Category Archives: Writing Poetry

PROMO Cath Drake 2021 Courses

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My 2020 Lockdown involved writing. I scribbled my way through 14 notebooks (some of them were tiny). After a few weeks I designated it my year for learning. We are always learning.

One of the first highlights was Carolyn Jess-Cooke‘s incredible Stay At Home Festival, back in the days before Zoom security is what it is now. It was here that I came across Cath Drake and her inspiring debut collection ‘The Shaking City’ (Seren, 2020). I love discovering new (to me) poets, especially ones whose work I admire. By the end of 2020 I had a long list! I have never had such time to indulge in poetry and read, other than my isolated 2019 but I was not well enough to ‘use’ my time.

Cath launched her Writing to Buoy Us workshops, 6 weeks of reading, investigating/critiquing and writing poetry. Online workshops in small groups of writers from UK/Europe and Australia. Cath is Australian and has lived in the UK/London for many years now. It was the USP which attracted me, that and her mindfulness coaching. I knew this experience would be a positive (beyond writing) one and I was not wrong.

Shortly after Cath offered a Re-invent the Future course, along the same lines of Buoy Us but covering different content/ outcomes.

Now we are in 2021 and back in Lockdown 3 here in the UK and across the world, the internet is still packed with online courses. Cath Drake has more magic in store, I seriously recommend you go and check out her website. Treat yourself, book a course.

The first course kicks off Sunday 10th

Refresh 2021

– A journaling & mindfulness workshop to press refresh for 2021!

With guided journaling and a sprinkling of mindful meditation we’ll reflect on what we’ve learnt from 2020 and what we want for ourselves, our community and the planet in 2021 and beyond.

Find some inner stillness and connect with what really matters and what the heart desires. © Cath Drake, 2021

Find out more here https://cathdrake.com/refresh-2021/

Photo by Dan Gold on Pexels.com


2021 New Year Writing Shake-up

Start your writing year with a fizz of creativity. In this new year writing ‘marathon’, you’ll be guided through quickfire poetry, visual prompts and wordy challenges to keep your pen moving, outpace your internal critic, and find fresh perspectives & surprising ideas for new poems and stories. It really works for me and it’s loads of fun!

This workshop style is based on what has sparked my best poems last year,  plus prize-winning poems from others and even the beginning of a novel! Give your 2021 creative force! © Cath Drake

Find out more here https://cathdrake.com/new-year-new-writing/

Cath Drake is also offering Masterclasses with Glyn Maxwell, Malika Booker, Mona Arshi, Mimi Khalvati, Dai George, Cath Drake and many more! Find out more information here. https://cathdrake.com/poetry-masterclasses/

About Cath Drake: Cath is an Australian who lives in London. She has been published in anthologies and literary magazines in UK, Australia and US, and performed widely. Sleeping with Rivers won the Mslexia/Seren poetry pamphlet prize and was a Poetry Book Society choice. The Shaking City (Seren Books) was commended by the Forward Prizes for Poetry in 2020. Cath has been short-listed for the Venture Poetry Prize and the Manchester Poetry Prize, and was second in the 2017 Resurgence Poetry School eco-poetry prize.  Her work has included environmental writing, award-winning journalism and teaching mindfulness. Cath was writer in residence at the Albany Arts Centre café in 2012 and The Katharine Susannah Prichard (KSP) Writer’s Centre in Australia in 2018.

An innovative workshop leader and experienced facilitator, Cath has run workshops on creative writing and poetry as well as copywriting, life story, oral history, interviewing, radio and media, delivering workshops and programmes for a range of clients from senior professionals to vulnerable young people and adults; from small specialist or intimate groups to large groups in a festival tent of mixed ages.

Flashback Summer (June)

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For some reason I attempted Yoga again this month, Lockdown has made us all a little crazy, I think I did a fusion of Yoga and Pilates, basically the warm up and then filled in most of the class with exercise my back could manage.

I saw my first human being other than my mum and Mr G. since the beginning of Lockdown. It was my eldest nephew’s birthday. I stood in the garden, he stayed inside. It was the hardest not-hug to give/not give. Delighted I saw him. He couldn’t believe he was only the 3rd person I had seen since the end of March! By the end of the month I shared garden coffee with a few friends.

