Tag Archives: V Press

Fragile Houses Receives a Sabotage Review

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saboDelighted to share the review of Fragile Houses by Rachel Stirling on Sabotage Reviews.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

 

January in Review

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typewriter-1227357_1280 2017 started well with lots of diary dates, events and writing time. Of course it was also back to work after a fortnight (unpaid) break. Much needed. I made it back to Ludlow to support Claire Walker who was one of the Headline poets alongside Matt Black. A little like not realising two years had passed since I last watched Ash Dickinson perform, I cannot believe a year has passed since I last went to the Poetry Lounge in the Sitting Room! This time warp has to do with working for 18 months on Fragile Houses I think. Months slip by fast and the first thing that has to go when you shackle yourself to the desk to write is faraway events.

Week 1:

Poetry Lounge in the Sitting Room with Jean Atkin in Ludlow, it was lovely to see everybody again and I hope to make it back before 2018. Matt Black (who I first years ago at a special event we both performed at The Ort in Birmingham  (2014), more recently we shared the floor in Birmingham at Stirchley Speaks (my Headline, back in October). headline-stirchley-speaks-oct

He was entertaining and as we had all had a conversation about vegetarianism on the journey over, apt poems in his set made us giggle.

Claire Walker was amazing, I do not think I will ever tire of hearing her perform from The Girl Who Grew into a Crocodile. She also treated us to some new poems from her next pamphlet collection.sitting room

I completed a lot of research for current writing projects and groups. I also completed a collaborative project set up in December and worked hard on submitting poetry. I had fun writing about Leonard Cohen and am keeping my fingers crossed that the editors will enjoy the results.

I missed Buzzwords in Cheltenham.

Week 2:

In December I submitted to 7 places and the rejections rolled in from 3 of them this week. We all learn to handle this but one publication in particular was dealing with a subject close to my heart and it made me a little glum that they hadn’t taken my work. They did send feedback including details of the process that the poem they nearly took went through. I will not be perturbed. Another rejection cited that the pieces weren’t best fit this time but encouraged resubmission.

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Back in 2015 I had three poems accepted for an anthology by Shabda Press on Nuclear Impact. We all signed contracts in 2016 and it has been a real labour of love for Teresa Mei Chuc who has now got the project to final proof stages. All proof read and returned and I cannot wait to see the result. The readings are all taking place in the States but I am currently looking at the logistics of video performance.

The cover has been revealed featuring the Artwork of John Sokol. Cover Art: “On the Road to Perilous” nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol I could write more poems just from a glance. This book will hopefully be in our hands later this year.

I went to SpeakEasy – where Brenda Read-Brown was headlining and what a set she treated us to. New work, powerful work, emotive (I nearly cried twice), honest and filled with passion. I was really glad that I was able to make it and witness such a performance.

I shared some new poems and gave Fragile Houses a rest, most of Worcester have bought it already and as I headlined last month and read most of it and as the last poem in there was written in 2015, I fancied sharing something newer.

I went to Stanza although I was so tired I was not much use to others and the poem I had written half an hour before leaving didn’t quite work. I do not see the point of taking perfectly polished work to groups – unless perhaps it’s a poem that has been unsuccessfully submitted a few times, in which case new eyes are good. However, I need to give my writing a chance to sit and simmer for a bit so perhaps I should try this year to get a poem ready the week before. Give it some breathing space. It is hard when you feel so attached to something, too vulnerable.

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Sadly at the weekend I said goodbye to Sally Grainger who has been my Assistant Writer for WWM Spark Writers group for the past 9 months. We had a full house for her final session and ran a great group on Scriptwriting. It was fun. I am sad to see her go.

I received exciting news about a new Literature Festival which I am currently organising a showcase/event for.

Week 3:

I spent my time mainly at work, in spare hours I was organising the festival event, missing deadlines, proof reading and writing comic poetry.

Last year I was invited to take part in a one off (now to be repeated as it was so successful) Baldy Poems presents Kings and Queens of Comedy in association with WLF (Worcester LitFest). I love the idea that WLF are fundraising via event charge at one off events throughout the year to help fund/pay for the summer festival. It is a great idea and I have loved the events that have popped up so far.

I was honoured to be one of the 6 performers (we had 8 on the night with Kieran Davis and a Special Surprise Guest joining us). I have only written about 5 funny poems and the two I had ready for this event have not seen the light of day since 2015, so I decided to emulate BaldyPoems style and kick out 6 new ones. That and I needed the material to cover a 10 minute set. More on this later.

