Category Archives: performing poetry

30-40-60

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Back in 2015 I dreamed of my pamphlet being published at the same time as Claire Walker’s, we have talked of many collaborative readings and ideas. By the time 2016 rolled around, my head was filled with firm ideas of collaborating, by 2017 there was somewhat of a larger idea forming.

I had a concrete plan and all I needed was acceptance. I approached Kathy Gee and Claire Walker, two poets who are also published by V. Press. I was delighted when they both agreed to my idea and I swiftly put in an application for Worcester LitFest (WLF).

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We waited until our place in the programme was confirmed before we set to work on this project. I am from a performance background and know only too well the unseen hours of work and rehearsal. What I loved about our meetings was the fluidity in which we found ourselves working. There is nothing better than a positive environment with like-minded people to stoke the fires and like an Olympic torch ours kept burning!

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We all know each other’s poetry and have each other’s books on our shelves, so placing our work together was not too difficult, cutting it down to a running order size was a fair challenge – thank goodness we all know how to kill our darlings.

Once we had organised the poetry we then played (and I mean that verb) with the sequence until we were all satisfied with the show. Then the real fun began with read through, deciding where the combined voices worked best.

I had started work on the multimedia element before we were accepted for WLF as I was convinced this performance would happen at some point, somewhere. I know from making poetry films last year (Fragile Houses) that media and editing is painstakingly time consuming. I also know that when you LOVE what you do, work never feels like work.

Eventually we brought voice and film together and rehearsed and altered the show.

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And what a show it was.

A    M    A    Z    I    N    G!

We are very proud our show was one of the best-selling festival events, we did some point specific marketing and believe that the tireless work of the WLF team and The Hive (Worcester Library/Venue) advertising in the What’s On at The Hive programme helped in this success!

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There were plenty of people we did not know as well as good friends and supporters. It was a fabulous night! We hope to tour it next year. Catch us if you can.

Photography Elaine Christie© 2017

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Nina Lewis  – Introducing the Poets:

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Nigel Hutchinson

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Neil Richards

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Belinda Rimmer

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Rick Sanders

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Suz Winspear

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Paul Wooldridge

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Kate Weatherby

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Followed by our 40 minute show exploring the various stages of life through womanhood.

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Huge thanks to Kathy Gee for providing some of the media clips, projectors, scripts, folders and the programmes! For Claire Walker who had the wonderful idea of incorporating the open mic element. To the audience for having faith and to our open mic performers for beginning such a cracking night!

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Really enjoyable evening, the interweaving of voices – both actual and literary – worked extremely well. Video backdrop a unifying element. -Nigel

Fantastic evening, the show should go on the road, really enjoyable, and the three poets really worked as a performance. -Neil

A gorgeous night tonight! Brilliant poetry presented in a way I’ve never seen before! -Suz

Such a pleasure. Spellbinding poetry and a beautiful backdrop of images. Thanks for lovely evening. -Kathy A

30-40-60 is a triumph. A splendid performance from spectacular poets. Kathy Gee, Claire Walker and Nina Lewis were exquisite. Wonderful! –Kieran

A lovely evening at the Hive with Worcester LitFest and the wonder 30-40-60. When it comes back it’s a Do Not Miss. -Anne

Poetry perfection, wonderful. – Maggie

The poetry found so many points of connection. Beautiful. -Belinda

Rick Sanders reviewed the show (Related Links) – here are some soundbites. Thanks to Rick for the review and feedback.

Last night I had the pleasure of seeing 30 – 40 – 60 at the Hive in Worcester, one of a myriad of events taking place as part of the Worcestershire Litfest. The show is the brainchild of poets Claire Walker, Nina Lewis and Kathy Gee and it explores the works of all three poets through a connected narrative and visual accompaniment.

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Some pieces are solo readings, while others combine the voices of all three poets in acoustic harmony, which is different and rarely seen in poetry performance. 

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an engaging and highly entertaining piece of performance art.

A must see if 30 – 40 – 60 pops up again in a town near you…

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RELATED LINKS:

https://willisthepoet.wordpress.com/2017/06/12/30-40-60/

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… distinctive voicing to a beautiful narrative, which is complimented in turn by the visuals being displayed behind the readers. As an audience you get to see and hear two things at once, adding to the imagery of the spoken word and layering another context to the poems. It’s a clever use of multimedia and works well in the overall effect. -Rick

PERFORMANCE BIOS 

https://awritersfountain.wordpress.com/2017/06/25/30-40-60-open-mic-poets/

Worcestershire Poet Laureate Final

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Towards the end of May I received the news that I had made it to the final of the Worcestershire Poet Laureate competition. There were three finalists, myself, Damon Lord and Louise Reeder.

WLF Holly Magill©2017

I spent the first few hours twirling around with excitement at being a finalist. ‘That’s a win, right there!’ commented a poet I know. She was right. This alone is an achievement and one we should all be proud of.

I decided not to make it public when I sent my entry earlier on in the year, the poetry network being what it is some people who know how to read me, guessed. I still didn’t go public. Once the finalists had been officially announced  https://worcslitfest.co.uk/2017/05/30/and-the-worcestershire-poet-laureate-finalists-are/ I went public – but the Nation as a whole was understandably focused on the Election by then, which continues as the main social media topic now.

The week I discovered the news was a fully booked one with Stourbridge Library – Jo Bell & Roy McFarlane, Uncorked with Charley Barnes, Spoz and Hannah Teasdale, Stanza on Friday and a workshop in Cheltenham on Saturday – Stoke Newington Literature Festival and Shabda Press reading had to be cancelled as I did not have enough hours to make the journey in time and the Sunday night was Yes, We Cant in Walsall with Jonny Fluffypunk – poetry heroes aplenty. I thoroughly enjoyed myself but in the back of my mind my competition poems were stirring. I decided to give myself the 2nd week of June off from poetry events and other writing to concentrate on the poems.

I missed Stirchley Speaks – the 2nd birthday and a good night – but I did spend that particularly evening enjoying the summer house clear out Mr. G. had worked his socks off on, got drenched in the downpour and read my poems through a few times. I learnt them by heart. I spent Election day waiting in for a fridge and reciting lines. I voted on my way back from work – don’t you worry!

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Tonight after a haircut (much needed), I headed to the Racecourse for the final. I arrived about 40 mins early – the Friday night traffic I had predicted came later. I am never early and with a tummy full of butterflies this was not easy.

The evening itself was the LAUNCH of Worcester LitFest – all the finalists had an informal interview with the 5 judges and then we watched/heard the talented competition winners. The Young Writers read their entries, followed by the winning Flash Fiction entries.

There were quality performances by Matt Windle – Birmingham Poet Laureate – who MCed the event, Oakley Flanagan – Young Poet Laureate and Suz Winspear – who has just completed her tenure as Worcestershire Poet Laureate. Matt performed followed by the finalists and Oakley and Suz performed after the judging and before the winner was announced.

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Damon Lord, Louise Reeder and I had all entered the competition  before. This doesn’t prevent nerves or anxiety. Everyone performed their poems well. This year there was no public vote so we hadn’t seen or heard each other’s poems before. Another addition this year was to give a brief outline of what you hoped to achieve as Poet Laureate should you be the fortunate winner. I really wish I had typed mine because the ill-ordered scribble was hard to deliver cohesively! It was also difficult not to have every politicians mucked up manifesto in my mind as I delivered my hopes.

