This is a collection of ultra-short Thumbnail Nature pieces from a February workshop ‘Nature Writing Through the Window’ which Amanda Tuke co led with Helen Jones, an inspirational disabled nature writer.
It was a great workshop and the last from this particular Arts Council funded project. It has been a pleasure to get to know Amanda and delve into thumbnail nature. I am delighted to have pieces in all the anthologies of workshops I was able to attend.
Angi Holden also attended the workshops and been published in the anthologies. It is always a great delight when you see friends sign up for the same events. An extra delight in February was spotting Elizabeth Uter in attendance. Liz and I met at the Poetry in Motion classes 2020/21 with CelenaDiana Bumpus, Liz still attends classes with Inlandia. Her poem is above mine, it’s so lovely to share the virtual page with her again.
Thanks again to Amanda Tuke for these incredible workshops and for giving my first thumbnails a home.
Amanda Tuke – workshop co-leader and Great North Wood nature-writer-in-residence in partnership with London Wildlife Trust. Once covering a large area of south London, today the Great North Wood consists of a series of small green spaces – all of which provide a home for nature within a modern urban landscape.The workshop was made possible thanks to public funding from the National Lottery through Arts Council England.
The latest anthology of nature writing is live on the London Wildlife Trust website – with thanks to Amanda Tuke/ Goldcrest Projects.
A great collection of thumbnail nature from a workshop Amanda co-led on 18 December 2021 with Rebecca Gibson, wildlife writer and photographer. These workshops fill me with joy and are precious spaces of calm in this distressed world of ours.
Read It Wild – readings and conversations with nature writers
Join nature writers Amanda Tuke, Electra Rhodes, Vanessa Wright and Jane V Adams for an event to celebrate nature writing.
About this event
Sit back and relax while a range of new and established nature writers spin words for you which bring the wild inside. From a frantic spring and light-filled summer, to autumn scents and winter footprints, join us for a celebration of diverse nature writing. And you’ll hear what nature writing offers for published writers, with the opportunity to ask them questions.
This free event is made possible through National Lottery Funding via Arts Council England.
Join us for FREE Register for tickets here on Eventbrite.
Amanda Tuke is a nature writer, botanist and birder based in suburban south London and she is currently Great North Wood nature-writer-in-residence. She contributes regularly to Bird Watching Magazine , the London Wildlife Trust Blog and has written for BBC Countryfile and Resurgence & Ecologist Magazines. Amanda blogs about nature and her freelance nature-writing journey and loves leading nature-writing workshops.
El Rhodes is an archaeologist who lives in Wales and Wiltshire. Her prose and poetry has been widely published in a range of anthologies and journals, and she writes a regular column on rural issues for Spelt Magazine. Her book, ‘My Family & Other Folklore’, was recently longlisted for the Nan Shepherd Prize and is now out on submission. And her coastal South Wales set novella, ‘Sextet’, recently won the Louise Walters Books P.100 competition.
Vanessa Wright is a nature writer who lives in Hertfordshire and loves the Hebrides. She left corporate life last year to pursue her passion for wildlife and study for a Masters in Nature and Travel Writing at Bath Spa University. She has contributed to Bird Watching Magazine and The Pilgrim, written on behalf of the Hertfordshire & Middlesex Wildlife Trust, and was recently longlisted for the Yeovil Literary Fiction Prize.
Jane V Adams is a naturalist, photographer and travel and nature writer based in Dorset. She has written for The Telegraph, BBC Countryfile and BBC Wildlife Magazines, and writes a regular nature column for The Blackmore Vale Magazine. Recently longlisted for the 2022 New Travel Writer of the Year Competition, Jane is currently writing a book about nature’s amazing moments, due for publication in 2023.
El Rhodes first reached my radar during Lockdown/ 2020 and I enjoyed her workshops and the writing that brought me. Last year, I was lucky enough to find some more nature writing workshops and as a result, met Amanda Tuke and started the joy that is writing Thumbnails.
I have successfully had both my workshop pieces published on the London Wildlife Website, thanks to Amanda. You can read them here, along with many others:
At the last workshop in 2021, Amanda told us about a planned reading and how we may be able to get involved. In 2022 we were invited to write some seasonal thumbnails, sketching a whole year of nature. After much research, drafting and editing I was excited to press SEND on my first submission of 2022 – and even more excited to hear my pieces had made it into the reading this weekend.
I am delighted to have my nature year included in this event and look forward to hearing the other pieces and the main readers.
Summer’s late to the UK this year and so is my May review. I didn’t manage to finish the content in time before getting swept up with festival programming. Rather than leave people out I decided to delay the post.
Better late, than never… May.
May and June are always Festival busy and life online is no different. I also had a few exciting projects I was working on, so it has been another packed month.
The Stay at Home! Literary Festival celebrated a 2nd year of stunning, FREE events and brought us a fortnight packed with Readings, Interviews, Workshops, Panel Discussions and Books! It was fantastic.
You can read my posts about the SAHLF events starting here.
