Tag Archives: poetry

Ash Dickinson Workshop & Licensed to Rhyme

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The perfect way to start any week is a Poetry Workshop and when that workshop is with Ash Dickinson, you know you have backed a winner!

I first met Ash back in April 2014 (I had to look that up), we were talking on Monday night about a particular gig in the Autumn of that year and I knew that was the 2nd time I caught his act but couldn’t remember when I actually first discovered his work. I have been a fan ever since of his surreal and sincere voice.

Having missed the opportunity to do a workshop in Burton last year I was delighted to discover that he was doing one before/for Licensed to Rhyme and because I had been at work all day, it was literally just down the road in the next village!

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So my poetry week started on a high! It was a fantastic workshop, a great group of poets (all of whom I knew) and what’s more – all of us managed to write poems, including Ash!

We worked from many lists of prompts (which leaves us with plenty to get stuck into post-workshop). Ash used various forms, including one new to all of us. I wrote my 2nd, 3rd and 4th ever Clerihew! I still feel wary of the poetry produced  but the genre falls into nonsensical as a technique so those question marks or perhaps exclamation marks appearing from my ears are allowed.

It was great to hear everyone’s responses to the prompts and some were even brave enough to share their raw work (including Ash) in their L2R sets later in the evening.

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Licensed to Rhyme, is always a great night, the brainchild of Maggie Doyle & Spoz. I haven’t been available to get to one for a while so I was looking forward to spending a sunny evening in Cafe Morso enjoying words.

Charley Barnes had the Guest Spot, Brenda Read-Brown tested new material, the workshop poets all had open mics and Ash Headlined.

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It was a fabulous evening of laughter and poetry and set me up for the week. If people could just pop round to my lounge every Monday and recreate this I could start every Tuesday on a high! (A new idea awakens.)

Thanks Ash, for poems that definitely wouldn’t now be existence if it wasn’t for your workshop.

Discover his world for yourself here.

https://burningeye.bigcartel.com/product/slinky-espadrilles-by-ash-dickinson

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https://burningeye.bigcartel.com/product/strange-keys

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RELATED LINKS:

http://ashdickinson.com/

https://burningeyebooks.wordpress.com/2016/04/12/guest-blog-ash-dickinson-from-slinky-to-strange/

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Against the Pull of Time Book Launch

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20th April

Back in April I had the pleasure of attending a book launch in my local Library, Against the Pull of Time is the latest pamphlet by Jenna Plewes, published by V. Press. It was a lovely way to spend a sunny Friday evening.

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The poems in this book were written on retreat on the island of Iona. Although some people in the audience had been there it is not a place I know. Or at least it wasn’t. By the end of the Launch, I felt I knew the geography of Iona and the feeling of the island well.

Jenna’s poems are brimming with a sense of place and left many of us longing to go and explore Iona for ourselves.

During the Q&A following the reading, it was interesting to hear what people thought and to listen to how different poems touched us. This demonstrates the eclectic coverage Jenna’s poems have.

Some people arrived part way through so we were lucky enough to hear some poems twice and listen to some Jenna had not planned to read at the launch.

A relaxed event. If the sun hadn’t been glowing, Jenna’s words alone would have filled the evening with warmth.

Jenna Plewes

Find a sample poem and buy a copy here.

“Against the Pull of Time is a spiritual and physical journey. On the island of Iona Jenna Plewes travels far into herself to come to terms with loss, ageing and mortality. The outer landscape is wonderfully realized. Sea, shore, shells, birds and buildings play a central role in her inner exploration. The immediacy of the pared writing in this sequence, its telling details and the sharing of a deeply-felt experience, draw the reader into Plewes’ journey.” Myra Schneider

“In tender, beautiful and unsentimental language Jenna Plewes takes us on a journey, walking barefoot on wet sand, sitting in a ruined nunnery, musing on the shoreline ‘handcuffed to the sea’. it is a long time since I have read a collection that moved me so. One line somehow says it all: ‘so many things are precious in the leaving and the letting go’. This is a collection I want to read over and over – also rare these days.” Roselle Angwin

Against the Pull of Time is very very deep-rooted and seamlessly woven.

