I am delighted to be back on tech duties – although with this line up, I am not sure how I will concentrate on screen work.
The tour brings together a diverse selection of poets of all ages, cultures, styles and experience, designed to entice an audience that may never have experienced spoken word events before.
Sarah has been running spoken word events under her guise as The Quiet Compere for ten years.
Quiet Compere events are unique. There are no lengthy introductions to poets, no-one is designated as ‘top-of-the-bill’ – all platform performers considered equal in Sarah’s eyes. Each line-up boasts a varied and diverse mix of poets, ranging from established local poets, some new to the scene who are ready to stun audiences with their talent, plus a generous sprinkling of nationally well-known poets and performers.
We continued to have snow in the beginning of the month and towards the end of the month. We had to contend with Storm Christoph and many areas of the UK (including this county) were flooded. It was often cold and frosty! Close friends contracted Covid, fortunately none were hospitalised, all are either recovering or recovered. One family saw it soar through inter-generationally. Closer to home, Mr G. who has been out to work for all 3 Lockdowns had to self isolate for 10 days after an employee caught covid. Fortunately, he’s all clear.
January saw a balance between much needed paid work and writing, for a day at least and then we went into the 3rd Lockdown. My contract was eventually renegotiated and I went back to work out there.
WEEK 1 & 2:
I am working on a couple of projects which took chunks of January time. I took a booking for a Reader Series in March in the USA, which was then rearranged for January!
I sent some submissions. By the 2nd Jan.I had 2 new poems published and by some miracle (December submissions) by the 7th Jan – I had 7. This almost makes up for 2019/2020! Then I had a break of 3 weeks which dragged me over some deadlines. At the end of 2020 I was approached for work in two anthologies.
A portion of my time is now spent typing up notebook poems from last year and I have been sending these through the editing mill. In one of these editing groups I discovered the joy of the Muppets doing Robert Frost! After watching it I have a vague recollection of seeing it before, when I was too young to get the poetic reference.
I signed up to some new classes for 2021 which will continue as a year of Learning (which is what I decreed 2020 as), but unlike Lockdown times I also need to get the house straight so shall not be returning to a full time life online. I have classes and workshops rolling over from last year with Judith Redwing, L.A Marks and Celena Diane, all in the USA and Rakaya Fetuga in London. I love working with and listening to International poetry, I have always enjoyed reading translated poetry, even in my teens. Most events attract global audiences nowadays which is silver lining to poetry on Zoom (and other platforms).
I saw Sean O’Brien, Joelle Taylor and Memoona Zahid Live at The Butchery, which was a lively and fabulous event. Martin Figura and Helen Ivory are masters at making the hosting and organising of such feats look easy! Luke Wright and Jennifer A McGowan wowed audiences at Yes We Cant, PPP did their usual sterling job of providing a thoroughly entertaining, high energy evening!
During the week I saw David Clarke at Crafty Crows, it was a great reading and I finally made sense of the numbering in some of his latest work. It was a wonderful chance for people to hear current work before it makes it out in book form (which I am almost certain it will). It was lovely reading comments from people who had not had the pleasure of hearing David read before. It was also great to hear an extended set by Catherine Baker.
I was excited to return to Fire & Dust the next evening featuring Clive Oseman , it was great fun and I felt a real sense of reunion. Helen Ivory & Martin Figura featured at Poet’s Cafe, another incredible evening.
The week was finished off with news of a project going LIVE. Read all about it here. Dear 2021, The Start of It was part of Sheffield’s Year of Reading & the BBC The Novels that Shaped our World, it stemmed from a two part workshop with Nik Perring who was Writer in Residence at Sheffield Libraries.
