Category Archives: Editing

February Review 2018

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Love Promo 2

Week 1: 

I started the month with my editing hat on. Submissions closed for Contour (digital WPL magazine), the 2nd Issue – ‘Love’, scheduled for release 4 months after the 1st Issue ‘Place’. My plan was to have 3 to 4 magazines during my tenure. I will successfully manage that, there is a Special Edition coming in April for the ‘A Tale Of Two Cities’ Project and then in June on the day I hang up my Laureate crown and watch the new Laureateship launch, I will release the final issue.

It has been a steep and brilliant learning curve and a real pleasure. It has been a great opportunity to discover talented poets on a National and International level too.

Whatever else I think, I can rest soundly knowing that I promoted poetry and offered abundant opportunities for writing during my year. I have 3 months (I like to say a quarter of a year because it sounds longer) left, but already the competition is open to find the next Laureate and the feelings of being bereft are already settling. I shall find ways of dealing with this. Such as embarking on International Poetry Adventures and writing my first collection. But I am sure it will feel a little strange.

I also spent an incredible amount of time on the ATOTC project, which again has been a huge bite to chew, but I have loved every minute. It has certainly taught me a thing or two. The Response poems are coming in and it is wonderful to read the interpretations of the Call poems. I am slightly worried that the whole project may total over 200 pages… certainly enough reading material to keep you busy on a rainy day!

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ATOTC is my main WPL project and it has certainly been the biggest. I am incredibly excited by the next stages of the project and the plans I have for it beyond that. It is going to be magnificent!

I edited some poems which had been waiting patiently in the wings and finally started working on my own response poem for ATOTC. I wanted to get it cast to paper before the weekend as I have a chance to edit it.

Things are intentionally quiet on the performance front with most of my attention set for Verve Poetry & Spoken Word Festival in Birmingham, mid-February. Other than this I am busy with desk tasks and workshop preparation.

This week I prepared for a meeting for a Gifted and Talented Workshop I am doing, I am excited as it involves multiple local schools.

I also prepared for my final session/workshop at Rugby Library as the Reader in Residence.

I attended an editing group at the weekend where my ATOTC was fine tuned and is now a strong pastiche of Linda Warren’s poem. Look out for the Special Edition Contour in April to read our Call & Response poems.

I took a booking for National Poetry Day. (4th Oct.) after which I will be heading off to Swindon Poetry Festival.

 

Week 2

A very busy start to the week editing Issue 2 of Contour Magazine, working out the running order and formatting. It took an inane amount of time (roughly 3 days), lots of difficulties on the technical side of desktop publishing – but the results were worth it.

 

I had a meeting regarding school workshops booked for March, which was fabulous. I am very excited about this workshop.

bromsgrove school theatre Andrew Haines © 2017

The following day I drove to Rugby Library for my final Reader in Residence workshop. It was a small group but a wonderful morning and those in attendance enjoyed it.

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I am writing a Guest Blog Review for the library and will link it back to AWF. My Residency finishes in March and I hoping for one last trip to the library for something special, more on that soon.

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I planned my Suffragette Workshop for Saturday at The Hive, started work organising the poetry events for the summer ArtsFest in Droitwich, sent emails to successful contributors of Contour and took a booking for Brum Stanza.

I also started prep for Verve Poetry & Spoken Word Festival (15-18th Feb.). This year I am the Official Festival Blogger, last year I blogged about most of the events and attended pretty much the entire festival (which is no mean feat – with a packed 2 day weekend programme, workshops and events on the preceding evenings), worth the exhaustion though and I also wrote a full review for Sabotage Reviews. This year, I have arranged to write the review for them again and have booked my workshops (one of which I won by coming 2nd in the Haiku Slam at Grizzly Pear) and have my new Kindle Bluetooth Keyboard Case (Christmas present) all ready. Look out for lots of updates, I shall be sharing from the Verve official site.

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Thursday I went to SpeakEasy which was Headlined by the wonderful Jenna Clake and I enjoyed her set from Fortune Cookie, which won the 2016 Melita Hume Prize for Poetry . It was a vibrant evening of poetry and even though I was shattered, I had a great night. I shared a couple of city poems and it was good to catch up with Jenna before Verve.

JENNA SE Watch out for an Interview with Jenna Clake in the Contour Issue 4 (June).

You can buy a copy of this award winning debut collection published by Eyewear here.

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Friday it snowed (which is as exciting as anything writing related), I was working in a school on the hills and was slightly concerned about getting home, but it had melted by then!

I also had Stanza where I took my Contour Love Poem for some editing treatment, it was a lovely evening, filled with poetry and critique. It was good to reconnect, I missed our December meeting due to being too tired after work and January from ill health. It was good to be back. Also a new exciting opportunity was discussed.

Saturday was a busy writing day, I had my WWM group in the morning, who used the Royal Society of Photography Science exhibition to inspire Science Fiction writing.

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This was followed by my Suffragette Workshop in The Hive, Worcester. The workshop was attended by 11 people and I was happy to see a mix of friends, strangers & people who have followed my WPL projects online. It was an informal, whistle stop creative session of just an hour (which worked particularly well for those who left partners in the Hive’s cafe). It was fun and I have already started to receive work for the anthology.

The exhibition runs until 23rd February and can be found on Level 2.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/02/11/open-submission-suffragette-poetry-exhibition-workshop-the-hive/

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Mr G. and I went to see Cloudbusting (Kate Bush Tribute band) again, the 4th time I think, this time they had a full stage with Media show, which we had not seen before! The next day I was busy editing Contour Magazine – YES! For the WHOLE day!

 

Week 3

My first full writing day in over 2 weeks and I planned a whole list of writing tasks (none of which were actual writing)… however, I spent another whole day on the magazine. It was finally live by the evening.

With a reach of over 600 readers already (in less than 24 hours). Issue 2 has a fine collection of love poetry, a load of Interviews with Pete The Temp, Jeff Cottrill, Amy Rainbow and Sharon Carr and a list of Top Poems voted by the public and is well worth a read.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/02/12/contour-issue-2-love/

Please share the link.

Contour Issue 2

I also booked my flights to Australia – where I am an International Guest Poet at the Festival in Perth (August), this made it very real! I also shared this news, which I have been sitting on since November.

I shared the next stage of the Suffragettes Poetry Project with workshop attendees and attended a Worcester LitFest Committee Meeting. There have been many changes to the team since I took up the Poet Laureate post, it was an agenda packed evening. It also helped me finalise plans for World Poetry Day (21st March) my official Laureate remit event. It should be great.

I have since worked on publicity and marketing but as ever with organisation, need to wait for one confirmation before I can go live!

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I have been busy working through Response Poems (ATOTC), dreading the proofing stage with over 40 poets… but we have a good stock of coffee and I plan to use Half Term to get the majority ready.

I received my copy of mind anth a wonderful book, brainchild of Isabelle Kenyon. I have yet to read it in full. I have dipped in. A great collection of poems and funds raised with be donated to MIND – Mental Health Charity. I will be writing a full blog post soon to promote this project.

I had my BBC Hereford & Worcester Radio Interview with Tammy Gooding and this month it was a slightly extended recording due to us discussing love poetry and the work of Pablo Neruda! It was fun and I shared the love poem recently published in Contour.

http://www.bbc.co.uk/radio/player/p05vtpj5

_46552672_sticker_localradio_hereford From 1:52 & 2:20

All performers confirmed World Poetry Day & marketing & promotion was set to GO!

