A brand new website for Worcestershire LitFest & Fringe. Find out about all the 2021 competitions, join in with virtual open mics at SpeakEasy (9th April) and coming soon announcements for Worcestershire LitFest 2021.
There are many online events marking IWD – there are always Spoken Word and Poetry events that mark this day, the joy of this year was discovering the Creative Profiles on the main IWD site include poets.
Almost too many choices happening this evening, but you will find there are events throughout the week for IWD. I booked a ticket for an event tonight a long time ago, so haven’t even explored other events as I know I won’t be able to make them and then that just makes me feel frustrated.
A challenged world is an alert world. Individually, we’re all responsible for our own thoughts and actions – all day, every day.
We can all choose to challenge and call out gender bias and inequality. We can all choose to seek out and celebrate women’s achievements. Collectively, we can all help create an inclusive world.
From challenge comes change, so let’s all choose to challenge.
International Women’s Day (March 8) is a global day celebrating the social, economic, cultural, and political achievements of women. The day also marks a call to action for accelerating women’s equality.
IWD has occurred for well over a century, with the first IWD gathering in 1911 supported by over a million people. Today, IWD belongs to all groups collectively everywhere. IWD is not country, group or organization specific.
For full information on Women Creatives click here.
Firstly, a poet I was lucky enough to meet and hear during the first Lockdown, Sharena Lee Satti. She has been snapped up by Verve Poetry Press.
Sharena Lee Satti is an independent spoken word artist, author and workshop facilitator who writes with her emotions to the fore, her heart at the centre, and a power that can leave peopple breathless.
“My poems are real, raw and honest – addressing issues like survival, cultural-identity, life’s battles, self-love, body dysmorphia and many subjects people struggle to speak out about,” says Sharena.
Writing has never been optional for Sharena Lee Satti. Like eating and breathing, it’s something integral to her existence. Everyday she is thankful to be able to make a small difference to society, sharing something she is deeply passionate about.
When you choose to challenge… through spoken word poetry
Spoken word is one of the most powerful forms of poetry because it passionately expresses the poet’s deepest thoughts while simultaneously engaging and inspiring listeners. So, spoken word poetry seems a perfect medium to reinforce and amplify this year’s International Women’s Day #ChooseToChallenge theme. Spoken word poets from around the world are stepping forward in solidarity to choose to challenge.
Anisa was born in Kampala, Uganda and later moved to Australia at the age of 8. Growing up in Australia, Anisa observed the vast distinctions between these two countries and the fundamental difference in living standards sparked her passion to use her voice to articulate her thoughts on social justice. Her poetry explores issues of race, feminism and politics – while employing her talent and wisdom to educate and engage people to have difficult and challenging conversations. Her often controversial work explores the complexities of being a child of diaspora, history and the importance of philosophical questioning. Anisa’s soulful and passionate performance style is incredibly moving.
Some of Anisa’s most influential poems see her confrontationally and powerfully explore concepts of identity, violence and worth.
Anisa has received a multitude of accolades, appeared at numerous high-profile events, and performed upon many prestigious stages including at the Sydney Opera house.
Anisa discusses her passion, struggles and inspiration
“I guarantee there are going to be moments where you want to give up – where you don’t think that you’re good enough or your ideas are good enough – but you have to be resilient enough to keep going…There are going to be days when no one believes in your idea but you, but you have to have belief in what you can see and what you can be in yourself,” says a young Anisa.
Aminah Rahman is an award-winning British-Bangladeshi poet and spoken word artist
Aminah Rahman is a 17-year-old award-winning published poet and spoken word artist born and raised in Cambridge, UK. She is a third-generation British-Bangladeshi with over 60 years of family history in Cambridge. She has been writing poetry since she was eight years old. Most of her poetry focuses on fighting racism and celebrating who we are as individuals.
To support the International Women’s Day #ChooseToChallenge theme and to call upon further spoken word poets to step forward and use their voice to influence positive change, Aminah crafted an inspiring poem “Changing the Future”.
Aminah’s mission is to break down any barriers that could stop people from reaching their potential, and she hopes to connect to the souls of many people who draw comfort from her words.