My actual travel/ life may have diminished to something which resembled 2019 (without the pain) but my screen life was exploding. I stretched my Zoom poetry wings further into Australia, out to New Zealand, Canada, Singapore, America and Coventry – if you have ever driven the route from here you will understand why I include that UK destination in amongst my international travel. Other local events found the wonders of Zoom and FB and moved events online. Library services also extended online content.

Poetry and writing has gone Global this year, writing is also (like baking, making sourdough, planting, painting and photography) one of the hobbies/ escapes people turned to. Even people who never appeared online have probably scribbled journals or feelings down at some points in this Lockdown. There have been wonderful local/ national/ international community projects popping up all over the place. Letter writing has become fashionable again, or at least it did before people realised the dangers of post. The world has creatively adapted. We have held each other (metaphorically) up in a year that made us all feel like we no longer had bones!

Photo by Porapak Apichodilok on Pexels.com

The other thing which began to take seed was the funding artists had applied for through the Arts Council. With this emergency funding came a flurry of projects and workshops. Funding was also received from other revenue sources.

PPP (Poets, Prattlers, and Pandemonialists) celebrated the Black Country/ Lockdown and isolation with Stay Up Your Own End – which offered people both a microscopic and magnified view of their locales as seen through the eyes of people with pens. It encouraged people who had never written before or never openly written before to pick up a pen and write. It was set up as a round of competitions, prizes included a video film produced & £25.

The judges/prompt writers for each round were local favourites of the Black Country poetry scene Richard Archer, Rick Sanders, Roy McFarlane, Kuli Kohli, and Heather Wastie.

PPP were commissioned by Creative Black Country to run a series of online poetry activities across the region.

Read more about it here: https://www.pandemonialists.co.uk/stay-up-your-own-end/

Louise Stokes provided bi-weekly writing classes under the ‘Let’s Write’ project. http://www.louiseland.co.uk/

I did workshops with Anna Saunders, Adam Horovitz, Liam Brown, Zena Edwards and joined Malika Speaks and Poets In Motion. I went to Book launches including The Estate Agent’s DaughterRhian Edwards (Seren), Wild PersistenceKatrina Naomi (Seren), Pack of LiesRoz Levens (Black Pear Press)

More Festivals and Events: ART IS… Festival, Trim (Ireland), Own It! Online Festival, Wirral Poetry Festival, Cheltenham Poetry Festival, Kit De Waal Creative Writing Wonder Women, Ledbury Poetry Salon with Philip Gross & Lesley Saunders. Sarah L. Dixon moved The Quiet Compere online and created a series of reunion shows. I made video poems for Wordcraft, PASTA, performed at Fire & Dust, 42, That Poetry Zoom, Perth Poetry Club, Poets’ Cafe and watched Dear Listener. Oooh Beehive, Run Your Tongue, Yes We Cant and others. Room 204 continued to support us with opportunities.

Personal highlights for the month (other than braving the company of friends) were:

A reading for the end of Writing to Buoy Us – Reading to Buoy Us with Cath Drake. The courses drew both established and new poets in from across the world.

Read all about it at Cath’s website here.

It was an uplifting event which featured both class groups and Australian poet Mark Tredinnick as the Guest Reader.

Writing and creativity are how most of us are continuing to process this pandemic 6 months later, the connectivity shared at this time was invaluable. It was special.

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Poetry Film Live Relaunched their website and featured one of my animated Poetry Renewed Films ‘Tailspin’ to Launch it. Like every business Elephant’s Footprint have adapted during this pandemic and shifted their courses online.

Exciting talks started with the committee about moving WLF online, we were holding off in the hope the postponed annual festival (mid-June) could be pushed back to early Autumn, by this time it became apparent that Covid was going to be with us for some time.

I took part in my first online SLAM (I don’t really do the SLAM poet thing but this was in Australia and I couldn’t resist). My poems appeared in the keepsake gift book the Art Is Festival released.

I wrote down submission opportunities and promptly missed the deadlines. Seems like I have the horse ready but a little unsure of getting back on!

Flashback Spring (May)

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If I thought April had been a whirlwind, I wasn’t quite buckled in for May!

I was enjoying off screen time in the garden, had already taken photos of the blossom and enjoyed the early Spring flowers.

You know it is easy to misremember how it was? I closed the last flashback with the realisation I had not travelled more than 1.5 miles from my home – actually my perimeter was a lot smaller in April. I hadn’t started walking outside of my home and the supermarket is not that far away so thinking back, the frame of my life was caught in a circle of 3 roads, just one small block of life!

