Tag Archives: Worcester

Monsters With Year 8

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Elgar Poetry Event

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In September Peter Sutton asked me to be a poet at his Elgar Poetry Event and I jumped at the chance. He then invited Lesley Ingram and Michael W. Thomas to complete the line up for the evening. 

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Lesley Ingram’s first poetry collection Scumbled was printed in 2015 and was highly commended in the Fledgling prize for first collections for poets over 40. She won first prize in the Ludlow Poetry Competition 2013 and has been published in print and on line for the last seven years. She has a Masters in Poetry and Poetics from Gloucestershire University, with a particular interest in ‘Ekphrasis as Translation’. She has been involved in the Ludlow Arts trail through an ekphrastic collaboration with photographer Suzanne Boak. Her background is in IT Business Systems Analysis, and she has lived and worked as an Analyst and Consultant in many places from Doncaster to York via Bristol, Bracknell, Long Island, London, Philadelphia, Dallas, and Scunthorpe – before moving to the Charente-Maritime in France to teach English and run a gite for 12 years. She is now settled in Ledbury and working on her second collection. She runs the Herefordshire Poetry Society Stanza and has initiated poetry projects on the Alleys and Yards of Ledbury, and on John Masefield. She is involved with the Ledbury Poetry Festival as a volunteer manager and steward. Her interests are poetry, archaeology, ‘whodunnits’ and language, and she loves flat lands and proper Pontefract liquorice.

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© Oversteps Books

Michael W. Thomas’s novels include The Mercury Annual and Pilgrims at the White Horizon. His poetry collections include Port Winston Mulberry (Littlejohn and Bray, 2009), Batman’s Hill, South Staffs (Flipped Eye, 2013), The Girl From Midfoxfields (Black Pear, 2014) and Come to Pass (Oversteps, 2015). He has recorded two CDs of poetry and music, Seventeen Poems and a Bit of A Song and Angels in the Telegraph Room. His work has appeared in such magazines as The Antioch Review, Critical Survey, The Explicator, Irish Studies Review, The London Magazine, Magazine Six (US), Pennine Platform and Stand Magazine; and he reviews regularly for the Times Literary Supplement. In 2015, his novella, ‘Esp’, was shortlisted for the UK Novella Award. He is currently working on Nowherian, the memoir of a Grenadian traveller. His latest poetry collection, Early and Late, is appearing in 2018, along with a collection of short stories.
Twitter: @thomasmichaelw
Blog: ‘The Swan Village Reporter’, swansreport.blogspot.co.uk/ 

 

peter sutton 2 © Peter Sutton

Peter Sutton spent fifteen years working in adult education before becoming Head of Publications at the Unesco Institute for Education in Hamburg for seven years, In 1994 he returned to the UK and became a freelance translator and editor for cultural institutions, lawyers and international organisations. He also trained as a professional actor and started writing plays. Elgar and Alice was first produced in 2007 and has been revived twice since, and The Prebumptious Mr Punch was premiered in 2013. His modern verse translation of William Langland’s great medieval poem Piers Plowman was published by McFarland of North Carolina in 2014, and he has given readings from the work at conferences and festivals including Ilkley, Ledbury, South Downs, Stamford and Worcester. His own poetry has begun to appear in journals, and he is a regular reader at local poetry events. He has written textbooks and articles on languages and education, Elgar and Langland, and he has been a visiting lecturer on translation, English language and education at universities in Armenia, Germany, Russia and the UK.
Website: www.petersutton.eu

bio paul stringer

© Paul Stringer

Nina Lewis is a poet from Worcestershire. She returned to the world of poetry in 2013 after a 15 year break. She founded INKSPILL an annual online writing retreat with national and international guests. Her poetry is published in a range of anthologies including Paper Swans Press, Fair Acre Press, Three Drops From a Cauldron, Paragram and Shabda Press, in magazines including Abridged, Under the Radar and Here Comes Everyone and online. Nina’s poems appeared on the Poetry Trail at Wenlock Poetry Festival and BIG Lit Festival, and 21 Haiku were used in an Art Installation at the MAC. She is a headline poet and in 2014 was commissioned to perform at Birmingham Literature Festival. Since 2015, Nina has worked as a Lead Writer for Sparks Young Writers Group, Worcester for WWM. Her début pamphlet Fragile Houses was published by V. Press in 2016. This year Nina was accepted onto the Room 204 Writer Development programme run by Writing West Midlands and was appointed Worcestershire Poet Laureate. Nina is also a Reader in Residence at Rugby Library for West Midlands Readers’ Network.

