Tag Archives: Saboteur Awards Festival 2021

May 2021 Review of the Month

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Summer’s late to the UK this year and so is my May review. I didn’t manage to finish the content in time before getting swept up with festival programming. Rather than leave people out I decided to delay the post.

Better late, than never… May.

May and June are always Festival busy and life online is no different. I also had a few exciting projects I was working on, so it has been another packed month.

FESTIVALS OVERVIEW:

SAHLF 2021 26th April – 9th May

The Stay at Home! Literary Festival celebrated a 2nd year of stunning, FREE events and brought us a fortnight packed with Readings, Interviews, Workshops, Panel Discussions and Books! It was fantastic.

You can read my posts about the SAHLF events starting here.

Saboteur Awards Festival 10th-15th May

Saboteur Awards Festival (10th – 15th May) The team have been working hard on how to adapt the awards to a digital platform for the 2nd year and have introduced the Saboteur Awards Festival -a Panel Discussion, Workshop, Reading Series ‘specifically to promote work that had been impacted by the pandemic and/or the various lockdowns throughout the UK’. At the end of the festival this year’s winners will be announced and then you can lock forward to the Spotlight Winners Series running all the way into June.

Read my festival post here.

Still-at-Home! Fringe Fest 11th – 26th May

https://www.stayathomefringe.co.uk (11th -26th May ) The Still-at-Home! Fringe Fest is the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. Now a year old, and on our third festival, we’re letting loose one last time because we’re still at home!

MASS Poetry Festival 13th-16th May

MASS Poetry Festival (13th – 16th May) This was an absolutely packed programme of events – ‘more than 50 events in total featuring well over 100+ poets‘ – no wonder it’s a biennial event! The festival is a mix of in place events and virtual. I attended a lot of MASS PF workshops and have always had an eye on this one so it is a delight to be in a position to join in.

This was an incredible festiand I am so glad I had a chance to catch it and be part of it online.

Read my Festival post here.

Urban Tree Festival – (London) 15th-23rd May

I was delighted to see the Urban Tree Festival back after its award winning 2020 Festival.

2021 marks the Urban Tree Festival’s fourth year As lockdown eases in the UK, we hope to bring some on-the-ground events and activities, however, the majority of the Urban Tree Festival is online. Building on the success of our entirely on-line festival last year, that introduced us to new audiences across the UK and far beyond…’

Norfolk & Norwich Festival 17-30th May

Norfolk & Norwich Festival is a Festival of the Arts being celebrated this year both in place and online.

HAY Festival 2021 26th May – 6th June


www.hayfestival.com
Back for a 2nd year on Digital platforms (and still FREE) is Hay Festival – nearly every bit as good as the real life one! Extensive programme of events and a long run. If you missed it completely, you can view it if you subscribe to Hay Player.

Photo by Ekrulila on Pexels.com

WEEK 1: Readings, workshops and published.

There were lots of great readings this week. Cheltenham Poetry Festival had more wonderful offerings, I went to the reading by Jonathan Davidson and Wendy Pratt. It was a joy. Pavillion Poets 2021 Reading (Liverpool University Press), featuring Alice Miller, Alice Hiller & Sarah Westcott. I enjoyed the fine new work from these poets.

I managed to catch a wonderful reading at White Whale Book Store, with Adrienne Su reading from her latest collection peach state. She was joined by Kazim Ali & Erika Meitner. It was another reading worth staying awake for. Beautiful event. The flipside of no work for a 5th week… meant I managed to get back to the Live Canon Lunchtime reading series and enjoyed sets from: Nora Nadjarian, Benjamin Cusden, Sara Levy and Jeffery Sugarman.

I experienced the final MASS PF PEM Museum Workshop with Kirun Kapur which was a delightful look at epistolary poetry. Well worth staying up late for. I am now busy crafting these poems.

After seeing Rachel Bower again at SAHLF this year, I was delighted to discover her ‘Glimmers: Writing out of the Ordinary’ Workshop with Union Street (which had a similar theme to the workshop I planned for Cheltenham Poetry Festival Freeverse series this month). And I found it just in time to attend this wondrous hour!

I took part in the final (of a series) Mindful Poetry Workshops with The Well. This week was Sarah Yeung of SKY Sound Yoga who opened our time with a sound meditation. And, Eddie Gonzalez, Director of Engagement at The On Being Project who led the poetry workshop. It was a fantastic experience to be a part of. I am now baking these poems too.

I finally submitted to IS&T earlier this year, a magazine I have read for years. I was delighted to have a poem accepted by them ‘Where We Begin’, was featured on the 2nd May.

WEEK 2:

Was a whirlwind of real world work, readings, workshops and multiple festivals. I also managed to make a submission and craft some new poems.

