Category Archives: Publication

Monthly Review January

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January started with a very Happy New Year and then winter germs got the better of me. Instead of starting back into the world of poetry (after a 3 week break), I had to miss Stanza and Cheltenham and spent the entire weekend in bed!

Week 1:

I usually break these posts into weeks and there is nothing to report for Week 1 other than I managed some time at the desk and whizzed off all the business emails which needed to be sent. There are several Worcestershire Poet Laureate projects I am working on: a couple of exhibitions to organise and a Transatlantic Poetry Project. I am also researching funding for the summer and have several events to prepare for.

I had my first successful submission for the MIND anthology, who are publishing ‘Human’.

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Week 2: 

Mr G. gifted me the Mslexia Diary (which I have wanted for years) and it was full of work this week. I saw Casey Bailey headline at Licensed to Rhyme on Monday and practised my ‘Light’ poetry set for the event in Stratford-Upon-Avon later this month.

It was a lovely evening, even if I wasn’t 100% better. It was good to reconnect with everyone after Christmas. It was a good evening of poetry and my spirits were lifted.

On Wednesday I went to Permission to Speak where Claire Walker was headlining with her new pamphlet Somewhere Between Rose and Black

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A good evening with a mixture of poetry and prose and again lovely to reconnect to Black Country poets and the PTS crowd. Rob Francis was on top form and there was a good amount of audience as well as performers. A thoroughly enjoyable and lively evening.

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Claire is a well-known poet throughout the West Midlands. With poetry published in various online and in-print collections, AND two solo publications to her name (The Girl Who Grew Into A Crocodile and Somewhere Between Rose and Black), Claire has a wealth of heartfelt material to draw from. Her poetry is intricate, gentle, and beautiful – and she’s the perfect antidote to your January blues.

On Thursday I went to SpeakEasy where Claire Walker was headlining – it was fabulous to see a good crowd and lots of new faces. I enjoyed listening to all the sets and also had a sneak preview of Suz Winspear’s new collection ‘The Awkward People’ – her Book Launch is on Sunday and I am one of the Guest Poets.

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On Friday I discovered a writing opportunity that I wish I could have applied for but looking at next week’s schedule would have had to let a lot of people down, so I resisted the temptation. Needless to say it would have been a wonderful experience, but after Christmas it is equally important to earn some money. Arvon, is all I am saying!

I missed an application for a commission/project which was also a paid opportunity, it involved doing some work in London and the dates that were offered were once again already fully booked, so I did the sensible, honest thing and didn’t apply.

I am hoping that the holes created by these two lost opportunities will be plugged later this year with shiny, new ones, when the good karma coach comes back around.

I did discover two new opportunities that I could get my teeth into, one is an electronic study course that I should start receiving emails from tomorrow and the other is a Roadshow which may be beneficial to my funding research. This clashed with  the Cinnamon Press Showcase at Waterstones, frustratingly on the opposite side of the city but it was postponed, so I haven’t missed it after all.

I was due to spend part of the weekend at a Room 204 Talk but it has been postponed due to the facilitator having what I had at the beginning of the month.

On Sunday I received news of another 3 poems being published. One ‘A Hands-on Approach’ is a strange duck from NaPoWrimo 2017 is to be published in the Diverse Verse Anthology later this year. Deborah Alma put a call out for #Me Too poems and although mine did not make the collection (due to being too similar to work already accepted), they will appear online on the website. Vik Bennett – editor of Wild Women Press is working with Deb compiling a digital legacy for the project. I received two proof copies to read through and just had time to get my ‘Akward People’ set compiled and rehearsed for Suz’s Book Launch.

Suz Winspear’s Book Launch for The Awkward People was a fabulous afternoon, plenty of people turned out on this cold, wintery day to enjoy her work. Guest Poets included myself, Holly Magill & Kevin Brooke and Kieran Davies was MC. After a short introduction from Rod Griffiths (Black Pear Press Publisher) we had an entire afternoon of poetry to enjoy. Suz was in her element and it was great to hear her read from this new collection.

