Tag Archives: Zelda Chappel

Review of January 2021

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We continued to have snow in the beginning of the month and towards the end of the month. We had to contend with Storm Christoph and many areas of the UK (including this county) were flooded. It was often cold and frosty! Close friends contracted Covid, fortunately none were hospitalised, all are either recovering or recovered. One family saw it soar through inter-generationally. Closer to home, Mr G. who has been out to work for all 3 Lockdowns had to self isolate for 10 days after an employee caught covid. Fortunately, he’s all clear.

January saw a balance between much needed paid work and writing, for a day at least and then we went into the 3rd Lockdown. My contract was eventually renegotiated and I went back to work out there.

WEEK 1 & 2:

I am working on a couple of projects which took chunks of January time. I took a booking for a Reader Series in March in the USA, which was then rearranged for January!

I sent some submissions. By the 2nd Jan.I had 2 new poems published and by some miracle (December submissions) by the 7th Jan – I had 7. This almost makes up for 2019/2020! Then I had a break of 3 weeks which dragged me over some deadlines. At the end of 2020 I was approached for work in two anthologies.

A portion of my time is now spent typing up notebook poems from last year and I have been sending these through the editing mill. In one of these editing groups I discovered the joy of the Muppets doing Robert Frost! After watching it I have a vague recollection of seeing it before, when I was too young to get the poetic reference.

I signed up to some new classes for 2021 which will continue as a year of Learning (which is what I decreed 2020 as), but unlike Lockdown times I also need to get the house straight so shall not be returning to a full time life online. I have classes and workshops rolling over from last year with Judith Redwing, L.A Marks and Celena Diane, all in the USA and Rakaya Fetuga in London. I love working with and listening to International poetry, I have always enjoyed reading translated poetry, even in my teens. Most events attract global audiences nowadays which is silver lining to poetry on Zoom (and other platforms).

I saw Sean O’Brien, Joelle Taylor and Memoona Zahid Live at The Butchery, which was a lively and fabulous event. Martin Figura and Helen Ivory are masters at making the hosting and organising of such feats look easy! Luke Wright and Jennifer A McGowan wowed audiences at Yes We Cant, PPP did their usual sterling job of providing a thoroughly entertaining, high energy evening!

During the week I saw David Clarke at Crafty Crows, it was a great reading and I finally made sense of the numbering in some of his latest work. It was a wonderful chance for people to hear current work before it makes it out in book form (which I am almost certain it will). It was lovely reading comments from people who had not had the pleasure of hearing David read before. It was also great to hear an extended set by Catherine Baker.

I was excited to return to Fire & Dust the next evening featuring Clive Oseman , it was great fun and I felt a real sense of reunion. Helen Ivory & Martin Figura featured at Poet’s Cafe, another incredible evening.

The week was finished off with news of a project going LIVE. Read all about it here. Dear 2021, The Start of It was part of Sheffield’s Year of Reading & the BBC The Novels that Shaped our World, it stemmed from a two part workshop with Nik Perring who was Writer in Residence at Sheffield Libraries.

It was great fun and some of our poems were selected to be part of the book which marks this project. I have seen the book online and am waiting excitedly for a copy. Dear 2021

I was accepted for a workshop with John Brantingham later this month and after several unsuccessful applications in 2020, I made one that was accepted! The weekend was spent back in Sheffield Libraries with the Poetry sharing group and in the evening I hot-footed over to America to join the Ohio Poetry Association (OPA)for a few hours on a workshop with Diane Kendig. This was a thoroughly absorbing experience, one I felt lucky to be part of. It finished off the notebook I started in December. A sparkling new notebook for January then, well almost. I am working my way through shelved stock, it was one bought 15 years ago.

To finish the week I went on Cath Drake‘s Refresh 2021 class. I knew the mindfulness was just what I needed and by now I had news that my contract in the real world had been reinstated and that I was due back in work the next day. So I double needed these few hours. It was a heart-warming experience in a supportive group and I loved the meditation. I had a workshop with Sarah L.Dixon and wrote a poem from a wondorous prompt.

