Tag Archives: Nina Lewis

Flashback May: How to Grow Matches Book Launch

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I have a whole page in my TO DO List book of missing Blog posts from May – July. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Saturday, 19 May – Park’s Cafe, Droitwich. How to Grow Matches – A Live Lit Celebration.

Back in the Spring I was asked to be a poetry judge at Sarah Leavesley’s Launch for How to Grow Matches, published by Against the Grain Poetry Press. Following her Launch in London in March at the Poetry Cafe, Sarah had a local launch in May.

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This is Sarah’s 7th poetry book and she made sure that this was a Launch with a difference. She used her Launch as an opportunity to raise money for St. Paul’s Hostel who help people through homelessness. The evening was filled with Poetry and Fiction, as Sarah was also launching her latest novella Always Another Twist.

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Sarah’s Guest Poets/Writers were Jenny Hope, Liz Kershaw and Holly Magill, the evening was MCed by Charley Barnes, there was an Open Mic with prizes (hence the poetry judging). The prizes were amazing – bags of poetry books and poetry pictures.

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Sarah launch  The evening started with a translated reading by Sylv Coultier of ‘Matryoshka Portrait’, the opening poem in How to Grow Matches. Followed by Guest readings, open mic poets and readings from Sarah.

It was a lovely evening and thoroughly enjoyed. Appreciation and generosity were the feelings I took away from the evening.

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How to Grow Matches was SHORTLISTED in the poetry category of the INTERNATIONAL RUBERY BOOK AWARDS 2018 and ‘His Secret Daughter’ from How to Grow Matches is Carol Rumens’s Guardian Poem of the Week

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‘What immediately strikes me in Leavesley’s poetry is that sense of being spoken to directly, forcefully. The anger – at impossible advice, at the hidden and neglected work, at mere survival against the odds – is always balanced with craft and an impeccable sense of timing, and a vision which ranges from the orchestra pit to the research laboratory, via geopolitics, extinction and the recurring nested image of the matryoshka doll. An essential pamphlet.’
– Luke Kennard

‘Uncomfortable, powerful, and compelling, these poems demand to be read. And to read them is to ride a discomfiting turbulent current expressed in images of clocks with disparate rhythms, clouds that dissolve into “dark angels of rain”, piles of spent matches that might make a bonfire. And burning is what these poems do: searing through skilfully controlled anger at the invisibility of women, their lack of a powerful role model to follow, they are ready to burst into flame, urging women to “reclaim their share”.’
– Gill McEvoy

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You can buy your own copy here againstthegrainpoetrypress.wordpress.com/shop/

Reviews of HOW TO GROW MATCHES.

Yes We Cant -PPP, Rob Barratt and Me Somewhere in the Middle of it All as the Half-ender!

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Yes We Cant was back after a summer break. It marks my final booking this side of National Poetry Day – I guess I have to get proactive. I have never gone in search of gigs before, but after 4 years I may have to.

There were new t-shirts, bags of cooking apples, bottles of Rhubarb and Custard cider and lots of poems!

It was a brilliant night and worth every minute of motorway nightmare (roadworks). The night was MCed by Steve Pottinger & Dave Pitt, there were lots of open mic and a good mix of poets, one first timer who nervously took to the stage. She was fab and also won the Poetry Competition.

Yes We Cant is always a fantastic night. It takes place upstairs at The Pretty Bricks Pub in a room which is always hot with energy & words.

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PPP – Steve Pottinger, Dave Pitt and Emma Purshouse (reading the winning poem).

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The exceptional performers on the Open Mic.

Yes We Cant always have a Headliner and a Half-ender. I was delighted when Emma asked me to be the September Half-ender and it also guaranteed I used my return ticket from Australia. I did a set from Fragile Houses, a couple of new ones (including one I wrote during Aaron Lee’s Workshop in Perth) and an old, old one.

It was lovely to chat to people in the interval and I think the mix of poems I chose from humorous to heart-tugging went down well.

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Rob Barratt finished the night with an incredible set. He was entertaining and even got the room singing a selection of popular songs, no easy feat… but of course Walsall was up for it! I love watching performers I have not have the pleasure of meeting before and this was no exception.

I now have Rob’s book to re-read the poems he performed at a powerful pace, at leisure and he really hit the nail on the head with his poem about Education and ‘Distressed’.