Saboteur Awards Festival (10th – 15th May) The team have been working hard on how to adapt the awards to a digital platform for the 2nd year and have introduced the Saboteur Awards Festival -a Panel Discussion, Workshop, Reading Series ‘specifically to promote work that had been impacted by the pandemic and/or the various lockdowns throughout the UK’. At the end of the festival this year’s winners will be announced and then you can lock forward to the Spotlight Winners Series running all the way into June.
https://www.stayathomefringe.co.uk (11th -26th May ) The Still-at-Home! Fringe Fest is the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. Now a year old, and on our third festival, we’re letting loose one last time because we’re still at home!
MASS Poetry Festival (13th – 16th May) This was an absolutely packed programme of events – ‘more than 50 events in total featuring well over 100+ poets‘ – no wonder it’s a biennial event! The festival is a mix of in place events and virtual. I attended a lot of MASS PF workshops and have always had an eye on this one so it is a delight to be in a position to join in.
This was an incredible festiand I am so glad I had a chance to catch it and be part of it online.
I was delighted to see the Urban Tree Festival back after its award winning 2020 Festival.
‘2021 marks the Urban Tree Festival’s fourth year As lockdown eases in the UK, we hope to bring some on-the-ground events and activities, however, the majority of the Urban Tree Festival is online. Building on the success of our entirely on-line festival last year, that introduced us to new audiences across the UK and far beyond…’
There were lots of great readings this week. Cheltenham Poetry Festival had more wonderful offerings, I went to the reading by Jonathan Davidson and Wendy Pratt. It was a joy. Pavillion Poets 2021 Reading (Liverpool University Press), featuring Alice Miller, Alice Hiller & SarahWestcott. I enjoyed the fine new work from these poets.
I managed to catch a wonderful reading at White Whale Book Store, with Adrienne Su reading from her latest collection peach state. She was joined by Kazim Ali & Erika Meitner. It was another reading worth staying awake for. Beautiful event. The flipside of no work for a 5th week… meant I managed to get back to the Live Canon Lunchtime reading series and enjoyed sets from: Nora Nadjarian, Benjamin Cusden, Sara Levy and Jeffery Sugarman.
I experienced the final MASS PF PEM Museum Workshop with Kirun Kapur which was a delightful look at epistolary poetry. Well worth staying up late for. I am now busy crafting these poems.
After seeing Rachel Bower again at SAHLF this year, I was delighted to discover her‘Glimmers: Writing out of the Ordinary’ Workshop with Union Street (which had a similar theme to the workshop I planned for Cheltenham Poetry Festival Freeverse series this month). And I found it just in time to attend this wondrous hour!
I took part in the final (of a series) Mindful Poetry Workshops with The Well. This week was Sarah Yeung of SKY Sound Yoga who opened our time with a sound meditation. And, Eddie Gonzalez, Director of Engagement at The On Being Project who led the poetry workshop. It was a fantastic experience to be a part of. I am now baking these poems too.
I finally submitted toIS&T earlier this year, a magazine I have read for years. I was delighted to have a poem accepted by them ‘Where We Begin’, was featured on the 2nd May.
Was a whirlwind of real world work, readings, workshops and multiple festivals. I also managed to make a submission and craft some new poems.
Live from The Butchery hosted another fabulous afternoon of poetry with Tim Liardet, Jennifer Militello, Jenny Pagdin and a week later were announced as winners of the Best Regular Spoken Word Night Saboteur Award 2021 , acategory full of stiff competition, so kudos to the team.
Followed by an equally exceptional evening at Cafe Writers featuring Tiffany Atkinson and support from Tristan Coleshaw & Eve Esfandiari Denney.
I did my usual sessions Line Breaks and Bronx Beats with Peggy Roubles-Alvarado which is always fast, furious fun and Redwing’s groups. The WLF team started finalising mini-festival 2021 plans and I had some wonderful readings and workshops from the Saboteur Festival and MASS Poetry Festival.
I made it to most of the Poetry Business Spring Launch and caught up on rewatch. Evesham Festival of Words have also been producing events online. I managed to get to Home and Away featuring the Cheltenham Poetry Festival – Anna Saunders, Ben Ray and Zoe Brooks.
I also missed some events and readings as I was working.
The festival events continued and a workshop I had been looking forward to for a long time with Denise Duhamel and Maureen Seaton. Great things have come from this session ‘Collision, Collusion & Craft’.
I enjoyed a workshop with Sarah L. Dixon and a Fair Acre Book Launch for Carl Tomlinson and Annie Freud’s wonderful launch event ‘Hiddensee’ with Jacqueline Saphra.
Last Autumn I was booked by Cheltenham Poetry Festival for the Freeverse Programme to facilitate a poetry workshop day. The theme I chose was‘Finding Fortune’and it was a pleasure to provide a bespoke Freeverse Workshop for this project.
To wind down afterwards I joined the Urban Tree Festival for Sounds of Plants with Planet Utopia. I discovered a while back the magic of tree communication – it was wonderful to hear it and lovely to be part of such a laid back hour.
