Category Archives: Editing

October Review (better late than never)

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Just before we reach the halfway point of November I thought I would get my head down and tell you about last month!

October was such a whirlwind month. An abundant welcome into the winter and came with the realisation that I have not submitted anything for 5 months (I have organised enough WPL events to fill 100 pages of my notebook) and written more commissioned poems than I can count on all my fingers and toes… but this is something I want to get back to before the end of the year. So now I will find some extra time to carve out, December is looking good!

WEEK 1: 

I wanted to go to Kim Moore’s workshop at Buzzwords, but I didn’t get back from my stint in London at the Poetry Book Fair/Free Verse in time. Well technically, I could have detoured to Cheltenham in time but energy levels were so long I didn’t think I would manage the late drive home or even stay awake for writing and my brain was as tired as my body. It was amazing according to everyone who was there and having taken her workshop at the Verve Festival in February, I don’t doubt it!

I had my Adam Speaks Treehouse poem accepted for the NT project at Croome Court. With NPD, Credo and then hot-footing down South I had forgotten the deadline on this writing, which was already tight. This was the first poem I was forced to send on my phone, thank goodness it was a submission in the body of an email. I had to send it from Free Verse and it was a definite last minute submission. Fortunately, I didn’t look too rude doing so as the hall was packed with poets live tweeting.

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© Croome Court/Adam Speaks

I had a school workshop planned which sadly had to be postponed, I look forward to this in 2018 although I expect to change my plans to fit the curriculum topics in the Spring Term.

Then I went down to Swindon for the Poetry Festival, now in it’s 5th year (and my 3rd). I cannot express how much I love this festival. This was my first year of stewarding, generally I buy festival passes or lots of events tickets and arrive as a punter, network, drink and absorb poetry into my very core. I knew working on the team would make this experience completely different but I also knew it was a solid team to be part of and saw volunteering as the biggest thank you I could give.

I was also booked to perform V Formation with fellow V. Press Poets Stephen Daniels and Gram Joel Davies (also notably on the team).

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Some of the team and performers at the opening event POEMS ALOUD Artsite, Number Nine Gallery, Theatre Square, Swindon

V FORMATION – POETS of V. PRESS RJ Museum Tent-Palace
A celebration of three new and exciting voices in British poetry: Stephen Daniels, Gram Joel Davies and Nina Lewis.
Stephen Daniels is the editor of Amaryllis Poetry and Strange Poetry websites. His debut pamphlet Tell Mistakes I Love Them was published in 2017 by V. Press. Gram Joel Davies lives in Devon and his pamphlet, Bolt Down This Earth was V. Press’ Forward Prize nominee for 2017. Nina Lewis is Worcestershire Poet Laureate and her debut pamphlet Fragile Houses was published by V. Press in 2016.

Our readings were on the 1st night and the event went well, was well attended and people were still talking about it a few days later.

Swindon Poetry Festival needs a blog post and I will write a full review as soon as I can find time to do so. Another case of better late than never!

 

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Highlights in brief:

WORKSHOP: The Dynamic Poem Holiday Inn  With Daljit Nagra
Poems can sometimes seem flat and lack vigour, they can drift along in a dreamy mood without any conviction. Daljit will explore with examples from contemporary poetry how to put the fizz back into a poem. Participants should expect to have attempted at least one new lively poem!

READINGS RJ Museum Tent-Palace 
Poke into the poetry box! Treasures of the heart, inca-named stardust, and various severed body parts! An hour of humour and water with Sue Rose, Emma Simon and Simon Williams.
Emma Simon won the Prole Laureate poetry competition in 2013 and loss, love & severed body parts scatter through her first collection Dragonish (The Emma Press). Simon Williams latest collection, Inti, was published in July. Sue Rose is the author of three poetry collections. Heart Archives was published by Hercules Editions in 2014.

POETS & PUBLISHERS RJ Museum Tent-Palace 
Discussions led by poet Carrie Etter with two prominent poetry editors, Amy Wack and Mary Jean Chan. Come and join a discussion about what it takes to get published.
Carrie Etter is a Reader in Creative Writing at Bath Spa University. Her most recent collection, Imagined Sons (Seren, 2014), was shortlisted for the Ted Hughes Award in New Work in Poetry by The Poetry Society.
Since 1990, American expatriate Amy Wack has edited Seren Books’ multi-prizewinning poetry list. Her own poems have appeared in various journals, most recently a 12-part poem inspired by feral cats in Spain in Long Poem Magazine.
Mary Jean Chan, from Hong Kong, is shortlisted for the 2017 Forward Prize for Best Single Poem and is Co-Editor at Oxford Poetry. Her work has been published in The Poetry Review, Ambit, The Rialto, The London Magazine, Callaloo Journal.

WORKSHOP: Call and Response Sun Inn With Rishi Dastidar
We’ve all been to workshops where we’ve been inspired by other poems, maybe visual art too, and then written in response to them. So what happens when we use pop songs instead? That’s the simple premise behind ‘Call and Response’, where some great music will hopefully provide great inspiration for writing poems. Just bring some paper, pencils – and your ears.
Rishi Dastidar is a fellow of The Complete Works, a consulting editor at The Rialto magazine, a member of the Malika’s Poetry Kitchen collective. His debut collection, Ticker-tape, is published by Nine Arches Press.

and more…

During the festival I missed the beginning of Birmingham Literature Festival and a meeting with the poets involved in the Elgar Poetry Project.

Week 2: 

Swindon Poetry Festival and the highlights of the weekend. An amazing end to the festival was Monday morning, breakfast with Daljit and then Breakfast and Poetry over at the Tent Palace as our festival finale.

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I got back on Monday afternoon and Monday evening was straight out to open mic at Licensed to Rhyme in the new venue Cafe Morso, Barnt Green.

cafe_1imag© Cafe Morso

Fergus McGonigal was headlining, so good to see him again and to see him back on the circuit with his new book, now one of my new shiny books too!

Everyone is now unhappy© Burning Eye 

As WPL I was busy gathering submissions for World Mental Health Day – as Mental Health Week started when I was in Swindon and I had been hit by the dreaded Swindon Lurgy! Which meant I missed most of the events at Birmingham Literature Festival that I planned to go to!

I was also organising the Hanbury Hall Project for poets to go and write about artwork displayed in the Long Gallery by DAN. The Gallery opened on the 10th and the exhibition ran until the 29th and they had over 3300 visitors, only 15 of which were poets!

Not as WPL but as a poet I was also busy preparing INKSPILL – our online writing retreat.

INKSPILL SHARE BUTTON

I missed tons of events being ill (proper ill with blankets).

Week 3: 

I made it back to the edge of health in time to perform as WPL at the SpeakEasy event for Mental Health Day at Cafe Bliss, this is a wonderful annual event which brings together speakers from a variety of Mental Health and Wellbeing backgrounds, agencies such as The Samaritans and this year The Shaw Trust and of course local poets.

It was a very moving experience and a good afternoon. I also received submissions for the World Mental Health Day Anthology from participants. I love it when the WPL projects reach local people through events and radio broadcasts. I made the decision to keep the submission open on the Mental Health collection for the duration of my tenure. We raise awareness of it a few times a year through these calendar events, but actually it is everyday living for 1 in 4 (official statistics were 1 in 5 but recent NHS figures show 1 in 4).

The following day after dragging myself around a D.I.Y store with Mr G. I diagnosed myself healthy enough to venture into Birmingham to catch Joe Cook and Hollie McNish at the Town Hall. This is the 2nd time this year I have seen Hollie and she was as wonderful as ever. It was also the 2nd time this year I gave up on queuing to meet her. I met her several times in 2015 and I know I will get my new books signed one day!

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© Birmingham Mail

I had planned to get to Wellington Festival, but I still wasn’t 100% well and also my car was slightly damaged over the weekend.

I made it to Hanbury Hall and was able to meet up with the Cheltenham contingency of poets (well, some of them). I took plenty of photos and notes and ended up writing 8 poems – 6 of which will make it public.