Blogs: https://awritersfountain.wordpress.com/

https://www.facebook.com/NinaWriter/

@Neens07

https://worcestershirepoetlaureateninalewis.wordpress.com/

 

In October we all worked on our sets and Peter masterfully pulled the entire script together. I thoroughly enjoyed researching Elgar and relating my memories of him in poetry. I wrote 14 new poems for this commission and the remaining poems were recently written for the Unremembered Collection published by Black Pear Press and produced by Polly Stretton for The Living Memory Project.

Peter added poems from Elgar’s contemporaries and tied the performance together with facts and insights. 

The event was held to raise funds for the Elgar Festival 2018 and took place at The Elgar School of Music in Worcester. 

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It was an evening of incredibly powerful poetry. A delight to hear the work of others and to see a good turn out for the well organised event. It was a privilege to be part of such a project and great to work with Peter. 

RELATED LINKS:

http://petersutton.eu/author.html

Buildings Talk – Hospital Histories

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Buildings Talk

Back in June, Charley Barnes extended an invitation to be one of the poets for this project with the Medical Museum. I jumped at the chance as I enjoy writing ekphrastic poetry and working with archived photographs would be a pleasure.

The whole project happened over the space of just three weeks. The Medical Talk was for any interested parties and open to the public. It was attended by retired employees, medical staff, students and even some former patients. The conversations and interactions we had in the evening were wonderfully insightful and interesting. As was the information gained by the two main lectures.

Louise Price, Curator at the George Marshall Medical Museum, was the driving force behind the injection (excuse the pun), of creativity in this programme and I think it broke up the lectures well.

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Charles Hastings Education Centre

The project gave us time to spend with archived footage not available to the general public and consider the stories it connected for us. I spent time choosing my photos. Then I had to cull the selection back further as we had 8-10 minutes to produce and the number of photos I had selected would need at least twice that performance time!

The other poets were Mike Alma, Charley Barnes and Polly Stretton. We all did some research into the hospitals and people/situations depicted in our chosen photographs. We had a meeting with Louise Price before the event where we all talked about the images we had chosen and listened to her knowledge of the archived material. On the night we performed with the images projected behind us.

I spent time composing and editing a series of poems from 7 photos. Several of which pleased me.

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On the evening we had a chance to look around the Medical Museum displays. Some grizzly, some fascinating. I popped in alone initially and was glad of the company of Polly & Mike the second time. I am terribly squeamish!

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The Museum is open Monday to Friday 9-5pm and is free to enter

Louise is hoping to display a selection of our poems from this event soon.

 

RELATED LINK

https://medicalmuseum.org.uk/georgemarshallmuseum/

There are some summer holiday family activities available, starting with this one.

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30-40-60

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Back in 2015 I dreamed of my pamphlet being published at the same time as Claire Walker’s, we have talked of many collaborative readings and ideas. By the time 2016 rolled around, my head was filled with firm ideas of collaborating, by 2017 there was somewhat of a larger idea forming.

I had a concrete plan and all I needed was acceptance. I approached Kathy Gee and Claire Walker, two poets who are also published by V. Press. I was delighted when they both agreed to my idea and I swiftly put in an application for Worcester LitFest (WLF).

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We waited until our place in the programme was confirmed before we set to work on this project. I am from a performance background and know only too well the unseen hours of work and rehearsal. What I loved about our meetings was the fluidity in which we found ourselves working. There is nothing better than a positive environment with like-minded people to stoke the fires and like an Olympic torch ours kept burning!

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We all know each other’s poetry and have each other’s books on our shelves, so placing our work together was not too difficult, cutting it down to a running order size was a fair challenge – thank goodness we all know how to kill our darlings.

Once we had organised the poetry we then played (and I mean that verb) with the sequence until we were all satisfied with the show. Then the real fun began with read through, deciding where the combined voices worked best.

