Tag Archives: writing

My Current Situation & INKSPILL 2018

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Sadly October has not turned out as I planned. At the end of the 1st week of the month I underwent an operation and am currently convalescing and undergoing daily outpatient appointments.

Our FREE Online Writing Retreat at the end of October is still going ahead – it is always the final weekend of the month. This year the 27th/28th October.

Guest Writers will be revealed on Friday and I am delighted this will be the 6th annual INKSPILL.

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I will not be posting on the blog this month as healing well is paramount, however, I hope you will join me for INKSPILL… spread the word!

May Review 2018

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May was a huge month for editing and writing and marked my final full month as Worcestershire Poet Laureate, a position I have loved. Who wouldn’t want to be an ambassador for poetry? I was also juggling working full time with a full schedule.

Week 1: 

Still learning how to balance full time work with a writing career, I found a lack of energy and time were enemies to my To Do list.

My final Worcestershire Poet Laureate submission windows opened. One for Scientific/Mathematical poetry in honour of Stephen Hawking and the other for the final edition of Contour WPL Magazine, Issue 4 Celebration & End of an Era.

 

 

I spent most of the week working on A Tale Of Two Cities Special Edition Contour Magazine.

I received news of a recent submission being successful. One of my Jinney Ring Sculpture Workshop poems is to be published in Domestic Cherry Issue 6. I join many poetry friends in this issue and what is more we get to read our poems at an event in the Swindon Poetry Festival, which is great. This will be my 4th year attending Swindon Poetry Festival and it is always amazing. Last year I was booked as a V. Press poet in V. Formation, reading alongside Stephen Daniels and Gram Joels. This year I knew I was heading down after National Poetry Day (I have a booked gig), now I know I will get to read too. Wonderful.

My role as Reader in Residence for West Midlands Reader’s Network was wrapped up in an evaluation which took an incredible amount of time to write, but future funding depends on such things and I was able to use some of it in a public review for Warwickshire Libraries too. I sent reviews of Book Review Workshops and the Poetry on Demand event for the Rugby Library website.

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https://awritersfountain.wordpress.com/2018/05/12/a-word-from-nina/

I received finalist poems for the Worcestershire LitFest & Fringe Poet Laureate Competition. I have a fortnight to judge these poems. I am looking forward to discovering who the finalists are on the 10th June. This year the finals will be held at The Angel Centre – which is the 4th venue for the WPL finals.

Over the weekend I secured an interview with Kate Garrett on her recent charity venture ‘Bonnie’s Crew’, took some poems for a polish and prepared for the final WPL event at Hanbury Church.

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Week 2:

Started with a Bank Holiday and sunshine. I hosted the final WPL event, a reading at Hanbury Church of our Sculpture Trail poems from the Jinney Ring workshop. A full review of the event will be posted soon. To my delight this event has also lead to future work.

 

 

It seemed strange that this was it, as far as WPLaureating goes.

I had tight deadlines for copy, reviews, interviews and editing this week. Promotion has started for Australia – Western Australia Poetry Festival. Scott-Patrick Mitchell is responsible for a lot of the streaming online. He has sent interview questions to use as part of the Marketing & Promotion of the festival. I completed the bulk of an interview on time but had a few questions that needed a more considered response. Everything is in place for the marketing machine now though.

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I spent some time prepping Q&A for the ‘In Conversation’ event at the BMI.

I was fortunate enough to get to PTS (Permission to Speak) which featured the Poets, Prattlers & Pandemonialists taking over the hosting for the evening and featuring artists from The Black Country Broadsheet project. It was a great night of high energy hosted by Dave Pitt featuring: R.M Francis, Mogs, Steve Pottinger & Casey Bailey. I shared my NaPo poems (not all 30)! A full review can be found here

https://awritersfountain.wordpress.com/2018/05/10/mighty-force-poets-prattlers-pandemonialists/

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The following night I headed over to Birmingham to the BMI (Birmingham & Midland Institute) for an In Conversation & Reading of Fragile Houses. Another fabulous night in the John Lee Theatre. Read the full review here. https://awritersfountain.wordpress.com/2018/05/12/open-conversation-bmi/

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This was a great opportunity to reach a new audience and was booked last Winter, I had been looking forward to it for a while.

I am delighted Roy McFarlane is the Poet in Residence there and look forward to his programme of events and get more involved in Birmingham again.