My happy news is that I am the Worcestershire Poet Laureate for 2017/18!

My first official engagement is tomorrow night, The Night at The Museum III with Suz Winspear, Matt Windle and Chloe Clarke. It starts at 7:30 PM see the link for programme/ ticket information – £5 a festival fiver is what you pay.

https://worcslitfest.co.uk/programme-tickets-2017/

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Of course, I am off to National Writers Conference first, in about 7 hours! Matt Windle is performing there too.

 

 

Poetry Ballroom

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An exquisite event, the brainchild of the current Worcestershire Poet Laureate, Suz Winspear, who wanted to combine poetry with other agencies. She teamed up with DanceFest Worcester and a select group of poets to produce ‘Poetry Ballroom’.

In ancient times, the arts were as one – the words the bards created and recited merged with music, and the active expression of the human body gave them expression and physical form . . . .

As the current Worcestershire Poet Laureate, Suz Winspear wants to bring artists back together once again.

Dance and Poetry now seem like distant art forms, but both can speak to one another . . . .dancers and poets can interact . . . . word and dance can come together to create something new . . . .

Welcome to the Poetry Ballroom!

It was an incredible evening and I was delighted to be involved. As an ex-dancer it gave me so much joy to watch the choreography and to write on the theme of dance. I have a body of work associated with dance/dancers already but also set to write new poems for the event.

Worcestershire’s Poet Laureate, Suz Winspear, has brought together Dancefest and Worcestershire LitFest to create a very special evening of poetry and dance.

Local poets Polly Stretton, Kevin Brooke, Holly Magill, Nina Lewis, alongside London-based Math Jones, will be joined by over 30 dancers of all ages from Dancefest’s Chance to Dance Company, DFA (Dancefest Adults) and Elevate Junior Youth Dance Company, who have created new dances inspired by poems.

Suz will be compering the evening and sharing some of the poems she’s written during her time as the county’s Poet Laureate. DanceFest © 2017

Poetry Ballroom

https://worcslitfest.co.uk/2017/02/25/welcome-to-the-poetry-ballroom/

It was the sort of evening which totally absorbs you. From start to finish.

Suz had the idea of poets performing from different parts of the venue, the dancers were delighted to discover that the poetry was dance related and talking to members of DanceFest afterwards, I know they enjoyed the show as much as we did.

The space inside the Angel Centre, is gorgeous, I can see why it is home to dance. The lighting was magical, fairy-lights and blackout curtains contained the large audience in an other worldly place for the night. A night, I for one, did not want to end. It was spectacular.

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Suz opened the event,

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before Elevate Junior Dance Company took to the floor to perform The Ballroom of Squid. The inspiration behind this dance, (choreographed by Janene Wyatt & Company), came from a poem written by Suz Winspear, which she performed alongside the dancers.

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Kevin Brooke was the next poet to perform, high up on the balcony. Followed by the most beautiful dance ‘I Know Why the Caged Bird Sings’ performed by DFA (DanceFest Adults) who equalled professional companies in there execution of the awe inspiring choreography (Clare Wood). A dance based on a Maya Angelou poem is a sure fire winner in my book and I was mesmerised.

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It was incredibly moving, so much so I was not really emotionally ready to take to the floor for my spot.

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I performed The Fourth wall – a poem I wrote back in 2013, one of the first poems in my book when I started back along the poetry road. It explores the feelings of an ex-dancer watching dance, exactly how I felt after watching the DFA Company.

2/4, 3/4, 4/4 – a poem I wrote especially for the Ballroom event explores 8 different ballroom styles.

Underwater Gothic – a poem I had written a month or so before, before I heard Suz perform The Ballroom of Squid, at 42 to tease us prior to the Poetry Ballroom event. It was inspired by nature films and is based under the sea, much the same as Elevate’s dance.

I completed my set with Tango – a poem I have written for an upcoming poetry anthology as a tribute to Leonard Cohen.

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I thoroughly enjoyed performing, despite the nerves and cramp in my calf muscle, which was ironic as all I wanted to be able to do was dance once more.

After the interval we were treated to Math Jones’ dynamic, theatrical performance. He made almost as much use of the space as the dancers!

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Followed by Holly McGill who performed wonderfully. Then the final dance treat Ghost of Castle Street From Sonnet to Sestina. This was performed by the Chance to Dance Company (choreographed by Marie Oldaker with the dancers). It was inspired by a poem of the same title written by Stephen Murphy in 2004 about the then-deserted Worcester Royal Infirmary.

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This captivating dance incorporated sound and word as fragments of communication. Copies of the poem and definitions of the form were handed out along with the programme.

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Finally Suz completed this enchanting evening with a poem and farewell.

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With kind permission from DanceFest/ Worcester LitFest

Photography Clare Wood/DanceFest © 2017


The poets

Polly Stretton

Polly follows many writerly pursuits in her hometown of Worcester. Her poetry has been displayed at Croome Court and in many anthologies. She’s a coordinator and judge of various writing competitions and works with Black Pear Press, Worcestershire LitFest & Fringe, and OU Poetry Society. Polly’s writing includes a collection of poetry, a series of poems about the tragic young poet Thomas Chatterton, and a pamphlet of children’s poetry. She’ll go into ecstasies about her puppy: Mabel.

Nina Lewis

Nina Lewis has poetry published in anthologies and magazines, her début pamphlet Fragile Houses is published by V. Press. Nina’s poetry has featured in an Art Installation, on Poetry Trails and at a Dance Festival. In 2014 she was commissioned to perform at Birmingham Literature Festival. She organises an annual writing retreat at https://awritersfountain.wordpress.com

Holly Magill

Holly Magill is from Worcestershire. She has a BA in Creative Writing from University Of Birmingham and has had poems in various publications, including Clear Poetry, Ink Sweat & Tears and The Emma Press’ anthology of Mildly Erotic Verse. She is fond of cats and strong tea above most things.

Kevin Brooke

Kevin writes a bit of poetry and is also known to try out a few steps of ballroom. Currently studying Creative Writing and English Literature at the University of Worcester, he is hoping to increase his repertoire in both. A writer of children’s fiction, his YA novel Jimmy Cricket was published by Black Pear Press in 2014 

Math Jones 

Math Jones has been sweet on his pins since childhood, He’s cut many a caper, promenaded and do-ci-do’ed, waltzed and polka’ed, stamped heels in traditional Indian, Galliarded, and Cell-block Tango’ed. Now, of course, he’s more likely to be dancing with his eyes.

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The dancers

Dancefest Elevate Junior Youth Dance Company

A company for Herefordshire-based creative dancers aged 10 to 13 to develop creative and technical skills, with performance opportunities throughout the year. Auditions to join the company take place on Monday 17 July at Hereford College of Arts.

Chance to Dance Company

Dancefest’s Chance to Dance Company is for experienced dancers aged 50 and over, who like to create, experiment and have a passion to perform.

DFA (Dancefest Adults)

DFA is for experienced dancers with a sense of adventure who enjoy the creative process and want to perform in outdoor and unusual spaces.