WPD FLYER 2018

The deadline for ATOTC response poetry was 15th February & knowing what a huge undertaking it is the proof copies are already leaving my inbox… about 10% proofed & approved in 2 days.

I finished my 3rd book endorsement and am very excited to read a bound copy of this collection soon.

And then there was Verve!

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Verve Poetry Festival (with links to my official blogs)

I spent 5 glorious hours in Waterstones, 15th Feb. then 6 hours writing & editing the official blog reviews.

https://awritersfountain.wordpress.com/2018/02/15/verve-ready/

https://awritersfountain.wordpress.com/2018/02/16/verve-day-1/

After very few hours sleep I was back at the Festival on Friday night

https://awritersfountain.wordpress.com/2018/02/17/verve-day-2-friday-16th/

And then spent my entire weekend there.

https://awritersfountain.wordpress.com/2018/02/21/verve-day-3-saturday-17th-am/

https://awritersfountain.wordpress.com/2018/02/21/verve-day-3-saturday-17th-pm/

https://awritersfountain.wordpress.com/2018/02/21/verve-day-4-sunday-18th/

Since this wonderful festival full of verve… I have been busy writing the official blog reviews which are being drip fed onto the official blog.

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Read more of them here

Week 4 

Started with jet lag, which is the only way to describe the post festival haze of Verve. Wise to this, having attended the full programme last year too – I made sure the diary was empty and the bed was full! I slept, I ate my first meal for 5 days and I hit the desk.

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Writing Verve Reviews, sending proofs for ATOTC, working on bids, sent promo for an event I am part of at the end of end of April, Bohemian Voices organised by Steve Soden and slept some more!

Fortunately it was half term this week so I didn’t have to juggle work into the equation. I mainly worked on proof copy for ATOTC Special Edition Contour magazine and had meetings.

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Starting with Room 204, one of the main attractions is the 1 to 1 mentoring with Jonathan Davidson. It was a productive and useful meeting and I have come away with a page of tasks to incorporate into my work and gold-dust that I needed to acknowledge.

I met with Carolyn Baldwin at the Jinney Ring to finalise the exhibition of our sculpture trail poems from the workshop in September. The poems will be on display in the restaurant for the whole of April. Wonderful news AND even better news for me I have secured future Sculpture Trail workshops. So there will be a new one in September! Carolyn also sent me home with a generous portion of cake! Always a bonus – perfect meeting requirements I would suggest.

A New Design (5)

On Thursday I met with Stephen Evans, one of the DAN artists involved in the Hanbury Hall event. My poem has been displayed alongside his artwork in exhibitions in January and now this month too, so far it has been part of Maltstones Exhibition, an exhibition in the Library and now in Parks Cafe.

Stephen showed me a family album from WW2 at the reading event for Hanbury Hall Poets back in November. I used it as primary source inspiration and managed to write 4 poems or so but it is a precious object and I feel much happier now he has it back.

Thursday Night I went to support Claire Walker who was headlining at The Caffe Grande Slam in Dudley. Ian Glass and I found ourselves unwittingly signed up for the slam. I don’t Slam.

It was a fun night and a great little cafe to be in on a cold night. Ian smashed the slam and won! He goes back in April to perform a 10 minute set.

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He also won the Xylophone of Mirth, but as he had driven us all to Dudley he wasn’t able to play it all the way home!

Jean Atkin was facilitating a workshop at the Bishop Castle Artsfest that I had hoped to attend, but our boiler is broken and I had to be home for the engineer. I spent most of the day at the desk writing for Verve, the boiler is still broken.

On Saturday I had a workshop with Angela France, it was a great session and I managed at least one poem and have a page of potential other poems.

On Sunday, whilst writing a poem for a Festival Anthology (more on this soon), I unearthed another line of writing I want to pursue, I have 3 pages of notes to return to at a quieter time (perhaps 2019). The exciting element is they balance something I am already working on.

The Extra Days

On Monday (after turning up for work and discovering I was a day early) I went home and wrote copy for a Worcester News Article promoting the Poet Laureate competition. Jess Charles jumped on it and it was live by the afternoon.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/02/26/3769/

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I also worked on my first ever Grants application and booked a workshop in May.

Tuesday work was cancelled, it started to snow (we have no working boiler) and I spent 14 hours completing my application. 14 hours. A steep learning curve – on evaluation I will give myself a month to complete the forms next time!

I took on a temporary teaching position for a fortnight (just in time for World Book Day) and drove in the snow! I went to see the Royal Ballet Live Screening of The Winter’s Tale (one of my favourite Shakespeare plays), a present from Mr. G’s mum for Christmas. It was amazing!

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And a special way to end the month.

 

 

 

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A Writing Life – Researching, Planning & Editing

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When you are a writer research, planning and editing are the cornerstones of the process and all go hand in hand. When you are a poet they may not even be connected to the same project! I find myself spinning 13 current projects, all made from something sturdier than porcelain, thank goodness.

Since the beginning of February I have been collating 2 issues of Contour Poetry Magazine, researching several subjects for my own poetry and for workshop preparation. I have been planning a school workshop for the past month (booked in November for March) and recently (a few days ago) decided to organise and promote a workshop to mark the centenary of the Suffragettes based on an exhibition Suffragettes, Voters and Worcester Woman currently on at The Hive.

I also started preparing and promoting my next WMRN Reader in Residence Workshop, which takes place today in Rugby Library.

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https://www.eventbrite.co.uk/e/writing-a-book-review-workshop-at-rugby-library-tickets-41275431928

It is a good job I have given myself the week off from events and performing! I am currently working the final edits for Contour Poetry Magazine Issue 2 – Love. Love Promo 2

 

 

The ATOTC (A Tale of Two Cities) Special Edition of Contour is due out in April. The 47 poets involved in this project are now at the final editing stages and submitting their response poems. The Call poems are all set ready for proof stages and I have until the end of the month to organise the other half of this publication.

There are more plans in action for the next stage of this project, more on this soon.

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I have taken more bookings, one for a festival in October and another for an event in April, more on these soon too.

I am reading a manuscript that I have been asked to endorse, very happily. It is my 2nd reading of it and I have already committed to some words, but need to finish the edit this week and get the wheels rolling on that one.

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I have started to organise World Poetry Day (21st March), part of my official Poet Laureate remit for Worcester LitFest.

I am currently on the look out for Little Poems (10 lines or less), they can be previously published as long as you retain the copyright and cite where they were first published.

I started work organising the Droitwich Arts Festival (poetry element) again this year. More on this soon, the festival takes place in June/July this year.

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When you dream of being a writer, you dream of writing. This is part of the dream – a very necessary part… but when you obtain that dream, even before then, you quickly realise the reality is layered with the addition of hard work. Being inundated with a plethora of tasks every day just to set the writing right. It is a good job that my career before this was perfect training, an In Tray that always got filled with more IN and was never empty, multi-tasking every minute of the day and having to trudge through a lot of tasks that made you dream of having a PA! Just like in my previous career, they still all need to be done.

Some days the writing is just the time you reward yourself at the end of the day after all your hard work!

If it wasn’t hard work it wouldn’t be worth it though, isn’t that what they say?

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Monthly Review January

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January started with a very Happy New Year and then winter germs got the better of me. Instead of starting back into the world of poetry (after a 3 week break), I had to miss Stanza and Cheltenham and spent the entire weekend in bed!

