This is the final part of my MASS PF write up, sadly I missed the Headline event which closed the festival but it was a fantastic weekend and I feasted well.
Sunday 16th May
The final day was absolutely superb! I started with a workshop.
Chaotic? Good!: Harnessing the Power of the Happy Accident in Your Poetry
James Merrill used a Ouija board to commune with the spirits of the dead. He got 560 pages out of it. French Surrealists described their dreams, Tracy K. Smith took an eraser to the Declaration of Independence, and Jericho Brown writes lines on slips of paper that he slides around until something interesting pops out.
In this workshop, we’ll use techniques such as erasure, web-surfing, tarot decks, and more to help attendees relinquish some control to outside forces (and the unconscious) during the drafting and revision stages of their processes. This can create work that functions less by logic than by juxtaposition, association, the element of surprise–what Robert Bly called poetic “leaping.”
Maria Pinto is a writer, educator, and mushroom enthusiast. She teaches at GrubStreet, reads for The Drum, and Peripheries, and has been awarded fellowships by Vermont Studio Center, The Writers’ Room of Boston, The Mastheads, and Garret on the Green. Find her work in Frigg, Necessary Fiction, and Cleaver.
Emily Franklin’s work has been published in the New York Times, Guernica, the Cincinnati Review, New Ohio Review, Shenandoah, Blackbird, Painted Bride Quarterly, The Rumpus, Passages North, The Journal, and Cimarron Review. Her poetry collection Tell Me How You Got Here was published by Terrapin Books in February 2021.
Walter Smelt’s poems have appeared in Colorado Review, Subtropics, Poetry East, Redivider, and Peripheries, and his translations of poems in The Battersea Review, and the Harvard Divinity Bulletin. Originally from Florida, he lives in Massachusetts and teaches English for Bunker Hill Community College and creative writing for GrubStreet.
Maya Demissie’s work has appeared in Monologue Project, a student publication, and they are the news managing editor of The Newtonite, their school newspaper. They also co-host Miamas, a storytelling podcast for students at their high school.
It was very interactive, we discussed finding inspiration, we played with form and poetry. Dynamic play with ideas from each of the panel. We all created some surprising work and it was experimental and great fun! Enlightening alchemy!
Every Place Has Its Story: Writing About Region
Mark Doty will moderate a panel discussion with Alice Kociemba, Robin Smith-Johnson and Rich Youmans, co-editors of From the Farther Shore: Discovering Cape Cod and the Islands Through Poetry (Bass River Press, 2021). Mark Doty will give an overview of the anthology and lead the editors in a discussion about how they conceived, selected, and organized the poems in order to bring the region to life.
They will then read a selection that illustrates how poetry can capture the spirit of the region—its history, its people, its landmarks, its industries, and its beauty.
Robin Smith-Johnson teaches at Cape Cod Community College. She is the author of two books of poetry: Dream of the Antique Dealer’s Daughter (Word Poetry, 2013), and Gale Warnings (Finishing Line Press, 2016), as well as being a co-founder of the Steeple Street Poets. Robin lives in Mashpee, MA.
Alice Kociemba is a co-editor of From the Farther Shore: Discovering Cape Cod and the Islands Through Poetry (Bass River Press, forthcoming) along with Robin Smith-Johnson and Rich Youmans. She is founding director of Calliope Poetry and is the author of Bourne Bridge (Turning Point, 2016).
Rich Youmans’s work has appeared in diverse publications, including Contemporary Haibun Online (where he currently serves as editor in chief), Cape Cod Poetry Review, the Cape Cod Times, and The Best Small Fictions 2020 (Sonder Press). He lives in North Falmouth with his wife, Alice Kociemba.
Mark Doty is the author of more than ten books of poetry, most recently Deep Lane (W.W. Norton, 2015), and three memoirs, including What Is the Grass: Walt Whitman in My Life (W.W. Norton, 2020). Fire to Fire, his volume of new and selected poems, won the National Book Award for Poetry in 2008l He is a Distinguished Professor at Rutgers University and lives in New York City.
This event, as advertised was geographically local in content. The Cape Cod area is an area I am still to explore – but listening in to the panel discussion certainly gave me a real sense of place. It was a most enjoyable hour.
They all talked about poetry as well as landscape and landmarks. I thoroughly enjoyed the tour in words.
Headline Reading with Ariana Reines and Patricia Spears Jones
Sponsored by The Shipman Agency with an opening reading by Jennifer Martelli.
Patricia Spears Jones is the recipient of The Jackson Poetry Prize, one the most prestigious awards for American Poets via Poets & Writers, Inc. The $50,000 prize is among the most substantial given to an American poet and is designed to provide what all poets need: time and encouragement to write. She is the eleventh winner. In language that is simultaneously sensuous, wise-cracking, explicit, and rollicking, Spears Jones describes a world rich in beauty and longing, with pain tempered always by joy.
