Tag Archives: Nina Lewis

February in Review

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There were many exciting ventures this month including the second festival of the year. This time I had a festival pass (bought in November and reimbursed as a Christmas gift) and I intended to use it – and then use half term to recover.

There were also (as always) clashing events and those I missed out on. The dream of a helicopter, boundless energy and time or the ability to teleport, all somewhat in the future.

Week 1

After the madness of end of month submissions and a 16 hour after work stint on the laptop, the month started with a rare night off (which I mainly slept through of course)!

Then Permission to Speak, the wonderful spoken word event and brainchild of Rob Francis. Everyone was excited about Ira Lightman headlining, unfortunately he couldn’t make it. The night that unfolded was the first (that I know of) without a headline act, swiftly repackaged as a ‘Free For All’ with performers allocated more time. As always we were treated to a wide selection of novel extracts, short stories, music and poetry. It was really enjoyable, relaxing and a great tonic after one of the hardest work weeks I have in a while. We all missed Ira and hope he will be able to book in at the Scary Canary in the future. He really should treat himself.

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I spent my first writing day in a week, writing. I also caught up with family and almost burnt the midnight oil as a result. Two new poems, both need some time to bed down and then be mangled through edits, but I am happy with the initial results. It was a tense morning with an idling brain, so I am glad by the time my head hit the pillow, I had accomplished some work. I also discovered new opportunities, some marked for 2018 and some on my TO DO LIST – more on that in the future, especially if I am successful in my endeavours.

When my head hit the pillow I couldn’t sleep. So I treated myself to a poetry book. There are many in the queue and some were gazumped as I picked ‘Beginning With Your Last Breath’ by Roy McFarlane. I planned to only read a few pages. By page 3 my eyes started leaking surprise tears and by page 17 my breath was caught and I knew I would be reading this story cover to cover… and I did. Jolly glad I did too. I slept well afterwards and will be reviewing his debut collection shortly.

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On Saturday Antony Owen had organised a Peace Vigil at Coventry Cathedral, where invited poets were performing 15 minute sets. I was disappointed not to be able to make it as I had a prior booking in Cheltenham. It looked like an amazing experience and I am keeping my fingers crossed that I can be part of another one later this year. I did have a couple of poems read on my behalf. I think it was one of those unique, special events that would have filled heart and mind to abundant levels and I cannot wait to hear all about it.

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Antony Owen was joined by invited poets: Mike Alma, Josephine Allen, Mal Dewhirst, Jacqui Rowe, Ruth Stacey & Janet Smith.

Antony said of the event it is an event for poetry to act as a witness to current world events and respond in acts of articulated remembrance.

antony-owen-by-mal-dewhirstMal Dewhirst © 2017

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Peace Curtain.

Janet Smith © 2017

Saturday night I missed Hannah Teesdale’s Special Open Mic Event in Birmingham as my brain and body had had a full work out and my little car had already driven to Gloucestershire. Both events had a lot of positive social media coverage and it would have been great to reconnect and catch up with people in Birmingham.

And I FINALLY started to read Ash Dickinson’s latest collection ‘Strange Keys’, which I had promised myself would be my Christmas book. I read three Christmas novels over the fortnight and ran out of snug time with poetry. Have made up for that since. Mr G bought me a couple of books for Christmas and I have spent the first part of the year battling through a novel. Which in concept was perfect and I see why he risked the gift. It was hard going both in terms of subject matter and chronology. Now I am on a book break for a bit unless the book contains poetry. I am too busy to catch more than snatches of time and poetry is perfect for that. I thought I had better read the collection before I see Ash again next week. Then I can delight in him performing from it.

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A conversation we had last month inspired an idea for a new poem that I managed to get to draft form this weekend. If I can work through it I think it will make a good performance poem. I love it when poets and their poetry connect to my mind in such a way that they just sow treasure. Plenty of wealth in my pad ready to go when I have a minute.

Week 2

Was set to be a corker. Poetry Alight in Lichfield on Tuesday night with Ruth Stacey (who I missed at the Cathedral) and Ash Dickinson, HOWL on Wednesday in Birmingham with Bethany Slinn, Sean Cottelli and Luke Kennard and SpeakEasy on Thursday with Matt Windle. Followed by important deadlines and Writing West Midlands.

It was a corker indeed. I had one main writing focus this week and all my spare time went into it, most of Monday, late Wednesday night and early Thursday morning before work. I managed to hit the deadline and now am keeping my fingers crossed.

Poetry Alight celebrated a 5th birthday, Gary Longden hosted an extra night this year to celebrate the 5th and the event took place downstairs in the back bar which was lovely. It was brilliant to catch up with everyone and watch in awe as Ruth Stacey and Ash Dickinson performed their headline sets. See the full review here https://awritersfountain.wordpress.com/2017/02/10/poetry-alight-happy-5th-birthday/

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I had a great time at Poetry Alight, fully absorbed and inspired to write more poetry and to edit the Funeral Pyre one.

HOWL was my next poetry feast, Wednesday evening. It was great to see lots of people I haven’t seen in a while and to watch incredible sets from Bethany Slinn, Sean Colletti and Luke Kennard. The night was on fire and made me feel like I didn’t want to ever extinguish the flame. Leon Priestnall was celebrating too. Howl’s 2nd birthday!

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Read the full review here https://awritersfountain.wordpress.com/2017/02/11/when-beat-poetry-howls-howl-8-2-17/

My poetry week was not done there, the following evening I went to Worcester for SpeakEasy, Matt Windle was headlining. The night was raucous fun. A wild enticing whirlpool atmosphere that in the end took everyone with it. Some great open mic spots and Matt Windle blew everyone away. He even brought a tear to my eye, a poem I had heard him perform before,  moved me so much tonight. Again a delight to watch the audience who hadn’t seen him before, enjoy his work. Poet with punch indeed, as I said on social media ‘ a w e s o m e – if you look carefully enough you will find Matt between those letters’. He is this year’s Birmingham Poet Laureate and it is great to see him back on the circuit.

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Read the full review here https://awritersfountain.wordpress.com/2017/02/12/speakeasy-with-matt-man-windle/

To complete my writing week I worked with Writing West Midlands, Spark Writers Group in Worcester at The Hive, where a new Assistant Writer joined us for a one off session, thanks Mollie Davidson.

I also FINALLY read Fergus McGonigal’s first collection cover to cover. It is a great read and it has made me look forward to his next collection even more. Fergus is back on the Spoken Word scene and I hope to catch him soon. fergus-mBuy your copy here.

http://www.burningeye.bigcartel.com/product/the-failed-idealists-guide-to-the-tatty-truth-by-fergus-mcgonigal

Fergus McGonigal takes Ogden Nash’s notion of a poem being an essay which rhymes and targets the unsentimental truth about parenthood, pseudo-intellectual pretentiousness and pomposity, and what happens when the idealism of youth has given way to the disappointment of middle-age. © 2015 Burning Eye Books

Week 3

Mr G’s birthday, Valentines and the much awaited (since the launch party in November) Verve Poetry Festival. verve-pass Unfortunately the weekend clashed with an event at the Swan Theatre in Worcester facilitated by Ben Parker (Poet in Residence). I am hoping he will do a third event as I had to pull out.