© 2018 V. Press

 

 

Mighty Force – Poets, Prattlers & Pandemonialists!

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I have had the pleasure of knowing this lot since 2014/15. Back in 2016 Emma Purshouse, Steve Pottinger and Dave Pitt banded together to form Poets, Prattlers & Pandemonialists, a year later their show was created.

It premiered at the Arena Theatre, Wolverhampton in April 2017 before they toured around the country and completed a successful run at the Edinburgh Fringe.

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“This isn’t just poetry, it’s storytelling, and most importantly it’s theatre. Glorious theatre, framed in a manner which gives space for the work to shine but keeps the audience on the edge of their seats throughout.” – Neil Reading, Director of Arena Theatre.

“Excellently framed, excellently delivered. The right amount of peaks, troughs, and misty-eyed bits.” – Matt Panesh, Artistic Director, Edinburgh Free Fringe.
“Chaucer with scratchcards.” – Jimmy Andrex, poet.

Now these three poets are industrious so alongside their show they created Yes We Cant a night of Spoken Word at Pretty Bricks in Walsall,  a pub that does indeed have pretty bricks. 34b10f6f8294900e524a14bf8ffdc85c

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I was fortunate enough to make their opening night back in June, Jonny Fluffypunk and Paul Francis headlined and it was fabulous!

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Fast forward almost a year and this monthly event is still going strong.

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And earlier this year the Wolverhampton Poetry collective announced a new project to raise the profile of poetry in and of the Black Country. They managed to obtain an Arts Council grant which enabled them to roll out a whole programme and get other local artists involved. The Black Country Broadsheet was produced which includes commissioned poems, videos have been made and professional photo shoots have been enjoyed.


CASEY BAILEY • BONES • JEREMY GRANT • R.M. FRANCIS
MOGS • RICK SANDERS • MARIANNE BURGESS

are the other poets commissioned for the project (see Rick, you got your commission, no more writing about fake ones).

 

Poet Steve Pottinger said: ‘This project is all about taking poetry to people who don’t think they like it, who don’t know it’s being written and performed in pubs and clubs around them, and who may never have attended or enjoyed a live event.

So, if you’ve got friends who you think might be interested, please tell them about it. We’re doing everything we can to show them the best local, contemporary performance poetry.’

Black Country Artsfoundry © 2018

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The project showcases the poets across 5 free events and has done just what they hoped it would. New poets have been found, some bravely taking to the mic for the first time (and blowing us out of the water!) and new to poetry people have decided it is not a bad night out after all.

  • Dudley: 9 April, Cafe Grande, 7pm – Jeremy Grant, Rick Sanders aka Willis the Poet, Marianne Burgess, Dave Pitt
  • Walsall: 16 April, The Pretty Bricks, 7pm – Emma Purshouse, R.M. Francis, Mogs, Bones
  • Great Bridge: 19 April, Great Bridge Library, 7pm – Steve Pottinger, Emma Purshouse, Jeremy Grant, Rick Sanders aka Willis the Poet
  • Stourbridge: 9 May, Claptrap, 7pm – R.M. Francis, Mogs, Steve Pottinger, Casey Bailey
  • Wolverhampton: 15 May, The Lighthouse, 7pm – Bones, Casey Bailey, Marianne Burgess, Dave Pitt

Due to a hectic work schedule, editing, writing and NaPoWriMo (I can hear Dave Pitt chuckling), I was not able to make the earlier dates. But watched as the internet steamed away on adrenaline filled reviews and knew that I had to catch this wave.

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So Stourbridge was penned in the diary and despite being truly creamed by work, I went! They were all in a similar state having lived the highlights of Swindon the night before at Oooh Beehive.

beehive Despite this, energy was not lacking as Dave MCed us through an incredible night of words.

I have not made a PTS for some months and it was great to be back in this wonderful venue, sitting next to Rob who was enjoying a night off from jumping up and down on stage and instead was able to enjoy the evening.

Everyone performed phenomenally well and it was great to see/hear new talent too.