I had started work on the multimedia element before we were accepted for WLF as I was convinced this performance would happen at some point, somewhere. I know from making poetry films last year (Fragile Houses) that media and editing is painstakingly time consuming. I also know that when you LOVE what you do, work never feels like work.

Eventually we brought voice and film together and rehearsed and altered the show.

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And what a show it was.

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We are very proud our show was one of the best-selling festival events, we did some point specific marketing and believe that the tireless work of the WLF team and The Hive (Worcester Library/Venue) advertising in the What’s On at The Hive programme helped in this success!

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There were plenty of people we did not know as well as good friends and supporters. It was a fabulous night! We hope to tour it next year. Catch us if you can.

Photography Elaine Christie© 2017

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Nina Lewis  – Introducing the Poets:

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Nigel Hutchinson

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Neil Richards

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Belinda Rimmer

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Rick Sanders

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Suz Winspear

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Paul Wooldridge

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Kate Weatherby

Open Mic EC

Followed by our 40 minute show exploring the various stages of life through womanhood.

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Huge thanks to Kathy Gee for providing some of the media clips, projectors, scripts, folders and the programmes! For Claire Walker who had the wonderful idea of incorporating the open mic element. To the audience for having faith and to our open mic performers for beginning such a cracking night!

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Really enjoyable evening, the interweaving of voices – both actual and literary – worked extremely well. Video backdrop a unifying element. -Nigel

Fantastic evening, the show should go on the road, really enjoyable, and the three poets really worked as a performance. -Neil

A gorgeous night tonight! Brilliant poetry presented in a way I’ve never seen before! -Suz

Such a pleasure. Spellbinding poetry and a beautiful backdrop of images. Thanks for lovely evening. -Kathy A

30-40-60 is a triumph. A splendid performance from spectacular poets. Kathy Gee, Claire Walker and Nina Lewis were exquisite. Wonderful! –Kieran

A lovely evening at the Hive with Worcester LitFest and the wonder 30-40-60. When it comes back it’s a Do Not Miss. -Anne

Poetry perfection, wonderful. – Maggie

The poetry found so many points of connection. Beautiful. -Belinda

Rick Sanders reviewed the show (Related Links) – here are some soundbites. Thanks to Rick for the review and feedback.

Last night I had the pleasure of seeing 30 – 40 – 60 at the Hive in Worcester, one of a myriad of events taking place as part of the Worcestershire Litfest. The show is the brainchild of poets Claire Walker, Nina Lewis and Kathy Gee and it explores the works of all three poets through a connected narrative and visual accompaniment.

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Some pieces are solo readings, while others combine the voices of all three poets in acoustic harmony, which is different and rarely seen in poetry performance. 

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an engaging and highly entertaining piece of performance art.

A must see if 30 – 40 – 60 pops up again in a town near you…

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RELATED LINKS:

https://willisthepoet.wordpress.com/2017/06/12/30-40-60/

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… distinctive voicing to a beautiful narrative, which is complimented in turn by the visuals being displayed behind the readers. As an audience you get to see and hear two things at once, adding to the imagery of the spoken word and layering another context to the poems. It’s a clever use of multimedia and works well in the overall effect. -Rick

PERFORMANCE BIOS 

https://awritersfountain.wordpress.com/2017/06/25/30-40-60-open-mic-poets/

Book Launch ‘The Women You Were Warned About’ by C.S. Barnes

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This is definitely one of those posts I wish I’d written and posted when it happened a few weeks ago. It was during my 10 Day immersion in the poetry world and there was no spare time. This is a copy of a social media message sent around the right time – I think the over-use of the exclamation mark sums up how ecstatic I was.

A fabulous launch – really good fun! Loved hearing you breathing life into the women between these pages! Delighted to hold a really copy! CONGRATULATIONS! Thanks for asking me to read.  I cannot wait for the next one! x

It was a wonderful sunny afternoon when we took off to the city of Worcester to celebrate success with Charley. Charley Barnes Book

There are three factors that made this launch an incredibly exciting time for me;

  1. Knowing about the conception of the project and secretly knowing it was to be published by Black Pear Press. Charley and I went through the publishing process at the same time and were there for each other throughout.
  2. This was the first book I was asked to endorse, along with Luke Kennard. It always will be the first book I endorsed.
  3. Charley asked me (along with Claire Walker, Polly Stretton & Alan Durham) to read at the launch.

