Tag Archives: poetry

ARTSFEST

Standard

15th July – 5th August

ARTSFEST cropped-S-150-Logo_1

I have been performing at this annual event since 2014, it was a pleasure to have key involvement this year. I have been planning the poetry events since the end of February and now cannot believe they are now days away.

 

For the FULL programme please click here.

save arts DAN

22nd JULY St Andrew’s Square (main pedestrianised town centre area) map

I will be performing poetry alongside Val Harrison, oakley Young Poet Laureate for Worcestershire and Antony Owen.

Between 11- 3 PM

FREE EVENT

http://droitwichartsfest.org/event/poetry-and-literature-day/

We are followed by Pens and Needles, a local writing group from Redditch. This event has been organised by Carla Kovach

From 3 PM FREE EVENT

 

cropped-S-150-Logo_1

In the evening there is an event at Park’s Cafe from 7PM

Poetry Extravaganza

http://droitwichartsfest.org/event/poetry-extravaganza/

FREE EVENT

13 Poets and Writers will be performing.

Food & Bar available. Not free.

DAN-logo-100px

BBC Hereford & Worcester

Standard

Worcestershire Poet Laureate – first Radio Slot as WPL

RELATED LINKS:

http://www.bbc.co.uk/programmes/

Tune in to Tammy Gooding’s show tomorrow from 1 PM.

LISTEN LIVE http://www.bbc.co.uk/radio/player/bbc_radio_hereford_worcester

Working on a Poetry Show 30-40-60

Standard

2016-11-24 19.40.20

Back in 2016 I was already planning collaborations to promote my debut pamphlet ‘Fragile Houses’, published by V. Press.

This year I had the opportunity to organise events for festivals and two of these included this body of work. Stourbridge Literature Festival saw a straight reading of pamphlets and collections that I organised with fellow V. Press published poets: David Calcutt, Kathy Gee & Claire Walker. It was fun to do and we sold a couple of books.

The next bid I placed was with Worcester LitFest, although I have been aware of the festival and participated in various events since 2014, I had never discovered the bidding stage. I wrote a synopsis for a collaborative reading.

We heard that our application had been successful in March and set to work on developing the show 30-40-60.

script

We have had several meetings to script and rehearse the poetry side of things and have developed film work to enhance the experience, as well as promoting the show in hope of ticket sales. It is a something we hope to repeat at other festivals/events in the future as there has been an incredible amount of groundwork put in.

It has been one of the most pleasurable projects so far this year. The 3 hour meetings fly by and we have our fingers crossed now that we can make it a success.

30-40-60

Worcester LitFest runs from 9th – 18th June and as you can see 30-40-60 is billed for the 11th June, do come along if you can make it to The Hive, tickets are a festival fiver and if you want to perform poetry, sign up for the open mic beforehand by emailing us at 304060[at]mail.com

prog

Litfest A5 Programme 2017 30-40-60 page

NaPoWriMo Day 15 – Halfway There!

Standard

type nap

We made it halfway! Congratulations, treat yourself to a reward… pen your next poem! Keep going.

Over at http://www.napowrimo.net/day-fifteen-3/

Our featured participant today is Strangelander2015, where you will find not one, but three clerihews for Day 14.

Today’s interview is with Kaveh Akbar, who is not only a wonderful poet in his own right, but the editor of a journal devoted to interviewing poets! You can find examples of his work here, and here, and here.

Last, but not least, here’s our prompt for the day (optional, as always!). Because we’re halfway through NaPoWriMo/GloPoWriMo today, I’d like to challenge you to write a poem that reflects on the nature of being in the middle of something. The poem could be about being on a journey and stopping for a break, or the gap between something half-done and all-done. Let your mind wander into the middle distance, betwixt the beginning of things and the end. Hopefully, you will find some poetry there!

napo2017button1

I found this prompt inspiring, despite not having any immediate muse settle in my head. I started writing about my late nan’s jewellery and that moved onto a family orientated poem. It needs revisiting.

