited, I knew Inlandia Institute had planned a LIVE USA launch event and I never dreamed I would have the opportunity to read, then they announced an online launch event.
I am a panelist this evening AND so are some of my much loved and missed class members. It will be a great event, it is a splendid Anthology and I am blessed to have some words on the pages.
Join Inlandia Institute for a special online reading of selected works from 2020 Writing from Inlandia! This yearly anthology has been published since 2011 and is an Inlandia tradition, with contributors from sixteen of Inlandia’s creative writing workshops in the 2020 edition. Packed with over 300 pages of stories, poems, and essays, 2020 Writing from Inlandia explores the experience of being alive through memoir, food writing, reflections on the COVID pandemic, and more. Participants will read their work aloud in reflection of the myriad challenges – and rewards – of being human. Don’t miss it!
In memory of Candace Shields, Morris Mendoza, and CelenaDiana Bumpus.
The Writing from Inlandia series was created to celebrate the participants in our creative writing workshops program and to serve as a record of who we are at the present moment. May these writings pay tribute to a year unlike any other.
It took a pandemic for the world to wake up to all sorts of issues, mental health is just one. There’s hope that in the future mental health will be as accepted as physical health. Today there are many events for World Mental Health Day. Whatever you do, or don’t – be gentle on yourselves and others.
Here are some helpful websites:
I encourage anyone (but especially young people) to Journal for health.
The COVID-19 pandemic has had a major impact on people’s mental health. Some groups, including health and other frontline workers, students, people living alone, and those with pre-existing mental health conditions, have been particularly affected. And services for mental, neurological and substance use disorders have been significantly disrupted.
MASS Poetry Festival was amazing, I am so glad that I was able to attend the hybrid event, it is a Biennial event and the programme was huge, extensive & creative. They had over 50 events featuring over 100 poets. This was the first festival since the 10th Anniversary in 2018. Headline poets included: Victoria Chang, Jos Charles, Martín Espada, Tyehimba Jess, Patricia Spears Jones, Lang Leav, Khadijah Queen, Naomi Shihab Nye, Ariana Reines, Dara Wier & more.
It was a joy to spot some of the Worcester MA (A Tale of Two Cities Project) poets on the bill and often in the audience too. It was a busy weekend – because, (as with all festivals) there was a clash, I was attending events for what felt like the whole 48hrs – it wasn’t!
What I also liked was the website booking system which enabled you to keep track of your own festival schedule, very handy. Especially when not in real life with a paper copy in your pocket.
The time zones meant much of the programme was quite late for BST (UK) and I was working unexpectedly out in the real world too, so it was a juggling act to hang onto all the event bookings. Sadly I missed the finale but as Mr. G hadn’t seen me most of the weekend it seemed only fair. I felt jet lagged by about 6pm Sunday!
Headline Reading with Victoria Chang and Khadijah Queen
I was excited to see Victoria Chang reading after recently reading her poetry in April (NaPoWriMo) and getting obsessed with OBIT and how she handles the hardest subjects in the most beautiful poetry.
The reading was opened by the winners of MASS PF First Poem Contest: Samn Stockwell, Samantha DeFlitch, and Emily Joan Cooper.
Khadijah Queen was the other headline act on the Opening Reading – I absolutely loved this reading and was glad to catch Khadijah later in the festival too.
Khadijah Queen is the author of five books of poetry, most recently I’m So Fine: A List of Famous Men & What I Had On (YesYes Books, 2017), a finalist for the National Poetry Series, which was praised in O Magazine, The New Yorker, Los Angeles Review, and elsewhere as “quietly devastating,” and “a portrait of defiance that turns the male gaze inside out.”
Victoria Chang’s new book of poetry, OBIT, was published by Copper Canyon Press in 2020 and was a finalist for the National Book Critics Circle Award, longlisted for a National Book Award, as well as longlisted for a PEN-Voeckler Award. OBIT was also named a TIME Magazine, Publishers Weekly, NPR, Boston Globe Best Book of the Year, and a New York Times Notable Book.
As well as a diverse range of events, there were other things happening – some in real life some online. Such as the online Ekphrastic Gallery – which of course I enjoyed. Work by twelve amazingly gifted student artists from Montserrat College of Art, paired with bespoke poems by the winners of our Ekphrastic Gallery contest. This gallery was created thanks to the amazing work of Montserrat Faculty Members Colleen Michaels and Dawn Paul.
And the Improbable Places Walking Tour – another highlight. An audio tour highlighting some of the most memorable stops on The Improbable Places Poetry Tour has been made for your listening pleasure. The Improbable Places Poetry Tour, a reading series organized by Colleen Michaels of Montserrat College of Art, has run for over a decade around Beverly, Salem, and the North Shore bringing poetry and the community together in unexpected places. Yes, even in a swimming pool. This audio tour version will feature stops around the Massachusetts North Shore and can be enjoyed either with a day trip or virtually.
My Friday schedule started with this powerful reading.