“I believe that it is important to be there for one another. I remember when I wrote my first rap ‘Accept Me Please’, after hearing stories about tackling racism. I ran up the stairs, taking two steps at a time as so many ideas came flooding in to me, and then I put pen to paper,” she explains. “I had never written so quickly! It was an incredible feeling knowing that I had my first rap right in front of my eyes. Poetry has enabled me to learn about the world around me and most importantly who I am as an individual.”
Winner of prestigious awards and accolades
Aminah wrote her first poetry collection Poems by Aminah in 2016. She then wrote Soul Change, her next collection of poems about social issues that affect humanity today. Five of Aminah’s poems have been published in Young Writers UK anthologies. Aminah is featured in the June 2020 edition of Writing Magazine, the UK’s biggest and bestselling magazine for writers, where she talks about her passion for poetry. Aminah was also recognised as one of the ‘Top 6 Most Influential Muslim Youth’ in Hayati Magazine, Nigeria’s #1 Muslimah fashion and lifestyle magazine.
She was the winner of the Young Muslim Writers Awards Key Stage 2 Poetry category in 2015. In 2017, she was the joint winner of the Cambridge News and Media Education Awards: Pupil of the Year award. She also took part in the BBC Upload Festival 2020, a festival that showcases talent from across England and the Channel Islands. Aminah represented Cambridgeshire with her poem ‘Please’. She has spoken at numerous events, actively promoting inclusion and diversity.
Using poetry to understand the people and the world
Poetry can be a powerful mechanism for change. For Aminah, it is the heartbeat for change.
It helps her to understand and appreciate the way the world is today. Poetry is a form of expression that helps her to process her thoughts and feelings. Writing and reading poetry helps her to see things from a different perspective.
For Aminah, words are the best reflections. “Poetry helps me to empathise with others and it leads us to love. It also helps me to understand my own identity. My journey has helped me to discover my own voice. Poetry is a powerful gift because it addresses feelings which can be hard to describe. Poetry brings us together,” she adds.
I will be celebrating with some women I know this evening.
And I couldn’t post IWD without a link back to one of the many anthology collections I edited/curated as Worcestershire Poet Laureate in 2018. This one came from a Mini Workshop I facilitated in The Hive, based on the wonderful exhibition they displayed to mark 100 years of votes for women/ the Suffragette Movement. Those women certainly chose to challenge! #ChooseToChallenge.
I was the 7th WPL and the 4th woman to take the role, my plate was very full 3 years ago, so for IWD I created this call out IWD which resulted in this brilliant post all about female poets and inspirational & influential women. Many listed are friends of mine and poets I know, I have now (in the past 3 years read all of them), maybe you will find a new read somewhere in there and they are all STRONG women!
I couldn’t quite leave it there – I created this post with the former female Worcestershire Poets Laureate – Maggie Doyle (2012-13), Heather Wastie (2015-16) & Suz Winspear (2016-17) celebrating their work and influential women in their lives.
It’s IWD – it can’t pass without another watch of Amanda Gorman!
I have always been a letter writer, at 13 I had 33 International pen-pals and many of us wrote well into our 20s and have since found each other via social media! Lifelong friendships. I used to love receiving post… nowadays it is mainly business and bills but occasionally someone sends me gold. I was overjoyed to see this… although (typically) it is a no-post day for me. A wonderful gesture from the Royal Mail.
Millions observe Royal Mail’s significant #ChooseToChallenge awareness raising efforts
Thank you to the UK’s Royal Mail for celebrating International Women’s Day, raising community awareness, and amplifying the call-to-action to #ChooseToChallenge. Royal Mail’s special #IWD2021 #ChooseToChallenge postmark is being applied to millions of stamped mail items over three days of the International Women’s Day period.
Important support for women’s empowerment
Royal Mail’s special moment-related postmarking provides an important opportunity to amplify key messsages, mobilize positive action, and engage communities.
Not only will women appreciate the organization’s support in reinforcing equality, but the #IWD2021 #ChoooseToChallenge postmarking is relevant to all genders inviting people to courageously step forward and call out stereotyping, bias and discrimination.
An iconic organization where women choose to work, Royal Mail is one of the oldest organizations in the world, and can trace its origins back over 500 years to 1516.