I planned to spend the weekend editing, I mainly slept – being a busy poet and working full-time is not easy. I did manage a good shift on ATOTC and got the main frame of the magazine complete – overcoming lots of horrendous formatting issues. Sadly I realised I had missing Bios and so put a call out for those.

I am hoping that before the end of the month we will have the special edition ready for upload.

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Week 3:

What is a perfect way to start the week? A workshop with the exuberant Ash Dickinson of course! Having missed the opportunity to do one in Burton last year I was delighted to discover that he was doing one before/for Licensed to Rhyme!

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Read the full review here https://awritersfountain.wordpress.com/2018/05/16/ash-dickinson-workshop-licensed-to-rhyme/

It was a fabulous evening of laughter and poetry and set me up for the week.

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Lorna Meehan headlines next month – so I need to get my diary free *although I think it falls during Worcestershire LitFest.

On Thursday I had intended to hit Birmingham at the Twisted Tongues event (usually held in Derby), however after a long day at work and with a weekend of events scheduled I did the sensible thing (very unlike me) and spent the night in the garden enjoying the end of the sun before having a relatively early night.

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I spent a lot of the week compiling the Special Edition Contour Magazine and chasing poets for photos.

On Friday I whizzed from work straight to The Hive in Worcester for a Book Launch. Cutting the Green Ribbon – debut poetry collection for Katy Wareham Morris, published by Hesterglock Press.

ctgr-poster-as-jpeg Katy was joined by Guest Readers Holly Magill, Kathy Gee and Claire Walker – it was a superb night of poetry. Full review coming soon.

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I surprised myself on Saturday by firstly forgetting there was a Royal Wedding (I was reading poetry books and working on a submission) and secondly by writing about it. I had not planned to and I know many poets balk at this sort of sentimentality – but important events during one’s Laureateship ought to be marked and so I found myself with laptop on lap, catching up with images from the BBC whilst watching the ceremony from the point of the Bishop’s Address onward and I did manage to write something.

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https://worcestershirepoetlaureateninalewis.wordpress.com/2018/05/19/the-royal-wedding/

I finished the week being a Poetry Judge at Sarah Leavesley’s Book Launch at Parks Cafe.  Sarah celebrated the launch of her new novella Always Another Twist and latest poetry collection How to Grow Matches. It was a charity event in aid of St Paul’s Hostel in Worcester and a fantastic evening (even if I did want to run away with the prizes)! A full review will be posted soon.

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Sarah was joined by Guest Readers: Holly Magill, Jenny Hope & Liz Kershaw and the night was MCed by Charley Barnes.

https://droitwichstandard.co.uk/news/award-winning-droitwich-author-to-hold-special-book-launch-at-charity-evening/

 

Week 4

The week started with a well earned day off work to fill with Poetry work. This year I was invited to be part of the Living Library event at Blessed Edward Oldcorne Catholic College in Worcester. The event is organised annually by Librarian Linda Bromyard and enables several classes from Year 7 to come and meet real writers and talk to them about their work. Again, I will be writing full reviews of work from May soon and this event will certainly be given one. It was as inspiring for the adults as the students, I would have loved something like this when I was studying English.

 

http://www.worcesternews.co.uk/news/14543190.Authors_bring_school_library_alive/

The deadline for judging this year’s WPL finalist poems came around fast. I enjoyed reading this year’s entries, I am not so much enjoying sitting in judgement at the finals, but will part of a team of 5 judges and it is part of the WPL remit accepted last year. My hat goes off to poets who judge competitions with 100s of entries, it is a tough job.

I FINALLY gained access to the Arts Council portal (being trying since 27th April) only to find the decision was a no. Ironically the new system is more suited to individual bids, I used the British Council funding scheme a joint venture with the Arts Council. I rushed to get mine in before 1st March deadline and may have been better to wait for the new batch and changes in the system.

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Still, I took on the full time teaching role to pay for it and now I have the freedom to enjoy it evaluation free. The bid was to cover my travel to Australia for the Perth Festival and some workshops back in the UK after the event. At least I learnt how to apply for funding and also had the pleasure of analysing statistical data which shows my work this year has impacted on over 360 individuals.  Lots to celebrate.

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On the same day I discovered this failure I was also Headlining at Poetry Bites. It has been a while since I headlined a gig and it was a pleasure. Again full review waiting in a queue.

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I had to plan my Australian workshop and send a 200 marketing blurb this week. It is based on themes pulled from Fragile Houses and is going to be great. I am really looking forward to this experience and have scheduled time when term finishes to get prepared. The review of July will be simpler – it will just say…

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Preparing for Australia!