New Elegies: How do we turn grief into song?
Four poets read from new collections that wrestle with the bounds and opportunities of the American elegy. Readings with Sumita Chakraborty, Rebecca Morgan Frank (who I have being enjoying over 2020/21), Erin Carlyle & Jessica Guzman.
Followed by an enjoyable/relaxed workshop with Kelly DuMar: How Pictures Heal.
In the midst of our shifting daily realities, I believe this one experience remains a constant: We all take and treasure photographs of the people, places and things that bring meaning and beauty into our lives. – Kelly DuMar
The Thing With Feathers: Poetry of Witness to Serious Illness and Trauma
Contemporary poets discuss their own poems dealing with serious illness and what they reveal about hope, what Emily Dickinson called “the thing with feathers”.
I have been writing trauma and illness recently, so was interested in this reading and discussion. It was really hard to decide as some of the events I wanted to go to clashed – decisions had to be made.
Oliver de la Paz (I discovered Oliver’s work in the 1st Lockdown), Jennifer Franklin (who hosts many of the Hudson Valley Writers events I have attended and who I heard read at the Emily Dickinson Museum), Fred Marchant (who was also part of the EDM reading) and Justin Wymer.
I am glad I made the decision to attend this reading, a rich discussion between poets and some heartening poems. As the programme stated: Sometimes, however, the poet finds hope, even in a factually hopeless situation. What is it in us that persists in singing, regardless of how dire the facts?
The final event I attended on Friday was the Headline Reading.
The second headline reading of the Festival, featured Lang Leav (who I recently discovered and then enjoyed a workshop she facilitated on prose poetry) and Dara Wier, with an opening reading by National Youth Poet Laureate Meera Dasgupta.
Meera Dasgupta is the youngest United States Youth Poet Laureate appointed in the history of the country. She is also the first U.S. Youth Poet Laureate to have been appointed from New York (as well as the Northeastern region) and the first Asian-American Youth Poet Laureate of the United States.
Novelist and poet Lang Leav was born in a refugee camp when her family were fleeing the Khmer Rouge Regime. She spent her formative years in Sydney, Australia, in the predominantly migrant town of Cabramatta. Among her many achievements, Lang is the winner of a Qantas Spirit of Youth Award, Churchill Fellowship and Goodreads Reader’s Choice Award.
Dara Wier’s books include In the Still of the Night (Wave Books, 2017), You Good Thing (Wave Books, 2013), Selected Poems (Wave Books, 2009), Remnants of Hannah (Wave Books, 2006), Reverse Rapture (Verse Press, 2005; 2006 Poetry Center Book Award), Hat On a Pond (Verse Press, 2002), and Voyages in English (Carnegie Mellon, 2001).
So the Stay at Home! Lit Festival is over – but there was no festival slump!
Saboteur Awards Festival (10th – 15th May) The team have been working hard to adapt the awards to a digital platform for the 2nd year and have introduced the Saboteur Awards Festival -a Panel Discussion, Workshop, Reading Series ‘specifically to promote work that had been impacted by the pandemic and/or the various lockdowns throughout the UK’.
At the end of the festival this year’s winners will be announced and then you can look forward to the Spotlight Winners Series running throughout May and all the way into July. There is a lot on offer on the You Tube channel.
I was super excited when I discovered Rose Condo was one of the performers on offer. I felt extremely lucky to finally catch Rose Condo’s reimagined show The Empathy Experiment. Amazing how she managed to deconstruct the 2019 show to bend around the global experience of 2020+ and I think probably makes it even stronger.
“An example of why we so desperately need to campaign for the survival of the arts.”
I met Rose back in about 2015, when she Headlined Hit the Ode in Birmingham and I was first introduced to her little red dot. I knew I wasn’t going to see The Empathy Experiment in Edinburgh (Festival) – for one thing I was still hobbling around on a stick! But I had hoped to catch her last year, online at Bradford Festival, so I am glad that she is still performing this reimagining of The Empathy Experiment.
The Carcanet Reading was highly enjoyable and great fun with a range of poets. I enjoyed readings from Katherine Horrex, Joey Connolly, Mina Gorji and Victoria Kennefick. I know the work of some of these poets and had most recently enjoyed Victoria Kennefick at the Stay at Home! Lit Festival. All of them were utterly brilliant and are on the Birthday list!
You can purchase the books by clicking the links beneath the covers.
Horrex – whose poems found an enthusiastic readership via Carcanet’s New Poetries series – unpicks the illusion that order upholds society and reveals the true ramshackle complexion of things. Her debut collection reimagines the ‘growlery’ of Dickens’ Bleak House by looking at the concept of internal space in a twenty-first century which is both connected and disjointed.
