Category Archives: performing poetry

Ash Dickinson Workshop & Licensed to Rhyme

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The perfect way to start any week is a Poetry Workshop and when that workshop is with Ash Dickinson, you know you have backed a winner!

I first met Ash back in April 2014 (I had to look that up), we were talking on Monday night about a particular gig in the Autumn of that year and I knew that was the 2nd time I caught his act but couldn’t remember when I actually first discovered his work. I have been a fan ever since of his surreal and sincere voice.

Having missed the opportunity to do a workshop in Burton last year I was delighted to discover that he was doing one before/for Licensed to Rhyme and because I had been at work all day, it was literally just down the road in the next village!

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So my poetry week started on a high! It was a fantastic workshop, a great group of poets (all of whom I knew) and what’s more – all of us managed to write poems, including Ash!

We worked from many lists of prompts (which leaves us with plenty to get stuck into post-workshop). Ash used various forms, including one new to all of us. I wrote my 2nd, 3rd and 4th ever Clerihew! I still feel wary of the poetry produced  but the genre falls into nonsensical as a technique so those question marks or perhaps exclamation marks appearing from my ears are allowed.

It was great to hear everyone’s responses to the prompts and some were even brave enough to share their raw work (including Ash) in their L2R sets later in the evening.

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Licensed to Rhyme, is always a great night, the brainchild of Maggie Doyle & Spoz. I haven’t been available to get to one for a while so I was looking forward to spending a sunny evening in Cafe Morso enjoying words.

Charley Barnes had the Guest Spot, Brenda Read-Brown tested new material, the workshop poets all had open mics and Ash Headlined.

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It was a fabulous evening of laughter and poetry and set me up for the week. If people could just pop round to my lounge every Monday and recreate this I could start every Tuesday on a high! (A new idea awakens.)

Thanks Ash, for poems that definitely wouldn’t now be existence if it wasn’t for your workshop.

Discover his world for yourself here.

https://burningeye.bigcartel.com/product/slinky-espadrilles-by-ash-dickinson

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https://burningeye.bigcartel.com/product/strange-keys

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RELATED LINKS:

http://ashdickinson.com/

https://burningeyebooks.wordpress.com/2016/04/12/guest-blog-ash-dickinson-from-slinky-to-strange/

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Diverse Verse 3 Charity Anthology Book Launch

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DIVERSE 3

Richard Archer produced the first Diverse Verse (2016) before I happened upon his charitable project, I made sure that I was on board when he did it again in 2017 and after creating Diverse Verse 2, he has done it again!

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I am proud to have a rather strange poem written during NaPoWriMo 2017 included in this publication. Proceeds go to Cancer Research UK.

Richard Archer commented on how the collection affords an opportunity for first time publication, which I think is great – you never forget the feeling of the first poem published.

The books are certainly diverse with a mix of known, novice and up and coming poets from all over the world, bound together in a perfectly formed paperback!

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Scott and Amy – owners of Walsall and the Black Country’s only independent bookshop. 

The Launch took place in Walsall at SouthCart Books on 28th April and was great fun. There may even be a write up in a Midland Arts Magazine soon. I will keep you posted. Rick Sanders, myself and Richard Archer were interviewed and offered insights into the project and the writing process/life of a poet.

There was a relaxed atmosphere throughout the launch and as ever Scott and Amy put on a generous spread and served hot drinks to keep us caffeinated, wine was available but I was driving.

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Richard Archer

The event ran from 11 – 3 PM and was divided into 3 readings with plenty of time to catch up, socialise and browse the Bookshop between each set. It was great to catch up with poets I have not seen for ages and to promote the last Laureate opportunities to them.

I also love the fact Southcart Books is open, so sometimes customers come and have a listen or just come to browse the shelves above your head as one guy did in the 3rd Reading.

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In the first section we heard 5 minute sets from these poets;

John mills
Liz mills
Mogs
Alison Reed
Mike Alma
Ian Henery
Matthew Cash
Martha Cash

Many performed the poem they had in the anthology alongside other work. Some sets were deeply moving and I thoroughly enjoyed sitting back for a listen.

Then we had an interval, food, mingling – lots of love in the Bookshop.

There is a poetry chair people to read from (a tradition in the Bookshop).

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So I settled down (cake on shelf) to open the 2nd section;

Nina Lewis
Jan Wilkes
Pauline Faulkner
Claire Sutton
Kristina Griffiths
David Wilkinson
Al Barz
Paul Elwell
Amy Carter

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Then another break, more coffee and a final readings from;

Richard Archer
Rik Sanders
Leanne Cooper
Jerry Peterson
Matt Humphries
Rachel Oram
Dale Parnell
Grace Dore

A really superb launch and a great anthology. You can buy a copy here

Diverse verse 3 is a poetry collection full of the finest poems from across the globe.

