Category Archives: performing poetry

Review of August

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I have taken most of the summer off from performing poetry to catch up on writing some! I am now struggling to wind myself back up but September is action packed so the full calendar should help me back to the zone.

Mr G. and I went away, I promised him a poetry free holiday, I ended up having to find a public library to send a contract and take a few calls on the beach, other than that – I took a break and actually found it refreshing.

August is also packed full of birthdays (including my own). The summer wasn’t fantastic weather-wise so as soon as there was a sunny day, the garden beckoned… and all of this kept me away from my desk!

 

Opportunities

Back in July I was approached by Roz Goddard through West Midlands Reader Network to apply for a Reader in Residence position which I was successful at obtaining – more on this soon, I have had the preliminary planning meeting and the project is due to start in November. This was my BIG news for the month.

Worcestershire Poet Laureate (WPL)

I had my second radio slot with Tammy Gooding at BBC Hereford & Worcester. This went really well again (no edits). I was able to promote upcoming events and talk about the success of LakeFest.

My first official Poet Laureate Blog Post went live, traditionally these have appeared quarterly, although we are working on a bi-monthly/monthly post as there are lots of events being created.

https://worcslitfest.co.uk/2017/08/18/ninas-wpl-blog-august-2017/

I wrote a Project Proposal for my Twin Cities Transatlantic Poetry, which is under review this month by committee. This will see American and British Poets collaborate.

Jinney Ring Sculpture Trail Poetry Workshop

The Sculpture Trail opened at the Jinney Ring and I went to explore the 90 sculptures in this year’s trail. I prepared and tested workshop content. All places have been booked now, I am excited and cannot believe after all this planning how close this event is!

A second date has been added in the evening 20th September 6-8 PM, so if you would like to book a place, email for details.

A New Design (5)

I organised a poetry event for Salt Festival on the 9th September. At short notice, I am delighted to have a handful of poets who can come and share their work. The bonus is that everyone has a 10 minute slot, which means they can share a good selection of their work.

After finding an alternative route for my European Twin Town Poetry Project, I had communication from the original source that I traced. A meeting has been set up and I think this might be a project that I now roll out twice with two towns in the County. It will be the first of its kind.

A spin off from this is I have been invited to read at a special dinner next month too.

August also saw the deadline for Contour – a digital magazine I plan to create three times during my tenure. This first issue invited poets from anywhere to write about Place /Worcestershire. I am currently (now September) working through the submissions and I have been fortunate enough to make contact with a photographer and have permission to use some of his County photography is this issue. More news on this soon.

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Performances

The biggest performance opportunity this month was LakeFest. It was the first year they had the Poetry Tent and it was a great success!

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Laureates at LakeFest

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©2017 Ruth Inglis

 

Bridgnorth Arts Festival

Rick Sanders organised a festival poetry event at the Friars and had Claire Walker, Steve Harrison and Brenda Read-Brown headline, I couldn’t miss this. I had missed Poetry on the Terrace in Birmingham on Saturday as I discovered it too late and we had visitors at the weekend. It had been a week since I performed and I wanted to support Claire, who did a marvellous set.

It was a great evening, enjoyable and good to catch up with a lot of the Shropshire crowd.

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Ben Parker Worcester Festival Poetry at Huntingdon Hall

Ben Parker has organised 3 poetry events this year in Worcester as part of his Residency. I had not been able to make the two events at the Swan Theatre as I was already booked. However, I have been counting down the months for this one. It was an epic list of performers some I knew and others I didn’t (which is always exciting).

Ben has a relaxed manner that I am very envious of when hosting events and the Worcester Festival was no exception. It was a great night of diverse poets performing and what I like about the ethos of these events is Ben wants the opportunity to gather a range of poets, beginners and those more seasoned. It creates a supportive atmosphere from the get go.

I hope he manages to squeeze another event like this in, I won’t be performing as you get the chance to perform once but I would certainly turn up to enjoy an evening of poetry like this one.

 

Voices from the Shadows

Back in 2014 Elaine Christie produced a wonderful anthology called Restless Bones. The proceeds of this book went to the Born Free Foundation.

https://awritersfountain.wordpress.com/2014/08/26/book-launch-restless-bones-poetry-anthology-for-born-free-foundation/

restless the book

Now Elaine is working hard on the next book which will feature Artwork by Neth Brown. We had a Pre-book Launch to raise awareness of this current project and also to share some of the poetry which will appear in the book.

art neth brown ©2017 Elaine Christie

Link COMING SOON.


Future Readings

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I am headlining at PTS (13th September), the welcome return of this excellent night run by Rob Francis.

I am headlining SpeakEasy (14th September) as WPL.

SpeakEasy

I am in a Room 204 Showcase and get to do Birmingham Literature Festival for a 2nd time. Unfortunately the opportunity to perform in the Studio in the BLF was not possible as it clashes with Swindon Poetry Festival, where I am booked to perform.

The Literary Allsorts event is taking place twice. I am in the Pre-Festival event at Waterstones. It will be a great night!

Sarah Leavesley (Editor/Publisher) has organised a V. Press reading at Free Verse Poetry Book Fair London this September, myself and Stephen Daniels will be reading from our pamphlets in the afternoon. Last year I promised myself I would go to the Book Fair and now, one better… I get to read there and hopefully sell more books!

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Review of July

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Week 1: 

Workshop/National Trust Project

Room 204 is involved in the Croome Court project Adam Speaks. We met Chris Alton, the Lead Artist at a workshop at Writing West Midlands Headquarters in the Custard Factory on Saturday 1st July.

1431782527872-adam-speaks-wwm-170701-19-rfw-credit-peter-young  © 2017 Peter Young

This was an epic 6 hr workshop. Chris is working with 4 groups Kimichi School, The Birmingham Institute of Theatre Arts, Writing West Midlands and St Barnabas First and Middle School. It was exciting to know that these workshops will feed Chris’s art.

Adam Speaks has been set up by Rachel Sharpe and Kiki Claxton for the National Trust, following Plumlines last year.

https://www.nationaltrust.org.uk/croome/features/adam-speaks

Chris Alton Rachel Hill

© 2017 Rachel Hill

Chris Alton, from Croydon, is a multidisciplinary artist, whose practice brings together distant, yet connected cultural phenomena. Whether deploying disco music against fascism or playing table tennis in competition with aggressive architecture, he utilises seemingly incongruous juxtapositions to address the multi-layered nature of prevailing social and political conditions. 

© National Trust Croome Court Adam Speaks

Literature Festival

Sunday saw my 3rd official WPL appearance on the Poetry Walk for Evesham Festival of Words. This event had a great turn out and beautiful Sunday morning sunshine for the poetry walk, a gentle stroll across the green park around the Bell Tower in Evesham.

I performed some Evesham poems written especially for the event and enjoyed listening to poetry and prose. It was good to see some people who happened upon our merry group, stay and listen.