‘Ach! I misspoke. What I mean to say is this …’ In Long Pass, Joey Connolly’s first collection, the poet – in love, in puzzlement, in frustration or in elegy – keeps catching himself out, starting again. He wants to speak truthfully. He wants to say things simply. But nothing is as simple as it seems at first. Nothing strikes the interlocutor quite as he intends. Ach! He goes back. Deflections, tangents: the long pass, the long unfolding sentence, the growing sequence, move away from what they intend to say in order at last, wittily, angrily, ironically, to swerve in and say it.
‘...This is a serious attempt to write philosophy as poetry, to render complex arguments about nominalism and epistemology in verse without losing sensuality’s boom boom.’ Will Harris, Poetry School
Among Mina Gorji’s poems in New Poetries V (2011) was one about Houdini entitled ‘The Art of Escape’ which returns here as the title poem. This colourful and vivid first collection continues the course of Mina Gorji’s meticulous explorations of ‘the strange and sometimes darker side of nature’ and the different forms and meanings of escape: dandelions crossing the ocean, the journey of a gall wasp from Aleppo to England, the transformation of an armadillo into music. These poems shift by degrees until new patterns and sounds emerge, transforming the familiar into unexpected configurations. Art of Escape is a wonderful casting off into the complex waters of adult life, in which change has become the constant.
Victoria Kennefick’s daring first book, Eat or We Both Starve, draws readers into seemingly recognisable set-pieces – the family home, the shared meal, the rituals of historical occasions, desire – but Kennefick forges this material into new shapes, making them viable again for exploring what it is to live with the past – and not to be consumed by it.
I was lucky enough to grab a workshop ticket for the weekend with Rose, which was a fantastic way to start the weekend (after a much needed – real life working week- lie in)! It was a great group, I knew a few of the people who came to the workshop. I wasn’t sure what to expect… but ‘Have a (Kind) Word with Yourself’ is never going to be a bad experience. It was joyous, there was a lot of laughter and writing too. No pressure and very relaxed. I don’t want to give details away as I know Rose plans to repeat the show and workshop. You should definitely book on when you see it!
The festival experience led up to the most exciting part — the announcement of the 2021 Saboteur Winners with some special new graphics especially for the 2021 Ceremony!
Check out Saboteur Awards Results, follow across social media and look out for bountiful readings on the You Tube channel as they Spotlight the winners from the end of May (26th) until July (4th).
Julian Bishop, Maggie Butt, Sarah Doyle and Cheryl Moskowitz are four well-published and prize-winning members of Poets for the Planet, who have come together to perform climate emergency poems and publish a pamphlet ‘Poems for the Planet’ (2020) with all profits to eco-charities.
Julian Bishop is a former television journalist living in North London. He was longlisted in this year’s National Poetry Competition and won the 2021 Poets and Players Competition. He’s also a former runner-up in the Ginkgo Prize for Eco Poetry.
Maggie Butt’s sixth poetry collection is everlove (The London Magazine Editions 2021) and a novel, The Prisoner’s Wife, under the name Maggie Brookes was published internationally in 2020.
Sarah Doyle is a poet and PhD researcher. She is widely placed and published, with a pamphlet of collage poems inspired by Dorothy Wordsworth’s journals – Something so wild and new in this feeling – published by V. Press in March 2021.
Cheryl Moskowitz is a poet, novelist and creative translator. Together with composer Alastair Gavin she runs the poetry and electronics performance series, All Saints Sessions, http://www.allsaintssessions.uk. Her recent pamphlet, Maternal Impression, is published by Against the Grain Poetry Press.
This was a great reading from a book which got swallowed a bit by the pandemic, like my pamphlet ‘Patience’, this collective of poets also saw the readings they had lined up for the promotion of this publication cancelled. This is an important book – as all books are- but the message here is even more believed from the year we have all just experienced.
Write a Book in 10 Easy Steps!
Blank page and no idea how to begin? This practical hour-long workshop is guaranteed to kickstart your inspiration. We will explore the nuts and bolts of what a satisfying story needs. If you want to write commercial fiction that readers will adore this workshop is perfect for you!
Cesca Major is a novelist and screenwriter. She writes books based on mysterious events and The Thin Place is based around the sinister happenings at Overtoun Bridge in Scotland – a place where dogs have been known to leap to their deaths. Cesca has presented shows for ITV West and Sky Channels in the past. She enjoys hosting or speaking on festival panels and films vlogs about the writing process. She runs writing retreats twice a year in the West Country and teaches creative writing courses for the Henley School of Art. She writes uplifting books under other names and currently has a TV series in development. Cesca lives in Berkshire with her husband, son and twin girls.
This was an incredible workshop to finish my festival experience and a true lesson in how much can be packed into a one hour session. Busily scribbled notes throughout and it was a delight to hear a truthful, honest account of a career writer. Lots of insight into the process of simplifying the big obstacles that stop people from completing projects.
Pulling off online festivals is no mean feat and you have, once again, been incredible.
Welcome to the 2nd part of week 1 – these are just snippet reviews from some of my festival experience. Enjoy your bite of SAHLF 2021.
