A brand new website for Worcestershire LitFest & Fringe. Find out about all the 2021 competitions, join in with virtual open mics at SpeakEasy (9th April) and coming soon announcements for Worcestershire LitFest 2021.
7-17 years old/ FREE entry/ International
300 words £4 or £10 for 3 entries/ International
And if you are a resident of Worcestershire, for £5 you can enter the Worcestershire Poet Laureate Competition.
November finally saw a return to work after 8 months, an anxious time but also a great relief! It was a busy month on and offline. I had more medical appointments and another hospital appointment. But the balance was a month packed with Poetry / Literary Festivals!
At the end of October and beginning of November I enjoyed Dodge Poetry Festival and the packed programme of poetry. I shared a sea theme poem at Wirral Poetry Festival at an evening featuring Philip Gross, watched Andrew McMillan at Todmorden Book Festival, saw Padraig O’Tauna read several times. Watched Sandwell Stories, enjoyed Ankh Spice back in action at the Cheltenham Poetry Festival, HAY had a WINTER Festival Weekend. I joined the final weekend of Culturama.
I had the opportunity to watch Heidi Williamson in action again at The Oxford Centre for Life Writing, Worcester University have also brought part of the Creative Writing Readings online and I managed to catch Hannah Lowe in action (it has been many years since I last saw her read). I caught an event at the Uni of Oxford with Rishi Dastidar on The Craft – a book he wrote a few years ago.
I enjoyed the tail end (dog pun) of Matt Black‘s Book Launch – ‘Sniffing Lamp-posts by Moonlight’ A fundraising book of dog poems.
I did a workshop with Lansing Poet Laureate, Laura Apol, I attended more Creative Conversations at Glasgow University, I enjoyed events at the Walt Whitman Birthplace, continued with Ledbury Poetry Festival workshops, Poets in Motion and Food for Thought and Grief workshops, we had an open mic to celebrate the end of the Hybrid Experimental Memoir with Tawnya Renelle – a relaxed and fun affair!
I did a Nevada Hall of Fame workshop and a personal highlight of the month was the George Szirtes workshop thanks to Artful Scibe, Mayflower 400 Celebrations in Southampton.
I got involved writing for the Rebellion series with Sheffield Libraries and Nik Perring and started work on his Dear 2020/21 project in association with the BBC/Novels that Shaped Our World and Sheffield Libraries. More news to come. Room 204 provided a special workshop with Thomas Glave, in which we reflected on 2020.
I forgave myself for the deadlines whizzing past and focussed on the successes.
I was a featured poet at Virtual Voices Offa’s Press (10th Nov.) alongside Kenton Samuels, Keith Rogers, Santosh K. Dary and Jeff Phelps. I read at the Reimagine Festival (USA) as part of Redwing’s Poetry for Healing group.
I was one of 11 poets in the Royal British Legion’s 11/11 Challenge for The Poppy Appeal – organised by Leena Batchelor, Worcestershire Poet Laureate. Find out more here https://worcesterlitfest.co.uk/2020/12/16/wpl-poppy-appeal-continues/.
I ran a series of Workshops for The National Star Centre, my gratitude to Ruth, Paul and the team in Cheltenham and to Cheltenham Poetry Festival. These were rewarding mornings where inspiration travelled in both directions!
I was published in the BLER Light Anthology (Black Light Engine Room), had two poems published in Corona, an Anthology of Poems – Edited by Gayl Teller in USA (more on this soon), I had a Renga accepted for a collaborative project in the US, I had two poems published in Geography is Irrelevant – Stairwell Books http://www.stairwellbooks.co.uk/product/geography-is-irrelevant/. This anthology includes International Poets who were active online at events in the UK during 2020. More on this soon and a poem accepted for the Dear 2021 Pamphlet produced for the Year of Reading/BBC/ Novels that Shaped Our World with Nik Perring.
Like many of us I wrote about the pandemic in the end (resistance was futile, especially as I self-isolated and had a limited palette of outside life experiences) -not that inspiration was lacking, with all the workshops and 5 notepads of ideas… anyway, I wrote Covid poems and didn’t submit them to any of the Lockdown projects or websites collecting such things. I am grateful that there were a few options left at the end of the year, places to to share them. Now, like the rest of 2020 they can be released!