Within its covers are words that will send hearts soaring with joy or just as easily bring them crashing back to earth. Turn a page and find yourself on the wrong side of an argument, lost in a fantastical city or battling with malevolent inner demons. Read on and live vicariously through the words within.

Diverse Verse 3 is sold to raise money for Cancer Research UK.

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© 2018 MNA Express & Star (photo taken in the first shop premises) – Scott Carter

RELATED LINKS:

http://southcart.weebly.com/southcart

https://skaggythepoet.wordpress.com/2017/06/12/diverse-verse-2-sells-out-again-at-southcart-books/

2018 Perth Poetry Festival

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WA Poets Inc

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Various venues

Festival launch – 16th August at Queens Building, 97 William St, Perth.

Check out the guests and their biographies at https://wapoets.wordpress.com/perth-poetry-festival/2018-perth-poetry-festival-guest-biographies/

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Headlining Poetry Bites

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Poetry bites promo small2  © Kitchen Garden Cafe

Delighted to announce I will be Headlining Poetry Bites this month alongside Richard Archer. It is sure to be a great evening, so join us if you can.

http://livebrum.co.uk/kitchen-garden-cafe/2018/05/22/poetry-bites

 

 

Cheltenham Poetry Festival

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Cheltenham Poetry Festival has an amazing programme of events this year, many of them I have sadly missed as I am back in full time work, however tonight I am there!

Smokey Joes has 3 back to back events this evening:

5 PM

Neil Richards and John Row

Join the ‘bewitching’ (The Independent) John Rowe for an hour of poetry and storytelling with guest Neil Richards. John is renowned for his dramatic and immersive events which offer an entertaining commentary on love, life and politics in modern times.

John is joined by Neil Richards, an exciting new voice on the poetry scene who is gaining a following for his charismatic and powerful performances of dazzlingly original experimental poetry.

Cheltenham Poetry Festival © 2018

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7 PM

Indigo Dreams Showcase

Indigo Dreams Showcase – Chrys Salt, Chris Hardy, Anna Saunders and Amy Kinsman

Indigo Dreams is an award-winning publisher renowned for its beautifully produced collections of contemporary poetry by both new and established writers. The press was voted Most Innovative Publisher 2017 at the annual Saboteur Awards. Join us for a feast of verse as four authors from the press read from their brand-new publications.

Chris Hardy (‘Chris consistently hits the right note’ -(Roger McGough), poet, musician and member of LiTTLe MACHiNe reads from Sunshine At The End Of The World.

Chrys Salt (‘a wonderful and unique poet’ -Bernard Kops), reads from The Punkawallah’s Rope.

Festival Founder and Director Anna Saunders (‘a poet who can surely do anything’ – The North) reads from Ghosting for Beginners.

The showcase also includes a reading by one of the joint winners of the Indigo Dreams 2017 Pamphlet Competition. Amy Kinsman is a multi-published poet and playwright from Manchester.

Cheltenham Poetry Festival © 2018

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9 PM

Nina Lewis – Fragile Houses plus guests + open mic

 

 

Nina Lewis – Fragile Houses

plus guests and Open Mic Readings

‘In our family, minds go missing’. Nina Lewis writes, in one of a series of moving and poignant poems about family life from Fragile Houses (V Press), a pamphlet praised for its ‘tremendous warmth and descriptive power’.

In this highly praised volume Nina Lewis explores the people, places and memories carried through life and deftly examines the human condition through the lens of family relationships.

Nina is joined by Peter McDade – expect deliciously surreal, and thought- provoking poetry from this talented and erudite poet who has drawn comparisons with Ivor Cutler.

This event also includes an open mic. Come and share your poems on the subject of ‘home’.

Cheltenham Poetry Festival © 2018

It is going to be a cracking evening of poetry, so come and join the fun!

Not so Idle Women

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On Saturday night I finally managed to catch the Idle Women Tour, this is a project Heather Wastie has worked on since 2016, I missed the 2017 performances and have been meaning to catch a show ever since!

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The show gained financial support from Arts Council England, which enabled the employment of a Tour Manager, Zoe Hunn and Director, Milla Jackson.

Last Autumn Idle Women featured on BBC Country File, which aired November 12th as part of Remembrance programming.

https://alarumtheatre.co.uk/broadcast/bbc-countryfile/

The Spring Tour started last week with a performance at The Chestnut Inn,  Worcester on Tuesday 3rd April.

