Poetry and Artwork on Worcestershire wanted for Contour – The Poet Laureate E-Zine.
Full submission guidelines in link.
Poetry and Artwork on Worcestershire wanted for Contour – The Poet Laureate E-Zine.
Full submission guidelines in link.
As part of our Worcester LitFest performance of 30-40-60 we invited poets to get in touch and book open mic slots. We dedicated the first half hour to these performances, each poet receiving 5 minutes. We had additional poets on a reserve list and were sad that not everyone had the opportunity to perform in this time frame.
We hope those interested parties might be able to come and perform at another event in the future.
On the night – due to the tight timing of our performance/event/booking, I decided that introducing poets by anything other than name would be stealing time from their set.
As the poets delivered their work I was aware that as an audience member I would want to know more about this talented bunch. So at the end of the Open section I promised the audience that I would blog the BIOS and related links for each of our open mic-ers.
AND here it is!
Thanks once again to everyone who came and shared their words.
Elaine C. Christie is an Activist, Poet, Editor with a diploma in Self Publishing. Her work appears in both the UK and US, online and magazines such as First Time, Dial 174, Dawntreader, Warwick Dodo, Silhouette Press, Poetry Rivals, Forward Poetry, Pixie Chicks’ Writers Group, The Guardian, I am not a silent poet, WWF Book and Born Free Supporters Poetry. Elaine is now Editor & Publisher of www.restlessbonespublishing.com She has facilitated workshops, hosted poetry events and performs at Spoken Word events.
In 2011 Elaine became a Member, Activator & Fundraiser with Born Free Foundation. Correlating and Publishing an Anthology ‘Restless Bones’ in 2014 to raise funds to
help fight the fur trade. Her poetry creates strong visual images, she is working on a collection ‘Hear my Cry’ soon to be released.
Nigel Hutchinson is based in Leamington Spa, his first collection ‘The Humble Family Interviews’ is available from Cinnamon Press. He’ll be launching the book at Waterstones in Leamington at 5.30, 30th June and reading at Poetry Bites in Birmingham on 25th July.
Neil Richards has recently returned to poetry. He performed this year at the Wychwood Festival.
BIO to follow.
Initially inspired following the loss of his father, Paul writes, in formal styles, on ageing, death, fatherhood and other mundane ponderings common for a married father of young girls. In a restrained tone, with dry humour woven throughout, Paul uses personal experience and the description of life’s intimacies to reflect on universal themes.
Paul’s work has so far been included in The New Humanist Magazine, The Cannon’s Mouth, About Larkin (The Philip Larkin Society’s magazine), A Swift Exit, Poems to Survive in, Graffiti Literary Magazine, Indigo Dream’s The Dawn Treader, Artficium’s Imprimo Anthology, The Blue Lady Literary Journal, The Good Dadhood Project, The Good Funeral Guide and Lighten Up.
Paul reads at Permission to Speak in Stourbridge and The Grande Slam in Dudley. He’s also reading at Mierce’s Marks, at Wolverhampton’s Art Gallery on June 15th, and at the Double Whammy Slammy on Sunday 18th June at Drummonds Bar in Worcester.
Rangzeb © 2014 – Photo of Elaine Christie from Restless Bones Launch
Photography from 30-40-60 Elaine Christie © 2017
Back in 2015 I dreamed of my pamphlet being published at the same time as Claire Walker’s, we have talked of many collaborative readings and ideas. By the time 2016 rolled around, my head was filled with firm ideas of collaborating, by 2017 there was somewhat of a larger idea forming.
I had a concrete plan and all I needed was acceptance. I approached Kathy Gee and Claire Walker, two poets who are also published by V. Press. I was delighted when they both agreed to my idea and I swiftly put in an application for Worcester LitFest (WLF).
We waited until our place in the programme was confirmed before we set to work on this project. I am from a performance background and know only too well the unseen hours of work and rehearsal. What I loved about our meetings was the fluidity in which we found ourselves working. There is nothing better than a positive environment with like-minded people to stoke the fires and like an Olympic torch ours kept burning!
We all know each other’s poetry and have each other’s books on our shelves, so placing our work together was not too difficult, cutting it down to a running order size was a fair challenge – thank goodness we all know how to kill our darlings.
Once we had organised the poetry we then played (and I mean that verb) with the sequence until we were all satisfied with the show. Then the real fun began with read through, deciding where the combined voices worked best.
I had started work on the multimedia element before we were accepted for WLF as I was convinced this performance would happen at some point, somewhere. I know from making poetry films last year (Fragile Houses) that media and editing is painstakingly time consuming. I also know that when you LOVE what you do, work never feels like work.
Eventually we brought voice and film together and rehearsed and altered the show.
And what a show it was.
A M A Z I N G!
We are very proud our show was one of the best-selling festival events, we did some point specific marketing and believe that the tireless work of the WLF team and The Hive (Worcester Library/Venue) advertising in the What’s On at The Hive programme helped in this success!
There were plenty of people we did not know as well as good friends and supporters. It was a fabulous night! We hope to tour it next year. Catch us if you can.
Photography Elaine Christie© 2017
Nina Lewis – Introducing the Poets:
Rangzeb © 2015
Followed by our 40 minute show exploring the various stages of life through womanhood.
Huge thanks to Kathy Gee for providing some of the media clips, projectors, scripts, folders and the programmes! For Claire Walker who had the wonderful idea of incorporating the open mic element. To the audience for having faith and to our open mic performers for beginning such a cracking night!