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On the 18th I was back in Birmingham for Stablemates at Waterstones. Jill Abram always sends me an invite to these London events, so I could hardly refuse when she brought it to the Midlands. It was a fantastic night. I really felt uplifted by the end of it. It was also a chance to finally meet and watch Rosie Garland who I have heard so much about. I got to see Jackie Hagan again (last time I saw her was at Hit the Ode) and listening to Henry Normal was a pleasure, I love the fact his is Oscar nominated and a BAFTA winner and has yet returned to his first love of poetry.

I started to promote my first WPL event for children, which had been in the pipeline for a while. The WLF team produce a Halloween Event for LITtleFest at St.John’s library which along with the usual storytelling, pumpkin carving and treats I included a Writing Workshop for 5 – 9+ years old.

LitFest Halloween 2017 poster

I also had a call out for Halloween Poem Submissions which needed a push.

I spent the tail end of the week working on the Elgar Poetry commission (WPL).

 

Week 4 

I had my 2nd writing meeting with Spark Young Writers at The Hive, we had a go at our own spooky theme and also had the new WWM Operations Assistant, Heddwen Creaney come to visit our group.

I spent 4 days busily researching Elgar and completing 14 new poems for the event in November.

I spent some admin time organising festival events for 2018.

I worked on my WMRN role as Reader in Residence for Rugby Library organising next month’s Review Writing Workshop.

I had my WPL spot on BBC Hereford & Worcester with Tammy Gooding, talked about the Elgar Project and Mental Health. I shared my poem ‘First Steps’ from Fragile Houses.

In the evening I enjoyed dressing up for Halloween (I looked like a Gothic Librarian – but what I wanted was Suz Winspear our first Goth Poet Laureate) and went to 42. It was rather cramped as we were in the Lunar Bar upstairs and it was a great turn out for the night. It also gave me a chance to promote the Halloween submission call too.

I missed Jenna Clake’s Book Launch of ‘Fortune Cookie’ in Birmingham, which I was gutted about but I also asleep by the time it started. So the right call was made!

We had a Stanza meeting and then it was Week 5!

 

Week 5 

INKSPILL of course, which needs no introduction around here… our 5th annual online writing retreat – it is mad to think we have been going for as long as Swindon Poetry Festival! This year’s Guest Poets were Antony Owen & Stephen Daniels, both fellow V. Press poets, although I hadn’t realised that until after the booking.

It was a massively successful and fun weekend. Take a look at the programme page if you missed it and you should be able to navigate through from there using the menu tools on screen.

https://awritersfountain.wordpress.com/2017/10/27/inkspill-2017-programme/

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It was also the Halloween Event at the library – where my workshop was attended by children aged 4 to 12, all enjoyed themselves and watched me, dressed as a witch attempting to fly around the room. They did ask why my face wasn’t green and I told them all about the family tea party I was going to afterwards.

It was fun and the most exhausting WPL event yet!

On Sunday I spent a long time creating the first issue of the WPL Magazine Contour – submissions all about Place/Worcestershire closed at the end of August and since then I have been sifting through work. Fortunately during some local research I discovered Philip Halling and we were able to use his images throughout the magazine with a few additions from local poets.

 

The end of the DAN Exhibition at Hanbury Hall was marked with a closing celebration on the 30th which Polly Stretton was invited to read her poem ‘Curves’ at. Polly won a competition created by Peter Hawkins (Chair) to find a poem for the closing of the exhibition. I sneaked one of mine in as WPL/Organiser of the poetry part of the project.

The artist for my piece was there, Stephen Evans and I am delighted that he will be using my work alongside his painting in his next exhibition in December.

I successfully completed a WPL Productions Poetry Film to show off the Halloween Poetry Submissions and added some prose as a one off Poet Laureate special to the blog.

 

 

RELATED LINKS: 

More on the Adam Speaks Launch day next month.

Adam Speaks National Trust Launch Event

Buy your copy of Fergus McGonigal’s new book here

http://burningeye.bigcartel.com/product/everyone-is-now-unhappy

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INKSPILL The Editors

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INKSPILL SUN

Finding your voice, what editors know and look for, the idea of better writers, editing and more.

Watch this interview with Writers and Editors Victor Dwyer and Charlotte Gill talking to to Ian Brown about modern writing in 2014 from Banff Centre for Arts and Creativity

BANFF

 

 

INKSPILL – Guest Editor Interview with Stephen Daniels

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INKSPILL SUN

Guest Editor Interview with Stephen Daniels.

 

1) Why was Amaryllis Poetry started? What was the idea behind the magazine?

Amaryllis was started over 4 years ago by my Poetry Swindon friend Hilda Sheehan. Hilda wanted to help publish Swindon poets and friends and it started as a relatively informal invite only project. After a year, the project slowed and was paused for around a year. Two years ago I offered to take Amaryllis over and invite submissions. I was hoping to find exciting poets within our network, but it soon exploded and I was receiving submissions from all over the world. Amaryllis has now published over 200 poets and is widely read around the world. 

 

2) Any advice to writers submitting to Amaryllis? 

Make sure you include a small note with your submission – nothing frustrates me more than when people send their poems with no note. It shows a lack of pride in your work.

A final piece of advice is something I publish on the website when submissions are open: Take a risk – Early on during Amaryllis I received very ‘safe’ poems and I am really looking for poems that are different, poems that reach the parts other poems struggle to reach!

 

3) What makes Amaryllis different to other mags on the market?

First there is the editor – me! I think my taste in poetry is quite eclectic. I enjoy more formal poetry, but I don’t think there are many online magazines that are embracing experimental poetry in the same way that Amaryllis does.

Secondly I am always eager to find new poets and new voices. I tend to forgive the exuberance and imperfections of a less experienced poet and I think this has built a reputation for publishing poets for the first time – who then go on to be published in many other places.

 

4) What is your mission at Amaryllis?

To share great poetry with as many people as possible. I don’t think it is any more complicated than that. 

 

5) Describe a day as an editor.

It is fairly unremarkable – as I have a full-time job and two relatively young children, so I tend to edit in the time in between things. Finding 30 minutes here or there to sit down and be invited into someone else’s world – it is a real privilege.

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6) Anything that has surprised you about editing a magazine?

I think the thing that surprised me most, was that a powerful poem is not enough. When I started writing, I wrote some seriously dark poetry… sometimes that is all it would have – darkness and more darkness and I thought that was fine – if it is written well, it will be good enough. What I have come to realise through editing is that this is rarely enough.

A well written poem is good, but it needs different dimensions.  It needs to be have moving parts and complexities that surprise the editor – this has affected my own writing and it is often the most disappointing rejections, where the poem is well written, but hasn’t got that extra element that lifts it above poems.

One other thing that surprised me, is that most poems are good. This may sound ridiculous, but what I have found from people submitting is that they perceive a rejection as the poem not being good. In my experience that is rarely the case – it is more often the case that the poem lacks something I am looking for, or that it wasn’t right at that time. It is likely that the poem will be picked up by a different editor. Don’t take the rejection process too seriously – it is just one person’s opinion. 

 

7) Any upcoming projects we should know about?

No – other than submissions are re-opening in November!

 

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http://www.amaryllispoetry.co.uk/p/submissions.html

INKSPILL Library

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The Library will be open throughout the weekend. I will add archived INKSPILL links for you to delve into at your leisure. Enjoy.

INKSPILL Library

INKSPILL 2013

 

HISTORICAL FICTION AND RESEARCH – Nina Lewis 

Historical Fiction and Research

Historical Fiction Part 2

 

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INKSPILL 2014

 

Guest Writer William Gallagher tells us

HOW TO GET REJECTED

https://awritersfountain.wordpress.com/2014/10/25/inkspill-how-to-get-rejected-guest-writer-william-Gallagher/

 

 

MAKING TIME TO WRITE 

https://awritersfountain.wordpress.com/2014/10/25/inkspill-making-time-to-write-guest-writer-williamgallagher/

 

A VIDEO ON DIALOGUE

https://awritersfountain.wordpress.com/2014/10/25/inkspill-a-video-from-guest-writer-william-Gallagher/

 

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EDITING A POEM 

With Guest Writer Heather Wastie 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-heather-wastie-editing-a-poem/

 

 

WRITING & EDITING

With Guest Writer Charlie Jordan 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-editing-part1/

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-and-editing-part-2/

 

WRITING MOTIVATION

includes video – Nina Lewis 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-good-morning-come-and-watch/

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INKSPILL 2015

 

I had the great pleasure of FINALLY seeing Inua Ellams perform in Birmingham this Spring, he also did a blinding set at the Swindon Poetry Festival this Autumn. 