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I knew the basic content of the show and have been aware of Heather’s work and some of the poetry. I purposefully didn’t look into the Double Bill and had no idea what to expect from Kate Saffin (other than half the show).

Photographs taken in the first week of the 2017 Tour © 2017 – Alarum Theatre

Kate Saffin took care of the first part of the evening with her theatrical piece about the Idle Women, great story and wonderful portrayal of multiple characters (as a former actress I know how challenging this can be). The story she told was moving and educational. Kate uses simple dramatic devices masterfully in her one woman show.

Kate is a Boater, writer, storyteller and actor, Kate Saffin has lived on a narrowboat and told stories of the waterways as solo plays since 1999. She trained as a writer for stage and broadcast media at the Royal Central School of Speech and Drama (MFA). © 2017 – Alarum Theatre

I regret not speaking to Kate after the show, (I was so excited to see Heather), Kate’s performance was moving. ‘Isobel’s War’ was full of character and story, told in a way with simple props and devices that transported us back in time.

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Heather Wastie gave us the second half of the show. ‘Idle Women’, a performance filled with facts and passion. It was great to watch her perform again. She gave us both songs and poetry and new material to the show.

Heather was Worcestershire Poet Laureate 2015/16 and is well known for her interpretations of oral history. In 2013 she was Writer in Residence at the Museum of Carpet, turning people’s memories into poems, monologues and songs which she now performs. This work was published in November 2015 by Black Pear Press under the title Weaving Yarns. In 2017 she was commissioned by Worcestershire Building Preservation Trust to compose a children’s song cycle, ‘Loom in the Loft’, to celebrate the restoration of the Weavers’ Cottages in Kidderminster.

In 2017 she was commissioned to write and perform poems for the popular Nationwide Building Society ad campaign, Voices Nationwide. She has also worked as poet and actor for National Trust property Croome Court in Worcestershire. © 2017 – Alarum Theatre

Heather was also a Guest Poet for INKSPILL (AWF’s Online Writing Retreat) in October 2014.

It was a very factual show both in terms of the waterways and the wartime volunteers.

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© 2017 – Alarum Theatre

I loved discovering how the term ‘Idle Women’ came to be and to hear talk of the Tardebigge Canal (where we took our own poetry adventure on board a narrowboat back in the summer of 2016 – and there were many locks). I have my tiller girl badge to prove it.

This show is a must for Water Dwellers but is just as fun for Land Lovers. I think it appeals to both communities, anyone interested in history, waterways or just looking for a good night out! It is great to have many tour venues on the canal itself. This makes the interval exceptionally special – when you step out and see part of the world the show is all about.

https://alarumtheatre.co.uk/who-were-the-idle-women/

It was quality storytelling and an entertaining, fun evening.

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If you are local enough, I urge you to catch Idle Women. Here is the Tour Schedule https://alarumtheatre.co.uk/2018-tour/2018-tour-dates/ you will not be disappointed!

The Summer Tour will see them travel further North on the Leeds & Liverpool Waterways.

 

Related Resources: IW_National-Service

 

https://canalrivertrust.org.uk/about-us/our-work/caring-for-our-heritage/heritage-team-blog/heritage-team/idle-women-the-land-girls-of-the-waterways

https://www.independent.co.uk/life-style/the-truth-about-the-idle-women-of-the-canals-some-extraordinary-wartime-volunteers-are-together-1531552.html

 

March Review 2018

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This month I got stuck into two new projects, missed several events due to the snow, submitted poems, sent proof copies/edited Special Edition Contour Magazine in preparation for the next issue launch (April) ATOTC, organised a poetry exhibition at the Jinney Ring & a Hanbury Reading for the Sculpture Trail Poets, facilitated 1 community workshop and 2 school workshops, dressed as Little Miss Splendid for World Book Day, worked on a special celebration of poetry to mark International Women’s Day, finished my Reader in Residence residency at Rugby Library with WMRN, did Poetry on Demand for Mother’s Day, organised my official WPL remit World Poetry Day event, took my WWM Spark Young Writers group through the editing process, attended the final Room 204 17/18 cohort meeting, a Book Launch, celebrated Earth Day and worked pretty much full time as a one week contract turned into 3 weeks!

I now feel and look about 10 years older!

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Week 1: The Snow

I missed Images from the Past at The Hive, due to snow and a workshop and oakley’s Book Launch for the same reason.