Really enjoyable evening, the interweaving of voices – both actual and literary – worked extremely well. Video backdrop a unifying element. -Nigel
Fantastic evening, the show should go on the road, really enjoyable, and the three poets really worked as a performance. -Neil
A gorgeous night tonight! Brilliant poetry presented in a way I’ve never seen before! -Suz
Such a pleasure. Spellbinding poetry and a beautiful backdrop of images. Thanks for lovely evening. -Kathy A
30-40-60 is a triumph. A splendid performance from spectacular poets. Kathy Gee, Claire Walker and Nina Lewis were exquisite. Wonderful! –Kieran
A lovely evening at the Hive with Worcester LitFest and the wonder 30-40-60. When it comes back it’s a Do Not Miss. -Anne
Poetry perfection, wonderful. – Maggie
The poetry found so many points of connection. Beautiful. -Belinda
Rick Sanders reviewed the show (Related Links) – here are some soundbites. Thanks to Rick for the review and feedback.
Last night I had the pleasure of seeing 30 – 40 – 60 at the Hive in Worcester, one of a myriad of events taking place as part of the Worcestershire Litfest. The show is the brainchild of poets Claire Walker, Nina Lewis and Kathy Gee and it explores the works of all three poets through a connected narrative and visual accompaniment.
Some pieces are solo readings, while others combine the voices of all three poets in acoustic harmony, which is different and rarely seen in poetry performance.
an engaging and highly entertaining piece of performance art.
A must see if 30 – 40 – 60 pops up again in a town near you…
… distinctive voicing to a beautiful narrative, which is complimented in turn by the visuals being displayed behind the readers. As an audience you get to see and hear two things at once, adding to the imagery of the spoken word and layering another context to the poems. It’s a clever use of multimedia and works well in the overall effect. -Rick
When I discovered Diverse Verse it had already been produced, so when I saw a call for submissions for Diverse Verse 2, I jumped on it. Charity is a big thing for most people and I love giving art for good causes. I like to try to get involved when I can. So earlier this year, I submitted some work to Richard Archer and was delighted to find myself sharing pages with other great poets from the Midlands.
The proceeds raise money for Cancer Research U.K, a cause close to my heart.
I was delighted when I found out the Book Launch was on 27th May, as I knew I could make it and if the motorways had allowed it – I would have… I was a little late but fortunately after the drag of a 30 m.p.h traffic quilt managed to miss none of the actual reading!
It was great to see old friends there and put faces to names I knew. Scott and Amy hosted the Launch at Southcart Books and it was lovely to see them in their new shop.
Unfortunately, due to my delayed arrival and forgetting to reserve a copy, the anthology had sold out before I arrived. I have since ordered and received my copy and look forward to indulging a read (sometime in July, I think I am free)!
You can buy a copy here
It was a fantastic afternoon of poetry, Scott and Amy had laid on a buffet and the interval was time enough to mingle AND buy books.
I never leave the place empty handed but the treat was on them really. I bought a Rupert Brooke collection and they gifted me a historical hardback that I already have ideas on and a canvas ‘Books are my bag’ bag! What a sweet deal that was.
There were 20 poets reading and a good number of audience too, even some customers lingered.
Elaine Christie and Scott Carter snapped the photos, I have some of Elaine reading but need to get the mobile talking to the internet to upload them. I will add one of Elaine.
All these poets AND MORE are published in Diverse Verse 2, as I listened I noted poems from their sets I was inspired by – buy the book to discover them for yourselves amongst the pages.
Richard Archer kicked off proceedings, seconds after I sat down. I met Richard at Permission to Speak but also know him from David Calcutt’s Arboretum Poetry events. His poetry is sometimes hard-hitting, powerful, social commentary and sometimes full out fun. He is the Chairman of Walsall Poetry Society and a truly supportive advocate of poetry in the Midlands.
Paul Elwell runs a writing workshop group that I recently became involved with, it was good to meet him and put a face to the name. On the back of what he heard from short set and the fact that I had mentioned Worcester, he extended the invite – funny how the universe works like that, isn’t it? I particularly enjoyed his very clever Latin Poem.
I know Carole Howard from David Calcutt’s Arboretum poetry events. I enjoyed hearing her poem about secrets, which she has performed before at the Arboretum.
Rick Saunders delighted us with his brilliant poem, ‘Goldilocks’. I also enjoyed ‘Cannabis Anarchist’, which I had heard before. Rick is everywhere (I have passed on the ubiquitous mantle to him), but I will never tire of hearing his poems, they make me smile. Rick burst onto the scene late 2016 and I met him at Permission to Speak, where he cut his teeth on spoken word (well, it can be sharp), where he created Willis the Poet – and the story behind that is heartwarming!
Ian Henery is a poet I have not seen for a while. I liked his poem ‘Walsall Bus Driver’s Prayer’.
Al Lane, is a new poet to me. I thoroughly enjoyed his set. His nature poem was great and the Disappointment of Parenting was a real treat too.
Samatee read her poem about Mauritius and the Dodo. It was great to see her delight in having poems published. I met Samatee at Stirchley Speaks and have watched her become more confident with her writing and sharing of work. She is a regular at Spoken Trend now too.
Janet Jenkins gave us a wonderful set, I particularly liked her Umbrella poem. I first met Janet properly when I started the Caldmore Garden workshops with David Calcutt. Our paths had passed prior to this and our poetry can be found in the same collections.
Scarlett Ward is a poet I do not know, her work is delicately laced but inside are iron fast ideas. Her poem ‘Wordless’ is incredible. Moving. She reminded me what it was to be young once. The concentrated force of emotions we carry.
Jon Jack Neil was a poet I discovered just 5 days before in Lichfield, at Poetry Alight. I enjoyed hearing more from him. Particularly his poem ‘The World and His Wife’.
Amanda Glover is another poet I know through Open Poetry at the Arboretum, her bus poem was great to listen to.
Jan Hedger had travelled some distance to be at the launch with her sister, both of whom grew up around the area. Jan is a new to me poet and I enjoyed her set. She writes lots about animals (so I knew she would enjoy Elaine’s work). I enjoyed the poem exploring her Birmingham/West Midland roots.