I missed David Calcutt at Smokey Joes in Cheltenham – Poetry Refreshed and sadly I missed Clive Osman’s Waterstones book launch for his debut collection ‘Happy’. Both nights looked to be good. I had taken on extra work and with a gig Thursday night and Friday needed to sleep.

After almost 2 weeks of working full-time, I finally finished on Thursday at 5:30 and then headed over to Birmingham with Mr G and a friend, in birthday celebration mode. We went to see THE BLUE AEROPLANES at the Hare and Hounds (where UB40 played their first gig) and it was exceptional. I am so glad that I was filled with the charm of performance because it set me up for the following evening for Kings and Queens of Comedy.

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I was so nervous – worried that the audience wouldn’t find the dusted off material funny, But I forgot the universal appeal of my moustache poem, the magic of proto-type props and the delight of people who have never heard this one before. It was also funny because people who know me know that I am funny, I just do things that amuse people as I have no logical bone in my body and I have a quick, dry, wordy wit… in fact there was a turning point once upon a time between poet and comedian. The world breathes a sigh of relief.

Anyway because a lot of people now on the scene weren’t back in 2014 when I played the clown a little more, they didn’t see me as a funny poet and were quite shocked at the billing. There are now at least two people who will never take me seriously again!

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To read a full review of the evening click here

And then I had a well deserved weekend off to catch up with Mr G and writing.

Week 4:

Saw happy news and my first acceptance of 2017. That collaborative project I mentioned earlier was with Claire Walker. The result was a meeting about prompts, shared ideas, word lists and after writing editing together. After a few weeks we had a poem written by each of us from working with the other and a joint poem written line by line. The acceptance was a the poem Claire Walker wrote called ‘The Puzzle of an Ending’, a beautiful title and a hard hitting poem. It was the strongest of the collaboration.

It delights me that it exists because of an opportunity I found and a risk I took (asking another poet to partner me and risk rejection, that lack of self-belief/inner critic we all have to deal with). Fortunately, Claire was only too happy and we enjoyed this rather intense poetry pocket in our otherwise Christmassy/family orientated holidays. There will be more to come. And I am doing something here I first dreamed of in 2014. Happy.

I spent the night, along with many poetry friends at the Kitchen Garden Café, Birmingham for Jacqui Rowe’s ‘Poetry Bites’. The featured poets were David Calcutt & Claire Walker (fellow V. Press poets) and Jacqui announced (which most of us already knew) that they are going to publish her first collection this year too. Her ‘Ransom Notes’ was the first pamphlet of the run in 2015 from the round I applied successfully for in 2014.

ransom Poetry Bites was a packed out night, it is so sad that this is Jacqui’s final year, but it is a phenomenal achievement to have hosted and supported such an abundant amount of poets over the years. The atmosphere was great and there were some top class floor spots as well as a V. Press collective, Kathy Gee was also reading from her collection Book of Bones.

I really enjoyed reconnecting with Brumside poets I had not seen in a while, as well as listening to some inspiring and thought provoking sets.

Maybe it was the double dose of Americano coffee, or the Kitchen Garden cake… I came away buzzing and refuelled with an extra layer of poet-y energy!

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I wrote new poems for Burn’s Night, which was celebrated at 42, in Worcester on the 25th. I even made a badge – Lewis tartan, of course. I have thoroughly enjoyed finding out more about this 18th Century rascal. It was a great night, intimate and full of heart – but not lungs or liver (haggis pun)!

I missed a workshop with Ash Dickinson, that had I not been performing in the Quiet Compere/ Wolverhampton Literature Festival the following night, I may have tried to get to. It was just a little out of range geographically and no way I could have got myself there on time after work without the help of a helicopter and pilot… neither of which I have. Oh, to be a rich girl! So I just have to brush away the disappointment and hope for another opportunity in the future.

This brings us to the finale of the poeting week – the first literature festival to be held in Wolverhampton and a great line up of events across all genres. I was lucky enough to be one of the ten poets on the bill for Sarah Dixon’s Quiet Compere Event at the Art Gallery on Friday evening.

What an evening it was. Fabulous line-up, including two poets who are new to me (always a pleasure), Tom McColl & Gerry Potter. What a venue, the room was majestic and had one of the best backdrops to poetry I have ever seen. The setting was incredible. It was a wonderful night and I was still buzzing the next day. You can read the full review of the event and find out more about the performers here https://awritersfountain.wordpress.com/2017/01/28/quiet-compere-wolverhampton-literature-festival/

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I got home to find emails about up and coming books and spent a while chatting to the other buzzing poets online. A fine night.

walsall-arboretum I finished my weekend at Open Poetry at Walsall Arboretum with David Calcutt and an amazing number of poets on Sunday. Despite the horrible rain, bad driving conditions and leaving a ton of work on the To Do List, I headed out for some poeting fun.