Ariana Reines is an award-winning poet, playwright, and translator. Her most recent book of poetry is A Sand Book (Tin House, 2019), which was longlisted for the National Book Award. Her other books include Tiffany’s Poems (Song Cave, 2015); Ramayana (Song Cave, 2015); The Origin of the World (Semiotext(e), 2014); Beyond Relief (Belladonna*, 2013); Thursday (Spork Press, 2012); Mercury (Fence Books, 2011); Coeur de Lion (Fence Books, 2007); and The Cow (Fence Books, 2006). Her poems have been anthologized in Corrected Slogans (Triple Canopy, 2013); Miscellaneous Uncatalogued Materials (Triple Canopy, 2011); Against Expression (Northwestern University Press, 2011); and Gurlesque (Saturnalia, 2010). Reines has been described as “one of the crucial voices of her generation” by Michael Silverblatt on NPR’s Bookworm. In 2020, she won the Kingsley Tufts Poetry Award. She’s been a MacDowell Fellow, has judged the National Poetry Series, and writes regularly for ArtForum.
Jennifer Martelli is the author of MyTarantella (Bordighera Press), awarded an Honorable Mention from the Italian-American Studies Association, selected as a 2019 “Must Read” by the Massachusetts Center for the Book, and named as a finalist for the Housatonic Book Award. Her chapbook, After Bird, was the winner of the Grey Book Press open reading, 2016. Her work has appeared in Thrush, Verse Daily, Iron HorseReview (winner, Photo Finish contest), The Sycamore Review, Cream City Review, The Bitter Oleander, and Poetry. Jennifer Martelli has twice received grants from the Massachusetts Cultural Council for her poetry. She is co-poetry editor for Mom Egg Review and co-curates the Italian-American Writers Series.
Jennifer Martelli facilitated the only MASS PF Workshop I missed this year, back in February. It was great to hear her read.
Ariana Reines talked about generational trauma and guilt, her mother’s mental illness, the conflict in Israel and immigration, the reality of being an immigrant. It was certainly not what I expected from the reading but it was obvious she needed to speak her truth at this moment in time. As she said – it is a matter of the heart and she wanted to speak from the heart.
Ariana Reines & Patricia Spears Jones shared powerful poetry!
February arrived and I could barely believe January was over! Another month fully booked and brimming with adventure… and more snow! After suffering several lack work years, work came like buses and I said YES to it all. So right from the get go I was aware of pacing myself. I worked full time for a couple of weeks, balanced deadlines with new ventures, took on a new role and celebrated Mr G’s birthday, Valentine’s and other family celebrations and finished the month off with a Poetry Festival! Perfect! This is certainly one of the longest review posts for a while, you may want to munch through it in several sittings!
The first day of the month threw treasure at me, I started a new course with Tawnya Renelle – Experimenting with… it was inspiring as ever and started me in a new direction with some material I have been chewing over for a while. I even created a sketch! There is a shiny new website/platform and lots of resources to get my teeth into (especially now I have finished chewing)!
I also had some happy news hit the inbox, after a two year hiatus (health + pandemic) I am back with the DAN team supporting them with an online Poetry Extravaganza again. AND…. last year I completed the Poetry Renewed Project and my commission with Elephant’s Footprint to produce 10 animated Poetry Films. One of these, ‘Territory’ has been shown at the ReelpoetryFestival in Houstonthis month (24th Feb.) – the joy is abundant! https://awritersfountain.wordpress.com/2021/02/27/reelpoetry-festival-houston-tx/
I made some submissions with close deadlines and applied for more work. Which was time consuming and exciting. I had proof copies of Recoil 12 back from MullaMulla Press, I had a poem accepted by Literary AlchemyPress, an online magazine I discovered last year. They have taken a poem I wrote in an Angela France workshop and one I am particularly fond of. In addition to that, by publishing it they have become an International Press, which is brilliant for them!
Connect Dudley, (a project I was commissioned for back in May 2020 during the 1st Lockdown) is coming to the third leg. Rick Sanders facilitated community workshops where participants wrote letters over several weeks, in the 2nd leg Rick and I turned these letters into poems and shared them with the participants. We also completed an interview with the funders, CoLab and recorded audio of our work (which is connected to the High Street poems via QR codes).
Rick is now in possession of some very shiny and graphically exciting posters of the poems which will go up in empty shops in Dudley’s High Street over the next 5-10 weeks and I am booked for a reading later this month which will be a webinar and Q&A. It was a wonderful project that has helped many people and I am honoured to have been a part of it.
I caught an interview withCasey Bailey – Birmingham Poet Laureate, on Midlands News, which made me happy and I had my final workshop class with Zelda Chappel. It was on Life and Death – so not a light subject but it was a wonderful few hours, I have loved being part of this group and the work we have covered has uncovered some of those poems that have been living inside me. Now the hard work begins to get them fully formed.
I would recommend Zelda’s classes they are great fun and she has a wonderful way of facilitating 2 hours of intense writing and reading in such a relaxed and caring way you leave in a state of cleansed tiredness, definitely lighter and happier and with ink that is worth page space. It has been a January/February highlight. You can book the full course of just choose a week that you feel pulls you in. Most of our group did all 4 sessions. I first met Zelda through Jo Bell’s 52 project back in 2014, we read at the same event in London and have been following each other ever since. Do check out her poetry.The Girl in the Dog tooth Coat by Zelda Chappel.
I had the pleasure of attending a Book Launch, Nature at a Cost a first collection for Annie Ellis. I was tired but I wouldn’t have missed this Launch for the world. I am delighted for Annie. It was a lovely to watch her excitement as Guest Readers shared some of their own poetry and read poems picked from new collection. Annie’s Special Guests were Ben Ray, Anna Saunders, Zoe Brooks and Ankh Spice.