Week 3

I intentionally attempted to do less writing events this week, I was working all week and needed some down time and my creative projects need full focus at the moment, which is another reason I let submission deadlines slide. There are only so many plates you can spin!

I listened to advice and found motivation from Rommi Smith, Jo Clement, JT Welsch & Hannah Bannister at the Northern Writers’ Awards and spent an evening with Sarah L.Dixon & Tom Sastry at Cafe Writers. Later in the week I spent a wonderful couple of hours enjoying Zelda Chappel‘s New Beginnings class, again a great group of writers. Followed by the Poets in Motion, where I discovered my Reading Series slot was to be later this month. I spent a wondrous night with Rosie Garland. Love her performance, poetry and enthusiasm for her publishers, Nine Arches Press. This event was from Trafford Libraries. By now work in the real world was well underway and it was a challenge not to be asleep by 7PM! I also dedicated some writing desk time to myself to whittle away on the projects.

The weekend saw a plethora of events: I went to Redwing‘s Food for Thought Cafe and Oooh Beehive, Clive Oseman and Nick Lovell had booked none other than Elvis McGonagall! It has been more than a year since I last saw this King of poetry in action and it was a real treat! I did Rakaya Fetuga‘s workshop and learnt a lot about forging. On Sunday I had double events. I wanted to catch Marvin Thompson at Cheltenham Poetry Festival’s event also featuring Simon Alderwick but it clashed with RYT – I haven’t made it to Run Your Tongue and I missed seeing everyone and Dominic Berry was headlining. I hate it when events overlap but I also hate missing out and choosing.

Week 4:

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Nearly two weeks of real-world work, which feels like months and evenings are harder to stay energised enough to fill with anything other than sleep. However, I had booked events before the contract was renewed for Lockdown and wanted to go to as many as I could manage.

At the end of December I was asked to contribute to two anthologies, the news of launch dates came through, more on this soon, exciting! As well as weekly classes I filled myself with the poetry of: Manuela Moser, Padraig Regan, Stephen Sexton at Poetry at the Lexicon, R.M Francis at Dear Listener, Richard Skinner, Bernard O’Donoghue and Anna Saunders at the Book Launch of Feverfew, Anna’s new collection. The weekend reading was by Dante Micheaux and I discovered Chrysalis and caught Inua Ellams in action. I finished the week at Culturama and had some poems workshopped with John Brantingham, who is also taking part in the Reader Series next week on the 27th.

Later on the same evening I attended a very special event hosted Susan Roney-O’Brien, a tribute reading for Patricia Fargnoli, Celebrating Pat Fargnoli. Pat (and many of the WCPA poets) took part in my Transatlantic Poetry Project in 2018, A Tale of Two Cities. It was a moving experience hearing a multitude of voices reading Pat’s work and I had not expected Pat to be able to read some too. It was an honour and a blessing to be there.

Week 5

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My main focus was to prepare my hour for the Reader Series this week. The great element of this event is you get to talk about the story behind the poems as well as read them. We each have an hour in a back to back series from 10:30am (PST). Unfortunately this series has been postponed until February and I am not free for a booking before April. I will be ready for whenever it is rebooked though. I also had one day where I slept after work for 5 hours and was too tired to boot the laptop up!

Over Lockdown 1 I enjoyed some of the Creative Conversations provided by Glasgow University. Earlier this month I discovered they were still programmed and can just about get home from work in time to catch some of them. Monday’s Creative Conversation was with Hannah Lavery. Hannah Lavery is a Scottish short story writer, poet, playwright and performer. Her poetry and prose has been published by Gutter Magazine, The Scotsman Newspaper, 404 Ink and others. Her poetry pamphlet, Finding Seaglass: Poems from The Drift was recently published by Stewed Rhubarb Press (May 2019). © National Theatre of Scotland

It was an enjoyable hour, a fantastic discussion and her poetry pamphlet, Finding Sea Glass is now on my wishlist!