The choreographers

Janene Wyatt

Janene has been leading contemporary and creative dance classes across Herefordshire over the past 14 years, working extensively with children, young people and adults of all ages and abilities in community settings and in education. Janene’s main passion and focus is the development and teaching of dance for children and young people [more]

Marie Oldaker

Marie is a freelance choreographer, creative dance practitioner and arts project coordinator with over twenty five years’ experience working in community and education contexts. Her artistic focus is predominantly about working creatively with local communities and their histories, across generations, inclusively and to promote health [more]

Clare Wood

Clare has worked for Dancefest for 14 years devising and delivering dance projects and teaching regular classes. In her various roles at Dancefest Clare has led work for all ages and abilities including GCSE Dance, GP referred adults, Parents and Wobblers, visually impaired and learning disabled participants [more] 

DanceFest © 2017

The Poetry Ballroom took place on April 2nd, I wanted access to the photography before I posted and by then it was May and I was wrapped up in working on our show 30-40-60 for Worcester LitFest.

I wish I had had time to complete the review months ago when this wondrous night was crystal clear but hopefully I have captured the essence of this spellbinding evening of pleasure.

 

Working on a Poetry Show 30-40-60

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Back in 2016 I was already planning collaborations to promote my debut pamphlet ‘Fragile Houses’, published by V. Press.

This year I had the opportunity to organise events for festivals and two of these included this body of work. Stourbridge Literature Festival saw a straight reading of pamphlets and collections that I organised with fellow V. Press published poets: David Calcutt, Kathy Gee & Claire Walker. It was fun to do and we sold a couple of books.

The next bid I placed was with Worcester LitFest, although I have been aware of the festival and participated in various events since 2014, I had never discovered the bidding stage. I wrote a synopsis for a collaborative reading.

We heard that our application had been successful in March and set to work on developing the show 30-40-60.

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We have had several meetings to script and rehearse the poetry side of things and have developed film work to enhance the experience, as well as promoting the show in hope of ticket sales. It is a something we hope to repeat at other festivals/events in the future as there has been an incredible amount of groundwork put in.

It has been one of the most pleasurable projects so far this year. The 3 hour meetings fly by and we have our fingers crossed now that we can make it a success.

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Worcester LitFest runs from 9th – 18th June and as you can see 30-40-60 is billed for the 11th June, do come along if you can make it to The Hive, tickets are a festival fiver and if you want to perform poetry, sign up for the open mic beforehand by emailing us at 304060[at]mail.com

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Litfest A5 Programme 2017 30-40-60 page

Review April 2017

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As always NaPoWriMo takes over April and makes it challenging to keep other blog posts up to date. I have made an effort to keep the blog NaPo intentionally this month with a few posts breaking the thread. I have had some amazing experiences this month which deserve a dedicated blogging. I plan to pepper them in throughout May.

 

WEEK 1:

I was asked to co-ordinate an event for a Festival I am already involved with – this task took the best part of a fortnight. But I am happy that it is all now booked and in place for this summer. I spent further weeks this month planning and organising the events for an Arts Festival in July.

I went to an editing workshop. Taking with me a poem from 2014 that has never fully worked. I can safely say it has the treatment now and just in time because it formed part of the set I performed at The Poetry Ballroom.

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I experienced the Poetry Ballroom. Suz Winspear (this year’s Worcestershire Poet Laureate) organised this event in partnership with DanceFest. It was an amazing night. I will be blogging a full write up in May, I was honoured to be an invited performer at the event and had great fun writing some dance poems especially for it. The evening was a sound success and the dancers appreciated the theme of our poetry – not realising that we would focus on dance. As an ex-dancer, it was a pleasure.

I was asked to endorse a book (my 2nd one). The first book I endorsed is due to launch in May, more on that next month too. I am currently reading this manuscript and am delighted that the publishers thought of me.

I was asked to read at a Book Launch next month. I have spent some time this month penning new poems for this occasion. To be honest the poems were also part of NaPoWriMo, but why not make your projects work hard for you. Lots of prompts leant themselves to current project pies I have my thumbs in, so given half a chance…napo2017button1

I went to a reading at The Hive with Sarah Leavesley & Melissa Lee-Houghton. I was really excited by this. Ruth Stacey had arranged it for her students at university and just gave a bit of a quiet shout out. thehiveworcsorg

Being part of an audience of students, listening to their woes made me glad this wasn’t my life anymore. It is all to easy to glamorize the undergraduate/post grad life… but really… as much pressure as the real world.

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I loved hearing Sarah read from Magnetic Diaries again after all this time and it was a real treat to hear Melissa Lee-Houghton, as she sadly couldn’t make Verve festival in the end. It was a great evening and I am glad I managed the post work rush to get there. Had to drive a hire car too – as my window decided to malfunction and I spent over an hour finding a garage willing to help me so late on in the day. The window was stuck in the down position. My lesson: using air con is cheaper in the long run!

I spent time writing the brief for a 2nd poetry festival event, involving the other two poets. It is amazing how many days it can take 3 poets to come up with less than 3 lines!

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Back in February (my month of applications), I applied for Room 204 Writer Development Programme run by WWM. They had over 130 applicants this year for 15 places. I am delighted to announce the embargo has lifted and I can share this news. We had our first cohort meeting – what a great year to be in, so much talent. We had a photo shoot (one I wanted a haircut and weight-loss for) – neither happened in the days beforehand, but Paul Stringer is a talented photographer. It was a fun morning, we were all so excited to be part of the 2017/18 cohort and already good things have happened as a result. There is a whole year of mentoring and career development ahead, over £1000 worth. Priceless if you ask me.

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I am extremely excited to be part of Room 204, I discovered it back in 2013 and have been biding my time and developing my writing to the point I thought I was able to qualify for a place on the scheme. I am grateful my application was successful. That my writing stood up to the scrutiny and competition. Here’s the rest of this year’s cohort

https://www.writingwestmidlands.org/room-204-participants-201718/

I also reconnected with a good friend of mine afterwards and we plan to exchange books and do lunch next time I am back in the area. I used to spend more time in Birmingham than I do at the moment. I am spending less time on the road this year and more time at the desk, the natural pattern of a writer. It was good catching up.

WEEK 2

Went to an incredibly exciting meeting at the Custard Factory for this year’s Room 204 programme, which we were embargoed about. The news was finally released on the 11/12th. Rm-204-logo-final-solo-600x328

Started typing NaPo poems, I decided to write longhand this year, which gave me that workshop feeling as much of my writing is straight to screen nowadays. It meant I successfully completed the challenge with 97 poems by the end of the month, however I have typed about 10 to edit so far.

Made a promotional Easter video for Fragile Houses. I was reading advice on marketing and promotion and find it hard to detail what my pamphlet with give you beyond shared experience, memory and space to work through mirrored realities. Which all seems a high promise or at the worst an abstract manifesto. Then I thought about chocolate, the calories (personally delighted this year to have so many eggs and treats). easter Had another 3 eggs after this photo was taken!

I spent half a day making the video. Poetry – less calories than chocolate. Maybe I should have offered a free egg with every book sold.

I booked onto a Room 204 event for later in the month.

Started writing a book review and went to see Kate Bush tribute Cloudbusting with Mr G. katebush

I missed License to Rhyme again as the next day I was going to Swindon. Rick Saunders aka Willis the Poet was headlining and he was happy to take me on the road trip. It was a cracking night at Oooh Beehive – a night that Clive Oseman and Nick Lovell started a while ago. Swindon is quite a way on a school night and it was the early hours by the time I was home, but it was the Easter holidays and I am glad I managed it. Lovely to see Sam Loveless and Edward, who I met at the Poetry Festival last year.