I missed Matt Windle and a plethora of other Laureates at the Artrix on Monday as it was Mr G’s birthday and we were celebrating in Birmingham. There were other events but with submission deadlines and an all immersive 4 day festival at the weekend I felt the need to pace myself this week.

I also missed a night of poetry at Smokey Joe’s in Cheltenham.

Thursday couldn’t come soon enough! After work I made my way into the city on the train and arrived at Waterstones for a perfect opening night of the Verve Poetry Festival.

Read the whole story of the Poetry Parlour with Daljit Nagra and Hit the Ode here.

https://awritersfountain.wordpress.com/2017/02/17/verve-poetry-festival-opening-night/

I would love to stay in the city, but home really is less than an hour away and I want some book spending money. I want to suggest a poet basement next year though. Sleeping bags at the ready! I had a great night with poetry friends and had to wait less than 24hours for the top up!

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The top up came with a wonderful evening of poetry and a bizarre Dice Slam, I loved the concept of this slam. This is the kind of slam I would feel comfortable entering. You can read the full review of the Readings and Dice Slam here. https://awritersfountain.wordpress.com/2017/02/20/verve-poetry-festival-day-2-part-1-kim-moore-mona-arshi-and-katrina-naomi/

https://awritersfountain.wordpress.com/2017/02/22/verve-poetry-festival-day-2-part-2-dice-slam-with-apples-snakes/

https://awritersfountain.wordpress.com/2017/02/27/verve-poetry-festival-day-3/

The weekend was immensely satisfying for my poetry soul and I will add more links when I have reviewed the events. An exciting opportunity arose from this experience too. I am writing a review for Sabotage Reviews. I have included events which I have not yet blogged about, this is another reason why I haven’t gone mad this week attempting to review the remaining events, that and I finally started work on the house. This needs to take priority this year, I will be busy as I started to organise events to perform at two festivals in January and this month took on some marketing/support for another two festivals.

Week 4

I finally read ‘The Glassblower Dances’ by Rachel McCrum, bought at Hit The Ode in 2014, I am slowly working my way through my poetry bookcase! The good news for you is it is back in print, so you could have a copy for yourselves, if you need more persuading it won the Callum Macdonald Award in 2013.

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http://www.kickingparis.bigcartel.com/ copies are just £6.00. I am hoping to write some proper reviews early summertime, so look out for those. I read some of it on the train to get my mind set for Verve.

A couple of treats to finish the month I was going to 42 in Worcester but I discovered Tom McCann (who hit the scene last September and is headlining in Stirchley next week), started a Spoken Word night in Kings Norton this year ‘Spoken Trend’. Jan Watts was one of the three headline acts and it has been forever since I saw her. She is busy producing her theatre performances of ‘Holding Baby’, widely acclaimed as brilliant and a must see. I headed over to Birmingham and performed on the open mic, alongside some well established poets and then sat back to enjoy the featured artists James Kearns, Clive Oseman and Jan Watts.

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It was a superb night. A definite recommend.

On Thursday there was a slam night in Dudley featuring Emma Purshouse and in Birmingham a reading at Foyles with Roy McFarlane & Gregory Leadbetter (which I had tickets for) and  Wine & Poetry Evening, the second of its type, organised by Emma Press & Cynthia Miller. In the end I didn’t make it to any of them, my car has been poorly for 6 months and is now finally fixed. I spent the day helping family, by the time I hit home it was gone 6pm and I was out of energy and time.

And finally, I mentioned the Nuclear Impact anthology by Shabda Press in my January Review, now it is available for you to buy. It is an amazingly huge collection of poetry and has been a real labour of love for Teresa Mei Chuc. It is available for $25.00 and proceeds will be donated to charity. If you are in America, there are book launch readings taking place all across the country, Philadelphia, New York and in California, check those out.

http://www.shabdapress.com/nuclear-impact-anthology.html

NUCLEAR IMPACT: BROKEN ATOMS IN OUR HANDS
NUCLEAR IMPACT: BROKEN ATOMS IN OUR HANDS $25.00 USD

Proceeds from sales of the Nuclear Impact: Broken Atoms in Our Hands anthology will be donated to the Women’s Center in Downtown Los Angeles. www.downtownwomenscenter.org/
nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol

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There are talks currently for a reading in the UK, I will keep you posted.

I am already organising two festival events for V. Press poets and my next headline is in Manchester in a fortnight, plus I am working on submissions and reviews and in addition to all this am now rallying the troops for another Arts Festival happening in early Summer. Oh, and I may be marketing for another MAJOR festival soon too. So my plate is pretty full and I still have 8 lingering poems from my weekend at the Verve Festival to work on, (as well as a house to sort – note for Mr. G.) and it is back to work, work next week too!

I am happy busy but busy all the same. Blogs posts will be low priority now (with the exception of review posts for Verve and promotional drops) for a while, but there is plenty of historic posting in these waters so go and fill your buckets!

Keep writing!

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Verve Poetry Festival Day 2 – Part 2: Dice Slam with Apples & Snakes

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What Verve did really well and the secret behind the magic of the festival was the fusion between Spoken Word and Poetry. I always knew this was possible and the team proved it. What I really loved was people’s reaction to Spoken Word – those who had not experienced it before or wouldn’t brave a city event, found that they loved it.

There was plenty of talk over the weekend of the age demographics for both types of event but by the end of the weekend the spaces were filled with a wide range and people began to understand that it doesn’t matter. They stopped seeing it. If poetry is to thrive we need to have this commitment and enthusiasm for bridging a gap that technically doesn’t have to exist. It of course depends on what you like and I am just happy that I immerse in both forms comfortably.

To come from the relative quiet of the 2nd floor Festival Marquee to the loud, riotous mouth of the 1st floor Bar Stage and immerse ourselves in foot stamping, witness the clicking of appreciate and the howls after every poem performed was, even for a veteran of the spoken word scene, a bit of a culture shock. Like hitting London after a long weekend in the Isle of Wight!

I have been to slams, I have even braved one as a contestant. Now that I know work by heart I may brave some in the future. I had never been to a Dice Slam and I appreciate the Dadaism of scoring through chance, a roll of the dice. It made me feel sorry for the contestants with scores as low as 3 when their performances were clearly double figures, but on the other hand it took away that horrible scoring process that is always subjective at such events.

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Toby Campion, Vanessa Kissule, Skye Hawkins, Charley Genever and Kareem Parkins-Brown were the contestants and I looked forward to every performance as none are names I know. My experience of Spoken Word is bound to the city and some of the big names who headline throughout Poetryville. I love festivals for the potential of meeting and watching new to me poets.

This was an incredibly lively event, hosted by Amerah Saleh, who is a poet I know from her days with Beatfreaks and on the circuit of Birmingham. I first saw her perform at Mouth & Music on home turf. She was also one of four Podium Poets at this year’s festival. The others were Helen Calcutt, Jasmine Gardosi & Geraldine Clarkson.