Here’s an interview with Dave & Rob.

Rob Barratt who was a bag of awesome wrapped in a bow of wonder. – Dave Pitt

http://www.robbarratt.co.uk/

I also received received a PPP lotto ticket and won! £1.00 – but as Emma pointed out I could buy another ticket!

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Walsall, you were wonderful – thanks for having me!

And just to put the scratchcards in context… here’s the 1st Birthday Party clip!

The Return of 30-40-60

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I was delighted when Artsfest booked our 30-40-60 Poetry Show as part of the 2018 Programme. It has been a year since Kathy Gee, Claire Walker and I performed this work… so as soon as we had news of it being accepted we organised a rehearsal.

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The rehearsal was great fun, the run-through was barely problematic and we found the right cables for all the equipment.

Unfortunately, due a Windows 10 update I lost some of the original files and with one glitch on the film (it is a media show/performance), I had no choice but to start the process of film-making over again. This was a lesson in backing up files but actually, as some of our audience had seen the 2017 performance at Worcestershire LitFest, I was happy we had new media to entertain them, with deeper connectivity to the script.

It took a whole day, but it is backed up!

Kathy worked hard on producing new programmes and Claire took over the social media drive and promotion.

Fast forward into the following week and we all met excitedly in St. Andrew’s Church, Droitwich to set up the media, lights and sound for our show, with help from Rhys Jones.

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With the stage set and an introduction from Rhys Jones, we kicked off with open mic sets from: Janet King, Nigel Hutchinson, Ian Glass and Charley Barnes and then performed the show.

Photographs © Rhys Jones Droitwich Arts Network

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It was a great evening and an appreciative audience.

I approached Kathy and Claire with the idea in late spring 2017, I had the idea before Fragile Houses was published. We worked on the show for several months. It was quick and easy to compile as our work complimented the themes and was easy (ish) to structure, the time consuming side was rehearsals and technical work.

We hope to do more with this show next year. If you are interested please let us know.

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We received great feedback again this year and even bagged a review!

http://www.madhatterreviews.co.uk/performance–arts.html

 

http://vpresspoetry.blogspot.com/p/bookshop.html

INKSPILL 2018 Heating Up! Get Your Diaries READY!

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I had the joy this week of approaching two writers to feature as this year’s Guest Writers at INKSPILL – our online writing retreat. They have both said YES!

As I am due to fly out to Australia as an International Guest at Perth Poetry Festival, I thought it would be fun to find a 3rd Guest Writer whilst I am out there and that will complete our set for 2018.

Here’s a promo film to whet your appetite!

 

If you have never been involved before (where have you been?), the retreat runs from 9:30 AM to 9:30 PM on both Saturday (27th October) and Sunday (28th), it involves a range of activities, workshops, interviews, motivational posts, tips and is a chance to give yourself some writing time.

If you are not around in real-time the posts remain on the blog and can be accessed after the event. It is always popular and many writers gain a lot from it AND it is FREE!

 

Flashback April: Cheltenham Poetry Festival

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I have a whole page in my TO DO List book of missing Blog posts from April – June. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Back in April, I performed at Cheltenham Poetry Festival. I was asked to do Cheltenham PF in 2016 but I was too shy about the ‘how to’ and waited on emails, leaving it too late to secure the booking for the 2017 Festival. So I had the pleasure of being in the 2018 Programme instead. Booked way in advance (as these things are), I was gutted when an email from Jill Abram popped up in the inbox asking me to be part of the V.Press Stablemates in London, and of all the dates – YES, you guessed it – 26th April when I was already booked for Cheltenham. Clashes. They will be the undoing of me!

Still, I was very excited to be part of CPF and very much looked forward to it for months.

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I arrived at Smokey Joe’s in time to see the INDIGO DREAMS SHOWCASE and get a pre-launch preview of Anna’s new collection (her 5th) ‘Ghosting for Beginners’.