I was booked for an exciting event as part of the Anchor Gallery in April and asked to do Stablemates – which I would have loved, but the date clashed with my appearance at Cheltenham Poetry Festival.

I facilitated the 1st of 3 workshops booked with The Basement Project, a charity in Bromsgrove. The first community workshop (in WPL role) was Arts & Words where participants created their own canvas. It was a successful morning and gave me a welcome break from the classroom. The snow meant we were thin on the ground, but those involved had a good time.

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Read more here.

 

Week 2: Planning, Poetry on Demand & New Projects

All of the final proofs from ATOTC were sent.

I planned my next workshop, this one at a school in Worcester. Gathering the resources and researching the subject matter. I missed Stirchley Speaks with Cynthia Miller as work is exhausting and I am busy online for most of the evening when I get home, mainly with ATOTC – now in proof reading stages with copy flying out to 46 poets.

I was booked as part of an event for this year’s Worcester LitFest alongside the new Poet Laureate (my time finishes on 10th June).

I attended an exciting meeting in Ledbury with Rick Sanders as he unveiled the 2nd PoArtry project. I have been buddied up with Mollie Bythell – a talented young artist and cannot wait to make a start on this.

I missed the MeToo Anthology Launch in Birmingham because I was asleep before 6:30 after a particularly bad end to an otherwise good but tiring week of work.

On Saturday I had my WWM writing group and ran a workshop (at their request) on editing and we wrote about mum’s too with Mother’s Day being so close.

From Worcester I hot-footed to Rugby for a job as Poetry on Demand for Mother’s Day. I wrote bespoke poems and made lots of people very happy.

It was an exhausting but fun day!

 

Week 3: Workshops, Interviews & Book Launches

The week started with full days of work (a one week temporary cover  turned into 3 weeks full-time, with a day off for good behaviour/ I mean pre-booked workshops)!

On Thursday I filled an entire day with poetry to make up for all the poetry I had missed from being too exhausted after work!

My School Workshops at Blessed Edward Oldcorne Catholic College in October were postponed. I was delighted to offer new bespoke workshops to fit the work they have been doing on Monsters. It was a fantastic, fun morning and they thoroughly enjoyed it.

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You can read a review here

From there I hot-footed across to BBC Hereford & Worcester for my radio interview with Tammy Gooding, where I was able to promote WPD.

The evening saw 3 clashing events. I went to Math Jones’ Book Launch of Sabrina Bridge published by Black Pear Press. This was the 2nd collection I was asked to endorse and it is a magical read. It was wonderful to watch Math breathe fire into his work in a stellar performance. Being an actor helps! It was great fun and an opportunity to see Suz Winspear, Jenny Hope, Polly Stretton and Keleigh Wolf perform too.

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I missed Stanza but spent the evening prepping for my next school workshop next week, creating film clips and found poetry texts. I also wrote copy to promote World Poetry Day.

I had the final Room 204 Cohort meeting on Saturday at The Custard Factory, crazy to think nearly 12 months has gone already, the new cohort will be announced mid-April, exciting to think they already know who they are.

This was followed by a new project with Birmingham Museum and Art Gallery, encompassing two weekend workshops and a performance at BMAG – and involves using their digital archive. None of us really knew what it would entail but I am always up for an afternoon in a Museum/Art Gallery, notebook in hand.

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Wikimedia © 2018

It all sounded intriguing and I had a fun afternoon filling myself up with artefact inspiration.

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Birmingham Museums Trust © 2018

Sunday – a day of rest? No, Mr G and I are expecting some much needed work on the house and we spent the day clearing spaces!

 

Week 4 Workshops, World Poetry Day and Earth Hour

How is it the last week of March already? The week started with my Inter-School Gifted & Talented workshop at Bromsgrove School with the theme of Nature. nature-3231651_1920

Where I had prepared a film element in case our Nature Walk was eradicated by weather – the snow and a mini-beast storm was forecast over the weekend. It certainly rained!

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It was an action packed afternoon and great fun. A full review can be found here

I spent the beginning of the week (3 days) preparing for World Poetry Day, this was an evening event and the only official task I had to undertake in my WPL (Worcestershire Poet Laureate) remit.

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After months of preparation Wednesday 21st arrived and I spent the day with high alert butterflies and every organiser worst worry – will there be an audience?

It was a fabulous night! People came and enjoyed and all the performers were exceptional. A full review can be read here.

On Saturday I had the 2nd workshop for the BMAG Rebel Uncut Digital Archive project. This was my first ever Hackathon and a long day 8-6pm – on site from 10-5. It was fun working with techies and writers and seeing our initial writing inform a digital archive. Having opportunities to play with VR and AR. We all worked in teams and there was a series of presentations at the end of the afternoon, a constant flow of refreshments and lunch thrown in too.