I have also been working on the final three WPL projects:

  • Contour Issue 4 WPL Digital Poetry Magazine
  • Twin Town European Poetry Exchange
  • Every Word Counts – Science/Maths Anthology

Contour Issue 4 the Celebration issue is still open for submissions until my final day as Laureate 10.6.18, I have been busy catching up with the Headliners of SpeakEasy for the interview section and have an article or two to add (new feature).

Twin Town 

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Most of the poets involved managed their poetry exchanges before the deadline, I stepped in and wrote a response poem and a Town poem in case the final poet didn’t manage it. We are now just waiting on a final response poem from a poet who received it over 2 weeks late, a June deadline has been negotiated and I have secured my good friend Nathalie Brooker to work on my French translations. This should be live in June, publication is planned for 10th June, the day I end my Laureateship.

Every Word Counts 

I spent time long listing poems from the 30 day submission window.

 

Extra Bit 

A much needed break from work, 9 days in my poetry skin.

DAY 1 of 9

I planned my penultimate WWM Spark Writers group – they are sad to see me go, they are not the only ones. My sensitive poet’s heart could crack with all these changes!

I spent some time organising the first of the UK ATOTC readings. A collaborative of 11 who will read call/response poems during the 2nd part of the evening as part of Artsfest 2018.

I made the final promo pushes for the last 2 WPL submissions. Had a lovely night at Waterstones celebrating the Launch of Deborah Alma’s new Nine Arches Press collection ‘Dirty Laundry’ a full blog post owed for that night too!

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I made it to 42 and the newly refurbished Drummonds for a night that was pure entertainment.

I finish the month with mild exhaustion and the hope that the few submissions I have managed to make this month will find themselves a home amongst pages. Fingers crossed.

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June

June sees the 8th Worcestershire LitFest & Fringe Festival, the crowning of a new Poet Laureate, the finalists in the running are Sarah Leavesley, Betti Moretti & Peter Sutton. The Launch takes place on the 10th June 2:30 pm at the Angel Centre, Worcester and sadly will mark my last day as Worcestershire Poet Laureate.

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Photo by burak kostak on Pexels.com

Other events to look forward to are: Meet the Authors, Stanza in the Forest of Dean for a Forestry/Poetry project, the rest of the WLF Programme, I am performing on Tuesday at Night at the Museum, Wednesday at 42 Special with the Anti-Poet, Thursday at SpeakEasy Festival Special and Saturday as part of The Ring Project.

I am performing as part of Ludlow Fringe Festival, have my final ever WWM Spark Young Writer Group, attending the Stratford Poetry Festival for the schools project with Shakespeare Birthplace Trust, attending and performing at a few book launches and finishing the month with Ledbury Poetry Festival.

At the desk I am working on a current manuscript, prep for Perth Poetry Festival (Australia, not Scotland), Contour Issue 4 Digital poetry magazine, The Twin Town Poetry Anthology & a collection to mark the passing of Stephen Hawking featuring Science/Mathematical poetry Every Word Counts.

Plenty of work to absorb the extraction of my Laureateship! And who knows in between I may even get to write and sleep!

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Photo by Pixabay on Pexels.com

INKSPILL Spooktastic – Writing Exercise #4

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It doesn’t seem right having this weekend retreat so close to Halloween and not include an opportunity for some Horror writing.

Writing Exercise #4 – Mysterious/Scary

A murder has taken place in a cabin in the middle of a snowy field.  Your character finds three sets of footsteps entering the cabin, but none leaving.  Apart from the victim, no one else seems to be there.  What is going on?

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INKSPILL – Top Tips On Writing

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Do you recognise wonderful? Do you see it? Watch these Top Tips from Novelist Jill Dawson from The Guardian Masterclasses 2013. Some advice is timeless. 

https://www.theguardian.com/books/video/2013/oct/25/jill-dawson-top-tips-on-writing

© 2017 Guardian News and Media

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© 2017 jilldawson.co.uk

INKSPILL Mashup – Writing Exercise #3

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Pull two books off a shelf at random. Open each to a random page and copy down whatever sentence your finger first lands on. Then write the shortest, most natural bridge between the two sentences, making it seem like the both come from the same book.

Attempt to write one full paragraph. Feel free to copy them into the comments below.

INKSPILL Library

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The Library will be open throughout the weekend. I will add archived INKSPILL links for you to delve into at your leisure. Enjoy.