NaPoWriMo drew to a close and May began, so too the first festival weekend. With a list of many great events programmed for the SAHLF.
All the featured books can be purchased in the S@HLF Bookshop here.
What We Do to Get Through
Q and A and discussion with author and editor James Withey about his new book What I Do to Get Through: How to Run, Swim, Cycle, Sew or Sing Your Way Through Depression, with writers Orna Cunningham and Georgina Woolfrey.
I remember James Withey from last year’s SAHLF. As I have already mentioned in these review posts, dealing with Mental Health and Wellbeing are essential movements in my life. When I suffered clinical depression (8+ years ago), I (like James) could not read, I couldn’t do anything for a long while. Due to being heavily medicated I mainly slept and even as I progressed with treatment it was a long time before I could look at words. I wanted there to be books to help, had there been it may have been a swifter recovery (but possibly not) and in truth, I will always be on this road. I did eventually find black rainbow by Rachel Kelly and that saved me, I blogged about it a lot and the book itself was one of the few available at the time from the perspective of a person who had suffered. I met Rachel a year later – there are some old posts about it all here:
Anyway, this long preamble is to say that these books, this issue are so IMPORTANT. I was amazed and heartened by the attitude towards the audience as this being our space, our time and how willingly people joined in the conversation. Brilliant to see as everything took a lot of guts and courage.
The impact of this session on me cannot really be placed within the framework of words or emotion. Those of you from here will know why.
What I Do to Get Through: How to Run, Swim, Cycle, Sew, or Sing Your Way Through Depression
James Withey is author of the bestselling book How to Tell Depression to Piss Off: 40 Ways to Get Your Life Back, published by Little, Brown in 2020. The follow up book How to Tell Anxiety to Sod Off, will be published in Jan 2022. He is the founder of The Recovery Letters project which publishes online letters from people recovering from depression, addressed to people experiencing it. He is the co-editor of The Recovery Letters book which was a World Book Night title and selected as a Reading Well title. Cosmopolitan magazine named it as ‘One of the 12 mental health books everyone should read’.
What I Do to Get Through: How to Run, Swim, Cycle, Sew, or Sing Your Way Through Depression, was published by Jessica Kingsley in Feb 2021. James lives in Hove with his husband and emotionally damaged cat.
Orna Cunningham is an editor, illustrator and designer. Hailing from Dublin, Ireland, she has been based in her adopted home of Toronto, Canada, since 2015. She has worked for titles like the Irish Independent, The Daily Mail, The Irish Sun, and Russia Today. She is passionate about destigmatising topics surrounding mental health, and apart from her work as a journalist, writes short stories, personal essays, and poetry, and presents the occasional podcast.
It was interesting to hear the genesis of this book and to listen to how various hobbies and the act of doing something helps manage this deep illness. Also loved the fact that James told us all about an Avocado he planted/nurtured and the next day it appeared on his Twitter feed.
Georgina told us the writing which was viewed over 90,000 times was written to try and explain to her friends and family how and where she was.
Home in Our Bodies
Was an incredible powerful event, a reading and a workshop activity. It was joy to discover the brave, honest voice of Aoife Lyall and the equal depth of Victoria Kennefick’s poetry.
Her first collection Mother, Nature (Bloodaxe Books, 2021) has been described as ‘crucial’, ‘daring’, ‘heart-rending’ and ‘staggeringly tender’.
Aoife Lyall (née Grifﬁn) was born in Dublin in 1987 and now lives in the Scottish Highlands. Awarded an Emerging Scottish Writer residency by Cove Park in 2020 and twice shortlisted for the Hennessy New Irish Writing Awards, her poems have also been shortlisted in the Wells Festival of Literature Open Poetry Competition and the Jane Martin Poetry Prize. She was longlisted for the inaugural Rebecca Swift Foundation Women Poets’ Prize in 2018. Her ﬁrst collection, Mother, Nature, is published by Bloodaxe Books in 2021. She has worked as a guest curator for the Scottish Poetry Library and as a guest editor for Butcher’s Dog. Her reviews have appeared in Browse, The Interpreters’ House, Poetry London and PN Review.
The writing points produced some page surprises for me, not least as I chose a different focal point for the first one and then discovered this had been chosen for the 2nd exercise, so I reverted back to the initial prompt for my second one.
This evet was a dream, if you have a chance to catch these two talented poets, please do.
Witches of Scotland Podcast – Claire Mitchell QC and Zoe Venditozzi
Claire Mitchell QC and Zoe Venditozzi talk about their Witches of Scotland podcast and their work to secure a national monument and apology for those accused of witchcraft during the Scottish Witch trials.
Claire Mitchell studied Law at the University of Glasgow and was called at the Scottish Bar in 2003, having been a solicitor in private practice since 1996. She specialises in criminal law and criminal extradition. She has built up a strong Appeal Court practice, with an emphasis on constitutional, human rights and sentencing questions. She has attended the Privy Council and Supreme Court on a number of occasions in relation to cases of general public importance to the law of Scotland. At the 2013 Law Awards of Scotland, she received a “Special Recognition Award” for her contribution to legal thinking over the previous decade.