September brought the kids back to school and students back to university and huge peaks in cases. After five months off work I was due to go back in as soon as bookings came through. This was a bleak month of no work. Something which is sadly the fate of millions since the beginning of the pandemic. It was a month that left me feeling pretty empty, so I filled it!
Like a new student, I signed up for a new class Hybrid & Experimental Memoir with Tawnya Renelle and looked at courses on Future Learn. I was having to complete Covid related staff training even though there was no work, which I found frustrating – necessary yes, but the only people who could possible struggle with gaining the certificate at the end of it are those who have literally buried their heads in the sand and watched/read no news for the past year!
There were a few festivals and book launches to keep me buoyant (and more importantly busy). I recorded the audio for Connect Dudley project (hoping to tell you more about this soon). I was Poet in Residence for Cheltenham Poetry Festival and I had a LIVE interview with Kate Justice for BBC Radio Hereford & Worcester. UEA hosted Noirwich, Crime Writing Festival and Worcestershire LitFest hosted a Festival 13-19th. Which was the same time as Tell It Slant Festival over the pond at the Emily Dickinson Museum. And Perth Poetry Festival was 18th -27th they managed to get LIVE events, a hybrid of live and virtual and some virtual all mixed into the programme. It just made me want to be there again!
I went to Kevin Reid‘s Book Launch for Suitcase (4word, 2020). It was a real treat. Discover the book for yourself here. https://eyeosphere.com/ Later in the month was the launch of Carole Bromley‘s new collection The Peregrine Falcons of York Minster (Valley Press, 2020) https://www.carolebromleypoetry.co.uk/books/. I have missed Carole’s readings and it was a joy!
As festival Poet in Residence for Cheltenham Poetry Festival I attended and performed at CPF events this month including: Z.D.Dicks Reading & Open Mic and Across the Oceans with David Hanlon and Elisabeth Horan. I headlined for Cheltenham Poetry Festival alongside Joe Cook, it was good to see/hear him again – a magical experience! And speaking of magic…
One of the workshops I attended was pure magic too – in fact, it was in the title, but we’re writers… we know titles give no guarantee! It was called The Magic of an Ordinary Day and it was mindfully slow paced with an entire offline section for lunch and encouraged wanderings. I met my mum (socially distanced) at the local park and we had a catch up and I took a bounty of pictures to inspire my afternoon writing. Plenty of people watching in amongst nature and for someone who rarely leaves the house now it was a blessing. Sue Emm was the facilitator of this online wandering & writing workshop from Open School East. It was a wonderfully, relaxed and I was certainly glad I’d committed a day to do it. Huge gratitude to Sue Emm.
The Worcestershire LitFest started, as it always does, with the Worcestershire Poet Laureate Competition. This year’s finalists were all worthy of the crown. The new Worcestershire Poet Laureate was announced for 2020-21 as Leena Batchelor – read more here.
Festival posts and links to follow.
I managed to attend a few open mics and events including Philip Gross and Heidi Williamson at Cafe Writers, That Poetry Zoom (Canberra), a Masterclass in writing and publishing, Wordcraft, Jerwood Arts Events, some PPP gigs and I visited the real library building (where the covid measures far outrank some places of work) and returned my 3 loans read by April and borrowed 9 books, fearing they would have to close again. I have PLENTY of books at home I could be reading, but they are mainly chosen and I feel I want to read them in pleasant(er) times. Perhaps now is the time to challenge my genres, pull out those books I would not otherwise attempt and that’s why I use the library. Plus I love the library, most people have been missing the night out, the pub… me, that room full of books none of which are mine.
I fuelled some of my grief into The Loss Project and found solace in a group I have been attending since the summer over in the States with Judith Redwing Keyssar, who has provided Food For Thought Poetry Cafes and Loss, losing, Loosening workshops weekly. https://redwingkeyssar.com/. Just letting it pour out is important and for me, part of the healing. I attended the Collective Trauma Summit, they had an amazing selection of poets/ poetry readings.