It was good to reconnect with Sue Johnson and I booked another event later for this year.

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This festival always has a great programme. They are already booked up for next year.

Radio

On Monday I had my first Radio slot with Tammy Gooding BBC Radio Hereford & Worcester. This was something Maggie Doyle instigated during her WPL tenure (2013/14). It is a tradition picked up by other Laureates and I am happy to continue with it.

I read ‘Gander’ one of the poems written for Evesham Festival of Words. Tammy is amazing at putting you at ease. She was also impressed with an interview which needed no editing! It has been decades since I stepped foot inside a studio. I was nervous, but had such a great time! I am already booked in for August.

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Performances

During the evening I took a guest slot at Licensed to Rhyme, Maggie Doyle & Spoz’s monthly poetry event at the Artrix.

Headlining this month was former WPL Suz Winspear, Claire Walker was the other guest poet and there were a plethora of open mic-ers. It was a fabulous evening.

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And before I start sounding like the Hungry Caterpillar… on Tuesday I took a rest. There were events I would have liked to attend but I was attempting to conserve energy for my Headline slot at Uncorked.

Having pencilled in Ledbury Poetry Festival, Lichfield and Shropshire – we arrive at Thursday.

Headline

I was booked for Uncorked at Bottles a while ago (before WPL), originally scheduled for June, I swapped into July so Charley would have a chance to sell her recently published books. I on the other hand have had my final 5 copies of Fragile Houses for months… this is the way it goes sometimes. I didn’t sell any books but I had a great evening.

Sean Colletti created a masterpiece idea for the introductory sets so instead of the traditional 5 minute teaser from each of the Headline poets we worked together on Sean’s concept of a waiting room & the result was an interesting concoction , especially considering it was unrehearsed.

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Clive Oseman, Jake Scott & Sean Colletti were all wonderful headliners and we had a good range of open floor spots too. Holly has created something magic here, helped by a sensational venue Bottles Wine Bar in Worcester.

Workshop

Up early the next morning (hard to sleep on post-performance adrenaline), I drove to Shrewsbury for a workshop with Helen Ivory and Martin Figura. I would have paid just to meet these two poets who have been on my radar for a long time. So having the bonus of a workshop was superb.

Unfortunately, I missed the performance the night before as I was at Uncorked. It wasn’t a prerequisite to the workshop though. The workshop was based on epistolary poetry. Which is something I have only tried to a few times. Strange because I used to love writing letters, I had 33 international penfriends by 12 years old. I also started writing to an old, re-united friend during my deepest depression. These letters are now even more special to me as she sadly passed away.

The workshop was brilliant and I got some ideas from it, as well as books. Love their work and cannot wait to spend time with the pages.

I recently (28th June) re-wrote one of my workshop poems and took it to stanza. I will do something with it in the future. I am pleased with the result and know I would never have written it without this workshop.

It was at the Severn Theatre in a huge room, necessary as it was a large group. It was lovely to reconnect with the Shropshire crew. I have been busy lately and it has cut me off from many out of county events. I cannot remember the last time I made it to perform in Birmingham beyond Waterstones events. I know how quickly the poetry scene moves there, so it will be full of people I don’t know – which is exciting.

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I was booked in for my first Cathedral Poets Workshop in Worcester the following morning and an action packed day in Ledbury on the Sunday. Reason and experience told me Mr. G and I needed some time and I needed to rest. So regrettably I cancelled the workshop and now have to wait until October. October is an incredibly busy month with Swindon Poetry Festival, Birmingham Literature Festival and school workshops, so I may not get to the Cathedral again.

Ledbury Poetry Festival 

I always want to attend the complete festival, I dream of pitching up a tent and staying. It is like a massive holiday for poets with a daily celebration of words. However, knowing I could only manage one day this year – I chose a day with an action packed programme.

It was amazing. Read the full 21 Years of Gold

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Week 2

After work I was too tired to get to watch Beyond the Water’s Edge at the Artrix and I am very disappointed to miss it. I also missed the WLF Committee meeting (as I was meant to be at the theatre). Where was I? Asleep! Although having read Week 1, I am not surprised. I was also working on an application and some poetry which I used most of my post-Ledbury adrenaline to fuel.

I booked in WPL work and wrote commissioned poetry for Buildings Talk Hospital Histories (a project I spent 3 weeks working on) and got my set for Chapel Lates organised and set some promo for an event in August.

I gave myself some downtime knowing the end of the week was another hectic schedule.

Performance/ Cheltenham Music Festival

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Chapel Lates in Cheltenham, an amazing night of poetry and prose as part of Cheltenham Music Festival curated by Anna Saunders (Founder Cheltenham Poetry Festival). Read all about it here  Chapel Lates Cheltenham-Music-Festival-1

 

This event clashed with HOWL and Outspoken. It is always the way. It has taken 4 years, but I am beginning to come to terms with the fact that I cannot be everywhere at once.

Commission/Performance/Project 

Buildings Talk: Hospital Histories

Charley Barnes asked me to participate in a Medical Museum Project at the end of June. We had access to historical archives (photographs) which are not on general display to the public and from these we created a 10 minute set of poetry.

Buildings Talk

It was a great project to be involved in, I thoroughly enjoyed the experience. Louise Price had the creative vision to intersperse the medical talks with poetry. We performed our poems with the images projected behind us.

The next stage of this project is displaying a selection of our poems alongside archived footage.

Read a full review here Buildings Talk: Hospital Histories


I took a poetry break for a couple of days to work and to reunite with college friends, our two yearly reunions, epic fun! Just imagine Drama students 20 years on!


Performance

I attended Open Poetry which this month was a charity event to raise funds for PIPKA – refugees in Lesvos, Greece.

I performed my refugee poem, now written 4 years ago, this world of ours remains in crisis. Read the full review here

https://awritersfountain.wordpress.com/2017/07/24/open-poetry-for-pipka/

EC This event was organised by Helen Calcutt and David Calcutt and featured Guest Spots from Christina Thatcher, she read from her recent collection ‘More Than You Were’.  more_than_you_were_large

Week 3

Writing

I needed some time at the desk to complete work from the Spring (another book endorsement) and read material that I am reviewing. I also needed lots of Admin time to complete arrangements for Artsfest (working on this since February), future bookings and promotion of other events.

I had as yet not re-awoken my creative muse – not to give a spoiler… but this was the month!

This was also the last week of work before the summer, my contract had finished and although I wasn’t expecting any work I had to remain on call. This meant several bleary-eyed mornings on the computer, just in case.

I had events and meetings to attend this week which did not involve me performing. A welcome treat/break from pressure and nerves. It also gave me some time to gather energy before the Artsfest Day (22nd).