Then I wrote a short form poem about the artist Marina Abramović, having written ‘Unfolding’ last Autumn, I planned to write a small sequence, which I still have not managed to work on. This poem might suit it – although it deals with the same imagery as ‘Unfolding’. So maybe not.

Finally I wrote a series of 4 Haikus about Mr G and I and life itself.


Carrie Etter’s prompt was to write a poem in response to some news, written from a different perspective. She asked for a nuanced response, a complex of multiple emotions.

I attempted to steer clear of the predictable.

I started with a news search and found a few plausible stories, I wasn’t feeling the result, as they gave me lines rather than poems. Then I happened upon an inspiring image that took me onto an image search, a good fall back stimuli, I found some interesting images of women during both World Wars.

The story I finally used was from 1941, an old woman knitting socks for the Red Army. I still needed a way in, so I chose to write an irregular ode (these follow ABAB, CDCD, EF, GG, HH pattern), my poems do not normally rhyme, so this helped get the voice of the narrator, the elderly lady who I turned into a spinster.

I think the poem needs work but it is a start.

‘Though my hands are aged and body old bone,

I knit socks for the boys and hope them home.’


Jo Bell posted Ford by Robbie Burton. http://www.jobell.org.uk/

From Robbie’s new pamphlet Someone Else’s Street, Happenstance Press 2017

An interesting discussion as always.


The Poetry School PS Napo

Day 15: Technology Day

When was the last time you checked your mobile phone? And when was the last time you read about someone checking a mobile phone in a poem? Technology has completely changed the way we live, but reading most contemporary poetry, you’d never know.

Have your poem interrupted by a tweet every other line; write about virtual reality; or lament that computers are finally besting humans at the board game Go! And remember – technology doesn’t just mean the internet, think physical tech as well!

… think about the way technology weaves into our lives – perhaps even celebrate it!

Here’s one of my poems, Phone, with improvised music from my friends in The Hermes Experiment. 

ENJOY!

NaPoWriMo Day 10 – 1/3 Of The Way Through

Standard

napofeature1

With a busy day ahead, I got my NaPo writing in early today. The prompts I follow from NaPoWriMo and Carrie Etter both feature people and I have enjoyed writing about Mr G and my newest nephew.

I cannot believe today we are all one third of the way through this year’s NaPoWriMo. Congratulations, that is a huge achievement.

http://www.napowrimo.net/day-ten-5/

Our featured participant today is Whimsygizmo’s Blog, where the nine-line poem for Day Nine tells us how to capture the moon!

Today’s interview is with former U.S. Poet Laureate Natasha Trethewey. She has written four books of poetry, including Native Guard, which won the Pulitzer Prize in 2007, and a book of creative non-fiction, Beyond Katrina. Trethewey’s work draws from both her own family history and the history of the Gulf Coast where she was born. You can find a selection of her poems here.

poetry foundation

And now for our prompt (optional, as always). Today, I’d like to challenge you to write a poem that is a portrait of someone important to you. It doesn’t need to focus so much on what a person looks (or looked) like, as what they are or were. If you need inspiration, here’s one of my favorite portrait poems.

NaPoWriMo.net © 2017

napo2017button2

For this prompt I chose a holiday snap of Mr G and just started freewriting, I was trying to focus on the telling of the person rather than describing the photograph. I managed a short poem but found most ideas were coming just as one or two lines.

So, in the end I wrote a Haiku. I am unlikely to submit this little love poem anywhere, for the first time this year you can have the full poem.

You Look Away

Your eyes are speaking,

one raised eyebrow sends me love,

perfect half smile lips.


Carrie Etter’s prompt encourages a 2nd person poem where the ‘you’ addressed is a specific person.

I wrote about my nephew and his new tricks. It was an easy write that flowed and will need to be edited but it has legs.

‘Your new trick is aeroplane arms…

you twist your neck like an owl baby

send me another smile.’