THE JUDGES

We were introduced to the judges who all performed. Anna Freeman, a lecturer in Creative Writing at Bath Spa University, she is also a multi-winning slam poet and if that wasn’t enough she is also a novelist. http://www.annafreemanwriter.com/

verve-goodreads-anna-freeman © 2017 Goodreads

I loved her ‘My Little Pony Poem’… ‘My Unicorn Friend, branding is a capitalist concept – so I explain this to the other six year olds…’

Dan Simpson is a poet and a producer and has a Doppelgänger working behind the café/bar in Waterstones and is published by Burning Eye. http://www.dansimpsonpoet.co.uk/verve-2-dan-simpson

© 2017 Dan Simpson (I presume)

In a peak of genius which was in keeping with the Dadaism of Dice Slamming, Dan brought this book along with him to use as a judging tool. requesting page numbers from the audience before scanning the page for relevance or reading non-relevance to justify the scores. Sometimes the universe worked and the reading was as apt as a fortune cookie fortune… other times more of a Christmas cracker joke.

Memorable, surrealistic performance… ‘what kind of 90s feminist, Disney character sandwich filler are you?’

Luke Kennard

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Who after years of not getting to see seems to be in my life right now as much as full meals. (Yesterday I had my first proper dinner for a week, so I am suggesting Luke pops up in my schedule weekly/monthly and not everyday… his family would have something to say about that I am sure!) If you haven’t discovered Luke yet, please do.

He is the new canal laureate and a Senior Lecturer in Creative Writing at Birmingham University. He has published collections for more than 10 years, the most recent ‘Cain’ published by Penned in the Margins and has also just published a novel ‘The Transition’. transition-topping-books© 2017 Topping Books

https://www.toppingbooks.co.uk/events/bath/novelist-luke-kennard/

They had the tough job of validating dice scores and they did so with hilarious monologues/comments of worth and woe. As entertaining as the performers, although the performers threw us some very serious poem curve balls too.


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The five featured poets are all ridiculously talented writers and performers, and will converge on Birmingham from every corner of the country. It will be the first time Sky Hawkins (the North), Toby Campion (the Midlands), Kareem Parkins-Brown (London), Charley Genever (the South East), and Vanessa Kisuule (the South West) share the same stage. You may have seen some of them individually, of course, but the Dice Slam at Verve Festival really is a rare opportunity to check the pulse of poetry on a national scale at a single event. And to stop you feeling homesick, the local touch will be provided by our host, Birmingham’s own poetry powerhouse Amerah Saleh.

© 2017 Verve Team

Toby Campion reminded me of my time living in Leicester, he was very excited to be part of the Slam and grabbed hearts with his Midlands Poem. A conversation with the North and South… ‘you never acknowledge the Midlands, despite having been attached for thousands of years!’

Sky Hawkins opened the night with spectacularly hard hitting poetry. ‘Do not let the wolves teach your sons… especially if your sons are half wolves themselves.’ She was the overall winner. Receiving a massive 11 points from the dice.

Charley Genever stormed it- her Meal Deal poem went down particularly well. I liked the darkness of her poetry and that stunning flame/net mesh dress. (I know we shouldn’t belittle women by commenting on their fashion. I will mention Kareem’s bright orangey puffer jacket for balance here.) ‘A woman consumes in shades…’

Kareem Parkins-Brown performed his cake poem to great response. ‘I’d risk it for some lemon drizzle..’ and of course it opened the debate over Jaffa Cakes (biscuit)! Listen to it here: https://soundcloud.com/kareempb/cake (WARNING: Contains swearing, but you will hear how much the audience enjoyed his set).

Vanessa Kissule also pulled incredible set out of the bag having already enjoyed all other performances. I was immersed in the moment and was delighted to get to meet her briefly after the show. ‘Youth is made for bright colours and hemlines that hug upper thighs’

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It was a fantastic second night at the festival.


Dice Slam originated in the Netherlands when Bernhard Christianssen tried the format for the first time. There has only ever been one in the UK before and that was 6 years ago. (Before I hit the poetry scene or even started writing again.) No doubt it was brought to you by Apples & Snakes/ Bohdan Piasecki.

Photography unless otherwise stated © 2017 Waterstones/ Verve Team

January in Review

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typewriter-1227357_1280 2017 started well with lots of diary dates, events and writing time. Of course it was also back to work after a fortnight (unpaid) break. Much needed. I made it back to Ludlow to support Claire Walker who was one of the Headline poets alongside Matt Black. A little like not realising two years had passed since I last watched Ash Dickinson perform, I cannot believe a year has passed since I last went to the Poetry Lounge in the Sitting Room! This time warp has to do with working for 18 months on Fragile Houses I think. Months slip by fast and the first thing that has to go when you shackle yourself to the desk to write is faraway events.

Week 1:

Poetry Lounge in the Sitting Room with Jean Atkin in Ludlow, it was lovely to see everybody again and I hope to make it back before 2018. Matt Black (who I first years ago at a special event we both performed at The Ort in Birmingham  (2014), more recently we shared the floor in Birmingham at Stirchley Speaks (my Headline, back in October). headline-stirchley-speaks-oct

He was entertaining and as we had all had a conversation about vegetarianism on the journey over, apt poems in his set made us giggle.

Claire Walker was amazing, I do not think I will ever tire of hearing her perform from The Girl Who Grew into a Crocodile. She also treated us to some new poems from her next pamphlet collection.sitting room

I completed a lot of research for current writing projects and groups. I also completed a collaborative project set up in December and worked hard on submitting poetry. I had fun writing about Leonard Cohen and am keeping my fingers crossed that the editors will enjoy the results.

I missed Buzzwords in Cheltenham.

Week 2:

In December I submitted to 7 places and the rejections rolled in from 3 of them this week. We all learn to handle this but one publication in particular was dealing with a subject close to my heart and it made me a little glum that they hadn’t taken my work. They did send feedback including details of the process that the poem they nearly took went through. I will not be perturbed. Another rejection cited that the pieces weren’t best fit this time but encouraged resubmission.

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Back in 2015 I had three poems accepted for an anthology by Shabda Press on Nuclear Impact. We all signed contracts in 2016 and it has been a real labour of love for Teresa Mei Chuc who has now got the project to final proof stages. All proof read and returned and I cannot wait to see the result. The readings are all taking place in the States but I am currently looking at the logistics of video performance.

The cover has been revealed featuring the Artwork of John Sokol. Cover Art: “On the Road to Perilous” nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol I could write more poems just from a glance. This book will hopefully be in our hands later this year.

I went to SpeakEasy – where Brenda Read-Brown was headlining and what a set she treated us to. New work, powerful work, emotive (I nearly cried twice), honest and filled with passion. I was really glad that I was able to make it and witness such a performance.

I shared some new poems and gave Fragile Houses a rest, most of Worcester have bought it already and as I headlined last month and read most of it and as the last poem in there was written in 2015, I fancied sharing something newer.

I went to Stanza although I was so tired I was not much use to others and the poem I had written half an hour before leaving didn’t quite work. I do not see the point of taking perfectly polished work to groups – unless perhaps it’s a poem that has been unsuccessfully submitted a few times, in which case new eyes are good. However, I need to give my writing a chance to sit and simmer for a bit so perhaps I should try this year to get a poem ready the week before. Give it some breathing space. It is hard when you feel so attached to something, too vulnerable.

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Sadly at the weekend I said goodbye to Sally Grainger who has been my Assistant Writer for WWM Spark Writers group for the past 9 months. We had a full house for her final session and ran a great group on Scriptwriting. It was fun. I am sad to see her go.

I received exciting news about a new Literature Festival which I am currently organising a showcase/event for.