Readings

Summer Party – Nine Arches Press

I thoroughly enjoyed this event with Jane Commane and…9 arches 3

The readings were superb and the atmosphere was definitely set to ‘PARTY’! Read all about it here https://awritersfountain.wordpress.com/2017/07/25/nine-arches-press-summer-party/

Meetings

The following morning I had an early start and a meeting in Birmingham at the Custard Factory with Jonathan Davidson and the other writers involved in Spark Young Writers groups. As ever it was interesting sharing ideas and great to spend some time with other writers/poets.

Book Launch

In the evening I drove to Cheltenham to finally catch a Book Launch from Angela France. DFH4x-NVoAAzcZ2 I was excited to see the multi-media element that I had heard so much about and to listen to Angela read more from this collection I have been following for the past couple of years. Read the full review of this special evening https://awritersfountain.wordpress.com/2017/07/25/the-hill-angela-france-book-launch/

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The launch shook my muse awake and for the first time in months, I was writing. For about two hours straight!

Meetings

I had a meeting with the Events Manager at the Jinney Ring to put plans into action for my September workshop using the Sculpture Trail. It was exciting, my list of 8 pointers were all achieved and it is shaping up to be a great WPL project.

Monday 18th September 10:30- 12:30 p.m glass tree

The Sculpture Trail at The Jinney Ring Craft Centre, Hanbury, Worcestershire.

The morning will start with a tour of the trail and some time to write using the sculptures for ekphrastic poetry or initial stimuli. Followed by a writing workshop in the marquee. 
Tea/Coffee and cake is provided as part of the ticket.

There will be opportunities to share writing and participants will be able to send polished work for at exhibition at the Jinney Ring in October.

In addition to all this, there will also be the opportunity to share your work at a reading in November.

For more information please contact me: worcspl[at]gmail.com

Official poster with all booking details out soon. Just awaiting the new trail photograph. 
10:15 meet at the marquee for a 10:30 Tour. 
Tickets £7.00

Festival Artsfest

droitwich artsfest

I need to write a complete blog post for Artsfest – which finishes on the 5th August. I will link back here afterwards.

It was a brilliant day with Poetry in the Square and an evening event Poetry Extravaganza at Park’s Cafe.

Watch Out Worcester! 

watch out worcs

I performed at St. Swithun’s Church at an event created by Suz Winspear. It was a great experience and I loved the building and atmosphere. I will write a blog about this event and link it back to here.

st swithins dancefest

http://www.worcesternews.co.uk/NEWs/15437699.Dancing_in_the_streets_of_Worcester/

Week 4

Writing

I spent a few days chained to the desk with writing and admin. I missed Poetry Bites as I was too pushed for time to get to King’s Heath and extremely tired after the busy weekend.

I researched new material and wrote 3 new poems for 42.

Workshop

I attended a workshop led by Angela France in Stratford, I always enjoy these sessions and listening to the work that is created.

Performance

I performed at Drummonds, 42 in the evening. The theme was Curiosities and I had fun exploring this theme. I wrote about an underground library in Seattle, the hanging coffins of China and fossilised skeletons. I left the Cabinet of… for others.

It was a great night, very entertaining with a Guest Host – Kevin Brooke – who did a sterling job, he made it look easy and we all know, it isn’t!

I missed Caffe Grande Slam for another month, as I needed to conserve energy.

ArtsFest Poet in Residence

On 28th July I was at the library in Droitwich as one of the Artists in Residence for Artsfest. I had a smashing morning talking all things poetry and tested out my Poetry Kit idea. This is something I will make more of at another point.

I took this booking as a poet, but decided as I am WPL it was a good opportunity to raise awareness of this role and promote WLF at the same time as DAN – Network.

DAN Lib

It was a lot of fun and has given me ideas for future events. It was the first outing for my new WPL t-shirt and the tablecloth, bought after the workshop on Wednesday.

DAN Lib 2 Children making Poetry Kits – we were competing with the Summer Reading Challenge who had a sock puppet workshop, or as I saw it, we had a captive audience to come and make Poetry Kits for FREE after.

DAN Rhys  © 2017 Rhys Jones

Poetry

I dropped in two poems to be displayed on the table and wall at The Canal Side Studio. There are more events this summer from there. So watch this space.

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I finished the month with a Stanza meeting, which was a lovely evening and had some useful editing tips for my Dear Sky – Ivory/Figura workshop poem.

July has been exceptional!

 

Review of July as WPL

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For the next year I will divide my monthly reviews into Worcestershire Poet Laureate work and everything else.


Worcestershire Poet Laureate – A Month in Review

Week 1:

Media Coverage

An article about becoming Worcestershire Poet Laureate appeared in Worcester News.

Worcester News

I had my first slot with Tammy Gooding on BBC Hereford & Worcester Radio.

Hereford&Worcester

I read ‘Gander’ one of my Evesham Festival of Words poems.

Suz Winspear continues to write her column for SLAP magazine and this month the passing of the Laureateship was part of her feature.

SLAP issue 71

SLAP Suz

Performances

Evesham Festival of Words – Poetry Walk

Evesham-Festival-of-Words-Image-1 I performed a set of Evesham based poems written especially for the event. I performed under the Cloisters. It was a great turn out and an enjoyable poetry stroll around the green of Evesham.

Licensed to Rhyme

This month Suz Winspear (former WPL) headlined and I appeared in a Guest Slot at Licensed to Rhyme on Monday 3rd July. Licensed to Rhyme is run by Maggie Doyle & Spoz and takes place every month at the Artrix.

Licensed to Rhyme

I was asked to do a workshop in August, but unfortunately was not available on the day. I have taken several other bookings for performances and workshops over the next few months.

Week 2:

Much of my current work as WPL is planning for future events. This week I put together a Halloween Event, an Earth Day Event, continued to organise an international poetry project and made contact with several community groups across the County.

Week 3:

Media

The story went into press.

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Projects

Submissions Open

I opened submissions to Contour (a digital magazine for my tenure). Submissions remain open until 31st August.

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Still open for poetry and artwork – so get submitting!

Young Poet Award

I also launched a new initiative to encourage Young Poets. This is open all year – so if you know any talented youngsters under 16, nominate them for this award.

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I continued to work on the planning of a September workshop at the Jinney Ring. I met with the Events Manager and went through the finer details. I am very excited about this and bookings are now being taken.

Writing Workshop with Sculpture Trail – Jinney Ring Craft Centre

Writing Workshop with Sculptures and the Worcestershire Poet Laureate.
Monday 18th September 10:30- 12:30 p.m glass tree

The Sculpture Trail at The Jinney Ring Craft Centre, Hanbury, Worcestershire.

The morning will start with a tour of the trail and some time to write using the sculptures for ekphrastic poetry or initial stimuli. Followed by a writing workshop in the marquee. 
Tea/Coffee and cake is provided as part of the ticket.

There will be opportunities to share writing and participants will be able to send polished work for at exhibition at the Jinney Ring in October.

