Tag Archives: Caleb Parkin

National Poetry Day 7th Oct 2021

Standard
I love NPD, or as I like to call it – Christmas for poets!

HAPPY BELATED NATIONAL POETRY DAY!

Over my morning coffee, I took great pleasure reading social media feeds and seeing all the poems people were sharing. I was lucky enough to be busy on NPD (and working from home, which is rare these days). I had hoped to post here, especially as there have been several blank months – but like most things in 2021 it was delayed.

You will recall I dived into a year of online poetry/learning in 2020 during the 1st Lockdown, there were a multitude of reasons, including my mental health. I was back face to face work in November (after 3 months of zero income, our Furlough set for only 4 months and for me was 80% of nothing as I had been off sick for a year)! So work was a battle, navigating my way through the 10 day self isolation rules and the possibility of Covid. After 9 months I was exhausted and spent most of the summer offline and away from the desk. This term work has picked up (thank goodness) after several non-existent/fallow years!

I had decided to cut back the amount of online activity but it naturally happened when the laptop was out of reach. I also tried a LIVE event and discovered I have a huge amount of anxiety about any indoor gathering other than family and work (which makes no sense but is one of those things we have little control over). Work IS the biggest risk of all, but is one I have to take/make.

So I paced down the events… however, this was NPD… so I was back to full throttle.

My day started with a workshop. I have been fortunate enough to facilitate Poetry Workshops 2020/21 to a group of Higher Ed students. As it was NPD we invited other departments to join us on Thursday and had a very active, fun workshop. Choice was such a great theme to work with. This group is creative and they generate amazing work. Plans are in motion for publishing it soon.

I loved catching up online with everything poets were doing to mark NPD and catching up with friends and not having to wear work trousers!

Just like Christmas (NPD for me/poets) a special meal is created… for me it was my mentoring session – when I booked it I had no idea it was NPD. A very brilliant way to spend an hour!

Prose poetry is something I write infrequently (I think I have managed 3 or 4), there is only one I am proud of. I do love Jennifer Wong, both her poetry and workshops. It was a last minute spot and a gift from Pen to Print! I absolutely loved spending time with Jenny and an international group (as most are) of writers & poets and I ended up with some decent material to work with!

Worcestershire Poet Laureate, Ade Couper was on FB Live for NPD, I managed to catch the video after the Livestream. There are always multiple events happening and NPD that ramps up!

Malika’s Kitchen were celebrating NPD with a special online event featuring Malika’s Poetry Kitchen contributors to the recently published Too Young, Too Loud, Too Different anthology. The event was hosted by the Director of the MPK writers’ collective, Jill Abram, and featured poets Dean Atta, Be Manzini, Soul Patel and Joolz Sparkes. And Nine Arches /celebrated in partnership with Birmingham Literature Festival with a Planetary Poetics event featuring Gregory Leadbetter, Khairani Barokka, Caleb Parkin and Cynthia Miller.  I managed to catch all streams at leisure a little later on. Nine Arches had an enlightening Q&A and I loved Dean Atta talking age… he’s still YOUNG! Both events were a joy and I glad I managed to get to them, all be it in a different time-zone!

Hoping I wouldn’t have work the next day (I DID)! I stayed up late to attend a workshop in US for Ohio Poetry Day with the Riffe Gallery. A Creative Writing Workshop with Kari Gunter-Seymour (SHIFT). Another fantastic workshop, but after the first hour (bedtime) the brain fog started to get to me. I wrote some of the prompts down to try another day.

I don’t know how Santa manages to get to all those houses, it’s impossible to get to every poet or do all your social media posting on the day! CHOICEs had to be made… but I had a FEAST of a day. Huge gratitude to everyone involved.

Flashback Spring (April)

Standard
Photo by Irina Iriser on Pexels.com

April was Napowrimo and those of you who follow this blog will know I have done it every year since I discovered it existed (2014), this year – for the first time ever – I was home every day of the prompts and managed it without falling behind. As is tradition, by the end I was left with about 5 decent poems and another 5 to work with. Lots of new notes and scribbles, I did write 32 poems over the month but some are no more than a warm up exercise, you can whittle on after April and collect yourself a good batch of 30 decent poems, but as with all workshops some prompts will speak louder than others. There were some areas I continued to research and develop and other scrap poems I abandoned. Nothing wasted though.