They are also one of the UK’s largest employers and mantain a solid focus on diversity and equal opportunity within its workforce.
Royal Mail Group has a strong community engagement focus which provides an important opportunity for its people to interact and build relationships with the communities they serve – and this is of benefit to both parties.The organization’s ongoing commitment to community engagement is significant.
Alison Evans is from Sacramento in California, USA and her design focuses on challenging and calling out gender bias and inequity. ” I love the empowerment in the message and knew I had to create something that not only celebrates the day, but shows solidarity with the mission,” she says.
“I like to serve up positive, uplifting art with a side of feminism and pop culture. The main focus of my work is based on my own personal experiences with mental health, feminism and being raised by the television screen. While most of my work is focused on illustration, my main inspiration and motivation is typography, lettering and calligraphy.”
“My concept behind my IWD design is that I really wanted to embody the celebration of women’s achievements and promote a sense of inclusion and togetherness. Hands are something I gravitate towards illustrating, so I thought that holding hands would be a perfect depiction of that idea. I also wanted to incorporate the international symbol for women, and decided to include that with the background pattern.”
“For the process, the program I use for all of my lettering/typography/illustration is Procreate. I started with the message: ‘Happy International Women’s Day’ and decided I wanted to have that as the biggest element in the design. I sketched the lettering out first and realized that I had a blank spot underneath the lettering portion. As mentioned, I enjoy drawing hands so I thought this would be a perfect addition to the design at the bottom. I sketched those until they fit how I wanted them to, then went back and lettered the writing, and designed the ribbon-like texture to it. After that, I finalized the hands and colored them in. I always have a problem selecting colors, so that part took a long time, but I finally settled on a darker background so that the messaging popped.”
“When it comes to IWD, I believe that as a society we need to celebrate women’s successes and stand up for gender parity in every aspect of life. Although I would love if everyday could be International Women’s Day, it is nice that we can set aside one day where we can focus our efforts on raising awareness about equality and come together for a common cause to celebrate the achievements the world has made in the goal of gender equity and inclusion.”
We continued to have snow in the beginning of the month and towards the end of the month. We had to contend with Storm Christoph and many areas of the UK (including this county) were flooded. It was often cold and frosty! Close friends contracted Covid, fortunately none were hospitalised, all are either recovering or recovered. One family saw it soar through inter-generationally. Closer to home, Mr G. who has been out to work for all 3 Lockdowns had to self isolate for 10 days after an employee caught covid. Fortunately, he’s all clear.
January saw a balance between much needed paid work and writing, for a day at least and then we went into the 3rd Lockdown. My contract was eventually renegotiated and I went back to work out there.
WEEK 1 & 2:
I am working on a couple of projects which took chunks of January time. I took a booking for a Reader Series in March in the USA, which was then rearranged for January!
I sent some submissions. By the 2nd Jan.I had 2 new poems published and by some miracle (December submissions) by the 7th Jan – I had 7. This almost makes up for 2019/2020! Then I had a break of 3 weeks which dragged me over some deadlines. At the end of 2020 I was approached for work in two anthologies.
A portion of my time is now spent typing up notebook poems from last year and I have been sending these through the editing mill. In one of these editing groups I discovered the joy of the Muppets doing Robert Frost! After watching it I have a vague recollection of seeing it before, when I was too young to get the poetic reference.
I signed up to some new classes for 2021 which will continue as a year of Learning (which is what I decreed 2020 as), but unlike Lockdown times I also need to get the house straight so shall not be returning to a full time life online. I have classes and workshops rolling over from last year with Judith Redwing, L.A Marks and Celena Diane, all in the USA and Rakaya Fetuga in London. I love working with and listening to International poetry, I have always enjoyed reading translated poetry, even in my teens. Most events attract global audiences nowadays which is silver lining to poetry on Zoom (and other platforms).
I saw Sean O’Brien, Joelle Taylor and Memoona Zahid Live at The Butchery, which was a lively and fabulous event. Martin Figura and Helen Ivory are masters at making the hosting and organising of such feats look easy! Luke Wright and Jennifer A McGowan wowed audiences at Yes We Cant, PPP did their usual sterling job of providing a thoroughly entertaining, high energy evening!