Zoe Venditozzi is a writer and teacher who lives in Scotland with her husband and various children. She works as a Support for Learning teacher and also teaches Creative Writing in various settings. Her first novel Anywhere’s Better Than Here won the Guardian newspaper’s Not the Booker popular prize and she has just finished writing a book about madness and psychic phenomena.
This was a fascinating talk. One thing which amazes me is how much local history/National History we never hear about. I knew about the Witch Trials but had not realised just how many lost their lives in Scotland. In other countries, these trials form a central part of the area, here it is hidden, swept shamefully away.
And in the next event, I laughed for practically the full hour. Helen Lederer, I love you!
This was just a stunning, hilarious and insightful three-way conversation/ interview and reading. I am SO glad I didn’t miss it!
How to be Funny When the World is Far From It
Join the founder of the Comedy Women in Print prize Helen Lederer and witty authors Lucy Vine and Abigail Mann to talk about funny fiction, what it’s been like writing comedy when the world doesn’t seem funny, and whether humour has the power to unite us.
Helen began her career in stand-up comedy at London’s famous Comedy Store, as part of the early 80s comedians including French & Saunders and Rik Mayall. She wrote her first play aged ten and was an avid diarist which served her well when asked to reveal them in BBC Radio 4’s My Teenage Diary. On television, Helen is possibly best known for her role as the dippy Catriona in all five series of ‘Absolutely Fabulous’. She has written and performed several one-woman shows- ‘Still Crazy’ a sell out at the Edinburgh Festival in the 90’s, ‘I Might As Well Say It’ was a sell out in 2018. Books include, Coping with Helen Lederer (Angus and Robertson), Single Minding (Hodder and Stoughton) and Finger Food (Accent Press). Her comedy novel, Losing It, published by Pan Macmillan was nominated for the Bollinger Everyman Wodehouse Prize. She founded the Comedy Women Print Prize to celebrate witty writing by women in 2019.
Lucy Vine is a writer, editor and the bestselling author of novels, Hot Mess, What Fresh Hell, Are We Nearly There Yet? and Bad Choices, out 10 June 2021. Her books have been translated into ten languages around the world, with Hot Mess optioned for a TV series in America. She’s been twice longlisted for the Comedy Women In Print Award and also hosted the podcast and live event series, the Hot Mess Clubhouse, celebrating funny women. Her journalism has appeared in the likes of GRAZIA, Stylist, heat, Fabulous, New, Now, marie claire, Glamour Online, COSMOPOLITAN, The Guardian, The Telegraph, The Sun and The Mirror.
Abigail is a comedy writer living in London and surviving on a diet of three-shot coffee, bourbons, and vegetarian sausage rolls. She was born and brought up in Norfolk, which she says is to blame for the sardonic humour that runs through her novels. Abigail was the runner up in 2019’s Comedy Women in Print award for The Lonely Fajita and has recently published her second book The Sister Surprise. Abigail takes inspiration from unconventional cross-sections of modern society and the impact this has on identity and the relationships we create. When she’s not writing, she teaches creative workshops.
Readings from Katie Griffiths, Arji Manuelpillai, Courtney Conrad and Janett Plummer, introduced by the Director of Malika’s Poetry Kitchen, Jill Abram. Malika’s Poetry Kitchen (aka MPK, aka Kitchen) is a writers’ collective founded in Brixton by Malika Booker and Roger Robinson in 2001. It nurtures the writing, performance and careers of poets by emphasising craft, community and development.
Malika’s Poetry Kitchen (aka MPK, aka Kitchen) is a writers’ collective founded in Brixton by Malika Booker and Roger Robinson in 2001. It nurtures the writing, performance and careers of poets by emphasising craft, community and development. Jill Abram has been the Director since 2010. Under her stewardship the group meets for workshops on Friday evenings (the saying goes that, as MPK members give their Friday nights over to poetry, we must be very dedicated). Some sessions are led by members of the collective, others by guest poets from the UK and beyond, such as Kei Miller, Mona Arshi and Olive Senior. MPK Alumni include Inua Ellams, Warsan Shire, Kayo Chingonyi, Karen McCarthy Woolf, Nick Makoha and Aoife Mannix. This lively, London-based community of dedicated poets has inspired similar Kitchen models to be set up worldwide, from Chicago to Delhi, creating an international MPK family.
I’ve known about Malika’s Kitchen for years (since 2015), I have seen a few live events with members of the Kitchen and watched countless interviews (well, I could count them, less than 10) with Roger Robinson, Malika Booker or Jill Abram. I was not going to miss this event and I am glad I didn’t.
It was lovely to be reminded of the whole story, to be introduced to the newest member, Courtney Conrad and one of the original poets, Janett Plummer and to see and hear poets I know and or/have met and those I don’t know. A great mix of work in this reading. And I have to mention – Janett’s amazing balloon arch!