I love opportunities for writing beyond the page and stage, it was a great experience to be part of and the last mark of this year’s Room 204 cohort.

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I followed my hour bus journey home with a power nap which meant I missed the first half of Earth Day. I made it to Worcester just after 8 PM which isn’t bad considering I got in after 6PM, had a power nap, prepared my poems including one written especially for this year’s Earth Hour Event and one I wrote on the bus journey in the morning, filled the car with petrol and made it to Worcester (can take up to 45 minutes).

Earth Hour was a brilliant event, as always. Organised by Martin Driscoll and in Support of WWF and Earth Hour. It was held at Cafe Bliss and the food (which was included in the ticket) was exceptional. Traditional Belize. Amazing, I can taste it now over a week later writing this blogpost!

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The Final Week 

Was mainly work. I didn’t get the writing done I had scheduled. I missed all of my end of month targets, I could kick myself… but I am choosing to go easy on myself. I have had a full-on month and do not want to submit substandard work for the sake of ticking off a deadline. There will be writing time in the future and until then I am writing bare bones and noting ideas.

I missed the 8th Birthday at 42, as I had been to the ROH Ballet the night before with mum *a Christmas gift from Mr G. We both had a thoroughly enjoyable evening but with a full week of work, I arrived home exhausted on the Wednesday and was asleep by 8:30 pm.

I managed some work on the Art Poetry PoArtry Project for Ledbury, Molly Bythell (my partnered artist) and I have started laying out groundwork for our collaboration after exchanging artworks/poems. Her painting inspired by my poem (published by Silver Birch Press Me In A Hat series)

hat-cover2 has been added to her website and I am currently scaffolding a poem based on her work ‘Flower Gel’.

I also had communication with the Festival team in Perth, Australia. My trip is in planning stages and I am excited to find out more about the festival programme. I know I am able to attend as much as I can manage.

Hopefully will be fully over jet lag during the pre-festival. Last time I went over (2005) my jet lag there was almost non-existent – cancelled out by adrenaline. It was coming home I faltered. I was talking to my friend who did the airport run and just fell asleep on my rucksack mid sentence and on the lounge floor. I do have a 20 hour lay over, so hoping that will help the lag if I play on GMT/UK time.

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Then I had the Easter weekend off with Mr G. to catch up with family, enjoy the warmth of our house – new boiler fitted this week after 3 months without heat or running hot water! Glad to be back in the 21st Century with that one.

I have an exhibition to organise that I am a week behind on, due to working.

In April aside from NaPoWriMo (now GloPoWriMo) – I have the Special Edition Contour magazine to edit and compile for the ATOTC Transatlantic Poetry Project, I may have a talking paper interested in some work on that and have future plans for performance and publication. It has been my main project as WPL and has been a steep learning curve tinged with fun!

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I am also getting a smaller European project off the ground with new poetry partners between Twin Towns next month. Our Suffragette Collection will also go live. The rest of the month is a packed schedule of  workshops, festivals and performances.

 

So I took a very deep breath over the holiday weekend and have plenty of chocolate eggs in reserve.

Oh, and I am going back to work full-time, a temporary measure to cover summer living (as there are 3 months a year I don’t earn any money) and this year had a record 10 days over a 3 month period, so this just plugs the first term being so bad.

Onward!

Verve Day 4 Sunday 18th

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Ginny Saunders

Ginny Saunders © 2018

Due to Sunday Service on the trains I wasn’t able to make it for Brum Stanza – the first event of the day. I was in time for my first workshop with the ever-amazing heroine of mine Pascale Petit. A most enjoyable and productive workshop.

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Sadly it clashed with Sabrina’s Masterclass which I would have liked to have done also. Sabrina had rave reviews too.

After the workshop I managed to catch Nymphs & Thugs – which was loud, raucous and fun, at times hard hitting. Salena Godden, Matt Abbott, Maria Ferguson and Jamie Thrasivoulou; four vital performers all rattling with the sense of urgency that makes the UK spoken word scene so exciting at present. Nymphs & Thugs is an independent spoken word record label formed in 2015 as an imprint on Heist Or Hit. They aim to champion the UK’s most vital spoken word poets.

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The first round was superb – it got a little hard for me to concentrate on everyone’s 2nd sets (surviving on just 4 hours sleep again and with post workshop brain), I ducked out just before the end of the final set to get caffeinated and give myself a breather before my next workshop with Liz Berry.