INKSPILL Library

INKSPILL 2013

 

HISTORICAL FICTION AND RESEARCH – Nina Lewis 

Historical Fiction and Research

Historical Fiction Part 2

 

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INKSPILL 2014

 

Guest Writer William Gallagher tells us

HOW TO GET REJECTED

https://awritersfountain.wordpress.com/2014/10/25/inkspill-how-to-get-rejected-guest-writer-william-Gallagher/

 

 

MAKING TIME TO WRITE 

https://awritersfountain.wordpress.com/2014/10/25/inkspill-making-time-to-write-guest-writer-williamgallagher/

 

A VIDEO ON DIALOGUE

https://awritersfountain.wordpress.com/2014/10/25/inkspill-a-video-from-guest-writer-william-Gallagher/

 

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EDITING A POEM 

With Guest Writer Heather Wastie 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-heather-wastie-editing-a-poem/

 

 

WRITING & EDITING

With Guest Writer Charlie Jordan 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-editing-part1/

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-and-editing-part-2/

 

WRITING MOTIVATION

includes video – Nina Lewis 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-good-morning-come-and-watch/

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INKSPILL 2015

 

I had the great pleasure of FINALLY seeing Inua Ellams perform in Birmingham this Spring, he also did a blinding set at the Swindon Poetry Festival this Autumn. 

This is a poetry film, featured as part of 2015 INKSPILL writing retreat. 

REFUGEE STORIES 

Nigerian-born Inua Ellams, a London-based writer, created the story “Dolphins” as part of “The Refugee Tales”, works about the journeys of refugees and migrants seeking safety in Britain. Ellams worked with children who have made treacherous journeys across desert and sea, and wrote the stories based on their experiences.  © Film for Action

http://www.filmsforaction.org/watch/refugee-stories-retold-by-nigerianborn-poet-inua-ellams/

 

THE TERRIBLE

Guest Poet Interview with Daniel Sluman on his 2nd collection 

https://awritersfountain.wordpress.com/2015/10/25/inkspill-guest-poet-interview-with-daniel-sluman/

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Come back to the Library tomorrow where we will have more links for you from INKSPILL 2015 & 2016.

INKSPILL Guest Poet Interview 2 with Antony Owen

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Now you have met Antony and heard about his latest collection The Nagasaki Elder, we hear more from him on poetry in this second part of the interview.

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Antony Owen reading at the Restless Bones Book Launch 2014 © Rang-Zeb

 

1. What are your plans for 2018?

To rest, to spend more time with loved ones who I have avoided over the years. Five poetry collections in 8 years on gruelling subjects take a toll. So, to rest then and find some joy again.

 

2. What advice would you give to poets writing about conflict?

Write about it but be aware of the impact it will have on you. I hope all writers pen even one poem because poetry has to say something or it says nothing. What will our future generations say if artists are silent? In many cases propaganda and art were bedfellows in WW1 and WW2 but we remember the revolutionaries and poets like Sitwell, Owen, Douglas, Scannell, and not the doom merchants.

We must right that wrong and make art fight against the nefarious tabloids and avarice of media moguls out to brainwash us with apathy and front page headlines of wardrobe malfunctions of Z-list celebrities whilst 70 million refugees are ignored.

One of my friends who died last year wrote about the Jewish holocaust and she was one of the most under-rated and courageous poets I know. I thought of her a lot when I wrote The Nagasaki Elder. We are responsible to move the mirror from the vanity of selfies towards the issues like displacement and show the forgotten people and those hushed atrocities.

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3. Why is poetry important?

It defines us in the most eloquent way. Poems are epitaphs for the times we inhabit. Nations like Britain are in a period of violent re-definement. For example, The focus on British Values is now being taught in our schools but what about human values? This is where poetry and art comes in as an equilibrium to reflect what is happening and suggest the malfunctions of society including government imposed changes.

School teachers and students deserve more respect and consultation in what poems should be taught. When I speak to school students they are more interested in modern poetry dealing with current issues. They crave to be heard and poetry and art are part of the clay that sculptures who we become as adults and how we respect art. Poetry is only important if it connects with people and sees them as important.

 

4. What prompted you to start writing poetry?
I was poor at formula subjects like Maths where you were right or wrong. Maths made me write poetry in the lessons and I found the sum of people, of language.

 

5. Where do you write?
Anywhere. I love writing to the music of Gabriel Yared, Hans Zimmer, Angelo Badamenti. Movie composers help create a cinematography in my mind which transcends to the page.