During the week I saw David Clarke at Crafty Crows, it was a great reading and I finally made sense of the numbering in some of his latest work. It was a wonderful chance for people to hear current work before it makes it out in book form (which I am almost certain it will). It was lovely reading comments from people who had not had the pleasure of hearing David read before. It was also great to hear an extended set by Catherine Baker.
I was excited to return to Fire & Dust the next evening featuring Clive Oseman , it was great fun and I felt a real sense of reunion. Helen Ivory & Martin Figura featured at Poet’s Cafe, another incredible evening.
The week was finished off with news of a project going LIVE. Read all about it here. Dear 2021, The Start of It was part of Sheffield’s Year of Reading & the BBC The Novels that Shaped our World, it stemmed from a two part workshop with Nik Perring who was Writer in Residence at Sheffield Libraries.
It was great fun and some of our poems were selected to be part of the book which marks this project. I have seen the book online and am waiting excitedly for a copy. Dear 2021
I was accepted for a workshop with John Brantingham later this month and after several unsuccessful applications in 2020, I made one that was accepted! The weekend was spent back in Sheffield Libraries with the Poetry sharing group and in the evening I hot-footed over to America to join the Ohio Poetry Association (OPA)for a few hours on a workshop with Diane Kendig. This was a thoroughly absorbing experience, one I felt lucky to be part of. It finished off the notebook I started in December. A sparkling new notebook for January then, well almost. I am working my way through shelved stock, it was one bought 15 years ago.
To finish the week I went on Cath Drake‘s Refresh 2021 class. I knew the mindfulness was just what I needed and by now I had news that my contract in the real world had been reinstated and that I was due back in work the next day. So I double needed these few hours. It was a heart-warming experience in a supportive group and I loved the meditation. I had a workshop with Sarah L.Dixon and wrote a poem from a wondorous prompt.
I intentionally attempted to do less writing events this week, I was working all week and needed some down time and my creative projects need full focus at the moment, which is another reason I let submission deadlines slide. There are only so many plates you can spin!
I listened to advice and found motivation from Rommi Smith, Jo Clement, JT Welsch & Hannah Bannister at the Northern Writers’ Awards and spent an evening with Sarah L.Dixon & Tom Sastry at Cafe Writers. Later in the week I spent a wonderful couple of hours enjoying Zelda Chappel‘s New Beginnings class, again a great group of writers. Followed by the Poets in Motion, where I discovered my Reading Series slot was to be later this month. I spent a wondrous night with Rosie Garland. Love her performance, poetry and enthusiasm for her publishers, Nine Arches Press. This event was from Trafford Libraries. By now work in the real world was well underway and it was a challenge not to be asleep by 7PM! I also dedicated some writing desk time to myself to whittle away on the projects.
The weekend saw a plethora of events: I went to Redwing‘s Food for Thought Cafe and Oooh Beehive, Clive Oseman and Nick Lovell had booked none other than Elvis McGonagall! It has been more than a year since I last saw this King of poetry in action and it was a real treat! I did Rakaya Fetuga‘s workshop and learnt a lot about forging. On Sunday I had double events. I wanted to catch Marvin Thompson at Cheltenham Poetry Festival’s event also featuring Simon Alderwick but it clashed with RYT – I haven’t made it to Run Your Tongue and I missed seeing everyone and Dominic Berry was headlining. I hate it when events overlap but I also hate missing out and choosing.
Nearly two weeks of real-world work, which feels like months and evenings are harder to stay energised enough to fill with anything other than sleep. However, I had booked events before the contract was renewed for Lockdown and wanted to go to as many as I could manage.
At the end of December I was asked to contribute to two anthologies, the news of launch dates came through, more on this soon, exciting! As well as weekly classes I filled myself with the poetry of: Manuela Moser, Padraig Regan, Stephen Sexton at Poetry at the Lexicon, R.M Francis at Dear Listener, Richard Skinner, Bernard O’Donoghue and Anna Saunders at the Book Launch of Feverfew, Anna’s new collection. The weekend reading was by Dante Micheaux and I discovered Chrysalis and caught Inua Ellams in action. I finished the week at Culturama and had some poems workshopped with John Brantingham, who is also taking part in the Reader Series next week on the 27th.