Ian Ward is someone I have known on the poetry circuit since 2014, we are often at the same events. He shared some poems he performed at Poetry Alight, it was good to hear them a second time. Poets should worry less about repeating their work. I particularly enjoyed his poem ‘What is a Map?’
Steve Harrison is a poet I met in 2014 somewhere over Shropshire way, I am delighted that he ventures across to share his poems in Birmingham and it is always a pleasure to watch his performance. An entertaining and well written poem is guaranteed – although he does serious too. I enjoyed his Classified Ad poem, which I had heard but not for a while and I live in hope of a day when we can be found in the classified ads amongst the plumbers.
Ian Davies is a poet I have seen in Walsall before, I enjoyed his poem ‘Gwyn Ap Nudd’. I didn’t get a chance to talk to him in the interval, next time.
Pauline Faulkner had travelled up to support her sister (Jan) and is not a poet I know. She shared a poem about the Mason’s yard which I enjoyed.
Calvin Allen is a poet I do not know, he had great delivery and his poem ‘Black Friday’ and his Newsreader poems were highlights of his set. I shall look out for him again in the future.
Elaine Christie wowed the audience with ‘The Lion King’ a brilliant poem of us concerning animal welfare and it packs punches. I met Elaine at the end of 2013 and her poetry speaks to the heart, she has a lot of love for the animal kingdom and it was simply a pleasure to see her again. I have been a little absent from the Birmingham scene recently.
Well done, Richard for a great Book Launch.
This is definitely one of those posts I wish I’d written and posted when it happened a few weeks ago. It was during my 10 Day immersion in the poetry world and there was no spare time. This is a copy of a social media message sent around the right time – I think the over-use of the exclamation mark sums up how ecstatic I was.
A fabulous launch – really good fun! Loved hearing you breathing life into the women between these pages! Delighted to hold a really copy! CONGRATULATIONS! Thanks for asking me to read. I cannot wait for the next one! x
It was a wonderful sunny afternoon when we took off to the city of Worcester to celebrate success with Charley.
There are three factors that made this launch an incredibly exciting time for me;
Besides all that I would have been excited anyway. Launches are like birthdays, I always get just as enthusiastic for others as I do for my own.
Book Launch, Drummonds Bar, Worcester, 7th May 4pm
It was fun preparing my set and I was able to use the bounty of my NaPoWriMo poems, some with small rewrites.
Polly went first, much to our delight, (the pressure of kicking off the event) and as the publisher (part of the Black Pear Press) it seemed fitting.
I was up next followed in the second half by Claire Walker and Alan Durham. Everyone produced fine sets and performances were top notch.
There was cake, chocolate cake, friends, family & conversation. Perfectly timed with enough space to chat and mingle, hear each other perform and enjoy Charley choosing pieces and talking about the story behind the short stories.
It was simply a lovely, Sunday afternoon. Having resisted the temptation to pre-order my copy, I was happy to queue up and buy my perfectly bound edition of The Women You Were Warned About. I savoured every moment of watching (or trying not to watch) Charley sign it.
I loved the atmosphere of pride and celebration that held the room together, beyond words to watch this happen right before my eyes. There were plenty of faces I recognised and people I knew who had come to celebrate with Charley and on such a sunny day too. Fabulous room full of people all eager to find out just what those warnings were.
I loved listening to and watching the audience reaction to the collection of answers. Charley completed the event with a brave Q & A. Some of the points are still being discussed, weeks later, now that’s how to get a book to linger!
You can buy a copy here
C.S. Barnes is a Worcestershire-based writer and poet who is
currently working towards her doctorate in Creative Writing.
While Barnes’s interests initially lay exclusively in poetry, her
academic studies have seen her experiment with other styles of
writing—namely the short story—and, as part of her current
degree, Barnes is now working on her first full-length novel.
Alongside her writing endeavours Barnes is also a creative writing
tutor. She has worked with primary and secondary school
students, all the way through to the undergraduate students at her
own university, where she has been tutoring for the past two
The Women You Were Warned About: Answers to Absent Questions,
is Barnes’s first full-length publication and, after having so much
fun with the women contained within these stories, she sincerely
looks forward to the possibility of working with such hideous
women again in the future.© 2017 BLACK PEAR PRESS
As always NaPoWriMo takes over April and makes it challenging to keep other blog posts up to date. I have made an effort to keep the blog NaPo intentionally this month with a few posts breaking the thread. I have had some amazing experiences this month which deserve a dedicated blogging. I plan to pepper them in throughout May.
I was asked to co-ordinate an event for a Festival I am already involved with – this task took the best part of a fortnight. But I am happy that it is all now booked and in place for this summer. I spent further weeks this month planning and organising the events for an Arts Festival in July.
I went to an editing workshop. Taking with me a poem from 2014 that has never fully worked. I can safely say it has the treatment now and just in time because it formed part of the set I performed at The Poetry Ballroom.
I experienced the Poetry Ballroom. Suz Winspear (this year’s Worcestershire Poet Laureate) organised this event in partnership with DanceFest. It was an amazing night. I will be blogging a full write up in May, I was honoured to be an invited performer at the event and had great fun writing some dance poems especially for it. The evening was a sound success and the dancers appreciated the theme of our poetry – not realising that we would focus on dance. As an ex-dancer, it was a pleasure.
I was asked to endorse a book (my 2nd one). The first book I endorsed is due to launch in May, more on that next month too. I am currently reading this manuscript and am delighted that the publishers thought of me.
I was asked to read at a Book Launch next month. I have spent some time this month penning new poems for this occasion. To be honest the poems were also part of NaPoWriMo, but why not make your projects work hard for you. Lots of prompts leant themselves to current project pies I have my thumbs in, so given half a chance…
I went to a reading at The Hive with Sarah Leavesley & Melissa Lee-Houghton. I was really excited by this. Ruth Stacey had arranged it for her students at university and just gave a bit of a quiet shout out.