This was the month it expanded to 1.5 miles.

I do remember I stayed in, if I wasn’t in the garden I was in the house. Most of the street were out in the back gardens, enjoying the sun, building new sheds, cabins, garden furniture, slides and swings whilst I was indoors fighting the good fight for Furlough or burying my head in the sand of a writing world that became my Narnia.

Photo by Pixabay on Pexels.com

May started with more festivals: Avon Book Festival, Stay at Home Fringe Festival (organised by the Students/graduates of Glasgow Uni), The Urban Tree Festival and of course HAY (which I managed to blog in a timely fashion). Huge gratitude to everyone who has worked so hard to give creatives access to platforms and festivals at this time.

Big gratitude to Julia Webb for the prompt/course she ran this month. To Kim Moore for braving the online world of workshops and furthering my year of learning. To Carys Hannah who started a Golden Girls Watch Party, which reminded us what laughter is and made us all hope we get to grow old.

To Anna Saunders and the team at Cheltenham Poetry Festival for delivering a feast of poetic pleasure with numerous events and a great line up of poets. To Seren for creating a series of reading events, AWP for giving us a night with Joy Harjo (Poet Laureate of USA). For the universe for keeping my neighbour safe the morning she climbed up on our conservatory roof to clean and I couldn’t stop her!

Thanks to Helen Ivory & Martin Figura for events at the Butchery and to Jinny Fisher for her Poetry Pram Party. Thanks to Jane Commane at Nine Arches Press for videos, live readings and Book Launches, to Emma Wright at the Emma Press for Book Launches and webinar readings/Q&A. To Phillipa Slinger and Chloe Garner who moved Ledbury Poetry Festival and the Salons online.

This month I also enjoyed the Saboteur Awards and Book Launches for The Unmapped Woman by Abegail Morley (Nine Arches Press), Dorothy by Briony Hughes (Broken Sleep Books), Apple Fallen by Olga Dermott-Bond (Against the Grain).

Photo by Jason Toevs on Pexels.com

And I finally realised online events meant we could travel after all… and travel I did, first stop back to Australia. I headed back to Perth and Freo. Thanks to all at VoiceBox. I reunited with some of the Perth crew at Zoomouth, which was brilliant!

I finished the 6 weeks Writing to Buoy Us course with Cath Drake and writers from Europe and Australia. I started a Hybrid Experimental course with Tawnya Renelle https://tawnyaselenerenelle.com/ , who I also met through the Stay at Home Fringe Festival. And who also needs a huge shout out of gratitude. I was glad to help where I could at the beginning and have loved watching the take-off!

I completed work on the animations for Poetry Renewed with Elephant’s Footprint and wrote lots in journal form and a few poems. Covid had crept into the writing and I was attempting to not write about it in the beginning. And the BIG conservation started about the artists place in all this, whether it is our job or not to almanac the times (which is what a lot of writers/artists do). I believe most of us do, but also agreed that writing books about it probably wouldn’t even make it to the slush pile, of course I am sure there will be some, there already are. But I’m still processing last year and things which happened at the beginning of this one (pre-Covid).

May was the month: I realised my back can’t manage Yoga and gracefully I saluted the sun for one last time, started to walk in nature, used my walking stick for the last time (hadn’t needed it for 3 months), I blamed the yoga but looking at this it was more likely all that sitting at the desk! It marked the milestone of my first submission in 5 months! I have been very slow to get back on that horse!

Flashback Spring (April)

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Photo by Irina Iriser on Pexels.com

April was Napowrimo and those of you who follow this blog will know I have done it every year since I discovered it existed (2014), this year – for the first time ever – I was home every day of the prompts and managed it without falling behind. As is tradition, by the end I was left with about 5 decent poems and another 5 to work with. Lots of new notes and scribbles, I did write 32 poems over the month but some are no more than a warm up exercise, you can whittle on after April and collect yourself a good batch of 30 decent poems, but as with all workshops some prompts will speak louder than others. There were some areas I continued to research and develop and other scrap poems I abandoned. Nothing wasted though.

Napowrimo was also the last time I was properly active on the blog. The Stay at Home Lit Festival continued (it was a glorious 2 weeks). I continued to enjoy events which moved online more from the PPP (Poets, Prattlers, and Pandemonialists) team, as another of their brilliant nights Yes We Cant happened online and PASTA (usually at the Wolverhampton Arena Theatre). 42, Worcester and Run My Tongue were other open mic events I joined.