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6. What books are you reading right now?
Everyone Is Now Unhappy by Fergus McGonigal, An anthology of unknown WW1 war poets, Genbaku poets (A-bomb poets) David Wevill and Edith Sitwell.

 

7. Do you have any creative rituals/ patterns?

No. Don’t snap the wand to see what it’s made of or you overthink things which kills the alchemy. I do like quiet though because my mind is always active filtering and processing the world and all its black magic.

 

 

March in Review

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March felt like a funny old month. The start of the month was rocky, the usual dips and peaks were replaced with a fairly big dip, which fortunately finished mid-March, the end of the month was full of highs and gathered rollercoaster speed, positively hyperactive.

I missed out on many events I wanted to attend due to lack of time, transport and energy. My writing schedule was full and I continued to work on organising festival events as well as time spent making exciting applications. Keeping my fingers crossed.

In addition to this – we have AN EMPTY ROOM, I managed (finally) to sort the smallest bedroom which is our first redecoration project in the house Mr G and I moved into the year I returned to writing (2013). If I wasn’t writing, I kid myself that we would have finished the entire house by now. But the thing I look forward to the most is nesting new writing spaces! The room has now been empty and awaiting action for three weeks, but in that time Mr G has transformed the front garden (much to the pleasure of the neighbours) and bought a sander in preparation for the next epic challenge- actually doing the room!

WEEK 1:

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V. Press collections: Career in Accompaniment by Alex Reed, Book of Bones by Kathy Gee, Fragile Houses by Nina Lewis and The Old Man in the House of Bone by David Calcutt, with illustrations from Peter Tinkler were reviewed by Sam Smith. You can read the full reviews here http://vpresspoetry.blogspot.co.uk/

Sam Smith – Reviews in The Journal. http://thesamsmith.webs.com/

It was the final Permission to Speak on the 2nd, headlined by Pete the Temp (who I first saw at Verve).

Pete the Temp is a poet, educator and musician. His work has been featured on BBC radio and TV and in 2009 he became the National Poetry Slam Champion. Pete has toured theatres across England with his one man show ‘Pete (the Temp) vs Climate Change’. In 2015 he completed the MA Writer / Teacher Programme at Goldsmiths University. This led him to become one of the world’s first full-time spoken word educators to be embedded in a secondary school. He later went on to pilot the same work in a primary school. He was subsequently invited to do a TED Talk on the subject ‘Why Every School Should Have a Spoken Word Educator’. Pete has toured all over Europe with his art and now works as a poet and street performer. Rob Francis © 2017

We are all gutted that this event (of 2 years) has come to an end. The venue – which is one of the most amazing spaces I have had the pleasure to perform in, is closing. Rob Francis is extremely busy with writing and lecturing, maybe these things are sent by the universe as the timing seems right to free Rob up for other opportunities. He also got engaged recently, so I suspect there will be a busy non-poetry element going on in his life soon too. Fortunately I was tipped off just before the night kicked off, otherwise I would have been in floods when Rob announced it to the packed out room.

As always, it was a good night with an eclectic mix of open mics, poems, stories and extracts. It was fantastic to watch Pete in action again and I enjoyed his set immensely. Several lines have become ear-worms over the past month. I had an interesting conversation with him afterwards about poetry. You cannot help but be swept away on his passion-wave of enthusiasm.

Sadly I missed out on watching him perform again at the Artrix this week as I had a gig in Manchester the next day, work and lots of submission deadlines. If you get a chance to see him, you should grasp it for sure! ‘Keep it Lit!’

RELATED LINKS:

http://www.petethetemp.co.uk/

http://burningeye.bigcartel.com/product/numbered-boxes-by-pete-the-temp-bearder

numbered boxes People who have read this collection rave about it – it is on my list to buy.

I spent the majority of writing time organising, I am currently organising three events for festivals which is keeping me busy.

I also had an opportunity to create work for Mental Health Awareness Week (May). Sarah Leavesley has, for several years posted poetry related to Mental Health during this week. ‘The Magnetic Diaries’ deals with these issues and last year you may remember I attended a workshop at the MAC which was part of the Magnetic Diaries Tour. Sarah mentioned back then that we could share our workshop poetry. As with lots of things at the moment it fell into the ‘to do’ pile. My main focus currently is the house, promoting Fragile Houses and organising festival events. Anyway, long story short, I did eventually manage to create a new poem from the workshop and another written especially for the blog project. More on this in May.