This is a poetry film, featured as part of 2015 INKSPILL writing retreat. 

REFUGEE STORIES 

Nigerian-born Inua Ellams, a London-based writer, created the story “Dolphins” as part of “The Refugee Tales”, works about the journeys of refugees and migrants seeking safety in Britain. Ellams worked with children who have made treacherous journeys across desert and sea, and wrote the stories based on their experiences.  © Film for Action

http://www.filmsforaction.org/watch/refugee-stories-retold-by-nigerianborn-poet-inua-ellams/

 

THE TERRIBLE

Guest Poet Interview with Daniel Sluman on his 2nd collection 

https://awritersfountain.wordpress.com/2015/10/25/inkspill-guest-poet-interview-with-daniel-sluman/

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Come back to the Library tomorrow where we will have more links for you from INKSPILL 2015 & 2016.

INKSPILL Taster or Teaser

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The full programme including this year’s Guest Writers will be revealed on the 27th. We have a new feature for 2017 – The INKSPILL Library where you will have instant access to selected archives from 2013 -2016 Writing Retreats.

INKSPILL Library

The Library will be open on Saturday afternoon and again on Sunday when it features additional archived material. 

We are featuring 2 Guest Writers this year.

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They will be revealed on the 27th. 

There will be short writing tasks, exercises and workshop activities, creative tests, exclusive interviews with our Guest Writers, book promotion (the INKSPILL Bookshop will be open all weekend), monologues, Inspiring Women Writers, a look at Thomas Hardy, Rupert Brooke, Wilfred Owen & Siegfried Sassoon, Goal Setting, an interview with Zadie Smith, writing advice from Novelist Jill Dawson, an interview with Lee Child, editors discussing modern writing and the Launch of Contour WPL Magazine. As well as rich pickings from the archive featuring previous guests: Charlie Jordan, William Gallagher, Heather Wastie, David Calcutt, Alison May, Deanne Gist, Daniel Sluman, Gaia Harper & Roy McFarlane and more. 

 

 

Review May 2017

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May was a busy month which included a mid-point glitch when we found ourselves offline and for a while lost all our resources from the laptop!

Week 1:

Sent some submissions, organised festival events and promoted Cheltenham Poetry Festival for Anna Saunders. There were several open mic events in Birmingham and Coventry that I didn’t make and a headline gig that was cancelled due to venue closure.

The team met for work on our show, 30-40-60. This was accepted in March for the Worcester LitFest and takes place next month on Sunday June 11th, 7pm at The Hive, Worcester.

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I was looking forward to Cheltenham Poetry Festival but due to work commitments was not able to make as much of the programme as hoped. I did, however, have a run of 9-10 days of events. Unless I am immersed in a festival, I try not to make bookings like this anymore as I appreciate the energy it requires.

My mini-tour started in Malvern with Carol Ann Duffy, I am so glad that I bought a ticket for this, it was a wonderful night of emotive, uplifting and hard hitting poetry. Last time I saw her, I bought books and although I love what the book co-operative are achieving I was fund poor, I had taken a copy off the shelf at home and hoped she’d be happy to sign. Carol Ann was and she didn’t mention nearly taking me out with the stage door at all!

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John Sampson was his wonderful self too. Loved his music this evening. Glad the Queen gave him away!

The following day I went to Stratford-Upon-Avon for a workshop with Angela France. It was lovely to reconnect with poets I have not seen for a while and the writing was fun. There are some nuts and bolts in my notebook ready to work on. I am finding writing hard at the moment. Maybe it is post-NaPoWriMo or just because I am busy that my mind has no time to settle.

I then went to Birmingham to see Rob Gee at The MAC. Rob and I were friends in Leicester, back when I was at university and discovering the Spoken Word scene for the first time. I have not seen him for nearly 20 years, (how did we get that old?). I met up with him before and after the show and it was as if there had been a gap of days not years.

I thoroughly enjoyed the concept of his show and the delivery. Enjoyed is a strong word as it deals with end of life/people in care. A dramatic framework that works so well and Rob (Pro) shows us how easy it can be to create multi-characters in one space.

ROB GEE

He first  produced this show a long time ago and has toured it internationally – I was so happy to catch it – and the best news for you? He is doing it again for Ledbury Poetry Festival. Go and catch it if you can – book tickets here 3rd July

Read all about it here FORGET ME NOT

As a student nurse, Rob spent three months on a Challenging Behaviour ward for people with late stage Alzheimer’s. Largely based on Rob’s experiences, many of the stories depicted in the show are true. Except the murders, obviously.

The show’s director Tara Gatherer has recently directed three acclaimed short films, Cafe des Fils de Putes, Self Portrait and The Group, the latter of which explored the theme of self-empowerment for older people. Forget Me Not is her first theatre show. © Forget Me Not

I was so wired after the evening. We are not leaving it 20 years until next time!

On Sunday 7th it was the much awaited Book Launch of C.S Barnes, for ‘The Women You Were Warned About’. It was an amazing afternoon of words and cake, stories and poems.

Charley Barnes Book

I was lucky enough to read it a while ago, as Luke Kennard and I were asked to endorse the book. It was still magical to hear Charley read her own words and I didn’t revisit these women on purpose before getting a copy at the launch.

Charley asked Claire Walker, Alan Durham, Polly Stretton and myself to share poetry on women at her launch. I had fun writing a few poems specifically for the event and reworked some NaPoWriMo poems from April that featured women and worked well. I was stupidly nervous about this performance. the pressure not to mess the launch up.

I thoroughly enjoyed the afternoon and so did everyone else. You can read about it and buy your copy here.

Black Pear 

The Women You Were Warned About: Answers to Absent Questions,
is Barnes’s first full-length publication and, after having so much
fun with the women contained within these stories, she sincerely
looks forward to the possibility of working with such hideous
women again in the future. © Black Pear Press

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Week 2

I booked tickets for the National Writer’s Conference. I attended in 2014 and decided that I needed to be further into my career to truly benefit. Tickets for this event are not cheap, but with lots of keynote speakers and a choice of seminars to attend it IS worth every penny. One major pull/benefit of being in Room 204 is you are gifted a ticket to the conference, so I knew back in the Spring that I would be going. So excited. Delighted they have released the information too, I am bad enough with menus and always at these things want to go to absolutely everything – the NWC is set up so you only take 3/9 sessions. Maybe I can bribe some of the cohort to swap notes.

I also spent my writing day working on the multimedia element of our show, 30-40-60. I spent the writing time tidying – I told you I have writers block!

In the evening, I finally made it back to Licensed to Rhyme, my most local poetry night which I have not managed since last year. Steve Pottinger was headlining and Brenda Read-Brown came back for a guest spot. The other guest spots and open mics were all top quality and it was lovely to share a night of fine words. Also fabulous to have Fergus McGonigal back on the scene. Plus it is light enough for me to walk there now so I was able to sample the bar. I also shared my NaPowriMo Bop written about the EDL in Birmingham. I was unsure of this poem, but it went down well – next stop, performing it in Birmingham.

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The next day I had hoped to make it to Cheltenham for Compound Poets with Gram Joel Davies  and Hannah Linden, it seems a large amount of poetry friends made it over. Work had left me sadly lacking in time and energy so I headed over to Kidderminster instead for the final bow to Mouth & Music. Sarah Tamar organised a one off event to raise money for the People in Motion Charity (helping refugees) and it was a chance for a reunion with Peter Williams (PTR), Tim and Pam Scarborough, Coz and Sarah herself.