I signed up to Caleb Parkin‘s Napo group and enjoyed weekly sessions with other poets (some of whom I knew) doing Napo. These groups were great fun. Huge gratitude to Caleb for creating such a pleasant space to create from.

Another huge gratitude bundle goes to Cath Drake, who I discovered at the S@HF. Her first collection The Shaking City (Seren) was launched in April. https://www.serenbooks.com/author/cath-drake.

Cath started a writing course for poets in Australia (her homeland) and UK (her home). It was incredible and again I will be posting separately on Writing to Buoy Us.

Discover more about Cath and her work here https://cathdrake.com/.

April was the start of crazy, for me it was a coping mechanism and also I was coming from that post-book release-writing-slump https://ninalewispoet.wordpress.com/books/, which followed on the back of the medicated break from writing, which I was convinced (at the time), had broken the camel’s back, so a certain amount of my packed scheduling was a liberation, a dance with words. It was also a sure fire way to bury my thoughts from what was really happening for a few hours most days. I was also trying to get over having to cancel all my real life bookings for a 2nd year running.

I read a lot, every writer should. But I have to say 2020 has opened me to more new writing and new to me poets than any year so far. So readily accessible at a touch of a button. The whole world at my writing desk.

Sarah L. Dixon needs another shout out of gratitude, she started to run workshops online, which were always fun and successful for me – as in I would always have a nearly completed poem by the end of it – I may have even submitted some of these out to the world and I have barely submitted anything anywhere since 2018.

A big shout out of gratitude to Zelda Chappel too – who it has been a pleasure to reconnect with. She offered a series of wonderful prompts which in the beginning refreshed my love for this gift of writing and over the weeks gave space for some different writing.

A big shout out to Mab Jones too who created Lockdown Writers’ Club and provided us all with in depth prompts and created a creative community.

I went to the book launch of Play – by C. S Barnes, The Shaking City by Cath Drake and Mutton Rolls by Arji Manuelpillai.

I started doing Yoga with Allison Maxwell who is another gratitude shout out, I helped people and artists learn how to use Zoom effectively, we celebrated the first birthdays online, never expecting we would still be doing the same by the end of the year! I started doing my pilates classes at home.

I finally joined INSTA as there were poets I admire doing things on this platform. My INSTA account is still nothing to shout about and I probably won’t be joining the INSTA Poetry movement anytime soon, but it is a great platform for short video/ workshops and has been fun exploring this year.

I took opportunities offered by Room 204 on developing characters, huge thanks to Stephanie Hatton for letting us be your guinea pigs, I hope the roll out went well. I enjoyed the National Ballet online, a workshop with The Poetry Business and started recording video performances for events. And I discovered the Cuirt Festival of Literature AND more importantly an Irish poet I had read in my teens, Michael Gorman – it was like being reunited with an old friend.

I also had the pleasure of watching Kei Miller and Carolyn Forché with Poets House and Roger Robinson with Writing East Midlands, all poets I have read and admire. I’m lucky enough to have seen Kei and Roger in action several times. These three poets started the pack of recurring poets who became a big part of my lockdown.

I was also working hard completing an animation commission from Elephant’s Footprint for the Arts Council funded ‘Poetry Renewed Project’. I wrote a poem for Rick Sanders PoARTry/ the digital version of his project. My ekphrastic poetry response was based on an artwork created by Alan Glover. I watched most deadlines zoom past and wrote covid and non-covid journals.

It was an action packed month which taught me: I was happy we’d had haircuts the week before the news of Lockdown, the forever-wanted GHDs probably weren’t going to be the most used Christmas present, that I was unlikely to run out of notebooks for a while, that the world is trying to hold itself together, that a smile goes a long way, that facetime and online platforms are a great way to stay connected, what it feels like to spend 5 weeks travelling no more than 1.5 miles from your home.

A BIG Catch Up

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It has been a long while since I was on top of blog updates. I have a lot of news to share. I am finally (as much of any of us are able to this year) back in the flow.

I read some of the 2019/20 posts I managed last night and was reminded of my Annus horribilis, but the truth is we all have them and for those lucky enough to escape them, this year we had a pandemic that shook the whole world.