Week 1:

I usually break these posts into weeks and there is nothing to report for Week 1 other than I managed some time at the desk and whizzed off all the business emails which needed to be sent. There are several Worcestershire Poet Laureate projects I am working on: a couple of exhibitions to organise and a Transatlantic Poetry Project. I am also researching funding for the summer and have several events to prepare for.

I had my first successful submission for the MIND anthology, who are publishing ‘Human’.

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Week 2: 

Mr G. gifted me the Mslexia Diary (which I have wanted for years) and it was full of work this week. I saw Casey Bailey headline at Licensed to Rhyme on Monday and practised my ‘Light’ poetry set for the event in Stratford-Upon-Avon later this month.

It was a lovely evening, even if I wasn’t 100% better. It was good to reconnect with everyone after Christmas. It was a good evening of poetry and my spirits were lifted.

On Wednesday I went to Permission to Speak where Claire Walker was headlining with her new pamphlet Somewhere Between Rose and Black

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A good evening with a mixture of poetry and prose and again lovely to reconnect to Black Country poets and the PTS crowd. Rob Francis was on top form and there was a good amount of audience as well as performers. A thoroughly enjoyable and lively evening.

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Claire is a well-known poet throughout the West Midlands. With poetry published in various online and in-print collections, AND two solo publications to her name (The Girl Who Grew Into A Crocodile and Somewhere Between Rose and Black), Claire has a wealth of heartfelt material to draw from. Her poetry is intricate, gentle, and beautiful – and she’s the perfect antidote to your January blues.

On Thursday I went to SpeakEasy where Claire Walker was headlining – it was fabulous to see a good crowd and lots of new faces. I enjoyed listening to all the sets and also had a sneak preview of Suz Winspear’s new collection ‘The Awkward People’ – her Book Launch is on Sunday and I am one of the Guest Poets.

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On Friday I discovered a writing opportunity that I wish I could have applied for but looking at next week’s schedule would have had to let a lot of people down, so I resisted the temptation. Needless to say it would have been a wonderful experience, but after Christmas it is equally important to earn some money. Arvon, is all I am saying!

I missed an application for a commission/project which was also a paid opportunity, it involved doing some work in London and the dates that were offered were once again already fully booked, so I did the sensible, honest thing and didn’t apply.

I am hoping that the holes created by these two lost opportunities will be plugged later this year with shiny, new ones, when the good karma coach comes back around.

I did discover two new opportunities that I could get my teeth into, one is an electronic study course that I should start receiving emails from tomorrow and the other is a Roadshow which may be beneficial to my funding research. This clashed with  the Cinnamon Press Showcase at Waterstones, frustratingly on the opposite side of the city but it was postponed, so I haven’t missed it after all.

I was due to spend part of the weekend at a Room 204 Talk but it has been postponed due to the facilitator having what I had at the beginning of the month.

On Sunday I received news of another 3 poems being published. One ‘A Hands-on Approach’ is a strange duck from NaPoWrimo 2017 is to be published in the Diverse Verse Anthology later this year. Deborah Alma put a call out for #Me Too poems and although mine did not make the collection (due to being too similar to work already accepted), they will appear online on the website. Vik Bennett – editor of Wild Women Press is working with Deb compiling a digital legacy for the project. I received two proof copies to read through and just had time to get my ‘Akward People’ set compiled and rehearsed for Suz’s Book Launch.

Suz Winspear’s Book Launch for The Awkward People was a fabulous afternoon, plenty of people turned out on this cold, wintery day to enjoy her work. Guest Poets included myself, Holly Magill & Kevin Brooke and Kieran Davies was MC. After a short introduction from Rod Griffiths (Black Pear Press Publisher) we had an entire afternoon of poetry to enjoy. Suz was in her element and it was great to hear her read from this new collection.

I of course bought myself my very own shiny book and had Suz sign it. A thoroughly enjoyable book launch and I cannot wait to read it cover to cover.

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Week 3: 

Cheltenham Poetry Festival Marketing got underway. I will be performing in the festival April 26th. Nina Lewis

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It is the 8th year and Anna Saunders has produced the biggest programme yet. Booking information here.

Read the first promotion post.

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There were a few events I missed this week which I would have liked to attend, but I am busy writing and producing projects, so I think a Radio Slot, a Roadshow, a writing group and a performance at a special event is enough for one week. I am also preparing for Wolverhampton Literature Festival (WoLF) next week.

I worked hard on trying to secure a funding bid for a Summer project. I finally managed to book a WPL Radio Slot on BBC Hereford and Worcester, due to work October was my last broadcast.

On Tuesday I headed over to Birmingham City University for the British Council Literature Roadshow presented by Writing West Midlands. The evening included a presentation from Cortina Butler, the British Council’s Director of Literature and was a good opportunity to network. I am keeping my fingers crossed now for my funding application.

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Saturday saw my WWM Sparks Young Writers Group in Worcester where I planned the session around more generous Christmas gifts from Mr. G. We looked at Science Fiction and created our own alien characters in preparation for longer writing in our February session.

Sunday saw a special event at the Kempe House Studios in Stratford-Upon-Avon with Cordula Kempe and Angela France. I sent three themed poems in December and two were picked, one of which was written in Angela’s December Workshop on Light and Colour. It was an inspiring evening, read more about it here.

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Week 4+:

Again there were events I would have liked to attend, but this year is all about balance and focus and when you are in training no distractions can compete. I had a meeting planned to follow up Workshop work from last year WPL and the possible next leg of the project, unfortunately I have had to postpone it due to paid work.

I spent a large amount of time preparing for applications and working on AToTC – A Tale of Two Cities, my current Transatlantic WPL Project. I also had a lot of work on (after a drought of 5 months this is no bad thing but typically comes at a very busy period).

I managed to get to Poetry Bites which is now hosted by Elaine Christie and Matt Nunn after Jacqui Rowe bowed out at the end of 2017 after running the event for a long time. It was a wonderful, successful evening with Guest Poets Casey Bailey & Claire Walker.

Claire Walker is a Worcestershire poet, her poetry has appeared in magazines, online and in anthologies such as The Chronicles of Eve, her first pamphlet, The Girl Who Grew Into a Crocodile, Claire is a Poetry Reader for Three Drops Press, and Co-Editor of Atrium poetry. Casey Bailey is a poet, rapper, songwriter and a secondary school senior leader from Birmingham. He runs Bailey’s Rap and Poetry, as well as workshops in rap, poetry, music and song writing. Waiting at Bloomsbury Park is Casey’s first collection. © Live Brum 2018

 

 

 

Casey Bailey                                                                              Matt Nunn

 

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© Elaine Christie

 

Wolverhampton Literature Festival (WoLF) was my main focus this week, I started promoting across social media. The festival is in the 2nd year with an amazing Arts Programme. Friday 26th – Sunday 28th.

I performed as part of a 5 person collective organised by the Wolverhampton Arts Festival Team. Our reading was in the Art Gallery on Saturday 27th 3:30 PM

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

WoLF COLLECTIVE: NINA LEWIS, LAURA LIPTROT, MAURICE MALCOLM, SOPHIE SPARHAM & ROSINA TROTMAN

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http://www.wolvesliteraturefestival.co.uk/

http://www.wolvesliteraturefestival.co.uk/poetry/4593175102

 

 

A full review can be found here.