It was a great couple of hours, lots of moving and humorous work was shared. I met some new poets and saw John Mills, who had battled the unnavigable roads of Walsall to experience David’s event for the first time. walsall-arb © 2016 Walsall Arboretum

Then I spent a horrendous amount of time sorting out unread and unmanaged emails instead of completing applications which I now need to do tomorrow after work. There are lots of deadlines in the next 72 hours and I plan to hit them all.

Wolverhampton Literature Festival finished with a Poetry Slam that Nick Lovell won and Willis – a.k.a Rick Sanders came 2nd and Rob Francis, 3rd. Well done, boys! An all male sweep. I was sad not to be able to go to the festival this year. Other plans had already been made. Hopefully they will do another one next year.

The Extra Few (Writing) Days

Mainly spent Monday night at the computer pulling a 6 hour shift (after a day at work), writing new material, researching, organising events, writing applications and submitting. There are so many end of month submissions and I have been busy enjoying myself and thinking the end of the month was a while away yet and here we are. I am pleased that I have managed a few more submissions as I have not been keeping the resolution of weekly output, as advised by another poet.

Obviously there is a certain amount of selectivity both in terms of material, feel, attitude, time etc. My aim is for monthly submissions, which should be entirely achievable – as the months missed last year were to do with the final editing process of the pamphlet.

I will spend the final day of the month (in the evening, after work) getting productive with my next To Do List and making final submissions too.

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There are so many exciting things planned for February already, I can hardly believe we have reached the end of January!

I hope you had a good one, filled with spirit and joy …. oh and writing!

 

Fragile Houses The Book Launch

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On October 3rd Fragile Houses, my debut poetry pamphlet was launched at Waterstones Birmingham.

It was a fantastic night and I felt like ‘Christmas Eve’, the next morning it felt like a dream. The morning after felt whimsical and I had to pinch myself to tell that I was awake. This is how a great book launch should feel.

I cannot believe I didn’t blog it straight away, that I didn’t show you all how I felt. That you have had to wait two months for this post.

There was a lot to do before the event and next year I will be blogging about this side of things as I found, through countless hours of research a gap on the practicalities of organising launch events.

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I got to Birmingham with a travel bag of books. I was a bag of nerves, but fortunately had Maggie Doyle and Spoz with me, taking my mind off it.

I wish I had taken a photo of the room and another of the audience. When I stepped into the space, my breath was taken away. We had four comfy, green chairs ready for us at the front (Hays Festival style staging) and more chairs had to be put out for the audience, always a good sign. There were over 25 people there and I was delighted that family and friends had also come to support me. There were three audience members who had seen the advertising and turned up for a free night of poetry and one of them kindly bought my book. So I was able to tick off the unwritten checklist of selling the book to a stranger on the evening of it launching. Happy dance.

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I had asked for Roy McFarlane, Antony Owen and Claire Walker to come and read at the event. Claire started proceedings with a lovely set. I have always been a fan of her poetry (and Roy’s and Antony’s) – one of the many reasons I asked if they would read at the launch.

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My publisher, Sarah Leavesley was also there and made a short and delightful speech that I had to speak after (and she nearly made me cry). I read a selection of poems from the pamphlet, signed and sold lots of books and we all celebrated with wine and cake.

It was an incredible night. It still feels like a dream.

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Signing my first book. The books sold on the launch evening were all numbered as well.


 

Official Launch Photographs were kindly taken by Bernard Davis.

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Here is my post-launch social media message;

A very quick, adrenalin filled THANK YOU to everybody who came to celebrate the launch tonight. Family, friends, poets & general public. Couldn’t have asked for a better event. Room was perfect. Fell in love with that space as soon as I saw the backs of the chairs. Slightly awkward explaining to the general public, who had rushed in that the first half hour was mingle time. Poets never get to chat (learnt that if it is your launch you don’t get to chat either) but think I managed to hug and welcome everyone. Sold more books than no. of people in attendance, thanks for the generosity.

Huge, huge thanks to Claire Walker, Roy McFarlane and Antony R Owen who made me swell with heartfelt sets and lots of appreciated sign language from the green chairs. How ‘Hay’ was that?