It was attended by a writing group Sarah works with and there were a diverse range of performances. It was good to share some work that is harder to hear. I often feel guilty reading social/political poetry at events where people have gone to be entertained. I shared some activist poetry written for events back in 2014/15 and work from my pamphlet, ‘Fragile Houses‘ as it was MHAW (Mental Health Awareness Week).

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I had news about a project I hoped to be part of (Room 204). Last year Croome Court produced Plum Lines an exhibition/project involving many poets I knew. At the time I had a yearning to do something with the National Trust too… you know the universe picks up on this stuff, right? I saw a call out for poets to get involved in the next project ‘Adam Speakes’ which involves writers from 4 key places and an artist, previously accepted.

I am delighted to be part of the Writing West Midlands team working on this. Unfortunately, a pinnacle workshop has landed on a day I should be elsewhere. You know how much I hate not being able to do everything simultaneously. Things will be re-arranged.

I have also booked my day to Croome Court to start the exploration. This project will last until November, there will be a special event on the 25th. I cannot wait to get stuck in and I am sure I will keep you all updated.

I missed HOWL – which was legendary and a great, regrettable shame. Featuring Anthony Anaxagorou (who I missed at Verve), Casey Bailey and Anne Gill. I needed some downtime in amongst all this busy and work really was zapping me of strength and time.

I finally made it to Grizzly Pear – Sean Colleti/ UoB (University of Birmingham) Spoken Word event. this event clashes with SpeakEasy and has yet never fallen on a day I could manage. I wanted to see Inua Ellams, who I had missed at BLF Spring Edition. I was sad to miss Sue Johnson at SpeakEasy, but until I invent that cloning machine, had no choice. I also missed the Indigo Dreams showcase at Cheltenham Festival featuring Jennie Farley, Mab Jones, Bethany Pope and Anna Saunders, which was an event I had hoped to make it across for. Again work had not left enough of a margin to make the road trip viable.

I was glad that I managed to see Inua and his brave acceptance of audience offering key words. His set was then built up from poems linking to that context. Tukaiisloveletter – I had seen at Verve and it was terrifying (in a good way) to see his dynamic, highly emotive, actioned performance. It was good to talk to him about it afterwards too.

I shared my EDL poem, which was responded to well.

The following morning I was not bright eyed or bushy tailed (after the late night gig, I had forgotten how this time frame does not affect the student population) for our 30-40-60 meeting, in fact I was still eating breakfast when we set to work.

It was exciting to see the programme in print for the first time. It was released earlier in the week and since Tuesday had seen lots of teasing photos like this one! WLF © Holly Magill

We worked on our scripting and rehearsed the show. Later on our laptop died after an automated update and took all our files with it. Friday night’s plans changed as we desperately ranted to Microsoft support via the Kindle and attempted to back up everything off our computer. We entered OfflineLife.

The next day I was working for Writing West Midlands, Spark Young Writers group in Worcester with our new Assistant Writer, Rick Saunders. It was a great session on journalism and was embraced well by the group. I got my hands on Worcester LitFest programmes and started distributing.

Following this I went to Cheltenham for John Hegley ‘New and Selected Potatoes‘, which I missed at The MAC last year. It was great to see him live again and another master showing me in this age of ‘you have to do more with your poems’ that actually just being on stage with them should be enough. He had us in stitches and was a joy to watch.

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LINK TO FOLLOW

The following day I was back over in Cheltenham for my 2nd Hegley Workshop, completely brilliant. Followed by walking to Waterstones in conversation and watching a delighted public as he hit the shop floor with poetry and his mandolin, *Steve, as fans will know.

It was a superb day.

I also had poems Anchored and Hallmarks up for MHAW on Sarah James’s website. They are now archived in the 2015/17 ‘With You In Mind’ Anthology. Read more about this project here. https://awritersfountain.wordpress.com/2017/05/21/mental-health-awareness-week-with-you-in-mind-anthology/

sl © Sarah Leavesley 

Week 3: 

I joined a Screenwriting course online, with UEA and Future Learn. It has been brilliant, although somewhat challenging completing most of it on the Kindle. I have discovered that I know more than I thought I did. I have also been playing with a few ideas banked for the future.

I worked on the film element of 30-40-60 and missed both events I had pencilled in. A book launch for Nigel Hutchinson at Waterstones and HIT THE ODE. Rather disappointed with myself but I came home from work on Thursday and hour later than I should have with barely time to make it to the city. By arrival time I had gone to bed and slept right through to Midnight! I needed the rest.

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I also spent a day online (now that I mended the internet) at the Hay House World Summit. Back in 2015 I took every seminar and film going. This year, I have been more selective and currently have a notebook filled with 12 of the programmes available. It is free to sign up and a real annual blessing as far as I am concerned.

I spent the weekend organising festival events and reading. It was beneficial to take a break from performing and recover from the busy schedule last week.

I felt re-energised ready for the final busy push of May.

Week 4

I booked a workshop with Helen Ivory and Martin Figura, completed the UEA Screen Writing course,

4 tutors

and booked tickets for a book launch in July.

On Tuesday I went to Poetry Alight in a new venue in Lichfield to catch poetry from Roy Marshall and Jane Commane. It was a brilliant (if not extremely hot evening). The new venue is lovely. It was great to catch up with Roy and Jane.

Photography by Ben Macnair

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I missed Kathy Gee headlining at Poetry Bites – that was also a wonderful evening so I have heard.

On Thursday evening I missed a Book Launch, Ali Oxbury – we met on the Writing For Children course in 2013 has had her poetry collection published. I would have loved to have been there – I have also spent the past 4 years wishing for bookings. You can’t have it all.

I was booked to perform alongside Kevin Brooke, Holly Daffurn, Kieran Davis and Alan Durham for the Poetry Salon. This was my 2nd year for Worcester LitFest & Fringe, I have lost count of the Poetry Brothel/Salons I have participated in… I think it may be 5 or 6. It was an enjoyable evening, concluded with a wonderful open mic. A precious evening for poetry organised and hosted by Charley Barnes.

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We had our final editing meeting/rehearsal for our 30-40-60 show. It is going to be great. I have since finished cutting the film and Kathy has created a good looking program of the acts. We have all our open mic-ers signed up – a publisher, a Laureate, published poets and a festival poet! It is going to be fun and happens in just 11 days time!

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Over the Bank Holiday weekend I attended the Book Launch for Diverse Verse 2, an anthology compiled by Richard Archer. It was a fantastic turn out at Southcart Books and lovely to see the new shop. A good few hours of immersive poetry & a buffet. Sadly the M5 was crawling at 30 m.p.h and I was delayed. I got there in time for the start but missed coffee (much needed) and a chance to buy the book (I have since ordered it). Wonderful that they sold every copy and a lesson to myself to ask for a reserved copy in future. The proceeds are for Charity and it has already raised lots.

https://skaggythepoet.wordpress.com/2017/05/28/diverse-verse-2-is-launched-and-ready-to-buy/

https://willisthepoet.wordpress.com/2017/05/27/no-not-the-one-in-poland/

diverse verse 2

http://www.lulu.com/shop/richard-archer/diverse-verse-2/paperback/product-23201198.html

It was good to catch up with old friends and meet new ones.

The Extra Days

I organised to write a review for a topnotch poetry magazine, received news that I am one of three finalists for the Worcestershire Poet Laureate 2017/18 competition. Which happens next Friday, 9th June – the start of the LitFest. I am delighted by the news, excited and as nervous as can be!

https://worcslitfest.co.uk/2017/05/30/and-the-worcestershire-poet-laureate-finalists-are/

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Last night was one of the most clashing for events- Charley Barnes was headlining at Cafe Grande Slam, Matt Windle at Spoken Trend, 42 in Worcester (my regular Wednesday night feast) was also happening and way back in April, I booked tickets for Stourbridge Library to go and see Jo Bell & Roy McFarlane.

I was an incredible evening & a pleasant way to finish the month.