I also attended a workshop with Sarah L. Dixon, which, as usual was great. Except I had tidied up my bookshelves and then we create book spine poems. I used the nook upstairs rather than piling all my books again in the lounge! It was a full afternoon and evening schedule. I received an email which tipped me off to a Talk by Don Paterson. I couldn’t resist the title (he claimed this is why he called his lecture this) ‘Why Bad Metaphors Destroy Everything’. In a few months I am rolling out some work around metaphor so that’s another reason my interest was peaked. This talk was from St Andrew’s Alumuni and is available online. Following this I went to the Brittle Star Magazine Launch, it was an enjoyable hour of poetry and a lovely launch. The lockdown has enabled us to attend lots of magazine launches which usually take place too far away to travel to. I set an alarm for Midnight and joined many people who were watching Poetry In America An Evening with Two Poet Laureates of the United States: Natasha Trethewey and Joy Harjo. Which was a moving experience.

Another wonderful magazine launch this week was the Poetry Review Winter Launch with the Poetry Society. Emily Berry was the Editor for this issue and we heard readings from four contributors: Graham Mort, Meredi Ortega, Rushika Wick and Jason Allen-Paisant.

Copyright © 2021 The Poetry Society

It was a powerful reading and a great way to spend an hour. I particularly enjoyed listening to Jason Allen-Paisant who wove a soulful magic with his words.

I have read the Poetry Review for years but it is special to hear the words from the mouths of the creators.

I am finishing the month with clashing events. Jane Hirshfield & Rachel Eliza Griffiths at Hudson Valley Writers and Rick Mullin & Nicca Ray at GWFM.

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It always feel inappropriate to post about loss this way, especially tagged to the end of a review of the month. But I don’t feel I have the words to write more and as with other poetry friends I have lost this way, testimony has been posted elsewhere. I also feel I can’t get through looking back on January without this being here. Sadly, we lost a friend, a big part of our poetry community this month. It is a tragic loss and something I cannot find the right words for. The tight rawness of the situation has hit us all hard. He remains strong in our hearts.

January Gratitude List

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Inspired by listening to Inua Ellams, I focused on ‘we are lucky’ and we are and I have been, so I wanted to post some thanks for life so far this month. Lots has happened off screen that makes me appreciate this gift of a new year even more.

We haven’t reached the end of the month yet and there is already a long list of people and groups to thank. I am grateful that I finally have some work, even if a daily trip into the outside world scares me rigid. This was the first month since March 2020 that I haven’t had to worry about paying the bills. I am grateful that I do not live in an area of the county currently flooded. I have in the past lived by a river and canal that burst, back in the floods of 2007. My heart goes out to all the people having to deal with this right now. I am grateful that after 10 days of self isolation my partner shows no signs of Covid.

Thank you to all poets for generosity and spirit, for providing such top quality events during this time. For weekly workshops and poetry meets I thank: Rakaya Fetuga & the CARAF Centre, Redwing Judith Keyssar & the Meri Center UCSF and the wonderful people who make these groups the comfortable, expressive places they are. LA Marks for her fabulously fun thirty minute writing workshops/ Therapeutic Poetry & Society X. Celena Diane for her weekly classes and for creating a relaxed and caring Poets in Motion group. As well as keeping my mind and heart balanced, these groups welcome new and non-writers, many people have discovered the power of the pen during this pandemic.

I am grateful to all the organisations and individuals who take their time to provide events, readings, interviews and entertainment for us. I am grateful poets have engaged with online platforms and this has bought global mics to the forefront of weekly schedules.