Mogs performed a brilliantly funny set as always, treating us to some of the best from his book of children’s poetry. pypwl-front-cover

It was great to catch a whole set from R.M. Francis, thoroughly enjoyed and I realised it had been a while since I experienced Rob’s poetry back to back, good to hear him in full flow again.

Steve Pottinger performed some of my favourite recent poems of his, I love his train journey to Mars, no spoilers… okay, they terminate in Wolves…

Casey Bailey was his usual, incredible self. Playing his adopted by Wednesbury card to pacify the Brummie in the room situation and celebrated his latest collection ‘Adjusted’.

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https://caseybailey.bigcartel.com/

It was an incredible night and I am so glad Claire Walker sent a message saying she was going because it has been ages (or at least feels that way) since we caught up and was lovely sharing such a special night with friends. Plus Claire and I are booking some special work of our own in, we hope before the summer. I shared 3 of my 30 NaPo poems and a t-shirt quip. Shame I wasn’t wearing a poetry t-shirt, that would have won battle of the bands for sure!

Great to catch up with a room full of poetry friends and to be back in the Black Country, to see first hand one of the 5 events in this programme and to be able to tell them what an epic group of poets they are on feedback forms (well, if you do go and get Arts Council funding). I may not have written the word epic but I said some very pleasant things that I know someone else magpied (stole) for their feedback form.

If you can, catch the next one on the 15th May, you will NOT be disappointed!

And if you want to catch their original show head over to Stoke-on-Trent.

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The Birmingham & Midland Institute Poetry Event

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THURSDAY 10 MAY – IN-CONVERSATION AND POETRY READING WITH NINA LEWIS

The BMI is proudly welcoming Worcestershire Poet Laureate Nina Lewis to discuss her work. Join Nina for an in-conversation about her life through poetry and listen as she shares poems from her pamphlet Fragile Houses (V. Press, 2016) along with some of her new work.

This will be followed by an Open Mic session – spaces are limited and poets will be invited to read their work for no more than 6 minutes. Please contact Serena Trowbridge at serena.trowbridge[at]bcu.ac.uk to reserve your slot to read!

© 2018 Birmingham & Midland Institute

https://bmi.org.uk/product/conversation-poetry-reading-nina-lewis/

Headlining Poetry Bites

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Delighted to announce I will be Headlining Poetry Bites this month alongside Richard Archer. It is sure to be a great evening, so join us if you can.

http://livebrum.co.uk/kitchen-garden-cafe/2018/05/22/poetry-bites

 

 

April Review 2018

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This month saw a return to full time work and as a result I missed a fortnight of poetry I had planned. Which I still haven’t really forgiven myself for.

Week 1: 

Started with the Easter weekend and some time offline. I registered AWF on napowrimo.net and spent most of my time organising the long overdue exhibition at the Jinney Ring of our Sculpture workshop poems.

I am also involved in a Shakespeare Birthplace Trust project with local schools in Stratford-Upon Avon and received letters from two children who I then wrote a peace poem for. I made that sound easier than it was, the one child requested a humorous poem. I have a repertoire includes about 20 funny poems (which sounds a lot, but I have been writing for 4 years now)! I had a 6 day deadline and the poems had to be received by post. I managed 2 poems which I am proud of and hope that they are excited to be working with a Laureate.

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I started the long process of editing and digitally compiling the Special Edition of Contour Poetry Magazine. Proof copies were sent out in March and now I have to fix edits and complete the desk top publishing, due to work commitments I know that it will be May before this issue is live. I had hoped for an April release originally.

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I have worked on ATOTC A Tale of Two Cities since July 2017, one of the first long term Poet Laureate projects, it has been an amazing project which saw poems exchanged between UK and USA partners throughout 2018, all copy was back on my desk by March and after all the hard work of the 47 people involved I want the issue to be the best that it can be. I would rather take more time over it than hash it out this month, I simply no longer have time scheduled for it as other items, events and work have to take priority.

Even when these magazines are seemingly ready they have historically eaten another 14+ hours in the end process of conversion and upload.