Thanks to V. Press for publishing Fragile Houses & Sarah Leavesley for her generous words and all the hard work. I managed not to cry the poems, but after that speech it was hard to do the next intro.

Thanks to Maggie Doyle who had my camera and captured that magic writer- editor/ publisher moment, gave me a lift and has been there from almost the very beginning. Thanks to Giovanni Spoz Esposito for the extra lift relay, for supporting the launch and for the delivery of my words elsewhere. Hope they serve well.

Thanks to John who enabled me to tick ‘sell your book to a stranger’. Thanks to everyone. Next stop, headlining Stirchley Speaks tomorrow, along with the wonderful Carl Sealeaf, P Cafe 7.30pm. Signed pamphlets will be available, minus the free muffins & wine.

Also thank you to Waterstones Birmingham and Bernard Davis who stepped in to catch everything through his camera lens. I cannot wait to see the shots!

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As you can see from this photo – the pamphlet costs £5.50 and makes Christmas shopping REALLY easy.

V.Press have currently got Christmas bundles on SALE. Which means for just £7.50 you can be the owner or giver of two pamphlets.

Festive Offer 3: The way home

2 illustrated poetry pamphlets: David Calcutt’s The Old Man in the House of Bone and Nina Lewis’ Fragile Houses for just £7.50 (including P&P in the UK only)

September Review (better late than never)

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So the Christmas adverts haven’t gone unnoticed and I realise we are fast approaching the end of November, (I realise this as I haven’t started seasonal shopping yet)! It has been a really busy Autumn, which is great as this is the life I wanted… it does mean that my blogging time has diminished.

I have some great ideas how to utilise this blog in 2017 that will fit into the ever-increasingly busier patterns I now exist in. I will save the big reveal for the New Year whilst I focus on the backlog!


REVIEW OF SEPTEMBER

September was the most exciting month of 2016 so far, my debut pamphlet ‘Fragile Houses’ made it out of editorial and to the printers and I was able to get my teeth into something I do well, organising the Book Launch event and promoting.

fragile-houses-best I was always a little unsure how soon to the end of the process the book had to be before the promoting could begin. Hard work after keeping it a secret for so long. Frustrating though the length of time it all took was, I am glad we launched in October because it is close enough to still being NEW at Christmas! So if, like me, you haven’t started shopping yet…

The rest of September wasn’t too bad either.

Week 1

I finally managed to get back over to Permission to Speak, where Walsall Poetry Society had the headline slot. A collective of poets with a great range of work. Richard Archer – a poet from Walsall helped set this up. Richard has written 3 books of poetry and has performed his work on TV and radio. He describes his poems as a sideways look at life as he tries to dissect the world around him, failing or succeeding in equal measure.

Richard was joined by founding member Bryan Sydney Griffin a.k.a “LaGrif”, Marrianne Burgess, Paul Elwell, Ian Ward and Vicki MacWinyers.

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I was also delighted to see Steve Harrison there, our paths haven’t crossed in a while. Busy poets that we are, with a few Counties of separation. It was a good evening and it felt like coming home. Rob Francis is always so welcoming and it is a great venue to perform in with one of my favourite stages (because it is made out of old school desks) and features in one of my poems. It was lovely to share the evening with Claire Walker and Ian Glass.

I missed the Fringe Festival in Digbeth, as I was out celebrating my birthday (yes! It was in August), I like to party! It was at the expense of missing several submission deadlines this month though. I try to be kind to myself when that happens but the inner voice is screaming ‘GET ORGANISED GIRL!’

 

Week 2

I spent my time organising new term workshops for my Writing West Midlands group and sifting my way through the admin mountain.

I went to Waterstones to watch fellow V. Press poets David Calcutt, Kathy Gee and Claire Walker who have spent months planning ‘From Birth to Bone’, a scripted reading combining poems from all of their collections. I was a little gutted that Fragile Houses wasn’t out in time to participate, I have had conversations about collaboration for sometime. Still I have a few ideas to bounce around in 2017.

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It was a fabulous night and their work blended well. I thoroughly enjoyed it, it was a jolly good performance. The other thing I loved was the programme. Listed on it were all the poems and the relevant pages from their books.

What I did manage to do was speak to Stuart, as an Area manager and Poet himself he is fully behind events in Waterstones. I have over the year attended several, but from this point onwards the book shop becomes my second home! I confirmed my book launch was to take place in Waterstones ! Oh, my wake me up – I am dreaming!