Jo Bell posted A Blade of Grass by Brian Patten. http://www.jobell.org.uk/ a discussion about the poem and lazy critics.

Ultimately, nothing we write about captures the importance of the thing itself. The signifier never quite attains to the power of the signified. Jo Bell © 2017


The Poetry School 58d3e6b0bba6c-bpfullask for a letter poem and leave some fine examples. I know Bobby Parker and had the pleasure of meeting/hearing Melissa Lee-Houghton last week at the Worcester University reading at The Hive.

Dear poets,

Melissa Lee-Houghton is currently running a course on the epistolary poem for The Poetry School. As she has said, “sometimes all we need to be able to write the thing we most need to write is to know who it is we must write to”.

But it’s the young British poet Bobby Parker (whose latest book bears a cover endorsement from Melissa) who we’ve chosen as an example. See Heroin Lullaby (or Open Letter To My Wife Upon Our Separation).

http://thequietus.com/articles/14538-poetry-heroin-lullaby-poem-by-bobby-parker
Or, for something a little less intense, have a look at Elizabeth Bishop’s Letter to NY: http://writersalmanac.publicradio.org/index.php?date=2006/07/22

Ali Lewis © 2017


Happy writing!

NaPoWriMo Day 5

Standard

For the first time since the start of NaPo I have found myself time limited. I am following four different prompt areas this month and tend to write from two sources. This means that my NaPo poetry has already reached double figures.

Today whilst at work I considered the nature prompt from NaPoWriMo, I made some notes hoping to work on a poem this evening. http://www.napowrimo.net/day-five-4/

I was too tired to concentrate when I first got home, then fell asleep. I have an idea that is bubbling in my head and would like to form a poem before bed. However, I know that this is the only prompt/poem I will create today. Carrie Etter’s prompt is a prose poem and that is a style I tend to steer clear of. I will attempt it at some point but also like the idea of stashing documents of prompts away to face later in the year. So I will forgive myself and move on if I don’t take the prose prompt. NaPo is all about forgiveness, I learnt that the first year I tried it. It is my 4th year doing this crazy poem-a-day thing.


allotment 2

© A.Cooke 2013

I was excited when I saw Mary Oliver on today’s Napo thread. I bought her book ‘ A Poetry Handbook’ at the tail end of 2013, my year of learning.

The featured poet came from the Enigma prompt https://ccthinks.wordpress.com/2017/04/04/when-this-boy-croons-every-moon-in-june-blooms-napowrimo-day-4-enigma-variations/

The interview was with Mary Oliver http://www.oprah.com/entertainment/maria-shriver-interviews-poet-mary-oliver

Read her poetry here https://www.poetryfoundation.org/poems-and-poets/poets/detail/mary-oliver#about

poetry foundation

And the reason for the allotment photo… the prompt was about an experienced nature, (I didn’t actually write about the allotment, despite having a mini series of allotment poems).

In honor of Mary Oliver’s work, I’d like to challenge you to write a poem that is based in the natural world: it could be about a particular plant, animal, or a particular landscape. But it should be about a slice of the natural world that you have personally experienced and optimally, one that you have experienced often. Try to incorporate specific details while also stating why you find the chosen place or plant/animal meaningful. © Napo.net 2017

napo2017button2

My poem was about flowers. It mentions radial patterns and US Airlines following spoke and hub routes…

It is yet to define itself as a poem!


Carrie Etter’s Prompt was to write a prose poem.

The Poetry School Day 5: The Aubade (touches of 52). An aubade is a poem addressing the break of day. A traditional aubade often featured the parting of lovers, but yours doesn’t have to. It also doesn’t have to be an ode to the morning; morning can arrive quite gently or tangentially in your poem — but it has to be there. Two example poems today, neither of which is remotely traditional (after all, you all know Larkin’s ‘Aubade’ already, don’t you?).
 