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Hannah Swings © 2018

Cabin fever had set in and I found myself outside of Waterstones for a quick stretch of the legs and fresh air. I really wanted a cosy chair and quiet corner for 10 mins R & R but during Verve that is not likely. Instead I trudged back up the stairs and went to enjoy the Lunar podcast with Roy McFarlane before heading upstairs for a workshop with Liz Berry.

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I went straight from Berry delightfully playful workshop on Tenderness, to the tail end of the Stand Up Poetry Reunion catching almost all of Luke Wright’s set but sadly none of Ross Sutherland’s.

Then I had a very quick break to freshen up before The festival Poetry Finale with Liz Berry, Nick Makoha (seen at Ledbury) and Nuar Alisdar chaired by Jonathan Davidson. It was exceptional.

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NickMakoha

 

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Then Local Legends which was a great concept and one I hope they do again. Sadly I missed Luke Kennard and Bohdan Piasecki in their Headline slots, Sunday transport and the fact that I had hit the wall. I still wouldn’t be home much before Midnight and needed to drive safely from the station.

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It was a tough call, but I have seen them before and will see them again. Not one to leave a party early usually… but when that party has been going for 35 hours… even the sweet shop couldn’t save me!

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Verve Day 3 Saturday 17th (AM)

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I will link to the official review/blog posts over on the Verve website as soon as they are live. For now, here are some thoughts and LOTS of harvested photos. Verve © 2018 unless otherwise credited.

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^^^ This one is actually from 2017 – but demonstrates how I felt energy wise for most of the morning, on just 4 hours sleep…

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Another wild day at Verve Poetry Festival, an action packed programme and a FULL DAY of poetry. Fortunately, having survived the 4 day run of almost every event last year – this year I was prepared (Trail Mix, seat cushion, ballet pumps, a fresh t-shirt etc.), having said that, I stayed up far too late Friday night writing blog posts and overslept!

This meant I missed Cynthia Miller’s Poetry Breakfast and quite possibly some of the most creative conversations to be had about poetry.

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Plus a bit of food (it was 4 days before I had a proper meal)! I did manage to get from bed to the train station in record time and caught the tail end of the event (there was still half an hour of it, but today was a day of Workshops).

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PeyPey © 2018

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Workshop with Karen McCarthy Woolf to start the day – yes please! I won this workshop as a prize for coming 2nd in the Haiku Poetry Slam at Grizzly Pear in December. An amazing event, a fabulous prize and a good way to start the day. The forms she covered were ones I knew (but with a tired brain this was fortunate), her workshop got my mind rolling and resulted in a few works in progress. I was already inspired by the reading from the night before. I just need to book myself some writing time… may use that 20 hour lay over in the summer!

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Bookgig.com © 2018

Karen McCarthy Woolf, Sasha Dugdale & Mir Mahfuz Ali.

The City Poems Book Launch clashed with the Workshop, but I caught the very end of it. A great anthology.

 

The Verve Press had a fair amount of exciting announcements this weekend including up and coming collections. The mystery of Casey Bailey’s next publisher – solved!

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Verve Poetry Press News

From here I hit Level 6 (inner sanctum) for my 2nd workshop with Sasha Dugdale. I thoroughly enjoyed her set the night before. Her workshop looked at Memorial and writing poems for/to our unsung heroes.

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For the first time in ages I found myself unable to complete a poem in the workshop, but do have a skeleton of an idea. I was mightily impressed with the workshop poetry read, there were some highly acclaimed poets in our group.

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Offord Road Books  © 2018

By the afternoon, after such a busy morning (mentally), I felt exhausted but I went straight back to the main stage and snuck in on Stablemates Offord Road Books with Jill Abram.

 

Monthly Review January

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January started with a very Happy New Year and then winter germs got the better of me. Instead of starting back into the world of poetry (after a 3 week break), I had to miss Stanza and Cheltenham and spent the entire weekend in bed!

Week 1:

I usually break these posts into weeks and there is nothing to report for Week 1 other than I managed some time at the desk and whizzed off all the business emails which needed to be sent. There are several Worcestershire Poet Laureate projects I am working on: a couple of exhibitions to organise and a Transatlantic Poetry Project. I am also researching funding for the summer and have several events to prepare for.

I had my first successful submission for the MIND anthology, who are publishing ‘Human’.

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Week 2: 

Mr G. gifted me the Mslexia Diary (which I have wanted for years) and it was full of work this week. I saw Casey Bailey headline at Licensed to Rhyme on Monday and practised my ‘Light’ poetry set for the event in Stratford-Upon-Avon later this month.