Week 3:

I spent my time mainly at work, in spare hours I was organising the festival event, missing deadlines, proof reading and writing comic poetry.

Last year I was invited to take part in a one off (now to be repeated as it was so successful) Baldy Poems presents Kings and Queens of Comedy in association with WLF (Worcester LitFest). I love the idea that WLF are fundraising via event charge at one off events throughout the year to help fund/pay for the summer festival. It is a great idea and I have loved the events that have popped up so far.

I was honoured to be one of the 6 performers (we had 8 on the night with Kieran Davis and a Special Surprise Guest joining us). I have only written about 5 funny poems and the two I had ready for this event have not seen the light of day since 2015, so I decided to emulate BaldyPoems style and kick out 6 new ones. That and I needed the material to cover a 10 minute set. More on this later.

I missed David Calcutt at Smokey Joes in Cheltenham – Poetry Refreshed and sadly I missed Clive Osman’s Waterstones book launch for his debut collection ‘Happy’. Both nights looked to be good. I had taken on extra work and with a gig Thursday night and Friday needed to sleep.

After almost 2 weeks of working full-time, I finally finished on Thursday at 5:30 and then headed over to Birmingham with Mr G and a friend, in birthday celebration mode. We went to see THE BLUE AEROPLANES at the Hare and Hounds (where UB40 played their first gig) and it was exceptional. I am so glad that I was filled with the charm of performance because it set me up for the following evening for Kings and Queens of Comedy.

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I was so nervous – worried that the audience wouldn’t find the dusted off material funny, But I forgot the universal appeal of my moustache poem, the magic of proto-type props and the delight of people who have never heard this one before. It was also funny because people who know me know that I am funny, I just do things that amuse people as I have no logical bone in my body and I have a quick, dry, wordy wit… in fact there was a turning point once upon a time between poet and comedian. The world breathes a sigh of relief.

Anyway because a lot of people now on the scene weren’t back in 2014 when I played the clown a little more, they didn’t see me as a funny poet and were quite shocked at the billing. There are now at least two people who will never take me seriously again!

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To read a full review of the evening click here

And then I had a well deserved weekend off to catch up with Mr G and writing.

Week 4:

Saw happy news and my first acceptance of 2017. That collaborative project I mentioned earlier was with Claire Walker. The result was a meeting about prompts, shared ideas, word lists and after writing editing together. After a few weeks we had a poem written by each of us from working with the other and a joint poem written line by line. The acceptance was a the poem Claire Walker wrote called ‘The Puzzle of an Ending’, a beautiful title and a hard hitting poem. It was the strongest of the collaboration.

It delights me that it exists because of an opportunity I found and a risk I took (asking another poet to partner me and risk rejection, that lack of self-belief/inner critic we all have to deal with). Fortunately, Claire was only too happy and we enjoyed this rather intense poetry pocket in our otherwise Christmassy/family orientated holidays. There will be more to come. And I am doing something here I first dreamed of in 2014. Happy.

I spent the night, along with many poetry friends at the Kitchen Garden Café, Birmingham for Jacqui Rowe’s ‘Poetry Bites’. The featured poets were David Calcutt & Claire Walker (fellow V. Press poets) and Jacqui announced (which most of us already knew) that they are going to publish her first collection this year too. Her ‘Ransom Notes’ was the first pamphlet of the run in 2015 from the round I applied successfully for in 2014.

ransom Poetry Bites was a packed out night, it is so sad that this is Jacqui’s final year, but it is a phenomenal achievement to have hosted and supported such an abundant amount of poets over the years. The atmosphere was great and there were some top class floor spots as well as a V. Press collective, Kathy Gee was also reading from her collection Book of Bones.

I really enjoyed reconnecting with Brumside poets I had not seen in a while, as well as listening to some inspiring and thought provoking sets.

Maybe it was the double dose of Americano coffee, or the Kitchen Garden cake… I came away buzzing and refuelled with an extra layer of poet-y energy!

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I wrote new poems for Burn’s Night, which was celebrated at 42, in Worcester on the 25th. I even made a badge – Lewis tartan, of course. I have thoroughly enjoyed finding out more about this 18th Century rascal. It was a great night, intimate and full of heart – but not lungs or liver (haggis pun)!

I missed a workshop with Ash Dickinson, that had I not been performing in the Quiet Compere/ Wolverhampton Literature Festival the following night, I may have tried to get to. It was just a little out of range geographically and no way I could have got myself there on time after work without the help of a helicopter and pilot… neither of which I have. Oh, to be a rich girl! So I just have to brush away the disappointment and hope for another opportunity in the future.

This brings us to the finale of the poeting week – the first literature festival to be held in Wolverhampton and a great line up of events across all genres. I was lucky enough to be one of the ten poets on the bill for Sarah Dixon’s Quiet Compere Event at the Art Gallery on Friday evening.

What an evening it was. Fabulous line-up, including two poets who are new to me (always a pleasure), Tom McColl & Gerry Potter. What a venue, the room was majestic and had one of the best backdrops to poetry I have ever seen. The setting was incredible. It was a wonderful night and I was still buzzing the next day. You can read the full review of the event and find out more about the performers here https://awritersfountain.wordpress.com/2017/01/28/quiet-compere-wolverhampton-literature-festival/

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I got home to find emails about up and coming books and spent a while chatting to the other buzzing poets online. A fine night.

walsall-arboretum I finished my weekend at Open Poetry at Walsall Arboretum with David Calcutt and an amazing number of poets on Sunday. Despite the horrible rain, bad driving conditions and leaving a ton of work on the To Do List, I headed out for some poeting fun.

It was a great couple of hours, lots of moving and humorous work was shared. I met some new poets and saw John Mills, who had battled the unnavigable roads of Walsall to experience David’s event for the first time. walsall-arb © 2016 Walsall Arboretum

Then I spent a horrendous amount of time sorting out unread and unmanaged emails instead of completing applications which I now need to do tomorrow after work. There are lots of deadlines in the next 72 hours and I plan to hit them all.

Wolverhampton Literature Festival finished with a Poetry Slam that Nick Lovell won and Willis – a.k.a Rick Sanders came 2nd and Rob Francis, 3rd. Well done, boys! An all male sweep. I was sad not to be able to go to the festival this year. Other plans had already been made. Hopefully they will do another one next year.

The Extra Few (Writing) Days

Mainly spent Monday night at the computer pulling a 6 hour shift (after a day at work), writing new material, researching, organising events, writing applications and submitting. There are so many end of month submissions and I have been busy enjoying myself and thinking the end of the month was a while away yet and here we are. I am pleased that I have managed a few more submissions as I have not been keeping the resolution of weekly output, as advised by another poet.

Obviously there is a certain amount of selectivity both in terms of material, feel, attitude, time etc. My aim is for monthly submissions, which should be entirely achievable – as the months missed last year were to do with the final editing process of the pamphlet.

I will spend the final day of the month (in the evening, after work) getting productive with my next To Do List and making final submissions too.

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There are so many exciting things planned for February already, I can hardly believe we have reached the end of January!

I hope you had a good one, filled with spirit and joy …. oh and writing!