I went to HOWL and watched amazing headline sets from Charley Barnes, Tom McCann and Rhythmical Mike. It was a great night and I was happy I made an open mic spot. It was fabulous to see everyone again. HOWL

I went to SpeakEasy where Gareth Owens was headlining. That was a good night too – rare these days that I manage 3 nights on the hoof like this. I spent the day beforehand making media for an upcoming festival shoe and dealing with programme copy.

It was nice to escape for a few hours and immerse myself in poetry.

The Beltane Anthology for 2017 was published by Three Drops from a Cauldron, which has my Rag Tree poem in it. I know you should never judge a book by the cover – but with this stunning design, who wouldn’t want to see their poetry inside!

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Featuring poetry and flash fiction by Jane Burn, Rhiannon Hooson, Alison Stone, Denise Blake, Abigail Elizabeth Ottley Wyatt, Eleanor Penny, Tom Moody, Bee Smith, Rebecca Buchanan, Rebecca Gethin, Nina Lewis, Wendy Mannis Scher, Ceinwen E. Cariad Haydon, Sarah Hart, Raquel Vasquez Gilliland, Kitty Coles, Donald Illich, Dennis Trujillo, Lesley Burt, Cynthia June Long, Vivien Jones, Moyra Donaldson, Maggie Mackay, Bethany Rivers, Lewis Buxton, Carmina Masoliver, Nico Solheim-Davidson, R.M. Francis, Linda Goulden, Ilse Pedler, and Joanna Swan.

Edited by Kate Garrett, with the Three Drops from a Cauldron editorial team: Becca Goodin, Loma Jones, Amy Kinsman, Holly Magill, Penny Sharman, Grant Tarbard, and Claire Walker.

http://www.lulu.com/shop/kate-garrett/three-drops-from-a-cauldron-beltane-2017/paperback/product-23143262.html

It is now also available in digital copy.

https://threedropspoetry.co.uk/2017/04/14/three-drops-from-a-cauldron-beltane-2017/

Week 3

I had a free writing webinar with The Writers Academy & Penguin Random House, it was an interesting few hours, although I wrote copious notes not realising they were sending follow up information via email.

I had my first Room 204 1 to 1 session, we get 3 over the course of the year. It was useful and I have already started working on decisions.Rm-204-logo-WITH-WORDS

I spent an entire day co-ordinating and planning for festival events.

Holly Daffurn has started a new venture – at Bottles Wine Bar, ‘Uncorked’ an evening of Spoken Word, there were over 50 tickets sold and the night was divided into 3 parts with 5 headliners and open mic. Ambitious scheduling, beautiful venue and a stellar line up made for a perfect evening. uncorked

I performed on the open mic. Brilliant Headliners: Jasmine Gardosi, Casey Bailey, Holly Daffurn, Leon Priestnall & Joe Cooke

The Spring edition of Birmingham Literature Festival happened and despite a fantastic programme (all well received), I was unable to make it across to the city for any events. I even missed Cynthia Miller’s Primers Launch.

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I had my WWM group which meant I couldn’t attend some of the events/workshops on Saturday. The group went really well, we made our own magazines. I have since planned the final two session, so feel ahead of the game.

Week 4

I booked tickets to go and see Carol Ann Duffy in May, continued to organise festival events. The Stourbridge Literature Festival started. I went to see Emma Purshouse headline at Spoken Trend, saw Carla Rickets headline too. It was a great night, I even went home with 3 daffodils, now that is a good night.

I took a Napowrimo poem to Stanza and it was approved. I have written 97 in total this month as I have followed 2 main prompts, the main site napwrimo.net and joined Carrie Etter’s group where she provided us with 30 optional prompts. Beyond the poems, I have researched and stumbled into new project territory which is most exciting. Carrie’s group was amazing for comradery and support. Jo Bell spent the entire month posting poems for us to read as it is as important as writing and a sure way to learn/ learn about poetry. I have thoroughly enjoyed reading the poems and discussions on her blog and will miss this daily ritual and ponder more than I will miss the onslaught of daily poetry writing.

imgID54935282.jpg.gallery I went to the first talk organised by Room 204 and now have a notebook full of information and ideas.

And the month finished with a flurry of PR for VOICES FROM THE MIDDLE at Stourbridge Literature Festival.

The first of 3 events I have been organising. A combined reading with: vpress sb I will blog about the festival/event over the coming days. Within 24 hours I will be promoting Cheltenham Poetry Festival and over the next 5 days working towards 30-40-60 the collaborative performance booked into this year’s Worcester Literature Festival.

I will not have time to be sad about the end of NaPoWriMo, but I hope to have time to type edit some of the work produced during April.

This was a GREAT month!

 

 

February in Review

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There were many exciting ventures this month including the second festival of the year. This time I had a festival pass (bought in November and reimbursed as a Christmas gift) and I intended to use it – and then use half term to recover.

There were also (as always) clashing events and those I missed out on. The dream of a helicopter, boundless energy and time or the ability to teleport, all somewhat in the future.

Week 1

After the madness of end of month submissions and a 16 hour after work stint on the laptop, the month started with a rare night off (which I mainly slept through of course)!

Then Permission to Speak, the wonderful spoken word event and brainchild of Rob Francis. Everyone was excited about Ira Lightman headlining, unfortunately he couldn’t make it. The night that unfolded was the first (that I know of) without a headline act, swiftly repackaged as a ‘Free For All’ with performers allocated more time. As always we were treated to a wide selection of novel extracts, short stories, music and poetry. It was really enjoyable, relaxing and a great tonic after one of the hardest work weeks I have in a while. We all missed Ira and hope he will be able to book in at the Scary Canary in the future. He really should treat himself.

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I spent my first writing day in a week, writing. I also caught up with family and almost burnt the midnight oil as a result. Two new poems, both need some time to bed down and then be mangled through edits, but I am happy with the initial results. It was a tense morning with an idling brain, so I am glad by the time my head hit the pillow, I had accomplished some work. I also discovered new opportunities, some marked for 2018 and some on my TO DO LIST – more on that in the future, especially if I am successful in my endeavours.

When my head hit the pillow I couldn’t sleep. So I treated myself to a poetry book. There are many in the queue and some were gazumped as I picked ‘Beginning With Your Last Breath’ by Roy McFarlane. I planned to only read a few pages. By page 3 my eyes started leaking surprise tears and by page 17 my breath was caught and I knew I would be reading this story cover to cover… and I did. Jolly glad I did too. I slept well afterwards and will be reviewing his debut collection shortly.

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On Saturday Antony Owen had organised a Peace Vigil at Coventry Cathedral, where invited poets were performing 15 minute sets. I was disappointed not to be able to make it as I had a prior booking in Cheltenham. It looked like an amazing experience and I am keeping my fingers crossed that I can be part of another one later this year. I did have a couple of poems read on my behalf. I think it was one of those unique, special events that would have filled heart and mind to abundant levels and I cannot wait to hear all about it.

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Antony Owen was joined by invited poets: Mike Alma, Josephine Allen, Mal Dewhirst, Jacqui Rowe, Ruth Stacey & Janet Smith.