I of course bought myself my very own shiny book and had Suz sign it. A thoroughly enjoyable book launch and I cannot wait to read it cover to cover.

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Week 3: 

Cheltenham Poetry Festival Marketing got underway. I will be performing in the festival April 26th. Nina Lewis

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It is the 8th year and Anna Saunders has produced the biggest programme yet. Booking information here.

Read the first promotion post.

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There were a few events I missed this week which I would have liked to attend, but I am busy writing and producing projects, so I think a Radio Slot, a Roadshow, a writing group and a performance at a special event is enough for one week. I am also preparing for Wolverhampton Literature Festival (WoLF) next week.

I worked hard on trying to secure a funding bid for a Summer project. I finally managed to book a WPL Radio Slot on BBC Hereford and Worcester, due to work October was my last broadcast.

On Tuesday I headed over to Birmingham City University for the British Council Literature Roadshow presented by Writing West Midlands. The evening included a presentation from Cortina Butler, the British Council’s Director of Literature and was a good opportunity to network. I am keeping my fingers crossed now for my funding application.

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Saturday saw my WWM Sparks Young Writers Group in Worcester where I planned the session around more generous Christmas gifts from Mr. G. We looked at Science Fiction and created our own alien characters in preparation for longer writing in our February session.

Sunday saw a special event at the Kempe House Studios in Stratford-Upon-Avon with Cordula Kempe and Angela France. I sent three themed poems in December and two were picked, one of which was written in Angela’s December Workshop on Light and Colour. It was an inspiring evening, read more about it here.

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Week 4+:

Again there were events I would have liked to attend, but this year is all about balance and focus and when you are in training no distractions can compete. I had a meeting planned to follow up Workshop work from last year WPL and the possible next leg of the project, unfortunately I have had to postpone it due to paid work.

I spent a large amount of time preparing for applications and working on AToTC – A Tale of Two Cities, my current Transatlantic WPL Project. I also had a lot of work on (after a drought of 5 months this is no bad thing but typically comes at a very busy period).

I managed to get to Poetry Bites which is now hosted by Elaine Christie and Matt Nunn after Jacqui Rowe bowed out at the end of 2017 after running the event for a long time. It was a wonderful, successful evening with Guest Poets Casey Bailey & Claire Walker.

Claire Walker is a Worcestershire poet, her poetry has appeared in magazines, online and in anthologies such as The Chronicles of Eve, her first pamphlet, The Girl Who Grew Into a Crocodile, Claire is a Poetry Reader for Three Drops Press, and Co-Editor of Atrium poetry. Casey Bailey is a poet, rapper, songwriter and a secondary school senior leader from Birmingham. He runs Bailey’s Rap and Poetry, as well as workshops in rap, poetry, music and song writing. Waiting at Bloomsbury Park is Casey’s first collection. © Live Brum 2018

 

 

 

Casey Bailey                                                                              Matt Nunn

 

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© Elaine Christie

 

Wolverhampton Literature Festival (WoLF) was my main focus this week, I started promoting across social media. The festival is in the 2nd year with an amazing Arts Programme. Friday 26th – Sunday 28th.

I performed as part of a 5 person collective organised by the Wolverhampton Arts Festival Team. Our reading was in the Art Gallery on Saturday 27th 3:30 PM

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

WoLF COLLECTIVE: NINA LEWIS, LAURA LIPTROT, MAURICE MALCOLM, SOPHIE SPARHAM & ROSINA TROTMAN

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http://www.wolvesliteraturefestival.co.uk/

http://www.wolvesliteraturefestival.co.uk/poetry/4593175102

 

 

A full review can be found here.

 

Week +

And finally the last few days of January were filled with desk work. Organising the final submissions for Contour Poetry Magazine, the deadline is the 1st February.

Working on my response poem as part of the ATOTC project and collating the work coming in as well as managing the 20+ poetry partnerships involved. In a moment of pure inspiration I decided to approach the Mayor of Worcester and ask if he would write the Foreward for the digital publication, he agreed. I am delighted. The project celebrates the cities.