Being part of an audience of students, listening to their woes made me glad this wasn’t my life anymore. It is all to easy to glamorize the undergraduate/post grad life… but really… as much pressure as the real world.
I loved hearing Sarah read from Magnetic Diaries again after all this time and it was a real treat to hear Melissa Lee-Houghton, as she sadly couldn’t make Verve festival in the end. It was a great evening and I am glad I managed the post work rush to get there. Had to drive a hire car too – as my window decided to malfunction and I spent over an hour finding a garage willing to help me so late on in the day. The window was stuck in the down position. My lesson: using air con is cheaper in the long run!
I spent time writing the brief for a 2nd poetry festival event, involving the other two poets. It is amazing how many days it can take 3 poets to come up with less than 3 lines!
Back in February (my month of applications), I applied for Room 204 Writer Development Programme run by WWM. They had over 130 applicants this year for 15 places. I am delighted to announce the embargo has lifted and I can share this news. We had our first cohort meeting – what a great year to be in, so much talent. We had a photo shoot (one I wanted a haircut and weight-loss for) – neither happened in the days beforehand, but Paul Stringer is a talented photographer. It was a fun morning, we were all so excited to be part of the 2017/18 cohort and already good things have happened as a result. There is a whole year of mentoring and career development ahead, over £1000 worth. Priceless if you ask me.
I am extremely excited to be part of Room 204, I discovered it back in 2013 and have been biding my time and developing my writing to the point I thought I was able to qualify for a place on the scheme. I am grateful my application was successful. That my writing stood up to the scrutiny and competition. Here’s the rest of this year’s cohort
I also reconnected with a good friend of mine afterwards and we plan to exchange books and do lunch next time I am back in the area. I used to spend more time in Birmingham than I do at the moment. I am spending less time on the road this year and more time at the desk, the natural pattern of a writer. It was good catching up.
Went to an incredibly exciting meeting at the Custard Factory for this year’s Room 204 programme, which we were embargoed about. The news was finally released on the 11/12th.
Started typing NaPo poems, I decided to write longhand this year, which gave me that workshop feeling as much of my writing is straight to screen nowadays. It meant I successfully completed the challenge with 97 poems by the end of the month, however I have typed about 10 to edit so far.
Made a promotional Easter video for Fragile Houses. I was reading advice on marketing and promotion and find it hard to detail what my pamphlet with give you beyond shared experience, memory and space to work through mirrored realities. Which all seems a high promise or at the worst an abstract manifesto. Then I thought about chocolate, the calories (personally delighted this year to have so many eggs and treats). Had another 3 eggs after this photo was taken!
I spent half a day making the video. Poetry – less calories than chocolate. Maybe I should have offered a free egg with every book sold.
I booked onto a Room 204 event for later in the month.
Started writing a book review and went to see Kate Bush tribute Cloudbusting with Mr G.
I missed License to Rhyme again as the next day I was going to Swindon. Rick Saunders aka Willis the Poet was headlining and he was happy to take me on the road trip. It was a cracking night at Oooh Beehive – a night that Clive Oseman and Nick Lovell started a while ago. Swindon is quite a way on a school night and it was the early hours by the time I was home, but it was the Easter holidays and I am glad I managed it. Lovely to see Sam Loveless and Edward, who I met at the Poetry Festival last year.
I went to HOWL and watched amazing headline sets from Charley Barnes, Tom McCann and Rhythmical Mike. It was a great night and I was happy I made an open mic spot. It was fabulous to see everyone again.
I went to SpeakEasy where Gareth Owens was headlining. That was a good night too – rare these days that I manage 3 nights on the hoof like this. I spent the day beforehand making media for an upcoming festival shoe and dealing with programme copy.
It was nice to escape for a few hours and immerse myself in poetry.
The Beltane Anthology for 2017 was published by Three Drops from a Cauldron, which has my Rag Tree poem in it. I know you should never judge a book by the cover – but with this stunning design, who wouldn’t want to see their poetry inside!
Featuring poetry and flash fiction by Jane Burn, Rhiannon Hooson, Alison Stone, Denise Blake, Abigail Elizabeth Ottley Wyatt, Eleanor Penny, Tom Moody, Bee Smith, Rebecca Buchanan, Rebecca Gethin, Nina Lewis, Wendy Mannis Scher, Ceinwen E. Cariad Haydon, Sarah Hart, Raquel Vasquez Gilliland, Kitty Coles, Donald Illich, Dennis Trujillo, Lesley Burt, Cynthia June Long, Vivien Jones, Moyra Donaldson, Maggie Mackay, Bethany Rivers, Lewis Buxton, Carmina Masoliver, Nico Solheim-Davidson, R.M. Francis, Linda Goulden, Ilse Pedler, and Joanna Swan.
Edited by Kate Garrett, with the Three Drops from a Cauldron editorial team: Becca Goodin, Loma Jones, Amy Kinsman, Holly Magill, Penny Sharman, Grant Tarbard, and Claire Walker.
It is now also available in digital copy.
I had a free writing webinar with The Writers Academy & Penguin Random House, it was an interesting few hours, although I wrote copious notes not realising they were sending follow up information via email.
I had my first Room 204 1 to 1 session, we get 3 over the course of the year. It was useful and I have already started working on decisions.
I spent an entire day co-ordinating and planning for festival events.
Holly Daffurn has started a new venture – at Bottles Wine Bar, ‘Uncorked’ an evening of Spoken Word, there were over 50 tickets sold and the night was divided into 3 parts with 5 headliners and open mic. Ambitious scheduling, beautiful venue and a stellar line up made for a perfect evening.