Live from The Butchery hosted another fabulous afternoon of poetry with Tim Liardet, Jennifer Militello, Jenny Pagdin and a week later were announced as winners of the Best Regular Spoken Word Night Saboteur Award 2021 , a category full of stiff competition, so kudos to the team.

Followed by an equally exceptional evening at Cafe Writers featuring Tiffany Atkinson and support from Tristan Coleshaw & Eve Esfandiari Denney.

I did my usual sessions Line Breaks and Bronx Beats with Peggy Roubles-Alvarado which is always fast, furious fun and Redwing’s groups. The WLF team started finalising mini-festival 2021 plans and I had some wonderful readings and workshops from the Saboteur Festival and MASS Poetry Festival.

I made it to most of the Poetry Business Spring Launch and caught up on rewatch. Evesham Festival of Words have also been producing events online. I managed to get to Home and Away featuring the Cheltenham Poetry Festival – Anna Saunders, Ben Ray and Zoe Brooks.

I also missed some events and readings as I was working.

WEEK 3:

The festival events continued and a workshop I had been looking forward to for a long time with Denise Duhamel and Maureen Seaton. Great things have come from this session ‘Collision, Collusion & Craft’.

I enjoyed a workshop with Sarah L. Dixon and a Fair Acre Book Launch for Carl Tomlinson and Annie Freud’s wonderful launch event ‘Hiddensee’ with Jacqueline Saphra.

Last Autumn I was booked by Cheltenham Poetry Festival for the Freeverse Programme to facilitate a poetry workshop day. The theme I chose was ‘Finding Fortune’ and it was a pleasure to provide a bespoke Freeverse Workshop for this project.

To wind down afterwards I joined the Urban Tree Festival for Sounds of Plants with Planet Utopia. I discovered a while back the magic of tree communication – it was wonderful to hear it and lovely to be part of such a laid back hour.

I also caught another reading with Adrienne Su, for Caltech, a wonderfully generous event.

The organisation of Worcestershire LitFest & Fringe Festival ran full steam. I was busy with the tech side of the our 2nd Digital Mini Festival. Preparing for pre-festival meetings and Poet Laureate interviews as well as organising events and herding poets (and everyone knows we are like cats or badly behaved sheep)!

I had to miss events due to work and carved out one evening away from the desk.

I missed at lot of the Still-at-Home! Fringe LitFest (Fringe for SAHLF) – or as marketed, the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. I did manage to get to enjoy Tawnya Renelle’s workshop and one at the Urban Tree Festival – Writing Wood Words with Electra Rhodes and the other with Chris Vox on ‘Serendipity’ as part of the SAHLFringe Festival. As well as a Magma Poetry Talk and I managed a couple of submissions.

WEEK 4:

I spent my weekend at a variety of festivals, went to a couple of workshops we had the 2021 Worcestershire Poet Laureate Interviews and I finally made it back to USA open mic with Great weather for Media. I missed some submissions, due to work commitments. I arranged an interview in June for BBC Hereford & Worcester radio. And the HAY Festival began with an amazing Gala event.

Sadly this year I didn’t make it to all the events I had hoped to catch at HAY. I haven’t been able to work properly for 2 years, so I am currently snapping jobs every time they come. I managed to catch some before they disappeared into Hay Player – which has a reasonable rate for an annual subscription. I was working and full of cold. I had lost my voice completely when 42Worcester came about and so for the 2nd time this year (after not missing any for the best part of 5 or 6 years) I missed it again, I managed to pop on for a few readings and then had to leave. I had managed to pen an on theme poem in my lunch hour and was fully prepared to join in.

I did a wonderful Ledbury Poetry Festival workshop with Sara-Jane Arbury, where I fell in love with a couple of mesmerising sculptures we looked at. I had an evening at Wordsworth Grasmere with Wendy Pratt as part of the 2021 contemporary poetry reading series, “Go to the poets, they will speak to thee”, is curated and hosted by poet Kim Moore. We will be listening to what poets have to say about our turbulent times, and how poetry can cross borders to challenge, delight and inspire us. Each event in the series is part reading, part open mic – and the theme of the open mic changes every month!  © The Wordsworth Trust

I thought I had a quiet(ish) weekend to finish the month, especially after three weeks of work… but then, along came The Black Country Living Museum with a whole day of workshops facilitated by the Poets, Prattlers and Pandemonialists as part of the Loff Out Loud Festival, a Sheffield Libraries event and HAY.

May was finished off at the WWBPA where we celebrated Walt Whitman’s 202nd Birthday with a presentation of artwork and film inspired by Leaves of Grass. It was marvellous curation and an enjoyable watch.