Besides all that I would have been excited anyway. Launches are like birthdays, I always get just as enthusiastic for others as I do for my own.

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Book Launch, Drummonds Bar, Worcester, 7th May 4pm

It was fun preparing my set and I was able to use the bounty of my NaPoWriMo poems, some with small rewrites.

Polly went first, much to our delight, (the pressure of kicking off the event) and as the publisher (part of the Black Pear Press) it seemed fitting.

I was up next followed in the second half by Claire Walker and Alan Durham. Everyone produced fine sets and performances were top notch.

There was cake, chocolate cake, friends, family & conversation. Perfectly timed with enough space to chat and mingle, hear each other perform and enjoy Charley choosing pieces and talking about the story behind the short stories.

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It was simply a lovely, Sunday afternoon. Having resisted the temptation to pre-order my copy, I was happy to queue up and buy my perfectly bound edition of The Women You Were Warned About. I savoured every moment of watching (or trying not to watch) Charley sign it.

I loved the atmosphere of pride and celebration that held the room together, beyond words to watch this happen right before my eyes. There were plenty of faces I recognised and people I knew who had come to celebrate with Charley and on such a sunny day too. Fabulous room full of people all eager to find out just what those warnings were.

I loved listening to and watching the audience reaction to the collection of answers. Charley completed the event with a brave Q & A. Some of the points are still being discussed, weeks later, now that’s how to get a book to linger!

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You can buy a copy here

https://blackpear.net/2017/05/08/c-s-barnes-launches-first-book/

C.S. Barnes is a Worcestershire-based writer and poet who is
currently working towards her doctorate in Creative Writing.
While Barnes’s interests initially lay exclusively in poetry, her
academic studies have seen her experiment with other styles of
writing—namely the short story—and, as part of her current
degree, Barnes is now working on her first full-length novel.

Alongside her writing endeavours Barnes is also a creative writing
tutor. She has worked with primary and secondary school
students, all the way through to the undergraduate students at her
own university, where she has been tutoring for the past two
years.

The Women You Were Warned About: Answers to Absent Questions,
is Barnes’s first full-length publication and, after having so much
fun with the women contained within these stories, she sincerely
looks forward to the possibility of working with such hideous
women again in the future.© 2017 BLACK PEAR PRESS

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Working on a Poetry Show 30-40-60

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Back in 2016 I was already planning collaborations to promote my debut pamphlet ‘Fragile Houses’, published by V. Press.

This year I had the opportunity to organise events for festivals and two of these included this body of work. Stourbridge Literature Festival saw a straight reading of pamphlets and collections that I organised with fellow V. Press published poets: David Calcutt, Kathy Gee & Claire Walker. It was fun to do and we sold a couple of books.

The next bid I placed was with Worcester LitFest, although I have been aware of the festival and participated in various events since 2014, I had never discovered the bidding stage. I wrote a synopsis for a collaborative reading.

We heard that our application had been successful in March and set to work on developing the show 30-40-60.

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We have had several meetings to script and rehearse the poetry side of things and have developed film work to enhance the experience, as well as promoting the show in hope of ticket sales. It is a something we hope to repeat at other festivals/events in the future as there has been an incredible amount of groundwork put in.

It has been one of the most pleasurable projects so far this year. The 3 hour meetings fly by and we have our fingers crossed now that we can make it a success.

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Worcester LitFest runs from 9th – 18th June and as you can see 30-40-60 is billed for the 11th June, do come along if you can make it to The Hive, tickets are a festival fiver and if you want to perform poetry, sign up for the open mic beforehand by emailing us at 304060[at]mail.com

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Litfest A5 Programme 2017 30-40-60 page

National Libraries Day & Liz Berry

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6th February 2016

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Why a National Libraries Day?