I recently attended Kate Griffiths Book Launch (and have seen her read over the years) and Live from the Butchery (Helen Ivory, Martin Figura & Kate Birch – IS&T) had a Malika’s Kitchen reading in March with Malika Booker, Jill Abram and Fahad Al-Amoudi – I have watched Jill and Malika reading many times over the years at various festivals and had caught some of Fahad Al-Amoudi’s work. In Lockdown1 – 2020, I was fortunate enough to be led back to Wayne Holloway-Smith and through him discovered Arji Manuelpillai just in time to make his book launch for Mutton Rolls.
So I was excited by the line up and knew this was going to be a golden event! And I was not disappointed!
As well as enjoying and listening to a variety of readings, Jill Abram introduced this new book, (which I was aware of). It is packed with poems from Malika’s Kitchen members, the title is how poets in this group were viewed 20 years ago. You can pre-order this book. Inside there are more than 60 new poems from members.
The poetry collective and I discovered this through a session Malika led and also a Poetry Society event, is international. Similar groups in this model have been set up and there is a section of the book where Malika Booker talks to this.
Published 5th August 2021
Again – if you missed this event, go and find it on the channel after the festival, treat yourself!
Welcome to the 3rd part of week 1 – these are just snippet reviews from some of my festival experience. Enjoy your bite of SAHLF 2021.
All the featured books can be purchased in the S@HLF Bookshop here.
Rejection and Building Resilience
This was a fruitful session, as one may expect. I have been writing for 7 years (*I subtract 2019) and in that time have learned the art of resilience. We all experience rejection, my success to rejection is about 50/50 which I discovered is higher than the average. Of course if I sent more work out that would vary, maybe up – maybe down. Generally it stays about the same between a yes or no. I appreciate submitting poetry is different to finding an agent for your book.
I trained as an actress originally and if you want an artform to teach you how rejection feels – become an actress. It stood me in good stead for this life. But it never hurts to hear about building resilience.
For twenty years Jenny Knight kept writing, through industry close-calls and other brutal experiences. She finally secured an agent–but, even then, the near-misses kept piling.
BIO:Jenny Knight is a prize-winning writer of short story, fiction and memoir and a contributor to Kit de Waal’s celebrated Common People anthology. Her writing on writing and the publishing world has appeared in Book Machine, National Writers’ Centre and Restless. She was selected for Penguin’s WriteNow 2018, a 2019 ACE/TLC Award, is a National Centre for Writing Case Study, has won or been listed in competitions including Bridport, Fish, Arvon, ACE/Escalator, Yeovil, Riptide and SWWJ and published in several anthologies. A freelance editor and copywriter, her publishing clients, including Macmillan, Simon & Schuster and Routledge, and she assesses manuscripts for Jericho Writers. Her agent is Jo Unwin.
It was great to hear Jenny Knight’s story – the honesty of failing and eventually coming back to writing, reaching a point where she felt she could try again and hearing the results of strength (that comes from feeling your life has been totally destroyed).
It was interesting to discover the statistics of success rates and to hear Knight talk of rejection as an ‘apprenticeship for our writing’, which makes sense. Any writer who has just edited a manuscript or had to rework a failing one will inevitably write better. You only have to look at a piece of work you did 3/5/10 years ago to see this.
Refreshing to hear someone saying let yourself feel the pain of rejection. And also to acknowledge this pain doesn’t seem to lessen over time or experience, just maybe our learning of how to deal with it.
I could go on, but don’t want to spoil it for anyone who would like to watch the post-festival videos and I would encourage you to do so! Visit the festival YouTube and arm yourself with some new/fresh outlooks on rejection.
I remember Jo Colley from last year’s SAHLF talking about this new press, so it was great to see this year they were here with poets. This was a reading I was looking forward to, discovering some new-to-me poets.
I admire the Press point of view that a pamphlet is a thing of beauty, a body of work in itself. It is true, in 2018 when I submitted my last manuscript, I had been imagining it as my first collection (and there were enough poems to make it so), but I felt the subject matter in such an extended format would feel too relentless.
After careful consideration – it was submitted and published as a pamphlet, Patience, which came out at the tail-end of 2019. I will eventually carve time to update AWF to include it! Patience can be bought here.
the dreamer’s ark features three of Paul’s beautiful artworks and is based on his daily walks to the beach, the changes over time. He talked about the magic of fog, this geographic region is not going to avoid bad weather, so it needs to be embraced. He talked about the act of collecting things on his walk and how the house has become filled with these. The affection Paul Summers shows for place was as captivating as his poems.
Matthew talked about how the poems in Prophecy is Easy were written in a short space of time, in March 2020, he wrote in bursts and how at the time he couldn’t see the pandemic and lockdown in them. For me I was still being carried into more oceanic scenes (here in the Midlands many of us we feel the tug of the ocean, despite being or perhaps because of our geographical distance, we are the furthest distance from the coast of this island)!