Antony said of the event it is an event for poetry to act as a witness to current world events and respond in acts of articulated remembrance.

antony-owen-by-mal-dewhirstMal Dewhirst © 2017

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Peace Curtain.

Janet Smith © 2017

Saturday night I missed Hannah Teesdale’s Special Open Mic Event in Birmingham as my brain and body had had a full work out and my little car had already driven to Gloucestershire. Both events had a lot of positive social media coverage and it would have been great to reconnect and catch up with people in Birmingham.

And I FINALLY started to read Ash Dickinson’s latest collection ‘Strange Keys’, which I had promised myself would be my Christmas book. I read three Christmas novels over the fortnight and ran out of snug time with poetry. Have made up for that since. Mr G bought me a couple of books for Christmas and I have spent the first part of the year battling through a novel. Which in concept was perfect and I see why he risked the gift. It was hard going both in terms of subject matter and chronology. Now I am on a book break for a bit unless the book contains poetry. I am too busy to catch more than snatches of time and poetry is perfect for that. I thought I had better read the collection before I see Ash again next week. Then I can delight in him performing from it.

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A conversation we had last month inspired an idea for a new poem that I managed to get to draft form this weekend. If I can work through it I think it will make a good performance poem. I love it when poets and their poetry connect to my mind in such a way that they just sow treasure. Plenty of wealth in my pad ready to go when I have a minute.

Week 2

Was set to be a corker. Poetry Alight in Lichfield on Tuesday night with Ruth Stacey (who I missed at the Cathedral) and Ash Dickinson, HOWL on Wednesday in Birmingham with Bethany Slinn, Sean Cottelli and Luke Kennard and SpeakEasy on Thursday with Matt Windle. Followed by important deadlines and Writing West Midlands.

It was a corker indeed. I had one main writing focus this week and all my spare time went into it, most of Monday, late Wednesday night and early Thursday morning before work. I managed to hit the deadline and now am keeping my fingers crossed.

Poetry Alight celebrated a 5th birthday, Gary Longden hosted an extra night this year to celebrate the 5th and the event took place downstairs in the back bar which was lovely. It was brilliant to catch up with everyone and watch in awe as Ruth Stacey and Ash Dickinson performed their headline sets. See the full review here https://awritersfountain.wordpress.com/2017/02/10/poetry-alight-happy-5th-birthday/

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I had a great time at Poetry Alight, fully absorbed and inspired to write more poetry and to edit the Funeral Pyre one.

HOWL was my next poetry feast, Wednesday evening. It was great to see lots of people I haven’t seen in a while and to watch incredible sets from Bethany Slinn, Sean Colletti and Luke Kennard. The night was on fire and made me feel like I didn’t want to ever extinguish the flame. Leon Priestnall was celebrating too. Howl’s 2nd birthday!

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Read the full review here https://awritersfountain.wordpress.com/2017/02/11/when-beat-poetry-howls-howl-8-2-17/

My poetry week was not done there, the following evening I went to Worcester for SpeakEasy, Matt Windle was headlining. The night was raucous fun. A wild enticing whirlpool atmosphere that in the end took everyone with it. Some great open mic spots and Matt Windle blew everyone away. He even brought a tear to my eye, a poem I had heard him perform before,  moved me so much tonight. Again a delight to watch the audience who hadn’t seen him before, enjoy his work. Poet with punch indeed, as I said on social media ‘ a w e s o m e – if you look carefully enough you will find Matt between those letters’. He is this year’s Birmingham Poet Laureate and it is great to see him back on the circuit.

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Read the full review here https://awritersfountain.wordpress.com/2017/02/12/speakeasy-with-matt-man-windle/

To complete my writing week I worked with Writing West Midlands, Spark Writers Group in Worcester at The Hive, where a new Assistant Writer joined us for a one off session, thanks Mollie Davidson.

I also FINALLY read Fergus McGonigal’s first collection cover to cover. It is a great read and it has made me look forward to his next collection even more. Fergus is back on the Spoken Word scene and I hope to catch him soon. fergus-mBuy your copy here.

http://www.burningeye.bigcartel.com/product/the-failed-idealists-guide-to-the-tatty-truth-by-fergus-mcgonigal

Fergus McGonigal takes Ogden Nash’s notion of a poem being an essay which rhymes and targets the unsentimental truth about parenthood, pseudo-intellectual pretentiousness and pomposity, and what happens when the idealism of youth has given way to the disappointment of middle-age. © 2015 Burning Eye Books

Week 3

Mr G’s birthday, Valentines and the much awaited (since the launch party in November) Verve Poetry Festival. verve-pass Unfortunately the weekend clashed with an event at the Swan Theatre in Worcester facilitated by Ben Parker (Poet in Residence). I am hoping he will do a third event as I had to pull out.

I missed Matt Windle and a plethora of other Laureates at the Artrix on Monday as it was Mr G’s birthday and we were celebrating in Birmingham. There were other events but with submission deadlines and an all immersive 4 day festival at the weekend I felt the need to pace myself this week.

I also missed a night of poetry at Smokey Joe’s in Cheltenham.

Thursday couldn’t come soon enough! After work I made my way into the city on the train and arrived at Waterstones for a perfect opening night of the Verve Poetry Festival.

Read the whole story of the Poetry Parlour with Daljit Nagra and Hit the Ode here.

https://awritersfountain.wordpress.com/2017/02/17/verve-poetry-festival-opening-night/

I would love to stay in the city, but home really is less than an hour away and I want some book spending money. I want to suggest a poet basement next year though. Sleeping bags at the ready! I had a great night with poetry friends and had to wait less than 24hours for the top up!

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The top up came with a wonderful evening of poetry and a bizarre Dice Slam, I loved the concept of this slam. This is the kind of slam I would feel comfortable entering. You can read the full review of the Readings and Dice Slam here. https://awritersfountain.wordpress.com/2017/02/20/verve-poetry-festival-day-2-part-1-kim-moore-mona-arshi-and-katrina-naomi/

https://awritersfountain.wordpress.com/2017/02/22/verve-poetry-festival-day-2-part-2-dice-slam-with-apples-snakes/

https://awritersfountain.wordpress.com/2017/02/27/verve-poetry-festival-day-3/

The weekend was immensely satisfying for my poetry soul and I will add more links when I have reviewed the events. An exciting opportunity arose from this experience too. I am writing a review for Sabotage Reviews. I have included events which I have not yet blogged about, this is another reason why I haven’t gone mad this week attempting to review the remaining events, that and I finally started work on the house. This needs to take priority this year, I will be busy as I started to organise events to perform at two festivals in January and this month took on some marketing/support for another two festivals.

Week 4

I finally read ‘The Glassblower Dances’ by Rachel McCrum, bought at Hit The Ode in 2014, I am slowly working my way through my poetry bookcase! The good news for you is it is back in print, so you could have a copy for yourselves, if you need more persuading it won the Callum Macdonald Award in 2013.

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http://www.kickingparis.bigcartel.com/ copies are just £6.00. I am hoping to write some proper reviews early summertime, so look out for those. I read some of it on the train to get my mind set for Verve.

A couple of treats to finish the month I was going to 42 in Worcester but I discovered Tom McCann (who hit the scene last September and is headlining in Stirchley next week), started a Spoken Word night in Kings Norton this year ‘Spoken Trend’. Jan Watts was one of the three headline acts and it has been forever since I saw her. She is busy producing her theatre performances of ‘Holding Baby’, widely acclaimed as brilliant and a must see. I headed over to Birmingham and performed on the open mic, alongside some well established poets and then sat back to enjoy the featured artists James Kearns, Clive Oseman and Jan Watts.