In addition to all this, there will also be the opportunity to share your work at a reading in November.

For more information please contact me: worcspl[at]gmail.com

Official poster with all booking details out soon. Just awaiting the new trail photograph. 
10:15 meet at the marquee for a 10:30 Tour. 
Tickets £7.00


I am really excited to make a whole project for the poets, a performance/reading and an exhibition following the workshop. Poetry for Autumn, tick!

I continued connecting to local groups and the wider community and have made several offers to spread poetry buzz. I made some new connections.

We continued to make exciting festival plans for next month.

Performances

st swithins dancefest© 2017 Kathy Gee

St. Swithun’s Church as part of Watch Out Worcester, DanceFest. This event was organised by Suz Winspear and was incredible. I felt lucky to be part of it – even though it had to be a flying visit as I was already leading and performing in an event for Artfest.

I will blog a whole write up for this event and link back here.

I also performed in St. Andrew’s Square for Artsfest and promoted other festival events, this is something I have been involved in the planning of since February, now as WPL we tagged that element in.

This brought new opportunities which I will be announcing next month.

Poetry Extravaganza – Artsfest

I brought together 9 poets to perform at Park’s Cafe. It was a successful event which deserves a blog post of its own. Link to follow.

I was also presented with my now engraved WPL award.

award

© 2017 Leena Batchelor

 

Week 4:

I continued to communicate and plan the international project. Worked on marketing for the Jinney Ring Sculpture Writing Workshop, promoted WPL events. In addition organising other WPL appearances this Autumn.

Events

I was already an Artist in Residence for DAN/Artsfest, but decided now I am also WPL to be the WPL/Poet in Residence and promote both DAN & WLF.

I had an enjoyable morning at the Library (I will blog and link back). I also tested the Poetry Kit idea, which worked well and resulted in an even better idea/method for next time.

DAN peter Hawkins

© 2017 Peter Hawkins

I also loved one of the Poetry Kit children asking their Gran if they could use this as a party game at their Birthday Party this summer. Poetry GOLD!

DAN Lib 2   DAN Lib

I also dropped off poetry to display at Canal Side Studios.

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And that’s about it – a quick rest before heading into August.

DAN Rhys

© 2017 Rhys Jones

July a Month in Review (all the bits that aren’t WPL) link to follow.

Open Poetry for PIPKA

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PIPKA is a self organised refugee camp set up to help Refugees in Greece.

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Performers included:

Set 1
Mike Alma
Mickey Ali
Romalyn Ante
Suzan Atasu
Richard Archer
Elaine Christie
Ann Clarson
Tina Cole
Leanne Cooper

Guest: Helen Calcutt

Set 2
PIPKA Aurelie Blondeau

Grace Dore
Emily Galvin
Amanda Glover
Penny Harper
Jane James
Janet Jenkins
Gerald Kells
Nina Lewis

Set 3
Liz Mills
John Mills
Neil Richards
Janet Smith
Mel Woodend
Sue Wood

Guest: Christina Thatcher

GDGrace Dore © 2017

It took Mike and I an epic amount of time to get to Walsall – 2 hours (!) as there were motorway closures and traffic queues at stand still throughout the route, we did make it in time for the 2nd and 3rd sets.

It was great to see everyone again at the Arboretum, it feels like a long time since I have been there. I didn’t want to miss the opportunity to see Helen and Christina in action either. They were performing at Waterstones, which I believe has been postponed/rescheduled but was on a date I couldn’t attend. I was not expecting a buffet but was very glad of it – Mike and I had not eaten and were planning to grab lunch in the cafe before the event as we set off plenty early enough to do so.

Also, the main focus was to raise money for charity, so giving a donation to perform was all part of it too. If I had a valid passport I would go and do something too. Especially after hearing Aurelie Blondeau Calcutt talk about her experience with Helen out there.

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Elaine Christie © 2017

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Helen Calcutt © 2017

Below: all photos by Elaine Christie, unless otherwise stated.

 

 

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Many people shared important poems about the refugee crisis.

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Janet Jenkins © 2017

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Christina Thatcher performed a couple of sets from her collection ‘More Than You Were’ a book about grief and losing her father. Emotive the exploration of a relationship that is far from perfect and no longer able to be reconciled. This is a hard and beautiful collection.

https://christinathatcher.com/

In July 2013, David Thatcher died of a drug overdose in America. More than you were was written by his daughter, to try to understand what came after. The result is a striking collection of poetry which explores addiction, family politics, childhood memories and grief. © 2017, Parthian Books.

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After the event Helen sent this message of gratitude.

Pikpa poetry was brilliant yesterday. Thank you everyone who came and performed for us. Listened to us. And donated. We have now raised £610 for Lesvos Solidarity – Pikpa. Nearly half-way there.

A special thanks to Christina Thatcher for travelling all the from sunny Cardiff to read from her new collection – stirring, compelling, brilliant. To Aurelie Blondeau Calcutt for the very positive, informative talk. And to Pop for putting it all on for us. Love to you all, it was a truly successful (and inspiring) afternoon.

Helen Calcutt © 2017

EC2 Elaine Christie © 2017

If you would like to make a donation you can do so here.

https://www.justgiving.com/crowdfunding/pikpa-medical-uk

In May 2017, my sister-in-law and I visited PIKPA, a self-organised refugee camp on the island of Lesvos, providing support to the most vulnerable individuals seeking refuge. We were both inspired and saddened by what we saw. After speaking with Dimitri Ippioti, one of the two nurses on PIKPA, we decided to focus on crowdfunding for healthcare.

Helen Calcutt © 2017

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Buildings Talk – Hospital Histories

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Buildings Talk

Back in June, Charley Barnes extended an invitation to be one of the poets for this project with the Medical Museum. I jumped at the chance as I enjoy writing ekphrastic poetry and working with archived photographs would be a pleasure.

The whole project happened over the space of just three weeks. The Medical Talk was for any interested parties and open to the public. It was attended by retired employees, medical staff, students and even some former patients. The conversations and interactions we had in the evening were wonderfully insightful and interesting. As was the information gained by the two main lectures.

Louise Price, Curator at the George Marshall Medical Museum, was the driving force behind the injection (excuse the pun), of creativity in this programme and I think it broke up the lectures well.

CHECGMMM© 2017

Charles Hastings Education Centre

The project gave us time to spend with archived footage not available to the general public and consider the stories it connected for us. I spent time choosing my photos. Then I had to cull the selection back further as we had 8-10 minutes to produce and the number of photos I had selected would need at least twice that performance time!

The other poets were Mike Alma, Charley Barnes and Polly Stretton. We all did some research into the hospitals and people/situations depicted in our chosen photographs. We had a meeting with Louise Price before the event where we all talked about the images we had chosen and listened to her knowledge of the archived material. On the night we performed with the images projected behind us.