By September, Lockdown had lifted, but I was still living very much in isolation. With no money it wasn’t so much a challenge to stay inside. I had to go to hospital in September, they are places some of us need to be brave and use, but it was the biggest challenge I have faced. I had to go alone – the whole experience pre-covid would have been bad, in addition there was the wearing of the mask for hours and the additional safety test requirements. I counted every day after carefully indeed, but looking back I needed something this big because in a few months time there would be much needed work. The first day back was terrifying but it would have been worse without this bridge.
August was still patchy with sun and I was able to enjoy the garden. I was beginning to feel the edge of cabin fever. I slowed down online with extra events and focused on writing and reading. It was as strange as all the other months this year. I had hoped my birthday wouldn’t be in Lockdown – I’d seen and attended some awesome, creative celebrations online – I just couldn’t face the extra screen time. Mr G. and I planned to use one of the socially distanced restaurants and go out for the first time since March, but I got too scared.
I went to Jonathan Davidson‘s Book Launch for Commonplace, Smith | Doorstop, 2020. https://jonathandavidson.net/blog-2/books/a-commonplace/
I read at Polly Stretton‘s launch of The Alchemy of 42, Black Pear Press, 20220. https://blackpear.net/2020/07/31/the-alchemy-of-42-launch/
I read my cathedral poems at the launch of the ‘Call & Response’ anthology compiled by Amanda Bonnick, Poet in Residence at Worcester Cathedral. https://blackpear.net/2020/07/22/an-invitation-to-the-launch-of-call-and-response/
I finally made some submissions. I spent hours writing applications, which were unsuccessful in results but updated all my paperwork ready for when the right one does come along!
We had a wonderful International Reading again for Cath Drake‘s Writing course Reinvent the Future – this time with Malika Booker as Guest Poet. It was another wonderful event.
Melbourne Spoken Word Festival continued, Army@Fringe hosted a Virtual Festival with lots of programmes about theatre writing, Jinny Fisher hosted another Poetry Pram event, Wendy Pratt hosted one day retreats, and PPP continued with many events and classes. I finally got to some events in New Zealand and made it back to Fire & Dust (Coventry) to see Genevieve Carver, I saw Joelle Taylor and Laura Scott at Cafe Writers. I managed to Zoom to Stafford WORDS Myths & Legends. I started attending some of the creative writing workshops held at Sheffield Libraries, they have raised a whole community online. Wonderful work. I started workshops with Nik Perring , Reader in Residence at Sheffield Libraries, who have all been great and productive. I attended a few seminars and talks.
I joined Celena Diane‘s Poets in Motion and had a great time at the Wirral Poetry Festival with Brian Wake, writing from ‘At the Circus’ prompts and artwork. Love an ekphrastic poem & poet/artists projects. I get involved with them as often as I can. I was asked to be Poet in Residence (virtually) for Cheltenham Poetry Festival.
I finished my Connect Dudley commission and Worcestershire LitFest went online. We held the delayed interviews for the next Worcestershire Poet Laureate.
So, my birthday was quiet – but we are still safe.
Five months into the pandemic and most of us know someone who has suffered. My heart goes out to all the families who’ve lost more than birthdays this year. The Lockdown is difficult to cope with – but suffering from Covid – there are no words, just huge thanks to those tasked with trying to help us.
Worcester SpeakEasy Christmas Special – more open mics than usual and the fabulous Raine Geoghegan is our feature for the night! Come and listen/watch for free (Christmas jumpers/head-gear/ hats optional)!
Our next SpeakEasy event happens online this Thursday. The event is hosted by Suz Winspear and our Featured Poet is the wonderful Raine Geoghegan.
Find out more about her here https://www.rainegeoghegan.co.uk.
Due to security, the Zoom link will be posted on the event page on Facebook in the evening, shortly before 7PM.
If you would like to come and aren’t on Facebook, please email and let us know.
Happy National Poetry Day! I hope you find some good words to dive into today.
Here’s a small guide to places you can spend some time in. Enjoy!
The main website for National Poetry Day is worth a good look around, but in case you are snatching a poem on your lunch break or pressed for time, I have selected some options.
7 poems to listen to.
There are plenty of events happening online, nearly all are ticketed, some are free and there are lots of poetry take overs across social media platforms.