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It was a superb night. A definite recommend.

On Thursday there was a slam night in Dudley featuring Emma Purshouse and in Birmingham a reading at Foyles with Roy McFarlane & Gregory Leadbetter (which I had tickets for) and  Wine & Poetry Evening, the second of its type, organised by Emma Press & Cynthia Miller. In the end I didn’t make it to any of them, my car has been poorly for 6 months and is now finally fixed. I spent the day helping family, by the time I hit home it was gone 6pm and I was out of energy and time.

And finally, I mentioned the Nuclear Impact anthology by Shabda Press in my January Review, now it is available for you to buy. It is an amazingly huge collection of poetry and has been a real labour of love for Teresa Mei Chuc. It is available for $25.00 and proceeds will be donated to charity. If you are in America, there are book launch readings taking place all across the country, Philadelphia, New York and in California, check those out.

http://www.shabdapress.com/nuclear-impact-anthology.html

NUCLEAR IMPACT: BROKEN ATOMS IN OUR HANDS
NUCLEAR IMPACT: BROKEN ATOMS IN OUR HANDS $25.00 USD

Proceeds from sales of the Nuclear Impact: Broken Atoms in Our Hands anthology will be donated to the Women’s Center in Downtown Los Angeles. www.downtownwomenscenter.org/
nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol

nuclear

There are talks currently for a reading in the UK, I will keep you posted.

I am already organising two festival events for V. Press poets and my next headline is in Manchester in a fortnight, plus I am working on submissions and reviews and in addition to all this am now rallying the troops for another Arts Festival happening in early Summer. Oh, and I may be marketing for another MAJOR festival soon too. So my plate is pretty full and I still have 8 lingering poems from my weekend at the Verve Festival to work on, (as well as a house to sort – note for Mr. G.) and it is back to work, work next week too!

I am happy busy but busy all the same. Blogs posts will be low priority now (with the exception of review posts for Verve and promotional drops) for a while, but there is plenty of historic posting in these waters so go and fill your buckets!

Keep writing!

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Review of October

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Review of October

Week 1

Following advice I was trying to not be too busy pre-book launch but after a week off events I took my writing group for Writing West Midlands, watched all the poetry coverage on BBC2, missed another writing deadline and decided that I would drive to Cheltenham to Buzzwords and catch David Clarke and Cliff Yates (another new-to-me poet).

Buzzwords was great, I realised I hadn’t been for over a year. I had a fabulous evening and do not regret it, despite it being the night before my launch. I read my latest poem – a work on tribal philosophy and have some poetry drafts from the workshop to work on when I get a chance (Christmas holidays maybe).

I had imagined I would spend Monday getting ready for the evening – but in reality I missed writing deadlines, overslept, did everything I could to reduce the nervous anxiety of what if no-one turns up and finally at about 2pm started to get organised.

I am going to write a full post about the launch and some follow up posts about the organisation aspects, as there is a gap of relevant information in this area.

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Waterstones Book Launch for Fragile Houses in Birmingham with Guest Readers – Roy McFarlane, Antony Owen and Claire Walker. It was a cracking night, the next morning I woke up to go to work and it felt like a dream.

The following evening I headlined at Stirchley Speaks. I have been headlining since Autumn 2014 but this is the first time I had a book to sell. I did leave home without them and had to turn back to grab the bag, I knew there was something I had forgotten. Since this night I have started using a large event handbag and always carry a couple of copies.

Stirchley Speaks was a great night and I sold lots of books, I realised at this point I had underestimated how many I should order. Taking advice from Jane Commane back in 2014 who said that audience doesn’t necessarily convert to readership. I was aware not everyone I know will buy the book. I have a list of people who want a copy next time I see them too.

It was good to catch up with everybody in the P Café and it was an incredible night of poetry.

The next day I contacted my publishers and ordered another box.

I hadn’t submitted any poetry for a while and had news of one of my poems being published in the USA. More on that when it happens.

national-poetry-day-messages

I treated myself to an evening off and a little rest before National Poetry Day, which is fast becoming one of my favourite dates on the calendar.

I collected my new batch of books and went to Suz Winspear’s NPD event in Worcester. As Worcestershire Poet Laureate, Suz is working hard this year in the city and found a brand new venue for the NPD Event. Berkeley Almshouses was the venue and some of the residents came to enjoy the event. It was a great evening and the old chapel had fabulous acoustics and suited Suz very well.

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This year’s theme was messages and I certainly sent a few texts whilst trying to track down the entrance to the venue. Great sets from everyone and I got to catch up with Math Jones (up from London) and Ruth Stacey. I even sold a book!

I spent the weekend Fri- Sun at Swindon Poetry Festival, it was 2nd year there and much as I loved it last year, this year was EVEN better! It deserves a full post and as I pretty much did everything on the programme, will certainly need one. A great way to finish an exhausting, fantastic week in my poetryskin!

swindon

Other great news was Matt Windle became Birmingham’s new Poet Laureate and by the end of the week I had sold over 50 copies of my book!

 

Week 2

Started with a recovery day. I started to create Poetry Films, something I have got hooked on. Last year Sarah Leavesley kindly tutored a group of us in the art of production and I was inspired by the Poetry Films I had seen at Swindon. There are several poems in my pamphlet that I will rarely perform. These are all now Poetry Films.

On my recovery day I spent some INKSPILL admin time and rehearsed a set for Licensed to Rhyme. Roy McFarlane was headlining. It was a great night and I was allowed to sell my pamphlets, they had a table and everything.

The next evening I went to Ledbury to the Poetry Salon where Deborah Alma was reading and finally got a copy of her book, ‘True Tales of the Countryside’, a beautiful Emma Press pamphlet. deb-alma2

I unexpectedly performed in the open mic section. Fragile Houses reached Ledbury. It has since reached Palestine, Malta, Holland and Australia to my knowledge. It was a wonderful, rich evening and great to see Ledbury folk again.

This week was also Birmingham Literature Festival and due to work commitments and events was the first time since coming back to writing (2013) that I missed it. The night after Ledbury Liz Berry and Benjamin Zephaniah were performing and also Gregory Leadbetter had his book launch for ‘Fetch’ (Nine Arches) at Waterstones, Birmingham with Angela France and Jo Bell reading.

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© 2016 Nine Arches

I was gutted to miss both these events but with working and poeting I had no energy and if I remember rightly was asleep as soon as I had finished tea.

The following night Luke Kennard was performing in Birmingham and I missed it because it clashed with SpeakEasy, where I was already performing. Roy McFarlane was the feature and it was a joy to listen to him twice in one week.

Fragile Houses received a Chez Nous Review which I was delighted to discover came from Gram Joel Davies. He actually chose some of my favourite foods – go and have a read.

http://vpresspoetry.blogspot.co.uk/2016/10/chez-nous-recommendations-for-fragile.html

By the end of the week I was run down with illness and missed Holding Baby a play by Jan Watts and the rest of the Book to the Future Festival (again for the first time since 2013). I hope to catch the show another time, I have heard nothing but good things about it.