I had a request for a poem and spent the weekend working on editing and writing. I have found this month that I am very last minute. I discovered a submission opportunity the day before deadline (always a challenge) and more recently discovered an entire festival I had missed, a great shame as there was a workshop I would have loved to have attended.

WEEK 2:

The week I forgot to live… so many events missed. I felt the dip this week – my body/mind reacts by sleeping. I spent my writing time beavering away at schedules, organising festival events and generally needed sleep before bedtime. I did wish to be a busy poet and I guess I didn’t consider that I would need to be grown-up with scheduling or with reacting to the events I miss. Be careful what you wish for!

I missed Stirchley Speaks, Headlined by Tom McCann, Steve Pottinger was performing in Ludlow at The Poetry Lounge, I missed Howl – there was a new event in Cannock – Speaking Out Midlands, where all performers were open mic, allocated 10 minute slots. Charlotte had invited me some months ago and then word was spread on social media and it attracted a great crowd and I have read some rave reviews.

It clashed with SpeakEasy and when I discovered Adrian Mealing (who I have not seen for years) was headlining, I knew that I was going to save the car some miles. I do not regret this decision, SpeakEasy was a good night and it was lovely chatting and catching up with Adrian. CONFAB Adrian Confab Cabaret with John Hegley (the last time I saw Adrian).

Suffering the dip, being in a familiar environment with people I know was preferable. I was revitalised by the end of the evening. There were lots of new faces and audience, incredibly positive for the LitFest team. Suz performed the Squid Ballroom, part of her Laureate event – more on this next month, I am one of the invited performers.

I spent Friday tying up loose ends and trying to write. I sent my poems to Rick Saunders the brainchild behind Rob’s PTS thank you gift. We (the collective at PTS) have sent writing to Rick who has printed a pamphlet (more like a book at 80 odd pages) to present to Rob on the final night – Permission to Shut Up – at the end of March. I sent my poem about the stage ‘The Secret of Scary Canary’s Stage’ and one I wrote especially for Rob all about what he has achieved with PTS and what it means to the rest of us, originally titled ‘Permission to Speak’. He should be extremely proud of his achievements and hopefully this isn’t the last we have heard from him.

spark I spent an entire evening planning a non-fiction session for my Spark Young Writers group (Writing West Midlands). Inspired by the Royal Society of Photographers exhibition I walked around last month I decided to do Science Journalism. The group thoroughly enjoyed themselves and I am still wiping sweat from my brow – I was worried in case any of them chose to write about the bee’s anus. Which was an amazing piece of photography and incredibly fascinating to look at. I was amazed by the talented articles that came from this session. Some great writing.

It was also the DeMontfort Book Fair in Leicester – States of Independence, not something they hosted when I lived there for 5 years. Leicester is where I broke my performance poetry seal and will always have a little bit of a special place in my heart. Sarah Leavesley was there with her V. Press bookshop, she also launched her new book – a novella published by Mantle Lane Press.

http://www.mantlelanepress.co.uk/product/kaleidoscope available to buy for just £4.00

It always hurts to miss out on events, I dreamed of a busy writing life and I have one, but it means that sometimes I no longer have the freedom to march across the country to be a part of special evenings. There are also the inevitable date clashes where big decisions are made. Never have cloning and teleportation been so necessary in my life!

On Sunday I missed one of the best opportunities since the Verve Festival. Bang Said the Gun – which I have known about since 2014 and watched countless clips of online is touring and they kicked off in Stafford – relatively close (would be closer if the M6 ever flowed properly) with Jo Bell and Jonny Fluffypunk (two of my old time/all time favs) and I missed it! It was Sunday night, Week 3 and 4 are full in my diary, energy was low, as were funds and Mr G and I need to spend more time together and my car is the equivalent of an old broken pull along toy with some bits missing and broken/re-knotted string! I do not trust it on terribly long journeys or car park motorways where you hear it over heat within the first crawling 100 yards.

I missed an amazing night and an opportunity to see friends from that neck of the woods too. Gutted. I did go to check out tickets and look at the rest of the tour and this was the nearest and also had the featured artists I wanted to see. I would say there will be other times, but with something like this – there won’t be. Gutted with a capital G.

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Canterbury never had anything like this when I lived there either!