INDIGO DREAMS SHOWCASE 7-8.30 pm, Smokey Joe’s,

CPF IDP
Indigo Dreams is an award-winning publisher renowned for its beautifully produced
collections of contemporary poetry by both new and established writers. The press was
voted Most Innovative Publisher 2017 at the annual Saboteur Awards. Join us for a
feast of verse as four authors from the press read from their brand-new publications.
Chris Hardy (‘Chris consistently hits the right note’ – Roger McGough), poet, musician
and member of Little Machine, reads from Sunshine At The End Of The World. Chrys
Salt (‘a wonderful and unique poet’ – Bernard Kops), reads from The Punkawallah’s Rope.
Festival Founder and Director Anna Saunders (‘a poet who can surely do anything’ – The
North) reads from Ghosting for Beginners. The showcase also includes a reading by one of the joint winners of the Indigo Dreams 2017 Pamphlet Competition. Amy Kinsman
is a multi-published poet and playwright from Manchester. © Cheltenham Poetry Festival Programme

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It was a cracking event, a packed out venue and a great IDP line-up. I was looking forward to discovering new to me poets and hearing from poets I have only had contact with via social media.

WP_20180426_003 The poets were introduced by Jennie Farley (another IDP poet) and I was held captive by stories in poems for the next hour.

More photos © Sarah Snell-Pym

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NINA LEWIS – FRAGILE HOUSES
PLUS PETER MCDADE, GUESTS AND OPEN MIC
9-10.30 pm, Smokey Joe’s
‘In our family, minds go missing’. Nina Lewis writes, in one of a series of moving and
poignant poems about family life from Fragile Houses (V. Press), a pamphlet commended
for its ‘tremendous warmth and descriptive power’. In this highly praised volume Nina
Lewis explores the people, places and memories carried through life and deftly
examines the human condition through the lens of family relationships.

Nina is joined by Peter McDade – expect deliciously surreal, and thought- provoking poetry from this talented and erudite poet who has drawn comparisons with Ivor Cutler. This event also includes an open mic. Come and share your poems on the subject of home.

© Cheltenham Poetry Festival Programme

 

I was incredibly nervous, but had worked on a perfect story arc set and despite a mass exodus to the bar in between events, people came back. I thoroughly enjoyed getting Fragile Houses to new ears and it was a pleasure to be back in the venue reading. There were a few last minute additions to the night, poetry from another IDP poet- Ben Ray, who joined Peter & I with a set of poetry before the open mic.

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© Sarah Snell-Pym

It was a wonderful evening of poetry and afterwards, on a complete high I joined Neil Richards (who performed in the first event of the evening, which I was sadly stuck in traffic for) and Ruth Williams in a pub where we were joined by Elvis!

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© Ruth Williams

Festivals, Dirty Laundry & #MeToo

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Just home from a great night at The Blue Boar in Ludlow where Deb Alma Launched her first collection ‘Dirty Laundry’ published by Nine Arches Press.

 

This event was part of the Ludlow Fringe Festival.

Deb invited Guest Poets to perform: I read alongside Angela Topping, Roz Munro Derry, Holly Magill and Ruth Stacey.

I had not seen Angela since she launched Hearth (Mother’s Milk Books pamphlet written with Sarah James), it was lovely to catch up and also hear her read. I was particularly in awe of her final poem. Holly and Ruth both treated us to powerful new poetry, Holly’s debut pamphlet The Becoming of Lady Flambé is published by IDP. It was lovely to meet Roz, full kudos for her being brave enough to finish her wonderful set with her Me Too themed poem, written after Deb had created the anthology published by Fair Acre Press.

Deb Alma then took the stage after a great introduction from Jim Sheard. I thoroughly enjoyed the Launch in Birmingham and Deb’s reading here on (old) home soil was perfect too. Her set was a brilliant mix of all that Dirty Laundry offers and I admire her ability to perform some of the material in front of her family. It has been splendid watching Deb take off beyond her ever-amazing Emergency Poet work.

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Deborah Alma’s debut poetry collection Dirty Laundry is raucous, daring and honest, drawing contemporary women’s lives and those of our foremothers into the spotlight. It voices bold, feminist songs of praise: of persistence, survival, adventures of sexual rediscovery, each reclaiming the space to speak its mind and be heard and seen. A perfect remedy for the heartsick and weary, Alma’s intimate and particular poems are resolute enchantments, a form of robust magic.

© Nine Arches Press

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After an interval I was part of the #MeToo Anthology experience. These compelling performances have been occurring up and down the UK, at Festivals and Poetry Events. This book (sadly) is a necessary collection full of sincere and authentic poetry. This collection rallies against sexual assault and harassment.