When I mention in those posts I was off the meds, I was referring to morphine, I am still on daily tablets for both the neuropathy (which is unlikely to improve beyond what it is) and the chronic illnesses. But that’s the difference. They are this way now forever, this is me. From a life of daily medical appointments, physio and 27 tablets to one of 5 daily tablets and quarterly consultations. The pain is less intense and is liveable. Life is precious, 2020 taught everyone that. So like a bad relationship, I have to put it all behind me and move on.

Photo by Jean-Daniel Francoeur on Pexels.com

I am starting a string of posts to fill the gaps of 2020. This pandemic has been the worst thing most of us have ever experienced and I still feel guilty writing about the year in a positive way when so many have lost loved ones.

It gave us time to slow down and although I should have been more productive (I have a house to sort out) and could have made up some of the lost income by selling online (I have a lot of never worn/pre-loved clothes, books that I have read but are in perfect condition and size 5 shoes to offload, if anyone is interested) – and that’s on top of bags sorted for charity (but then not dropped off as they were all inundated with donations/ lockdown – shut them/ and now I am not sure they are taking donations yet). I could have worked systematically through my to do list…. could/should… tough thoughts when you think about what we face, just staying okay and not dipping into depression and anxiety is hard enough for us. So forgive yourself right now if (like me), you didn’t bake sourdough, exercise daily, read every book on your shelf, redecorate every room. You hung in there. Gold stars all round!

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At the beginning of it all I was very concerned (still am) but learning to live with it and feel less anxious. Not less cautious though, no Christmas bubble going on here! I disappeared into a year which has become my learning year. Which has been incredible, thanks to the generosity of many creatives who gave their time and expertise to provide so many of us with valuable options.

I have not been in a position to buy anything, I am far luckier than many I have some work again, I have a home etc. but I have also not lived this thinly since I was a student. I arrived in 2020 with the debt of not working for a year and then lockdown. But people have been very generous and I am very grateful and I will pay it forward when I can.

I have always been a fan of the pretty notebook, who isn’t? This year I unpacked them all and started using them. I have filled many books (approx. 14) with notes/writing/ideas. I finally started submitting again and managed to complete several projects / commissions and applications (the latter were unsuccessful). And I started to work again after 7 months of lockdown (I stayed self-isolated pretty much), that has been an adjustment!

And today (one year since the launch of my 2nd pamphlet Patience), my new website went live! I started it back in April 2019 – but wasn’t properly back at the desk until late summer so it became a lost project.

https://ninalewispoet.wordpress.com

As a run up to Christmas I am going to attempt a whistle stop highlight tour of 2020 and then plan a monthly dip in the Fountain again as we get on with 2021.

Thanks to everyone who still visits and enjoys the rambling reads!

Poetry Exhibition at the Jinney Ring

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March Review 2018

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This month I got stuck into two new projects, missed several events due to the snow, submitted poems, sent proof copies/edited Special Edition Contour Magazine in preparation for the next issue launch (April) ATOTC, organised a poetry exhibition at the Jinney Ring & a Hanbury Reading for the Sculpture Trail Poets, facilitated 1 community workshop and 2 school workshops, dressed as Little Miss Splendid for World Book Day, worked on a special celebration of poetry to mark International Women’s Day, finished my Reader in Residence residency at Rugby Library with WMRN, did Poetry on Demand for Mother’s Day, organised my official WPL remit World Poetry Day event, took my WWM Spark Young Writers group through the editing process, attended the final Room 204 17/18 cohort meeting, a Book Launch, celebrated Earth Day and worked pretty much full time as a one week contract turned into 3 weeks!

I now feel and look about 10 years older!

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Week 1: The Snow

I missed Images from the Past at The Hive, due to snow and a workshop and oakley’s Book Launch for the same reason.

I was booked for an exciting event as part of the Anchor Gallery in April and asked to do Stablemates – which I would have loved, but the date clashed with my appearance at Cheltenham Poetry Festival.

I facilitated the 1st of 3 workshops booked with The Basement Project, a charity in Bromsgrove. The first community workshop (in WPL role) was Arts & Words where participants created their own canvas. It was a successful morning and gave me a welcome break from the classroom. The snow meant we were thin on the ground, but those involved had a good time.

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Read more here.

 

Week 2: Planning, Poetry on Demand & New Projects

All of the final proofs from ATOTC were sent.

I planned my next workshop, this one at a school in Worcester. Gathering the resources and researching the subject matter. I missed Stirchley Speaks with Cynthia Miller as work is exhausting and I am busy online for most of the evening when I get home, mainly with ATOTC – now in proof reading stages with copy flying out to 46 poets.