It was great fun and some of our poems were selected to be part of the book which marks this project. I have seen the book online and am waiting excitedly for a copy. Dear 2021
I was accepted for a workshop with John Brantingham later this month and after several unsuccessful applications in 2020, I made one that was accepted! The weekend was spent back in Sheffield Libraries with the Poetry sharing group and in the evening I hot-footed over to America to join the Ohio Poetry Association (OPA)for a few hours on a workshop with Diane Kendig. This was a thoroughly absorbing experience, one I felt lucky to be part of. It finished off the notebook I started in December. A sparkling new notebook for January then, well almost. I am working my way through shelved stock, it was one bought 15 years ago.
To finish the week I went on Cath Drake‘s Refresh 2021 class. I knew the mindfulness was just what I needed and by now I had news that my contract in the real world had been reinstated and that I was due back in work the next day. So I double needed these few hours. It was a heart-warming experience in a supportive group and I loved the meditation. I had a workshop with Sarah L.Dixon and wrote a poem from a wondorous prompt.
I intentionally attempted to do less writing events this week, I was working all week and needed some down time and my creative projects need full focus at the moment, which is another reason I let submission deadlines slide. There are only so many plates you can spin!
I listened to advice and found motivation from Rommi Smith, Jo Clement, JT Welsch & Hannah Bannister at the Northern Writers’ Awards and spent an evening with Sarah L.Dixon & Tom Sastry at Cafe Writers. Later in the week I spent a wonderful couple of hours enjoying Zelda Chappel‘s New Beginnings class, again a great group of writers. Followed by the Poets in Motion, where I discovered my Reading Series slot was to be later this month. I spent a wondrous night with Rosie Garland. Love her performance, poetry and enthusiasm for her publishers, Nine Arches Press. This event was from Trafford Libraries. By now work in the real world was well underway and it was a challenge not to be asleep by 7PM! I also dedicated some writing desk time to myself to whittle away on the projects.
The weekend saw a plethora of events: I went to Redwing‘s Food for Thought Cafe and Oooh Beehive, Clive Oseman and Nick Lovell had booked none other than Elvis McGonagall! It has been more than a year since I last saw this King of poetry in action and it was a real treat! I did Rakaya Fetuga‘s workshop and learnt a lot about forging. On Sunday I had double events. I wanted to catch Marvin Thompson at Cheltenham Poetry Festival’s event also featuring Simon Alderwick but it clashed with RYT – I haven’t made it to Run Your Tongue and I missed seeing everyone and Dominic Berry was headlining. I hate it when events overlap but I also hate missing out and choosing.
Nearly two weeks of real-world work, which feels like months and evenings are harder to stay energised enough to fill with anything other than sleep. However, I had booked events before the contract was renewed for Lockdown and wanted to go to as many as I could manage.
At the end of December I was asked to contribute to two anthologies, the news of launch dates came through, more on this soon, exciting! As well as weekly classes I filled myself with the poetry of: Manuela Moser, Padraig Regan, Stephen Sexton at Poetry at the Lexicon, R.M Francis at Dear Listener, Richard Skinner, Bernard O’Donoghue and Anna Saunders at the Book Launch of Feverfew, Anna’s new collection. The weekend reading was by Dante Micheaux and I discovered Chrysalis and caught Inua Ellams in action. I finished the week at Culturama and had some poems workshopped with John Brantingham, who is also taking part in the Reader Series next week on the 27th.
Later on the same evening I attended a very special event hosted Susan Roney-O’Brien, a tribute reading for Patricia Fargnoli, Celebrating Pat Fargnoli. Pat (and many of the WCPA poets) took part in my Transatlantic Poetry Project in 2018, A Tale of Two Cities. It was a moving experience hearing a multitude of voices reading Pat’s work and I had not expected Pat to be able to read some too. It was an honour and a blessing to be there.
My main focus was to prepare my hour for the Reader Series this week. The great element of this event is you get to talk about the story behind the poems as well as read them. We each have an hour in a back to back series from 10:30am (PST). Unfortunately this series has been postponed until February and I am not free for a booking before April. I will be ready for whenever it is rebooked though. I also had one day where I slept after work for 5 hours and was too tired to boot the laptop up!