  • To say thank you to our nation’s librarians for the wonderful work they do
  • To get people out to visit their library and see the amazing services our libraries offer – and join up if not already a member
  • To promote the work of libraries of all kinds in our communities
  • It’s a reminder: libraries matter to us all, and this is the time when we can send a collective, public message to decision makers that we love and value our libraries and recognise that no one else can do the work of a professional librarian – especially in an election year
  • To get together as a community to celebrate what we value – and libraries are at the heart of this

National Libraries Day is a grassroots celebration led by library staff and library users. It is supported by CILIP and a coalition of leading literacy, reading, library and education organisations including the Reading Agency, the School Library Association and the Society of Chief Librarians.logoW741HQ7Z

And what treats our County had in store for us. I was lucky enough to start the day in The Hive – Worcester Library as my Writing West Midlands group met and spent the session gathering material for our book and completing a mock up of it.

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Then I hot footed to see Liz Berry perform at Bromsgrove Library. It was great to hear/see her in action again and a really great way for the local library to celebrate National Libraries Day. Her opening speech about libraries was passionate.

I feel the same way about libraries – I moved around the Country a lot as a 20 something and I would always check out the library, like a second home. It is appalling that these services are having budget cuts and closures. No-one says this but they are also a great place for the children of families who aren’t book families, for people who can’t afford to buy lots of books. Safe spaces that need to be protected and cherished.

Liz Berry’s set was nothing short of magical. It was a lovely night.

BUY a copy of ‘Black Country’ https://www.penguin.co.uk/books/1097057/black-country/9780701188573/

LOVE YOUR LIBRARIES! natlibday

 

RELATED LINKS

http://www.nationallibrariesday.org.uk/

http://www.theguardian.com/books/2014/nov/21/black-country-liz-berry-review-poetry-collection

https://www.penguin.co.uk/articles/find-your-next-read/extracts/the-friday-poem/homecoming-by-liz-berry/

3 in a Row: Mouth & Music, Howl & SpeakEasy – A Week of Events

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This week was a fairly busy one, due to full time work I was not able to make one of the events listed in the title, but as it is a NEW Word Event – I thought I would take this opportunity to promote it, I am hoping to make next month’s and then give you a real flavour. I heard it was a great evening – but more on that later!

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Tuesday Night saw Mouth & Music – this month upstairs in the Gallery (a space I love) with headliners Lorna Meehan and Katie Wragg. I was lucky enough to catch Katie last month headlining SpeakEasy, I wanted to hear more from her, a talented guitarist/songwriter who has collaborated on performance work with Heather Wastie and I hope one day will write Kidderminster, the Musical. (Although she may hate me mentioning such an idea as I have made it sound like a feasible project! Sorry Kate.) And Lorna – who I would follow around the planet listening to, a fantastically talented performance poet, who herself has been booked to headline these 3 events this month – so you read more about her in a minute.

It was an incredible evening, some real talent and great pieces shared. Even had an open mic-er who has spent a year listening to us all and joined in at the mic. Magical when that happens. Splendidly dramatic performance as well!

Stonking night at Mouth & Music – Lorna Meehan, Jasmine Gardosi, Katie Wragg, Heather Wastie, Peter Williams, Paul Francis and a ton of talented open mic-ers…. and in the warmth of the gallery! Loved it – I had the inspiration for 5 new poems and scribbled notes all over next month’s flyer!

I am beyond excited that Tom Crossland and Joe Whitehouse grace the stage in April and before that, next month we have the talents of Paul Francis and Rich Stokes, as if last month’s Spark Off wasn’t fabulous enough!

Next month’s theme is Politicians and as I am attempting to write some similar themed poetry for submission this week I should have it covered. My research this week was to watch and transcribe a programme which in turn pushed me towards focussing on a few specific areas. Should be a fun challenge – I use Media/ politics in poetry but have never written one purely from a political point of view. It is good to stretch yourselves as writers.

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I wanted to get to Kings Heath for Howl the next evening – but had also been working full time with some older children and was still tired from the previous week I think – my medication doesn’t help with the tiredness (in case you were wondering why tiredness and sleep feature so heavily on the blog).

Long story short, I did not make it. I fell asleep before 6pm right after my fast-cook-pre-gig tea and didn’t wake up until they had already kicked off. It is some drive too and I really wouldn’t have been safe behind a wheel – I could barely keep my eyes open! So I traded myself an early night and was actually reading in bed by 9:30pm and asleep before 10pm. All sure signs I wasn’t able to make it to the gig.

The day after was also my 5th writing day and I thought if I went to HOWL I would definitely spend most of it asleep- unfortunately that was the reality even without the gig – I think my day started at lunchtime.