I also caught another reading with Adrienne Su, for Caltech, a wonderfully generous event.
The organisation of Worcestershire LitFest & Fringe Festival ran full steam. I was busy with the tech side of the our 2nd Digital Mini Festival. Preparing for pre-festival meetings and Poet Laureate interviews as well as organising events and herding poets (and everyone knows we are like cats or badly behaved sheep)!
I had to miss events due to work and carved out one evening away from the desk.
I missed at lot of the Still-at-Home! Fringe LitFest (Fringe for SAHLF) – or as marketed, the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. I did manage to get to enjoy Tawnya Renelle’s workshop and one at the Urban Tree Festival – Writing Wood Words with Electra Rhodes and the other with Chris Vox on ‘Serendipity’ as part of the SAHLFringe Festival. As well as a Magma Poetry Talk and I managed a couple of submissions.
I spent my weekend at a variety of festivals, went to a couple of workshops we had the 2021 Worcestershire Poet Laureate Interviews and I finally made it back to USA open mic with Great weather for Media. I missed some submissions, due to work commitments. I arranged an interview in June for BBC Hereford & Worcester radio. And the HAY Festival began with an amazing Gala event.
Sadly this year I didn’t make it to all the events I had hoped to catch at HAY. I haven’t been able to work properly for 2 years, so I am currently snapping jobs every time they come. I managed to catch some before they disappeared into Hay Player – which has a reasonable rate for an annual subscription. I was working and full of cold. I had lost my voice completely when 42Worcester came about and so for the 2nd time this year (after not missing any for the best part of 5 or 6 years) I missed it again, I managed to pop on for a few readings and then had to leave. I had managed to pen an on theme poem in my lunch hour and was fully prepared to join in.
I thought I had a quiet(ish) weekend to finish the month, especially after three weeks of work… but then, along came The Black Country Living Museum with a whole day of workshops facilitated by the Poets, Prattlers and Pandemonialists as part of the Loff Out Loud Festival, a Sheffield Libraries event and HAY.
May was finished off at the WWBPA where we celebrated Walt Whitman’s 202nd Birthday with a presentation of artwork and film inspired by Leaves of Grass. It was marvellous curation and an enjoyable watch.
I realise despite writing 38 poems in the past 4 weeks for NaPoWriMo, you haven’t seen any of them – so I can treat you all to a full poem today care of IS&T who kindly published‘Where We Begin’, it is the featured poem today.
Much of the poetry I wrote in 2020 (beyond my own ongoing projects), was as a result of fantastic, generous workshops. When I reminded myself of the origins of this poem I knew I needed to add thanks to Zelda Chappel.
Zelda ran several classes/workshops throughout Lockdown. This poem came from the Week 1 Writing in New Spaces, so thanks Zelda for making me write in the fresh places.
It was written over a year ago, a few weeks into the 1st Lockdown, it reminds me how far we have and have not come.
With gratitude to IS&T and Helen Ivory for considering this poem.
Last year I tried not to write about Coronavirus, it crept into a lot of the work and in the end I fell into the school of thought that part of the job of a poet is to comment on our experiences and the times and 2020 was certainly packed with events that found way to many pens for those of us who could still write.
As far as submissions go, I haven’t actively been working on that as I have been busy with writer/editor/reader head on for a while and have seen many collections pass my way. I did have a couple of other poems published in another anthology too, Geography is Irrelevant but most of my C0’19 poems cling on in notebooks!
I am excited to be performing again at the Walt Whitman Birthplace this evening, (I featured there in Oct. 2020).
WWBA is delighted to host a live poetry reading to celebratethe release of “Corona: An Anthology of Poems” editedby Gayl Teller, the Nassau County Poet Laureate for 2009-11 and the 2016 Walt Whitman Birthplace Poet of the Year. This luminous collaboration of 98 poets, including many poets laureate from the US and abroad, evinces a kaleidoscope of perspectives and experiences during our historic and traumatic time of pandemic and racial strife. Celebrate Poetry Month with us on Zoom during a live reading with a diverse group of poets sharing their reflections on the quarantine, social distancing, masks, and other aspects of the global pandemic.
February arrived and I could barely believe January was over! Another month fully booked and brimming with adventure… and more snow! After suffering several lack work years, work came like buses and I said YES to it all. So right from the get go I was aware of pacing myself. I worked full time for a couple of weeks, balanced deadlines with new ventures, took on a new role and celebrated Mr G’s birthday, Valentine’s and other family celebrations and finished the month off with a Poetry Festival! Perfect! This is certainly one of the longest review posts for a while, you may want to munch through it in several sittings!
The first day of the month threw treasure at me, I started a new course with Tawnya Renelle – Experimenting with… it was inspiring as ever and started me in a new direction with some material I have been chewing over for a while. I even created a sketch! There is a shiny new website/platform and lots of resources to get my teeth into (especially now I have finished chewing)!