I recently discovered we landed in poetry around the same time, when I first met Annie (back in 2015), I thought she was an established writer. Annie’s collection has been described by Ankh Spice as ‘a clarion call to find the edges we have forgotten’, and by Ben Ray as ‘a haunting love letter to the natural world’.
The weekend saw more events and workshops withRedwing, Rakaya Fetuga & Sarah L. Dixon. Nine Arches Press celebrated the launch of Jacqueline Saphra‘s One Hundred Lockdown Sonnets. I watched the conception of this back in 2020 and have read a good number of Jacqueline’s sonnets, several poets joined her but most managed 80 something sonnets. This is not just another collection of Lockdown thoughts and poems, these are sonnets that in years to come will form a historical record and someone suggested may linger in our heads like lines of Shakespeare’s sonnets. It was also a treat to hear her Guest Poets: Anja Konig, Miriam Nash, Jacob Sam-La Rose and video readings from Ian McMillan & Naomi Shihab Nye.
If you missed it you can treat yourself now.
Sunday saw a warm gathering for Live from The Butchery and some stunning performances by: Annie Freud, Jane Burn & Anja Konig. I thoroughly enjoyed myself and it felt like the perfect end to the weekend, except there was more!
I have a few favourite landing places in America that I’ve discovered throughout the lockdowns and many offer free events. I am lucky enough to be working again but after the past 2 years the surplus spends are absorbed by previous bills so I am still not in a position to pay booking fees let alone ticket costs. Which is a great shame as there are lots of opportunities around at the moment – including a workshop with Carolyn Forché at the Kendal Poetry Festival. A festival I will get time to write about soon as I’ve spent an amazing 9 days with Clare Shaw and Kim Moore to complete the month!
I spent an inspiring night with Carolyn Forché & Lori Soderlind, thanks to Hudson Valley Writers Center. It was a deeply moving and inspiring event and I loved both readings. I have become a big fan of Carolyn’s work over this pandemic year. I received an order for In the Lateness of the World (Penguin Press, 2020) for Christmas and it should be arriving next week!
Carolyn Forché is an award winning author of poetry and prose. Renowned as a “poet of witness,” Carolyn Forché is the author of five books of poetry. Her most recent collection, In the Lateness of the World (Penguin Press, 2020), is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death.
I loved discovering Lori and the story behind her work.
I wrote a proposal which took a lot longer than I expected. I’ve written a few applications this year and one of these was for Mass Poetry Festival in May. I was keeping my fingers crossed for a positive outcome on this and gathering some of the poets together again. Unfortunately it was rejected via a very kind email. Four years ago I started my Laureate Legacy Project (2017), a Transatlantic poetry exchange with Worcester, UK and Worcester MA, A Tale of Two Cities. You can read all about it here. And read the publication, Special Issue of Contour here. Many of the poets have gone on to republish their poems in other anthologies and collections.
In the UK we launched the project at Droitwich Arts Festival 2018 as part of the Poetry Extravaganza event, USA had an event at The Sprinkler Factory in September and then in 2019 it was part of the Evesham Festival of Words. I had hoped to role out a lot more with this massive project, there were plans but due to health issues and then COVID nothing has happened since. Evesham was booked in the summer of 2018 when I was 100% fit and not expecting an operation, it was only through the support of friends that I managed to get to the Festival and undertake the organisation of the event. So when I saw the call for MASS Poetry Festival I thought it was destiny! The application took some time, I was delighted to obtain a reference and all was well. I have been checking the inbox for a while. Maybe more opportunities will present themselves. Due to the pandemic I am back in touch with the WCPA who provided the rich American pool of poets for this project. So maybe when I am less busy I can organise something myself.
I missed the Cafe Writers Competition Winner Readings with Helen Ivory (Judge), I thought I had booked a ticket, I had registered interest in the event but not got a ticket. I was a actually double booked so would have missed the start of it, but kicked myself for not keeping tabs. This is overwork tiredness. It continued the next day. I had booked for a presentation (one which was recorded) and decided by the time I made it home I was too tired for any screen time. I forgot I have a Tuesday night class at 9PM (in USA) and was asleep before 7:30 pm. This week I have been putting the finishing touches together for Mr. G’s Lockdown birthday and Valentine’s Day as well as working on projects, writing applications and advertising copy.
Midweek I managed to attend Sheffield Libraries workshop, it was a writing week filled with food. Tawnya’s Experimenting with… class on Monday was Food and this Recipes and Memories workshop, facilitated by the wonderful Central Librarian, Claire Walker, links to a project later in the month. I spent a couple of hours in good company recollecting all sorts of stories that were decades thick in dust. It was inspiring and I hope to write up a couple of poems. It was also nice to see some of my 52 Poetry friends at the workshop and everyone shared such inspiring memories that many of us left with pages and pages of notes after the 2 hour workshop finished. At Midnight there was a USA reading, but I was asleep long before then.