 

The Quiet Compere – Wolverhampton Literature Festival

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I am excited whenever new festivals pop up, especially when they are not too far from home. Due to busy plans and the Verve Festival in a few weeks, I am not able to go to all the events I would like to this weekend. If I had a magic wand and teleporting superpowers I would also go to:wolves-lit AFTERNOON TEA – WITH WIN SAHA & BERT FLITCROFT, ARUN KAPUR + ABDA KHAN + ROMALYN ANTE + SABBI KAUR & MARTIN SHONE, BLACK COUNTRY VOICES – Dave Reeves & The Nailmakers’ Daughters, BONES PRESENTS……. A LIL SOMETHING DIFFERENT, ROY MCFARLANE and THE LIFE & TIMES OF THE TAT MAN by DAVID CALCUTT and possibly more.

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Tonight was brilliant, it was great to be part of an event on the opening day of the festival (27-29th). The Quiet Compere – conceived and hosted by Sarah Dixon.

THE QUIET COMPERE

with Sarah L Dixon, Leanne Bridgewater, Jess May Davies, Kathy Gee, Nina Lewis, Holly Magill, Tom McColl, Gerry Potter, Steve Pottinger, Polly Stretton & Heather Wastie

It was such an enjoyable night. The room in the gallery was very impressive. I really want to go back to the Gallery to just take a look at all the work on display. We had to walk through the Art and Writing space, I took a quick look at the exhibition during the interval.

It was great that an audience showed up and there weren’t too many empty chairs. During the first half the mics were set up quite a distance from the audience, this was changed by request during the interval. I just presumed cable length shackled us to the back of the room. It has to be the best backdrop ever though!

It was such a fantastic night and lovely to hear comments about my set, which went down well… despite last minute nerves of ‘I have chosen all the wrong poems!’. The 10 minutes flew by and I really enjoyed performing. I was very nervous before, but think I covered those nerves well once I had the mic in front of me.

I really appreciate having the opportunity to perform in the Quiet Compere again, we did one in Worcester in 2015. https://awritersfountain.wordpress.com/2015/08/01/quiet-compere-tour-2015-stop-6-worcester/


All photography © 2017 Sarah Dixon

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Sarah Dixon, Poet, Quiet Compere, Amazing Lady! I had the privilege of reading the workings of her new pamphlet that she shared poems from this evening. It was the first time I had heard her read them though, always adds to the power.

qc-polly-robinson Polly Stretton kicked off the evening (Sarah always goes first, knowing how we all hate that opening slot) the first of ten poets – sharing fairy poetry (she has many) and once again I had the inside track on part of her set as she tested it out at 42 this week. She opened her set with a poem about Evelyn Glennie and a tambourine. Fine set.

Next came Holly Magill. qc-holly-m I love Holly’s poems (and wardrobe). It was a great set and good to hear the audience reaction from those who had not heard her before and didn’t know what to expect. As always the serious mixed with a good measure of fun.

Then it was my turn Nina Lewis.qc

I thought long and hard about which poems to read. For a week I carried my notebook and pamphlet in my work bag. I had such a shocking week at work that both stayed in my bag as I didn’t have a moment to ponder through them.

Then I had my Burns set to be ready for the 25th. Fortunately I chiselled out some time on Friday to get myself ready. We were performing in the Art Gallery so I wanted to use some of my artefact/art inspired poetry. There was also a table filled with goodies (all of our books and wares) so performing from Fragile Houses also seemed like a good idea.

I shared the runner up poem from Worcester Porcelain Museum Competition ‘The Unfading Cornflower’, then my poem for Marina Abramovic ‘Unfolding’, then one of the Arthur Rackham inspired poems ‘Buckled Air’ before moving onto the pamphlet and ‘Fabricious Avenue’ (my only 52 poem on colour), Fortori and Your Gift to finish the set with a poem about my parents.

qc-leanne-bridgewater Next came Leanne Bridgewater who threw fruit into the mix (literally)! I was looking forward to watching Leanne’s set as it has been a long while since I have seen her performing her own work. She educated us all about Veganuary. Veganuary aims to reduce the suffering of animals by inspiring and supporting people across the globe to go vegan for the month of January. She handed out fruit in support of this gesture. Then she read from her book, Confessions of a Cyclist, which has such playful content inside.

To complete the five in the first half was Tom McColl.

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Tom stepped in to fill Bobby Parker’s spot. Tom is based in London and was one of the new to me poets. A good mix of serious and amusing. I really enjoyed the humorous material included in his set.

During the interval I was able to catch up with people and whizz around the gallery downstairs. I was really looking forward to the second half.

Which after more from Sarah was started by Heather Wastie.

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Now, I have always loved watching Heather, for the past year she has been busy working on Idle Women and also let Mouth & Music go after facilitating the Open Mic night for many years, so with the exception of a performance here and there it has been ages since I have had the pleasure of watching her on stage. I thoroughly enjoyed the set and so did everyone else.

Then Gerry Potter, who was the other new to me poet.

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Gerry is from Liverpool originally and is a lively spoken word performer. His material took me back to my birthday trip to Liverpool last summer and I started scribbling all sorts of things in my notebook, whilst watching his set (I can write without looking at the page) and my brain can just about listen and write if I don’t focus on the writing. I have not re-read these notes but if they become poems ever, they were inspired by Gerry’s set which encapsulated life, childhood and the city.

Jess Davies followed.

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Like Heather, Jess is another poet who hosted an open mic event, so although I saw a lot of her last year I had not heard her poems for a long while. I was delighted to hear new poetry and witness a brilliant performance. I really enjoyed her set.

Kathy Gee was next.

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She treated us to poems from her Book of Bones and some from The Suite for the Fallen Soldier, a choral project Phil Mountford was commissioned to create. Kathy wrote the narrative suite. I love Kathy’s poetry too, thought provoking and highly crafted. Words you muse over long after the final line. She bravely risked a newer, political poem too. It was a great set.

The Suite for the Fallen Soldier

http://suiteforthefallensoldier.com/

And finally to complete the great night of poetry we heard from Steve Pottinger.

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Again I have seen Steve perform recently but it has been a long while since I saw him headline at Mouth & Music. It is always great to hear a longer set from performers like Steve. Like listening to a whole album rather than enjoying a few tracks. I thoroughly enjoyed the set and he did a grand job closing the night. Like Kathy, he bravely performed a very freshly penned poem too, less than a day old.

It was a fantastic evening, I am still buzzing from the atmosphere now. It was great to meet new people and see old friends and to experience the incredible Wolverhampton Art Gallery. exterior_wolverhampton-art-gallery1536ls

© 2016 Artfund.org Artfund

Also incredibly grateful to have shared the journey with Kathy Gee, who saved me from facing the prospect of driving to the city. We spent the first part of the evening enjoying the wonderful interior of the Posada. An incredible Real Ale pub steps away from the gallery. Well worth a visit the_posada_wolverhampton_4327682633 © 2010 Wikimedia Commons

wolverhampton-posada-publicbar1 especially if you like Heritage pubs or real ale!

Congratulations Sarah Dixon on another fine QC Event, I hope you enjoy the rest of the festival and all the city has to offer.

RELATED LINKS:

http://www.wolvesliteraturefestival.co.uk/the-quiet-compere/4593202795

http://www.wolvesliteraturefestival.co.uk/

BaldyPoems Presents the Kings & Queens of Comedy

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An extra special event created by Kieran Davis, A.K.A Baldy in association with Worcester Lit Fest happened Friday 20th January at St Swithun’s. It was a magical night of fun, I have not laughed so much at poetry EVER! My face hurt, there was not one act that didn’t raise a smile and often snorts, groans and full on belly laughter.