I started planning the only official WPL event on my remit – World Poetry Day 21st March, seeking venue, securing performers, devising crazy (erm, I mean creative) ideas for the event.

Preparing for school workshops and meetings about them.

Researching and writing poems for 42, this month’s theme (chosen by Tim Stavert) Rag and Bone Man… I loved the idea, then I started trying to write… left it a fortnight, did a little background work, searched my memories and finally have a fairly rounded set including a spectacular 42-ish Haiku, political commentary wrapped up in a Tanka and a wonderful poem which is actually an acrostic. Happy with a couple of them.

42 Worcester was the final event of the month. Next month apart from the Verve Festival of Poetry and Spoken Word I will mainly be working from the desk. I have a billion things to do and prepare with workshops in February and March and writing schedules to keep. Contour magazine coming out and the special edition to work on.

I knew this time was coming and feel now, it has very much arrived. Of course, if you want to see me – you can always book me for your event.

 

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My Poet Laureate work this month involved planning and booking workshops, working on the Transatlantic Project – A Tale of Two Cities – managing the promotion and progression of the project, writing and collating poetry, working on Issue 2 of Contour – Love, completing  interviews, compiling a favourite poem list for the issue (out in February), having my first BBC Hereford & Worcester Radio Interview since October and organising the next steps of several projects started in 2017.

My next mission is to allocate enough time for the rest of my ideas over the next 5 months. I realise some of the WPL work will continue after Worcestershire gets a new Laureate, I always knew this would be the case. There are certain things I want to complete before I become a former Poet Laureate though (shivers). The team are already on the look out for the next Poet Laureate, applications are open until March. Check https://worcestershirepoetlaureateninalewis.wordpress.com/ for more details if you reside in the county.

 

 

And finally, I started work on planning my World Poetry Day event for March. Very exciting!

WPD 2                        Love Promo 2

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WoLF – Wolverhampton Original Literature Festival

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This is the 2nd year for Wolverhampton Original Literature Festival and the programme is packed with great events. It started today and runs until Sunday 28th.

Full programme details can be found here. Including Will Self, Liz Berry, Tony Walsh, Ian Billings, Jonny Fluffypunk, Luke Kennard and MORE!

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In 2017 I performed as part of the Quiet Compere Event and this year I am performing as part of the WoLF Collective tomorrow afternoon at the Art Gallery.

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

                    Join
Nina Lewis
Rosina Trotman
Maurice Malcolm
Sophie Sparham
Laura Liptrot

in the CONTEMPORARY GALLERY at Wolverhampton Art Gallery, 3:30 – 5 PM

 

From the pens of a diverse group of writers comes poetry, prose and excerpts from novels.  

 

Writers draw from life experiences to bring you tales from around the world.  

 

My set is based on Fragile Houses, now on its second print run.

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Fragile Houses by Nina Lewis

One Week to Go

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Poet Laureate

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You have one more week to get your submissions in for the Love theme issue of Contour Poetry Magazine. The 2nd issue will be out in February before Valentine’s Day. Love goes further than fluffy hearts and Hallmark cards though, see this post for full submission guidelines and some ideas.

https://worcestershirepoetlaureateninalewis.wordpress.com/2017/12/01/contour-issue-2-open-submissions/

Deadline: 1st February 6pm (GMT)

If you have no poetry (excuse me, while I lie down)… and would still like to feature in the magazine, I am compiling a list of our favourite poems. Send me your favourite poem of all time. Full details here – just leave a reply – Title & Poet.

Deadline: 1st February 6pm (GMT)

Contour Issue 2 PreviewFAV POEM LIST 3 (1)

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December Review

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The end of the year has rolled around fast this year. I feel like my feet have hardly hit the ground! There are so many highlights to 2017, I am gifting them a separate blog post!

I promised myself I would wind poeting down a little in December, especially with Christmas preparations and a house to sort. Plus I have not spent much time with family & friends this year. Now is the perfect time to reconnect. It didn’t quite work out this way, as you can imagine…

Week 1:

The end of November was busy and tiring, so I spent most of my writing day (1st December) resting and completing necessary admin tasks: I completed my next Reader in Residence activity – compiling a list of 12 Reading Challenges for 2018 for Rugby Library users, wrote a blog review for my Writing A Book Review Workshop and booked a repeat of this session for February 2018.