Howl Feat is a new evening in a great little pub ‘The Sun at The Station’ in Kings Heath, Birmingham. Hosted by Leon Priestnall, this month’s featured artists were Casey Bailey, Lily Blacksell (who featured alongside Antony Owen and myself at Word Up last month), Lorna Meehan and Joe Cook.
Howl provides a space for the best spoken word artists in Birmingham to speak freely, no restraint, express themselves, provide food for thought, rock the house and entertain.

Casey Bailey
A spoken word poet and rapper from Birmingham. Poetry style is literal and lyrical, touching on a number of different subjects, from growing up in inner city Birmingham to world events. These subjects are tackled with a combination of straight talk and humour.

Lily Blacksell
Lily studies at the University of Birmingham, where she is president of Writers’ Bloc. She has performed her poetry in pubs, theatres, pub-theatres, poetry slams and literary festivals. In 2013, she was part of Apples and Snakes’ Lit Fuse programme, and she also had a poem filmed in the centre of Brum as part of their Power Plant series last summer: http://vimeo.com/109935773

Lorna Meehan
Lorna has been on the circuit for over ten years, performing at festivals like Glastonbury and touring with Apples and Snakes with her mixture of candid hilarity and mellow introspection. You can listen to her work here: https://soundcloud.com/lornameehan

Joe Cook
A.K.A Cookie, is a poet, musician, workshop facilitator and political activist from Birmingham. Heavily influenced by Hip-Hop and Reggae his musical background shows in his lyrical poetry. Described as “The Streets meets Joe Strummer” , his voice is raw, full of passion and heavy beats. He’s performed all around Birmingham at prolific venues such as The Birmingham Repertory Theatre and Mac Birmingham, Recently opening for Hollie McNish at the Rainbow Warehouse as well as performing in London with the Burn After Reading Poetry Collective

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Then Thursday rolled into view and I had finished the early mornings with work. I struggled to wake up though and after a brief early morning coffee and scan of some writing articles, I fell back to sleep. I had supposed to work on some submissions due mid-month which I knew with Valentine’s and Mr G’s birthday would be impossible over the weekend, as it is I missed these deadlines yesterday.

I completed my politician research and shopping online for Mr G and to book Valentine’s tickets, ran out of time for any actual writing, not that MUSE was shouting loud enough to get through.

I tore to the shops to pick up some birthday/valentine’s bits & made it home with half an hour to spare before SpeakEasy (or at least before Claire’s kind lift), I wasn’t sure if I was able to go this month, had I made Howl – I doubt I would have had the energy.

Speakeasy was great – we were late getting there and missed the first half almost, just caught Kathy Gee! The Headline Act was Gary Longden (Staffordshire’s Poet Laureate), was great to catch a whole set of his.

Lichfield poet, Gary Longden returns to Worcester after a long break. He is our headliner for SpeakEasy on Thursday, February 12th. We are also delighted to welcome one of the Decadent Poetry Divas – Lorna Meehan (Headlined at Mouth & Music at the Boars Head Gallery on Tuesday, February 10th). Kathy Gee, John Lawrence, Neil Laurenson, Math Jones and Charley Barnes, together with open mic slots, complete tonight’s event. We hope you can join us for an evening of varied poetry, unique styles, plenty of entertainment and, of course, the fantastic raffle.

It was a good night and enjoyable to watch for once – although Claire Walker and I have both been told to perform at the next one! There was a clashing event I may have been involved with but so far next month’s still free.

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Worcester Music Festival – Performing Poetry

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This weekend saw the annual Music Festival in Worcester, it runs for this 3 days/ nights with artists and musicians performing free events for the public. This year I was lucky enough to take part on Saturday and Sunday evening.

SATURDAY

Ian Passey (a.k.a Humdrum Express) a multi-talented musician and poet was organised the event on Saturday evening, at The Swan and Two Nicks. He had booked bands and musicians and thought it might be good to support the sets with poetry. He invited 8 of us to perform over the night.

A fabulous evening of music and wordiness compered by The Humdrum Express 
Featuring:
PTR Williams
Get Bag. Pack Bag. Go
Nip & Tuck (From Bo Pilar and the Mountain Valley Boys
Disco Tramps
Marina del Ray 

Featuring performances from very special guest poets:

Heather Wastie, Mike Alma, William Shatspeare, Mogs, Michelle Crosbie, Andrew Owens, Suz Winspear and Nina Lewis.