I went to SpeakEasy in Worcester where the featured artists was a three piece, ‘Threezacrowd‘ – Michael Thomas on words and Campbell and Jan Perry on music. SpeakEasy tends to be poetry so it was different to have some music and singing. Mike Alma and Pip Barlow brought us guitar and voice the month before.

mike-and-pip-barlow-mary-davis Photograph – Mary Davis

The photo is from the August SpeakEasy, where I read some of the canal poems (still in draft form) from our poetry trip. I was wearing my Tiller Girl badge and Alan Durham wore his pirate badge.

speakeasy Photograph – Mary Davis

I spent the rest of the week planning and promoting my Book Launch, working for Writing West Midlands, wrote endorsements for ‘Birth to Bone’ and my pamphlets became real and reached the editor. I still cannot believe I waited to pick them up for several days as our schedules weren’t matching.

They were published in time for the London Book Fair, which was exciting.

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Week 3

Following some summer preparation, I started organising INKSPILL – our online writing retreat. Sending emails and making contact with writers was fun and in the process have pretty much organised next year’s Guest Writers too.

It was also the first ‘Licensed to Rhyme’ – my most local poetry night! Finally my hometown can offer something and what a something it is. Maggie Doyle and Fergus McGonigal ran SpeakEasy for a couple of years and both took retirement from it earlier in 2016. Maggie and Fergus worked hard finding the perfect venue and pricing and all the millions of behind the scenes work, we never really consider.

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Spoz co-hosts the event with Maggie Doyle once a month. This first evening was a great success and because the venue is an Arts Centre (Artrix) we have professional sound and sound engineers to boot. We walked on to ‘James Bond theme music’ and the atmosphere was electric. Which all helps performers to perform well. I had a 10 minute Guest Spot and Maggie mentioned my pamphlet was to launch in a few weeks too.

Even more exciting was finally meeting Dreadlock Alien, a man people have constantly spoken about since I hit the circuit in 2014. I knew some of his poems and have seen him perform online but to meet him was thrilling and it was lovely to see a lot of the Birmingham crowd over here too.

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I also worked on (for hours) a professional writing website where people can find me, book me etc. A space I can keep for promo and work. And guess what? I found the only web space that doesn’t link to SEO on Google searches etc. which means unless I send the direct link – you cannot find me. I am limited by free webpages at the moment and many of these need you to install all sorts. I am tempted to use WordPress and as I bought ‘A Writers Fountain’, 16 years ago, I know I can do it again, when money flows a little better.

I still haven’t sat down to work this out but will spend those post-Christmas moments on it, ready to hit 2017 hard.

Come and see it anyway – http://ninalewis.webs.com/ – save it to your favourites, it may be the only way to find it again!

This is the week term started and for this half term I faced a new challenge, I have taken on a 3 day week. Okay, that doesn’t sound a lot but they are full paced and challenging days in a block and I am still on medication. What it will mean is I needn’t worry about not having enough work and it will give me a chance to build up skills with individuals, which is half the battle at the chalk-face or whatever it is called now we are all fully interactive.

It was also super busy with Poetry Events, such as Roy McFarlane’s book launch for his collection ‘Beginning with your Last Breath’- Nine Arches. roy-beg-last-breath

A superb event that took place in Wolverhampton at the Arena Theatre. This was a night I did manage to blog about in real time and you can read the post here.

https://awritersfountain.wordpress.com/2016/09/19/beginning-with-your-last-breath-by-roy-mcfarlane/

Hit The Ode was the next evening and I was just too exhausted by then to get myself back to the city, fortunately in a move of pure genius Carl Sealeaf was providing LIVE streaming, which was no way as good as being there – but was much better than missing it all. It also meant I had time for 2 hours worth of research and some book promotion work.

I also started to write properly again, something I haven’t really been able to do whilst the pamphlet was still in editorial.

I booked guest poets for my book launch; Roy McFarlane, Antony Owen and Claire Walker. Delighted they all agreed to read.

This week didn’t stop. On Friday I went to Kenilworth to see a Poetry Reading at the Talisman Theatre, curated by David Morley. Just in the foyer alone I was excited to see so many people, many I had seen just a couple of days earlier at Roy’s book launch. By far the most exciting sightings were John & Liz Mills, I had no idea they were coming, we have already decided to make a reunion of it next year, treating ourselves to pre-show dinner, after show drinks and a hotel. They had booked a hotel, I live a little nearer so opted for a night drive.

I also saw Julie Boden and that was a treat. So glad that she made it to the show.