It was a lovely evening, even if I wasn’t 100% better. It was good to reconnect with everyone after Christmas. It was a good evening of poetry and my spirits were lifted.

On Wednesday I went to Permission to Speak where Claire Walker was headlining with her new pamphlet Somewhere Between Rose and Black

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A good evening with a mixture of poetry and prose and again lovely to reconnect to Black Country poets and the PTS crowd. Rob Francis was on top form and there was a good amount of audience as well as performers. A thoroughly enjoyable and lively evening.

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Claire is a well-known poet throughout the West Midlands. With poetry published in various online and in-print collections, AND two solo publications to her name (The Girl Who Grew Into A Crocodile and Somewhere Between Rose and Black), Claire has a wealth of heartfelt material to draw from. Her poetry is intricate, gentle, and beautiful – and she’s the perfect antidote to your January blues.

On Thursday I went to SpeakEasy where Claire Walker was headlining – it was fabulous to see a good crowd and lots of new faces. I enjoyed listening to all the sets and also had a sneak preview of Suz Winspear’s new collection ‘The Awkward People’ – her Book Launch is on Sunday and I am one of the Guest Poets.

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On Friday I discovered a writing opportunity that I wish I could have applied for but looking at next week’s schedule would have had to let a lot of people down, so I resisted the temptation. Needless to say it would have been a wonderful experience, but after Christmas it is equally important to earn some money. Arvon, is all I am saying!

I missed an application for a commission/project which was also a paid opportunity, it involved doing some work in London and the dates that were offered were once again already fully booked, so I did the sensible, honest thing and didn’t apply.

I am hoping that the holes created by these two lost opportunities will be plugged later this year with shiny, new ones, when the good karma coach comes back around.

I did discover two new opportunities that I could get my teeth into, one is an electronic study course that I should start receiving emails from tomorrow and the other is a Roadshow which may be beneficial to my funding research. This clashed with  the Cinnamon Press Showcase at Waterstones, frustratingly on the opposite side of the city but it was postponed, so I haven’t missed it after all.

I was due to spend part of the weekend at a Room 204 Talk but it has been postponed due to the facilitator having what I had at the beginning of the month.

On Sunday I received news of another 3 poems being published. One ‘A Hands-on Approach’ is a strange duck from NaPoWrimo 2017 is to be published in the Diverse Verse Anthology later this year. Deborah Alma put a call out for #Me Too poems and although mine did not make the collection (due to being too similar to work already accepted), they will appear online on the website. Vik Bennett – editor of Wild Women Press is working with Deb compiling a digital legacy for the project. I received two proof copies to read through and just had time to get my ‘Akward People’ set compiled and rehearsed for Suz’s Book Launch.

Suz Winspear’s Book Launch for The Awkward People was a fabulous afternoon, plenty of people turned out on this cold, wintery day to enjoy her work. Guest Poets included myself, Holly Magill & Kevin Brooke and Kieran Davies was MC. After a short introduction from Rod Griffiths (Black Pear Press Publisher) we had an entire afternoon of poetry to enjoy. Suz was in her element and it was great to hear her read from this new collection.

I of course bought myself my very own shiny book and had Suz sign it. A thoroughly enjoyable book launch and I cannot wait to read it cover to cover.

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Week 3: 

Cheltenham Poetry Festival Marketing got underway. I will be performing in the festival April 26th. Nina Lewis

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It is the 8th year and Anna Saunders has produced the biggest programme yet. Booking information here.

Read the first promotion post.

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There were a few events I missed this week which I would have liked to attend, but I am busy writing and producing projects, so I think a Radio Slot, a Roadshow, a writing group and a performance at a special event is enough for one week. I am also preparing for Wolverhampton Literature Festival (WoLF) next week.

I worked hard on trying to secure a funding bid for a Summer project. I finally managed to book a WPL Radio Slot on BBC Hereford and Worcester, due to work October was my last broadcast.

On Tuesday I headed over to Birmingham City University for the British Council Literature Roadshow presented by Writing West Midlands. The evening included a presentation from Cortina Butler, the British Council’s Director of Literature and was a good opportunity to network. I am keeping my fingers crossed now for my funding application.

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Saturday saw my WWM Sparks Young Writers Group in Worcester where I planned the session around more generous Christmas gifts from Mr. G. We looked at Science Fiction and created our own alien characters in preparation for longer writing in our February session.