An exciting aspect of this year’s NPD is we are no longer bound by Geography – look beyond your region, spread the poetry love!
You could treat yourself and listen to Poet Laureate Simon Armitage reading in Dove Cottage (Wordsworth). This is a ticketed event.
https://wordsworth.org.uk/blog/events/simon-armitage-in-dove-cottage/
5:00 pm – 6:00 pm BST
Tickets £7; £5 to current supporters of the Wordsworth Trust.
Simon Armitage was born in West Yorkshire and is an award-winning poet, playwright and novelist. In 2010 he was awarded the CBE for services to poetry and in 2019 he was appointed Poet Laureate. This year we have invited him to take over Dove Cottage for an exclusive performance of his own poetry, bringing to life the house that Wordsworth lived in 200 years ago.
Or you could just find a quiet spot, take a book off the shelf and indulge in a read, or grab a notebook and pen and have a write.
Between 2013-2018 I offered an annual writing retreat here on AWF. Over the 6 years of INKSPILL we had various guest poets gift us writing prompts, I have included a couple in this selection.
https://awritersfountain.wordpress.com/2018/10/28/inkspill-2018-picture-prompts/
https://awritersfountain.wordpress.com/2018/10/27/inkspill-2018-writing-activity/
on/https://awritersfountain.wordpress.com/2015/10/25/inkspill-beautiful-ugly-part-1/
The WLF Team have been busy organising the first online Worcestershire LitFest – we launch on Sunday 13th and as we are hosting events on Zoom – the whole world is invited!
Friday 22nd May
I have used information from the website with snippet thoughts of reflection and review, for you to find them easily I have made them a different colour.
Today the first part of the programme I had booked was the talk with Gloria Steinem.
In a special recording of the Hay Festival Podcast, the writer shares her Thoughts on Life, Love and Rebellion with the founder of The Everyday Sexism Project. For decades, people around the world have found guidance, humour and unity in Gloria Steinem’s gift for creating quotes that offer hope and inspire action. From her early days as a journalist and feminist activist, Steinem’s words have helped generations to empower themselves and work together.
It was interesting and enthralling and attended by over 7700 people!
Some take away quotations:
‘pay attention to the particular’
‘If you do one true thing, it stays true.’
Part of the discussion revolved around empathy and I discovered some scientific facts which I had not previously considered – which I think is important to pass forward in our current world, which due to the pandemic is increasingly moving online.
Empathy – relies on a release of hormone which only occurs in real life, that communicating digitally doesn’t allow this natural reaction to happen and this, I think can lead to digital communication being misinterpreted or cause more harm than good sometimes. So remember you can’t feel what they feel when communicating digitally!
Another reason why human interaction is necessary/essential for us.
After this, I dipped into the first event on the replay option.
Jane Davidson explains how, as Minister for Environment, Sustainability and Housing in Wales, she helped create the Well-being of Future Generations (Wales) Act 2015—the first piece of legislation on Earth to place regenerative and sustainable practice at the heart of government. Unparalleled in its scope and vision, the Act connects environmental and social health and looks to solve complex issues such as poverty, education and unemployment. She is joined by the First Minister for Wales, the Minister for International Affairs, and the Future Generations Commissioner.
#futuregen is the inspiring story of a small, pioneering nation discovering prosperity through its vast natural beauty, renewable energy resources and resilient communities. It’s a living, breathing prototype for local and global leaders as proof of what is possible in the fight for a sustainable future. Chaired by Guto Harri.
And then as I was still online I decided to rock up to the next event too before needing to recharge the laptop (which is a bit old and fully loaded and won’t recharge and work at the same time anymore, I kind of know how it feels)!
Do doctors really know what they are talking about when they tell us vaccines are safe? Should we take climate experts at their word when they warn us about the perils of global warming? Oreskes shows how consensus is a crucial indicator of when a scientific matter has been settled, and when the knowledge produced is likely to be trustworthy.
Naomi Oreskes is professor of the history of science and affiliated professor of Earth and planetary sciences at Harvard University. Her books include The Collapse of Western Civilization: A View from the Future and Merchants of Doubt: How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming.