I also had some happy news hit the inbox, after a two year hiatus (health + pandemic) I am back with the DAN team supporting them with an online Poetry Extravaganza again. AND…. last year I completed the Poetry Renewed Project and my commission with Elephant’s Footprint to produce 10 animated Poetry Films. One of these, ‘Territory’ has been shown at the ReelpoetryFestival in Houstonthis month (24th Feb.) – the joy is abundant! https://awritersfountain.wordpress.com/2021/02/27/reelpoetry-festival-houston-tx/
I made some submissions with close deadlines and applied for more work. Which was time consuming and exciting. I had proof copies of Recoil 12 back from MullaMulla Press, I had a poem accepted by Literary AlchemyPress, an online magazine I discovered last year. They have taken a poem I wrote in an Angela France workshop and one I am particularly fond of. In addition to that, by publishing it they have become an International Press, which is brilliant for them!
Connect Dudley, (a project I was commissioned for back in May 2020 during the 1st Lockdown) is coming to the third leg. Rick Sanders facilitated community workshops where participants wrote letters over several weeks, in the 2nd leg Rick and I turned these letters into poems and shared them with the participants. We also completed an interview with the funders, CoLab and recorded audio of our work (which is connected to the High Street poems via QR codes).
Rick is now in possession of some very shiny and graphically exciting posters of the poems which will go up in empty shops in Dudley’s High Street over the next 5-10 weeks and I am booked for a reading later this month which will be a webinar and Q&A. It was a wonderful project that has helped many people and I am honoured to have been a part of it.
I caught an interview withCasey Bailey – Birmingham Poet Laureate, on Midlands News, which made me happy and I had my final workshop class with Zelda Chappel. It was on Life and Death – so not a light subject but it was a wonderful few hours, I have loved being part of this group and the work we have covered has uncovered some of those poems that have been living inside me. Now the hard work begins to get them fully formed.
I would recommend Zelda’s classes they are great fun and she has a wonderful way of facilitating 2 hours of intense writing and reading in such a relaxed and caring way you leave in a state of cleansed tiredness, definitely lighter and happier and with ink that is worth page space. It has been a January/February highlight. You can book the full course of just choose a week that you feel pulls you in. Most of our group did all 4 sessions. I first met Zelda through Jo Bell’s 52 project back in 2014, we read at the same event in London and have been following each other ever since. Do check out her poetry.The Girl in the Dog tooth Coat by Zelda Chappel.
I had the pleasure of attending a Book Launch, Nature at a Cost a first collection for Annie Ellis. I was tired but I wouldn’t have missed this Launch for the world. I am delighted for Annie. It was a lovely to watch her excitement as Guest Readers shared some of their own poetry and read poems picked from new collection. Annie’s Special Guests were Ben Ray, Anna Saunders, Zoe Brooks and Ankh Spice.
I recently discovered we landed in poetry around the same time, when I first met Annie (back in 2015), I thought she was an established writer. Annie’s collection has been described by Ankh Spice as ‘a clarion call to find the edges we have forgotten’, and by Ben Ray as ‘a haunting love letter to the natural world’.
The weekend saw more events and workshops withRedwing, Rakaya Fetuga & Sarah L. Dixon. Nine Arches Press celebrated the launch of Jacqueline Saphra‘s One Hundred Lockdown Sonnets. I watched the conception of this back in 2020 and have read a good number of Jacqueline’s sonnets, several poets joined her but most managed 80 something sonnets. This is not just another collection of Lockdown thoughts and poems, these are sonnets that in years to come will form a historical record and someone suggested may linger in our heads like lines of Shakespeare’s sonnets. It was also a treat to hear her Guest Poets: Anja Konig, Miriam Nash, Jacob Sam-La Rose and video readings from Ian McMillan & Naomi Shihab Nye.
If you missed it you can treat yourself now.
Sunday saw a warm gathering for Live from The Butchery and some stunning performances by: Annie Freud, Jane Burn & Anja Konig. I thoroughly enjoyed myself and it felt like the perfect end to the weekend, except there was more!
I have a few favourite landing places in America that I’ve discovered throughout the lockdowns and many offer free events. I am lucky enough to be working again but after the past 2 years the surplus spends are absorbed by previous bills so I am still not in a position to pay booking fees let alone ticket costs. Which is a great shame as there are lots of opportunities around at the moment – including a workshop with Carolyn Forché at the Kendal Poetry Festival. A festival I will get time to write about soon as I’ve spent an amazing 9 days with Clare Shaw and Kim Moore to complete the month!
I spent an inspiring night with Carolyn Forché & Lori Soderlind, thanks to Hudson Valley Writers Center. It was a deeply moving and inspiring event and I loved both readings. I have become a big fan of Carolyn’s work over this pandemic year. I received an order for In the Lateness of the World (Penguin Press, 2020) for Christmas and it should be arriving next week!