I was booked as part of an event for this year’s Worcester LitFest alongside the new Poet Laureate (my time finishes on 10th June).

I attended an exciting meeting in Ledbury with Rick Sanders as he unveiled the 2nd PoArtry project. I have been buddied up with Molly Bythell – a talented young artist and cannot wait to make a start on this.

I missed the MeToo Anthology Launch in Birmingham because I was asleep before 6:30 after a particularly bad end to an otherwise good but tiring week of work.

On Saturday I had my WWM writing group and ran a workshop (at their request) on editing and we wrote about mum’s too with Mother’s Day being so close.

From Worcester I hot-footed to Rugby for a job as Poetry on Demand for Mother’s Day. I wrote bespoke poems and made lots of people very happy.

It was an exhausting but fun day!

 

Week 3: Workshops, Interviews & Book Launches

The week started with full days of work (a one week temporary cover  turned into 3 weeks full-time, with a day off for good behaviour/ I mean pre-booked workshops)!

On Thursday I filled an entire day with poetry to make up for all the poetry I had missed from being too exhausted after work!

My School Workshops at Blessed Edward Oldcorne Catholic College in October were postponed. I was delighted to offer new bespoke workshops to fit the work they have been doing on Monsters. It was a fantastic, fun morning and they thoroughly enjoyed it.

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You can read a review here

From there I hot-footed across to BBC Hereford & Worcester for my radio interview with Tammy Gooding, where I was able to promote WPD.

The evening saw 3 clashing events. I went to Math Jones’ Book Launch of Sabrina Bridge published by Black Pear Press. This was the 2nd collection I was asked to endorse and it is a magical read. It was wonderful to watch Math breathe fire into his work in a stellar performance. Being an actor helps! It was great fun and an opportunity to see Suz Winspear, Jenny Hope, Polly Stretton and Keleigh Wolf perform too.

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I missed Stanza but spent the evening prepping for my next school workshop next week, creating film clips and found poetry texts. I also wrote copy to promote World Poetry Day.

I had the final Room 204 Cohort meeting on Saturday at The Custard Factory, crazy to think nearly 12 months has gone already, the new cohort will be announced mid-April, exciting to think they already know who they are.

This was followed by a new project with Birmingham Museum and Art Gallery, encompassing two weekend workshops and a performance at BMAG – and involves using their digital archive. None of us really knew what it would entail but I am always up for an afternoon in a Museum/Art Gallery, notebook in hand.

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Wikimedia © 2018

It all sounded intriguing and I had a fun afternoon filling myself up with artefact inspiration.

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Birmingham Museums Trust © 2018

Sunday – a day of rest? No, Mr G and I are expecting some much needed work on the house and we spent the day clearing spaces!

 

Week 4 Workshops, World Poetry Day and Earth Hour

How is it the last week of March already? The week started with my Inter-School Gifted & Talented workshop at Bromsgrove School with the theme of Nature. nature-3231651_1920

Where I had prepared a film element in case our Nature Walk was eradicated by weather – the snow and a mini-beast storm was forecast over the weekend. It certainly rained!

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It was an action packed afternoon and great fun. A full review can be found here

I spent the beginning of the week (3 days) preparing for World Poetry Day, this was an evening event and the only official task I had to undertake in my WPL (Worcestershire Poet Laureate) remit.

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After months of preparation Wednesday 21st arrived and I spent the day with high alert butterflies and every organiser worst worry – will there be an audience?

It was a fabulous night! People came and enjoyed and all the performers were exceptional. A full review can be read here.

 

On Saturday I had the 2nd workshop for the BMAG Rebel Uncut Digital Archive project. This was my first ever Hackathon and a long day 8-6pm – on site from 10-5. It was fun working with techies and writers and seeing our initial writing inform a digital archive. Having opportunities to play with VR and AR. We all worked in teams and there was a series of presentations at the end of the afternoon, a constant flow of refreshments and lunch thrown in too.

I love opportunities for writing beyond the page and stage, it was a great experience to be part of and the last mark of this year’s Room 204 cohort.

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I followed my hour bus journey home with a power nap which meant I missed the first half of Earth Day. I made it to Worcester just after 8 PM which isn’t bad considering I got in after 6PM, had a power nap, prepared my poems including one written especially for this year’s Earth Hour Event and one I wrote on the bus journey in the morning, filled the car with petrol and made it to Worcester (can take up to 45 minutes).