On Thursday it was Worcester SpeakEasy, it was a wonderfully tender and entertaining evening, which included an impromptu ‘hat off’, bountiful love, valentine and non-valentine poems and we had a band too! I finished working full time and celebrated with Wolverhampton Literature Festival, Food for Thought poetry cafe, Poet’s Cafe featuring Corrupted Poetry a collective of writers, Nic Stringer, Michelle Penn & Fiona Larkin.
My 2nd proposal written and sent a week ago was acknowledged with an incredibly kind rejection email. They have kept my contact details and had over 3000 applications, they said my detailed pitch was well written, so some upskill desk time & pitching if nothing else. It’s a shame as it sounded like an exciting project to be involved in. Hopefully it has future-paved something!
This weekend was Mr G’s birthday and Valentine’s so I originally avoided booking anything in, until a conversation made me realise that 48 hours with me was not the way he planned to mark the weekend (harsh), so I booked a few bits into the last days of the week. On Saturday I went to Rakaya Fetuga‘s workshop and then the Annual Lucille Clifton Celebration: Today We Are Possible. It was a moving event full of tenderness and power – the best combination, stories and poems and memories of Lucille.
I was glad not to miss Charley Barnes‘ Book Launch for her Poet Laureate Collection, Lore. A collection which feeds more than her obsession with flowers and footnotes. I will be adding a post about this soon.
The Worcestershire LitFest competitions opened and I spent several hours web-building. This week was marked to work on one main project. I managed a few last minute submissions and was looking forward to Cheltenham Poetry Festival who had Kim Addonizio & Christina Thatcher booked. It was an incredible event. Epic in the truest sense of the word. I will be writing February blogposts long into March!
I had a project (which has been postponed) booked in for this week so hadn’t filled the diary. I am spending most of the week working on a manuscript which is due to be submitted. Looming deadlines are always a good reason to set to work. I have been working on this since last year, but decided not to sub it out in the end in the Autumn as I had originally planned. The poems involved have been written since 2019 and I am keeping my fingers crossed. It feels strange as in pre-pandemic times there would have been bountiful events to sell my previous book Patience and I am aware I have stock upstairs, I have sent any interest since March 2020 to the publisher website.
I recently discovered these lunch time readings, PM for UK. A lovely way to finish a day of one workshop, one class and one group.Jennica Harper tender poems touched us all deeply and listening to Frances Boyle force with nature, family, grief was fantastic. I thoroughly enjoyed listening to these two Canadian poets. The Q&A was interesting, I love listening to the poet’s process.
Frances Boyle’s first poetry collection, Light-carved Passages was published by Buschek Books in 2014, and her second, This White Nest, by Quattro Books in 2019. She also writes fiction and has published a collection of Short Stories and a Novella.
Jennica Harper is the author of three previous books of poetry: Wood (Anvil Press, 2013), which was shortlisted for the Dorothy Livesay prize, What It Feels Like for a Girl (Anvil Press, 2008), and The Octopus and Other Poems (Signature Editions, 2006).
I often miss Cafe Muse nowadays due to work, Canadian events tend to be on in the early hours here in the UK. But I was still awake so I went to listen to the reading series Poets Vs the Pandemic. And I was glad I did, because I got to hear some great poetry from all three poets. Some of the poems were amazing.
Grace Cavalieri is Maryland’s Tenth Poet Laureate. She’s written 22 books and chapbooks of poetry; and 26 produced short-form and full-length plays. Her newest poetry publications are What The Psychic Said (2020;) Showboat,(2019;) and Other Voices, Other Lives (ASP Pub. 2018.) Her latest play was “Quilting The Sun,” Theatre for The New City, NYC, 2019. Grace founded and still produces “The Poet and the Poem” on public radio, celebrating 44 years on-air in 2021. The show’s recorded at the Library of Congress and transmitted via Pacifica Network.
Diane Wilbon Parks founded The Write Blend collective in 2018. She is a visual poet and artist who has published two collections of poetry, and has read widely as a featured poet, radio show guest poet and interviewee on The Poet and the Poem national broadcast from the Library of Congress. Her artwork has been displayed widely. She lives in Prince George’s County, MD.
ROSE SOLARI is the author of three collections of poetry, The Last Girl, Orpheus in the Park, and Difficult Weather, the one-act play, Looking for Guenevere, and the novel, A Secret Woman. She has lectured and taught writing workshops at many institutions, including the University of Maryland, College Park, MD; St. John’s College, Annapolis, MD; and the University of Oxford’s Centre for Creative Writing in Oxford, England. Her awards include the Randall Jarrell Poetry Prize, an EMMA award for excellence in journalism, and multiple grants. In 2010, she co-founded Alan Squire Publishing. Rose Solari lives in Bethesda, MD.
I booked tickets for Rita Dove and Terence Hayes and fell asleep before Jane Hirshfield‘s event Poetry and the Wild with the Natural History Institute. I caught up with a recording of it, another event which deserves an entire blogpost. It’s on the list!
I received some very sad news about our Poets In Motion teacher Celena Diana Bumpus, who passed away along with her mother, Shirley Bumpus. It has been an honour to have known Celena for almost a year, she was a creative person full of light and such a connector in these difficult times. Memorials have been organised. Words are the only fitting way for me to remember her and her generous spirit, spreading love and vision, globally. Her emails bore the signature ‘Be the inspiration the world needs‘. At the end of month I was reunited with classmates via email and we’ve decided to complete the collective unity poem Celena was working with us on.