Carolyn Forché is an award winning author of poetry and prose. Renowned as a “poet of witness,” Carolyn Forché is the author of five books of poetry. Her most recent collection, In the Lateness of the World (Penguin Press, 2020), is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death.
I loved discovering Lori and the story behind her work.
I wrote a proposal which took a lot longer than I expected. I’ve written a few applications this year and one of these was for Mass Poetry Festival in May. I was keeping my fingers crossed for a positive outcome on this and gathering some of the poets together again. Unfortunately it was rejected via a very kind email. Four years ago I started my Laureate Legacy Project (2017), a Transatlantic poetry exchange with Worcester, UK and Worcester MA, A Tale of Two Cities. You can read all about it here. And read the publication, Special Issue of Contour here. Many of the poets have gone on to republish their poems in other anthologies and collections.
In the UK we launched the project at Droitwich Arts Festival 2018 as part of the Poetry Extravaganza event, USA had an event at The Sprinkler Factory in September and then in 2019 it was part of the Evesham Festival of Words. I had hoped to role out a lot more with this massive project, there were plans but due to health issues and then COVID nothing has happened since. Evesham was booked in the summer of 2018 when I was 100% fit and not expecting an operation, it was only through the support of friends that I managed to get to the Festival and undertake the organisation of the event. So when I saw the call for MASS Poetry Festival I thought it was destiny! The application took some time, I was delighted to obtain a reference and all was well. I have been checking the inbox for a while. Maybe more opportunities will present themselves. Due to the pandemic I am back in touch with the WCPA who provided the rich American pool of poets for this project. So maybe when I am less busy I can organise something myself.
I missed the Cafe Writers Competition Winner Readings with Helen Ivory (Judge), I thought I had booked a ticket, I had registered interest in the event but not got a ticket. I was a actually double booked so would have missed the start of it, but kicked myself for not keeping tabs. This is overwork tiredness. It continued the next day. I had booked for a presentation (one which was recorded) and decided by the time I made it home I was too tired for any screen time. I forgot I have a Tuesday night class at 9PM (in USA) and was asleep before 7:30 pm. This week I have been putting the finishing touches together for Mr. G’s Lockdown birthday and Valentine’s Day as well as working on projects, writing applications and advertising copy.
Midweek I managed to attend Sheffield Libraries workshop, it was a writing week filled with food. Tawnya’s Experimenting with… class on Monday was Food and this Recipes and Memories workshop, facilitated by the wonderful Central Librarian, Claire Walker, links to a project later in the month. I spent a couple of hours in good company recollecting all sorts of stories that were decades thick in dust. It was inspiring and I hope to write up a couple of poems. It was also nice to see some of my 52 Poetry friends at the workshop and everyone shared such inspiring memories that many of us left with pages and pages of notes after the 2 hour workshop finished. At Midnight there was a USA reading, but I was asleep long before then.
On Thursday it was Worcester SpeakEasy, it was a wonderfully tender and entertaining evening, which included an impromptu ‘hat off’, bountiful love, valentine and non-valentine poems and we had a band too! I finished working full time and celebrated with Wolverhampton Literature Festival, Food for Thought poetry cafe, Poet’s Cafe featuring Corrupted Poetry a collective of writers, Nic Stringer, Michelle Penn & Fiona Larkin.
My 2nd proposal written and sent a week ago was acknowledged with an incredibly kind rejection email. They have kept my contact details and had over 3000 applications, they said my detailed pitch was well written, so some upskill desk time & pitching if nothing else. It’s a shame as it sounded like an exciting project to be involved in. Hopefully it has future-paved something!
This weekend was Mr G’s birthday and Valentine’s so I originally avoided booking anything in, until a conversation made me realise that 48 hours with me was not the way he planned to mark the weekend (harsh), so I booked a few bits into the last days of the week. On Saturday I went to Rakaya Fetuga‘s workshop and then the Annual Lucille Clifton Celebration: Today We Are Possible. It was a moving event full of tenderness and power – the best combination, stories and poems and memories of Lucille.
I was glad not to miss Charley Barnes‘ Book Launch for her Poet Laureate Collection, Lore. A collection which feeds more than her obsession with flowers and footnotes. I will be adding a post about this soon.
The Worcestershire LitFest competitions opened and I spent several hours web-building. This week was marked to work on one main project. I managed a few last minute submissions and was looking forward to Cheltenham Poetry Festival who had Kim Addonizio & Christina Thatcher booked. It was an incredible event. Epic in the truest sense of the word. I will be writing February blogposts long into March!
I had a project (which has been postponed) booked in for this week so hadn’t filled the diary. I am spending most of the week working on a manuscript which is due to be submitted. Looming deadlines are always a good reason to set to work. I have been working on this since last year, but decided not to sub it out in the end in the Autumn as I had originally planned. The poems involved have been written since 2019 and I am keeping my fingers crossed. It feels strange as in pre-pandemic times there would have been bountiful events to sell my previous book Patience and I am aware I have stock upstairs, I have sent any interest since March 2020 to the publisher website.