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NaPoWriMo Catch Up – Day 20

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Right now I should be at Cynthia Miller’s Primers Launch in Waterstones, (part of the Birmingham Literature Festival Spring Edition). I have a million things that need doing and a lack of time to squeeze them all into.

For the past few days I have managed to write my poems on time or in epic late-night catch ups. I am currently on Day 23, letting ideas settle in my mind. I have fallen behind with blog posts as I am currently organising 3 festivals and have been busy with research, work and real life.

Day 20 – Step Back in Time…

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http://www.napowrimo.net/day-twenty-4/

I really enjoyed the prompt today, had lots of fun and research points, became a half decent poem, edited into a decent poem and performed at Uncorked that same evening.

I cannot believe we are 2/3 through NaPoWriMo and I am feeling proud that this year I have managed it. Thanks to Carrie Etter’s group.

I get the feeling that most of my Napo writing is airy draft, I know I can go back to these poems and extract the gold dust and rebuild. So please do not be hard on yourself if you feel that most of your daily writes have been a bit naff.

I spent some time wandering around participants sites the other day and reading some incredibly strong poems (with a glint of envy), it is amazing what rolls out of people’s heads during this April challenge.

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Our featured participant today is this and other poems, where the creation myth for Day 19 is “tenuous,” but strikingly believable!

Our interview today is a two-fer: the poet Rickey Laurentiis being interviewed by the poet Carl Phillips. You can find examples of Laurentiis’ work here and Phillips’ work here.

Today, I challenge you to write a poem that incorporates the vocabulary and imagery of a specific sport or game. Your poem could invoke chess or baseball, hopscotch or canasta, Monopoly or jai alai. The choice is yours!

I chose Poker, as it is a game I do not play and I discovered lots of associated vocabulary that leant itself to poetry. It was a fun write although not so jolly for the character in my poem. It went down well with the audience at Uncorked, so it has been filed in the OKAY pile for now.

For the first time I used the computer rather than my notebook. This is how I usually write and I wonder if this has anything to do with creating a better poem. My brain understanding what I am trying to achieve as my hands dance across the keyboard.

For me, the difference of swimming safely in a pool or being out in the open sea, those blank pages scare me sometimes. Although I love the freedom of writing in notebooks, as I love the sea, but there is always danger lurking and scribbles have to be crossed out rather than deleted from existence!

She placed even money

on diamonds, lost it all.


Carrie Etter’s prompt involved using titles. Titles are not copyrighted but some poets felt that they couldn’t use work in this way. I liked the idea and wrote from a title as a springboard and then edited the title out.

Sandra Lim has some splendid titles in her first collection, Loveliest Grotesque.

I used ‘Curious This’.

Crossing roads between moving cars…

…like the aura of a Prophet…

I also revisited my poetry from Day 19 and wrote a poem I like ‘Crabsticks and Gin’.

White hair dyed Paprika,

Cherry Red applied over

shallow pink lips

that talked for England.


Jo Bell (whose Canoe writing workshop I am also missing today at BLF Spring Edition), posted Variation on a Theme by Rilke by Denise Levertov. I am really appreciating these daily reads and discussions.

The best thing – the very best thing – about reading poetry widely and deeply is that when you need it, it finds you… Yesterday, hearing news of the impending UK election I felt a mighty need for something to give me a sense of purpose and positivity in the coming weeks. – Jo Bell


The Poetry School offered us

Day 20: The One-Sentence Poem

Which for anyone taking part is light relief – well it would be, but a one sentence poem is harder than you imagine.

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Morning poets. Today, I’d like you to write a one-sentence poem. Draft it in prose, so you’re not worrying about line-breaks. They can come later. You’ll also find that you become more expansive and loquacious by drafting this way. If you reach a natural break, connectives (also known as conjunctions) are your friends: use ‘but’, ‘and’, ‘which’ and so on to carry on your sentence. Brackets and dashes are useful, but I’d like you to avoid colons and semi-colons as they stop you in your tracks when you’re supposed to be flowing.

Your example today is Steve Scafidi’s magnificent ‘To Whoever Set My Truck On Fire‘, but your poem doesn’t necessarily have to be this long!

 

March in Review

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March felt like a funny old month. The start of the month was rocky, the usual dips and peaks were replaced with a fairly big dip, which fortunately finished mid-March, the end of the month was full of highs and gathered rollercoaster speed, positively hyperactive.

I missed out on many events I wanted to attend due to lack of time, transport and energy. My writing schedule was full and I continued to work on organising festival events as well as time spent making exciting applications. Keeping my fingers crossed.

In addition to this – we have AN EMPTY ROOM, I managed (finally) to sort the smallest bedroom which is our first redecoration project in the house Mr G and I moved into the year I returned to writing (2013). If I wasn’t writing, I kid myself that we would have finished the entire house by now. But the thing I look forward to the most is nesting new writing spaces! The room has now been empty and awaiting action for three weeks, but in that time Mr G has transformed the front garden (much to the pleasure of the neighbours) and bought a sander in preparation for the next epic challenge- actually doing the room!

WEEK 1:

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V. Press collections: Career in Accompaniment by Alex Reed, Book of Bones by Kathy Gee, Fragile Houses by Nina Lewis and The Old Man in the House of Bone by David Calcutt, with illustrations from Peter Tinkler were reviewed by Sam Smith. You can read the full reviews here http://vpresspoetry.blogspot.co.uk/

Sam Smith – Reviews in The Journal. http://thesamsmith.webs.com/

It was the final Permission to Speak on the 2nd, headlined by Pete the Temp (who I first saw at Verve).

Pete the Temp is a poet, educator and musician. His work has been featured on BBC radio and TV and in 2009 he became the National Poetry Slam Champion. Pete has toured theatres across England with his one man show ‘Pete (the Temp) vs Climate Change’. In 2015 he completed the MA Writer / Teacher Programme at Goldsmiths University. This led him to become one of the world’s first full-time spoken word educators to be embedded in a secondary school. He later went on to pilot the same work in a primary school. He was subsequently invited to do a TED Talk on the subject ‘Why Every School Should Have a Spoken Word Educator’. Pete has toured all over Europe with his art and now works as a poet and street performer. Rob Francis © 2017

We are all gutted that this event (of 2 years) has come to an end. The venue – which is one of the most amazing spaces I have had the pleasure to perform in, is closing. Rob Francis is extremely busy with writing and lecturing, maybe these things are sent by the universe as the timing seems right to free Rob up for other opportunities. He also got engaged recently, so I suspect there will be a busy non-poetry element going on in his life soon too. Fortunately I was tipped off just before the night kicked off, otherwise I would have been in floods when Rob announced it to the packed out room.

As always, it was a good night with an eclectic mix of open mics, poems, stories and extracts. It was fantastic to watch Pete in action again and I enjoyed his set immensely. Several lines have become ear-worms over the past month. I had an interesting conversation with him afterwards about poetry. You cannot help but be swept away on his passion-wave of enthusiasm.

Sadly I missed out on watching him perform again at the Artrix this week as I had a gig in Manchester the next day, work and lots of submission deadlines. If you get a chance to see him, you should grasp it for sure! ‘Keep it Lit!’

RELATED LINKS:

http://www.petethetemp.co.uk/

http://burningeye.bigcartel.com/product/numbered-boxes-by-pete-the-temp-bearder

numbered boxes People who have read this collection rave about it – it is on my list to buy.

I spent the majority of writing time organising, I am currently organising three events for festivals which is keeping me busy.

I also had an opportunity to create work for Mental Health Awareness Week (May). Sarah Leavesley has, for several years posted poetry related to Mental Health during this week. ‘The Magnetic Diaries’ deals with these issues and last year you may remember I attended a workshop at the MAC which was part of the Magnetic Diaries Tour. Sarah mentioned back then that we could share our workshop poetry. As with lots of things at the moment it fell into the ‘to do’ pile. My main focus currently is the house, promoting Fragile Houses and organising festival events. Anyway, long story short, I did eventually manage to create a new poem from the workshop and another written especially for the blog project. More on this in May.