Earth Hour was a brilliant event, as always. Organised by Martin Driscoll and in Support of WWF and Earth Hour. It was held at Cafe Bliss and the food (which was included in the ticket) was exceptional. Traditional Belize. Amazing, I can taste it now over a week later writing this blogpost!

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The Final Week 

Was mainly work. I didn’t get the writing done I had scheduled. I missed all of my end of month targets, I could kick myself… but I am choosing to go easy on myself. I have had a full-on month and do not want to submit substandard work for the sake of ticking off a deadline. There will be writing time in the future and until then I am writing bare bones and noting ideas.

I missed the 8th Birthday at 42, as I had been to the ROH Ballet the night before with mum *a Christmas gift from Mr G. We both had a thoroughly enjoyable evening but with a full week of work, I arrived home exhausted on the Wednesday and was asleep by 8:30 pm.

I managed some work on the Art Poetry PoArtry Project for Ledbury, Molly Bythell (my partnered artist) and I have started laying out groundwork for our collaboration after exchanging artworks/poems. Her painting inspired by my poem (published by Silver Birch Press Me In A Hat series)

hat-cover2 has been added to her website and I am currently scaffolding a poem based on her work ‘Flower Gel’.

I also had communication with the Festival team in Perth, Australia. My trip is in planning stages and I am excited to find out more about the festival programme. I know I am able to attend as much as I can manage.

Hopefully will be fully over jet lag during the pre-festival. Last time I went over (2005) my jet lag there was almost non-existent – cancelled out by adrenaline. It was coming home I faltered. I was talking to my friend who did the airport run and just fell asleep on my rucksack mid sentence and on the lounge floor. I do have a 20 hour lay over, so hoping that will help the lag if I play on GMT/UK time.

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Then I had the Easter weekend off with Mr G. to catch up with family, enjoy the warmth of our house – new boiler fitted this week after 3 months without heat or running hot water! Glad to be back in the 21st Century with that one.

I have an exhibition to organise that I am a week behind on, due to working.

In April aside from NaPoWriMo (now GloPoWriMo) – I have the Special Edition Contour magazine to edit and compile for the ATOTC Transatlantic Poetry Project, I may have a talking paper interested in some work on that and have future plans for performance and publication. It has been my main project as WPL and has been a steep learning curve tinged with fun!

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I am also getting a smaller European project off the ground with new poetry partners between Twin Towns next month. Our Suffragette Collection will also go live. The rest of the month is a packed schedule of  workshops, festivals and performances.

 

So I took a very deep breath over the holiday weekend and have plenty of chocolate eggs in reserve.

Oh, and I am going back to work full-time, a temporary measure to cover summer living (as there are 3 months a year I don’t earn any money) and this year had a record 10 days over a 3 month period, so this just plugs the first term being so bad.

Onward!

 

Verve Day 3 Saturday 17th (AM)

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I will link to the official review/blog posts over on the Verve website as soon as they are live. For now, here are some thoughts and LOTS of harvested photos. Verve © 2018 unless otherwise credited.

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^^^ This one is actually from 2017 – but demonstrates how I felt energy wise for most of the morning, on just 4 hours sleep…

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Another wild day at Verve Poetry Festival, an action packed programme and a FULL DAY of poetry. Fortunately, having survived the 4 day run of almost every event last year – this year I was prepared (Trail Mix, seat cushion, ballet pumps, a fresh t-shirt etc.), having said that, I stayed up far too late Friday night writing blog posts and overslept!

This meant I missed Cynthia Miller’s Poetry Breakfast and quite possibly some of the most creative conversations to be had about poetry.

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Plus a bit of food (it was 4 days before I had a proper meal)! I did manage to get from bed to the train station in record time and caught the tail end of the event (there was still half an hour of it, but today was a day of Workshops).

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PeyPey © 2018

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Workshop with Karen McCarthy Woolf to start the day – yes please! I won this workshop as a prize for coming 2nd in the Haiku Poetry Slam at Grizzly Pear in December. An amazing event, a fabulous prize and a good way to start the day. The forms she covered were ones I knew (but with a tired brain this was fortunate), her workshop got my mind rolling and resulted in a few works in progress. I was already inspired by the reading from the night before. I just need to book myself some writing time… may use that 20 hour lay over in the summer!