I recently discovered these lunch time readings, PM for UK. A lovely way to finish a day of one workshop, one class and one group.Jennica Harper tender poems touched us all deeply and listening to Frances Boyle force with nature, family, grief was fantastic. I thoroughly enjoyed listening to these two Canadian poets. The Q&A was interesting, I love listening to the poet’s process.
Frances Boyle’s first poetry collection, Light-carved Passages was published by Buschek Books in 2014, and her second, This White Nest, by Quattro Books in 2019. She also writes fiction and has published a collection of Short Stories and a Novella.
Jennica Harper is the author of three previous books of poetry: Wood (Anvil Press, 2013), which was shortlisted for the Dorothy Livesay prize, What It Feels Like for a Girl (Anvil Press, 2008), and The Octopus and Other Poems (Signature Editions, 2006).
I often miss Cafe Muse nowadays due to work, Canadian events tend to be on in the early hours here in the UK. But I was still awake so I went to listen to the reading series Poets Vs the Pandemic. And I was glad I did, because I got to hear some great poetry from all three poets. Some of the poems were amazing.
Grace Cavalieri is Maryland’s Tenth Poet Laureate. She’s written 22 books and chapbooks of poetry; and 26 produced short-form and full-length plays. Her newest poetry publications are What The Psychic Said (2020;) Showboat,(2019;) and Other Voices, Other Lives (ASP Pub. 2018.) Her latest play was “Quilting The Sun,” Theatre for The New City, NYC, 2019. Grace founded and still produces “The Poet and the Poem” on public radio, celebrating 44 years on-air in 2021. The show’s recorded at the Library of Congress and transmitted via Pacifica Network.
Diane Wilbon Parks founded The Write Blend collective in 2018. She is a visual poet and artist who has published two collections of poetry, and has read widely as a featured poet, radio show guest poet and interviewee on The Poet and the Poem national broadcast from the Library of Congress. Her artwork has been displayed widely. She lives in Prince George’s County, MD.
ROSE SOLARI is the author of three collections of poetry, The Last Girl, Orpheus in the Park, and Difficult Weather, the one-act play, Looking for Guenevere, and the novel, A Secret Woman. She has lectured and taught writing workshops at many institutions, including the University of Maryland, College Park, MD; St. John’s College, Annapolis, MD; and the University of Oxford’s Centre for Creative Writing in Oxford, England. Her awards include the Randall Jarrell Poetry Prize, an EMMA award for excellence in journalism, and multiple grants. In 2010, she co-founded Alan Squire Publishing. Rose Solari lives in Bethesda, MD.
I booked tickets for Rita Dove and Terence Hayes and fell asleep before Jane Hirshfield‘s event Poetry and the Wild with the Natural History Institute. I caught up with a recording of it, another event which deserves an entire blogpost. It’s on the list!
I received some very sad news about our Poets In Motion teacher Celena Diana Bumpus, who passed away along with her mother, Shirley Bumpus. It has been an honour to have known Celena for almost a year, she was a creative person full of light and such a connector in these difficult times. Memorials have been organised. Words are the only fitting way for me to remember her and her generous spirit, spreading love and vision, globally. Her emails bore the signature ‘Be the inspiration the world needs‘. At the end of month I was reunited with classmates via email and we’ve decided to complete the collective unity poem Celena was working with us on.
I recently discovered Live Canon’s Lunchtime Reading Series, I went to the 4th one (I missed the 5th one, which had a great line up as I was at work). I am hoping there may be more in the future. They are just an hour and a perfect poetry lunch. I listened to with Adham Smart, Robin Houghton, Gillie Robic and Laura Theis
Friday night saw the Launch of Kendal Poetry Festival, a fabulous reading from Bernadette Mayer, followed by listening to the winning poems from the Pre-Ralphaelite Society.
The weekend saw the beginning of 9 days of early morning light workshops alternating between Clare Shaw and Kim Moore. These have been wonderful and productive. This weekend saw the first one with Clare followed by a morning with Kim on Sunday. I had a rehearsal for Connect Dudley. I went back to Kendal Poetry Festival for a Workshop and two readings: Hafsah Aneela Bashir, who I discovered last year through the Jerwood Arts events and Jackie Hagan who I have had the pleasure of watching LIVE several times before. Both were incredible events and will appear in my KPF post when I get around to working through the February list!
I finished my Saturday night with Rakaya’s weekly workshop and the Oystercatcher reading, which I was especially pleased to be available to attend as I was missing Vahni Capildeo at KPF. It was a powerful night of work with: Lee Duggan, Zoe Skoulding & Vahni Capildeo.
Sunday saw me back at Kendal Poetry Festival for the early morning writing session with Kim Moore and a reading from These Are the Hands the NHS anthology which came out last year. I will write more on this event. I spent the day building websites, workshops and going to Claire Dyer‘s Book Launch of Yield and trying to squeeze every last drop of freedom from the night. Then that was my week off work, gone.