I recently discovered Live Canon’s Lunchtime Reading Series, I went to the 4th one (I missed the 5th one, which had a great line up as I was at work). I am hoping there may be more in the future. They are just an hour and a perfect poetry lunch. I listened to with Adham Smart, Robin Houghton, Gillie Robic and Laura Theis
Friday night saw the Launch of Kendal Poetry Festival, a fabulous reading from Bernadette Mayer, followed by listening to the winning poems from the Pre-Ralphaelite Society.
The weekend saw the beginning of 9 days of early morning light workshops alternating between Clare Shaw and Kim Moore. These have been wonderful and productive. This weekend saw the first one with Clare followed by a morning with Kim on Sunday. I had a rehearsal for Connect Dudley. I went back to Kendal Poetry Festival for a Workshop and two readings: Hafsah Aneela Bashir, who I discovered last year through the Jerwood Arts events and Jackie Hagan who I have had the pleasure of watching LIVE several times before. Both were incredible events and will appear in my KPF post when I get around to working through the February list!
I finished my Saturday night with Rakaya’s weekly workshop and the Oystercatcher reading, which I was especially pleased to be available to attend as I was missing Vahni Capildeo at KPF. It was a powerful night of work with: Lee Duggan, Zoe Skoulding & Vahni Capildeo.
Sunday saw me back at Kendal Poetry Festival for the early morning writing session with Kim Moore and a reading from These Are the Hands the NHS anthology which came out last year. I will write more on this event. I spent the day building websites, workshops and going to Claire Dyer‘s Book Launch of Yield and trying to squeeze every last drop of freedom from the night. Then that was my week off work, gone.
I was back at work, missed deadlines, completed a week at Kendal Poetry Festival, made a performance/event video (not done one of those for a while), did some classes, had an emotional Worcester 42 in tribute to Kieran Davis, we all shared some of his poems and our memories of him, it was a moving experience. By Wednesday it was all I could do to stay awake after work, I had a fun reading event with Rick Sanders to launch the Connect Dudley Exhibition and had an animation shown in the REELpoetry Festival the same day.
On Thursday I managed to get to a Finding the Words, to hear readings from Gaia Holmes, Natalie Rees and Miles Salter.
It was a great reading and I listened to some inspiring, humour filled and new (to me) poetry which I loved. Kirsten Luckins also had her Book Launch with Guest Readers, it was a real treat to see her in a real book shop!
After work on Friday I managed to get to a panel discussion at Kendal Poetry Festival – Rising to the Challenge: Poetry in the Age of Covid, which was brilliant. I had a workshop and a reading cancelled and was relieved as I needed some time away from the desk. Saturday and I FINALLY made it back to Australia to the Perth Poetry Club – that had been a long time coming too. It will be no surprise that most weekends involve waking up later than 6 AM and so I often miss these by the time I surface after a late Friday night (or even an early one). Still just to wound off the month perfectly, I made it! After a great morning of poetry I joined Kim Moore for her final KPF early morning write. I spent most of the time offline and popped on for RakayaFetuga‘s workshop and to be WOWed by the UoB Slam Team! More to follow.
Sunday marks the last day of Kendal Poetry Festival and I got up to write (for the final festive writing) with Clare Shaw. I have a workshop this evening and plan to spend the rest of the day as Sunday’s should be! Feels like I need a big lie down in March! I am taking a more relaxed approach to filling the diary as it is already full with a desk schedule I need to keep and the last month of contracted work.
In lockdown #1, Connect Dudley held a creative writing programme over 8 weeks, connecting people through the arts across the West Midlands. As well as writing for themselves, the group had two professional poets respond to their writing with poems.
This was a fantastic Community Project in the 1st Lockdown, back in Spring/Summer 2020. It was an honour to read the letters generated by the workshop group Rick Sanders facilitated and then to collate the ideas and emotions into personalised poetry for the attendees.
These poems along with QR codes to scan for audio versions, are currently exhibited by CoLab Dudley at 201a High Street and here is your invite to take a virtual look at the first exhibition being held in this space.
On February 24th from 7:30pm, Nina Lewis and Rick Sanders will be sharing the Connect Dudley poems with you, together with a preview of the exhibition and details of how CoLab Dudley is working to shape the High Street of the future.
Wolverhampton Literature Festival returns for its fifth year in February 2021. Hosted by City of Wolverhampton Council the festival aims to amplify the voice of authors, poets, writers, storytellers, puppeteers, podcasters, vloggers, publishers across the UK. Celebrating our creative communities living and from the Black Country and further!
Over a three-day period, taking place on the 12-14 of February, our programme of events features a variety of entertainment, which consist of talks, performances, readings, and practical workshops. We provide a high-quality experience for visitors by delivering engaging, exciting and thought-provoking events within our spectacular venues across and the city and, for 2021, online.
I was lucky enough to be part of the Wolverhampton Literature Festival in 2018, the region is bursting with talent and I loved the arty/creative outlook of combining the arts and how much was centred on Family. Since then it has gone from strength to strength. This year they are navigating through an online feast with lots to choose from and many FREE events, some are Live streamed and can be watched later. I have just enjoyed readings from R. M Francis & Helen Calcutt.