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I worked on the Suffragette Anthology – now live over at the Worcestershire Poet Laureate site Suffragettes Anthology.

I had a workshop in Stratford with Angela France, we wrote about trees and it was warm enough to sit in the garden, unfortunately a sunny day + Easter break saw Stratford full of tourists and this meant our usual haunt was not available for lunch. Sitting on a wall opposite the river chatting with Angela was a bonus though.

The following day I was facilitating a workshop with the Basement Project, I booked 3 with this charity back in November as part of my local Laureate work. The charity support young people 16-25 who are or are at risk of becoming homeless. It is a great team there and I have already established work with them post-Laureateship, which is great.

Find out more about them here.

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I started NaPoWriMo and over the weekend took some of my Napo poems for editing treatment.

I finally got to see Idle Women on tour – it had been nearly a fortnight since I inhabited the world of poetry, due to tiredness I missed 42 at the end of March and had not been out to a poetry gig since Earth Hour.

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It was the 2nd time in as many weeks I had had the pleasure of going out with my mum, we saw the ROH ballet at the Artrix the Tuesday before and then shared Idle Women.

Idle Women is theatre/spoken word/poetry/music, read the review here https://awritersfountain.wordpress.com/2018/04/11/not-so-idle-women/

They still have tour dates in May, catch this show if you can. You will not be disappointed.

Week 2

I continued to write a poem a day for NaPoWriMo.

I took the Sculpture Poem Exhibition to the Jinney Ring. It is now on display in the restaurant near the entrance, an entire wall of poetry. They are able to keep it up for the next month and this means that when we have our Hanbury Reading at the Church in May, the poems will still be at the Craft Centre for visitors to go and see. Also I am hoping that this will in turn promote the next Sculpture Trail workshop in September 2018.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/09/poetry-exhibition-at-the-jinney-ring/

 

 

I started to write copy for the Worcestershire LitFest Festival Programme, the Poet Laureate Review, traditionally this has been half a page, I requested a full page and still edited out over 200 words! I had a lovely evening out with poetry friends.

I had my final workshop at the Basement Project planned and got up early to prep for it, unfortunately it was cancelled as some of the mums who had booked their children onto it were unable to make it. I will hold another Junior workshop in October half term.

I wanted to go to Scary Canary for Permission to Speak as Natalie Burdett – a poetry friend from 2014/15 who is now doing a Phd in Manchester and has just had her pamphlet published by the Poetry Business. http://www.poetrybusiness.co.uk/natalie-burdett I missed her set and the entire evening as Mr. G was on a course in Worcester and I met up with him afterwards for a Cinema date, we weren’t home in time, plus we had just been on a date. ‘Lovely date, thanks darling – just going out poeting now.’ wouldn’t have gone down too well!

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I missed SpeakEasy which Tony Judge was headlining due to a backlog of work. I am currently writing an evaluation for the WMRN and was prepping for poetry festivals and working on ATOTC.

I am also involved in a poetry/art (PoARTry) project in Ledbury which is being led by Rick Sanders, it is his 2nd time running this project. He partners poets and artists – like the football pools, I was paired with Molly Bythell, a talented young graduate who creates amazing collages and paints in oil. Her work screams story and it has been a great collaboration so far. https://mollybythell.com/

I missed Stanza for the 2nd month (my poor unedited poems) as I was too tired and was actually asleep by 8 PM which would have been rather impolite on someone else’s settee!

I spent my final weekend of freedom with Mr G. and did some work on the house and a little editing on ATOTC. 

Week 3

Full time work (my first time in 5 years) arrived kicking and screaming on my doorstep.

I continued to write a poem a day for NaPoWriMo.

I missed the Me Too event at The Hive, Case Bailey in the Jewellery Quarter, and Sean Colletti at Dear Listener.

Most of my free time in the evening was spent recouping from the day. Emotionally and physically! I managed to write a review for BMAG on the Hackathon experience and started writing my Verve Review for Sabotage. I was also asked to do a Poetry Surgery at the Anchor Gallery in Birmingham as part of the work Nellie Cole is doing there.