The stories behind Matthew’s poems, the reference points were great to hear, as enjoyable as the poetry.
It was a great reading from Bernadette, her poems cover an array of themes and reach deep levels with ease. History, memory, lives and love all heard in the few poems she delighted us with. Bernadette didn’t talk much about the poems, reading them was enough – allowed us the space around them we needed and they deserved. It was beautiful.
Degna’s pamphlet (The Port in the Darkness*) is forthcoming from the press. These poems came from a traumatic experience and hold power beyond words. Unflinching and honest poems, that capture the hopelessness and helplessness of the situation. These were poems Degna Stone wrote without thinking they would be seen/read. To write brutal truths masterfully is extremely hard, this award winning poet has certainly done just that.
*This title may not be accurate, I can’t read half of my scribbled notes from this session and haven’t been able to confirm with online searches.
Writing Happiness Workshop With Elspeth Wilson & Rachel Lewis
Rachel Lewis is a poet, facilitator and editor. Three Degrees of Separation, her debut poetry pamphlet exploring joy in recovery from mental illness, won the 2019 Wordsmith Prize and was published by Wordsmith HQ. She is currently working on a second pamphlet on her Jewish family history. She regularly facilitates writing workshops, and is a member of the Wriot poetry collective and Covent Garden Stanza.
Last year I attended Elspeth’s SAHLF Nature writing workshop and it was great, so when I saw she was doing another one this year, I knew I wanted to be there.
A series of short writing exercises were delivered in turn by Elspeth and Rachel, there were take-aways and future ideas generated and all in a fast paced yet comfortable atmosphere. It was freeing – no pressure.
I felt uplifted by the noticing where we can find happiness and as well as feeling good I got some writing done to mine for threads later.
If I thought April had been a whirlwind, I wasn’t quite buckled in for May!
I was enjoying off screen time in the garden, had already taken photos of the blossom and enjoyed the early Spring flowers.
You know it is easy to misremember how it was? I closed the last flashback with the realisation I had not travelled more than 1.5 miles from my home – actually my perimeter was a lot smaller in April. I hadn’t started walking outside of my home and the supermarket is not that far away so thinking back, the frame of my life was caught in a circle of 3 roads, just one small block of life!
This was the month it expanded to 1.5 miles.
I do remember I stayed in, if I wasn’t in the garden I was in the house. Most of the street were out in the back gardens, enjoying the sun, building new sheds, cabins, garden furniture, slides and swings whilst I was indoors fighting the good fight for Furlough or burying my head in the sand of a writing world that became my Narnia.
May started with more festivals: Avon Book Festival, Stay at Home Fringe Festival (organised by the Students/graduates of Glasgow Uni), The Urban Tree Festival and of course HAY (which I managed to blog in a timely fashion). Huge gratitude to everyone who has worked so hard to give creatives access to platforms and festivals at this time.
Big gratitude to Julia Webb for the prompt/course she ran this month. To Kim Moore for braving the online world of workshops and furthering my year of learning. To Carys Hannah who started a Golden Girls Watch Party, which reminded us what laughter is and made us all hope we get to grow old.
To Anna Saunders and the team at Cheltenham Poetry Festival for delivering a feast of poetic pleasure with numerous events and a great line up of poets. To Seren for creating a series of reading events, AWP for giving us a night with Joy Harjo (Poet Laureate of USA). For the universe for keeping my neighbour safe the morning she climbed up on our conservatory roof to clean and I couldn’t stop her!
Thanks to Helen Ivory & Martin Figura for events at the Butchery and to Jinny Fisher for her Poetry Pram Party. Thanks to Jane Commane at Nine Arches Press for videos, live readings and Book Launches, to Emma Wright at the Emma Press for Book Launches and webinar readings/Q&A. To Phillipa Slinger and Chloe Garner who moved Ledbury Poetry Festival and the Salons online.
This month I also enjoyed the Saboteur Awards and Book Launches for The Unmapped Woman by Abegail Morley (Nine Arches Press), Dorothy by Briony Hughes (Broken Sleep Books), Apple Fallen by Olga Dermott-Bond (Against the Grain).
And I finally realised online events meant we could travel after all… and travel I did, first stop back to Australia. I headed back to Perth and Freo. Thanks to all at VoiceBox. I reunited with some of the Perth crew at Zoomouth, which was brilliant!
I finished the 6 weeks Writing to Buoy Us course with Cath Drake and writers from Europe and Australia. I started a Hybrid Experimental course with Tawnya Renellehttps://tawnyaselenerenelle.com/ , who I also met through the Stay at Home Fringe Festival. And who also needs a huge shout out of gratitude. I was glad to help where I could at the beginning and have loved watching the take-off!