The Guest Poets joined Deb in reading their own and other’s poems from the anthology before a group performance of Pippa Little’s Spartaca. A moving end to an amazing evening.

#MeToo Anthology was a Saboteur Award Winner earlier this year. All profits go to Women’s Aid and Refuges & domestic and sexual violence services can apply for a 50% discount on the cover price.

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“…Something was released and given a space within social media. It was easy to add our voice to the rising shout of #MeToo. We felt the sisterhood. Many women felt emboldened by this to share more difficult stories, more details; the lid has come off this box and now cannot be forced back on. I’m a poet, and an editor, and someone suggested we collect these stories somehow and it was obvious to collect them as poems. It was what I could do. I am very proud of this book, proud of the poets for sharing their stories and for putting their names to their words…These poems are painful, angry, often difficult to bear, but the result of these voices singing together is one that is beautiful, full of sisterhood, strength, and recovery…” (Deborah Alma, Editor)

 

My own poem ‘Ripped’ was shortlisted. Many of the shortlisted poems appear on Vik Bennett’s Wild Women #Us together.

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#UsTogether
voices from the #MeToo movement

In collaboration with the creators of the anthology, Wild Women Press have created an online platform for some of the additional submissions sent in response to the #MeToo call for poems. This platform is a place to celebrate the courage of the women who have shared their poems — voices that join together across counties and countries, in strength and sisterhood. #MeToo #UsTogether #NoMore

Festival by the River – LitFest Take Over

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Yesterday was wonderful, Cat Roberts has organised an amazing programme for The Ring Project. The stage is incredible – so amazing I want to buy it – if only I had space to store it! ring prog

Walking down to South Quay I spotted the glorious stage mimicking the ripple of water. I couldn’t wait to jump up on it!

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It was great to meet Cat in person and everything was smoothly organised. Peter Sutton and I had great fun.

I hadn’t expected much of an audience with this being outdoors, I thought it would be fairly transitional, but we had a good number, more than 20 at some points, with people stopping to sit on benches up towards the Church and the steps in front of the stage and I needn’t have rehearsed my set for timings because the clock chimes every quarter! Of course it was perfectly timed.

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My set was a mixture of water poems (some newly penned for the Take Over event), Fragile Houses poems, a few written for the Elgar Fundraiser with Peter Sutton last November and a couple of the new Festival (WLF) poems thrown in for good measure.

There were positive responses from the audience and I loved watching the tactile nature of the stage coming into play at the same time there were performances on it. So many people (not just children) coming and touching the sides. This is part of what NEON (Designers) do, they encourage our playful nature.

Mesmerising sequins, I only wish I had known and I would have dressed appropriately!

Huge thanks to Peter Sutton (WPL Finalist & Runner Up) who performed two wonderful sets brimming with Elgar, the Malverns and everything between. There will be more photos following, including some of Peter’s performance.

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And a huge thanks to Cat Roberts for the concept of LitFest Take Over.

 

Into The Ring

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I spent last night writing poems about water. I am lucky enough to be performing on the South Quay today in Worcester, as part of the WLF Take Over.

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The Ring is a 6 month project commissioned by the Canal & River Trust to celebrate the 21 mile circle of natural and historic waterways in Worcestershire. Over the past year writers, artists, musicians, historians and ecologists have all collaborated to produce New Art on the waterways.

The Ring Festival by the River runs from 15-24th June, the Weorgoran Pavilion has popped up at the South Quay and will host a vibrant programme of Literature, Music, Dance & Workshops. Over 20 FREE events.

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Peter Sutton (WPL Runner up 2018) and myself will be performing from 12-1 PM today. Our sets include lots of Worcester/River/Canal poems in celebration of this project.

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The Ring’s Weorgoran Pavilion Festival

Award-winning art, architecture and design studio NEON has created an amazing stage, especially for Worcester. It’s part of The Ring, a Canal & River Trust ‘Arts on the Waterways’ project celebrating a 21-mile circle of natural and historic waterways in Worcestershire.