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It was a brilliant gig to be a part of and I am grateful to Kieran for allowing me to be part of it. People who weren’t around the scene in 2014 missed my brief dabble with funny poems. My repertoire is small, about 5 poems – so for this set I emulated the style of BaldyPoems and wrote 6 new ditties.

Kieran started the night in style he was the compere for the evening and not only treated us to Baldy Poems in between acts but also some stand-up, one liners too. We started in black out darkness with an exceptionally funny joke and after a few Baldy Poems we moved on to the opening act:

John Lawrence kicked off the evening, his set was brilliant and even performed my favourite poem about DIY. John is a clever writer and I have always loved his lighter side poems.

Neil Laurenson was next, I miss hearing Neil’s poems, his wry, sometimes dry sense of humour. He made us all laugh (and many of us panic – who goes for a run before a gig?!), it was a pleasure.

Nina Lewis I was next I performed two poems written in 2014 for Mouth & Music. Adjectives Poem – Online Dating (which I think I managed the backwards pose with a little help from the mic stand) and the ever famous Moustache Poem. In between I used my new little ditties, the charity collection one became an audience favourite. It was great performing comic material, not being serious and liberating to wear a big moustache.

 

Unfortunately I didn’t take any photos until the 2nd half (apologies to John and Neil) and the quality of my phone camera has a lot to be desired.

Baldy kicked off the second half of the evening, sharing some of my favourite BaldyPoems and one or two that produced gasps rather than groans. He performed my all time favourite ‘Vase’ poem. Kieran was a great MC and should be very proud for pulling off such an entertaining evening.

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Our Super Secret Surprise Guest was Peter Sutton who treated us to a walk through his family album where we did our best to guess the rhyme, with some hilarious results.

Mark Kilburn, who is another favourite poet of mine, introduced his set as serious and depressing, I knew he was pulling our leg but there was a concerned murmur in the air as his initial poem started in a serious way. He was off course, only joking and treated us to laugh after laugh and a slightly different persona in his final poem.

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Catherine Crosswell who I recommended as a Queen of Comedy delighted the audience with her wordy magic and some French thrown in for good measure, not to forget the singing. She has such a beautiful voice. I was delighted that Catherine came to join this event, for the past few years her heart has been stolen by theatre and since the passing of our good friend Clive Dee, there has not been a Confab event in Malvern. I have really missed Catherine and it was lovely to see her at a happy occasion. The audience loved her.

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And to top the bill the featured performer, Mogs. Who is a master at comic poetry and was an excellent choice for King Headliner. I loved hearing his Panda poem again and The Fart that ended the World. With some passing reference in introduction to Trump.

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It was a stellar line up and a successful, enjoyable night. I for one cannot wait to do it again. Well done, Baldy! What was also super is that there was a good turn out – events need audiences and this one was a winner.

 


The Wonderful Promotional Work of Baldy Poems.

JOHN LAWRENCE

Folks, the time has come for us to announce our first poet in our Kings and Queens line up. A drum roll, please…

Shout, cheer, and get wildly excited for the wonderful… John Lawrence!

Who? Oh, that John Lawrence! The chap of advancing years who pops up now and again with gently funny verse, then hides away in his fortified castle in Redditch, writing occasionally, until the next time he ventures out on his white steed.

Isn’t he also the author of The Secret Five and the Stunt Nun Legacy, that mirthful/irksome (delete as appropriate) Blyton parody? Yes, that’s the one.

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NEIL LAURENSON

Folks, stop what you’re doing and perk up your ears because we’re about to announce the second poet for our comedy line-up. John Lawrence will be joined by the humour, wit, and satire of… Neil Laurenson!

Neil has read at poetry events across the region, including the Wenlock Poetry Festival and Ledbury Poetry Festival. His debut pamphlet Exclamation Marx! was published by Silhouette Press last April, and you can find details of the book – including how to purchase your own copy – in the following link: http://silhouettepress.co.uk/shop/exclamation-marx-by-neil-laurenson/

A round of applause, please, for our latest poet to join the line-up!

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NINA LEWIS

Ahem! We have another announcement to make, folks! Joining our stellar line-up of laugh out loud performers we have the wonderful, the talented, the hilarious… Nina Lewis!

Nina is widely published in poetry journals and anthologies, including Abridged, Fat Damsel Take Ten, Hark, Here Comes Everyone (HCE), I am Not a Silent Poet, New Ulster Poetry, Nutshells and Nuggets and Under the Radar.

Nina was a runner-up in the Worcestershire Poet Laureate Competition 2015/2016 and often performs at spoken word events and literary festivals. She was commissioned to write and perform poetry on ‘ecology and the city’ at the Birmingham Literature Festival in 2014.

Nina’s work also formed part of the poetry trail for Wenlock Poetry Festival, and can be be found in the vaults of the Municipal Bank as part of an International Dance Festival and 21 Haiku, used for an Art Installation at the MAC. Her debut pamphlet ‘Fragile Houses’, was published by V. Press last autumn.

A round of applause, please, for the lovely Nina!
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MARK KILBURN

We’re going to need you to stop what you’re doing and perk up your ears, ladies and gents, because we have another announcement to make. Joining our court of comedians this week we have the hugely talented Mark Kilburn!

Mark Kilburn was born in Birmingham and lived for a number years in Scandinavia before returning to the West Midlands in 2004. Between 1994-6 he was writer in residence at the City Open Theatre, Arhus, Denmark, and in 2002 was a recipient of the Canongate prize for new fiction.

Between 2004 and 2005, Mark was on attachment at the Birmingham Repertory Theatre and in 2012 his poem about the London riots, Milton Friedman Talks Disaster Capitalism in a Burning Hackney Diner, won the AbcTales.com poetry competition.

Most recently, Ballad of a Claret and Blue Boy, a poem celebrating Aston Villa, was featured across the club’s digital media prior to the 2015 FA Cup final. Mark’s novel, Hawk Island, is available from electronpress.com

Clap, cheer, show your excitement for Mr. Mark Kilburn!

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CATHERINE CROSSWELL

Ladies and gentlemen, it’s about time that we announced another poet! Joining our stellar line-up now we have the wonderful… [pause for dramatic effect]…Catherine Crosswell!

Catherine Crosswell is co-organizer of ConFab Cabaret, a Malvern-based cabaret night with lashings of poetry. She is an untidy wife, bidet doubter, list lover, writer and performer. Catherine lives in Malvern where she was the 2013 Poetry Slam champ and also the 2014 Runner-up in Ledbury.

November 2016 saw her poetry published in Voices of 1919 and Doctor Who, A Time Lord for a Change, in an exciting adventure with the Drabbles. She is a proud Vaginella and is currently writing two musicals.

For more information on Catherine and her work, you can check out the following links: catherine.crosswell.co.uk catherinecrosswell.wordpress.com

Whoop, cheer, and brace yourselves for laughter with Catherine!!

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MOGS

With just a handful of days left before our poetry-packed night of comedy, it’s about time we let you folks know who your headliner for the evening will be. None other than the glorious, the hilarious, the much-loved… Mogs!