To Helen Ivory & Martin Figura for opening up The Butchery and bringing spectacular poets to us every month, to the Lexicon for showcasing some incredible talent from Northern Ireland. To Trafford Libraries for the event with Rosie Garland and another chance to hear her read her new collection What Girls Do in the Dark. To New Writing North for hosting the Northern Writers’ Awards: Poetry Roadshow, to the speakers: poet Rommi Smith; poet and editor Jo Clement; poet and editor JT Welsch; and Hannah Bannister, Operations Manager of Peepal Tree Press. To Anna Saunders, the powerhouse behind Cheltenham Poetry Festival for launching Feverfew and giving generous time to Bernard O’Donoghue and Richard Skinner. This book launch buoyed my heart! To the National Centre for Writing for having a Lit Up scheme for Young People and for those enthusiastic members who created Chrysalis, for commissioning Inua Ellams to provide the 2020 Vision poem. To Writers & Books for bringing us Dante Micheaux to read from Circus (2018) and answer questions about his work.

To all those hosts and organisations who moved monthly open mic events online and provided awesome features. This month I particularly enjoyed returning to Fire & Dust and Run Your Tongue. Gratitude to the Poets, Prattlers, and Pandemonialists for Yes We Cant and bringing us Luke Wright to kickstart January, to the Gloucestershire Poetry Society for Crafty Crows with David Clarke and Catherine Baker, for Fire & Dust and Clive Oseman for entertaining us, for Poets’ Cafe for giving Helen Ivory and Martin Figura the spotlight, for Cafe Writers featuring Sarah L. Dixon and Tom Sastry, to Oooh Beehive for bagging Elvis McGonagall and bringing him LIVE into our lounges, for Cheltenham Poetry Festival for Marvin Thompson and Simon Alderwick, for Run Your Tongue and Dominic Berry, for Dear Listener, bravely changing event formats monthly, this time featuring Rob Francis with a reading and Q&A.

To the library services around the UK who continue to provide support and opportunities for readers in the locale and beyond. Worcestershire Libraries and in particular The Hive have provided local poets many opportunities through the lockdown, but I am greedy and a lover of libraries, so the library I would love honorary membership to is Sheffield. Sheffield Libraries really rolled our the red literary carpet over the past 10 months providing so many groups and events that it would take a website to almanac them… of course they have a website! Go and check it out.

April 2020 –

Creativity during Corona

Sheffield Central Library hosts a wide range of regular groups, talks and workshops to spark creativity and connect people with culture and their community.  During these strange times we’ve temporarily closed the library and had to pause all of our face to face meetings.  However, there’s no reason for the creative process to falter, or for people to stop sharing their thoughts and enthusiasm for poetry and prose. In fact, perhaps more than ever, we all need to keep the creativity flowing.

Claire Walker is the creative dynamo behind the Central Library poetry and writing groups.

Ⓒ Sheffield Libraries

I am grateful for all the workshops Nik Perring did last year and for the outcome of the projects this month. I look forward to receiving my copy of the anthology produced, I had a sneaky on screen peek of it yesterday. And to Claire Walker at Central Library for providing inspiration and virtual spaces for sharing poetry and writing. During normal times Claire ran these groups at Central library and I have been delighted to join her Sheffield crew as they expanded across the globe. I look forward to these workshops and poetry gatherings. The hope season has been wonderfully positive.

I am grateful for workshops with these wonderful women: Zelda Chappel, Sarah L. Dixon, Cath Drake and Diane Kendig. Zelda ran a series last year which I thoroughly enjoyed, it made me feel like I did when I was first writing, the magic of writing. For 2021 she has developed a series of 4 classes, ‘Beginnings’, which can be taken as a block or individually. They are intense (in a good way). Sarah’s workshops run on a combination of Zoom and Facebook, there are always several interesting prompts and I always end up with a decent workshop poem to go away and bake and batter some more. Cath Drake produced wonderful opportunities last year to deal with Lockdown. As well as being a talented poet, she is trained in Mindfulness coaching, the session she delivered this month was powerful and necessary. I went to Refresh 2021 and we enjoyed several hours of meditation, deep thought and writing. My experience with Diane Kendig at the OPA workshop was great. It was a concentrated session and I learnt a lot about poetry from Ohio, we explored lots of form and came away with poetry written and a library of resources. I have pages of notes to go back and munch my way through.