Sometimes the universe offers us time to sit with something, there is always a reason. I think this may have been mine… (obviously it was meant in the context of scientists, who like teachers are trained to be not address personal concern, not to add opinion or personal belief – personal values will undermine their objectivity as scientists/ teachers)
Talking honestly about our motivations – makes us more trustworthy.
Following this event there was more, I may find some time to watch these before the videos disappears.
Diary of a Young Naturalist chronicles the turning of 15-year-old Dara McAnulty’s world. From spring and through a year in his home patch in Northern Ireland, Dara spent the seasons writing. These vivid, evocative and moving diary entries about his connection to wildlife and the way he sees the world are raw in their telling. “I was diagnosed with Asperger’s/autism aged five … By age seven I knew I was very different, I had got used to the isolation, my inability to break through into the world of talking about football or Minecraft was not tolerated. Then came the bullying. Nature became so much more than an escape; it became a life-support system.” Diary of a Young Naturalist portrays Dara’s intense connection to the natural world, and his perspective as a teenager juggling exams and friendships alongside a life of campaigning. “In writing this book,” Dara explains, “I have experienced challenges but also felt incredible joy, wonder, curiosity and excitement. In sharing this journey my hope is that people of all generations will not only understand autism a little more but also appreciate a child’s eye view on our delicate and changing biosphere.”
Steve Silberman is an award-winning investigative reporter and has covered science and cultural affairs for Wired and other national magazines for more than twenty years. His writing has appeared in The New Yorker, TIME, Nature and Salon. He won the 2015 Samuel Johnson/Baillie Gifford Prize for his book Neurotribes.
The 2019 Nobel Prize-winning economist Esther Duflo shows how economics, when done right, can help us solve the thorniest social and political problems of our day. From immigration to inequality, slowing growth to accelerating climate change, we have the resources to address the challenges we face but we are so often blinded by ideology.
Original, provocative and urgent, Good Economics for Hard Times offers the new thinking that we need. It builds on cutting-edge research in economics – and years of exploring the most effective solutions to alleviate extreme poverty – to make a persuasive case for an intelligent interventionism and a society built on compassion and respect. A much-needed antidote to polarized discourse, this book shines a light to help us appreciate and understand our precariously balanced world. Her work has never seemed so urgent.
Colombian dancer Fernando Montaño is a Soloist of The Royal Ballet and the first Colombian to join the company. He arrived in 2006, was promoted to First Artist in 2010 and to Soloist in 2014. In 2019 he received an Honorary Doctor of Arts degree from Bath University. He will dance accompanied by readings of excerpts from his memoir, translated as A Boy with a Beautiful Dream, about his humble origins and his amazing journey to stardom. At his lockdown studio in Los Angeles, Fernando is now developing a film adaptation of his book. From here he will dance the death of the Swan as a more contemporary version of this quarantine and the marimba dance, inspired by the ballet and folklore of Colombia. Writer Ella Windsor will also read her Foreword to his powerful story.
I watched this in the early hours of the morning as I finished this blog post. I danced for half my life (more than twice the number of years I have been writing), I have always loved watching autodocs about the dancers. I also love watching dance. The video of this session satisfied both. It was very touching and Fernando Montaño is humble of spirit and gloriously talented in body – his arms move with the fluidity of water – just watch!
The rest of today did not go according to scheduled plan so some of the events I had registered to attend I had to dip into the videos afterwards. The internet connection is as sketchy as dial-up used to be at the moment. No surprise with the whole town in isolation/lockdown. Unfortunately this also meant missing a Poetry Book Launch this evening – which happened in between the Hay events. I had hoped it would have been recorded, but I couldn’t find it – I have since heard from the poet and the publisher will release it so I will watch and blog about it then!
My evening was supposed to start with a live viewing of the 5th event which I have been looking forward to since I discovered (or Mr G discovered) Hay was online this year. I watched it and thoroughly enjoyed it as my own special late night Hay – which is, how I imagine many people will be tuning in. So I watched Stephen Fry live before this but I have kept the review in chronological order.
A gala performing of William’s poetry and Dorothy’s journals begins our 250th anniversary celebrations with a superstar cast reading work that will include Intimations of Immortality, Daffodils, lines composed both Upon Westminster Bridge and Above Tintern Abbey, The Prelude and We Are Seven. Hosted and introduced by Shahidha Bari.