Week 3:

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I knew I would miss License to Rhyme at the Artrix, featuring Pete the Temp. I had to work and manage Manchester the following evening and I spent part of Monday choosing and rehearsing/timing my set. I also spent time with family, which I hadn’t planned much beforehand and this left me hours behind on writing time. Not that it would be any other way. Family comes first. It just meant the will I /won’t I… became a definite No I won’t!

Again I heard good things about the evening and am particularly disappointed that I missed Fergus McGonigal and Lorna Meehan performing.

I did receive some exciting emails which made a night in with my inbox particularly worthwhile. And have since taken action on these – fingers crossed once again!

On Tuesday I headlined alongside Becky Cheeriman and Mark Pajak in Manchester at Sarah L. Dixon’s Quiet, Quiet Loud. I have known about this booking at Quiet, Quiet Loud for months and the butterflies went tribal. Originally looking to headline in April or May, the gig was brought forward as Sarah L Dixon is on the move and this was to be her final event at The Llyod’s.

Rick Saunders had signed up for the open mic and kindly offered to chauffeur up the M6. Unfortunately, days before his car broke down and so we were left with some last minute arrangements. In the end we hired a car (scared that mine wouldn’t make a 200 mile round trip in a night). The journey there was fine, even passing a Willis milk tanker – Rick’s stage name is Willis the Poet…  we passed the time chatting about the spoken word scene and stopping just once for the most expensive bottle of service station water – I think it was made from diamonds or something! The journey back was horrendous, closed motorways, detours and a SATNAV that was convinced the motorway junction was still open.

The event itself was worth every mile of motorway network and it was a pleasure to headline at the final Quiet, Quiet Loud. You can read my full review here and Rick managed to post his the very next day. https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

Huge thanks again to Rick for the lift.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/manchester-quiet-quiet-loud-headline/

I spent Wednesday morning before work recovering, I found out about the Science and Arts Festival hosted by Birmingham University and a creative writing workshop that I would have loved to attend, although it would have been a lot before work to manage. I have pencilled it in for next year as there were lots of interesting events.

I spent Wednesday night working on submissions and on Thursday mum and I went to see Verve – Northern School of Contemporary Dance. Mr G bought us tickets for Christmas. Verve-web-8-crop-1876x1055

http://www.nscd.ac.uk/verve/

They made me want to dance again, to create dance poetry and to lose myself in costume and movement. The fact that my body could barely manage to sit through a 2 hour production tells me otherwise, but my soul is still very much committed!

I spent the weekend on things other than writing and chiselled out some time at the end of Sunday to write applications and work on my writing action plan. There are some intended submissions to create before the end of the month and three sets to plan for EarthHour (25th March), HerStory (31st March) and Poetry Ballroom (2nd April).

Week 4:

The week started with a flurry of activity organising poetry events and writing. February was a busy month for making applications and devising projects and this month sees more energy focused on these and some fruition.

I spent the first part of the week in rest (working, sleeping, living) and saving energy for a series of 3 days of poeting. Which was easy as only one of them involved performing. Although I left it somewhat late to arrange a set and fine tune the details.

I also agreed to hiding some GOLDEN TICKETS for Birmingham Literature Festival. It is the 20th Anniversary this year and the team have organised a Spring Festival to celebrate. They have sent out Golden Tickets to be found in local bookshops, Art cafes and libraries. I have taken two under my wing and let them fly (and hide).

https://www.birminghamliteraturefestival.org/2017/03/will-you-find-a-golden-ticket/

The lucky finder wins a free ticket (worth at least £10) to an event of their choice. I want to find one of these – but it may cost more petrol money than buying a ticket. Fun idea. Great one. One I may steal in the future! First time I have ever felt like Willy Wonka… it was a good feeling.

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On Thursday I saw Hollie McNish, I love Hollie…  it has been a while since I saw her perform and part of me knew that this book would be difficult for me for personal reasons, this is why I have not yet bought a copy – but watching her breathing magic into the tale and hearing such personal disclosure and truth was wonderful. hollie 2 The event had been organised at The Hive (Library) in partnership with Poetry On Loan – well done to Brenda Read-Brown!

I had been to the basement space once with my writing group and was amazed to find the event not in the studio – that was until I saw the size of the audience! Holly thought, it being a library gig in a small city there may be about 20 people! Multiply that by 10! A smashing night.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/hollie-mcnish-nobody-told-me/

My review of the Verve Poetry Festival went live on Sabotage Reviews. http://sabotagereviews.com/

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Stanza happened on Friday – for the first time in months I thoroughly enjoyed it – and in a strange way all of our poems were love poems (but not the sort you imagine).