I spent time composing and editing a series of poems from 7 photos. Several of which pleased me.

CIMG0016GMMM© 2017

On the evening we had a chance to look around the Medical Museum displays. Some grizzly, some fascinating. I popped in alone initially and was glad of the company of Polly & Mike the second time. I am terribly squeamish!

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The Museum is open Monday to Friday 9-5pm and is free to enter

Louise is hoping to display a selection of our poems from this event soon.

 

RELATED LINK

https://medicalmuseum.org.uk/georgemarshallmuseum/

There are some summer holiday family activities available, starting with this one.

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30-40-60

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Back in 2015 I dreamed of my pamphlet being published at the same time as Claire Walker’s, we have talked of many collaborative readings and ideas. By the time 2016 rolled around, my head was filled with firm ideas of collaborating, by 2017 there was somewhat of a larger idea forming.

I had a concrete plan and all I needed was acceptance. I approached Kathy Gee and Claire Walker, two poets who are also published by V. Press. I was delighted when they both agreed to my idea and I swiftly put in an application for Worcester LitFest (WLF).

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We waited until our place in the programme was confirmed before we set to work on this project. I am from a performance background and know only too well the unseen hours of work and rehearsal. What I loved about our meetings was the fluidity in which we found ourselves working. There is nothing better than a positive environment with like-minded people to stoke the fires and like an Olympic torch ours kept burning!

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We all know each other’s poetry and have each other’s books on our shelves, so placing our work together was not too difficult, cutting it down to a running order size was a fair challenge – thank goodness we all know how to kill our darlings.

Once we had organised the poetry we then played (and I mean that verb) with the sequence until we were all satisfied with the show. Then the real fun began with read through, deciding where the combined voices worked best.

I had started work on the multimedia element before we were accepted for WLF as I was convinced this performance would happen at some point, somewhere. I know from making poetry films last year (Fragile Houses) that media and editing is painstakingly time consuming. I also know that when you LOVE what you do, work never feels like work.

Eventually we brought voice and film together and rehearsed and altered the show.

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And what a show it was.

A    M    A    Z    I    N    G!

We are very proud our show was one of the best-selling festival events, we did some point specific marketing and believe that the tireless work of the WLF team and The Hive (Worcester Library/Venue) advertising in the What’s On at The Hive programme helped in this success!

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There were plenty of people we did not know as well as good friends and supporters. It was a fabulous night! We hope to tour it next year. Catch us if you can.

Photography Elaine Christie© 2017

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Nina Lewis  – Introducing the Poets:

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Nigel Hutchinson

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Neil Richards

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Belinda Rimmer

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Rick Sanders

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Suz Winspear

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Paul Wooldridge

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Kate Weatherby

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Followed by our 40 minute show exploring the various stages of life through womanhood.

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Huge thanks to Kathy Gee for providing some of the media clips, projectors, scripts, folders and the programmes! For Claire Walker who had the wonderful idea of incorporating the open mic element. To the audience for having faith and to our open mic performers for beginning such a cracking night!

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Really enjoyable evening, the interweaving of voices – both actual and literary – worked extremely well. Video backdrop a unifying element. -Nigel

Fantastic evening, the show should go on the road, really enjoyable, and the three poets really worked as a performance. -Neil

A gorgeous night tonight! Brilliant poetry presented in a way I’ve never seen before! -Suz

Such a pleasure. Spellbinding poetry and a beautiful backdrop of images. Thanks for lovely evening. -Kathy A

30-40-60 is a triumph. A splendid performance from spectacular poets. Kathy Gee, Claire Walker and Nina Lewis were exquisite. Wonderful! –Kieran

A lovely evening at the Hive with Worcester LitFest and the wonder 30-40-60. When it comes back it’s a Do Not Miss. -Anne

Poetry perfection, wonderful. – Maggie

The poetry found so many points of connection. Beautiful. -Belinda

Rick Sanders reviewed the show (Related Links) – here are some soundbites. Thanks to Rick for the review and feedback.

Last night I had the pleasure of seeing 30 – 40 – 60 at the Hive in Worcester, one of a myriad of events taking place as part of the Worcestershire Litfest. The show is the brainchild of poets Claire Walker, Nina Lewis and Kathy Gee and it explores the works of all three poets through a connected narrative and visual accompaniment.

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Some pieces are solo readings, while others combine the voices of all three poets in acoustic harmony, which is different and rarely seen in poetry performance. 

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an engaging and highly entertaining piece of performance art.

A must see if 30 – 40 – 60 pops up again in a town near you…

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RELATED LINKS:

https://willisthepoet.wordpress.com/2017/06/12/30-40-60/

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… distinctive voicing to a beautiful narrative, which is complimented in turn by the visuals being displayed behind the readers. As an audience you get to see and hear two things at once, adding to the imagery of the spoken word and layering another context to the poems. It’s a clever use of multimedia and works well in the overall effect. -Rick

PERFORMANCE BIOS 

https://awritersfountain.wordpress.com/2017/06/25/30-40-60-open-mic-poets/

Worcestershire Poet Laureate Final

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Towards the end of May I received the news that I had made it to the final of the Worcestershire Poet Laureate competition. There were three finalists, myself, Damon Lord and Louise Reeder.

WLF Holly Magill©2017

I spent the first few hours twirling around with excitement at being a finalist. ‘That’s a win, right there!’ commented a poet I know. She was right. This alone is an achievement and one we should all be proud of.

I decided not to make it public when I sent my entry earlier on in the year, the poetry network being what it is some people who know how to read me, guessed. I still didn’t go public. Once the finalists had been officially announced  https://worcslitfest.co.uk/2017/05/30/and-the-worcestershire-poet-laureate-finalists-are/ I went public – but the Nation as a whole was understandably focused on the Election by then, which continues as the main social media topic now.

The week I discovered the news was a fully booked one with Stourbridge Library – Jo Bell & Roy McFarlane, Uncorked with Charley Barnes, Spoz and Hannah Teasdale, Stanza on Friday and a workshop in Cheltenham on Saturday – Stoke Newington Literature Festival and Shabda Press reading had to be cancelled as I did not have enough hours to make the journey in time and the Sunday night was Yes, We Cant in Walsall with Jonny Fluffypunk – poetry heroes aplenty. I thoroughly enjoyed myself but in the back of my mind my competition poems were stirring. I decided to give myself the 2nd week of June off from poetry events and other writing to concentrate on the poems.

I missed Stirchley Speaks – the 2nd birthday and a good night – but I did spend that particularly evening enjoying the summer house clear out Mr. G. had worked his socks off on, got drenched in the downpour and read my poems through a few times. I learnt them by heart. I spent Election day waiting in for a fridge and reciting lines. I voted on my way back from work – don’t you worry!