Sunday saw a special event at the Kempe House Studios in Stratford-Upon-Avon with Cordula Kempe and Angela France. I sent three themed poems in December and two were picked, one of which was written in Angela’s December Workshop on Light and Colour. It was an inspiring evening, read more about it here.

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Week 4+:

Again there were events I would have liked to attend, but this year is all about balance and focus and when you are in training no distractions can compete. I had a meeting planned to follow up Workshop work from last year WPL and the possible next leg of the project, unfortunately I have had to postpone it due to paid work.

I spent a large amount of time preparing for applications and working on AToTC – A Tale of Two Cities, my current Transatlantic WPL Project. I also had a lot of work on (after a drought of 5 months this is no bad thing but typically comes at a very busy period).

I managed to get to Poetry Bites which is now hosted by Elaine Christie and Matt Nunn after Jacqui Rowe bowed out at the end of 2017 after running the event for a long time. It was a wonderful, successful evening with Guest Poets Casey Bailey & Claire Walker.

Claire Walker is a Worcestershire poet, her poetry has appeared in magazines, online and in anthologies such as The Chronicles of Eve, her first pamphlet, The Girl Who Grew Into a Crocodile, Claire is a Poetry Reader for Three Drops Press, and Co-Editor of Atrium poetry. Casey Bailey is a poet, rapper, songwriter and a secondary school senior leader from Birmingham. He runs Bailey’s Rap and Poetry, as well as workshops in rap, poetry, music and song writing. Waiting at Bloomsbury Park is Casey’s first collection. © Live Brum 2018

 

 

 

Casey Bailey                                                                              Matt Nunn

 

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© Elaine Christie

 

Wolverhampton Literature Festival (WoLF) was my main focus this week, I started promoting across social media. The festival is in the 2nd year with an amazing Arts Programme. Friday 26th – Sunday 28th.

I performed as part of a 5 person collective organised by the Wolverhampton Arts Festival Team. Our reading was in the Art Gallery on Saturday 27th 3:30 PM

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

WoLF COLLECTIVE: NINA LEWIS, LAURA LIPTROT, MAURICE MALCOLM, SOPHIE SPARHAM & ROSINA TROTMAN

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http://www.wolvesliteraturefestival.co.uk/

http://www.wolvesliteraturefestival.co.uk/poetry/4593175102

 

 

A full review can be found here.

 

Week +

And finally the last few days of January were filled with desk work. Organising the final submissions for Contour Poetry Magazine, the deadline is the 1st February.

Working on my response poem as part of the ATOTC project and collating the work coming in as well as managing the 20+ poetry partnerships involved. In a moment of pure inspiration I decided to approach the Mayor of Worcester and ask if he would write the Foreward for the digital publication, he agreed. I am delighted. The project celebrates the cities.

I started planning the only official WPL event on my remit – World Poetry Day 21st March, seeking venue, securing performers, devising crazy (erm, I mean creative) ideas for the event.

Preparing for school workshops and meetings about them.

Researching and writing poems for 42, this month’s theme (chosen by Tim Stavert) Rag and Bone Man… I loved the idea, then I started trying to write… left it a fortnight, did a little background work, searched my memories and finally have a fairly rounded set including a spectacular 42-ish Haiku, political commentary wrapped up in a Tanka and a wonderful poem which is actually an acrostic. Happy with a couple of them.

42 Worcester was the final event of the month. Next month apart from the Verve Festival of Poetry and Spoken Word I will mainly be working from the desk. I have a billion things to do and prepare with workshops in February and March and writing schedules to keep. Contour magazine coming out and the special edition to work on.

I knew this time was coming and feel now, it has very much arrived. Of course, if you want to see me – you can always book me for your event.

 

Copy of Spring Event Flyer Template (2)

My Poet Laureate work this month involved planning and booking workshops, working on the Transatlantic Project – A Tale of Two Cities – managing the promotion and progression of the project, writing and collating poetry, working on Issue 2 of Contour – Love, completing  interviews, compiling a favourite poem list for the issue (out in February), having my first BBC Hereford & Worcester Radio Interview since October and organising the next steps of several projects started in 2017.

My next mission is to allocate enough time for the rest of my ideas over the next 5 months. I realise some of the WPL work will continue after Worcestershire gets a new Laureate, I always knew this would be the case. There are certain things I want to complete before I become a former Poet Laureate though (shivers). The team are already on the look out for the next Poet Laureate, applications are open until March. Check https://worcestershirepoetlaureateninalewis.wordpress.com/ for more details if you reside in the county.

 

 

And finally, I started work on planning my World Poetry Day event for March. Very exciting!

WPD 2                        Love Promo 2