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Over the weekend I celebrated Earth Hour and Mother’s Day. Earth Hour was amazing, I went to the event organised by Worcester LitFest at Café Bliss. You can read the full review here

https://awritersfountain.wordpress.com/2017/03/27/earth-hour-with-wlf/

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Week 5

I spent the majority of my spare time writing and editing and planning how an earth I was going to manage this final week of performances and deadlines. The solution was an A4 checklist that I had very little leeway on.

I also had another poem published ‘Rag Tree’ which will be in the Beltane anthology by Three Drops. More news about festival events I am organising/performing in and events that I am just performing in. Future workshops to book and lots of potential festival tickets to be bought. I wrote new work and edited older poems.

Tuesday evening saw the final PTS – Permission to Speak become Permission to Shut Up – as it was a work night I was worried I may not last until the end, but scribbled a new poem especially for the last event (for now), the night before and got a short set ready. I was due to headline in May, potentially Rob may have a new venue by then, but I get the feeling that he needs/wants a mini-break and this would be the time to take it.

It was a great night, all in all and I will mark the occasion with a blog post as soon as I get some spare time. I took lots of pictures and stayed until the end to see Rick present Rob with his pamphlet.

42 in Worcester celebrated it’s 6th birthday and I took a newly scribed poem to celebrate. Rick Saunders headlined Spoken Trend on the same night, which I had to miss. Please someone clone me! Event clashes… every poet’s nemesis! 42 was fun and again, I will mark the occasion with a full blogpost when I have a little time. Polly made an amazing Black Forest Gateaux cake! Makes my mouth water just thinking about it. All the performances were bang on and the celebratory air was sweet.

LINKS TO FOLLOW.

With two days left of March and Easter around the corner, you may think that was it… no, I am playing the game – How much can you pack into 48hours?

Thursday I gave myself a night off from performing/events – missing out on Caffe Grande Slam in Dudley again, I will get there. I spent the evening editing a new poem (my 3rd this week) and submitting work.

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I also received an exciting email from my publisher. Another review of Fragile Houses, this time on Sabotage Reviews. How wonderful to start and end the month with reviews. You can read Rachel Stirling’s incredibly intricate review here.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

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I discovered Claire Walker and Holly Magill have embarked on editing a new Magazine ‘Atrium’, they have both edited for Kate Garrett at Three Drops recently and this new opportunity morphed from that experience. More on Atrium soon.

I saw Heather Wastie’s Nationwide advert – which was as equally exciting as watching Jo Bell’s and what made it special was seeing it first thing before work and in the final adverts before bed. Don’t ask me how I have time to watch TV and complete my mammoth writing tasks!

Holly McNish won the Ted Hughes award (one of the judges this year was Jo Bell – busy as always). Amazing news & recognition!

http://www.thebookseller.com/news/hollie-mcnishs-poetic-motherhood-memoir-wins-ted-hughes-award-518171

https://www.theguardian.com/books/2017/mar/29/hollie-mcnishs-funny-and-serious-poetry-wins-ted-hughes-prize

I received news of another successful Festival bid for this summer. More on this soon.

I completed the month with a Woo Feminista event HerStory at Café Bliss. I will blog and link it up here as soon as I can.

And now I am ready for NaPoWriMo, Poetry Ballroom and a rather-already-regrettable booking of an almost full week of work! I booked Monday off as I have 3 consecutive events this weekend and will be typing until my fingers go numb finishing my writing tasks over the next 24 hours!

I hope you all had a good month too. Leave me some of your highlights in the comments, it would be great to hear from you.

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Keep Writing x

Welcome 2017

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Welcome 2017

I think it is a little late to be wishing you all Happy New Year – so welcome to 2017, I hope it has started well for you.

I took my annual break over Christmas and although I still need to tie up some monthly reviews and pages there really was little action as everything calms down a bit in December. Poets, like bears, enjoy hibernation.

This year I am spending the majority of my time writing and promoting ‘Fragile Houses’. Three new exciting opportunities have landed on my lap and in addition to these some new Literature Festivals have sprung up that I am busy organising events for. I do not plan to do 107 gigs this year, but there are still several events a month to keep me in the performance circuit/loop.

I am very excited about 2017 and have harnessed the sense of ‘new dawn’ we all experience on the 1st January and I intend to keep it. Which is ironic as I have had some wobbles already this month. So running on the pure scent of the beginning of the year… let’s get stuck in!

Be brave

be bold

and keep writing!

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