The Weorgoran Pavilion takes its inspiration, and its name, from the Saxon origins of the name Worcester and its translation, “the people of the winding river”. It’s the venue for a free family-friendly festival featuring a soundscape by acclaimed Ledbury born musician Dave Crowe, which plays at selected times.
Bring something to sit on, indulge in a tasty treat from local sellers and enjoy yourself!
Check our other events for the programme on each day of the festival.

On DAY 2 of The Ring’s Weorgoran Pavilion Festival:

Listen to Dave Crowe’s soundscape, Shire Skies each day at these times: 11:00, 13:00, 17:00 & 21:05.

12:00-13:00 Litfest Takeover featuring Nina Lewis & Worcestershire Poet Laureate Finalist Peter Sutton.

15:00-16:15 RSVP Bhangra – bhangra workshop and performance

18:30-17:30 Hotsteppas

20:00-21:00 Matuki

12:00 Litfest Takeover
We’re delighted to welcome The LitFest & Fringe to our Weorgoran Pavilion festival: their performances will feature featuring Nina Lewis & WPL Runner Up Peter Sutton!

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Artist Lucy McLauchlan

 
15:00-16:15 RSVP Bhangra
Bhangra workshop and performance
Book a free ticket here: https://www.eventbrite.co.uk/e/the-weorgoran-pavilion-rsvp-bhangra-workshop-tickets-44648999359
RSVP Bhangra has developed a unique dance workshop, which incorporates an engaging and balanced mixture of gentle instruction and good fun that encourages people of all ages, and from all cultures and backgrounds, to participate in Bhangra dancing. Dildar and Judge explain the origins of Bhangra dance and take the crowd through a number of typical Bhangra dance steps.
RSVP also offers dhol drumming workshops. Master dhol-player Jeevan presents an interactive session introducing the background of Bhangra music, involving the participants in creating the distinctive rhythms that underpin those iconic Bhangra beats. The workshops are great fun and are enjoyed by people of all ages
It’s all very light-hearted, and in no time at all the entire crowd – from grandparents to grandkids and everyone in between – will be up and dancing and really enjoying themselves

18:30-17:30 Hotsteppas
Hailing from Bristol, Hotsteppas are an energetic 8-piece Reggae band who always deliver an exciting live show. Originally formed by three Reggae Soundsystem crews – Hotsteppas offer a Roots Reggae sound infused with a modern Dub edge and a sprinkling of Funk and Latin influence.

20:00-21:00 Matuki
Fusing traditional afro-beat sounds with some heavy doses of contemporary urban funk, Matuki is a 12 piece Afro- Beat/ Afro- Funk band who immediately win their audiences over with sizzling horns, tuff bass-lines, interlocking guitars & soaring vocals. Led by master drummer and lead vocalist, Abraham Ebou, they released their debut album, Injo, in March this year. It has jazz & psychedelic influences too, resulting in mesmerising tunes with heavyweight horn lines. Matuki have played at Glastonbury, Shambala and their home city of Bristol’s, Colston Hall.

For further event info, head to our website: 
https://theringart.org.uk/events/weorgoran-pavilion-festival-saturday-16-june/

 

WLF 2018 Night at the Museum IV

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A Night at The Museum

is always a great event for WLF. In recent years organised by Suz Winspear (Worcestershire Poet Laureate 2016-17) and Poet in Residence at Royal Worcester (2016-18).

The night included many poets laureate, including former Young Poet Laureate Chloe Clarke, who is now at university.

Featuring the Museum’s Poet-in-Residence Suz Winspear and friends, including the former Worcestershire Young Poet Laureate Chloe Clarke, Worcestershire’s current Young Poet Laureate Rachel Evans and the Worcestershire Poet Laureate Nina Lewis.

There is also a chance to have a private view of the newly-refurbished galleries of the Museum of Royal Worcester and to enjoy an evening of poetry.

A plethora of poets, including Worcestershire Poets Laureate and Young Poets Laureate past and present, will be performing their work, and Suz will showcase her new poetry inspired by a year’s work in the museum’s archives, discovering its remarkable collection of rare nineteenth century Japanese books, illustrations and photographs.

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I spent Monday night working on my set. It included ‘Art’ based poetry from 2017, my Royal Worcester competition poem ‘The Unfading Cornflower’ – which won 2nd place in 2016 when Suz created her WPL competition with the Museum, as well as poems written during NaPoWriMo 2018 and a new piece which started in historic Royal Worcester research and ended in L.A!