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The show itself was mighty fine. I loved meeting and hearing new to me poets – Luke Kennard, who I have missed every time the opportunity has arisen, Sarah Howe who writes beautiful, honest poetry and Claire Trévien, who loves language and was a joy to watch/listen to. I enjoyed the sets from the poets I do know David Morley, Jo Bell, Jonathan Edwards too. They promised a special evening – and it was!

I really wish I had blogged about it at the time, because so much has happened since, it was a wonderful evening and I remember it fondly.

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I missed Jo Bell’s workshop on Saturday as I was going to Worcester Music Festival to see The Anti-Poet, after missing them at WLF (Worcester LitFest) in the summer. I loved it! It was a total nightmare to park, but well worth the agro. anti-poet-2

After this I finally COLLECTED my PAMPHLETS!

It was also London Book Fair and although I couldn’t make it this year and missed the opportunity to perform Ambiguous Answers for Paper Swan Press,

 

my book did make it and I got to follow it all on Twitter.

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And FINALLY on Sunday I headed out to the MAC where I watched the new version of Ten Letters. The original last year was crowdfunded, a project that was the brainchild of Lorna Meehan and Spoz. This year they have a few new performers, lots of new writing and media and have been funded by the Lottery and Arts Council.

I was also asked to appear on a panel of writers on Radio – which I was jumping about over, until I realised it was a work day and I wouldn’t be able to get to the studio. However, I have been booked to do this in January. Which hopefully will be an easier month on the calendar and I will be all fresh and ready.

Week 4

This is the week of the Poetry Festival in Stratford-Upon-Avon and I was gutted to miss every event I had hoped to get to. After typing week 3 for the past hour, I can see why I didn’t have the energy to work, play and drive all over the place. The final performance from all the resident poets, ‘Unexpected Encounters’ was something I really wanted to see, but had booked (way back in August) my final birthday meal with friends, where we got to cook our food on hot volcanic rocks and this was something that couldn’t be undone. It was a great night!

It was also Leicester Shindig and I hadn’t realised Claire Walker was featuring there, missed it completely. Leicester was the city I came out as a poet in and performed spoken word for the first time.

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I had several invites to events I missed this week – it was hard enough to stay awake and work without going out in the evenings. I was getting in and falling asleep. I did admin tasks, promotion online and booked tickets for Swindon Poetry Festival. I also managed to get to the local Stanza meeting as well as taking a Headline booking for Stirchley Speaks next month, the night after my Book Launch. I also took my first booking for 2017 and booked up October.

On Sunday I read at Open Poetry in the Arboretum, Walsall and promoted my forthcoming pamphlet. It was a lovely afternoon.

 

The last 5 days – no wonder this month seemed so long!

I continued Market Research, promoting and organising the Book Launch (1 week to go).

I missed some submission deadlines.

Took pre-orders for the pamphlet.

Missed Poetry Bites and the Open Mic at Waterstones, 42 and a Scratch Night. I was attempting to take my editor’s advice and take it easy the week before the launch. Which I managed ALL WEEK and then at the weekend (with 48hrs to launch) I broke my promise to myself.

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MORE ON THAT IN THE OCTOBER REVIEW.

 

 

 

My Book is 1 Week Old TODAY!

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My book is now a week old and what a busy entry into the world it has had.

On Monday I was joined by the lovely poets; Roy McFarlane, Antony Owen and Claire Walker to launch Fragile Houses at Waterstones, Birmingham. It was a fabulous night that deserves a blog post of its own, (on the TO DO list).

On Tuesday it was treated to a night out at Stirchley Speaks, where I headlined alongside Lydia Scarlett, who stepped in to fill the mighty shoes of Carl Sealeaf.

On Wednesday I gave it a night off.

On Thursday it celebrated National Poetry Day in Worcester, sharing the space with new poems all about messages. ‘Linger’ is a poem about messages, so that made it to the set, but the rest of the book was available to buy.

Then… da, da, daaa… the book went to Poetry Swindon. Hilda Sheehan let it share tablespace with the big boys, which was generous as most of the writers/publishers represented on the book stall were also on the bill. It sold well. Having rested on the book table isn’t as exhausted as me.

I am hugely grateful to everyone for their support. If someone had told me 3 months ago I would launch a book at Waterstones and have a copy with Daljit Nagra and another copy in Palestine, Bethlehem I would not have believed it. The latter have happened through the generosity of two poets who probably want to remain nameless. Let me know if you don’t – as I will gladly sing your praises!

I have seen both Angela France and Jean Atkin in person and was able to thank them for endorsing my debut pamphlet.