I performed on the open mic. Brilliant Headliners: Jasmine Gardosi, Casey Bailey, Holly Daffurn, Leon Priestnall & Joe Cooke
The Spring edition of Birmingham Literature Festival happened and despite a fantastic programme (all well received), I was unable to make it across to the city for any events. I even missed Cynthia Miller’s Primers Launch.
I had my WWM group which meant I couldn’t attend some of the events/workshops on Saturday. The group went really well, we made our own magazines. I have since planned the final two session, so feel ahead of the game.
I booked tickets to go and see Carol Ann Duffy in May, continued to organise festival events. The Stourbridge Literature Festival started. I went to see Emma Purshouse headline at Spoken Trend, saw Carla Rickets headline too. It was a great night, I even went home with 3 daffodils, now that is a good night.
I took a Napowrimo poem to Stanza and it was approved. I have written 97 in total this month as I have followed 2 main prompts, the main site napwrimo.net and joined Carrie Etter’s group where she provided us with 30 optional prompts. Beyond the poems, I have researched and stumbled into new project territory which is most exciting. Carrie’s group was amazing for comradery and support. Jo Bell spent the entire month posting poems for us to read as it is as important as writing and a sure way to learn/ learn about poetry. I have thoroughly enjoyed reading the poems and discussions on her blog and will miss this daily ritual and ponder more than I will miss the onslaught of daily poetry writing.
I went to the first talk organised by Room 204 and now have a notebook full of information and ideas.
And the month finished with a flurry of PR for VOICES FROM THE MIDDLE at Stourbridge Literature Festival.
The first of 3 events I have been organising. A combined reading with: I will blog about the festival/event over the coming days. Within 24 hours I will be promoting Cheltenham Poetry Festival and over the next 5 days working towards 30-40-60 the collaborative performance booked into this year’s Worcester Literature Festival.
I will not have time to be sad about the end of NaPoWriMo, but I hope to have time to type edit some of the work produced during April.
This was a GREAT month!
It was a fantastic night and I felt like ‘Christmas Eve’, the next morning it felt like a dream. The morning after felt whimsical and I had to pinch myself to tell that I was awake. This is how a great book launch should feel.
I cannot believe I didn’t blog it straight away, that I didn’t show you all how I felt. That you have had to wait two months for this post.
There was a lot to do before the event and next year I will be blogging about this side of things as I found, through countless hours of research a gap on the practicalities of organising launch events.
I got to Birmingham with a travel bag of books. I was a bag of nerves, but fortunately had Maggie Doyle and Spoz with me, taking my mind off it.
I wish I had taken a photo of the room and another of the audience. When I stepped into the space, my breath was taken away. We had four comfy, green chairs ready for us at the front (Hays Festival style staging) and more chairs had to be put out for the audience, always a good sign. There were over 25 people there and I was delighted that family and friends had also come to support me. There were three audience members who had seen the advertising and turned up for a free night of poetry and one of them kindly bought my book. So I was able to tick off the unwritten checklist of selling the book to a stranger on the evening of it launching. Happy dance.
I had asked for Roy McFarlane, Antony Owen and Claire Walker to come and read at the event. Claire started proceedings with a lovely set. I have always been a fan of her poetry (and Roy’s and Antony’s) – one of the many reasons I asked if they would read at the launch.
My publisher, Sarah Leavesley was also there and made a short and delightful speech that I had to speak after (and she nearly made me cry). I read a selection of poems from the pamphlet, signed and sold lots of books and we all celebrated with wine and cake.
It was an incredible night. It still feels like a dream.
Signing my first book. The books sold on the launch evening were all numbered as well.
Official Launch Photographs were kindly taken by Bernard Davis.
Here is my post-launch social media message;
A very quick, adrenalin filled THANK YOU to everybody who came to celebrate the launch tonight. Family, friends, poets & general public. Couldn’t have asked for a better event. Room was perfect. Fell in love with that space as soon as I saw the backs of the chairs. Slightly awkward explaining to the general public, who had rushed in that the first half hour was mingle time. Poets never get to chat (learnt that if it is your launch you don’t get to chat either) but think I managed to hug and welcome everyone. Sold more books than no. of people in attendance, thanks for the generosity.
Huge, huge thanks to Claire Walker, Roy McFarlane and Antony R Owen who made me swell with heartfelt sets and lots of appreciated sign language from the green chairs. How ‘Hay’ was that?
Thanks to V. Press for publishing Fragile Houses & Sarah Leavesley for her generous words and all the hard work. I managed not to cry the poems, but after that speech it was hard to do the next intro.
Thanks to Maggie Doyle who had my camera and captured that magic writer- editor/ publisher moment, gave me a lift and has been there from almost the very beginning. Thanks to Giovanni Spoz Esposito for the extra lift relay, for supporting the launch and for the delivery of my words elsewhere. Hope they serve well.
Thanks to John who enabled me to tick ‘sell your book to a stranger’. Thanks to everyone. Next stop, headlining Stirchley Speaks tomorrow, along with the wonderful Carl Sealeaf, P Cafe 7.30pm. Signed pamphlets will be available, minus the free muffins & wine.
Also thank you to Waterstones Birmingham and Bernard Davis who stepped in to catch everything through his camera lens. I cannot wait to see the shots!
As you can see from this photo – the pamphlet costs £5.50 and makes Christmas shopping REALLY easy.
V.Press have currently got Christmas bundles on SALE. Which means for just £7.50 you can be the owner or giver of two pamphlets.
Festive Offer 3: The way home
Review of October
Following advice I was trying to not be too busy pre-book launch but after a week off events I took my writing group for Writing West Midlands, watched all the poetry coverage on BBC2, missed another writing deadline and decided that I would drive to Cheltenham to Buzzwords and catch David Clarke and Cliff Yates (another new-to-me poet).