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I continued to work on applications, wrote a few new poems and opened Contour submissions. I got creative with cover design and started prepping the layout (issue 1 took about 4 days to master)!

Contour – the WPL digital magazine is open for the next round of submissions – February Issue.

Contour Issue 2 Preview

Contour Open Submissions

That was just day 1, week 1!

The weekend was just as busy with was a family birthday celebration, an editing group in Cheltenham, the Victorian Christmas Fayre with Mr G. and a trip to Walsall for Yes We Cant with Elvis Mcgonagall, who I haven’t had the pleasure of seeing since 2014! Long overdue. It was a fantastic night, you can read all about it here. (LINK to follow)

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http://www.elvismcgonagall.co.uk/about.htm

Monday Mr G. had a rare day off booked so we accomplished some work around the house.

Tuesday I was back to poeting and a fabulous new Spoken Word event created by Charley Barnes in Worcester, it was a good mix of poetry, spoken word and story. Polly Stretton was the delightful headliner with an assured set of eclectic mix of her work. A warm, exciting atmosphere, a good turn out and a lovely venue. Perfect. Delighted there will be more.

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Wednesday saw a workshop in Stratford which will hopefully lead to something else in January and definitely gave me two working poems which would both be suitable for my next writery idea. I thoroughly enjoy this group and the workshops always deliver some new work for me. I had planned to go to Permission to Speak in the evening, The Black Country Anthology compiled by Emma Purshouse/Offa Press was being compiled and I was really looking forward to several of the billed performers and Roy McFarlane was headlining.

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By the time I got home it was a strain to keep my eyes open and with a fully booked end of week ahead (radio, work, gig, work, stanza, book launch) I felt that I needed to give myself recovery time. Which I did… it may have taken 4 years, but my ‘sensible’ is developing. I did some prep for the Radio and had an early night.

If I forget the journey to the train station, my Thursday was an exceptional one. Helen Calcutt asked me to do Brum Radio back in 2016, we were tried to make a booking which became impossible as I was contracted to work on the days of recordings. Fast forward a few presenters and Rick Sanders has taken on the role of host. He asked me to be a guest a while back and has been busily creative matching poets up together for his shows. Today was the day. It was great fun and I have given the experience a blog post. Read all about it here. (Link to follow)

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Then after getting home I went back to Birmingham – well as far in as Selly Oak for Grizzly Pear. This night usually clashes with SpeakEasy so it took me about 3 years to make it to one and I had not made it back since. At the Verve Launch back in November I discovered Liz Berry would be headlining and immediately put the date in my diary. Unfortunately, it still clashed with a Worcester event, this time Uncorked at Bottles with Bethany (now Beff) Slim, Nick Lovell & Mike Alma headlining. I did go to Uncorked last month, so although I was sad to miss these 3 in headline spots I know I can hear them regularly on the circuit. I am glad to know Holly is better and back in her hosting role. I am sure I will get to hear all about this night soon.

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Having already made the commitment to go, I was delighted to discover Jenna Clake and Susannah Dickey on the same bill. It was tremendous to see the Shropshire contingency out in full force too as well as catching up with local poetry friends. They also had a Haiku Poetry Slam and I came 2nd. The prize was a Verve Festival Workshop – delighted! I have booked 2 already but the chance to do a 3rd, epic! I have written an entire blog here. (Link to follow)

 

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Week 2:

Friday – a day of snow and an evening of poetry, except by the time I was home I knew my mind was too tired to critique poetry so I missed our Christmas Stanza, I hate missing Stanza, but I also dislike it when I am too tired to participate properly and feel like I cannot be of assistance to others. It was the right decision as I fell asleep at 7 PM. I also wanted to be fresh for Claire Walker’s Book Launch the following evening. I think I was suffering after only managing 5 hours sleep after Grizzly Pear and a day of work in the only school that didn’t close for snow!