Later on the same evening I attended a very special event hosted Susan Roney-O’Brien, a tribute reading for Patricia Fargnoli, Celebrating Pat Fargnoli. Pat (and many of the WCPA poets) took part in my Transatlantic Poetry Project in 2018, A Tale of Two Cities. It was a moving experience hearing a multitude of voices reading Pat’s work and I had not expected Pat to be able to read some too. It was an honour and a blessing to be there.
My main focus was to prepare my hour for the Reader Series this week. The great element of this event is you get to talk about the story behind the poems as well as read them. We each have an hour in a back to back series from 10:30am (PST). Unfortunately this series has been postponed until February and I am not free for a booking before April. I will be ready for whenever it is rebooked though. I also had one day where I slept after work for 5 hours and was too tired to boot the laptop up!
It was an enjoyable hour, a fantastic discussion and her poetry pamphlet, Finding Sea Glass is now on my wishlist!
I also attended a workshop with Sarah L. Dixon, which, as usual was great. Except I had tidied up my bookshelves and then we create book spine poems. I used the nook upstairs rather than piling all my books again in the lounge! It was a full afternoon and evening schedule. I received an email which tipped me off to a Talk by Don Paterson. I couldn’t resist the title (he claimed this is why he called his lecture this) ‘Why Bad Metaphors Destroy Everything’. In a few months I am rolling out some work around metaphor so that’s another reason my interest was peaked. This talk was from St Andrew’s Alumuni and is available online. Following this I went to the Brittle Star MagazineLaunch, it was an enjoyable hour of poetry and a lovely launch. The lockdown has enabled us to attend lots of magazine launches which usually take place too far away to travel to. I set an alarm for Midnight and joined many people who were watching Poetry In America – An Evening with Two Poet Laureates of the United States: Natasha Trethewey and Joy Harjo. Which was a moving experience.
Another wonderful magazine launch this week was the Poetry Review Winter Launch with the Poetry Society. Emily Berry was the Editor for this issue and we heard readings from four contributors: Graham Mort, Meredi Ortega, Rushika Wick and Jason Allen-Paisant.
It was a powerful reading and a great way to spend an hour. I particularly enjoyed listening to Jason Allen-Paisant who wove a soulful magic with his words.
I have read the Poetry Review for years but it is special to hear the words from the mouths of the creators.
I am finishing the month with clashing events. Jane Hirshfield & Rachel Eliza Griffiths at Hudson Valley Writers and Rick Mullin & Nicca Ray at GWFM.
It always feel inappropriate to post about loss this way, especially tagged to the end of a review of the month. But I don’t feel I have the words to write more and as with other poetry friends I have lost this way, testimony has been posted elsewhere. I also feel I can’t get through looking back on January without this being here. Sadly, we lost a friend, a big part of our poetry community this month. It is a tragic loss and something I cannot find the right words for. The tight rawness of the situation has hit us all hard. He remains strong in our hearts.
I’m busy preparing for the 2nd part of January and I want to share some of the happiness so far. We all need these silver linings at the moment.
Last year Nik Perring was the Writer in Residence for Sheffield’s Year of Reading. You can find out about the multitude of exciting projects he was involved in by clicking the link. Sheffield Libraries have been incredibly proactive throughout all 3 Lockdowns offering a wide range of workshops, interviews and groups.
I was fortunate enough to participate in several of Nik’s Autumn workshops and then two larger projects at the end of the year. On the 7th January one of the outcomes was released on the web for you all to enjoy and this is the first chance I’ve had to share it!
Here’s Nik with the backstory:
Many of us will be haunted by the ghosts of 2020 – the strangest of years. We’re giving you the opportunity, the voice, and the audience to put them to bed.
Working with the BBC (The Novels That Shaped Our World) Dear 2021, The Start of It takes the spirit of Dickens’ A Christmas Carol and challenges you to exorcise the ghosts of 2020 by writing a letter to Donald Trump, the universe, Santa, the future – to someone or everyone, telling us what you want to change and the whys and hows.
During this two-part workshop, Sheffield Year of Reading Writer in Residence Nik Perring, will show you the best ways of making your ideas, and desires, into brilliant poems, letters, or stories – and then he’ll show you how to shape them into pieces good enough to send up the chimney/out to the world.