Celebrating their recent publication successes, R. M. Francis and Helen Calcutt will read from their most recent poetry collections: Subsidence (Smokestack Books) and Somehow (Verve Poetry Press). Their collections deal with issues of loss, grief, anger and love, both in terms of the personal and communal, so this reading will be a chance to explore the difficult, often unspoken aspects of sense of self and sense of place.
R. M. Francis is a lecturer in Creative and Professional Writing at the University of Wolverhampton where he completed his PhD. He’s the author of five poetry pamphlet collections. His novel, Bella, was published by Wild Pressed Books, and Smokestack Books published his poetry collection, Subsidence, in December 2020. In 2019 he was the David Bradshaw Writer in Residence at the University of Oxford and is currently Poet in Residence for the Black Country Geological Society.
2020 was a year like no other. Tune in live for the launch of a specially commissioned poem by internationally touring poet, playwright and performer Inua Ellams. A unique chance to not only take stock of last year but also to look forward to the future.
This event will also include a live Q&A, giving you the chance to ask Inua about his writing, his experience of 2020, and his process for creating this poem.
I feel so privileged that I caught the premier of this work and was there for the enlightening Q&A afterwards. What a brilliant end to a poetry filled morning. I started in Sheffield Library beforehand with Claire Walker’s Poetry group, this week looking at poems with plants/flowers/gardens. I woke to unrealised snow, childlike excitement hit my soul when I saw out the window!
It is always a pleasure to listen to Inua, he is incredibly insightful and generous in his tips and conversation around his work. It was great to hear his approach for this particular commission. I won’t paraphrase the entire hour, I am sure you will want to watch and enjoy.
But here is my positive take away: Be present. /Stay present. /Who I am? Why I am. /Stay weird/ Harness it – we are lucky.
September brought the kids back to school and students back to university and huge peaks in cases. After five months off work I was due to go back in as soon as bookings came through. This was a bleak month of no work. Something which is sadly the fate of millions since the beginning of the pandemic. It was a month that left me feeling pretty empty, so I filled it!
Like a new student, I signed up for a new class Hybrid & Experimental Memoir with Tawnya Renelle and looked at courses on Future Learn. I was having to complete Covid related staff training even though there was no work, which I found frustrating – necessary yes, but the only people who could possible struggle with gaining the certificate at the end of it are those who have literally buried their heads in the sand and watched/read no news for the past year!
There were a few festivals and book launches to keep me buoyant (and more importantly busy). I recorded the audio for Connect Dudley project (hoping to tell you more about this soon). I was Poet in Residence for Cheltenham Poetry Festival and I had a LIVE interview with Kate Justice for BBC Radio Hereford & Worcester. UEA hosted Noirwich, Crime Writing Festival and Worcestershire LitFest hosted a Festival 13-19th. Which was the same time as Tell It Slant Festival over the pond at the Emily Dickinson Museum. And Perth Poetry Festival was 18th -27th they managed to get LIVE events, a hybrid of live and virtual and some virtual all mixed into the programme. It just made me want to be there again!
I went to Kevin Reid‘s Book Launch for Suitcase (4word, 2020). It was a real treat. Discover the book for yourself here. https://eyeosphere.com/ Later in the month was the launch of Carole Bromley‘s new collection The Peregrine Falcons of York Minster (Valley Press, 2020) https://www.carolebromleypoetry.co.uk/books/. I have missed Carole’s readings and it was a joy!
As festival Poet in Residence for Cheltenham Poetry Festival I attended and performed at CPF events this month including: Z.D.Dicks Reading & Open Mic and Across the Oceans with David Hanlon and Elisabeth Horan. I headlined for Cheltenham Poetry Festival alongside Joe Cook, it was good to see/hear him again – a magical experience! And speaking of magic…
One of the workshops I attended was pure magic too – in fact, it was in the title, but we’re writers… we know titles give no guarantee! It was called The Magic of an Ordinary Day and it was mindfully slow paced with an entire offline section for lunch and encouraged wanderings. I met my mum (socially distanced) at the local park and we had a catch up and I took a bounty of pictures to inspire my afternoon writing. Plenty of people watching in amongst nature and for someone who rarely leaves the house now it was a blessing. Sue Emm was the facilitator of this online wandering & writing workshop from Open School East. It was a wonderfully, relaxed and I was certainly glad I’d committed a day to do it. Huge gratitude to Sue Emm.
The Worcestershire LitFest started, as it always does, with the Worcestershire Poet Laureate Competition. This year’s finalists were all worthy of the crown. The new Worcestershire Poet Laureate was announced for 2020-21 as Leena Batchelor – read more here.
Festival posts and links to follow.
I managed to attend a few open mics and events including Philip Gross and Heidi Williamson at Cafe Writers, That Poetry Zoom (Canberra), a Masterclass in writing and publishing, Wordcraft, Jerwood Arts Events, some PPP gigs and I visited the real library building (where the covid measures far outrank some places of work) and returned my 3 loans read by April and borrowed 9 books, fearing they would have to close again. I have PLENTY of books at home I could be reading, but they are mainly chosen and I feel I want to read them in pleasant(er) times. Perhaps now is the time to challenge my genres, pull out those books I would not otherwise attempt and that’s why I use the library. Plus I love the library, most people have been missing the night out, the pub… me, that room full of books none of which are mine.