It was fun to try to create a new piece of work for this event.

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The night was magical. An adventure around the newly refurbished Museum plus hours of wonderful poetry. Royal Worcester was always a Museum with heart, I loved the old place – but now, it is shiny, modern & inviting and hasn’t lost any of the original charm. I arrived in time to explore, Suz organised a half hour interval to allow the audience Museum time.

The porcelain is well lit and is really shown off amongst complimenting colours and new interactive displays. I particularly love the 70s kitchen. It is definitely family friendly and ready for the 21st Century. Do go and visit. (Details below.) And I think, especially for us there was a display of some of the Archive photos alongside Suz’s poems.

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The night was opened by Suz Winspear and then Worcestershire YPL Rachel Evans shared a couple of her poems including the winning YPL poem. Despite exam time she joined us all for a night of poetry, true dedication and a delight to watch perform again.

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Then I shared my Art set,

the new poem ‘Art Attack’ went down well and got more laughs than I had expected.

Next Chloe Clarke took to the floor – we have not seen each other since LakeFest, 10 months ago! It was a joy to hear Chloe’s poems again and her self-assured performance was a treat and her Key poem, just funny & fabulous! It was lovely to reconnect.

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To finish the first half, our new Worcestershire Poet Laureate, Betti Moretti treated us to her winning poems and one from her first WPL Final (where she came 2nd) and more besides.

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This was Betti’s first official WLF/WPL event although she did have a Guest Spot Monday at Licensed to Rhyme. Betti is in that early onset whirlpool stage of being bombarded with all things Laureate. It was a great set and thoroughly enjoyed!

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After our extended interval where we all went to view the museum and Chloe and I fell in love with the big chair…

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Suz Winspear performed the 2nd half. A half hour of poetry from the Porcelain Museum Archives. It was brilliant hearing the history and her residency experience first hand and she set our minds to places before sharing the connected poetry which made us all feel that we had been with her when she made discoveries in the books that cannot be displayed.

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I loved her poems and hearing about her research and experiences was enchanting. I know Suz has a deep affiliation with Japan and all things Japanese so this interconnection has been thrilling for her.

It was a superb evening! I am still on a LitFest high!

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Visit Royal Worcester

royal worcs  £5.50/£6.50 – children under 15 FREE.

http://www.museumofroyalworcester.org/your-visit/opening-times/

INFORMATION & RELATED LINKS:

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Museum of Royal Worcester

Severn Street, WORCESTER, WR1 2ND

The Museum of Royal Worcester is situated in the city’s Historic Quarter, within two minutes walk of the Cathedral, Commandery, Birmingham Canal and River Severn. An informative and entertaining audio tour featuring Henry Sandon and skilled craftsmen is free with entry and tells the story of the factory’s history, its famous customers, the talented workforce and everyday life. Gallery displays from 1751 to the 20th century include Oriental simplicity and Victorian extravaganza and offer a glimpse of times past, taking the visitor on a memorable journey from 1751 to the present day.

The Museum Shop is a treasure trove where you will find an abundance of vintage and antique Royal Worcester china and porcelain that was made in Worcester on the Severn Street factory site.

http://www.museumofroyalworcester.org/

 

Suz’s 2016 WPL Competition

http://www.worcesternews.co.uk/news/14946284.Dinner_service_inspires_success_in_porcelain_museum_poetry_competition/

The Royal Wedding

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The Royal Wedding

The Royal Wedding – The Tone is Set, a new poem as Worcestershire Poet Laureate.

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It is not every Laureate who gets a Royal Wedding during their tenure. As this website has a huge International reach and this is a momentous occasion, I decided it was only fitting to gift a poem. 

The Tone is Set

In one smile
she shows the world
her dreams have come true.

Gentle songs meander
towards strong speeches –
Fire and Love.

The Prince and nearly Princess
absorb their connection,
fingers entwined.

A mother sits alone,
closes her eyes in prayer
as the choir trills the space.

Bishop Michael invites
the congregation to think
of the shape of love.

‘Think about the time
you first fell in love
in any form.’

The smile widens
as tears are wiped from cheeks,
hats bowed in thought.

‘We were made
by the power of love.’

A moment of almost silent
sign language is shared,
as lovers do. Before ‘I do.’

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