I completed work on the animations for Poetry Renewed with Elephant’s Footprint and wrote lots in journal form and a few poems. Covid had crept into the writing and I was attempting to not write about it in the beginning. And the BIG conservation started about the artists place in all this, whether it is our job or not to almanac the times (which is what a lot of writers/artists do). I believe most of us do, but also agreed that writing books about it probably wouldn’t even make it to the slush pile, of course I am sure there will be some, there already are. But I’m still processing last year and things which happened at the beginning of this one (pre-Covid).
May was the month: I realised my back can’t manage Yoga and gracefully I saluted the sun for one last time, started to walk in nature, used my walking stick for the last time (hadn’t needed it for 3 months), I blamed the yoga but looking at this it was more likely all that sitting at the desk! It marked the milestone of my first submission in 5 months! I have been very slow to get back on that horse!
March Lockdown was only a week – but those 7 days felt like a lifetime!
I was one of the many people who actually found life online a blessing, it was a way of staying connected during Lockdown and after a week I realised the Writing Community had gone full throttle into Teams, Crowdcast, Webinar platforms, Zoom (of course) and suddenly INSTA and FB were brimming with events, workshops, performances and festivals. I was a little slower to fill my diary as I was adjusting and juggling concerns for family, finances, future etc. (as we all were).
I realised having suffered depression and my year of incapacity last year (where I couldn’t be online for 6 months due to not being able to concentrate/focus/work/ use a desk/chair and was off social media for a while longer as by the time I finally reached the desk the manuscript was 5 months overdue an edit)! That this online connection is essential for some of us.
It was also a blessing as my body had time to heal, I wasn’t running ragged or trying to push driving distances. I also hadn’t found a solid way back into the poetry community after a year away. This exodus online, bridged that gap and gave me the ability to travel again – although it was a while (months) before I realised international waters were open!
I didn’t leave my home territory for the first month of lockdown and after that was only brave enough for one nature walk a week (it was still restricted back then that you can’t drive to walk and we live in an urban area), there are trees lining the dual carriageway, but we have a garden so I sat with nature rather than walking.
Looking back, I knew even then it was a gift that we had Lockdown in the Spring, for much of the world it wasn’t as warm or abundant with nature. A few months into lockdown I was one of two people wearing a mask to supermarket shop and only once or twice a month. Mr G. had to work throughout lockdown so there was always a possibility even when I was keeping myself from the world. So thank goodness for life online.
Of course there were strains and worries, fears and concerns, waking every day for months… well we all lived it right, it has been tough financially and I know people who were very ill with Coronavirus. I am choosing not to address it in these posts (other than excusing myself for not mentioning it in this first one).
At first my online meets were just for virtual coffees and a few regular events I attend which had moved online. I want to give a big shout out to Poets, Prattlers and Pandemonialists https://www.pandemonialists.co.uk a.k.a. Emma Purshouse, Steve Pottinger and Dave Pitt who have grown to adapt to many platforms this year but immediately moved events online and were making them fully accessible no matter what your situation, lots of hard work.
I am delighted that after putting the hours in and giving so generously they have maintained working status with lots of projects online. They always are busy people and it doesn’t look like they are about to let a pandemic stop that ethic!
Polly Stretton immediately moved 42 online, a regular event in Worcester that we have been enjoying on Zoom since March.
I was writing for a Worcester Cathedral Poetry Project, organised by their poet in residence, Amanda Bonnick.
And then Carolyn Jess-Cooke gave us the STAY AT HOME FESTIVAL – https://stayathomelitfest.co.uk/about/ the first in a long line of festivals online – it was brilliant and on a massive scale and conceived (as many things are) on Twitter.
I unfortunately missed the call (as I was working F/T until lockdown) but I attended most of the festival weekend and was lucky enough to be one of the showcase poets.
I will write an entire post about the festival, I was hugely grateful and it was also the beginning of filling my notebooks – (2 over this weekend), avoiding household chores and unpacking boxes!
By the summer I had secured a project I could work on (even in the state I was in) and I started to think about new writing. It had been a while, my Stanza meeting efforts were old poems saved in files on the laptop. I wanted to write again, the urge came a long while before the possibility – and like any writer I know one of the best ways to guarantee work is to find a deadline and write to it.
So I started looking for opportunities and found a call out for the Asking For It project curated byChloë Clarke and Gabby Ellison.
We are the ‘Asking for it’ exhibition. Our aim is to create a place for people to share and feel and come together over adversity. Through expression of art – in a variety of mediums such as film, photography, poetry, art and sound – the exhibition will take the viewer on a journey from the beginning to recovery and survival.
The exhibition not only looks at the experiences of the survivor but the societal judgements and miseducation around the topic of sexual abuse/violence. We believe that art is a powerful tool to express and empower artists and viewers, while educating those who have not experienced this.
I made a poetry film and submitted some poems. My poetry was accepted.
Unfortunately I was not able to read at the gallery opening as my physical health made it impossible to travel to London.
Private Gallery Exhibition Opening and Performances 23rd October.
It was a brave and successful exhibition. Here are some more photos from the opening night.