It was great to finish the week with a Madhatter Review http://www.madhatterreviews.co.uk/books–e-books.html

 

Week 3

Fragile Houses has positive reviews on Amazon and Good Reads.

I was asked to do something that I am really excited about, more on that next year. I spent days preparing for INKSPILL in shifts of 8 – 12 hours.

Mr G and I went to London to see Woven Hand.

I was too tired to manage Hit the Ode and Smokestack Poetry Evening event clash), both in Birmingham, both top nights. I also missed the Dylan Thomas Festival, running for the first year in Cheltenham. Unfortunately it clashed with INKSPILL this year.

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I signed up to an online course ‘Arts for Health’ and performed poetry for ‘She Speaks Her Mind’ Woo Feministas – alongside Suz Winspear, Charley Barnes, Claire Badsey & Holly Magill.

Then of course it was INKSPILL with Gaia Harper, Roy McFarlane and Deanne Gist. This was the 4th year for us and it was a success. I already have Guests and plans lined up for 2017.

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The Magnetic Diaries – which I saw in it’s infancy in Hereford last year was on at the MAC and although I couldn’t make the show I did make Sarah Leavesley’s workshop ‘Pain to Poetry’. I have some poetry notes and one poem so far from this and it was a challenging (emotionally) but not unpleasant experience. I also got time to reconnect with many poetry friends I have not seen in a while.

 

Week 4

I spent the early part of the week writing. I entered a few free poetry competitions. I took some bookings for next year and exchanged pamphlets with J.V Birch through the post. She is a childhood friend, now living in Australia and has also become a poet at the same time as me. It has been exciting to map and mirror each other’s journeys through this new world.

I dressed up for Halloween as a ‘Cereal Killer’ and went off to perform at the Halloween Special 42 in Worcester. Where (due to the wig) people didn’t recognise me. It was a fabulous night and a great excuse to dress up. Fantastic sets from everyone.

42-oct            42-hal

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photos by Liam Cortintias

The next day I had to do my best to get all the make up off and go to a workshop run by Angela France, the theme was Fairy Tales and I had a thoroughly enjoyable day and even sold a few books.

I listened to poetry on Radio 4 and missed my Stanza meeting to take part in a Charity Quiz night. All teams of 8 and due to circumstances we ended up with just 4 in our team. We were going for the Booby Prize but decided it was hard to share a bottle of wine and so started to get answers right. We came in 5th not too shoddy, somewhere in the middle. Over £1000 was raised for MacMillan.

I hoped to go to Lania Knight’s workshop, having missed her last one due to a crash on the motorway, but this weekend we celebrated a special family birthday.

 

INKSPILL: Poetry Film Night (3)

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POETRY FILM NIGHT presents Kei Miller

This is poetry and poet on film really. Another favourite poet of mine, Kei Miller, who I was fortunate to watch and meet at Swindon Poetry Festival 2015.

Let us start with the interview.

 

And now for a poem.

 

Review of June

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So why was there only one blog post this month? Mainly because I have been training myself to learn to love the editing process as much as the writing one… although, I am certain this will never happen.

I have taken a real backseat with performing too. We are entering the summer festival season and despite looking through brochures and deciding I would like to attend many events, I have been held back from doing so as I am time poor and poor at the moment.

I haven’t submitted anything other than edited manuscripts for ages and writing new material has been a no go zone too. Due to the long summer break I have been taking on as much work as possible and I am also busy trying (and failing) to arrange birthday parties and mini breaks. June is also a ‘real life’ busy month with birthdays, celebrations and events, not to mention the hours consumed watching programmes about Britain leaving the EU. The REMAIN/LEAVE campaigns were something not many of us understood prior to June and I needed to be sure of my stance and understand the impact before voting.

The world knows the story since… seems strange that when David Cameron resigned as Britain’s Prime Minister it was only the 3rd most important story of the day.

And of course when the future is in the head of a poet, it guarantees that there isn’t much room left for poetry.

Here is a review of what I managed and sometimes what I missed in the world of poetry this month.


Cheltenham

I totally missed Cheltenham Poetry Festival, but the month started with a personal invite to a workshop. Unfortunately there was a tragic accident on the motorway in the morning and the only other route to Cheltenham was blocked by overflow traffic, so I didn’t make the workshop. I felt guilty feeling sad about it when there were some poor people who hadn’t survived the day.

Editing

I spent my break editing and haven’t managed a writing day since.

Book Launches

Jenna Plewes had a book launch at the local library on the 6th June. Her latest collection ‘Pull on the Earth’ includes lots of poems about her travels. It was an enjoyable launch.

Pull of the Earth is published by Indigo Dreams and is available for £8.99 + P&P BUY your copy here

See blog post for more details https://awritersfountain.wordpress.com/2016/07/06/book-launch-pull-of-the-earth-by-jenna-plewes/

Pull of Earth

Open Mics

June saw Jess Davis hosting her final Stirchley Speaks. The monthly poetry night held at the P Café will be hosted by Callum and Jessica Bates from July. This is a full circle for them as they were one of the three headline acts appearing at the first Stirchley Speaks one year ago.

I was lucky enough to perform, it was a great night.

Unfortunately it clashed with David Hart appearing at The Works’ Canteen. I had hoped to make it back to this night held at the Black Country Museum, hosted by Dave Reeves. David Hart meantime, waits on my list of must see.

I also missed HOWL as I was still editing.

I performed at the 42 Festival Special as part of WLF (Worcester LitFest), an enjoyable night themed around the Last Stop on the Worcester Night Tra.

I also had a slot at WLF SpeakEasy which was hosted by the ever delightful Myfanwy Fox and headlined by Angela France. It was great to catch up with both of them and Angela gave me a good Ledbury tip off.

 

Lit Fests & Workshops

Worcester LitFest kicked off on the 10th June with the Poet Laureate Final (I remember the nerves from this time last year), not good memories as far as emotions go. Traumatic in actual fact. This year saw a new venue at Worcester Race Course and instead of 3 finalists being picked from 6 performers, they had 3 finalists striving for the accolade. A wise decision was also made with regard to the amount of other ceremonial achievements celebrated beforehand, making it a shorter event and allowing the poets to suffer less palpitations. I didn’t manage to support in person this year but I am delighted to announce that this year’s Worcestershire Poet Laureate is Suz Winspear!

Positive Images Festival

On June 12th I headed over to Coventry for a ‘The Atomic Sun’ workshop with Antony Owen, Patron of CND Peace Education UK and Award Winning Poet. Antony and I have poems in an anthology due out later this year published by Shabda Press entitled ‘Nuclear Impact Broken Atoms in our Hands’. It was a deeply moving experience which I will post about separately.

http://www.positiveimagesfestival.co.uk/

https://antonyowenpoetry.wordpress.com/

http://www.cnduk.org/information/peace-education/item/2254-peace-education-patrons-antony-owen

Workshop

Gary Crew is an Australian Author of YA Fiction. His picture books for KS2+ are brilliant and ‘The WaterTower'(1994) formed part of the mantle learning at one of the schools I work at. The Watertower

As part of his time here in the UK (mainly London and Oxford) he was also able to catch a train up to the Midlands and workshop with some very eager children. As part of his contract he had to deliver something to academics (funding), so I was one of about 40 teachers treated to a session with him after work.