Buzzwords was great, I realised I hadn’t been for over a year. I had a fabulous evening and do not regret it, despite it being the night before my launch. I read my latest poem – a work on tribal philosophy and have some poetry drafts from the workshop to work on when I get a chance (Christmas holidays maybe).
I had imagined I would spend Monday getting ready for the evening – but in reality I missed writing deadlines, overslept, did everything I could to reduce the nervous anxiety of what if no-one turns up and finally at about 2pm started to get organised.
I am going to write a full post about the launch and some follow up posts about the organisation aspects, as there is a gap of relevant information in this area.
Waterstones Book Launch for Fragile Houses in Birmingham with Guest Readers – Roy McFarlane, Antony Owen and Claire Walker. It was a cracking night, the next morning I woke up to go to work and it felt like a dream.
The following evening I headlined at Stirchley Speaks. I have been headlining since Autumn 2014 but this is the first time I had a book to sell. I did leave home without them and had to turn back to grab the bag, I knew there was something I had forgotten. Since this night I have started using a large event handbag and always carry a couple of copies.
Stirchley Speaks was a great night and I sold lots of books, I realised at this point I had underestimated how many I should order. Taking advice from Jane Commane back in 2014 who said that audience doesn’t necessarily convert to readership. I was aware not everyone I know will buy the book. I have a list of people who want a copy next time I see them too.
It was good to catch up with everybody in the P Café and it was an incredible night of poetry.
The next day I contacted my publishers and ordered another box.
I hadn’t submitted any poetry for a while and had news of one of my poems being published in the USA. More on that when it happens.
I treated myself to an evening off and a little rest before National Poetry Day, which is fast becoming one of my favourite dates on the calendar.
I collected my new batch of books and went to Suz Winspear’s NPD event in Worcester. As Worcestershire Poet Laureate, Suz is working hard this year in the city and found a brand new venue for the NPD Event. Berkeley Almshouses was the venue and some of the residents came to enjoy the event. It was a great evening and the old chapel had fabulous acoustics and suited Suz very well.
This year’s theme was messages and I certainly sent a few texts whilst trying to track down the entrance to the venue. Great sets from everyone and I got to catch up with Math Jones (up from London) and Ruth Stacey. I even sold a book!
I spent the weekend Fri- Sun at Swindon Poetry Festival, it was 2nd year there and much as I loved it last year, this year was EVEN better! It deserves a full post and as I pretty much did everything on the programme, will certainly need one. A great way to finish an exhausting, fantastic week in my poetryskin!
Other great news was Matt Windle became Birmingham’s new Poet Laureate and by the end of the week I had sold over 50 copies of my book!
Started with a recovery day. I started to create Poetry Films, something I have got hooked on. Last year Sarah Leavesley kindly tutored a group of us in the art of production and I was inspired by the Poetry Films I had seen at Swindon. There are several poems in my pamphlet that I will rarely perform. These are all now Poetry Films.
On my recovery day I spent some INKSPILL admin time and rehearsed a set for Licensed to Rhyme. Roy McFarlane was headlining. It was a great night and I was allowed to sell my pamphlets, they had a table and everything.
The next evening I went to Ledbury to the Poetry Salon where Deborah Alma was reading and finally got a copy of her book, ‘True Tales of the Countryside’, a beautiful Emma Press pamphlet.
I unexpectedly performed in the open mic section. Fragile Houses reached Ledbury. It has since reached Palestine, Malta, Holland and Australia to my knowledge. It was a wonderful, rich evening and great to see Ledbury folk again.
This week was also Birmingham Literature Festival and due to work commitments and events was the first time since coming back to writing (2013) that I missed it. The night after Ledbury Liz Berry and Benjamin Zephaniah were performing and also Gregory Leadbetter had his book launch for ‘Fetch’ (Nine Arches) at Waterstones, Birmingham with Angela France and Jo Bell reading.
I was gutted to miss both these events but with working and poeting I had no energy and if I remember rightly was asleep as soon as I had finished tea.
The following night Luke Kennard was performing in Birmingham and I missed it because it clashed with SpeakEasy, where I was already performing. Roy McFarlane was the feature and it was a joy to listen to him twice in one week.
Fragile Houses received a Chez Nous Review which I was delighted to discover came from Gram Joel Davies. He actually chose some of my favourite foods – go and have a read.
By the end of the week I was run down with illness and missed Holding Baby a play by Jan Watts and the rest of the Book to the Future Festival (again for the first time since 2013). I hope to catch the show another time, I have heard nothing but good things about it.
It was great to finish the week with a Madhatter Review http://www.madhatterreviews.co.uk/books–e-books.html
Fragile Houses has positive reviews on Amazon and Good Reads.
I was asked to do something that I am really excited about, more on that next year. I spent days preparing for INKSPILL in shifts of 8 – 12 hours.
Mr G and I went to London to see Woven Hand.
I was too tired to manage Hit the Ode and Smokestack Poetry Evening event clash), both in Birmingham, both top nights. I also missed the Dylan Thomas Festival, running for the first year in Cheltenham. Unfortunately it clashed with INKSPILL this year.
I signed up to an online course ‘Arts for Health’ and performed poetry for ‘She Speaks Her Mind’ Woo Feministas – alongside Suz Winspear, Charley Barnes, Claire Badsey & Holly Magill.
Then of course it was INKSPILL with Gaia Harper, Roy McFarlane and Deanne Gist. This was the 4th year for us and it was a success. I already have Guests and plans lined up for 2017.
The Magnetic Diaries – which I saw in it’s infancy in Hereford last year was on at the MAC and although I couldn’t make the show I did make Sarah Leavesley’s workshop ‘Pain to Poetry’. I have some poetry notes and one poem so far from this and it was a challenging (emotionally) but not unpleasant experience. I also got time to reconnect with many poetry friends I have not seen in a while.