The workshops were in November, many of our finished pieces were collated into a special book which came out in December and lots of people who took part in the workshops recorded their work which was broadcast via Sheffield Library Service’s Digital platform 10 days ago!
If I thought April had been a whirlwind, I wasn’t quite buckled in for May!
I was enjoying off screen time in the garden, had already taken photos of the blossom and enjoyed the early Spring flowers.
You know it is easy to misremember how it was? I closed the last flashback with the realisation I had not travelled more than 1.5 miles from my home – actually my perimeter was a lot smaller in April. I hadn’t started walking outside of my home and the supermarket is not that far away so thinking back, the frame of my life was caught in a circle of 3 roads, just one small block of life!
This was the month it expanded to 1.5 miles.
I do remember I stayed in, if I wasn’t in the garden I was in the house. Most of the street were out in the back gardens, enjoying the sun, building new sheds, cabins, garden furniture, slides and swings whilst I was indoors fighting the good fight for Furlough or burying my head in the sand of a writing world that became my Narnia.
May started with more festivals: Avon Book Festival, Stay at Home Fringe Festival (organised by the Students/graduates of Glasgow Uni), The Urban Tree Festival and of course HAY (which I managed to blog in a timely fashion). Huge gratitude to everyone who has worked so hard to give creatives access to platforms and festivals at this time.
Big gratitude to Julia Webb for the prompt/course she ran this month. To Kim Moore for braving the online world of workshops and furthering my year of learning. To Carys Hannah who started a Golden Girls Watch Party, which reminded us what laughter is and made us all hope we get to grow old.
To Anna Saunders and the team at Cheltenham Poetry Festival for delivering a feast of poetic pleasure with numerous events and a great line up of poets. To Seren for creating a series of reading events, AWP for giving us a night with Joy Harjo (Poet Laureate of USA). For the universe for keeping my neighbour safe the morning she climbed up on our conservatory roof to clean and I couldn’t stop her!
Thanks to Helen Ivory & Martin Figura for events at the Butchery and to Jinny Fisher for her Poetry Pram Party. Thanks to Jane Commane at Nine Arches Press for videos, live readings and Book Launches, to Emma Wright at the Emma Press for Book Launches and webinar readings/Q&A. To Phillipa Slinger and Chloe Garner who moved Ledbury Poetry Festival and the Salons online.
This month I also enjoyed the Saboteur Awards and Book Launches for The Unmapped Woman by Abegail Morley (Nine Arches Press), Dorothy by Briony Hughes (Broken Sleep Books), Apple Fallen by Olga Dermott-Bond (Against the Grain).
And I finally realised online events meant we could travel after all… and travel I did, first stop back to Australia. I headed back to Perth and Freo. Thanks to all at VoiceBox. I reunited with some of the Perth crew at Zoomouth, which was brilliant!
I finished the 6 weeks Writing to Buoy Us course with Cath Drake and writers from Europe and Australia. I started a Hybrid Experimental course with Tawnya Renellehttps://tawnyaselenerenelle.com/ , who I also met through the Stay at Home Fringe Festival. And who also needs a huge shout out of gratitude. I was glad to help where I could at the beginning and have loved watching the take-off!
I completed work on the animations for Poetry Renewed with Elephant’s Footprint and wrote lots in journal form and a few poems. Covid had crept into the writing and I was attempting to not write about it in the beginning. And the BIG conservation started about the artists place in all this, whether it is our job or not to almanac the times (which is what a lot of writers/artists do). I believe most of us do, but also agreed that writing books about it probably wouldn’t even make it to the slush pile, of course I am sure there will be some, there already are. But I’m still processing last year and things which happened at the beginning of this one (pre-Covid).
May was the month: I realised my back can’t manage Yoga and gracefully I saluted the sun for one last time, started to walk in nature, used my walking stick for the last time (hadn’t needed it for 3 months), I blamed the yoga but looking at this it was more likely all that sitting at the desk! It marked the milestone of my first submission in 5 months! I have been very slow to get back on that horse!