It was an enjoyable hour, a fantastic discussion and her poetry pamphlet, Finding Sea Glass is now on my wishlist!
I also attended a workshop with Sarah L. Dixon, which, as usual was great. Except I had tidied up my bookshelves and then we create book spine poems. I used the nook upstairs rather than piling all my books again in the lounge! It was a full afternoon and evening schedule. I received an email which tipped me off to a Talk by Don Paterson. I couldn’t resist the title (he claimed this is why he called his lecture this) ‘Why Bad Metaphors Destroy Everything’. In a few months I am rolling out some work around metaphor so that’s another reason my interest was peaked. This talk was from St Andrew’s Alumuni and is available online. Following this I went to the Brittle Star MagazineLaunch, it was an enjoyable hour of poetry and a lovely launch. The lockdown has enabled us to attend lots of magazine launches which usually take place too far away to travel to. I set an alarm for Midnight and joined many people who were watching Poetry In America – An Evening with Two Poet Laureates of the United States: Natasha Trethewey and Joy Harjo. Which was a moving experience.
Another wonderful magazine launch this week was the Poetry Review Winter Launch with the Poetry Society. Emily Berry was the Editor for this issue and we heard readings from four contributors: Graham Mort, Meredi Ortega, Rushika Wick and Jason Allen-Paisant.
It was a powerful reading and a great way to spend an hour. I particularly enjoyed listening to Jason Allen-Paisant who wove a soulful magic with his words.
I have read the Poetry Review for years but it is special to hear the words from the mouths of the creators.
I am finishing the month with clashing events. Jane Hirshfield & Rachel Eliza Griffiths at Hudson Valley Writers and Rick Mullin & Nicca Ray at GWFM.
It always feel inappropriate to post about loss this way, especially tagged to the end of a review of the month. But I don’t feel I have the words to write more and as with other poetry friends I have lost this way, testimony has been posted elsewhere. I also feel I can’t get through looking back on January without this being here. Sadly, we lost a friend, a big part of our poetry community this month. It is a tragic loss and something I cannot find the right words for. The tight rawness of the situation has hit us all hard. He remains strong in our hearts.
Inspired by listening to Inua Ellams, I focused on ‘we are lucky’ and we are and I have been, so I wanted to post some thanks for life so far this month. Lots has happened off screen that makes me appreciate this gift of a new year even more.
We haven’t reached the end of the month yet and there is already a long list of people and groups to thank. I am grateful that I finally have some work, even if a daily trip into the outside world scares me rigid. This was the first month since March 2020 that I haven’t had to worry about paying the bills. I am grateful that I do not live in an area of the county currently flooded. I have in the past lived by a river and canal that burst, back in the floods of 2007. My heart goes out to all the people having to deal with this right now. I am grateful that after 10 days of self isolation my partner shows no signs of Covid.
Thank you to all poets for generosity and spirit, for providing such top quality events during this time. For weekly workshops and poetry meets I thank: Rakaya Fetuga & the CARAF Centre, Redwing Judith Keyssar & the Meri Center UCSF and the wonderful people who make these groups the comfortable, expressive places they are. LA Marks for her fabulously fun thirty minute writing workshops/ Therapeutic Poetry & Society X. Celena Diane for her weekly classes and for creating a relaxed and caring Poets in Motion group. As well as keeping my mind and heart balanced, these groups welcome new and non-writers, many people have discovered the power of the pen during this pandemic.
I am grateful to all the organisations and individuals who take their time to provide events, readings, interviews and entertainment for us. I am grateful poets have engaged with online platforms and this has bought global mics to the forefront of weekly schedules.