I was really looking forward to this group of readings and hearing extracts from Dorothy’s Journals.
I spent a lot longer watching this session than the duration. Feasting on the words and the depth of analysis one expects from Hay. If you like Wordsworth, enjoy learning about classic poets or hearing a mixture of actors, poets and presenters reading, then this event is for you. ‘This Gala reading is part of a wider project which Hay Festival are developing with Arts Humanities Research Council and their boundless creativity programme.’
I have to say it was a real treat. A gala of this standard was bound to be – I mean, just look at that list! I particularly enjoyed Toby Jones reading, Tom Hollander could have read Wordsworth to me all night, his reading surprised me, it found all the depth of Wordsworth’s words. I know he’s a trained actor – but… so am I and I don’t read poetry like that! As did Stephen Fry and Jonathan Pryce – who really got the words speaking – this is as much to do with the poetry as it is their narration. Not just voice, but emotional understanding of the text. Embodiment of Wordsworth’s mind almost as character, or at least that it how they make me feel when they read it. It is late and I have been listening to readings for hours! There was also a wonderful moment when Helen McCrory reading from Dorothy’s Alfoxden Journal had to read about sheep in a field as she was being accompanied by a sheep bleating!
As our Nation’s Poet Laureate I was interested in Armitage’s bookcase. Lots of people are in front of books that I speak to – we’re writers, it is no surprise and I know there are readers out there too (thank goodness) but there is also a fashion to grab what books you can and create that shelf-full-of-knowledge-shelf – I see it a lot on TV at present, so I find it amusing and don’t pay any attention to the backdrop. But here I did. I admit I listened to his readings first and then replayed that section and had a closer look. I also enjoyed Inua Ellams bookshelves with basketballs. I love his poetry and was looking forward to him reading this evening. I know he’s also writing plays so we may see less of him in the poetry world – but am looking forward to his event later on this Hay week.
Professor Shahidha Bari is a knowledgeable and passionate presenter who held the event together and hosted a live chat at the end.
This was a wonderful, thoroughly enjoyable event and one I wish was recorded and archived on my system forever. You can rewatch it for until tomorrow evening and then after that it is available for a small fee through Hay Player.
And finally –
Stephen Fry…
The actor and author previews scenes from the third part of his Greek trilogy, which follows Mythos and Heroes.
This event was had a Q & A after the reading – due to technical issues there was a slight delay in which some of us who have been to Hay had a random-stranger-natter as we may have done if we were in Hay-on-Wye for real, the pre-event conversation was certainly worth a read, any conversation during an event (they wouldn’t have talking in the tents) tends to be technical issue queries or slightly adolescent commentary. So, it is worth knowing that the chat box on Crowd Cast can be closed click the small arrow at the top on the right. It is constantly moving throughout events and you may be there to listen to the speaker.
I treated Stephen to a full screen, I knew this would be interesting and I know Fry often does Hay and speaks well and is certainly knowledgeable and able to handle a Q & A.
He talked about Greek mythology, translations and modern retellings. He talked of those who blaze like stars and others who choose to lead a long, stable life. He seemed in no hurry to leave and I am sure he would have carried on batting the 100s of questions he had been asked. It gave me that same blessed feeling you have when a band gives you a really long set before an interval. The event was over an hour long I think.
Very much worth a listen.
If you are reading this within 24 hours of the original event times the videos should still be available here -after this you can pay to watch them with Hay Player.
Images Hayfestival.com © 2020
We hope you have enjoyed the INKSPILL weekend.
During my time as worcestershire Poet Laureate I created Contour – A Poetry Magazine. The launch of this issue was hoped to be our final post for INKSPILL 2018*. Here I was to invite you to curl up with a warm drink and experience the world of poetry and all things poetical in the latest issue of CONTOUR.
*However, the issue is not ready to go live (in case you missed the post I have had an operation) and this has set me back/time online not possible etc. This issue will go live very soon and I will post on the blog to promote it when it does.
Until then I can share some news and the previous issues of Contour for you to enjoy.
My Laureateship ended in June 2018 but I have decided to continue with Contour.