 

Week +

And finally the last few days of January were filled with desk work. Organising the final submissions for Contour Poetry Magazine, the deadline is the 1st February.

Working on my response poem as part of the ATOTC project and collating the work coming in as well as managing the 20+ poetry partnerships involved. In a moment of pure inspiration I decided to approach the Mayor of Worcester and ask if he would write the Foreward for the digital publication, he agreed. I am delighted. The project celebrates the cities.

I started planning the only official WPL event on my remit – World Poetry Day 21st March, seeking venue, securing performers, devising crazy (erm, I mean creative) ideas for the event.

Preparing for school workshops and meetings about them.

Researching and writing poems for 42, this month’s theme (chosen by Tim Stavert) Rag and Bone Man… I loved the idea, then I started trying to write… left it a fortnight, did a little background work, searched my memories and finally have a fairly rounded set including a spectacular 42-ish Haiku, political commentary wrapped up in a Tanka and a wonderful poem which is actually an acrostic. Happy with a couple of them.

42 Worcester was the final event of the month. Next month apart from the Verve Festival of Poetry and Spoken Word I will mainly be working from the desk. I have a billion things to do and prepare with workshops in February and March and writing schedules to keep. Contour magazine coming out and the special edition to work on.

I knew this time was coming and feel now, it has very much arrived. Of course, if you want to see me – you can always book me for your event.

 

Copy of Spring Event Flyer Template (2)

My Poet Laureate work this month involved planning and booking workshops, working on the Transatlantic Project – A Tale of Two Cities – managing the promotion and progression of the project, writing and collating poetry, working on Issue 2 of Contour – Love, completing  interviews, compiling a favourite poem list for the issue (out in February), having my first BBC Hereford & Worcester Radio Interview since October and organising the next steps of several projects started in 2017.

My next mission is to allocate enough time for the rest of my ideas over the next 5 months. I realise some of the WPL work will continue after Worcestershire gets a new Laureate, I always knew this would be the case. There are certain things I want to complete before I become a former Poet Laureate though (shivers). The team are already on the look out for the next Poet Laureate, applications are open until March. Check https://worcestershirepoetlaureateninalewis.wordpress.com/ for more details if you reside in the county.

 

 

And finally, I started work on planning my World Poetry Day event for March. Very exciting!

WPD 2                        Love Promo 2

Writing Book Reviews – WMRN Reader in Residence

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This summer I had the exciting opportunity to apply to be a Reader in Residence, my application was successful and Warwickshire Libraries now have me in role at Rugby Library. The position started in September and runs until March 2018.

Following meetings on site, emails and team meetings I spent a month planning and promoting the first workshop ‘Writing A Book Review’.

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My group comprised of talented, experienced writers. It was lovely to watch the enthusiasm during the session as people relaxed and got to know each other. One of the great spin offs from this event was the networking opportunities. I am certain some of the participants will keep in contact with each other and explore what the county has to offer.

I was happy with how the workshop went, after spending several days tweaking plans and making sure the massive amount of input could be covered in the time we had available. We did just fit it all in, the most important elements were given as a handout at the end.

I opted for a very informal evaluation, but was too anxious to read people’s feedback straight away.

It was very positive and useful. We plan to repeat the workshop next year with some members from the various Reading Groups associated with Rugby Library – and the general public, so if you missed it and you fancy learning some Top Tips and insights, look out for further promotion in the Library and on Eventbrite.

https://librariesblog.warwickshire.gov.uk/2017/11/24/meet-our-reader-in-residence/

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Feedback: 

An amazing amount of interesting information in an hour and a half. 

An inspiring afternoon.

I found this afternoon encouraging for my writing in the future.

I love getting together with people who love to read!

Enjoyed the workshop, you have a calm, free-spirited air about you. 

Overall, extremely enjoyable and more importantly, informative.

The ideas mentioned are going to be really helpful.

Lovely atmosphere.

Informative and useful.

Great to meet like-minded people.

It inspired me to write and read more. 

Really well structured session with great tips.

Relaxed atmosphere, I really enjoyed it. 

rugby Lib.png© Rugby Library 2017

It was a relief to know everyone had enjoyed it and the information helped and inspired them. I can now pass all the good news onto the team at Rugby Library.

The team were very supportive today, huge thanks to those involved in ensuring this event ran smoothly, for taking photos, bringing us more hot water for a 2nd round of caffeine -much needed as we were whizzing through at a great pace! For the biscuits/refreshments & setting up the space.

Thanks to Ann Brine (Manager Rugby Library) for coming to evaluate and debrief. The session went really well and I am now ready for my next Reader in Residence mission, watch this space!

Thanks also to Roz Goddard at WMRN.

October Review (better late than never)

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Just before we reach the halfway point of November I thought I would get my head down and tell you about last month!

October was such a whirlwind month. An abundant welcome into the winter and came with the realisation that I have not submitted anything for 5 months (I have organised enough WPL events to fill 100 pages of my notebook) and written more commissioned poems than I can count on all my fingers and toes… but this is something I want to get back to before the end of the year. So now I will find some extra time to carve out, December is looking good!

WEEK 1: 

I wanted to go to Kim Moore’s workshop at Buzzwords, but I didn’t get back from my stint in London at the Poetry Book Fair/Free Verse in time. Well technically, I could have detoured to Cheltenham in time but energy levels were so long I didn’t think I would manage the late drive home or even stay awake for writing and my brain was as tired as my body. It was amazing according to everyone who was there and having taken her workshop at the Verve Festival in February, I don’t doubt it!

I had my Adam Speaks Treehouse poem accepted for the NT project at Croome Court. With NPD, Credo and then hot-footing down South I had forgotten the deadline on this writing, which was already tight. This was the first poem I was forced to send on my phone, thank goodness it was a submission in the body of an email. I had to send it from Free Verse and it was a definite last minute submission. Fortunately, I didn’t look too rude doing so as the hall was packed with poets live tweeting.

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© Croome Court/Adam Speaks

I had a school workshop planned which sadly had to be postponed, I look forward to this in 2018 although I expect to change my plans to fit the curriculum topics in the Spring Term.

Then I went down to Swindon for the Poetry Festival, now in it’s 5th year (and my 3rd). I cannot express how much I love this festival. This was my first year of stewarding, generally I buy festival passes or lots of events tickets and arrive as a punter, network, drink and absorb poetry into my very core. I knew working on the team would make this experience completely different but I also knew it was a solid team to be part of and saw volunteering as the biggest thank you I could give.

I was also booked to perform V Formation with fellow V. Press Poets Stephen Daniels and Gram Joel Davies (also notably on the team).

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Some of the team and performers at the opening event POEMS ALOUD Artsite, Number Nine Gallery, Theatre Square, Swindon

V FORMATION – POETS of V. PRESS RJ Museum Tent-Palace
A celebration of three new and exciting voices in British poetry: Stephen Daniels, Gram Joel Davies and Nina Lewis.
Stephen Daniels is the editor of Amaryllis Poetry and Strange Poetry websites. His debut pamphlet Tell Mistakes I Love Them was published in 2017 by V. Press. Gram Joel Davies lives in Devon and his pamphlet, Bolt Down This Earth was V. Press’ Forward Prize nominee for 2017. Nina Lewis is Worcestershire Poet Laureate and her debut pamphlet Fragile Houses was published by V. Press in 2016.