Saturday saw the much anticipated Book Launch of ‘Somewhere Between Rose & Black’ by Claire Walker, her 2nd V. Press pamphlet.

cwalker rose The Book has already been on sale and I resisted the urge to buy/pre-order my copy. I like to support the launches and buy one on the sizzle of the evening.

Tuesday 12th December was the Michael Marks Awards with V. Press nominated for the Publishers Prize.

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There was a Room 204 party organised in Birmingham, which I would have loved to go to. This was actually cancelled due to the snow.

Thursday SpeakEasy in Worcester, saw Sharon Carr Headline.

 

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Week 3:

Saturday was my last WWM Spark Writers Group for the year. It was also the end of Poetry Events for me before a Christmas Break. Work finished too… not that there has been a lot this term, I can count the days I have had on both hands and still have fingers left over!

I plan to spend my Christmas break preparing for an International Festival, workshops and getting some work done (writing), as well as sorting out the house.

 

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Week 4:

I did indeed manage a fortnight break from all things writing with the exception of organising The Tale of Two Cities, a Poet Laureate Transatlantic Poetry Project.

I read Cherry Pie – Holly McNish’s debut collection. I read it back in 2014 when I went to Wenlock and watched her perform for the first time. I saw her perform twice this year, once at The Hive in Worcester and once at the Town Hall in Birmingham. Love her. I thoroughly enjoyed reading this book again. I read a couple of novels I borrowed from the library and started my Christmas read. For the past few years I have chosen a Christmas themed novel for the holidays. This one had all the promises of chick lit… but before the end of the first few chapters I found myself in a whole world of serious issues. About as unchristmassy as you can get! A good read though.

I sent a few poems to Angela France for an event that takes place in January, where I hope to read my poems and set about updating blog posts so when the December Review goes live (later today) there can be active links.

I also had to schedule meetings for early January with regards for several poet laureate events which will all take place before March.

It is hard to believe that I have less than 6 months left in this position! Although a lot of writing time and preparing for the International Festival is set in place post laureateship.

My desk had an annual clean up as we needed the table for Christmas Day! The laptop had a 10 day rest.

Now I am doing the final family visits before New Year and getting organised for a smooth launch into 2018.

I hope you all had a great Christmas.

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Mr G’s snowman.

 

 

 

 

 

 

CONTOUR Issue 2 OPEN SUBMISSIONS

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WRITING OPPORTUNITY:

Contour WPL is open to submissions for Issue 2.
Please read guidelines carefully.

I look forward to your poems.

Poet Laureate

Contour Issue 2 PreviewDo you want something to do over Christmas? Want to write in the New Year? Submit your work via email for the next issue.

Following the success of Issue 1 submissions are now open for Contour once again. 

The theme is LOVE – but do not be put off by this, I am searching for more than love poetry. Here are some ideas. 

Love of each other – Romantic love 

Unconditional love is, in essence, true love. Unconditional love is caring about the happiness of another person without any thought for what we might get for ourselves.

Bibliophilia

Love of place – Topophilia is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of certain aspects of such a place.

Love of Nature – one of the better known theories, the biophilia hypothesis, suggests that we love nature…

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Remembrance Anthology

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Poems for Remembrance Sunday – Remembrance Anthology.

Poet Laureate

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Letters from the Great War

Dunham Massey 2014

Mother, we have plenty of good food here
was his first lie, though parcels came sometimes
with cake, fags, dry socks.

I hope I will get leave soon, so I can
come and meet our daughter for the first time,
wrote the officer when leave was withdrawn.

I am not afraid, mum, not with all my mates
going over the top with me in the morning.
He was killed soon after, his body never found.

We sing songs in our trench every night, dad.
Glad I took my mouth organ like you said.
It keeps our spirits up a treat.

I could not be in a better place, darling,
wrote the officer from hospital, keeping
the amputation quiet for now.