Napowrimo was also the last time I was properly active on the blog. The Stay at Home Lit Festival continued (it was a glorious 2 weeks). I continued to enjoy events which moved online more from the PPP (Poets, Prattlers, and Pandemonialists) team, as another of their brilliant nights Yes We Cant happened online and PASTA (usually at the Wolverhampton Arena Theatre). 42, Worcester and Run My Tongue were other open mic events I joined.

I signed up to Caleb Parkin‘s Napo group and enjoyed weekly sessions with other poets (some of whom I knew) doing Napo. These groups were great fun. Huge gratitude to Caleb for creating such a pleasant space to create from.

Another huge gratitude bundle goes to Cath Drake, who I discovered at the S@HF. Her first collection The Shaking City (Seren) was launched in April. https://www.serenbooks.com/author/cath-drake.

Cath started a writing course for poets in Australia (her homeland) and UK (her home). It was incredible and again I will be posting separately on Writing to Buoy Us.

Discover more about Cath and her work here https://cathdrake.com/.

April was the start of crazy, for me it was a coping mechanism and also I was coming from that post-book release-writing-slump https://ninalewispoet.wordpress.com/books/, which followed on the back of the medicated break from writing, which I was convinced (at the time), had broken the camel’s back, so a certain amount of my packed scheduling was a liberation, a dance with words. It was also a sure fire way to bury my thoughts from what was really happening for a few hours most days. I was also trying to get over having to cancel all my real life bookings for a 2nd year running.

I read a lot, every writer should. But I have to say 2020 has opened me to more new writing and new to me poets than any year so far. So readily accessible at a touch of a button. The whole world at my writing desk.

Sarah L. Dixon needs another shout out of gratitude, she started to run workshops online, which were always fun and successful for me – as in I would always have a nearly completed poem by the end of it – I may have even submitted some of these out to the world and I have barely submitted anything anywhere since 2018.

A big shout out of gratitude to Zelda Chappel too – who it has been a pleasure to reconnect with. She offered a series of wonderful prompts which in the beginning refreshed my love for this gift of writing and over the weeks gave space for some different writing.

A big shout out to Mab Jones too who created Lockdown Writers’ Club and provided us all with in depth prompts and created a creative community.

I went to the book launch of Play – by C. S Barnes, The Shaking City by Cath Drake and Mutton Rolls by Arji Manuelpillai.

I started doing Yoga with Allison Maxwell who is another gratitude shout out, I helped people and artists learn how to use Zoom effectively, we celebrated the first birthdays online, never expecting we would still be doing the same by the end of the year! I started doing my pilates classes at home.

I finally joined INSTA as there were poets I admire doing things on this platform. My INSTA account is still nothing to shout about and I probably won’t be joining the INSTA Poetry movement anytime soon, but it is a great platform for short video/ workshops and has been fun exploring this year.

I took opportunities offered by Room 204 on developing characters, huge thanks to Stephanie Hatton for letting us be your guinea pigs, I hope the roll out went well. I enjoyed the National Ballet online, a workshop with The Poetry Business and started recording video performances for events. And I discovered the Cuirt Festival of Literature AND more importantly an Irish poet I had read in my teens, Michael Gorman – it was like being reunited with an old friend.

I also had the pleasure of watching Kei Miller and Carolyn Forché with Poets House and Roger Robinson with Writing East Midlands, all poets I have read and admire. I’m lucky enough to have seen Kei and Roger in action several times. These three poets started the pack of recurring poets who became a big part of my lockdown.

I was also working hard completing an animation commission from Elephant’s Footprint for the Arts Council funded ‘Poetry Renewed Project’. I wrote a poem for Rick Sanders PoARTry/ the digital version of his project. My ekphrastic poetry response was based on an artwork created by Alan Glover. I watched most deadlines zoom past and wrote covid and non-covid journals.

It was an action packed month which taught me: I was happy we’d had haircuts the week before the news of Lockdown, the forever-wanted GHDs probably weren’t going to be the most used Christmas present, that I was unlikely to run out of notebooks for a while, that the world is trying to hold itself together, that a smile goes a long way, that facetime and online platforms are a great way to stay connected, what it feels like to spend 5 weeks travelling no more than 1.5 miles from your home.