It will now be an annual publication released as the final event of INKSPILL weekend. Submissions will open in July 2019, keep your eye on A Writers Fountain for more details.
LINKS:
Photo by Pixabay on Pexels.com
September – that rolled around quickly!
This has definitely been a month of admin tasks and preparation, also finding my feet again since coming home to UK soil. It took a while for my head to leave Australia after my incredible summer trip to Perth Poetry Festival. It has also been a month filled by projects, book launches and celebrating successes – other people’s as well as my own.
Week 1
Kicked off with being the Half-ender at YES WE CANT in Walsall. The gig I returned to the UK for! It was a cracking night and a pleasure to have been asked to perform.
It was great meeting Rob Barratt and on top of that I had a winning Lotto ticket (£1 – before you all get too excited) and an order for a fab new Poetry T-shirt… looks like Mr. G will have to get me something else for Christmas this year!
Read a full review here YES WE CANT
I had 3 poems published in a new project – which you can read more about in Week 4 of this review. One of the poems was a piece I wrote in Australia, so it is exciting for me to see it already out there.
I arranged meetings and made festival bids for ATOTC and 30-40-60. I was invited to a European Arts Festival in France. I looked at several applications, which I subsequently decided against for now.
I was busy managing INKSPILL, working with our Guest Writers. INKSPILL is our FREE online annual writing retreat which always takes place on the last weekend of October.
Look out for more NEWS on this coming soon!
I had a meeting about Poetry Projects for October and performances in November. I have been asked to take part in two Remembrance events this year, which is an honour.
I went to a Workshop delivered by Emily Wilkinson who is working on The Ring, 21 Miles project. It was a wonderfully creative afternoon which gave me inspiration for poems, so far I have managed to create a poetry film of 9 Haiku which is currently entered in the 21 competition.
A new project LitWorld2 Journal – Pic a Pocket Poems and Flashes is underway. Created by Sarah Leavesley it will feature a weekly poem which has been produced with an image, photo poetry and flash fiction. I am curating the Facebook side of the social media campaign. I created the Facebook group ready and Sarah has worked on a publication schedule. It launches before the end of the month and posts will appear on Fridays.
© Sarah Leavesley
I am very excited about the overall project and delighted to be able to support Sarah on it.
Unfortunately by the end of the week I was quite unwell but I did manage to get to Birmingham for Helen’s Book Launch.
Friday saw the first of this month’s Book Launches. Unable Mother By Helen Calcutt – published by V. Press was launched at Waterstones, Birmingham. It was a deeply moving experience, one you can read all about here UNABLE MOTHER
I had a well deserved (and needed – ill) rest over the weekend with Mr. G. Although I was still at the desk proofing an article and dealing with another which had gone to print. I also worked on some poetry for a project which has been simmering away for a while and needs to be sent next week.
Week 2:
Photo by rawpixel.com on Pexels.com
I was still ill – so much so that I visited the Drs. & got meds. It meant I was not well enough to go to Licensed to Rhyme who were celebrating a 2nd Birthday, I didn’t make it over to Brum Stanza for Jacqui Rowe or PTS for Nellie Cole or SpeakEasy for Kevin Brooke or Hereford for H.Arts Gallery and new exhibition by Molly Bythell (my Ledbury PoArtry partner). Failed on five fronts but was successful at getting better. I spent some time in bed, in lots of pain but resting (which is unusually sensible for me). It was a shame to miss so much poetry but I couldn’t have managed any of the journeys getting across to any of these events so had no choice.
Some exciting news hit my inbox, something starting in November and something else that I am in awe of and still grinning from.
Saturday saw the launch of ‘Don’t Oil The Hinges’ the new WPL collection from Heather Wastie. It was a great night and having missed 4 poetry events really made up for my week out in ill-health limbo! You can read all about it here Don’t Oil The Hinges
On Sunday I attended a workshop in Birmingham Waterstones, The Accidental Memoir. It was interesting and gave me two new poems, one new technique and another book for the bookshelf/reading pile.
The Accidental Memoir workshop was taken by Anthony Cropper and we worked through several exercises in the book he co-produced with Eve Makis.
The Accidental Memoir truly is for all: writers and non-writers, teachers and students, the perfect book for anyone seeking inspiration or imaginative ways to explore their own life story.