I managed to get to Jenna Plewes Book Launch, it was a sunny evening and very pleasant to spend an hour or so listening to her poetry from her new V. Press pamphlet Against the Pull of Timejenna pullI will be writing a review of the Launch in May.

 

 

 

 

 

I had my Sparks Young Writer group (WWM) at The Hive on Saturday which saw the welcome return of members to the group and we were also witness to a group of Librarians helping move a gigantic fish through the ground floor of the library. There was a procession of some sort down to the river, elements of which found there way into our writing.

Week 4

I finally got the European Twin Town project between Droitwich Spa and Voiron off the ground. I had been working on this WPL project since July, mainly at a committee level and like with all these projects it was a slow start, but perseverance pays and by the beginning of 2018 I had a french contact who put me in touch with a poet, Alain Graiz. Alain helped me find other poets from Voiron and by February/ March I had communicated with all involved. Again I had hoped to get the exchange up and running by March.

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I am happy to say that it is now in full swing, some poems have already been exchanged. It is a much smaller project than ATOTC and the full collection of poems should be live before the end of my Laureateship (10th June).

Read more here.

I received news of my Grant Application but have so far been locked out of the system. So I have no idea if my bid was successful yet or not.

I spent the week preparing for Cheltenham Poetry Festival and Bohemian Voices and getting incredibly nervous over the fact I have not performed poetry for a month! That must be the longest length of unintentional abstinence ever! But what I have learnt is it is hard to facilitate projects, write new poetry, edit magazines, teach and still find the time to perform! I needn’t have worried. What I did is over rehearsed and then I don’t think anyone would have thought – she clearly hasn’t read for a month!

I have been doing NaPoWriMo throughout this whole month, occasionally falling behind a few days and playing catch up. To produce 30 poems in a month in no mean feat. I am also working on something more too.

I researched the Nation’s Laureates for a post over at the WPL site for St. George’s Day. https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/23/st-george-the-poets/

I missed the Bare Fiction Launch and 42 (for the 2nd month running). I wanted to save my energy for Cheltenham Poetry Festival and the last fortnight at work has been exceedingly hard going, so I had little energy to spare to travel to events.

Cheltenham Poetry Festival arrived, funny when you are booked so far in advance it seems forever in the diary as coming up… then suddenly one week it is days to go. I was slightly gutted that I had been invited to do Stablemates with Jill Abram in London and missed it because it was on the same night. Sarah went in my place and it sounds like they had a great time.

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Cheltenham Poetry Festival was excellent, as it always is. Just a shame work meant that I wasn’t able to get to much other than on the day I was booked. Cheltenham Poetry Festival I made it for the Indigo Dreams Showcase which was at the same venue before my Fragile Houses reading. I will write a full review post next month.

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The following evening (events are like buses) I had the pleasure of being one of 5 artists involved in Bohemian Voices, organised and MCed by Steve Soden, he used to run these events in London and the experience at the Jinney Ring was probably as far from his original nights as you can imagine. It was a great night and I will link the review back to this post. (That goes for all the promised reviews of…)

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I had a fantastic evening and was delighted by the surprise appearance of my mum and Aunty.

With little time to recover from a 2 night fix of poetry (which certainly made up for missing a month of it), I had a Book Launch.

This weekend also saw Birmingham Literature Festival Spring Edition, which I totally missed due to bookings and other commitments.

The Book Launch on Saturday was in Walsall at Southcart Books for Diverse Verse 3, a charity anthology edited by Richard Archer, it was a beautifully relaxed event with plenty of opportunity to catch up with friends and Richard, myself and Rick Sanders were interviewed for the West Midlands Magazine, more on that soon I hope. Click the link for the full review.

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https://awritersfountain.wordpress.com/2018/05/15/diverse-verse-3-charity-anthology-book-launch/

I finally finished the month with a submission – not sent any poems anywhere since March!

I also had to write Q&A for Australia – Western Australia Poetry Festival – for the promotion and marketing and complete my review of Verve Poetry Festival and my evaluation for WMRN. That is a lot of midnight oil after a day at work!