Our readings were on the 1st night and the event went well, was well attended and people were still talking about it a few days later.

Swindon Poetry Festival needs a blog post and I will write a full review as soon as I can find time to do so. Another case of better late than never!

 

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Highlights in brief:

WORKSHOP: The Dynamic Poem Holiday Inn  With Daljit Nagra
Poems can sometimes seem flat and lack vigour, they can drift along in a dreamy mood without any conviction. Daljit will explore with examples from contemporary poetry how to put the fizz back into a poem. Participants should expect to have attempted at least one new lively poem!

READINGS RJ Museum Tent-Palace 
Poke into the poetry box! Treasures of the heart, inca-named stardust, and various severed body parts! An hour of humour and water with Sue Rose, Emma Simon and Simon Williams.
Emma Simon won the Prole Laureate poetry competition in 2013 and loss, love & severed body parts scatter through her first collection Dragonish (The Emma Press). Simon Williams latest collection, Inti, was published in July. Sue Rose is the author of three poetry collections. Heart Archives was published by Hercules Editions in 2014.

POETS & PUBLISHERS RJ Museum Tent-Palace 
Discussions led by poet Carrie Etter with two prominent poetry editors, Amy Wack and Mary Jean Chan. Come and join a discussion about what it takes to get published.
Carrie Etter is a Reader in Creative Writing at Bath Spa University. Her most recent collection, Imagined Sons (Seren, 2014), was shortlisted for the Ted Hughes Award in New Work in Poetry by The Poetry Society.
Since 1990, American expatriate Amy Wack has edited Seren Books’ multi-prizewinning poetry list. Her own poems have appeared in various journals, most recently a 12-part poem inspired by feral cats in Spain in Long Poem Magazine.
Mary Jean Chan, from Hong Kong, is shortlisted for the 2017 Forward Prize for Best Single Poem and is Co-Editor at Oxford Poetry. Her work has been published in The Poetry Review, Ambit, The Rialto, The London Magazine, Callaloo Journal.

WORKSHOP: Call and Response Sun Inn With Rishi Dastidar
We’ve all been to workshops where we’ve been inspired by other poems, maybe visual art too, and then written in response to them. So what happens when we use pop songs instead? That’s the simple premise behind ‘Call and Response’, where some great music will hopefully provide great inspiration for writing poems. Just bring some paper, pencils – and your ears.
Rishi Dastidar is a fellow of The Complete Works, a consulting editor at The Rialto magazine, a member of the Malika’s Poetry Kitchen collective. His debut collection, Ticker-tape, is published by Nine Arches Press.

and more…

During the festival I missed the beginning of Birmingham Literature Festival and a meeting with the poets involved in the Elgar Poetry Project.

Week 2: 

Swindon Poetry Festival and the highlights of the weekend. An amazing end to the festival was Monday morning, breakfast with Daljit and then Breakfast and Poetry over at the Tent Palace as our festival finale.

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I got back on Monday afternoon and Monday evening was straight out to open mic at Licensed to Rhyme in the new venue Cafe Morso, Barnt Green.

cafe_1imag© Cafe Morso

Fergus McGonigal was headlining, so good to see him again and to see him back on the circuit with his new book, now one of my new shiny books too!

Everyone is now unhappy© Burning Eye 

As WPL I was busy gathering submissions for World Mental Health Day – as Mental Health Week started when I was in Swindon and I had been hit by the dreaded Swindon Lurgy! Which meant I missed most of the events at Birmingham Literature Festival that I planned to go to!

I was also organising the Hanbury Hall Project for poets to go and write about artwork displayed in the Long Gallery by DAN. The Gallery opened on the 10th and the exhibition ran until the 29th and they had over 3300 visitors, only 15 of which were poets!

Not as WPL but as a poet I was also busy preparing INKSPILL – our online writing retreat.

INKSPILL SHARE BUTTON

I missed tons of events being ill (proper ill with blankets).

Week 3: 

I made it back to the edge of health in time to perform as WPL at the SpeakEasy event for Mental Health Day at Cafe Bliss, this is a wonderful annual event which brings together speakers from a variety of Mental Health and Wellbeing backgrounds, agencies such as The Samaritans and this year The Shaw Trust and of course local poets.

It was a very moving experience and a good afternoon. I also received submissions for the World Mental Health Day Anthology from participants. I love it when the WPL projects reach local people through events and radio broadcasts. I made the decision to keep the submission open on the Mental Health collection for the duration of my tenure. We raise awareness of it a few times a year through these calendar events, but actually it is everyday living for 1 in 4 (official statistics were 1 in 5 but recent NHS figures show 1 in 4).

The following day after dragging myself around a D.I.Y store with Mr G. I diagnosed myself healthy enough to venture into Birmingham to catch Joe Cook and Hollie McNish at the Town Hall. This is the 2nd time this year I have seen Hollie and she was as wonderful as ever. It was also the 2nd time this year I gave up on queuing to meet her. I met her several times in 2015 and I know I will get my new books signed one day!

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© Birmingham Mail

I had planned to get to Wellington Festival, but I still wasn’t 100% well and also my car was slightly damaged over the weekend.

I made it to Hanbury Hall and was able to meet up with the Cheltenham contingency of poets (well, some of them). I took plenty of photos and notes and ended up writing 8 poems – 6 of which will make it public.

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On the 18th I was back in Birmingham for Stablemates at Waterstones. Jill Abram always sends me an invite to these London events, so I could hardly refuse when she brought it to the Midlands. It was a fantastic night. I really felt uplifted by the end of it. It was also a chance to finally meet and watch Rosie Garland who I have heard so much about. I got to see Jackie Hagan again (last time I saw her was at Hit the Ode) and listening to Henry Normal was a pleasure, I love the fact his is Oscar nominated and a BAFTA winner and has yet returned to his first love of poetry.

I started to promote my first WPL event for children, which had been in the pipeline for a while. The WLF team produce a Halloween Event for LITtleFest at St.John’s library which along with the usual storytelling, pumpkin carving and treats I included a Writing Workshop for 5 – 9+ years old.

LitFest Halloween 2017 poster

I also had a call out for Halloween Poem Submissions which needed a push.

I spent the tail end of the week working on the Elgar Poetry commission (WPL).

 

Week 4 

I had my 2nd writing meeting with Spark Young Writers at The Hive, we had a go at our own spooky theme and also had the new WWM Operations Assistant, Heddwen Creaney come to visit our group.

I spent 4 days busily researching Elgar and completing 14 new poems for the event in November.

I spent some admin time organising festival events for 2018.

I worked on my WMRN role as Reader in Residence for Rugby Library organising next month’s Review Writing Workshop.

I had my WPL spot on BBC Hereford & Worcester with Tammy Gooding, talked about the Elgar Project and Mental Health. I shared my poem ‘First Steps’ from Fragile Houses.

In the evening I enjoyed dressing up for Halloween (I looked like a Gothic Librarian – but what I wanted was Suz Winspear our first Goth Poet Laureate) and went to 42. It was rather cramped as we were in the Lunar Bar upstairs and it was a great turn out for the night. It also gave me a chance to promote the Halloween submission call too.

I missed Jenna Clake’s Book Launch of ‘Fortune Cookie’ in Birmingham, which I was gutted about but I also asleep by the time it started. So the right call was made!

We had a Stanza meeting and then it was Week 5!