I spent the early part of the week writing. I entered a few free poetry competitions. I took some bookings for next year and exchanged pamphlets with J.V Birch through the post. She is a childhood friend, now living in Australia and has also become a poet at the same time as me. It has been exciting to map and mirror each other’s journeys through this new world.
I dressed up for Halloween as a ‘Cereal Killer’ and went off to perform at the Halloween Special 42 in Worcester. Where (due to the wig) people didn’t recognise me. It was a fabulous night and a great excuse to dress up. Fantastic sets from everyone.
photos by Liam Cortintias
The next day I had to do my best to get all the make up off and go to a workshop run by Angela France, the theme was Fairy Tales and I had a thoroughly enjoyable day and even sold a few books.
I listened to poetry on Radio 4 and missed my Stanza meeting to take part in a Charity Quiz night. All teams of 8 and due to circumstances we ended up with just 4 in our team. We were going for the Booby Prize but decided it was hard to share a bottle of wine and so started to get answers right. We came in 5th not too shoddy, somewhere in the middle. Over £1000 was raised for MacMillan.
I hoped to go to Lania Knight’s workshop, having missed her last one due to a crash on the motorway, but this weekend we celebrated a special family birthday.
So the Christmas adverts haven’t gone unnoticed and I realise we are fast approaching the end of November, (I realise this as I haven’t started seasonal shopping yet)! It has been a really busy Autumn, which is great as this is the life I wanted… it does mean that my blogging time has diminished.
I have some great ideas how to utilise this blog in 2017 that will fit into the ever-increasingly busier patterns I now exist in. I will save the big reveal for the New Year whilst I focus on the backlog!
REVIEW OF SEPTEMBER
September was the most exciting month of 2016 so far, my debut pamphlet ‘Fragile Houses’ made it out of editorial and to the printers and I was able to get my teeth into something I do well, organising the Book Launch event and promoting.
I was always a little unsure how soon to the end of the process the book had to be before the promoting could begin. Hard work after keeping it a secret for so long. Frustrating though the length of time it all took was, I am glad we launched in October because it is close enough to still being NEW at Christmas! So if, like me, you haven’t started shopping yet…
The rest of September wasn’t too bad either.
I finally managed to get back over to Permission to Speak, where Walsall Poetry Society had the headline slot. A collective of poets with a great range of work. Richard Archer – a poet from Walsall helped set this up. Richard has written 3 books of poetry and has performed his work on TV and radio. He describes his poems as a sideways look at life as he tries to dissect the world around him, failing or succeeding in equal measure.
Richard was joined by founding member Bryan Sydney Griffin a.k.a “LaGrif”, Marrianne Burgess, Paul Elwell, Ian Ward and Vicki MacWinyers.
I was also delighted to see Steve Harrison there, our paths haven’t crossed in a while. Busy poets that we are, with a few Counties of separation. It was a good evening and it felt like coming home. Rob Francis is always so welcoming and it is a great venue to perform in with one of my favourite stages (because it is made out of old school desks) and features in one of my poems. It was lovely to share the evening with Claire Walker and Ian Glass.
I missed the Fringe Festival in Digbeth, as I was out celebrating my birthday (yes! It was in August), I like to party! It was at the expense of missing several submission deadlines this month though. I try to be kind to myself when that happens but the inner voice is screaming ‘GET ORGANISED GIRL!’
I spent my time organising new term workshops for my Writing West Midlands group and sifting my way through the admin mountain.
I went to Waterstones to watch fellow V. Press poets David Calcutt, Kathy Gee and Claire Walker who have spent months planning ‘From Birth to Bone’, a scripted reading combining poems from all of their collections. I was a little gutted that Fragile Houses wasn’t out in time to participate, I have had conversations about collaboration for sometime. Still I have a few ideas to bounce around in 2017.
It was a fabulous night and their work blended well. I thoroughly enjoyed it, it was a jolly good performance. The other thing I loved was the programme. Listed on it were all the poems and the relevant pages from their books.
What I did manage to do was speak to Stuart, as an Area manager and Poet himself he is fully behind events in Waterstones. I have over the year attended several, but from this point onwards the book shop becomes my second home! I confirmed my book launch was to take place in Waterstones ! Oh, my wake me up – I am dreaming!
I went to SpeakEasy in Worcester where the featured artists was a three piece, ‘Threezacrowd‘ – Michael Thomas on words and Campbell and Jan Perry on music. SpeakEasy tends to be poetry so it was different to have some music and singing. Mike Alma and Pip Barlow brought us guitar and voice the month before.
Photograph – Mary Davis
The photo is from the August SpeakEasy, where I read some of the canal poems (still in draft form) from our poetry trip. I was wearing my Tiller Girl badge and Alan Durham wore his pirate badge.
Photograph – Mary Davis
I spent the rest of the week planning and promoting my Book Launch, working for Writing West Midlands, wrote endorsements for ‘Birth to Bone’ and my pamphlets became real and reached the editor. I still cannot believe I waited to pick them up for several days as our schedules weren’t matching.
They were published in time for the London Book Fair, which was exciting.
Following some summer preparation, I started organising INKSPILL – our online writing retreat. Sending emails and making contact with writers was fun and in the process have pretty much organised next year’s Guest Writers too.
It was also the first ‘Licensed to Rhyme’ – my most local poetry night! Finally my hometown can offer something and what a something it is. Maggie Doyle and Fergus McGonigal ran SpeakEasy for a couple of years and both took retirement from it earlier in 2016. Maggie and Fergus worked hard finding the perfect venue and pricing and all the millions of behind the scenes work, we never really consider.
Spoz co-hosts the event with Maggie Doyle once a month. This first evening was a great success and because the venue is an Arts Centre (Artrix) we have professional sound and sound engineers to boot. We walked on to ‘James Bond theme music’ and the atmosphere was electric. Which all helps performers to perform well. I had a 10 minute Guest Spot and Maggie mentioned my pamphlet was to launch in a few weeks too.