I had a request for a poem and spent the weekend working on editing and writing. I have found this month that I am very last minute. I discovered a submission opportunity the day before deadline (always a challenge) and more recently discovered an entire festival I had missed, a great shame as there was a workshop I would have loved to have attended.

WEEK 2:

The week I forgot to live… so many events missed. I felt the dip this week – my body/mind reacts by sleeping. I spent my writing time beavering away at schedules, organising festival events and generally needed sleep before bedtime. I did wish to be a busy poet and I guess I didn’t consider that I would need to be grown-up with scheduling or with reacting to the events I miss. Be careful what you wish for!

I missed Stirchley Speaks, Headlined by Tom McCann, Steve Pottinger was performing in Ludlow at The Poetry Lounge, I missed Howl – there was a new event in Cannock – Speaking Out Midlands, where all performers were open mic, allocated 10 minute slots. Charlotte had invited me some months ago and then word was spread on social media and it attracted a great crowd and I have read some rave reviews.

It clashed with SpeakEasy and when I discovered Adrian Mealing (who I have not seen for years) was headlining, I knew that I was going to save the car some miles. I do not regret this decision, SpeakEasy was a good night and it was lovely chatting and catching up with Adrian. CONFAB Adrian Confab Cabaret with John Hegley (the last time I saw Adrian).

Suffering the dip, being in a familiar environment with people I know was preferable. I was revitalised by the end of the evening. There were lots of new faces and audience, incredibly positive for the LitFest team. Suz performed the Squid Ballroom, part of her Laureate event – more on this next month, I am one of the invited performers.

I spent Friday tying up loose ends and trying to write. I sent my poems to Rick Saunders the brainchild behind Rob’s PTS thank you gift. We (the collective at PTS) have sent writing to Rick who has printed a pamphlet (more like a book at 80 odd pages) to present to Rob on the final night – Permission to Shut Up – at the end of March. I sent my poem about the stage ‘The Secret of Scary Canary’s Stage’ and one I wrote especially for Rob all about what he has achieved with PTS and what it means to the rest of us, originally titled ‘Permission to Speak’. He should be extremely proud of his achievements and hopefully this isn’t the last we have heard from him.

spark I spent an entire evening planning a non-fiction session for my Spark Young Writers group (Writing West Midlands). Inspired by the Royal Society of Photographers exhibition I walked around last month I decided to do Science Journalism. The group thoroughly enjoyed themselves and I am still wiping sweat from my brow – I was worried in case any of them chose to write about the bee’s anus. Which was an amazing piece of photography and incredibly fascinating to look at. I was amazed by the talented articles that came from this session. Some great writing.

It was also the DeMontfort Book Fair in Leicester – States of Independence, not something they hosted when I lived there for 5 years. Leicester is where I broke my performance poetry seal and will always have a little bit of a special place in my heart. Sarah Leavesley was there with her V. Press bookshop, she also launched her new book – a novella published by Mantle Lane Press.

http://www.mantlelanepress.co.uk/product/kaleidoscope available to buy for just £4.00

It always hurts to miss out on events, I dreamed of a busy writing life and I have one, but it means that sometimes I no longer have the freedom to march across the country to be a part of special evenings. There are also the inevitable date clashes where big decisions are made. Never have cloning and teleportation been so necessary in my life!

On Sunday I missed one of the best opportunities since the Verve Festival. Bang Said the Gun – which I have known about since 2014 and watched countless clips of online is touring and they kicked off in Stafford – relatively close (would be closer if the M6 ever flowed properly) with Jo Bell and Jonny Fluffypunk (two of my old time/all time favs) and I missed it! It was Sunday night, Week 3 and 4 are full in my diary, energy was low, as were funds and Mr G and I need to spend more time together and my car is the equivalent of an old broken pull along toy with some bits missing and broken/re-knotted string! I do not trust it on terribly long journeys or car park motorways where you hear it over heat within the first crawling 100 yards.

I missed an amazing night and an opportunity to see friends from that neck of the woods too. Gutted. I did go to check out tickets and look at the rest of the tour and this was the nearest and also had the featured artists I wanted to see. I would say there will be other times, but with something like this – there won’t be. Gutted with a capital G.

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Canterbury never had anything like this when I lived there either!

Week 3:

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I knew I would miss License to Rhyme at the Artrix, featuring Pete the Temp. I had to work and manage Manchester the following evening and I spent part of Monday choosing and rehearsing/timing my set. I also spent time with family, which I hadn’t planned much beforehand and this left me hours behind on writing time. Not that it would be any other way. Family comes first. It just meant the will I /won’t I… became a definite No I won’t!

Again I heard good things about the evening and am particularly disappointed that I missed Fergus McGonigal and Lorna Meehan performing.

I did receive some exciting emails which made a night in with my inbox particularly worthwhile. And have since taken action on these – fingers crossed once again!

On Tuesday I headlined alongside Becky Cheeriman and Mark Pajak in Manchester at Sarah L. Dixon’s Quiet, Quiet Loud. I have known about this booking at Quiet, Quiet Loud for months and the butterflies went tribal. Originally looking to headline in April or May, the gig was brought forward as Sarah L Dixon is on the move and this was to be her final event at The Llyod’s.

Rick Saunders had signed up for the open mic and kindly offered to chauffeur up the M6. Unfortunately, days before his car broke down and so we were left with some last minute arrangements. In the end we hired a car (scared that mine wouldn’t make a 200 mile round trip in a night). The journey there was fine, even passing a Willis milk tanker – Rick’s stage name is Willis the Poet…  we passed the time chatting about the spoken word scene and stopping just once for the most expensive bottle of service station water – I think it was made from diamonds or something! The journey back was horrendous, closed motorways, detours and a SATNAV that was convinced the motorway junction was still open.

The event itself was worth every mile of motorway network and it was a pleasure to headline at the final Quiet, Quiet Loud. You can read my full review here and Rick managed to post his the very next day. https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

Huge thanks again to Rick for the lift.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/manchester-quiet-quiet-loud-headline/

I spent Wednesday morning before work recovering, I found out about the Science and Arts Festival hosted by Birmingham University and a creative writing workshop that I would have loved to attend, although it would have been a lot before work to manage. I have pencilled it in for next year as there were lots of interesting events.

I spent Wednesday night working on submissions and on Thursday mum and I went to see Verve – Northern School of Contemporary Dance. Mr G bought us tickets for Christmas. Verve-web-8-crop-1876x1055

http://www.nscd.ac.uk/verve/

They made me want to dance again, to create dance poetry and to lose myself in costume and movement. The fact that my body could barely manage to sit through a 2 hour production tells me otherwise, but my soul is still very much committed!

I spent the weekend on things other than writing and chiselled out some time at the end of Sunday to write applications and work on my writing action plan. There are some intended submissions to create before the end of the month and three sets to plan for EarthHour (25th March), HerStory (31st March) and Poetry Ballroom (2nd April).

Week 4:

The week started with a flurry of activity organising poetry events and writing. February was a busy month for making applications and devising projects and this month sees more energy focused on these and some fruition.

I spent the first part of the week in rest (working, sleeping, living) and saving energy for a series of 3 days of poeting. Which was easy as only one of them involved performing. Although I left it somewhat late to arrange a set and fine tune the details.

I also agreed to hiding some GOLDEN TICKETS for Birmingham Literature Festival. It is the 20th Anniversary this year and the team have organised a Spring Festival to celebrate. They have sent out Golden Tickets to be found in local bookshops, Art cafes and libraries. I have taken two under my wing and let them fly (and hide).

https://www.birminghamliteraturefestival.org/2017/03/will-you-find-a-golden-ticket/

The lucky finder wins a free ticket (worth at least £10) to an event of their choice. I want to find one of these – but it may cost more petrol money than buying a ticket. Fun idea. Great one. One I may steal in the future! First time I have ever felt like Willy Wonka… it was a good feeling.