I will add a post of information about his writing. It was inspiring for me and I bought a book of his I have not read as poetry instantly sprang to mind, we will see where that leads (after I have finished this first manuscript maybe)!

https://www.fantasticfiction.com/c/gary-crew/

 

Performances

Quiet Compere Worcester LitFest

Friday 17th June I was lucky enough to be part of the QC Event at Worcester LitFest, Sarah Dixon returned for another wonderful night of poetry at The Hive. A different format this time she had featured poets, guest poets and some open mics, pre-booked (like mine) or signed up on the night. Link to follow.

Midsummer Poetry Brothel Caged Arts

Heidi Murphy hosted her 2nd Poetry Brothel at P Café on the 22nd June to celebrate the solstice. I had missed the Solstice Walk (Festival Fringe event), due to family celebrations clashing so it was useful to be able to blow the dust off last year’s solstice poems. No time to pen anything new, but I did have time to raid my wardrobe for florals; trousers, flower in the hair… it was my 3rd Poetry Brothel (am I forming a habit?).

Writing West Midlands

From September the Junior and Senior groups are amalgamating, so I spent an entire Saturday at the library being Jenny Hope’s assistant and then taking my own final session for this term/year in the afternoon. I had hoped to attend A Night at the Museum, WLF event in the evening but after working two groups and with a few hours of limbo, I decided I was too tired and left the city for home.

So there is June in rather a big nutshell – and of course, I am still writing NaPoWriMo poems (from April prompts)…

pen sarah wilko anderson Happy writing! x

Review of May

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May Review

May (like April) was a funny month of missing events I had planned to attend. My main focus returned to writing, more precisely editing which I find harder and less fun than creating, it is a bit like cleaning (which I also despise) but the end result of fresh and better is rewarding. I enjoy re-reading a tighter collection, but the editing time is like moving rocks with bare hands! I have to force myself into editing mode. It isn’t about being precious over my darlings, I learnt to kill them in my first year (2013), it is just the effort of crafting, the exhausted mind, the energy needed – and time.

Week 1

May started with a Bank Holiday weekend and Mr G and I went to see Mark Lanegan perform (our 3rd time), the next day at work was hard and followed by an evening at Stirchley Speaks, where Mike Alma was one of the featured poets. I was glad I managed to make it over to support him, it was (as always) a great night, filled with warmth and energy.

Next month is Jess Davies’ last month hosting before she moves on to her new exciting plan of events and workshops. She has had an exceptional year at the P Café, I am sure Callum Bate and his sister, Melissa, will do well hosting this established spoken word night when they take over in the summer and I wish them luck. They are dynamic performers themselves and featured as ‘Prime Poetry’ at the first Stirchley Speaks back in 2015.

An exciting Friday Night (6th May) saw Kathy Gee’s Book Launch, her first collection, published by V Press. It was at Avoncroft Museum , I hadn’t been there for  years and it was the PERFECT venue. Buy a copy here Book of Bones It was a wonderful evening of poetry in the Long Room. https://awritersfountain.wordpress.com/2016/07/24/book-of-bones-kathy-gee/

I missed several writing events over the weekend as Mr G and I went to a Kate Bush Tribute, which was amazing. ‘Cloudbusting‘ are the UKs longest running Kate Bush tribute. Mr G is a total fan of Bush, she never hit my radar (being slightly younger), of course I knew of her – who doesn’t! As an adult I appreciate the poetry of her music and her wildly free artistry.

The singer of Cloudbusting was amazing, what she could do with her voice! Incredible. We loved every minute, they were down a guitarist and still it was exceptional. I can only imagine how good the full band would have been. What was lovely was her references to Kate and seeing what big fans of her music they all were.

Week 2

I finally made it back to SpeakEasy (12th May) in there new home, Café Bliss, a venue I love so much I am currently trying to organise a party there! It was great to hear everyone again, Spoz was the featured poet and he brought lots of his Calais Refugee poetry with him for a hard hitting set. It was good to catch up with him, as he is having a busy year including touring TEN LETTERS, which I was lucky enough to catch in Birmingham. Link to follow.

We have also been in our lovely home for 3 years now (still with lots to do), this made me appreciate that I have been living the creative dream for a while. This will always be my Poetry house. I feel grateful, although due to getting the house straightened out and working on my manuscript I have only managed to carve writing time out recently and long for the weeks to find structure again, where I can manage a writing day/ days.

Week 3

Mum and I experienced the World Premiere of Liam Scarlett’s amazing new ballet ‘Frankenstein’, performed by the Royal Opera House in association with San Francisco Ballet (I stayed just up the road from the dance school on one of my US trips)! I felt like I was watching the next BIG thing, this ballet steps into the shoes of a 21st Century The Rite of Spring, with regard to the importance of what Scarlett has achieved. I only hope it is studied in years to come. Bravo to the ROH for taking the risk, Scarlett is an immensely talented 30 year old (jealous). I was part of something special that night and it bore a new ambition. One day I hope my writing may become a ballet (I danced until my 20s).

http://www.roh.org.uk/productions/frankenstein-by-liam-scarlett

On the 19th I took part in Worcester’s first WLF Poetry Salon, based on the European Poetry Brothel concept. This was the brainchild of Charley Barnes and was an exciting night at the Rectifying House. I shared my booth with Maggie Doyle and a great time was had by performers and listeners alike. Link to follow.

May 20th saw the end of Mental Health week, something which is close to my heart as it was own demise which brought me back to writing from a depression diary to the world of poetry. Leisa Taylor/ Woo Feminista took over Café Bliss with a night of Spoken Word, where brave poets shared more than words and stories. It was incredibly moving.

The evening after (21st May) I performed a set for Arts Week in Parks Café, as part of the Poetry Extravaganza.

Week 4

I finally made it to a Stanza meeting after missing several months. It was great to reconnect although I had been busy with work and my editing brain was fairly useless. I took a poem which was inspired by a Nano poem prompt in a roundabout way.

I didn’t get a chance to submit anything this month, I didn’t even finish my action plan for May. My main focus was editing my manuscript and I put enough time into that to let it have some rest time before coming back to it for further reading.

I missed Cheltenham Poetry Festival completely (Wenlock & Stratford too) and as I write this I have so far missed all earmarked events at my local festival, Worcester LitFest – look out for some posts on this too.

The past 18months of work on my pamphlet has taught me lots on the process, I am also becoming aware that the focus and energy needed to achieve such things means sacrifices, including festival tickets. Still I will focus on the petrol I have saved and how much smaller my carbon footprint will be this year – silver linings!

I missed a photo shoot for the poetry E-book with Shakti Women, as my car was failing its MOT at the time! I have a photographer willing to take head shots now though, all is not lost. If only I could lose my double chin(s)!

I had two personal invites to workshops in June from poets I respect and was very touched to have been thought of. I signed a poetry contract for Shabda Press, three poems in the up and coming Nuclear Impact Anthology, Broken Atoms in Our Hands. There is nothing like signing contracts to make you feel like a real writer.

I performed at 42 – where fairly hilariously most of us worked the theme of the evening into lines in our poems or stories ‘Blacker than the Night’- by the time I performed in the 2nd half people were listening for the theme punchline I think.

It was also a platform for me to perform one of my Nuclear poems, the message is important and the places you can share such material is limited.

It was a great night. Thoroughly enjoyed.

I am certainly back in my poetry skin after a few wobbly months and look forward to the upcoming festivals and booked performances of the summer.

me