Even more exciting was finally meeting Dreadlock Alien, a man people have constantly spoken about since I hit the circuit in 2014. I knew some of his poems and have seen him perform online but to meet him was thrilling and it was lovely to see a lot of the Birmingham crowd over here too.
I also worked on (for hours) a professional writing website where people can find me, book me etc. A space I can keep for promo and work. And guess what? I found the only web space that doesn’t link to SEO on Google searches etc. which means unless I send the direct link – you cannot find me. I am limited by free webpages at the moment and many of these need you to install all sorts. I am tempted to use WordPress and as I bought ‘A Writers Fountain’, 16 years ago, I know I can do it again, when money flows a little better.
I still haven’t sat down to work this out but will spend those post-Christmas moments on it, ready to hit 2017 hard.
Come and see it anyway – http://ninalewis.webs.com/ – save it to your favourites, it may be the only way to find it again!
This is the week term started and for this half term I faced a new challenge, I have taken on a 3 day week. Okay, that doesn’t sound a lot but they are full paced and challenging days in a block and I am still on medication. What it will mean is I needn’t worry about not having enough work and it will give me a chance to build up skills with individuals, which is half the battle at the chalk-face or whatever it is called now we are all fully interactive.
It was also super busy with Poetry Events, such as Roy McFarlane’s book launch for his collection ‘Beginning with your Last Breath’- Nine Arches.
A superb event that took place in Wolverhampton at the Arena Theatre. This was a night I did manage to blog about in real time and you can read the post here.
Hit The Ode was the next evening and I was just too exhausted by then to get myself back to the city, fortunately in a move of pure genius Carl Sealeaf was providing LIVE streaming, which was no way as good as being there – but was much better than missing it all. It also meant I had time for 2 hours worth of research and some book promotion work.
I also started to write properly again, something I haven’t really been able to do whilst the pamphlet was still in editorial.
I booked guest poets for my book launch; Roy McFarlane, Antony Owen and Claire Walker. Delighted they all agreed to read.
This week didn’t stop. On Friday I went to Kenilworth to see a Poetry Reading at the Talisman Theatre, curated by David Morley. Just in the foyer alone I was excited to see so many people, many I had seen just a couple of days earlier at Roy’s book launch. By far the most exciting sightings were John & Liz Mills, I had no idea they were coming, we have already decided to make a reunion of it next year, treating ourselves to pre-show dinner, after show drinks and a hotel. They had booked a hotel, I live a little nearer so opted for a night drive.
I also saw Julie Boden and that was a treat. So glad that she made it to the show.
The show itself was mighty fine. I loved meeting and hearing new to me poets – Luke Kennard, who I have missed every time the opportunity has arisen, Sarah Howe who writes beautiful, honest poetry and Claire Trévien, who loves language and was a joy to watch/listen to. I enjoyed the sets from the poets I do know David Morley, Jo Bell, Jonathan Edwards too. They promised a special evening – and it was!
I really wish I had blogged about it at the time, because so much has happened since, it was a wonderful evening and I remember it fondly.
I missed Jo Bell’s workshop on Saturday as I was going to Worcester Music Festival to see The Anti-Poet, after missing them at WLF (Worcester LitFest) in the summer. I loved it! It was a total nightmare to park, but well worth the agro.
After this I finally COLLECTED my PAMPHLETS!
It was also London Book Fair and although I couldn’t make it this year and missed the opportunity to perform Ambiguous Answers for Paper Swan Press,
my book did make it and I got to follow it all on Twitter.
And FINALLY on Sunday I headed out to the MAC where I watched the new version of Ten Letters. The original last year was crowdfunded, a project that was the brainchild of Lorna Meehan and Spoz. This year they have a few new performers, lots of new writing and media and have been funded by the Lottery and Arts Council.
I was also asked to appear on a panel of writers on Radio – which I was jumping about over, until I realised it was a work day and I wouldn’t be able to get to the studio. However, I have been booked to do this in January. Which hopefully will be an easier month on the calendar and I will be all fresh and ready.
This is the week of the Poetry Festival in Stratford-Upon-Avon and I was gutted to miss every event I had hoped to get to. After typing week 3 for the past hour, I can see why I didn’t have the energy to work, play and drive all over the place. The final performance from all the resident poets, ‘Unexpected Encounters’ was something I really wanted to see, but had booked (way back in August) my final birthday meal with friends, where we got to cook our food on hot volcanic rocks and this was something that couldn’t be undone. It was a great night!
It was also Leicester Shindig and I hadn’t realised Claire Walker was featuring there, missed it completely. Leicester was the city I came out as a poet in and performed spoken word for the first time.
I had several invites to events I missed this week – it was hard enough to stay awake and work without going out in the evenings. I was getting in and falling asleep. I did admin tasks, promotion online and booked tickets for Swindon Poetry Festival. I also managed to get to the local Stanza meeting as well as taking a Headline booking for Stirchley Speaks next month, the night after my Book Launch. I also took my first booking for 2017 and booked up October.
On Sunday I read at Open Poetry in the Arboretum, Walsall and promoted my forthcoming pamphlet. It was a lovely afternoon.
The last 5 days – no wonder this month seemed so long!
I continued Market Research, promoting and organising the Book Launch (1 week to go).
I missed some submission deadlines.
Took pre-orders for the pamphlet.
Missed Poetry Bites and the Open Mic at Waterstones, 42 and a Scratch Night. I was attempting to take my editor’s advice and take it easy the week before the launch. Which I managed ALL WEEK and then at the weekend (with 48hrs to launch) I broke my promise to myself.
MORE ON THAT IN THE OCTOBER REVIEW.