 

Week 5 

INKSPILL of course, which needs no introduction around here… our 5th annual online writing retreat – it is mad to think we have been going for as long as Swindon Poetry Festival! This year’s Guest Poets were Antony Owen & Stephen Daniels, both fellow V. Press poets, although I hadn’t realised that until after the booking.

It was a massively successful and fun weekend. Take a look at the programme page if you missed it and you should be able to navigate through from there using the menu tools on screen.

https://awritersfountain.wordpress.com/2017/10/27/inkspill-2017-programme/

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It was also the Halloween Event at the library – where my workshop was attended by children aged 4 to 12, all enjoyed themselves and watched me, dressed as a witch attempting to fly around the room. They did ask why my face wasn’t green and I told them all about the family tea party I was going to afterwards.

It was fun and the most exhausting WPL event yet!

On Sunday I spent a long time creating the first issue of the WPL Magazine Contour – submissions all about Place/Worcestershire closed at the end of August and since then I have been sifting through work. Fortunately during some local research I discovered Philip Halling and we were able to use his images throughout the magazine with a few additions from local poets.

 

The end of the DAN Exhibition at Hanbury Hall was marked with a closing celebration on the 30th which Polly Stretton was invited to read her poem ‘Curves’ at. Polly won a competition created by Peter Hawkins (Chair) to find a poem for the closing of the exhibition. I sneaked one of mine in as WPL/Organiser of the poetry part of the project.

The artist for my piece was there, Stephen Evans and I am delighted that he will be using my work alongside his painting in his next exhibition in December.

I successfully completed a WPL Productions Poetry Film to show off the Halloween Poetry Submissions and added some prose as a one off Poet Laureate special to the blog.

 

 

RELATED LINKS: 

More on the Adam Speaks Launch day next month.

Adam Speaks National Trust Launch Event

Buy your copy of Fergus McGonigal’s new book here

http://burningeye.bigcartel.com/product/everyone-is-now-unhappy

INKSPILL The Editors

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INKSPILL SUN

Finding your voice, what editors know and look for, the idea of better writers, editing and more.

Watch this interview with Writers and Editors Victor Dwyer and Charlotte Gill talking to to Ian Brown about modern writing in 2014 from Banff Centre for Arts and Creativity

BANFF

 

 

INKSPILL – Guest Editor Interview with Stephen Daniels

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INKSPILL SUN

Guest Editor Interview with Stephen Daniels.

 

1) Why was Amaryllis Poetry started? What was the idea behind the magazine?

Amaryllis was started over 4 years ago by my Poetry Swindon friend Hilda Sheehan. Hilda wanted to help publish Swindon poets and friends and it started as a relatively informal invite only project. After a year, the project slowed and was paused for around a year. Two years ago I offered to take Amaryllis over and invite submissions. I was hoping to find exciting poets within our network, but it soon exploded and I was receiving submissions from all over the world. Amaryllis has now published over 200 poets and is widely read around the world. 

 

2) Any advice to writers submitting to Amaryllis? 

Make sure you include a small note with your submission – nothing frustrates me more than when people send their poems with no note. It shows a lack of pride in your work.

A final piece of advice is something I publish on the website when submissions are open: Take a risk – Early on during Amaryllis I received very ‘safe’ poems and I am really looking for poems that are different, poems that reach the parts other poems struggle to reach!

 

3) What makes Amaryllis different to other mags on the market?

First there is the editor – me! I think my taste in poetry is quite eclectic. I enjoy more formal poetry, but I don’t think there are many online magazines that are embracing experimental poetry in the same way that Amaryllis does.

Secondly I am always eager to find new poets and new voices. I tend to forgive the exuberance and imperfections of a less experienced poet and I think this has built a reputation for publishing poets for the first time – who then go on to be published in many other places.

 

4) What is your mission at Amaryllis?

To share great poetry with as many people as possible. I don’t think it is any more complicated than that. 

 

5) Describe a day as an editor.

It is fairly unremarkable – as I have a full-time job and two relatively young children, so I tend to edit in the time in between things. Finding 30 minutes here or there to sit down and be invited into someone else’s world – it is a real privilege.

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6) Anything that has surprised you about editing a magazine?

I think the thing that surprised me most, was that a powerful poem is not enough. When I started writing, I wrote some seriously dark poetry… sometimes that is all it would have – darkness and more darkness and I thought that was fine – if it is written well, it will be good enough. What I have come to realise through editing is that this is rarely enough.

A well written poem is good, but it needs different dimensions.  It needs to be have moving parts and complexities that surprise the editor – this has affected my own writing and it is often the most disappointing rejections, where the poem is well written, but hasn’t got that extra element that lifts it above poems.

One other thing that surprised me, is that most poems are good. This may sound ridiculous, but what I have found from people submitting is that they perceive a rejection as the poem not being good. In my experience that is rarely the case – it is more often the case that the poem lacks something I am looking for, or that it wasn’t right at that time. It is likely that the poem will be picked up by a different editor. Don’t take the rejection process too seriously – it is just one person’s opinion. 

 

7) Any upcoming projects we should know about?

No – other than submissions are re-opening in November!

 

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http://www.amaryllispoetry.co.uk/p/submissions.html

INKSPILL Library

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The Library will be open throughout the weekend. I will add archived INKSPILL links for you to delve into at your leisure. Enjoy.

INKSPILL Library

INKSPILL 2013

 

HISTORICAL FICTION AND RESEARCH – Nina Lewis 

Historical Fiction and Research

Historical Fiction Part 2

 

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INKSPILL 2014

 

Guest Writer William Gallagher tells us

HOW TO GET REJECTED

https://awritersfountain.wordpress.com/2014/10/25/inkspill-how-to-get-rejected-guest-writer-william-Gallagher/

 

 

MAKING TIME TO WRITE 

https://awritersfountain.wordpress.com/2014/10/25/inkspill-making-time-to-write-guest-writer-williamgallagher/

 

A VIDEO ON DIALOGUE

https://awritersfountain.wordpress.com/2014/10/25/inkspill-a-video-from-guest-writer-william-Gallagher/

 

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EDITING A POEM 

With Guest Writer Heather Wastie 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-heather-wastie-editing-a-poem/

 

 

WRITING & EDITING

With Guest Writer Charlie Jordan 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-editing-part1/

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-and-editing-part-2/

 

WRITING MOTIVATION

includes video – Nina Lewis 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-good-morning-come-and-watch/

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INKSPILL 2015

 

I had the great pleasure of FINALLY seeing Inua Ellams perform in Birmingham this Spring, he also did a blinding set at the Swindon Poetry Festival this Autumn. 

This is a poetry film, featured as part of 2015 INKSPILL writing retreat. 

REFUGEE STORIES 

Nigerian-born Inua Ellams, a London-based writer, created the story “Dolphins” as part of “The Refugee Tales”, works about the journeys of refugees and migrants seeking safety in Britain. Ellams worked with children who have made treacherous journeys across desert and sea, and wrote the stories based on their experiences.  © Film for Action

http://www.filmsforaction.org/watch/refugee-stories-retold-by-nigerianborn-poet-inua-ellams/

 

THE TERRIBLE

Guest Poet Interview with Daniel Sluman on his 2nd collection 

https://awritersfountain.wordpress.com/2015/10/25/inkspill-guest-poet-interview-with-daniel-sluman/

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Come back to the Library tomorrow where we will have more links for you from INKSPILL 2015 & 2016.