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Tonight after a haircut (much needed), I headed to the Racecourse for the final. I arrived about 40 mins early – the Friday night traffic I had predicted came later. I am never early and with a tummy full of butterflies this was not easy.

The evening itself was the LAUNCH of Worcester LitFest – all the finalists had an informal interview with the 5 judges and then we watched/heard the talented competition winners. The Young Writers read their entries, followed by the winning Flash Fiction entries.

There were quality performances by Matt Windle – Birmingham Poet Laureate – who MCed the event, Oakley Flanagan – Young Poet Laureate and Suz Winspear – who has just completed her tenure as Worcestershire Poet Laureate. Matt performed followed by the finalists and Oakley and Suz performed after the judging and before the winner was announced.

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Damon Lord, Louise Reeder and I had all entered the competition  before. This doesn’t prevent nerves or anxiety. Everyone performed their poems well. This year there was no public vote so we hadn’t seen or heard each other’s poems before. Another addition this year was to give a brief outline of what you hoped to achieve as Poet Laureate should you be the fortunate winner. I really wish I had typed mine because the ill-ordered scribble was hard to deliver cohesively! It was also difficult not to have every politicians mucked up manifesto in my mind as I delivered my hopes.

My happy news is that I am the Worcestershire Poet Laureate for 2017/18!

My first official engagement is tomorrow night, The Night at The Museum III with Suz Winspear, Matt Windle and Chloe Clarke. It starts at 7:30 PM see the link for programme/ ticket information – £5 a festival fiver is what you pay.

https://worcslitfest.co.uk/programme-tickets-2017/

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Of course, I am off to National Writers Conference first, in about 7 hours! Matt Windle is performing there too.

 

 

Poetry Ballroom

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An exquisite event, the brainchild of the current Worcestershire Poet Laureate, Suz Winspear, who wanted to combine poetry with other agencies. She teamed up with DanceFest Worcester and a select group of poets to produce ‘Poetry Ballroom’.

In ancient times, the arts were as one – the words the bards created and recited merged with music, and the active expression of the human body gave them expression and physical form . . . .

As the current Worcestershire Poet Laureate, Suz Winspear wants to bring artists back together once again.

Dance and Poetry now seem like distant art forms, but both can speak to one another . . . .dancers and poets can interact . . . . word and dance can come together to create something new . . . .

Welcome to the Poetry Ballroom!

It was an incredible evening and I was delighted to be involved. As an ex-dancer it gave me so much joy to watch the choreography and to write on the theme of dance. I have a body of work associated with dance/dancers already but also set to write new poems for the event.

Worcestershire’s Poet Laureate, Suz Winspear, has brought together Dancefest and Worcestershire LitFest to create a very special evening of poetry and dance.

Local poets Polly Stretton, Kevin Brooke, Holly Magill, Nina Lewis, alongside London-based Math Jones, will be joined by over 30 dancers of all ages from Dancefest’s Chance to Dance Company, DFA (Dancefest Adults) and Elevate Junior Youth Dance Company, who have created new dances inspired by poems.

Suz will be compering the evening and sharing some of the poems she’s written during her time as the county’s Poet Laureate. DanceFest © 2017

Poetry Ballroom

https://worcslitfest.co.uk/2017/02/25/welcome-to-the-poetry-ballroom/

It was the sort of evening which totally absorbs you. From start to finish.

Suz had the idea of poets performing from different parts of the venue, the dancers were delighted to discover that the poetry was dance related and talking to members of DanceFest afterwards, I know they enjoyed the show as much as we did.

The space inside the Angel Centre, is gorgeous, I can see why it is home to dance. The lighting was magical, fairy-lights and blackout curtains contained the large audience in an other worldly place for the night. A night, I for one, did not want to end. It was spectacular.

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Suz opened the event,

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before Elevate Junior Dance Company took to the floor to perform The Ballroom of Squid. The inspiration behind this dance, (choreographed by Janene Wyatt & Company), came from a poem written by Suz Winspear, which she performed alongside the dancers.

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Kevin Brooke was the next poet to perform, high up on the balcony. Followed by the most beautiful dance ‘I Know Why the Caged Bird Sings’ performed by DFA (DanceFest Adults) who equalled professional companies in there execution of the awe inspiring choreography (Clare Wood). A dance based on a Maya Angelou poem is a sure fire winner in my book and I was mesmerised.

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It was incredibly moving, so much so I was not really emotionally ready to take to the floor for my spot.

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I performed The Fourth wall – a poem I wrote back in 2013, one of the first poems in my book when I started back along the poetry road. It explores the feelings of an ex-dancer watching dance, exactly how I felt after watching the DFA Company.

2/4, 3/4, 4/4 – a poem I wrote especially for the Ballroom event explores 8 different ballroom styles.

Underwater Gothic – a poem I had written a month or so before, before I heard Suz perform The Ballroom of Squid, at 42 to tease us prior to the Poetry Ballroom event. It was inspired by nature films and is based under the sea, much the same as Elevate’s dance.

I completed my set with Tango – a poem I have written for an upcoming poetry anthology as a tribute to Leonard Cohen.

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I thoroughly enjoyed performing, despite the nerves and cramp in my calf muscle, which was ironic as all I wanted to be able to do was dance once more.

After the interval we were treated to Math Jones’ dynamic, theatrical performance. He made almost as much use of the space as the dancers!

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Followed by Holly McGill who performed wonderfully. Then the final dance treat Ghost of Castle Street From Sonnet to Sestina. This was performed by the Chance to Dance Company (choreographed by Marie Oldaker with the dancers). It was inspired by a poem of the same title written by Stephen Murphy in 2004 about the then-deserted Worcester Royal Infirmary.

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This captivating dance incorporated sound and word as fragments of communication. Copies of the poem and definitions of the form were handed out along with the programme.

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Finally Suz completed this enchanting evening with a poem and farewell.

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With kind permission from DanceFest/ Worcester LitFest

Photography Clare Wood/DanceFest © 2017


The poets

Polly Stretton

Polly follows many writerly pursuits in her hometown of Worcester. Her poetry has been displayed at Croome Court and in many anthologies. She’s a coordinator and judge of various writing competitions and works with Black Pear Press, Worcestershire LitFest & Fringe, and OU Poetry Society. Polly’s writing includes a collection of poetry, a series of poems about the tragic young poet Thomas Chatterton, and a pamphlet of children’s poetry. She’ll go into ecstasies about her puppy: Mabel.

Nina Lewis

Nina Lewis has poetry published in anthologies and magazines, her début pamphlet Fragile Houses is published by V. Press. Nina’s poetry has featured in an Art Installation, on Poetry Trails and at a Dance Festival. In 2014 she was commissioned to perform at Birmingham Literature Festival. She organises an annual writing retreat at https://awritersfountain.wordpress.com

Holly Magill

Holly Magill is from Worcestershire. She has a BA in Creative Writing from University Of Birmingham and has had poems in various publications, including Clear Poetry, Ink Sweat & Tears and The Emma Press’ anthology of Mildly Erotic Verse. She is fond of cats and strong tea above most things.