I fuelled some of my grief into The Loss Project and found solace in a group I have been attending since the summer over in the States with Judith Redwing Keyssar, who has provided Food For Thought Poetry Cafes and Loss, losing, Loosening workshops weekly. https://redwingkeyssar.com/. Just letting it pour out is important and for me, part of the healing. I attended the Collective Trauma Summit, they had an amazing selection of poets/ poetry readings.
By September, Lockdown had lifted, but I was still living very much in isolation. With no money it wasn’t so much a challenge to stay inside. I had to go to hospital in September, they are places some of us need to be brave and use, but it was the biggest challenge I have faced. I had to go alone – the whole experience pre-covid would have been bad, in addition there was the wearing of the mask for hours and the additional safety test requirements. I counted every day after carefully indeed, but looking back I needed something this big because in a few months time there would be much needed work. The first day back was terrifying but it would have been worse without this bridge.
August was still patchy with sun and I was able to enjoy the garden. I was beginning to feel the edge of cabin fever. I slowed down online with extra events and focused on writing and reading. It was as strange as all the other months this year. I had hoped my birthday wouldn’t be in Lockdown – I’d seen and attended some awesome, creative celebrations online – I just couldn’t face the extra screen time. Mr G. and I planned to use one of the socially distanced restaurants and go out for the first time since March, but I got too scared.
I finally made some submissions. I spent hours writing applications, which were unsuccessful in results but updated all my paperwork ready for when the right one does come along!
We had a wonderful International Reading again for Cath Drake‘s Writing course Reinvent the Future – this time with Malika Booker as Guest Poet. It was another wonderful event.
Melbourne Spoken Word Festival continued, Army@Fringe hosted a Virtual Festival with lots of programmes about theatre writing, Jinny Fisher hosted another Poetry Pram event, Wendy Pratt hosted one day retreats, and PPP continued with many events and classes. I finally got to some events in New Zealand and made it back to Fire & Dust (Coventry) to see Genevieve Carver, I saw Joelle Taylor and Laura Scott at Cafe Writers. I managed to Zoom to StaffordWORDS Myths & Legends. I started attending some of the creative writing workshops held at Sheffield Libraries, they have raised a whole community online. Wonderful work. I started workshops with Nik Perring , Reader in Residence at Sheffield Libraries, who have all been great and productive. I attended a few seminars and talks.
I joined Celena Diane‘s Poets in Motion and had a great time at the Wirral Poetry Festival with Brian Wake, writing from ‘At the Circus’ prompts and artwork. Love an ekphrastic poem & poet/artists projects. I get involved with them as often as I can. I was asked to be Poet in Residence (virtually) for Cheltenham Poetry Festival.
I finished my Connect Dudley commission and Worcestershire LitFest went online. We held the delayed interviews for the next Worcestershire Poet Laureate.
So, my birthday was quiet – but we are still safe.
Five months into the pandemic and most of us know someone who has suffered. My heart goes out to all the families who’ve lost more than birthdays this year. The Lockdown is difficult to cope with – but suffering from Covid – there are no words, just huge thanks to those tasked with trying to help us.
For some reason I attempted Yoga again this month, Lockdown has made us all a little crazy, I think I did a fusion of Yoga and Pilates, basically the warm up and then filled in most of the class with exercise my back could manage.
I saw my first human being other than my mum and Mr G. since the beginning of Lockdown. It was my eldest nephew’s birthday. I stood in the garden, he stayed inside. It was the hardest not-hug to give/not give. Delighted I saw him. He couldn’t believe he was only the 3rd person I had seen since the end of March! By the end of the month I shared garden coffee with a few friends.
My actual travel/ life may have diminished to something which resembled 2019 (without the pain) but my screen life was exploding. I stretched my Zoom poetry wings further into Australia, out to New Zealand, Canada, Singapore, America and Coventry – if you have ever driven the route from here you will understand why I include that UK destination in amongst my international travel. Other local events found the wonders of Zoom and FB and moved events online. Library services also extended online content.
Poetry and writing has gone Global this year, writing is also (like baking, making sourdough, planting, painting and photography) one of the hobbies/ escapes people turned to. Even people who never appeared online have probably scribbled journals or feelings down at some points in this Lockdown. There have been wonderful local/ national/ international community projects popping up all over the place. Letter writing has become fashionable again, or at least it did before people realised the dangers of post. The world has creatively adapted. We have held each other (metaphorically) up in a year that made us all feel like we no longer had bones!
The other thing which began to take seed was the funding artists had applied for through the Arts Council. With this emergency funding came a flurry of projects and workshops. Funding was also received from other revenue sources.
PPP – (Poets, Prattlers, and Pandemonialists) celebrated the Black Country/ Lockdown and isolation with Stay Up Your Own End– which offered people both a microscopic and magnified view of their locales as seen through the eyes of people with pens. It encouraged people who had never written before or never openly written before to pick up a pen and write. It was set up as a round of competitions, prizes included a video film produced & £25.
The judges/prompt writers for each round were local favourites of the Black Country poetry scene Richard Archer, Rick Sanders, Roy McFarlane, Kuli Kohli, and Heather Wastie.
PPP were commissioned by Creative Black Country to run a series of online poetry activities across the region.