INKSPILL Taster or Teaser

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The full programme including this year’s Guest Writers will be revealed on the 27th. We have a new feature for 2017 – The INKSPILL Library where you will have instant access to selected archives from 2013 -2016 Writing Retreats.

INKSPILL Library

The Library will be open on Saturday afternoon and again on Sunday when it features additional archived material. 

We are featuring 2 Guest Writers this year.

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They will be revealed on the 27th. 

There will be short writing tasks, exercises and workshop activities, creative tests, exclusive interviews with our Guest Writers, book promotion (the INKSPILL Bookshop will be open all weekend), monologues, Inspiring Women Writers, a look at Thomas Hardy, Rupert Brooke, Wilfred Owen & Siegfried Sassoon, Goal Setting, an interview with Zadie Smith, writing advice from Novelist Jill Dawson, an interview with Lee Child, editors discussing modern writing and the Launch of Contour WPL Magazine. As well as rich pickings from the archive featuring previous guests: Charlie Jordan, William Gallagher, Heather Wastie, David Calcutt, Alison May, Deanne Gist, Daniel Sluman, Gaia Harper & Roy McFarlane and more. 

 

 

Review May 2017

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May was a busy month which included a mid-point glitch when we found ourselves offline and for a while lost all our resources from the laptop!

Week 1:

Sent some submissions, organised festival events and promoted Cheltenham Poetry Festival for Anna Saunders. There were several open mic events in Birmingham and Coventry that I didn’t make and a headline gig that was cancelled due to venue closure.

The team met for work on our show, 30-40-60. This was accepted in March for the Worcester LitFest and takes place next month on Sunday June 11th, 7pm at The Hive, Worcester.

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I was looking forward to Cheltenham Poetry Festival but due to work commitments was not able to make as much of the programme as hoped. I did, however, have a run of 9-10 days of events. Unless I am immersed in a festival, I try not to make bookings like this anymore as I appreciate the energy it requires.

My mini-tour started in Malvern with Carol Ann Duffy, I am so glad that I bought a ticket for this, it was a wonderful night of emotive, uplifting and hard hitting poetry. Last time I saw her, I bought books and although I love what the book co-operative are achieving I was fund poor, I had taken a copy off the shelf at home and hoped she’d be happy to sign. Carol Ann was and she didn’t mention nearly taking me out with the stage door at all!

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John Sampson was his wonderful self too. Loved his music this evening. Glad the Queen gave him away!

The following day I went to Stratford-Upon-Avon for a workshop with Angela France. It was lovely to reconnect with poets I have not seen for a while and the writing was fun. There are some nuts and bolts in my notebook ready to work on. I am finding writing hard at the moment. Maybe it is post-NaPoWriMo or just because I am busy that my mind has no time to settle.

I then went to Birmingham to see Rob Gee at The MAC. Rob and I were friends in Leicester, back when I was at university and discovering the Spoken Word scene for the first time. I have not seen him for nearly 20 years, (how did we get that old?). I met up with him before and after the show and it was as if there had been a gap of days not years.

I thoroughly enjoyed the concept of his show and the delivery. Enjoyed is a strong word as it deals with end of life/people in care. A dramatic framework that works so well and Rob (Pro) shows us how easy it can be to create multi-characters in one space.

ROB GEE

He first  produced this show a long time ago and has toured it internationally – I was so happy to catch it – and the best news for you? He is doing it again for Ledbury Poetry Festival. Go and catch it if you can – book tickets here 3rd July

Read all about it here FORGET ME NOT

As a student nurse, Rob spent three months on a Challenging Behaviour ward for people with late stage Alzheimer’s. Largely based on Rob’s experiences, many of the stories depicted in the show are true. Except the murders, obviously.

The show’s director Tara Gatherer has recently directed three acclaimed short films, Cafe des Fils de Putes, Self Portrait and The Group, the latter of which explored the theme of self-empowerment for older people. Forget Me Not is her first theatre show. © Forget Me Not

I was so wired after the evening. We are not leaving it 20 years until next time!

On Sunday 7th it was the much awaited Book Launch of C.S Barnes, for ‘The Women You Were Warned About’. It was an amazing afternoon of words and cake, stories and poems.

Charley Barnes Book

I was lucky enough to read it a while ago, as Luke Kennard and I were asked to endorse the book. It was still magical to hear Charley read her own words and I didn’t revisit these women on purpose before getting a copy at the launch.

Charley asked Claire Walker, Alan Durham, Polly Stretton and myself to share poetry on women at her launch. I had fun writing a few poems specifically for the event and reworked some NaPoWriMo poems from April that featured women and worked well. I was stupidly nervous about this performance. the pressure not to mess the launch up.

I thoroughly enjoyed the afternoon and so did everyone else. You can read about it and buy your copy here.

Black Pear 

The Women You Were Warned About: Answers to Absent Questions,
is Barnes’s first full-length publication and, after having so much
fun with the women contained within these stories, she sincerely
looks forward to the possibility of working with such hideous
women again in the future. © Black Pear Press

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Week 2

I booked tickets for the National Writer’s Conference. I attended in 2014 and decided that I needed to be further into my career to truly benefit. Tickets for this event are not cheap, but with lots of keynote speakers and a choice of seminars to attend it IS worth every penny. One major pull/benefit of being in Room 204 is you are gifted a ticket to the conference, so I knew back in the Spring that I would be going. So excited. Delighted they have released the information too, I am bad enough with menus and always at these things want to go to absolutely everything – the NWC is set up so you only take 3/9 sessions. Maybe I can bribe some of the cohort to swap notes.

I also spent my writing day working on the multimedia element of our show, 30-40-60. I spent the writing time tidying – I told you I have writers block!

In the evening, I finally made it back to Licensed to Rhyme, my most local poetry night which I have not managed since last year. Steve Pottinger was headlining and Brenda Read-Brown came back for a guest spot. The other guest spots and open mics were all top quality and it was lovely to share a night of fine words. Also fabulous to have Fergus McGonigal back on the scene. Plus it is light enough for me to walk there now so I was able to sample the bar. I also shared my NaPowriMo Bop written about the EDL in Birmingham. I was unsure of this poem, but it went down well – next stop, performing it in Birmingham.

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The next day I had hoped to make it to Cheltenham for Compound Poets with Gram Joel Davies  and Hannah Linden, it seems a large amount of poetry friends made it over. Work had left me sadly lacking in time and energy so I headed over to Kidderminster instead for the final bow to Mouth & Music. Sarah Tamar organised a one off event to raise money for the People in Motion Charity (helping refugees) and it was a chance for a reunion with Peter Williams (PTR), Tim and Pam Scarborough, Coz and Sarah herself.

It was attended by a writing group Sarah works with and there were a diverse range of performances. It was good to share some work that is harder to hear. I often feel guilty reading social/political poetry at events where people have gone to be entertained. I shared some activist poetry written for events back in 2014/15 and work from my pamphlet, ‘Fragile Houses‘ as it was MHAW (Mental Health Awareness Week).

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I had news about a project I hoped to be part of (Room 204). Last year Croome Court produced Plum Lines an exhibition/project involving many poets I knew. At the time I had a yearning to do something with the National Trust too… you know the universe picks up on this stuff, right? I saw a call out for poets to get involved in the next project ‘Adam Speakes’ which involves writers from 4 key places and an artist, previously accepted.