And it has been made into a film… well, not quite. I made a poetry film with ‘Journey’, one of the poems in the pamphlet. Now hosted on my YouTube channel.

 

WHAT A WEEK IT HAS BEEN!

Buy your copy here £6.99 (including P&P) – UK

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A Year of Learning Curves

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2015/16 have been eye opening years for learning. At no point have I thought staying in my comfort zone was a good idea, in fact I don’t think I have found a comfort zone yet. The whole idea behind this leap of faith was creativity and adventure and I expected (sought and found) abundant amounts of it.

I jump from learning about the lengthy editing process to marketing books. I am glad I didn’t look down. I have researched and actioned so much in the past few weeks that it has been hard to keep track of all the avenues. The most important lessons will not be lost though, I plan to share some of my new found knowledge with you. Hopefully the next person with similar Google searches will find more answers with less time and energy used that I expended.

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Bruce Elkin © 2016

The one thing I will mention is how much fun this hard work has been! After decades working (extremely hard) for someone else in a thankless profession, I relish the idea of freedom as much as I love experiencing it. The hours used researching and networking to market my book, Fragile Houses fragile-houses-best By Nina Lewis, Published by V.Press, have been an absolute pleasure.

Of course, there is always the possibility that I am driving people mad with social media updates. With a week to go and today being my last day of freedom to drive the PR machine, I am in fifth gear.

The good news is there are pre-orders both for mailing and for signing. The fear that no one will want to buy the pamphlet is a thing of the past. The fear that no one will turn up for the Book Launch, a fear of the past. Now the worry energy can be converted into real energy as I attack the final full day pre-launch TO DO list. A day to remember.

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A week Monday will be a day I never forget too.

My Pamphlet is a Real Thing: Fragile Houses by Nina Lewis published by V. Press

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I am proud to announce that my debut pamphlet, ‘Fragile Houses’ is published by V. Press. Pre-orders can be taken and it is officially released on the 3rd October.

CLICK TO BUY

It is also available from the V. Press stall at The Poetry Book Fair, 17th September.

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The official book launch is on Monday 3rd October at Waterstones, Birmingham.

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Book of Bones – Kathy Gee

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In May, Kathy Gee celebrated her debut collection ‘Book of Bones’ (published by V. Press), with a launch in the Long Room at Avoncroft Museum (historic buildings).

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Avoncroft Museum © 2016

A perfect venue for Kathy, who is an archaeologist by training. Kathy has had a long career in museums and heritage and is a Trustee at the museum.

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It was a wonderful evening filled with poetry and guest readings from many local poets; Claire Walker, John Lawrence, Maggie Doyle, Ruth Stacey, Ian Glass and Heather Wastie.

I always enjoy Kathy’s work and now I can read my copy with her voice firmly in my head.

BUY your copy here http://vpresspoetry.blogspot.co.uk/p/book-of-bones.html this link also includes a couple of Soundcloud poems.

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Rosie Miles © 2016

 

RELATED LINKS

http://vpresspoetry.blogspot.co.uk/2016/05/chez-nous-recommendations-for-book-of.html

 

Review of May

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May Review

May (like April) was a funny month of missing events I had planned to attend. My main focus returned to writing, more precisely editing which I find harder and less fun than creating, it is a bit like cleaning (which I also despise) but the end result of fresh and better is rewarding. I enjoy re-reading a tighter collection, but the editing time is like moving rocks with bare hands! I have to force myself into editing mode. It isn’t about being precious over my darlings, I learnt to kill them in my first year (2013), it is just the effort of crafting, the exhausted mind, the energy needed – and time.

Week 1

May started with a Bank Holiday weekend and Mr G and I went to see Mark Lanegan perform (our 3rd time), the next day at work was hard and followed by an evening at Stirchley Speaks, where Mike Alma was one of the featured poets. I was glad I managed to make it over to support him, it was (as always) a great night, filled with warmth and energy.

Next month is Jess Davies’ last month hosting before she moves on to her new exciting plan of events and workshops. She has had an exceptional year at the P Café, I am sure Callum Bate and his sister, Melissa, will do well hosting this established spoken word night when they take over in the summer and I wish them luck. They are dynamic performers themselves and featured as ‘Prime Poetry’ at the first Stirchley Speaks back in 2015.