This innovative concept was developed as an Arts Council project to help people tap into their own lives. Working with diverse groups from refugees to the elderly and prisoners, it has been a resounding success in unearthing stories that otherwise may never have been told.
Harper Collins © 2018
https://www.harpercollins.ca/9780008302030/the-accidental-memoir/
Week 3
This week I missed several Book Launches and Free Verse (London Book Fair), which I read at last year with Stephen Daniels for V. Press.
A lot of groundwork for INKSPILL started this week. I had an invitation to be part of a panel which I really wanted to do but the date in October is already booked up, I am hoping to be considered for the next one. I still feel angst when dates clash, October is an exceptionally busy month in the poetry calendar and there are several overlapping events.
I worked on promotion for the American A Tale of Two Cities reading, happening at the Sprinkler Factory, Massachusetts on Friday 28th. Very excited to hear how it all goes and hopefully by next year there will be some bigger plans in progress for this project.
I had several project poems to complete and managed to meet deadlines on these. We have all seen the workings of the next part of this project and I will be sharing it with you when I can.
I also did a lot of editing and FINALLY made some submissions. I made the first of several films creating a montage of the Perth Poetry Festival, which will go live before INKSPILL (27th/28th October).
This week also saw my Jinney Ring Sculpture Trail Workshop. This is the 2nd year I have facilitated poetry on the Trail and with some exceptional sculptures our inspiration was easily tapped.
Unicorn – Priscilla Ham
It was a great morning and the techniques/forms I chose to explore were enjoyed by participants. We are now working on our poems for two months and the next stage will be preparing an exhibition at the Jinney Ring which will be up by December.
An invite to perform next month dropped into my Inbox.
I spent the weekend writing to deadlines and working on the next new project for October.
Week 4:
Another week of preparation for INKSPILL and other writing deadlines and missed events like Poetry Bites. I started to promote National Poetry Day (4th October), I am sad to miss an event in Birmingham with Liz Berry, Roy McFarlane & Jane Commane.
This event is also the night the new Birmingham Poet Laureate will be appointed. Still cannot believe Matt Windle has finished this two year role, but we all know how time like this flies! Birmingham Literature Festival National Poetry Day
I am delighted to be booked to perform alongside former and current Worcestershire Poets Laureate, as part of the Autumn Malvern Festival for National Poetry Day.
https://awritersfountain.wordpress.com/2018/09/24/national-poetry-day-2018-change/
Back in July I had an invite to read at Livres à vous – A Festival of the Arts in Voiron, France. I wasn’t sure it would be possible and it took a while to make the decisions about travel. Coach and train is fairly cheap but takes a long time and I have to be available for work most days. Today I booked my tickets to fly.
When I was Worcestershire Poet Laureate I completed a project called Twin Town between Droitwich and Voiron and some of the poets involved in that will hopefully be there. I am looking forward to it.
My poetry film entry for The Ring was found and several poems Unlocked and .. submitted for the competition. You can see all the entries here https://thering21miles.wordpress.com/.
A last minute booking came in to work with Year 7 pupils at Blessed Edwards in October, fortunately I was free to accept. This will involve 4 poets looking at 4 elements and group writing with the pupils. I am doubly excited as I got FIRE! My Leo-heart burns!
The first week of October is looking packed. A week of several double bookings another event I was invited to do A Night with… panel interview/performance/ relaxed Q & A which looks really good – I hope to make it on a different date. This in turn clashed with a book launch and that isn’t viable either. I have an open mic with an amazing headline/line up and the NPD and Swindon Poetry Festival to look forward to.
This week I wrote 4 new poems based on Masks and performed them at 42.
I took another 2 bookings for December. Wrote lots. Edited lots. AND…became the newest Director of Worcestershire LitFest! WLF Welcomes a New Director
LitWorld2 Journal was also released. This is Sarah Leavesley’s Photography/Art/Poetry Project and the first poem to be published is by Kathy Gee.
I followed up the USA performance of A Tale of Two Cities – there was certainly a lot of pre-event news coverage and it seems to have gone really well.
I also got organised for Swindon Poetry Festival next week! Whoop! Ready to run at October full pelt now!