Kevin Brooke

Kevin writes a bit of poetry and is also known to try out a few steps of ballroom. Currently studying Creative Writing and English Literature at the University of Worcester, he is hoping to increase his repertoire in both. A writer of children’s fiction, his YA novel Jimmy Cricket was published by Black Pear Press in 2014 

Math Jones 

Math Jones has been sweet on his pins since childhood, He’s cut many a caper, promenaded and do-ci-do’ed, waltzed and polka’ed, stamped heels in traditional Indian, Galliarded, and Cell-block Tango’ed. Now, of course, he’s more likely to be dancing with his eyes.

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The dancers

Dancefest Elevate Junior Youth Dance Company

A company for Herefordshire-based creative dancers aged 10 to 13 to develop creative and technical skills, with performance opportunities throughout the year. Auditions to join the company take place on Monday 17 July at Hereford College of Arts.

Chance to Dance Company

Dancefest’s Chance to Dance Company is for experienced dancers aged 50 and over, who like to create, experiment and have a passion to perform.

DFA (Dancefest Adults)

DFA is for experienced dancers with a sense of adventure who enjoy the creative process and want to perform in outdoor and unusual spaces.

The choreographers

Janene Wyatt

Janene has been leading contemporary and creative dance classes across Herefordshire over the past 14 years, working extensively with children, young people and adults of all ages and abilities in community settings and in education. Janene’s main passion and focus is the development and teaching of dance for children and young people [more]

Marie Oldaker

Marie is a freelance choreographer, creative dance practitioner and arts project coordinator with over twenty five years’ experience working in community and education contexts. Her artistic focus is predominantly about working creatively with local communities and their histories, across generations, inclusively and to promote health [more]

Clare Wood

Clare has worked for Dancefest for 14 years devising and delivering dance projects and teaching regular classes. In her various roles at Dancefest Clare has led work for all ages and abilities including GCSE Dance, GP referred adults, Parents and Wobblers, visually impaired and learning disabled participants [more] 

DanceFest © 2017

The Poetry Ballroom took place on April 2nd, I wanted access to the photography before I posted and by then it was May and I was wrapped up in working on our show 30-40-60 for Worcester LitFest.

I wish I had had time to complete the review months ago when this wondrous night was crystal clear but hopefully I have captured the essence of this spellbinding evening of pleasure.

 

Working on a Poetry Show 30-40-60

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Back in 2016 I was already planning collaborations to promote my debut pamphlet ‘Fragile Houses’, published by V. Press.

This year I had the opportunity to organise events for festivals and two of these included this body of work. Stourbridge Literature Festival saw a straight reading of pamphlets and collections that I organised with fellow V. Press published poets: David Calcutt, Kathy Gee & Claire Walker. It was fun to do and we sold a couple of books.

The next bid I placed was with Worcester LitFest, although I have been aware of the festival and participated in various events since 2014, I had never discovered the bidding stage. I wrote a synopsis for a collaborative reading.

We heard that our application had been successful in March and set to work on developing the show 30-40-60.

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We have had several meetings to script and rehearse the poetry side of things and have developed film work to enhance the experience, as well as promoting the show in hope of ticket sales. It is a something we hope to repeat at other festivals/events in the future as there has been an incredible amount of groundwork put in.

It has been one of the most pleasurable projects so far this year. The 3 hour meetings fly by and we have our fingers crossed now that we can make it a success.

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Worcester LitFest runs from 9th – 18th June and as you can see 30-40-60 is billed for the 11th June, do come along if you can make it to The Hive, tickets are a festival fiver and if you want to perform poetry, sign up for the open mic beforehand by emailing us at 304060[at]mail.com

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Litfest A5 Programme 2017 30-40-60 page

Review April 2017

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As always NaPoWriMo takes over April and makes it challenging to keep other blog posts up to date. I have made an effort to keep the blog NaPo intentionally this month with a few posts breaking the thread. I have had some amazing experiences this month which deserve a dedicated blogging. I plan to pepper them in throughout May.

 

WEEK 1:

I was asked to co-ordinate an event for a Festival I am already involved with – this task took the best part of a fortnight. But I am happy that it is all now booked and in place for this summer. I spent further weeks this month planning and organising the events for an Arts Festival in July.

I went to an editing workshop. Taking with me a poem from 2014 that has never fully worked. I can safely say it has the treatment now and just in time because it formed part of the set I performed at The Poetry Ballroom.

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I experienced the Poetry Ballroom. Suz Winspear (this year’s Worcestershire Poet Laureate) organised this event in partnership with DanceFest. It was an amazing night. I will be blogging a full write up in May, I was honoured to be an invited performer at the event and had great fun writing some dance poems especially for it. The evening was a sound success and the dancers appreciated the theme of our poetry – not realising that we would focus on dance. As an ex-dancer, it was a pleasure.

I was asked to endorse a book (my 2nd one). The first book I endorsed is due to launch in May, more on that next month too. I am currently reading this manuscript and am delighted that the publishers thought of me.

I was asked to read at a Book Launch next month. I have spent some time this month penning new poems for this occasion. To be honest the poems were also part of NaPoWriMo, but why not make your projects work hard for you. Lots of prompts leant themselves to current project pies I have my thumbs in, so given half a chance…napo2017button1

I went to a reading at The Hive with Sarah Leavesley & Melissa Lee-Houghton. I was really excited by this. Ruth Stacey had arranged it for her students at university and just gave a bit of a quiet shout out. thehiveworcsorg

Being part of an audience of students, listening to their woes made me glad this wasn’t my life anymore. It is all to easy to glamorize the undergraduate/post grad life… but really… as much pressure as the real world.

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I loved hearing Sarah read from Magnetic Diaries again after all this time and it was a real treat to hear Melissa Lee-Houghton, as she sadly couldn’t make Verve festival in the end. It was a great evening and I am glad I managed the post work rush to get there. Had to drive a hire car too – as my window decided to malfunction and I spent over an hour finding a garage willing to help me so late on in the day. The window was stuck in the down position. My lesson: using air con is cheaper in the long run!

I spent time writing the brief for a 2nd poetry festival event, involving the other two poets. It is amazing how many days it can take 3 poets to come up with less than 3 lines!

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Back in February (my month of applications), I applied for Room 204 Writer Development Programme run by WWM. They had over 130 applicants this year for 15 places. I am delighted to announce the embargo has lifted and I can share this news. We had our first cohort meeting – what a great year to be in, so much talent. We had a photo shoot (one I wanted a haircut and weight-loss for) – neither happened in the days beforehand, but Paul Stringer is a talented photographer. It was a fun morning, we were all so excited to be part of the 2017/18 cohort and already good things have happened as a result. There is a whole year of mentoring and career development ahead, over £1000 worth. Priceless if you ask me.