An exciting Friday Night (6th May) saw Kathy Gee’s Book Launch, her first collection, published by V Press. It was at Avoncroft Museum , I hadn’t been there for  years and it was the PERFECT venue. Buy a copy here Book of Bones It was a wonderful evening of poetry in the Long Room. https://awritersfountain.wordpress.com/2016/07/24/book-of-bones-kathy-gee/

I missed several writing events over the weekend as Mr G and I went to a Kate Bush Tribute, which was amazing. ‘Cloudbusting‘ are the UKs longest running Kate Bush tribute. Mr G is a total fan of Bush, she never hit my radar (being slightly younger), of course I knew of her – who doesn’t! As an adult I appreciate the poetry of her music and her wildly free artistry.

The singer of Cloudbusting was amazing, what she could do with her voice! Incredible. We loved every minute, they were down a guitarist and still it was exceptional. I can only imagine how good the full band would have been. What was lovely was her references to Kate and seeing what big fans of her music they all were.

Week 2

I finally made it back to SpeakEasy (12th May) in there new home, Café Bliss, a venue I love so much I am currently trying to organise a party there! It was great to hear everyone again, Spoz was the featured poet and he brought lots of his Calais Refugee poetry with him for a hard hitting set. It was good to catch up with him, as he is having a busy year including touring TEN LETTERS, which I was lucky enough to catch in Birmingham. Link to follow.

We have also been in our lovely home for 3 years now (still with lots to do), this made me appreciate that I have been living the creative dream for a while. This will always be my Poetry house. I feel grateful, although due to getting the house straightened out and working on my manuscript I have only managed to carve writing time out recently and long for the weeks to find structure again, where I can manage a writing day/ days.

Week 3

Mum and I experienced the World Premiere of Liam Scarlett’s amazing new ballet ‘Frankenstein’, performed by the Royal Opera House in association with San Francisco Ballet (I stayed just up the road from the dance school on one of my US trips)! I felt like I was watching the next BIG thing, this ballet steps into the shoes of a 21st Century The Rite of Spring, with regard to the importance of what Scarlett has achieved. I only hope it is studied in years to come. Bravo to the ROH for taking the risk, Scarlett is an immensely talented 30 year old (jealous). I was part of something special that night and it bore a new ambition. One day I hope my writing may become a ballet (I danced until my 20s).

http://www.roh.org.uk/productions/frankenstein-by-liam-scarlett

On the 19th I took part in Worcester’s first WLF Poetry Salon, based on the European Poetry Brothel concept. This was the brainchild of Charley Barnes and was an exciting night at the Rectifying House. I shared my booth with Maggie Doyle and a great time was had by performers and listeners alike. Link to follow.

May 20th saw the end of Mental Health week, something which is close to my heart as it was own demise which brought me back to writing from a depression diary to the world of poetry. Leisa Taylor/ Woo Feminista took over Café Bliss with a night of Spoken Word, where brave poets shared more than words and stories. It was incredibly moving.

The evening after (21st May) I performed a set for Arts Week in Parks Café, as part of the Poetry Extravaganza.

Week 4

I finally made it to a Stanza meeting after missing several months. It was great to reconnect although I had been busy with work and my editing brain was fairly useless. I took a poem which was inspired by a Nano poem prompt in a roundabout way.

I didn’t get a chance to submit anything this month, I didn’t even finish my action plan for May. My main focus was editing my manuscript and I put enough time into that to let it have some rest time before coming back to it for further reading.

I missed Cheltenham Poetry Festival completely (Wenlock & Stratford too) and as I write this I have so far missed all earmarked events at my local festival, Worcester LitFest – look out for some posts on this too.

The past 18months of work on my pamphlet has taught me lots on the process, I am also becoming aware that the focus and energy needed to achieve such things means sacrifices, including festival tickets. Still I will focus on the petrol I have saved and how much smaller my carbon footprint will be this year – silver linings!

I missed a photo shoot for the poetry E-book with Shakti Women, as my car was failing its MOT at the time! I have a photographer willing to take head shots now though, all is not lost. If only I could lose my double chin(s)!

I had two personal invites to workshops in June from poets I respect and was very touched to have been thought of. I signed a poetry contract for Shabda Press, three poems in the up and coming Nuclear Impact Anthology, Broken Atoms in Our Hands. There is nothing like signing contracts to make you feel like a real writer.

I performed at 42 – where fairly hilariously most of us worked the theme of the evening into lines in our poems or stories ‘Blacker than the Night’- by the time I performed in the 2nd half people were listening for the theme punchline I think.

It was also a platform for me to perform one of my Nuclear poems, the message is important and the places you can share such material is limited.

It was a great night. Thoroughly enjoyed.

I am certainly back in my poetry skin after a few wobbly months and look forward to the upcoming festivals and booked performances of the summer.

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