These letters displayed a hundred years on,
as fresh as when first scratched out in ink,
still lie to readers, as we…

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CONTOUR Poetry Magazine

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CONTOUR WPL Magazine Issue 1 Place – Worcestershire

 

 

INKSPILL – Guest Editor Interview with Stephen Daniels

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Guest Editor Interview with Stephen Daniels.

 

1) Why was Amaryllis Poetry started? What was the idea behind the magazine?

Amaryllis was started over 4 years ago by my Poetry Swindon friend Hilda Sheehan. Hilda wanted to help publish Swindon poets and friends and it started as a relatively informal invite only project. After a year, the project slowed and was paused for around a year. Two years ago I offered to take Amaryllis over and invite submissions. I was hoping to find exciting poets within our network, but it soon exploded and I was receiving submissions from all over the world. Amaryllis has now published over 200 poets and is widely read around the world. 

 

2) Any advice to writers submitting to Amaryllis? 

Make sure you include a small note with your submission – nothing frustrates me more than when people send their poems with no note. It shows a lack of pride in your work.

A final piece of advice is something I publish on the website when submissions are open: Take a risk – Early on during Amaryllis I received very ‘safe’ poems and I am really looking for poems that are different, poems that reach the parts other poems struggle to reach!

 

3) What makes Amaryllis different to other mags on the market?

First there is the editor – me! I think my taste in poetry is quite eclectic. I enjoy more formal poetry, but I don’t think there are many online magazines that are embracing experimental poetry in the same way that Amaryllis does.

Secondly I am always eager to find new poets and new voices. I tend to forgive the exuberance and imperfections of a less experienced poet and I think this has built a reputation for publishing poets for the first time – who then go on to be published in many other places.

 

4) What is your mission at Amaryllis?

To share great poetry with as many people as possible. I don’t think it is any more complicated than that. 

 

5) Describe a day as an editor.

It is fairly unremarkable – as I have a full-time job and two relatively young children, so I tend to edit in the time in between things. Finding 30 minutes here or there to sit down and be invited into someone else’s world – it is a real privilege.

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6) Anything that has surprised you about editing a magazine?

I think the thing that surprised me most, was that a powerful poem is not enough. When I started writing, I wrote some seriously dark poetry… sometimes that is all it would have – darkness and more darkness and I thought that was fine – if it is written well, it will be good enough. What I have come to realise through editing is that this is rarely enough.

A well written poem is good, but it needs different dimensions.  It needs to be have moving parts and complexities that surprise the editor – this has affected my own writing and it is often the most disappointing rejections, where the poem is well written, but hasn’t got that extra element that lifts it above poems.

One other thing that surprised me, is that most poems are good. This may sound ridiculous, but what I have found from people submitting is that they perceive a rejection as the poem not being good. In my experience that is rarely the case – it is more often the case that the poem lacks something I am looking for, or that it wasn’t right at that time. It is likely that the poem will be picked up by a different editor. Don’t take the rejection process too seriously – it is just one person’s opinion. 

 

7) Any upcoming projects we should know about?

No – other than submissions are re-opening in November!

 

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http://www.amaryllispoetry.co.uk/p/submissions.html

INKSPILL Guest Poet Interview with Antony Owen

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I talk with Antony about his latest collection The Nagasaki Elder, his work as an Ambassador for CND Peace Education in the U.K, The Coventry Hiroshima Society and his hopes for this incredible book.
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1. How did the idea for writing The Nagasaki Elder come about?

It was less of an idea and more of a promise to a Hibakusha that I would do all I could to raise awareness through poetry about the ghoulish consequences of nuclear weapons.
The seed was planted in 1984 when I watched Threads by a hugely overlooked writer called Barry Hines.

Threads was a BBC docu-drama that caused much controversy about its graphic portrayal of a one-megaton bomb being dropped over Sheffield. This was a working-class city like the one I was from and the people who became victims were my kin, toolmakers, mechanics. Cleaners, wives, mothers and fathers all decimated from the multiple faceted horrors of a nuclear weapon. The bomb depicted in Threads was around 70 times more powerful than the one that detonated over Hiroshima.