I was back at work, missed deadlines, completed a week at Kendal Poetry Festival, made a performance/event video (not done one of those for a while), did some classes, had an emotional Worcester 42 in tribute to Kieran Davis, we all shared some of his poems and our memories of him, it was a moving experience. By Wednesday it was all I could do to stay awake after work, I had a fun reading event with Rick Sanders to launch the Connect Dudley Exhibition and had an animation shown in the REELpoetry Festival the same day.
On Thursday I managed to get to a Finding the Words, to hear readings from Gaia Holmes, Natalie Rees and Miles Salter.
It was a great reading and I listened to some inspiring, humour filled and new (to me) poetry which I loved. Kirsten Luckins also had her Book Launch with Guest Readers, it was a real treat to see her in a real book shop!
After work on Friday I managed to get to a panel discussion at Kendal Poetry Festival – Rising to the Challenge: Poetry in the Age of Covid, which was brilliant. I had a workshop and a reading cancelled and was relieved as I needed some time away from the desk. Saturday and I FINALLY made it back to Australia to the Perth Poetry Club – that had been a long time coming too. It will be no surprise that most weekends involve waking up later than 6 AM and so I often miss these by the time I surface after a late Friday night (or even an early one). Still just to wound off the month perfectly, I made it! After a great morning of poetry I joined Kim Moore for her final KPF early morning write. I spent most of the time offline and popped on for RakayaFetuga‘s workshop and to be WOWed by the UoB Slam Team! More to follow.
Sunday marks the last day of Kendal Poetry Festival and I got up to write (for the final festive writing) with Clare Shaw. I have a workshop this evening and plan to spend the rest of the day as Sunday’s should be! Feels like I need a big lie down in March! I am taking a more relaxed approach to filling the diary as it is already full with a desk schedule I need to keep and the last month of contracted work.
November finally saw a return to work after 8 months, an anxious time but also a great relief! It was a busy month on and offline. I had more medical appointments and another hospital appointment. But the balance was a month packed with Poetry / Literary Festivals!
At the end of October and beginning of November I enjoyed Dodge Poetry Festival and the packed programme of poetry. I shared a sea theme poem at Wirral Poetry Festival at an evening featuring Philip Gross, watched Andrew McMillan at Todmorden Book Festival, saw Padraig O’Tauna read several times. Watched Sandwell Stories, enjoyed Ankh Spice back in action at the Cheltenham Poetry Festival, HAY had a WINTER Festival Weekend. I joined the final weekend of Culturama.
I had the opportunity to watch Heidi Williamson in action again at The Oxford Centre for Life Writing, Worcester University have also brought part of the Creative Writing Readings online and I managed to catch Hannah Lowe in action (it has been many years since I last saw her read). I caught an event at the Uni of Oxford with Rishi Dastidar on The Craft – a book he wrote a few years ago.
I enjoyed the tail end (dog pun) of Matt Black‘s Book Launch – ‘Sniffing Lamp-posts by Moonlight’ A fundraising book of dog poems.
I did a workshop with Lansing Poet Laureate, Laura Apol, I attended more Creative Conversations at Glasgow University, I enjoyed events at the Walt Whitman Birthplace, continued with Ledbury Poetry Festival workshops, Poets in Motion and Food for Thought and Grief workshops, we had an open mic to celebrate the end of the Hybrid Experimental Memoir with Tawnya Renelle – a relaxed and fun affair!
I did a Nevada Hall of Fame workshop and a personal highlight of the month was the George Szirtesworkshop thanks to Artful Scibe, Mayflower 400 Celebrations in Southampton.
I got involved writing for the Rebellion series with Sheffield Libraries and Nik Perring and started work on his Dear 2020/21 project in association with the BBC/Novels that Shaped Our World and Sheffield Libraries. More news to come. Room 204 provided a special workshop with Thomas Glave, in which we reflected on 2020.
I forgave myself for the deadlines whizzing past and focussed on the successes.
I was a featured poet at Virtual Voices Offa’s Press (10th Nov.) alongside Kenton Samuels, Keith Rogers, Santosh K. Dary and Jeff Phelps. I read at the Reimagine Festival (USA) as part of Redwing’s Poetry for Healing group.
I ran a series of Workshops for The National Star Centre, my gratitude to Ruth, Paul and the team in Cheltenham and to Cheltenham Poetry Festival. These were rewarding mornings where inspiration travelled in both directions!
I was published in the BLER Light Anthology (Black Light Engine Room), had two poems published in Corona, an Anthology of Poems – Edited by Gayl Teller in USA (more on this soon), I had a Renga accepted for a collaborative project in the US, I had two poems published in Geography is Irrelevant – Stairwell Bookshttp://www.stairwellbooks.co.uk/product/geography-is-irrelevant/. This anthology includes International Poets who were active online at events in the UK during 2020. More on this soon and a poem accepted for the Dear 2021 Pamphlet produced for the Year of Reading/BBC/ Novels that Shaped Our World with Nik Perring.