Worcester SpeakEasy Christmas Special – more open mics than usual and the fabulous Raine Geoghegan is our feature for the night! Come and listen/watch for free (Christmas jumpers/head-gear/ hats optional)!
April was Napowrimo and those of you who follow this blog will know I have done it every year since I discovered it existed (2014), this year – for the first time ever – I was home every day of the prompts and managed it without falling behind. As is tradition, by the end I was left with about 5 decent poems and another 5 to work with. Lots of new notes and scribbles, I did write 32 poems over the month but some are no more than a warm up exercise, you can whittle on after April and collect yourself a good batch of 30 decent poems, but as with all workshops some prompts will speak louder than others. There were some areas I continued to research and develop and other scrap poems I abandoned. Nothing wasted though.
Napowrimo was also the last time I was properly active on the blog. The Stay at Home Lit Festival continued (it was a glorious 2 weeks). I continued to enjoy events which moved online more from the PPP (Poets, Prattlers, and Pandemonialists) team, as another of their brilliant nights Yes We Cant happened online and PASTA (usually at the Wolverhampton Arena Theatre). 42, Worcester and Run My Tongue were other open mic events I joined.
I signed up to Caleb Parkin‘s Napo group and enjoyed weekly sessions with other poets (some of whom I knew) doing Napo. These groups were great fun. Huge gratitude to Caleb for creating such a pleasant space to create from.
April was the start of crazy, for me it was a coping mechanism and also I was coming from that post-book release-writing-slump https://ninalewispoet.wordpress.com/books/, which followed on the back of the medicated break from writing, which I was convinced (at the time), had broken the camel’s back, so a certain amount of my packed scheduling was a liberation, a dance with words. It was also a sure fire way to bury my thoughts from what was really happening for a few hours most days. I was also trying to get over having to cancel all my real life bookings for a 2nd year running.
I read a lot, every writer should. But I have to say 2020 has opened me to more new writing and new to me poets than any year so far. So readily accessible at a touch of a button. The whole world at my writing desk.
Sarah L. Dixon needs another shout out of gratitude, she started to run workshops online, which were always fun and successful for me – as in I would always have a nearly completed poem by the end of it – I may have even submitted some of these out to the world and I have barely submitted anything anywhere since 2018.
A big shout out of gratitude to Zelda Chappel too – who it has been a pleasure to reconnect with. She offered a series of wonderful prompts which in the beginning refreshed my love for this gift of writing and over the weeks gave space for some different writing.
A big shout out to Mab Jones too who created Lockdown Writers’ Club and provided us all with in depth prompts and created a creative community.
I went to the book launch of Play – by C. S Barnes, The Shaking City by Cath Drake and Mutton Rolls by Arji Manuelpillai.
I started doing Yoga with Allison Maxwell who is another gratitude shout out, I helped people and artists learn how to use Zoom effectively, we celebrated the first birthdays online, never expecting we would still be doing the same by the end of the year! I started doing my pilates classes at home.
I finally joined INSTA as there were poets I admire doing things on this platform. My INSTA account is still nothing to shout about and I probably won’t be joining the INSTA Poetry movement anytime soon, but it is a great platform for short video/ workshops and has been fun exploring this year.
I took opportunities offered by Room 204 on developing characters, huge thanks to Stephanie Hatton for letting us be your guinea pigs, I hope the roll out went well. I enjoyed the National Ballet online, a workshop with The Poetry Business and started recording video performances for events. And I discovered the Cuirt Festival of Literature AND more importantly an Irish poet I had read in my teens, Michael Gorman – it was like being reunited with an old friend.
I also had the pleasure of watching Kei Miller and Carolyn Forché with Poets House and Roger Robinson with Writing East Midlands, all poets I have read and admire. I’m lucky enough to have seen Kei and Roger in action several times. These three poets started the pack of recurring poets who became a big part of my lockdown.
I was also working hard completing an animation commission from Elephant’s Footprint for the Arts Council funded ‘Poetry Renewed Project’. I wrote a poem for Rick Sanders PoARTry/ the digital version of his project. My ekphrastic poetry response was based on an artwork created by Alan Glover. I watched most deadlines zoom past and wrote covid and non-covid journals.