I did workshops with Anna Saunders, Adam Horovitz, Liam Brown, Zena Edwards and joined Malika Speaks and Poets In Motion. I went to Book launches including The Estate Agent’s Daughter – Rhian Edwards (Seren), Wild Persistence – Katrina Naomi (Seren), Pack of Lies – Roz Levens (Black Pear Press)
More Festivals and Events: ART IS… Festival, Trim (Ireland), Own It! Online Festival, Wirral Poetry Festival, Cheltenham Poetry Festival, Kit De Waal Creative Writing Wonder Women, Ledbury Poetry Salon with Philip Gross & Lesley Saunders. Sarah L. Dixon moved The Quiet Compere online and created a series of reunion shows. I made video poems for Wordcraft, PASTA, performed at Fire & Dust, 42, That Poetry Zoom, Perth Poetry Club, Poets’ Cafe and watched Dear Listener. Oooh Beehive, Run Your Tongue, Yes We Cant and others. Room 204 continued to support us with opportunities.
Personal highlights for the month (other than braving the company of friends) were:
A reading for the end of Writing to Buoy Us – Reading to Buoy Us with Cath Drake. The courses drew both established and new poets in from across the world.
It was an uplifting event which featured both class groups and Australian poet Mark Tredinnick as the Guest Reader.
Writing and creativity are how most of us are continuing to process this pandemic 6 months later, the connectivity shared at this time was invaluable. It was special.
Poetry Film Live Relaunched their website and featured one of my animated Poetry Renewed Films ‘Tailspin’ to Launch it. Like every business Elephant’s Footprint have adapted during this pandemic and shifted their courses online.
Exciting talks started with the committee about moving WLF online, we were holding off in the hope the postponed annual festival (mid-June) could be pushed back to early Autumn, by this time it became apparent that Covid was going to be with us for some time.
I took part in my first online SLAM (I don’t really do the SLAM poet thing but this was in Australia and I couldn’t resist). My poems appeared in the keepsake gift book the Art Is Festival released.
I wrote down submission opportunities and promptly missed the deadlines. Seems like I have the horse ready but a little unsure of getting back on!
March Lockdown was only a week – but those 7 days felt like a lifetime!
I was one of the many people who actually found life online a blessing, it was a way of staying connected during Lockdown and after a week I realised the Writing Community had gone full throttle into Teams, Crowdcast, Webinar platforms, Zoom (of course) and suddenly INSTA and FB were brimming with events, workshops, performances and festivals. I was a little slower to fill my diary as I was adjusting and juggling concerns for family, finances, future etc. (as we all were).
I realised having suffered depression and my year of incapacity last year (where I couldn’t be online for 6 months due to not being able to concentrate/focus/work/ use a desk/chair and was off social media for a while longer as by the time I finally reached the desk the manuscript was 5 months overdue an edit)! That this online connection is essential for some of us.
It was also a blessing as my body had time to heal, I wasn’t running ragged or trying to push driving distances. I also hadn’t found a solid way back into the poetry community after a year away. This exodus online, bridged that gap and gave me the ability to travel again – although it was a while (months) before I realised international waters were open!
I didn’t leave my home territory for the first month of lockdown and after that was only brave enough for one nature walk a week (it was still restricted back then that you can’t drive to walk and we live in an urban area), there are trees lining the dual carriageway, but we have a garden so I sat with nature rather than walking.
Looking back, I knew even then it was a gift that we had Lockdown in the Spring, for much of the world it wasn’t as warm or abundant with nature. A few months into lockdown I was one of two people wearing a mask to supermarket shop and only once or twice a month. Mr G. had to work throughout lockdown so there was always a possibility even when I was keeping myself from the world. So thank goodness for life online.
Of course there were strains and worries, fears and concerns, waking every day for months… well we all lived it right, it has been tough financially and I know people who were very ill with Coronavirus. I am choosing not to address it in these posts (other than excusing myself for not mentioning it in this first one).
At first my online meets were just for virtual coffees and a few regular events I attend which had moved online. I want to give a big shout out to Poets, Prattlers and Pandemonialists https://www.pandemonialists.co.uk a.k.a. Emma Purshouse, Steve Pottinger and Dave Pitt who have grown to adapt to many platforms this year but immediately moved events online and were making them fully accessible no matter what your situation, lots of hard work.
I am delighted that after putting the hours in and giving so generously they have maintained working status with lots of projects online. They always are busy people and it doesn’t look like they are about to let a pandemic stop that ethic!
Polly Stretton immediately moved 42 online, a regular event in Worcester that we have been enjoying on Zoom since March.
I was writing for a Worcester Cathedral Poetry Project, organised by their poet in residence, Amanda Bonnick.
And then Carolyn Jess-Cooke gave us the STAY AT HOME FESTIVAL – https://stayathomelitfest.co.uk/about/ the first in a long line of festivals online – it was brilliant and on a massive scale and conceived (as many things are) on Twitter.
I unfortunately missed the call (as I was working F/T until lockdown) but I attended most of the festival weekend and was lucky enough to be one of the showcase poets.
I will write an entire post about the festival, I was hugely grateful and it was also the beginning of filling my notebooks – (2 over this weekend), avoiding household chores and unpacking boxes!