Mogs was a teenager when he wrote his first poem and song. By the time he retired, he had a smallish collection of what he refers to as ’tripe’. Since leaving work he has joined three writing groups and writes as often as he can. So he now has a large collection of tripe (much to the delight of us all, as Mogs’ ‘tripe’ is a true treasure).

A few years ago he discovered that he could make people listen to his tripe, so for the past decade or so he says he’s been inflicting his poetry on open mic audiences. Luckily for them he rarely sings.

Mogs, a well-loved poet and performer in the Worcestershire area, has audiences in tears (of laughter) with his witty and well-worded, pun-riddled poetry. As a winner of the Worcestershire Literary Festival’s Rubber Sword, Mogs truly is a King of Comedy.

Ladies and gents, we give you your headliner – give it up for Mogs!

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RELATED LINKS:

https://kdavisfanclub.wordpress.com/

https://worcslitfest.co.uk/2017/01/19/baldypoems-presents-are-you-ready-for-him/

And what Kieran didn’t mention is last year he was the winner of the Rubber Swordplay. WLF Comedy Award.

https://worcslitfest.co.uk/2016/06/14/rubber-sword-won-by-kieran-davis/

 

My Book is 1 Week Old TODAY!

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My book is now a week old and what a busy entry into the world it has had.

On Monday I was joined by the lovely poets; Roy McFarlane, Antony Owen and Claire Walker to launch Fragile Houses at Waterstones, Birmingham. It was a fabulous night that deserves a blog post of its own, (on the TO DO list).

On Tuesday it was treated to a night out at Stirchley Speaks, where I headlined alongside Lydia Scarlett, who stepped in to fill the mighty shoes of Carl Sealeaf.

On Wednesday I gave it a night off.

On Thursday it celebrated National Poetry Day in Worcester, sharing the space with new poems all about messages. ‘Linger’ is a poem about messages, so that made it to the set, but the rest of the book was available to buy.

Then… da, da, daaa… the book went to Poetry Swindon. Hilda Sheehan let it share tablespace with the big boys, which was generous as most of the writers/publishers represented on the book stall were also on the bill. It sold well. Having rested on the book table isn’t as exhausted as me.

I am hugely grateful to everyone for their support. If someone had told me 3 months ago I would launch a book at Waterstones and have a copy with Daljit Nagra and another copy in Palestine, Bethlehem I would not have believed it. The latter have happened through the generosity of two poets who probably want to remain nameless. Let me know if you don’t – as I will gladly sing your praises!

I have seen both Angela France and Jean Atkin in person and was able to thank them for endorsing my debut pamphlet.

And it has been made into a film… well, not quite. I made a poetry film with ‘Journey’, one of the poems in the pamphlet. Now hosted on my YouTube channel.

 

WHAT A WEEK IT HAS BEEN!

Buy your copy here £6.99 (including P&P) – UK

FRAGILE HOUSES

A Year of Learning Curves

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2015/16 have been eye opening years for learning. At no point have I thought staying in my comfort zone was a good idea, in fact I don’t think I have found a comfort zone yet. The whole idea behind this leap of faith was creativity and adventure and I expected (sought and found) abundant amounts of it.

I jump from learning about the lengthy editing process to marketing books. I am glad I didn’t look down. I have researched and actioned so much in the past few weeks that it has been hard to keep track of all the avenues. The most important lessons will not be lost though, I plan to share some of my new found knowledge with you. Hopefully the next person with similar Google searches will find more answers with less time and energy used that I expended.

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Bruce Elkin © 2016

The one thing I will mention is how much fun this hard work has been! After decades working (extremely hard) for someone else in a thankless profession, I relish the idea of freedom as much as I love experiencing it. The hours used researching and networking to market my book, Fragile Houses fragile-houses-best By Nina Lewis, Published by V.Press, have been an absolute pleasure.

Of course, there is always the possibility that I am driving people mad with social media updates. With a week to go and today being my last day of freedom to drive the PR machine, I am in fifth gear.

The good news is there are pre-orders both for mailing and for signing. The fear that no one will want to buy the pamphlet is a thing of the past. The fear that no one will turn up for the Book Launch, a fear of the past. Now the worry energy can be converted into real energy as I attack the final full day pre-launch TO DO list. A day to remember.

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A week Monday will be a day I never forget too.

Update – The Write Year – Summer is here

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I have updated The Write Year page to include reviews of June to August.

https://awritersfountain.wordpress.com/the-write-year/

 

 

Behind the Scenes

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Time has flown by and yet stands still over here in the Fountain. There is lots going on behind the scenes. Firstly, my début pamphlet is reaching the final stages; post editorial and pre-production, secondly I have already started working on INKSPILL – our online writing retreat which started in 2013 when the blog was created. Thirdly, I have finally (after 3 years) had a summer holiday with Mr G. and I have just celebrated a milestone birthday and celebrations continue (although not every day) until the end of next month! Not to mention watching the Olympics and moving/unpacking a small amount of the rooms that need to be emptied and decorated.

I will complete monthly reviews for July & update The Write Year and Events pages as soon as I get a proper chance to sit at the desk, hopefully early next week.

August has seen a Poetry Canal trip – where I had a go at steering, an honorary Tiller Girl, a couple of Open Mic nights, exciting movement with the pamphlet, a meeting (for INKSPILL) at Shakespeare’s Birthplace, a book launch for Lacuna by Kieran Davis, a workshop using Historical documents and lots of parties.

I am looking forward to working on submissions again after not submitting for several months and celebrating the end of my summer with a Poetry Picnic and an Open Mic. The first fortnight in September is nearly fully booked and of course I have to put an end to playing and get back to work and that tricky balance between work – the house (still unpacking boxes) and writing.

My book launch will hopefully happen in October, along with Festival season.

Until then, there are 1000s of posts to enjoy here in AWF, so click around the calendars and have some fun! If you have never heard of INKSPILL – check out the links via the menus and keyword searches.

IMG_1288 poet © R. Nichols

The Olympic Year – The Story so Far

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2016 my first Olympic year milestone. I know generally people have a ‘5 year plan’, but I decided in 2013, when I gave up a full-time career (at a current loss of about £60K – what is money…) and embarked on my creative life instead that I would use the Olympic model. I was inspired by London 2012 and listened to many successful athletes talking about life before the Gold medal. For many this was their 4th (and last) games and winning has an almost entirely invisible to the public trail behind it.

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Part of the ethos of the blog is honesty, to share the rejection as well as success, expose the hidden underbelly creatives face daily. The theory behind the Olympics was my imagining but I have learnt in the past 3 years of networking that many of the poets and artists I admire are about 16+ years in. It is entirely possible. I believed it and now I know it is true.

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2013 – Learning

In the first year I built a steady foundation. I used to write, was published in anthologies as a young writer and performed into my early 20s. I trained in Creative Writing on a modular writing course facilitated by (famous) professionals, in Leicester and lived a creative life (until I couldn’t afford to eat).

It has been over a decade since I last wrote and the writing world had changed, I was out of practise and out of touch. Workshops and writing classes were an important initial investment. It took me 10 months before I wound my way back to poetry, which although one of the smaller writing markets, has always been my natural home. I can write, but I am a poet.