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On Thursday I saw Hollie McNish, I love Hollie…  it has been a while since I saw her perform and part of me knew that this book would be difficult for me for personal reasons, this is why I have not yet bought a copy – but watching her breathing magic into the tale and hearing such personal disclosure and truth was wonderful. hollie 2 The event had been organised at The Hive (Library) in partnership with Poetry On Loan – well done to Brenda Read-Brown!

I had been to the basement space once with my writing group and was amazed to find the event not in the studio – that was until I saw the size of the audience! Holly thought, it being a library gig in a small city there may be about 20 people! Multiply that by 10! A smashing night.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/hollie-mcnish-nobody-told-me/

My review of the Verve Poetry Festival went live on Sabotage Reviews. http://sabotagereviews.com/

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Stanza happened on Friday – for the first time in months I thoroughly enjoyed it – and in a strange way all of our poems were love poems (but not the sort you imagine).

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Over the weekend I celebrated Earth Hour and Mother’s Day. Earth Hour was amazing, I went to the event organised by Worcester LitFest at Café Bliss. You can read the full review here

https://awritersfountain.wordpress.com/2017/03/27/earth-hour-with-wlf/

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Week 5

I spent the majority of my spare time writing and editing and planning how an earth I was going to manage this final week of performances and deadlines. The solution was an A4 checklist that I had very little leeway on.

I also had another poem published ‘Rag Tree’ which will be in the Beltane anthology by Three Drops. More news about festival events I am organising/performing in and events that I am just performing in. Future workshops to book and lots of potential festival tickets to be bought. I wrote new work and edited older poems.

Tuesday evening saw the final PTS – Permission to Speak become Permission to Shut Up – as it was a work night I was worried I may not last until the end, but scribbled a new poem especially for the last event (for now), the night before and got a short set ready. I was due to headline in May, potentially Rob may have a new venue by then, but I get the feeling that he needs/wants a mini-break and this would be the time to take it.

It was a great night, all in all and I will mark the occasion with a blog post as soon as I get some spare time. I took lots of pictures and stayed until the end to see Rick present Rob with his pamphlet.

42 in Worcester celebrated it’s 6th birthday and I took a newly scribed poem to celebrate. Rick Saunders headlined Spoken Trend on the same night, which I had to miss. Please someone clone me! Event clashes… every poet’s nemesis! 42 was fun and again, I will mark the occasion with a full blogpost when I have a little time. Polly made an amazing Black Forest Gateaux cake! Makes my mouth water just thinking about it. All the performances were bang on and the celebratory air was sweet.

LINKS TO FOLLOW.

With two days left of March and Easter around the corner, you may think that was it… no, I am playing the game – How much can you pack into 48hours?

Thursday I gave myself a night off from performing/events – missing out on Caffe Grande Slam in Dudley again, I will get there. I spent the evening editing a new poem (my 3rd this week) and submitting work.

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I also received an exciting email from my publisher. Another review of Fragile Houses, this time on Sabotage Reviews. How wonderful to start and end the month with reviews. You can read Rachel Stirling’s incredibly intricate review here.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

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I discovered Claire Walker and Holly Magill have embarked on editing a new Magazine ‘Atrium’, they have both edited for Kate Garrett at Three Drops recently and this new opportunity morphed from that experience. More on Atrium soon.

I saw Heather Wastie’s Nationwide advert – which was as equally exciting as watching Jo Bell’s and what made it special was seeing it first thing before work and in the final adverts before bed. Don’t ask me how I have time to watch TV and complete my mammoth writing tasks!

Holly McNish won the Ted Hughes award (one of the judges this year was Jo Bell – busy as always). Amazing news & recognition!

http://www.thebookseller.com/news/hollie-mcnishs-poetic-motherhood-memoir-wins-ted-hughes-award-518171

https://www.theguardian.com/books/2017/mar/29/hollie-mcnishs-funny-and-serious-poetry-wins-ted-hughes-prize

I received news of another successful Festival bid for this summer. More on this soon.

I completed the month with a Woo Feminista event HerStory at Café Bliss. I will blog and link it up here as soon as I can.

And now I am ready for NaPoWriMo, Poetry Ballroom and a rather-already-regrettable booking of an almost full week of work! I booked Monday off as I have 3 consecutive events this weekend and will be typing until my fingers go numb finishing my writing tasks over the next 24 hours!

I hope you all had a good month too. Leave me some of your highlights in the comments, it would be great to hear from you.

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Keep Writing x

January in Review

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typewriter-1227357_1280 2017 started well with lots of diary dates, events and writing time. Of course it was also back to work after a fortnight (unpaid) break. Much needed. I made it back to Ludlow to support Claire Walker who was one of the Headline poets alongside Matt Black. A little like not realising two years had passed since I last watched Ash Dickinson perform, I cannot believe a year has passed since I last went to the Poetry Lounge in the Sitting Room! This time warp has to do with working for 18 months on Fragile Houses I think. Months slip by fast and the first thing that has to go when you shackle yourself to the desk to write is faraway events.

Week 1:

Poetry Lounge in the Sitting Room with Jean Atkin in Ludlow, it was lovely to see everybody again and I hope to make it back before 2018. Matt Black (who I first years ago at a special event we both performed at The Ort in Birmingham  (2014), more recently we shared the floor in Birmingham at Stirchley Speaks (my Headline, back in October). headline-stirchley-speaks-oct

He was entertaining and as we had all had a conversation about vegetarianism on the journey over, apt poems in his set made us giggle.

Claire Walker was amazing, I do not think I will ever tire of hearing her perform from The Girl Who Grew into a Crocodile. She also treated us to some new poems from her next pamphlet collection.sitting room

I completed a lot of research for current writing projects and groups. I also completed a collaborative project set up in December and worked hard on submitting poetry. I had fun writing about Leonard Cohen and am keeping my fingers crossed that the editors will enjoy the results.

I missed Buzzwords in Cheltenham.

Week 2:

In December I submitted to 7 places and the rejections rolled in from 3 of them this week. We all learn to handle this but one publication in particular was dealing with a subject close to my heart and it made me a little glum that they hadn’t taken my work. They did send feedback including details of the process that the poem they nearly took went through. I will not be perturbed. Another rejection cited that the pieces weren’t best fit this time but encouraged resubmission.

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Back in 2015 I had three poems accepted for an anthology by Shabda Press on Nuclear Impact. We all signed contracts in 2016 and it has been a real labour of love for Teresa Mei Chuc who has now got the project to final proof stages. All proof read and returned and I cannot wait to see the result. The readings are all taking place in the States but I am currently looking at the logistics of video performance.

The cover has been revealed featuring the Artwork of John Sokol. Cover Art: “On the Road to Perilous” nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol I could write more poems just from a glance. This book will hopefully be in our hands later this year.

I went to SpeakEasy – where Brenda Read-Brown was headlining and what a set she treated us to. New work, powerful work, emotive (I nearly cried twice), honest and filled with passion. I was really glad that I was able to make it and witness such a performance.

I shared some new poems and gave Fragile Houses a rest, most of Worcester have bought it already and as I headlined last month and read most of it and as the last poem in there was written in 2015, I fancied sharing something newer.

I went to Stanza although I was so tired I was not much use to others and the poem I had written half an hour before leaving didn’t quite work. I do not see the point of taking perfectly polished work to groups – unless perhaps it’s a poem that has been unsuccessfully submitted a few times, in which case new eyes are good. However, I need to give my writing a chance to sit and simmer for a bit so perhaps I should try this year to get a poem ready the week before. Give it some breathing space. It is hard when you feel so attached to something, too vulnerable.

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Sadly at the weekend I said goodbye to Sally Grainger who has been my Assistant Writer for WWM Spark Writers group for the past 9 months. We had a full house for her final session and ran a great group on Scriptwriting. It was fun. I am sad to see her go.

I received exciting news about a new Literature Festival which I am currently organising a showcase/event for.

Week 3:

I spent my time mainly at work, in spare hours I was organising the festival event, missing deadlines, proof reading and writing comic poetry.