Carl Phillips: Aubade: Some Peaches, After Storm
https://www.poets.org/poetsorg/poem/aubade-some-peaches-after-storm
 
Ocean Vuong: Aubade with Burning City
https://www.poetryfoundation.org/poetrymagazine/poems/detail/56769

© The Poetry School 2017


Jo Bell (encouraging a month of reading) posted NaPoReMo (National Poetry Read(ing) Month), Song by Adrienne Rich.


Be inspired (I’ve got poetry to go and write) x

napo2017button1

NaPoWriMo Day 1

Standard

As we are a participating blog, I thought it sensible to keep up to date with NaPoWriMo. So far it has been a busy weekend with an event in a neighbouring County and the Poetry Ballroom. I have managed my writing time but am only just now finding a space to blog about it.

Unlike previous years (where I have more or less gone alone), this year I am in several groups and have even joined in at The Poetry School. I am using prompts from various sources to kick-start the writing. So far I have managed dual prompts from www.napowrimo.net and prompts from Carrie Etter, from her Facebook group – where we are not sharing poems (that is what the Poetry School enrolement is for), instead we are discussing some of our favourite poems and how it feels to be embarking on a crazy month of a poem a day. Carrie added a page of 30 prompts and poets have been dipping into them in random order. Out of 7 poems written so far I have 4 that I shall keep to edit and mould later in the year.

I do a draft/edit/rewrite – move on – 30 in 30 days is a pace of a thing but generally you get a sense for the ones to revisit and no writing is wasted time (in my opinion). I enjoy the challenge of this craziness and also carving out some daily writing time.

For the first time since discovering this challenge (2014), I am writing longhand in notebooks. That in itself makes a change to my normal practise.

DAY 1: SATURDAY

http://www.napowrimo.net/day-one-it-begins/ napo2017button1

I wrote Day 1 in the early hours of Day 2, I learnt a few years back that when you are busy FORGIVE yourself for not writing to deadline, the world will not collapse.

The main prompt at Naponet was a Kay-Ryan-esque poem: short, tight lines, rhymes interwoven throughout…

I negated mentioning animals and I think my sharp philosophical conclusion may have to be added in later edits, in was in the style as far as line/rhythm. A poem about our house, more honestly the state of our house my lifestyle has created.

I think ‘Home’ works as a complete poem but looking to post a flavour here (as blogging it in full is considered publication), I cannot choose lines that will give you much taste at all.

This year’s links from NaPo are all interviews with a poet, whether you are joining in writing this year or not I would urge you to check out the links and interviews found on the official site. Spend the month reading instead.

Today’s interview came from the Paris Review and is with Kay Ryan https://www.theparisreview.org/interviews/5889/kay-ryan-the-art-of-poetry-no-94-kay-ryan

All Your Horses By Kay Ryan https://www.poetryfoundation.org/poetrymagazine/poems/detail/57401

napofeature4

The featured participant for DAY 1 was gloria-logo-02http://www.gloria-gonsalves.com/glopowrimonapowrimo-early-bird-spring-wedding/ with a special Early Bird prompt (Haibun) inspired by wilting tulips in her writing space.


My 2nd effort came from Carrie Etter’s first prompt, I am tackling hers in order. I wrote about a badge collection that I had almost forgotten collecting, lots of childhood memory resurfaced.

Day 2 napo2017button2 suggested using a recipe for inspiration, I found an Ancient Roman recipe and rewrote it as a couple attempting to conceive. An interesting exercise.

Over at The Poetry School the prompt was to write a long thin poem.

Manchester – Quiet, Quiet Loud Headline

Standard

Last year Sarah Dixon contacted me about headlining in Manchester, originally the booking was set for April/May- but due to Sarah relocating my spot was brought forward to March.

I booked time off work and made arrangements. I was originally going to do an overnight and what I learnt from this experience is how to be sensible… gigging further afield, it is probably best to stay overnight. Fortunately, Rick Saunders (a.k.a Willis the Poet), signed up for the open mic and offered to drive. Unfortunately his car broke down the week before and we ended up hiring a nifty little number to get us Northbound.