I am grateful for a life filled with poetry!

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Flashback Spring (April)

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April was Napowrimo and those of you who follow this blog will know I have done it every year since I discovered it existed (2014), this year – for the first time ever – I was home every day of the prompts and managed it without falling behind. As is tradition, by the end I was left with about 5 decent poems and another 5 to work with. Lots of new notes and scribbles, I did write 32 poems over the month but some are no more than a warm up exercise, you can whittle on after April and collect yourself a good batch of 30 decent poems, but as with all workshops some prompts will speak louder than others. There were some areas I continued to research and develop and other scrap poems I abandoned. Nothing wasted though.

Napowrimo was also the last time I was properly active on the blog. The Stay at Home Lit Festival continued (it was a glorious 2 weeks). I continued to enjoy events which moved online more from the PPP (Poets, Prattlers, and Pandemonialists) team, as another of their brilliant nights Yes We Cant happened online and PASTA (usually at the Wolverhampton Arena Theatre). 42, Worcester and Run My Tongue were other open mic events I joined.

I signed up to Caleb Parkin‘s Napo group and enjoyed weekly sessions with other poets (some of whom I knew) doing Napo. These groups were great fun. Huge gratitude to Caleb for creating such a pleasant space to create from.

Another huge gratitude bundle goes to Cath Drake, who I discovered at the S@HF. Her first collection The Shaking City (Seren) was launched in April. https://www.serenbooks.com/author/cath-drake.

Cath started a writing course for poets in Australia (her homeland) and UK (her home). It was incredible and again I will be posting separately on Writing to Buoy Us.

Discover more about Cath and her work here https://cathdrake.com/.

April was the start of crazy, for me it was a coping mechanism and also I was coming from that post-book release-writing-slump https://ninalewispoet.wordpress.com/books/, which followed on the back of the medicated break from writing, which I was convinced (at the time), had broken the camel’s back, so a certain amount of my packed scheduling was a liberation, a dance with words. It was also a sure fire way to bury my thoughts from what was really happening for a few hours most days. I was also trying to get over having to cancel all my real life bookings for a 2nd year running.

I read a lot, every writer should. But I have to say 2020 has opened me to more new writing and new to me poets than any year so far. So readily accessible at a touch of a button. The whole world at my writing desk.

Sarah L. Dixon needs another shout out of gratitude, she started to run workshops online, which were always fun and successful for me – as in I would always have a nearly completed poem by the end of it – I may have even submitted some of these out to the world and I have barely submitted anything anywhere since 2018.

A big shout out of gratitude to Zelda Chappel too – who it has been a pleasure to reconnect with. She offered a series of wonderful prompts which in the beginning refreshed my love for this gift of writing and over the weeks gave space for some different writing.

A big shout out to Mab Jones too who created Lockdown Writers’ Club and provided us all with in depth prompts and created a creative community.

I went to the book launch of Play – by C. S Barnes, The Shaking City by Cath Drake and Mutton Rolls by Arji Manuelpillai.

I started doing Yoga with Allison Maxwell who is another gratitude shout out, I helped people and artists learn how to use Zoom effectively, we celebrated the first birthdays online, never expecting we would still be doing the same by the end of the year! I started doing my pilates classes at home.

I finally joined INSTA as there were poets I admire doing things on this platform. My INSTA account is still nothing to shout about and I probably won’t be joining the INSTA Poetry movement anytime soon, but it is a great platform for short video/ workshops and has been fun exploring this year.