By today’s standard of nuclear weapons the one megaton bomb shown in Threads can be made 50-100 times more powerful. It is truly frightening and we cannot bury our heads in the sand. The idea for writing it is to show people what these weapons do and we will not get a 2nd chance to prevent them from ruining the human race and innocent blameless species that have been around long before us.

 

2. How long has this collection taken to write?

About 2 years. I work full time (not relying on poetry for an income) so all my free time was spent pretty much in researching, writing, re-writing etc. An old friend told me once that poetry is endless revision trailing through miles and miles of slush to find the purest, whitest snow.

One of the poems called The Fisherman’s Daughter in The Nagasaki Elder is about writing war poetry and the danger of doing so, if you go too far into the darkness you forget what light feels like. This happened to me and I think it is inevitable when writing about something so devastatingly sad.

 

3. Can you tell us about being an ambassador for CND Peace Education in the UK?

It is a role I take very seriously. The payment is not fiscal but active participation. CND Peace Education exist on minimum funding but maximum collaborative passions. All the people who work there make me very proud and make a pivotal difference to peace education and allowing tomorrows generation to make a difference today.

School students deserve to express themselves, there is no right or wrong answer in peace education, just the route we choose from being informed in a balanced way.

We plan to spend over 150 Billion pounds on weapons of mass destruction yet invest a pittance into peace education resources and peaceful weapons of mass instruction. It is wrong, places like CND Peace Education and the PEN Network deserve more sustainable funding so they can plan for legacies instead of day to day survival. It makes me very frustrated so I am pleased to help CND and will do so to the last.

carousel-cnd© Campaign for Nuclear Disarmament

More information on CND Peace Education can be found here.

http://www.cnduk.org/information/peace-education

 

4. How did the Coventry Hiroshima Society help support your peace work. Can you tell us about The Coventry Hiroshima Society?

They nurtured my social conscience with encouragement to pursue a path of peace and express it through poetry. It has helped further tighten the peace links between Coventry and Hiroshima.

The founder, Hideko Okamoto, has done more for peace than anyone else I know. The Coventry Hiroshima Society was a labour of love for Hideko after her time at Warwick University she was impressed with Coventry’s international links and advocation of peace and reconciliation. It moved her, particularly how Coventry which was badly bombed in WW2 remembers the anniversary of the atomic bombings on Hiroshima and Nagasaki.

The Coventry Hiroshima Society is a beacon of reciprocal remembrance that burns bright through all this human darkness in the world at the moment.

Coventry Cathedral-Statue of Reconciliation

Coventry Cathedral-Statue of Reconciliation  © gcgi.info

 

5. What are your hopes for the collection?

That it touches people, inspires them to research more about nuclear weapons and do something rather than nothing. I want the collection to break down walls and build bridges because we need them more than ever.

 

 

INKSPILL BOOKSHOP Check out the INKSPILL Bookshop for more information and links to Antony’s Poetry Collections including The Nagasaki Elder.

INKSPILL Taster or Teaser

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INKSPILL SHARE BUTTON

The full programme including this year’s Guest Writers will be revealed on the 27th. We have a new feature for 2017 – The INKSPILL Library where you will have instant access to selected archives from 2013 -2016 Writing Retreats.

INKSPILL Library

The Library will be open on Saturday afternoon and again on Sunday when it features additional archived material. 

We are featuring 2 Guest Writers this year.

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They will be revealed on the 27th. 

There will be short writing tasks, exercises and workshop activities, creative tests, exclusive interviews with our Guest Writers, book promotion (the INKSPILL Bookshop will be open all weekend), monologues, Inspiring Women Writers, a look at Thomas Hardy, Rupert Brooke, Wilfred Owen & Siegfried Sassoon, Goal Setting, an interview with Zadie Smith, writing advice from Novelist Jill Dawson, an interview with Lee Child, editors discussing modern writing and the Launch of Contour WPL Magazine. As well as rich pickings from the archive featuring previous guests: Charlie Jordan, William Gallagher, Heather Wastie, David Calcutt, Alison May, Deanne Gist, Daniel Sluman, Gaia Harper & Roy McFarlane and more.