Manchester isn’t all that far away, but after a day of work and with butterfly nerves I did not fancy driving. Plus I have an inherent fear of the M6! That pesky Toll road…

Our journey out there was easy, didn’t take long. We found the venue and headed off for some tea before going to the The Llyod’s Hotel. Our journey back was horrendous with motorway closures, traffic jams and a satnav that was convinced the signs suggesting junction closures were wrong.

BUT – it was all worth it!

Quiet, Quiet Loud is an incredible event that Sarah has been running for two and a half years now. I can imagine the loss to the local poetry community (having just experienced the end of PTS at the Scary Canary).

March 14th Quiet, Quiet Loud

qql

Guests Mark Pajak and Becky Cherriman and Nina Lewis

Mark Pajak was born in Merseyside. His work has been published in Magma, The North and The Rialto (among others), been highly commended in the Cheltenham Poetry Competition and National Poetry Competition and won first place in the 2016 Bridport Prize. He has received a Northern Writer’s Award from New Writing North and was 2016’s Apprentice Poet in Residence at Ilkley Literature Festival. His first pamphlet, Spitting Distance, was selected as a Laureate’s Choice and is published with smith|doorstop.

Becky Cherriman is a writer, workshop leader and performer based in Leeds. Published by Mslexia, New Walk, Envoi, Mother’s Milk, Bloodaxe, Well Versed and in Poets For Corbyn, she was resident poet for Morley Literature Festival in 2013 and lead artist for Altofts Festival In A Day 2016. Becky is a co-writer and performer of Haunt, a site-specific theatre commission for Imove, a project about homelessness. She is currently working on her one woman show with voices, Corseted. Her first poetry pamphlet Echolocation and first collection Empires of Clay were published in 2016 by Mother’s Milk and Cinnamon Press respectively. www.beckycherriman.com

Nina Lewis is widely published in poetry journals and anthologies, including Abridged, Fat Damsel, Take Ten, Hark, Here Comes Everyone (HCE), I am Not a Silent Poet, New Ulster Poetry, Nutshells and Nuggets, Under the Radar and Visual Verse. Worcestershire Poet Laureate Competition 2015/2016 runner-up, Nina often performs at spoken word events and literary festivals. She was commissioned to write and perform poetry on ‘ecology and the city’ at the Birmingham Literature Festival in 2014. Her haiku have appeared in an art installation at the Midlands Art Centre, on the Poetry Fence at Acton Scott Historic Working Farm and in Municipal Bank Vaults for an International Dance Festival. Nina’s work also formed part of the poetry trail for Wenlock Poetry Festival 2014. Fragile Houses, published by V. Press autumn 2016, is her first pamphlet.

I was really excited to meet Becky and see Mark again (who I first saw perform at Waterstones last Autumn with the Poetry Business).
It was a thrill to stand in a room I had seen on social media for years! The standard of poetry was really high and there were plenty of open mic spots. An appreciative, poetry loving audience and bundles of talent. It was lovely to see Sarah again and hear her poems, many from her pamphlet collection (fingers crossed for this to make publication soon). I had the pleasure of reading through a draft copy for her last year. She chose some strong poems to share with us.

becky cherriman

Becky Cherriman was the first Guest Poet to take to the floor. I love it when I do not know a poet and have no idea what to expect.
I was moved by Becky’s set and need to buy her book, she was a wonderful performer and her poetry ran a gauntlet of emotions. An incredibly powerful set. It was good to meet her.

I would have bought her book on the night but with hire charges and petrol/drinks etc. my cash was a little light. I will catch her again and you should too. A gifted poet who deals with all shades of life. I still have her poetry in my head a fortnight later.

http://www.beckycherriman.com/

Mark Pajak took us into his world after the interval. I was looking forward to hearing his work again and thoroughly enjoyed his set. It was good to hear more from him. He is talented performer and an engaging poet. He writes about some seemingly bizarre incidents and is not afraid to share them, despite being advised not to. I appreciate that rebellious side. His work is like nothing I have read or heard from anybody else, unique. Prizewinning and extra special.