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I am extremely excited to be part of Room 204, I discovered it back in 2013 and have been biding my time and developing my writing to the point I thought I was able to qualify for a place on the scheme. I am grateful my application was successful. That my writing stood up to the scrutiny and competition. Here’s the rest of this year’s cohort

https://www.writingwestmidlands.org/room-204-participants-201718/

I also reconnected with a good friend of mine afterwards and we plan to exchange books and do lunch next time I am back in the area. I used to spend more time in Birmingham than I do at the moment. I am spending less time on the road this year and more time at the desk, the natural pattern of a writer. It was good catching up.

WEEK 2

Went to an incredibly exciting meeting at the Custard Factory for this year’s Room 204 programme, which we were embargoed about. The news was finally released on the 11/12th. Rm-204-logo-final-solo-600x328

Started typing NaPo poems, I decided to write longhand this year, which gave me that workshop feeling as much of my writing is straight to screen nowadays. It meant I successfully completed the challenge with 97 poems by the end of the month, however I have typed about 10 to edit so far.

Made a promotional Easter video for Fragile Houses. I was reading advice on marketing and promotion and find it hard to detail what my pamphlet with give you beyond shared experience, memory and space to work through mirrored realities. Which all seems a high promise or at the worst an abstract manifesto. Then I thought about chocolate, the calories (personally delighted this year to have so many eggs and treats). easter Had another 3 eggs after this photo was taken!

I spent half a day making the video. Poetry – less calories than chocolate. Maybe I should have offered a free egg with every book sold.

I booked onto a Room 204 event for later in the month.

Started writing a book review and went to see Kate Bush tribute Cloudbusting with Mr G. katebush

I missed License to Rhyme again as the next day I was going to Swindon. Rick Saunders aka Willis the Poet was headlining and he was happy to take me on the road trip. It was a cracking night at Oooh Beehive – a night that Clive Oseman and Nick Lovell started a while ago. Swindon is quite a way on a school night and it was the early hours by the time I was home, but it was the Easter holidays and I am glad I managed it. Lovely to see Sam Loveless and Edward, who I met at the Poetry Festival last year.

I went to HOWL and watched amazing headline sets from Charley Barnes, Tom McCann and Rhythmical Mike. It was a great night and I was happy I made an open mic spot. It was fabulous to see everyone again. HOWL

I went to SpeakEasy where Gareth Owens was headlining. That was a good night too – rare these days that I manage 3 nights on the hoof like this. I spent the day beforehand making media for an upcoming festival shoe and dealing with programme copy.

It was nice to escape for a few hours and immerse myself in poetry.

The Beltane Anthology for 2017 was published by Three Drops from a Cauldron, which has my Rag Tree poem in it. I know you should never judge a book by the cover – but with this stunning design, who wouldn’t want to see their poetry inside!

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Featuring poetry and flash fiction by Jane Burn, Rhiannon Hooson, Alison Stone, Denise Blake, Abigail Elizabeth Ottley Wyatt, Eleanor Penny, Tom Moody, Bee Smith, Rebecca Buchanan, Rebecca Gethin, Nina Lewis, Wendy Mannis Scher, Ceinwen E. Cariad Haydon, Sarah Hart, Raquel Vasquez Gilliland, Kitty Coles, Donald Illich, Dennis Trujillo, Lesley Burt, Cynthia June Long, Vivien Jones, Moyra Donaldson, Maggie Mackay, Bethany Rivers, Lewis Buxton, Carmina Masoliver, Nico Solheim-Davidson, R.M. Francis, Linda Goulden, Ilse Pedler, and Joanna Swan.

Edited by Kate Garrett, with the Three Drops from a Cauldron editorial team: Becca Goodin, Loma Jones, Amy Kinsman, Holly Magill, Penny Sharman, Grant Tarbard, and Claire Walker.

http://www.lulu.com/shop/kate-garrett/three-drops-from-a-cauldron-beltane-2017/paperback/product-23143262.html

It is now also available in digital copy.

https://threedropspoetry.co.uk/2017/04/14/three-drops-from-a-cauldron-beltane-2017/

Week 3

I had a free writing webinar with The Writers Academy & Penguin Random House, it was an interesting few hours, although I wrote copious notes not realising they were sending follow up information via email.

I had my first Room 204 1 to 1 session, we get 3 over the course of the year. It was useful and I have already started working on decisions.Rm-204-logo-WITH-WORDS

I spent an entire day co-ordinating and planning for festival events.

Holly Daffurn has started a new venture – at Bottles Wine Bar, ‘Uncorked’ an evening of Spoken Word, there were over 50 tickets sold and the night was divided into 3 parts with 5 headliners and open mic. Ambitious scheduling, beautiful venue and a stellar line up made for a perfect evening. uncorked

I performed on the open mic. Brilliant Headliners: Jasmine Gardosi, Casey Bailey, Holly Daffurn, Leon Priestnall & Joe Cooke

The Spring edition of Birmingham Literature Festival happened and despite a fantastic programme (all well received), I was unable to make it across to the city for any events. I even missed Cynthia Miller’s Primers Launch.

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I had my WWM group which meant I couldn’t attend some of the events/workshops on Saturday. The group went really well, we made our own magazines. I have since planned the final two session, so feel ahead of the game.

Week 4

I booked tickets to go and see Carol Ann Duffy in May, continued to organise festival events. The Stourbridge Literature Festival started. I went to see Emma Purshouse headline at Spoken Trend, saw Carla Rickets headline too. It was a great night, I even went home with 3 daffodils, now that is a good night.

I took a Napowrimo poem to Stanza and it was approved. I have written 97 in total this month as I have followed 2 main prompts, the main site napwrimo.net and joined Carrie Etter’s group where she provided us with 30 optional prompts. Beyond the poems, I have researched and stumbled into new project territory which is most exciting. Carrie’s group was amazing for comradery and support. Jo Bell spent the entire month posting poems for us to read as it is as important as writing and a sure way to learn/ learn about poetry. I have thoroughly enjoyed reading the poems and discussions on her blog and will miss this daily ritual and ponder more than I will miss the onslaught of daily poetry writing.

imgID54935282.jpg.gallery I went to the first talk organised by Room 204 and now have a notebook full of information and ideas.

And the month finished with a flurry of PR for VOICES FROM THE MIDDLE at Stourbridge Literature Festival.

The first of 3 events I have been organising. A combined reading with: vpress sb I will blog about the festival/event over the coming days. Within 24 hours I will be promoting Cheltenham Poetry Festival and over the next 5 days working towards 30-40-60 the collaborative performance booked into this year’s Worcester Literature Festival.

I will not have time to be sad about the end of NaPoWriMo, but I hope to have time to type edit some of the work produced during April.

This was a GREAT month!