I am delighted to be part of the Writing West Midlands team working on this. Unfortunately, a pinnacle workshop has landed on a day I should be elsewhere. You know how much I hate not being able to do everything simultaneously. Things will be re-arranged.

I have also booked my day to Croome Court to start the exploration. This project will last until November, there will be a special event on the 25th. I cannot wait to get stuck in and I am sure I will keep you all updated.

I missed HOWL – which was legendary and a great, regrettable shame. Featuring Anthony Anaxagorou (who I missed at Verve), Casey Bailey and Anne Gill. I needed some downtime in amongst all this busy and work really was zapping me of strength and time.

I finally made it to Grizzly Pear – Sean Colleti/ UoB (University of Birmingham) Spoken Word event. this event clashes with SpeakEasy and has yet never fallen on a day I could manage. I wanted to see Inua Ellams, who I had missed at BLF Spring Edition. I was sad to miss Sue Johnson at SpeakEasy, but until I invent that cloning machine, had no choice. I also missed the Indigo Dreams showcase at Cheltenham Festival featuring Jennie Farley, Mab Jones, Bethany Pope and Anna Saunders, which was an event I had hoped to make it across for. Again work had not left enough of a margin to make the road trip viable.

I was glad that I managed to see Inua and his brave acceptance of audience offering key words. His set was then built up from poems linking to that context. Tukaiisloveletter – I had seen at Verve and it was terrifying (in a good way) to see his dynamic, highly emotive, actioned performance. It was good to talk to him about it afterwards too.

I shared my EDL poem, which was responded to well.

The following morning I was not bright eyed or bushy tailed (after the late night gig, I had forgotten how this time frame does not affect the student population) for our 30-40-60 meeting, in fact I was still eating breakfast when we set to work.

It was exciting to see the programme in print for the first time. It was released earlier in the week and since Tuesday had seen lots of teasing photos like this one! WLF © Holly Magill

We worked on our scripting and rehearsed the show. Later on our laptop died after an automated update and took all our files with it. Friday night’s plans changed as we desperately ranted to Microsoft support via the Kindle and attempted to back up everything off our computer. We entered OfflineLife.

The next day I was working for Writing West Midlands, Spark Young Writers group in Worcester with our new Assistant Writer, Rick Saunders. It was a great session on journalism and was embraced well by the group. I got my hands on Worcester LitFest programmes and started distributing.

Following this I went to Cheltenham for John Hegley ‘New and Selected Potatoes‘, which I missed at The MAC last year. It was great to see him live again and another master showing me in this age of ‘you have to do more with your poems’ that actually just being on stage with them should be enough. He had us in stitches and was a joy to watch.

hegley©ents24.com 

LINK TO FOLLOW

The following day I was back over in Cheltenham for my 2nd Hegley Workshop, completely brilliant. Followed by walking to Waterstones in conversation and watching a delighted public as he hit the shop floor with poetry and his mandolin, *Steve, as fans will know.

It was a superb day.

I also had poems Anchored and Hallmarks up for MHAW on Sarah James’s website. They are now archived in the 2015/17 ‘With You In Mind’ Anthology. Read more about this project here. https://awritersfountain.wordpress.com/2017/05/21/mental-health-awareness-week-with-you-in-mind-anthology/

sl © Sarah Leavesley 

Week 3: 

I joined a Screenwriting course online, with UEA and Future Learn. It has been brilliant, although somewhat challenging completing most of it on the Kindle. I have discovered that I know more than I thought I did. I have also been playing with a few ideas banked for the future.

I worked on the film element of 30-40-60 and missed both events I had pencilled in. A book launch for Nigel Hutchinson at Waterstones and HIT THE ODE. Rather disappointed with myself but I came home from work on Thursday and hour later than I should have with barely time to make it to the city. By arrival time I had gone to bed and slept right through to Midnight! I needed the rest.

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I also spent a day online (now that I mended the internet) at the Hay House World Summit. Back in 2015 I took every seminar and film going. This year, I have been more selective and currently have a notebook filled with 12 of the programmes available. It is free to sign up and a real annual blessing as far as I am concerned.

I spent the weekend organising festival events and reading. It was beneficial to take a break from performing and recover from the busy schedule last week.

I felt re-energised ready for the final busy push of May.

Week 4

I booked a workshop with Helen Ivory and Martin Figura, completed the UEA Screen Writing course,

4 tutors

and booked tickets for a book launch in July.

On Tuesday I went to Poetry Alight in a new venue in Lichfield to catch poetry from Roy Marshall and Jane Commane. It was a brilliant (if not extremely hot evening). The new venue is lovely. It was great to catch up with Roy and Jane.

Photography by Ben Macnair

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I missed Kathy Gee headlining at Poetry Bites – that was also a wonderful evening so I have heard.

On Thursday evening I missed a Book Launch, Ali Oxbury – we met on the Writing For Children course in 2013 has had her poetry collection published. I would have loved to have been there – I have also spent the past 4 years wishing for bookings. You can’t have it all.

I was booked to perform alongside Kevin Brooke, Holly Daffurn, Kieran Davis and Alan Durham for the Poetry Salon. This was my 2nd year for Worcester LitFest & Fringe, I have lost count of the Poetry Brothel/Salons I have participated in… I think it may be 5 or 6. It was an enjoyable evening, concluded with a wonderful open mic. A precious evening for poetry organised and hosted by Charley Barnes.

poetry salon

We had our final editing meeting/rehearsal for our 30-40-60 show. It is going to be great. I have since finished cutting the film and Kathy has created a good looking program of the acts. We have all our open mic-ers signed up – a publisher, a Laureate, published poets and a festival poet! It is going to be fun and happens in just 11 days time!

30-40-60

Over the Bank Holiday weekend I attended the Book Launch for Diverse Verse 2, an anthology compiled by Richard Archer. It was a fantastic turn out at Southcart Books and lovely to see the new shop. A good few hours of immersive poetry & a buffet. Sadly the M5 was crawling at 30 m.p.h and I was delayed. I got there in time for the start but missed coffee (much needed) and a chance to buy the book (I have since ordered it). Wonderful that they sold every copy and a lesson to myself to ask for a reserved copy in future. The proceeds are for Charity and it has already raised lots.

https://skaggythepoet.wordpress.com/2017/05/28/diverse-verse-2-is-launched-and-ready-to-buy/

https://willisthepoet.wordpress.com/2017/05/27/no-not-the-one-in-poland/

diverse verse 2

http://www.lulu.com/shop/richard-archer/diverse-verse-2/paperback/product-23201198.html

It was good to catch up with old friends and meet new ones.

The Extra Days

I organised to write a review for a topnotch poetry magazine, received news that I am one of three finalists for the Worcestershire Poet Laureate 2017/18 competition. Which happens next Friday, 9th June – the start of the LitFest. I am delighted by the news, excited and as nervous as can be!

https://worcslitfest.co.uk/2017/05/30/and-the-worcestershire-poet-laureate-finalists-are/

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Last night was one of the most clashing for events- Charley Barnes was headlining at Cafe Grande Slam, Matt Windle at Spoken Trend, 42 in Worcester (my regular Wednesday night feast) was also happening and way back in April, I booked tickets for Stourbridge Library to go and see Jo Bell & Roy McFarlane.

I was an incredible evening & a pleasant way to finish the month.

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