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Bookgig.com © 2018

Karen McCarthy Woolf, Sasha Dugdale & Mir Mahfuz Ali.

The City Poems Book Launch clashed with the Workshop, but I caught the very end of it. A great anthology.

 

The Verve Press had a fair amount of exciting announcements this weekend including up and coming collections. The mystery of Casey Bailey’s next publisher – solved!

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Verve Poetry Press News

From here I hit Level 6 (inner sanctum) for my 2nd workshop with Sasha Dugdale. I thoroughly enjoyed her set the night before. Her workshop looked at Memorial and writing poems for/to our unsung heroes.

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For the first time in ages I found myself unable to complete a poem in the workshop, but do have a skeleton of an idea. I was mightily impressed with the workshop poetry read, there were some highly acclaimed poets in our group.

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Offord Road Books  © 2018

By the afternoon, after such a busy morning (mentally), I felt exhausted but I went straight back to the main stage and snuck in on Stablemates Offord Road Books with Jill Abram.

 

Cheltenham Poetry Festival 2018 – Power

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It is that beautiful time of the year again when Cheltenham Poetry Festival reveal the programme and tickets go on sale!

 

 

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Cheltenham Poetry Festival 2018

18 – 30 April, venues throughout the town

https://cheltenhampoetryfest.co.uk/

Visitors to Cheltenham Poetry Festival will have the chance to fight the power, at least with a pen – this Spring.

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The Festival, which has been described as ‘ A poetry party with a healthy dose of anarchy’ by the Guardian offers a jam packed programme of readings, performances, cinema, music and socially conscious workshops all inspired by a theme of ‘power’.

On offer this year is a workshop with poet Peter Raynard called Fight the Power and plus David PunterProfessor of Poetry at the University of Bristol talks about anarchy, capitalism and political poetry.

The Eighth Cheltenham Poetry Festival celebrate the power of words in a programme of exciting live literature events, challenge the abuse of power in a series of outspoken readings, empower lives with inspiring and innovative community activities and powder keg your poetry with our potent workshops.

Highlights of 2018 include BBC Radio 6 Music’s Poet in Residence Murray Lachlan Young – ‘A rock ‘n’ roll poet of our time’ (Chrissie Hynde),‘Chap hop’s leading exponent’ (The Wall Street JournalProfessor Elemental, Salford rising star JB Barrington, hip hop artist TrueMendous,  ‘the missing link between Jarvis Cocker and Roger McGough’ (Irish TimesVinny Peculiar, internationally acclaimed writer Amir Darwish, ex judo champ turned poet Owen Lowery and TS Eliot Prize winner Jacob Polley.

As ever the Festival welcomes some of the UK’s most important contemporary poets to the Festival. They include Jonathan Davidson, Martyn CrucefixSam Willets, Costa- Prize winner Jonathan Edwards, Rishi Dastidar, Pat Borthwick, Gill McEvoy, Peter Raynard, Tom Sastry, Wayne Holloway Smith,  Cora GreenhillAdam Horovitz, Jane Commane, Chrys Salt, Nina Lewis, Rachael Allen, Patrick Mackie and Ben Wilkinson to name just a few!

Also on offer are poetry film showcases from Elephants Footprint, a screening the critically acclaimed film Love Somehow – a poetic re- telling of Caitlin’s Relationship with Dylan Thomas (staring Griff Rhys Jones as the voice of Dylan), Scarestories – a multi-media dystopian vision of the western word featuring poetry from David Clarke and the chance to explore local history with Angela France’s praised poetry show The Hill. 

Read more www.cheltenhampoetryfest.co.uk

 

‘ A poetry party with a healthy dose of anarchy’ – the Guardian.

‘Talks, walks, workshops and lots of lovely poetry take the streets of Cheltenham to a higher plane for this yearly celebration of all things lyrical’. METRO UK

‘One of the foremost poetry festivals in the country’. Hamish Wilson

Cheltenham Poetry Festival 2018 (18 Apr 2018 – 30 Apr 2018)

The biggest and best yet!

A Tale of Two Cities Project Go Ahead!

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© 2017 Worcester Cathedral ‘Christmas Tree Festival’

Since July I have been working on a Transatlantic Poetry Project with members of the Poetry Society in Worcester Massachusetts. Finally the proposal has been agreed and the next stage of acquiring poets to buddy up has begun.

An exciting Christmas gift! Find out more about TToTC project here.

 

 

Worcestershire Poet Laureate