Saboteur Awards Festival 2021

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Saboteur Awards Festival 10th-15th May

So the Stay at Home! Lit Festival is over – but there was no festival slump!

Saboteur Awards Festival (10th – 15th May) The team have been working hard to adapt the awards to a digital platform for the 2nd year and have introduced the Saboteur Awards Festival -a Panel Discussion, Workshop, Reading Series ‘specifically to promote work that had been impacted by the pandemic and/or the various lockdowns throughout the UK’.

At the end of the festival this year’s winners will be announced and then you can look forward to the Spotlight Winners Series running throughout May and all the way into July. There is a lot on offer on the You Tube channel.

I was super excited when I discovered Rose Condo was one of the performers on offer. I felt extremely lucky to finally catch Rose Condo’s reimagined show The Empathy Experiment. Amazing how she managed to deconstruct the 2019 show to bend around the global experience of 2020+ and I think probably makes it even stronger.

“An example of why we so desperately need to campaign for the survival of the arts.”

Northern Soul review of online performance for Bradford Literature Festival

I met Rose back in about 2015, when she Headlined Hit the Ode in Birmingham and I was first introduced to her little red dot. I knew I wasn’t going to see The Empathy Experiment in Edinburgh (Festival) – for one thing I was still hobbling around on a stick! But I had hoped to catch her last year, online at Bradford Festival, so I am glad that she is still performing this reimagining of The Empathy Experiment.

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The Carcanet Reading was highly enjoyable and great fun with a range of poets. I enjoyed readings from Katherine Horrex, Joey Connolly, Mina Gorji and Victoria Kennefick. I know the work of some of these poets and had most recently enjoyed Victoria Kennefick at the Stay at Home! Lit Festival. All of them were utterly brilliant and are on the Birthday list!

You can purchase the books by clicking the links beneath the covers.

Growlery by Katherine Horrex Debut Collection

Horrex – whose poems found an enthusiastic readership via Carcanet’s New Poetries series – unpicks the illusion that order upholds society and reveals the true ramshackle complexion of things. Her debut collection reimagines the ‘growlery’ of Dickens’ Bleak House by looking at the concept of internal space in a twenty-first century which is both connected and disjointed.

Long Pass Debut Collection

‘Ach! I misspoke. What I mean to say is this …’ In Long Pass, Joey Connolly’s first collection, the poet – in love, in puzzlement, in frustration or in elegy – keeps catching himself out, starting again. He wants to speak truthfully. He wants to say things simply. But nothing is as simple as it seems at first. Nothing strikes the interlocutor quite as he intends. Ach! He goes back. Deflections, tangents: the long pass, the long unfolding sentence, the growing sequence, move away from what they intend to say in order at last, wittily, angrily, ironically, to swerve in and say it.

‘...This is a serious attempt to write philosophy as poetry, to render complex arguments about nominalism and epistemology in verse without losing sensuality’s boom boom.’
Will Harris, Poetry School

Art of Escape

Among Mina Gorji’s poems in New Poetries V (2011) was one about Houdini entitled ‘The Art of Escape’ which returns here as the title poem. This colourful and vivid first collection continues the course of Mina Gorji’s meticulous explorations of ‘the strange and sometimes darker side of nature’ and the different forms and meanings of escape: dandelions crossing the ocean, the journey of a gall wasp from Aleppo to England, the transformation of an armadillo into music. These poems shift by degrees until new patterns and sounds emerge, transforming the familiar into unexpected configurations. Art of Escape is a wonderful casting off into the complex waters of adult life, in which change has become the constant.

Debut Collection

Victoria Kennefick’s daring first book, Eat or We Both Starve, draws readers into seemingly recognisable set-pieces – the family home, the shared meal, the rituals of historical occasions, desire – but Kennefick forges this material into new shapes, making them viable again for exploring what it is to live with the past – and not to be consumed by it.

©2000-2021 Carcanet Press Ltd

I was lucky enough to grab a workshop ticket for the weekend with Rose, which was a fantastic way to start the weekend (after a much needed – real life working week- lie in)! It was a great group, I knew a few of the people who came to the workshop. I wasn’t sure what to expect… but ‘Have a (Kind) Word with Yourself’ is never going to be a bad experience. It was joyous, there was a lot of laughter and writing too. No pressure and very relaxed. I don’t want to give details away as I know Rose plans to repeat the show and workshop. You should definitely book on when you see it!

The festival experience led up to the most exciting part — the announcement of the 2021 Saboteur Winners with some special new graphics especially for the 2021 Ceremony!

Check out Saboteur Awards Results, follow across social media and look out for bountiful readings on the You Tube channel as they Spotlight the winners from the end of May (26th) until July (4th).