To Helen Ivory & Martin Figura for opening up The Butchery and bringing spectacular poets to us every month, to the Lexicon for showcasing some incredible talent from Northern Ireland. To Trafford Libraries for the event with Rosie Garland and another chance to hear her read her new collection What Girls Do in the Dark. To New Writing North for hosting the Northern Writers’ Awards: Poetry Roadshow, to the speakers: poet Rommi Smith; poet and editor Jo Clement; poet and editor JT Welsch; and Hannah Bannister, Operations Manager of Peepal Tree Press. To Anna Saunders, the powerhouse behind Cheltenham Poetry Festival for launching Feverfew and giving generous time to Bernard O’Donoghue and Richard Skinner. This book launch buoyed my heart! To the National Centre for Writing for having a Lit Up scheme for Young People and for those enthusiastic members who created Chrysalis, for commissioning Inua Ellams to provide the 2020 Vision poem. To Writers & Books for bringing us Dante Micheaux to read from Circus (2018) and answer questions about his work.
To all those hosts and organisations who moved monthly open mic events online and provided awesome features. This month I particularly enjoyed returning to Fire & Dust and Run Your Tongue. Gratitude to the Poets, Prattlers, and Pandemonialists for Yes We Cant and bringing us Luke Wright to kickstart January, to the Gloucestershire Poetry Society for Crafty Crows with David Clarke and Catherine Baker, for Fire & Dust and Clive Oseman for entertaining us, for Poets’ Cafe for giving Helen Ivory and Martin Figura the spotlight, for Cafe Writers featuring Sarah L. Dixon and Tom Sastry, to Oooh Beehive for bagging Elvis McGonagall and bringing him LIVE into our lounges, for Cheltenham Poetry Festival for Marvin Thompson and Simon Alderwick, for Run Your Tongue and Dominic Berry, for Dear Listener, bravely changing event formats monthly, this time featuring Rob Francis with a reading and Q&A.
To the library services around the UK who continue to provide support and opportunities for readers in the locale and beyond. Worcestershire Libraries and in particular The Hive have provided local poets many opportunities through the lockdown, but I am greedy and a lover of libraries, so the library I would love honorary membership to is Sheffield. Sheffield Libraries really rolled our the red literary carpet over the past 10 months providing so many groups and events that it would take a website to almanac them… of course they have a website! Go and check it out.
April 2020 –
Creativity during Corona
Sheffield Central Library hosts a wide range of regular groups, talks and workshops to spark creativity and connect people with culture and their community. During these strange times we’ve temporarily closed the library and had to pause all of our face to face meetings. However, there’s no reason for the creative process to falter, or for people to stop sharing their thoughts and enthusiasm for poetry and prose. In fact, perhaps more than ever, we all need to keep the creativity flowing.
Claire Walker is the creative dynamo behind the Central Library poetry and writing groups.
Ⓒ Sheffield Libraries
I am grateful for all the workshops Nik Perring did last year and for the outcome of the projects this month. I look forward to receiving my copy of the anthology produced, I had a sneaky on screen peek of it yesterday. And to Claire Walker at Central Library for providing inspiration and virtual spaces for sharing poetry and writing. During normal times Claire ran these groups at Central library and I have been delighted to join her Sheffield crew as they expanded across the globe. I look forward to these workshops and poetry gatherings. The hope season has been wonderfully positive.
I am grateful for workshops with these wonderful women: Zelda Chappel, Sarah L. Dixon, Cath Drake and Diane Kendig. Zelda ran a series last year which I thoroughly enjoyed, it made me feel like I did when I was first writing, the magic of writing. For 2021 she has developed a series of 4 classes, ‘Beginnings’, which can be taken as a block or individually. They are intense (in a good way). Sarah’s workshops run on a combination of Zoom and Facebook, there are always several interesting prompts and I always end up with a decent workshop poem to go away and bake and batter some more. Cath Drake produced wonderful opportunities last year to deal with Lockdown. As well as being a talented poet, she is trained in Mindfulness coaching, the session she delivered this month was powerful and necessary. I went to Refresh 2021 and we enjoyed several hours of meditation, deep thought and writing. My experience with Diane Kendig at the OPA workshop was great. It was a concentrated session and I learnt a lot about poetry from Ohio, we explored lots of form and came away with poetry written and a library of resources. I have pages of notes to go back and munch my way through.