 

NEXT MONTH:

Priorities in May include: Finishing WPL projects, tying up the reviews for WMRN Reader Residency for Warwickshire Libraries, organising poets for Artsfest events, performing and discussion at Midland Arts Institute, possible participation in a Heritage Project, a workshop with Ash Dickinson, a poetry judge at Sarah Leavesley’s Book Lauch for How to Grow Matches, being a poet at the Living Library, Headlining Poetry Bites (my first Headline for a while) and more, including new writing and Ledbury Poetry Festival – oh, yes and work!

 

St. George & The Poets

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flagI gathered a collection of poems for St. George’s Day including historical information and poetry from some of our Nation’s Poet Laureates, seems a shame not to share it with you.

Poet Laureate

rose-red-love-dew-40502.jpegHappy St. George’s Day!

To celebrate I have gathered a fine collection of English poets and example poems. 

Sit down with a cup of tea & enjoy!

Jane Austen 

Ode to Pity by Jane Austen
1

Ever musing I delight to tread
The Paths of honour and the Myrtle Grove
Whilst the pale Moon her beams doth shed
On disappointed Love.
While Philomel on airy hawthorn Bush
Sings sweet and Melancholy, And the thrush
Converses with the Dove.

2

Gently brawling down the turnpike road,
Sweetly noisy falls the Silent Stream–
The Moon emerges from behind a Cloud
And darts upon the Myrtle Grove her beam.
Ah! then what Lovely Scenes appear,
The hut, the Cot, the Grot, and Chapel queer,
And eke the Abbey too a mouldering heap,
Cnceal’d by aged pines her head doth rear
And quite invisible doth take a peep.

©/sourcedhttp://famouspoetsandpoems.com/poets/jane_austen/poems/3462

Thomas Hardy

The Tree:…

View original post 2,696 more words

NaPoWriMo – Survival Skills – The Final Week!

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Firstly, congratulations! You made it to the FINAL week! You probably have 10-21 poems and a handful you like. That’s more than 3 poems which would not otherwise exist, cherish them, keep them safe and edit them over the coming months.

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Now you have to keep going, you have come so far along this road. Just 7 more days, filled with the possibility of 7 new poems. Just a few minutes a day will get you there. No need for 50 reps at this stage!

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Carve some time out for yourself and use it. I have written several NaPo poems whilst cooking in the kitchen, the laptop is in the room next door and popping in and out can work wonders in that 30-50 minutes.

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Remember it IS good enough, NaPoWriMo isn’t about perfection, it is not about the finished article, it is about generating the ideas, feeding the mind and most importantly HAVING FUN!

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So a few survival tips:

  • Forgive yourself for lagging behind, either spend time catching up or just accept those days are gone and move on.
  • Try a prompt, they are optional but great for generating new ideas and styles.
  • Look up a form you do not know and give it a try.
  • READ! There are 100s of sites on  napowrimo.net who have signed up and 1000s of poems to go and read.
  • Try a Haiku – a good way to catch up the days of missed poems.
  • Blog about the process.
  • Read the craft articles.
  • Just keep going.
  • Reward yourself for getting it done.
  • Write freely, edit in May!

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Explore & enjoy the adventure!

NaPoWriMo 2018 A Review of a Week of Poetry 2

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Nearly halfway through NaPoWriMo 2018 and here’s how it looks:

Week 1 Poetry 

  1. Best Before
  2. The Sea Jewel
  3. The Home at Christmas
  4. Apology
  5. Bring Me The Shoes
  6. Wordle Band Name
  7. Pudding Protest
  8. In the Park
  9. Picking Blackberries
  10. Note at Preached/ Preached to Neat / A Taped Coherent / Open at Detacher

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Week 2 Poetry

  1. 11. Cotton To 
  2. 12. The Tiny Objects of a Vast Mind
  3. 13. World Going
  4. 14. White Matter Change
  5. 15. Apple
  6. 16. The Difficult House – Poem Beginning with a line from Sean Nevin
  7. 17. Keep the Light
  8. 18. Remover

 

RESOURCES:

 

Not so Idle Women

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On Saturday night I finally managed to catch the Idle Women Tour, this is a project Heather Wastie has worked on since 2016, I missed the 2017 performances and have been meaning to catch a show ever since!