Mark Pajak

I was nervous having watched these masters at work and really wanted to change my set – but having timed it I didn’t think it was appropriate to cast last minute changes. I find my pamphlet fairly difficult to share as I want to give the audience enough of the sizzle and taste but don’t want to take them on the whole chronological journey or indeed read all the poems in the book. I have seen other headliners (with pamphlets) sharing several newer poems too, this may be the way forward – but I am not entirely sure. It may be like when you see a band and want them to play the albums and they slip in several B sides… I have always been a fan of the B side.

me qql

It was a pleasure to be invited to the final Quiet, Quiet Loud and read in Manchester. It was an inspiring evening filled with poetry buzz.

If you want to read a review of my set, check out Rick’s blogpost below.

RELATED LINKS:

https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

Mad March

Standard

time-430625_1280

It has certainly been insanely busy this month, I knew I would need to allocate blogging time elsewhere and I am delighted to see some of the older posts reactivated.

I have been working on writing and submitting as well as organising events and completing applications. I have missed events due to a lack of energy and am battling constantly with balance.

You will be able to read about the events in my monthly review (the end of March will be here before we know it).

In the meantime here are some links you may enjoy!

cart3  For those who need motivation

https://awritersfountain.wordpress.com/2015/11/12/whats-the-point-keeping-motivation-alive/?frame-nonce=0c88788c2f

This post includes links to lots of related posts too – although it is fairly narcissistic, please forgive me – it was 2015!

For entertainment and knowledge try

https://awritersfountain.wordpress.com/2014/10/25/inkspill-how-to-get-rejected-guest-writer-william-Gallagher/

from 2014 Inkspill AWF Writing Retreat

Something to watch

https://awritersfountain.wordpress.com/2015/10/24/inkspill-poetry-film-2/?frame-nonce=0c88788c2f

Try Poetry International – originally posted in Inkspill 2015

Want to write?

Try this workshop post on characters also from Inkspill 2015

https://awritersfountain.wordpress.com/2015/10/24/inkspill-workshop-2-creating-characters/?frame-nonce=0c88788c2f

 

 

Poetry Alight – Happy 5th Birthday!

Standard

I have had a great week of poetry. It isn’t often (anymore) that I go to events back to back, but this week there was a run of three events, none of which I wanted to miss. They were all headlined by poets I know, whose work I know. (Warning: Some Fangirl moments may be included.)

The week kicked off with Poetry Alight, a night hosted by Gary Longden in Lichfield. We celebrated 5 years of PA and were treated to the room behind the main bar where the atmosphere was definitely set to ‘party’. Complete with handmade bunting and delicious interval cakes, this night was roaring. It was great to see poetry friends, some I haven’t seen for a while and those I saw a few weeks ago.

The open mic spots were wonderful. Steve Pottinger and Emma Purshouse treated us with floor spots. I was really looking forward to the headliners – Ruth Stacey and Ash Dickinson. It has been too long since I watched Ruth perform. Her set was amazing. Gary splits the headliners, so we get to hear them before the interval and at the end of the evening. Ash treated us to a mixed set from Slinky and Keys and threw in some new poems too.

I love watching the audience react to poets I know, who are new to them. I love hearing poets perform their words, words that I have on my bookshelf that they breathe ultimate life into. This is where the ‘power’ of poetry begins. The fusion of ideas stirred by the vocal chords that conceived them.

Ruth performed some of her Foxboy poems. This was her debut pamphlet published by Dancing Girl Press and is one close to her heart. Based on real people and real issues faced. It is deeply moving and resonate, even though I have never suffered from issues or opinions of ethnicity I key into the emotions in place in this collection. The wandering and the wilderness. I am glad Gary Longden requested her Bear poem too.