Last year I was invited to take part in a one off (now to be repeated as it was so successful) Baldy Poems presents Kings and Queens of Comedy in association with WLF (Worcester LitFest). I love the idea that WLF are fundraising via event charge at one off events throughout the year to help fund/pay for the summer festival. It is a great idea and I have loved the events that have popped up so far.

I was honoured to be one of the 6 performers (we had 8 on the night with Kieran Davis and a Special Surprise Guest joining us). I have only written about 5 funny poems and the two I had ready for this event have not seen the light of day since 2015, so I decided to emulate BaldyPoems style and kick out 6 new ones. That and I needed the material to cover a 10 minute set. More on this later.

I missed David Calcutt at Smokey Joes in Cheltenham – Poetry Refreshed and sadly I missed Clive Osman’s Waterstones book launch for his debut collection ‘Happy’. Both nights looked to be good. I had taken on extra work and with a gig Thursday night and Friday needed to sleep.

After almost 2 weeks of working full-time, I finally finished on Thursday at 5:30 and then headed over to Birmingham with Mr G and a friend, in birthday celebration mode. We went to see THE BLUE AEROPLANES at the Hare and Hounds (where UB40 played their first gig) and it was exceptional. I am so glad that I was filled with the charm of performance because it set me up for the following evening for Kings and Queens of Comedy.

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I was so nervous – worried that the audience wouldn’t find the dusted off material funny, But I forgot the universal appeal of my moustache poem, the magic of proto-type props and the delight of people who have never heard this one before. It was also funny because people who know me know that I am funny, I just do things that amuse people as I have no logical bone in my body and I have a quick, dry, wordy wit… in fact there was a turning point once upon a time between poet and comedian. The world breathes a sigh of relief.

Anyway because a lot of people now on the scene weren’t back in 2014 when I played the clown a little more, they didn’t see me as a funny poet and were quite shocked at the billing. There are now at least two people who will never take me seriously again!

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To read a full review of the evening click here

And then I had a well deserved weekend off to catch up with Mr G and writing.

Week 4:

Saw happy news and my first acceptance of 2017. That collaborative project I mentioned earlier was with Claire Walker. The result was a meeting about prompts, shared ideas, word lists and after writing editing together. After a few weeks we had a poem written by each of us from working with the other and a joint poem written line by line. The acceptance was a the poem Claire Walker wrote called ‘The Puzzle of an Ending’, a beautiful title and a hard hitting poem. It was the strongest of the collaboration.

It delights me that it exists because of an opportunity I found and a risk I took (asking another poet to partner me and risk rejection, that lack of self-belief/inner critic we all have to deal with). Fortunately, Claire was only too happy and we enjoyed this rather intense poetry pocket in our otherwise Christmassy/family orientated holidays. There will be more to come. And I am doing something here I first dreamed of in 2014. Happy.

I spent the night, along with many poetry friends at the Kitchen Garden Café, Birmingham for Jacqui Rowe’s ‘Poetry Bites’. The featured poets were David Calcutt & Claire Walker (fellow V. Press poets) and Jacqui announced (which most of us already knew) that they are going to publish her first collection this year too. Her ‘Ransom Notes’ was the first pamphlet of the run in 2015 from the round I applied successfully for in 2014.

ransom Poetry Bites was a packed out night, it is so sad that this is Jacqui’s final year, but it is a phenomenal achievement to have hosted and supported such an abundant amount of poets over the years. The atmosphere was great and there were some top class floor spots as well as a V. Press collective, Kathy Gee was also reading from her collection Book of Bones.

I really enjoyed reconnecting with Brumside poets I had not seen in a while, as well as listening to some inspiring and thought provoking sets.

Maybe it was the double dose of Americano coffee, or the Kitchen Garden cake… I came away buzzing and refuelled with an extra layer of poet-y energy!

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I wrote new poems for Burn’s Night, which was celebrated at 42, in Worcester on the 25th. I even made a badge – Lewis tartan, of course. I have thoroughly enjoyed finding out more about this 18th Century rascal. It was a great night, intimate and full of heart – but not lungs or liver (haggis pun)!

I missed a workshop with Ash Dickinson, that had I not been performing in the Quiet Compere/ Wolverhampton Literature Festival the following night, I may have tried to get to. It was just a little out of range geographically and no way I could have got myself there on time after work without the help of a helicopter and pilot… neither of which I have. Oh, to be a rich girl! So I just have to brush away the disappointment and hope for another opportunity in the future.

This brings us to the finale of the poeting week – the first literature festival to be held in Wolverhampton and a great line up of events across all genres. I was lucky enough to be one of the ten poets on the bill for Sarah Dixon’s Quiet Compere Event at the Art Gallery on Friday evening.

What an evening it was. Fabulous line-up, including two poets who are new to me (always a pleasure), Tom McColl & Gerry Potter. What a venue, the room was majestic and had one of the best backdrops to poetry I have ever seen. The setting was incredible. It was a wonderful night and I was still buzzing the next day. You can read the full review of the event and find out more about the performers here https://awritersfountain.wordpress.com/2017/01/28/quiet-compere-wolverhampton-literature-festival/

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I got home to find emails about up and coming books and spent a while chatting to the other buzzing poets online. A fine night.

walsall-arboretum I finished my weekend at Open Poetry at Walsall Arboretum with David Calcutt and an amazing number of poets on Sunday. Despite the horrible rain, bad driving conditions and leaving a ton of work on the To Do List, I headed out for some poeting fun.

It was a great couple of hours, lots of moving and humorous work was shared. I met some new poets and saw John Mills, who had battled the unnavigable roads of Walsall to experience David’s event for the first time. walsall-arb © 2016 Walsall Arboretum

Then I spent a horrendous amount of time sorting out unread and unmanaged emails instead of completing applications which I now need to do tomorrow after work. There are lots of deadlines in the next 72 hours and I plan to hit them all.

Wolverhampton Literature Festival finished with a Poetry Slam that Nick Lovell won and Willis – a.k.a Rick Sanders came 2nd and Rob Francis, 3rd. Well done, boys! An all male sweep. I was sad not to be able to go to the festival this year. Other plans had already been made. Hopefully they will do another one next year.

The Extra Few (Writing) Days

Mainly spent Monday night at the computer pulling a 6 hour shift (after a day at work), writing new material, researching, organising events, writing applications and submitting. There are so many end of month submissions and I have been busy enjoying myself and thinking the end of the month was a while away yet and here we are. I am pleased that I have managed a few more submissions as I have not been keeping the resolution of weekly output, as advised by another poet.

Obviously there is a certain amount of selectivity both in terms of material, feel, attitude, time etc. My aim is for monthly submissions, which should be entirely achievable – as the months missed last year were to do with the final editing process of the pamphlet.

I will spend the final day of the month (in the evening, after work) getting productive with my next To Do List and making final submissions too.

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There are so many exciting things planned for February already, I can hardly believe we have reached the end of January!

I hope you had a good one, filled with spirit and joy …. oh and writing!

 

INKSPILL Guest Writer Deeanne Gist Two Minute Tips

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Deeanne Gist

When we contacted Deeanne she gave us the following advice;

As for words of advice, I think the best advice I can give is:
1) Learn your craft. (And you’re off to a good start if you’re attending this retreat!)
2) Finish the book. (Truly. You wouldn’t believe how many people never finish their book. You can always go back and edit, but that book needs to be finished before you can proceed to the next step … publishing!)
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© Artfix Daily

We are sharing some of Deeanne’s tips with you this evening from this wonderful sequence of videos she has produced on the craft of writing.

 

 

The introduction to Deeanne’s video blog. Write the book you are excited about.

 

What to Leave Out

Deeanne talks about judging contests, editing, writing and advises us on what to leave out and why in this Two Minute Tip video.

 

 

 

 

In our second video Deeanne explores how to write conflict and drive your book forward. This video includes great advice from this International Best Selling Author.

How to Write Conflict

 

Our final tip for aspiring writers is about character. This is a really interesting way of working and beats my index card system. Advice on how to give your protagonists depth.

 

How to Give Your Character Depth

 

We hope to bring you more from Deeanne Gist next year.