Like many of us I wrote about the pandemic in the end (resistance was futile, especially as I self-isolated and had a limited palette of outside life experiences) -not that inspiration was lacking, with all the workshops and 5 notepads of ideas… anyway, I wrote Covid poems and didn’t submit them to any of the Lockdown projects or websites collecting such things. I am grateful that there were a few options left at the end of the year, places to to share them. Now, like the rest of 2020 they can be released!
August was still patchy with sun and I was able to enjoy the garden. I was beginning to feel the edge of cabin fever. I slowed down online with extra events and focused on writing and reading. It was as strange as all the other months this year. I had hoped my birthday wouldn’t be in Lockdown – I’d seen and attended some awesome, creative celebrations online – I just couldn’t face the extra screen time. Mr G. and I planned to use one of the socially distanced restaurants and go out for the first time since March, but I got too scared.
I finally made some submissions. I spent hours writing applications, which were unsuccessful in results but updated all my paperwork ready for when the right one does come along!
We had a wonderful International Reading again for Cath Drake‘s Writing course Reinvent the Future – this time with Malika Booker as Guest Poet. It was another wonderful event.
Melbourne Spoken Word Festival continued, Army@Fringe hosted a Virtual Festival with lots of programmes about theatre writing, Jinny Fisher hosted another Poetry Pram event, Wendy Pratt hosted one day retreats, and PPP continued with many events and classes. I finally got to some events in New Zealand and made it back to Fire & Dust (Coventry) to see Genevieve Carver, I saw Joelle Taylor and Laura Scott at Cafe Writers. I managed to Zoom to StaffordWORDS Myths & Legends. I started attending some of the creative writing workshops held at Sheffield Libraries, they have raised a whole community online. Wonderful work. I started workshops with Nik Perring , Reader in Residence at Sheffield Libraries, who have all been great and productive. I attended a few seminars and talks.
I joined Celena Diane‘s Poets in Motion and had a great time at the Wirral Poetry Festival with Brian Wake, writing from ‘At the Circus’ prompts and artwork. Love an ekphrastic poem & poet/artists projects. I get involved with them as often as I can. I was asked to be Poet in Residence (virtually) for Cheltenham Poetry Festival.
I finished my Connect Dudley commission and Worcestershire LitFest went online. We held the delayed interviews for the next Worcestershire Poet Laureate.
So, my birthday was quiet – but we are still safe.
Five months into the pandemic and most of us know someone who has suffered. My heart goes out to all the families who’ve lost more than birthdays this year. The Lockdown is difficult to cope with – but suffering from Covid – there are no words, just huge thanks to those tasked with trying to help us.
Well this is the first post this month online but August was packed, PACKED with poetry. I am still catching up on some blog posts from June-July and now will be adding August to the pile.
Here’s the month in snapshot!
Before Perth Poetry Festival I blanked my diary out as much as possible and missed some fine Midlands poetry events.
I did a lot of research for Perth Poetry Festival and signed up to an anthology which I was lucky enough to be online for when the thread was posted, a project that is so popular it has a reserve list (more on this later).
The main event this week was a Book Launch in Cheltenham for a charity anthology that I was fortunate to have the shortest poem (apart from short form) I have ever written included in it. The event at Hatherley Manor was dreamy and wonderful and the book raises funds for the cat rescue charity New Start Cat Rescue Centre, Huntley, Gloucestershire.
I will be creating a full blog post soon (and link back here when I am done).
This anthology ‘All a Cat Can Be’ was the brainchild of Sharon Larkin and I am privileged to be involved. It would make a great Christmas gift for any cat lover.
“This book is as gloriously varied as the beloved cats it celebrates. Here you will find poems which are witty, thoughtful, moving, and light-footed. ‘All a Cat Can Be’ offers something to please every reader, while helping cats desperate for a good home. And the photographs are irresistible!” – Alison Brackenbury
Edited by Sharon Larkin and Sheila Macintyre.
I also sent a poem to Lucy Dougan for her Monster Field Workshop.
Week 2 & 3
I started working on INKSPILL – annual online writing retreat right here on AWF. More on this soon. Secured this year’s Guest Writers and started research.
I worked tirelessly for a fortnight attempting to get the final issue of Contour Poetry Magazine live before flying off to the Southern Hemisphere. I was at this point still waiting for copy, so did what any good editor should do and contacted the poets who had successfully made publication and shelved the remaining editorial until my return.
And then I flew to Perth, WA.
Where I had an incredible time (lots of posts to follow). It was an amazing festival and I did as much of it as I could!
Was mainly jet lag and editing… not a workable combination.
I managed to get myself back into Birmingham – it has been too long – over 12 months I think. I went to the Big White Shed Brum night and it was packed with poetry – wall to wall and heart through heart.
I am going to write the evening up over the weekend if I have a chance but it was a special night. The fusion of East & West (Midlands). There is a cracking poetry scene in Nottingham and this evening was proof of fine work happening in the region.
A soft spot for me as I started Spoken Word in the East Midlands in Leicester.