Foxboy

It was lovely catching up with Ruth and hearing all about what she is currently busy with. There are some people I really miss seeing regularly and Ruth is one of them.

Ash was brilliant too. He has very recently performed in Derby, Burton and Stourbridge so he was endeavouring to deliver a set without repeated material. He had a set list that after his first half he had hardly touched, this relaxed approach (I blame the bunting), worked because we got to hear poems he may not have performed otherwise. I fell in love with his Camden notebook, a work of middle earth art itself. It was a delight to hear some newly penned poems as well as gems from his  collections. I want posters* of his Coffee poem, ‘If I Miss A Coffee’ and Fridge poem, ‘Chiller Queen’ and I love ‘Method Poet’ particularly as I trained as a method actor.

*And I don’t even have posters anymore!

“She never loved me more than when I was a flower.”

 

Ash Dickinson is a writer, poet and comedy performer.

A multiple slam champion- including Edinburgh and Cheltenham- Ash won the BBC Radio 4 Midlands Slam in 2009. In the previous BBC National Slam in 2007 he progressed through the Scottish heats, eventually finishing among the top 8 in the UK. Ash was runner-up in the 2011 UK All Stars Slam.
In the summer of 2011 Ash embarked on a six-date feature tour of Canada, a country where he also performed in 2006 (including the Winnipeg Fringe Festival). He has performed in Australia, the United States and New Zealand where he was invited to perform at the 2002 New Zealand Festival. In 2012, Ash was flown out to both Spain and Jordan for literature events, and in 2013 he headlined a show in Berlin, Germany. In 2016 he was flown out to Prague, Czech Republic to run workshops.

Ash had a four-star rated one-man show at the 2004 Edinburgh Fringe Festival and the following year formed part of Scotland’s renowned Big Word during its run there. He has appeared at the Cheltenham Literature Festival, the Glasgow Comedy Festival, the Bristol Poetry Festival, The Larmer Tree, In The Woods, The Wickerman, the Stratford Poetry Festival and The Camden Crawl among many others. He has headlined shows throughout the UK and performed at venues such as Ronnie Scott’s (London), the Colston Hall (Bristol), Oran Mor (Glasgow), Jupiter Artland (West Lothian), Stowe House (Bucks) and The Jazz Cafe (London). He has shared bills with many national and international poets as well as comedians such as Frankie Boyle, Miles Jupp and Andy Parsons.

Ash has been widely published in newspapers, magazines and poetry presses. He has compered busy cabarets and music nights, performed at private and corporate functions and supported bands. He is in heavy demand to run poetry workshops. His media appearances include BBC Radio, The Times, The Scotsman, The Guardian, Metro and Sweet TV.
Ash’s debut collection, “Slinky Espadrilles”, was published in 2012 by Burning Eye Books. His follow-up, “Strange Keys”, was released in April 2016.

Ruth Stacey is a writer, artist, and lecturer. Her debut collection, “Queen, Jewel, Mistress”, was published by Eyewear July, 2015. Her pamphlet, Fox Boy, was published by Dancing Girl Press, June 2014. She designs the covers for V Press poetry pamphlets and was part of the Vaginellas; a collective of female poets re-imagining classic forms of poetry.

Carolyn Jess-Cooke wrote of her debut collection thus : “The significance of this book (Queen, Jewel, Mistress) as a work of art, however, is in its reclamation of history from the female perspective. That the poems themselves are brilliant, almost all of them adroitly executed, makes me want to stand up and give the book a round of applause. There is mastery here, boldness, and a lively assertion of what poetry can give to the historical imagination. This is a book that deserves widespread acclaim.”

Gary Longden © 2017

It was a fantastic night and I thoroughly enjoyed myself. I liked being described as a poet on the great conveyor belt of Worcestershire’s talented poets and the whole event inspired me to get scribbling new material. The cakes were gorgeous and to top off the wonderfulness that was Tuesday evening, Ash bought a copy of Fragile Houses. Beam.

fragile-houses-best