I took opportunities offered by Room 204 on developing characters, huge thanks to Stephanie Hatton for letting us be your guinea pigs, I hope the roll out went well. I enjoyed the National Ballet online, a workshop with The Poetry Business and started recording video performances for events. And I discovered the Cuirt Festival of Literature AND more importantly an Irish poet I had read in my teens, Michael Gorman – it was like being reunited with an old friend.

I also had the pleasure of watching Kei Miller and Carolyn Forché with Poets House and Roger Robinson with Writing East Midlands, all poets I have read and admire. I’m lucky enough to have seen Kei and Roger in action several times. These three poets started the pack of recurring poets who became a big part of my lockdown.

I was also working hard completing an animation commission from Elephant’s Footprint for the Arts Council funded ‘Poetry Renewed Project’. I wrote a poem for Rick Sanders PoARTry/ the digital version of his project. My ekphrastic poetry response was based on an artwork created by Alan Glover. I watched most deadlines zoom past and wrote covid and non-covid journals.

It was an action packed month which taught me: I was happy we’d had haircuts the week before the news of Lockdown, the forever-wanted GHDs probably weren’t going to be the most used Christmas present, that I was unlikely to run out of notebooks for a while, that the world is trying to hold itself together, that a smile goes a long way, that facetime and online platforms are a great way to stay connected, what it feels like to spend 5 weeks travelling no more than 1.5 miles from your home.

Hark Magazine Launch & Reading in London

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hark launch and reading

I had my poem ‘Clench’ published in Hark magazine, issue 2. Back then, it was an online publication, now (Issue 4). The Hark team (Owen Vince, Matt Apperley, Dimitris Tsomokos & Diana Kurakina) have taken the jump into a very handsome print magazine – the sort that looks like a book.

To celebrate this they were inviting readers to take part in the launch. It was a great opportunity to go to London and read (I found out after that some poets performed at Keats house and the Poetry Café on the Saturday, had I known I would have stayed over), as it was I decided that I would make the journey home in the early hours. I only live a few hours from London, but unfortunately the coach broke down at Watford Gap and what should have taken 3 hours, took 7. However, I had allowed a 4 hour window to reunite with London, so I was there in time for the Launch. As soon as I walked in I knew it would be a great night and instantly relaxed.

The venue – The Washington, has an amazing cellar bar, accessed through a secret bookcase door (there should be a joke here on how many poets and publishers it took to open it). It was a great night and as soon as I arrived, I was instantly made welcome and calmed down from LONG my journey.

Hark organised an night of contributors reading in North London.

Zelda Chappel
Jemma Borg
Hazem Tagiuri
Nina Lewis
Andrew Wells
Imogen Forster
Rebecca Bird

It was a delight to meet everyone and it truly was a rich evening of superb poetry.

I was excited to meet people who I knew only by name, to discover new poetry, to meet the editors and see the handsome Hark magazine in print form.

It was definitely worth the 7 hour journey (and of course, I made it back in 2hours)!

ABOUT HARK

HARK is a literary magazine of poetry and short fiction. Founded in 2014 and based between London and Norwich, this small but highly ambitious magazine has built a reputation for brilliant, formal writing that pays close and sustained attention to the imagination and the possibilities of language. HARK is for those writers and readers who take the act of creation through language to be a sublime and, even, ethical act.

With a dedicated team of passionate editors, the magazine’s mission is to find, publish and promote the most exciting new voices, always alongside established writers who continue to challenge their readers with intelligent new work.

HARK is available to purchase either through our online store, or in Foyles (Tottenham Court Road branch), the London Review Bookshop, and the Book Hive in Norwich.

© 2014 – HARK literary magazine

© 2014 - HARK literary magazine: Owen Vince

© 2014 – HARK literary magazine: Owen Vince

© 2014 - HARK literary magazine: Matt Apperley

© 2014 – HARK literary magazine: Matt Apperley

One of the features is asking how the writers write, you can find my explanation here;

http://www.harkmagazine.co.uk/2014/08/26/writers-on-writing-issue-2/

And of course you can buy your own copy of Issue 4