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The show gained financial support from Arts Council England, which enabled the employment of a Tour Manager, Zoe Hunn and Director, Milla Jackson.

Last Autumn Idle Women featured on BBC Country File, which aired November 12th as part of Remembrance programming.

https://alarumtheatre.co.uk/broadcast/bbc-countryfile/

The Spring Tour started last week with a performance at The Chestnut Inn,  Worcester on Tuesday 3rd April.

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I knew the basic content of the show and have been aware of Heather’s work and some of the poetry. I purposefully didn’t look into the Double Bill and had no idea what to expect from Kate Saffin (other than half the show).

Photographs taken in the first week of the 2017 Tour © 2017 – Alarum Theatre

Kate Saffin took care of the first part of the evening with her theatrical piece about the Idle Women, great story and wonderful portrayal of multiple characters (as a former actress I know how challenging this can be). The story she told was moving and educational. Kate uses simple dramatic devices masterfully in her one woman show.

Kate is a Boater, writer, storyteller and actor, Kate Saffin has lived on a narrowboat and told stories of the waterways as solo plays since 1999. She trained as a writer for stage and broadcast media at the Royal Central School of Speech and Drama (MFA). © 2017 – Alarum Theatre

I regret not speaking to Kate after the show, (I was so excited to see Heather), Kate’s performance was moving. ‘Isobel’s War’ was full of character and story, told in a way with simple props and devices that transported us back in time.

 © 2018 – Alarum Theatre

Heather Wastie gave us the second half of the show. ‘Idle Women’, a performance filled with facts and passion. It was great to watch her perform again. She gave us both songs and poetry and new material to the show.

Heather was Worcestershire Poet Laureate 2015/16 and is well known for her interpretations of oral history. In 2013 she was Writer in Residence at the Museum of Carpet, turning people’s memories into poems, monologues and songs which she now performs. This work was published in November 2015 by Black Pear Press under the title Weaving Yarns. In 2017 she was commissioned by Worcestershire Building Preservation Trust to compose a children’s song cycle, ‘Loom in the Loft’, to celebrate the restoration of the Weavers’ Cottages in Kidderminster.

In 2017 she was commissioned to write and perform poems for the popular Nationwide Building Society ad campaign, Voices Nationwide. She has also worked as poet and actor for National Trust property Croome Court in Worcestershire. © 2017 – Alarum Theatre

Heather was also a Guest Poet for INKSPILL (AWF’s Online Writing Retreat) in October 2014.

It was a very factual show both in terms of the waterways and the wartime volunteers.

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© 2017 – Alarum Theatre

I loved discovering how the term ‘Idle Women’ came to be and to hear talk of the Tardebigge Canal (where we took our own poetry adventure on board a narrowboat back in the summer of 2016 – and there were many locks). I have my tiller girl badge to prove it.

This show is a must for Water Dwellers but is just as fun for Land Lovers. I think it appeals to both communities, anyone interested in history, waterways or just looking for a good night out! It is great to have many tour venues on the canal itself. This makes the interval exceptionally special – when you step out and see part of the world the show is all about.

https://alarumtheatre.co.uk/who-were-the-idle-women/

It was quality storytelling and an entertaining, fun evening.

idle 1© 2017 – Alarum Theatre

If you are local enough, I urge you to catch Idle Women. Here is the Tour Schedule https://alarumtheatre.co.uk/2018-tour/2018-tour-dates/ you will not be disappointed!

The Summer Tour will see them travel further North on the Leeds & Liverpool Waterways.

 

Related Resources: IW_National-Service

 

https://canalrivertrust.org.uk/about-us/our-work/caring-for-our-heritage/heritage-team-blog/heritage-team/idle-women-the-land-girls-of-the-waterways

https://www.independent.co.uk/life-style/the-truth-about-the-idle-women-of-the-canals-some-extraordinary-wartime-volunteers-are-together-1531552.html