Worcester Music Festival is supporting YSS Worcestershire Young Carers and Young Adult Carers 

 

 

ZZ Worcester Music Fest - my first named Bill I supported Get Bag.Pack Bag. Go. who were a great duo. I was really pleased that the crowd listened – when you play music venues, although (as a former musician and daughter of one) it warms my heart to hear good vibes and be inspired by the energy and showmanship of the acts, it usually gets quite noisy and often the crowd will be a force for the voice to reckon with.

I wrote a special set of ‘music related’ poetry, one In Memory of Radio and 3 more on Sound City – the famous recording studio in LA having watched an amazing documentary about it a few months ago. I finished my set with a request for Cake Man. The audience response to that made me wish I had created a set from original material, but I am also quite fond and proud of some of my new music poems.

Originally I think I was going to be last on the set of poet’s to support the final band of the night, as I thought I would miss the beginning of this gig,  but I swapped into an earlier slot instead, glad because I was able to enjoy the rest of the superb evening as you may see from these photos.

© 2014 Peter Williams & Ian Passey

 

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THE WEEKEND

There were musical events all over town all weekend. It is always a great festival.

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SUNDAY

WORD & SOUND

And as if all this excitement wasn’t enough – I was back in the city performing at Word & Sound on the Sunday night. Amanda Bonnick and Jenny Hope organised a grand event – hosted superbly by Amanda. The best thing was although a core of us perform at the same places often there were some new names and faces and some of them blew my socks off (5 Star performances)! It was an absorbing evening and I thoroughly enjoyed my set.

They host these events throughout the year usually, so I am looking forward to more.

Performers included (in no particular order); Mike Alma, Sarah James, Polly Robinson, Myfanwy Fox, Suz Winspear, Kathy Gee-Wordstring, Andrew Green, Neil Laurenson, Math Jones, Susan Davidson and others.

A great night, a great weekend!

Drummonds 42 – ‘Dark Fears & Desires’: Poeting after a 9 Day Break!

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It doesn’t feel like I have had a 9 day break from performing, I have been busy catching up reading back issues of writing magazines -I am now ready for the next one to pop through the post in a couple of days time! I have written lots of poetry and have started to work on a short story, which I hope to finish reworking and editing today (as it is the deadline). I have been busy, although (apart from the reading) I took a break the week Mr G had off – he has been back at work the past 4 days and I have been writing in between household chores and making crumble with our home grown rhubarb, this act itself spawned a new poem about food and cooking.

My creative mind is certainly not on holiday – just as well, Mr G has booked next week off (this time the plan is to start sorting the house, including decorating and building furniture we bought last year) as you can tell we are a bit laid back about it – whatever it looks like – it is home and it has felt like that since we moved in a year ago.

Next week there are a few events and then the following few weeks it all starts to kick in. I am not earning a wage this month as I am not working, just as well because I have the opportunity to get creative and just be. I get to live one life not two, that’s a break by anyone’s measure!

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Last night was wonderful, a mix of new performers, lots of great tales and poems and Sharon Carr’s storytelling, a very talented Canadian storyteller who you must see if you get a chance. I loved listening to everyone, which was a good job as I was on 2nd from last. Andrew Owens, who hosts the event is entirely fair, sharing opening and closing spots between us all and varying at what point in the evening we read.

I love a themed night and often use the, to create new works, however this week my priority has been the short story I am attempting to complete before deadline (today) and so I consulted my poetry book to find poems to fit the theme.

dark fear People particularly liked ‘Clench’ which was published in Hark Magazine this month, it is more dark desire than fear or desire, but a desire with a different interpretation.

It was great to perform again after a 9 day break, although watching others the nerves kicked in. Mainly because I hadn’t seen the set list and didn’t know if I was going to be on in the 1st half or the 2nd half.

It was lovely to chat to old friends and meet/make new ones. The stage was full of talent and I had a really good night.

I came home just after 11pm and made a crumble with our home-grown gigantic rhubarb and attempted to work on the short story a little.

My next event is probably going to be a Workshop on Sunday.