I participated in Camp NaNoWriMo, Spring and Summer and the official NaNoWriMo in November. I spent the words on a Non-Fiction manuscript I have been writing (mainly in my head) on and off for the past 13 years. It was the last thing I worked on in 2002, the year my writing stopped. I blew the dust off and picked it up again this year in Nano. I also worked on some short stories.

My main focus was to establish this blog and I spent hours typing away thinking ‘what if I actually used this time to write?’ I have no regrets though, this is an award winning, well established blog with lots of traffic and steadily increasing statistics.

My first public performance was in Leamington at Julie Boden’s Spoken Word night, where I met Dave Reeves. Within 2 weeks of finding myself back in the heart of poetry I met the local poetry scene and volunteered to work for Writing West Midlands. I performed at Birmingham Book to the Future Festival, in Stratford-Upon-Avon at an Emma Press Book Launch and Worcester.

I submitted some prose work and had a poem published.

I established INKSPILL – an annual virtual writing retreat. It was important to keep it FREE, catering for all those people who want and need it, but cannot afford it. In future years this may change, but now in its 4th year it is still FREE and accessible to anyone, although I do encourage a FOLLOW to the blog as a thank you. The initial idea came from an email I received about Iyanla_Vanzant’s Wonder Woman Weekend, which I couldn’t attend as I couldn’t afford to get to America.

I went to the Birmingham Literature Festival and Book to the Future Festival.

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2014Performing

After returning to performing poetry at the tail-end of 2013, 2014 became my touring year. Whatever I earn from writing will just about cover my 2014 fuel bill!

I became an Assistant Writer for Writing West Midlands and performed in over 107 places, I started taking bookings as a Headline performer. I also worked on commissioned projects, some for established festivals. I realised that as an artist, I enjoy doing unusual things with my writing and sought opportunities to do more than perform and write words.

I sent a pamphlet out and got rejected. Unlike 2013, where my focus was learning, this year was performing. I was writing lots and submitted a lot more work, with a clearer recording system. I had many individual poems placed and published and enjoyed celebrating the successful year in an event called ‘One Year a Poet’. 6 poems appeared in 3 anthologies, 2 poems were published in magazines, 4 poems published online. I had a poem on the Poetry Fence at Acton Scott Farm, another on the Wenlock Poetry Trail, Wenlock Poetry Festival 2014, 21 Haikus were used in an installation at the Midlands Arts Centre (MAC), another was displayed in a local library by an Arts Network. That’s 36 poems out there in the real world. In August I decided, incredibly last minute to submit my pamphlet to V. Press. My hesitation was having to deal with rejection again.

Performance highlights include; performing in Worcester LitFest alongside Adrian Mealing for the first part of Jonny FluffyPunk’s show. My moustache poem had been written with him in mind, so it was great to perform it in front of him.

The moustache poem was part of a set with other work being collaborative between myself and Tim Scarborough. This duo experience was sadly short lived, as he fell in love and focussed on his drumming business. But if we have time in the future, it is not a closed door.

I opened the Arts All Over the Place Festival, in support of Mental Health. A cause close to my heart as it was through suffering depression that I made my life changes and found myself picking up my pen again.

I performed at Worcester Music Festival.

I did some 1 to 1 Mentoring for Writing West Midlands and promoted Daniel Sluman’s second collection ‘the terrible’ (Nine Arches Press). I reviewed this poetry book, loving hand made and  a joy to read,  Sarah Hymas In Good Weather 1 for Sarah Hymas.

INKSPILL included Guest Writers; William Gallagher, Charlie Jordan & Heather Wastie.

I went to Wenlock Poetry Festival, Worcester LitFest, Birmingham Literature Festival, Stratford Literature Festival, Arts All Over the Place, Book to the Future, Ledbury Poetry Festival, Worcester Music Festival.

Who could forget this was the year of 52. A poetry year created by Jo Bell, with weekly prompts and over 500 people taking part. An incredible project to be part of. I am so glad that Jo Bell invited me to take part. I also told several local poets about it and they have since had great success from work produced during this time, as well as forming friendships with many poets across the UK and beyond.

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©Murdock Ramone Media

2015 – Submitting & Performing

My poetry pamphlet was accepted by V. Press, which has to be my biggest achievement so far. 14 months after embarking back on my poetry path, I had the opportunity to publish my first book.

V. Press have worked hard in creating a strong debut pamphlet and I had my first experience of professional editing, lots of changes were made to the content before the editing process could begin. I dreamed that my pamphlet would be published in 2015 alongside, Jacqui Rowe, David O’Hanlon and Claire Walker. This was not to be and although I found this difficult and even harder to see each book since, I know that my own pamphlet needed time to germinate.

11 poems were published online, 4 poems were published in anthologies and 3 poems were published in poetry magazines. I mainly worked on my manuscript poetry. I had one short prose piece published too. 18 pieces of work flying around in the real world and a pamphlet in the pipeline.

I continued to get bookings as a Headline/Guest Poet, including Cheltenham and Shrewsbury, performed in London for the first time at HARK Magazine launch, performed at Charity Fundraisers, entered Worcestershire Poet Laureate and was a runner up, became a Lead Writer for Writing West Midlands, took part in Caldmore Community Garden Poetry workshops with David Calcutt (Poet in Residence), was booked as one of ten poets for the Quiet Compere Tour, Midlands leg (Sarah Dixon),  went back to London to perform at The Poetry Café for the Paper Swans Press launch of Schooldays anthology, commissioned for National Poetry Day Light and Shade event and took part in my first Poetry Brothel event, organised by Caged Arts for Halloween and performed at Waterstones.

INKSPILL had guest writers; Daniel Sluman, David Calcutt and Alison May.

I went to Wenlock Poetry Festival, Worcester LitFest, Birmingham Literature Festival, Stratford Literature Festival, Walsall Festival, Arts All Over the Place, Poetry Festival Swindon, Book to the Future, Ledbury Poetry Festival.

me 2

2016 – The 1st Games – Writing & Editing

This year’s story cannot be written yet, but I am still Headlining and have finally finished the pamphlet. It is to be published by V. Press, date yet to be announced.

I am delighted to mark the Olympic year with something so massive!

I am currently organising INKSPILL, guest writers will be announced in the Autumn and I am incredibly excited.

Festivals have taken a backseat this year, so have performances as I tied myself to the desk to finish writing and editing.

Submissions started well – since April I have not submitted anything as I have been attached to the manuscript and at times attempting to detach myself enough to see what is for the best. I am neglecting the end of July’s submission window as I want to focus on the current project. ‘Operation pamphlet’. Contracts have been signed and it is beginning to become real.

4 poems published online, 5 published in poetry magazines, 3 poems published in 2 e-books, 1 poem in a chapbook and 5 poems in 2 anthologies and the pamphlet soon. 20 – 40 poems flying around in the world. A grand total of 95 poems. I know I can smash 100 before the end of this 4 year marker. I don’t hold a number as a target. I just write and keep my eye out and when something takes my fancy I aim and fire. I have a long list of rejections as well. Learning what publications, journals and editors want and like is an ongoing process and involves reading and subscribing and supporting the poetry market. It is fun and I look forward to more training and success.

me MM

Saffron Toms © 2014

OLYMPIC YEAR

Pamphlet to be published by V. Press

Lead Writer Writing West Midlands

Facilitator/ Creator of INKSPILL (4th Year)

Poet – 95 poems published

BL me Universe poem

Rangzeb ©2014