It was an action packed month which taught me: I was happy we’d had haircuts the week before the news of Lockdown, the forever-wanted GHDs probably weren’t going to be the most used Christmas present, that I was unlikely to run out of notebooks for a while, that the world is trying to hold itself together, that a smile goes a long way, that facetime and online platforms are a great way to stay connected, what it feels like to spend 5 weeks travelling no more than 1.5 miles from your home.
Yes We Cant was back after a summer break. It marks my final booking this side of National Poetry Day – I guess I have to get proactive. I have never gone in search of gigs before, but after 4 years I may have to.
There were new t-shirts, bags of cooking apples, bottles of Rhubarb and Custard cider and lots of poems!
It was a brilliant night and worth every minute of motorway nightmare (roadworks). The night was MCed by Steve Pottinger & Dave Pitt, there were lots of open mic and a good mix of poets, one first timer who nervously took to the stage. She was fab and also won the Poetry Competition.
Yes We Cant is always a fantastic night. It takes place upstairs at The Pretty Bricks Pub in a room which is always hot with energy & words.
PPP – Steve Pottinger, Dave Pitt and Emma Purshouse (reading the winning poem).
The exceptional performers on the Open Mic.
Yes We Cant always have a Headliner and a Half-ender. I was delighted when Emma asked me to be the September Half-ender and it also guaranteed I used my return ticket from Australia. I did a set from Fragile Houses, a couple of new ones (including one I wrote during Aaron Lee’s Workshop in Perth) and an old, old one.
It was lovely to chat to people in the interval and I think the mix of poems I chose from humorous to heart-tugging went down well.
Rob Barratt finished the night with an incredible set. He was entertaining and even got the room singing a selection of popular songs, no easy feat… but of course Walsall was up for it! I love watching performers I have not have the pleasure of meeting before and this was no exception.
I now have Rob’s book to re-read the poems he performed at a powerful pace, at leisure and he really hit the nail on the head with his poem about Education and ‘Distressed’.
Here’s an interview with Dave & Rob.
Rob Barratt who was a bag of awesome wrapped in a bow of wonder. – Dave Pitt
On Friday night I had hoped to make it to Birmingham Waterstones for the Verve Poetry Press Book Launch of Leon Priestnall and Nafeesa Hamid’s Debut collections.
Sadly I was up to my eyeballs with assessment data/report writing and test marking at work and by the time 6 PM arrived I was asleep on the settee. I have heard it was an incredible night and I was looking forward to reconnecting with the city and seeing these two perform.
Leon Priestnall is something quite rare on the Spoken Word circuit – a romantic, a lost soul, with so few of the right answers and so many of the wrong ones. His poems are full of questions, not solutions, or even a step further back from that – are asking the question of what questions to ask. In his work, he isn’t setting himself up as any kind of answer – he is as wrong as he is right, behaves badly as often as correctly. Often too confused to be able to move – beyond lighting another cigarette, taking another drink, running for the door – or speak. Often trapped inside the circle of his thoughts, which are a riot of possibilities and recriminations, what-ifs and why-nots.
Learning that your mind and body have been taken hostage is one thing. Learning how to take them back is another. What if those that are returned are different to the ones that were lost?
Besharam – Nafeesa Hamid’s glorious debut collection – asks this and many other questions. When does a girl become a woman? When does her world allow her to become a woman? And what kind of woman should she be? The answers aren’t readily forthcoming.
42 is a regular monthly feature of the Worcester calendar, featuring prose, poetry and everything between. Currently run by Polly Stretton and hosted by her and a range of Guest MCs, it is normally held on the last Wednesday of the month at Drummonds.
The festival special last year was one of the most popular nights – featuring The Antipoet. They are back again for 2018 and we are delighted.
The theme for open mic sets was Bewitched Worcestershire Inn and despite a tiny bit of research after last night’s event at the Museum, I did not have a chance to pen a poem in advance. So after a whistle stop agenda between work and the gig I managed some scribbles. One of the scribbles turned out okay.
The Antipoet performance was stupendous (as expected)! They entertained us for over an hour and they were also there for the Launch of their book! Yes, a BOOK this year rather than an album. A book with 2 FREE DVDs.
If you have never caught their show, I urge you to do so – they are phenomenal!