Tag Archives: V Press

In Conversation – BMI Poetry Project

Standard

Print

building-web-banner

Last night I had the pleasure of a reading in Birmingham at the Birmingham & Midland Institute, a booking which was taken last year.

We were competing with an event at Waterstones (Cinnamon Press Showcase which was postponed from earlier in the year and an event I would have attended myself), final assignment deadlines for Birmingham Universities and the sunshine which made an appearance around 4 PM and again at 8 and probably had most people running for their gardens!

Still we had a good time and it was great meeting new poetry lovers. I was surprised and delighted by the support of Roy McFarlane who is the current Poet in Residence at BMI and fast approaching the launch of his next collection (Nine Arches Press).

roy-mcfarlane-web-final-large-text.jpg

I was a little nervous, I have 3 Guest Speaker events under my belt and a string of radio interviews but had never had a live Q&A in front of a theatre audience and I am always mindful of what people probably want to hear and the art of gentle disclosure.

BMI

Photo credits Paul Stringer (Room 204) and PhotoGiraffe

Talking to people during the interval, the insights that came up were from points where I relaxed and answered honestly hiding behind the 4th wall (forgetting we were being watched). It was fun talking about writing and all things poetry.

The event was held in the John Lee theatre, acoustics were great. I had woken up without a voice and used it all day at work.

John Lee Theatre

I enjoyed the reading – the first half was Fragile Houses and the second part a mixture of poems from the book and some newer material. Again, lots of positive feedback and although the audience was not as large as hoped my work has found new ears.

The evening finished with an Open Mic and this was a chance for new performers. The poetry was good, some of it deeply moving and we even managed to convince Roy to treat us to a poem.

The sun was just setting as we made our way back to New Street (now Grand Central).

8-nngv3ao9l4v9c9wh0odieaosqd44bv7ji3i3zwu1l4

Fragile Houses is now housed in the Library at BMI.

Huge thanks to Jo, who stepped into Serena Trowbridge’s shoes, I wish Serena a speedy recovery and look forward to more events the BMI has to offer.

Images © 2017 Birmingham & Midland Institute https://bmi.org.uk/

 

 

 

Advertisements

Against the Pull of Time Book Launch

Standard

20th April

Back in April I had the pleasure of attending a book launch in my local Library, Against the Pull of Time is the latest pamphlet by Jenna Plewes, published by V. Press. It was a lovely way to spend a sunny Friday evening.

jenna pull

The poems in this book were written on retreat on the island of Iona. Although some people in the audience had been there it is not a place I know. Or at least it wasn’t. By the end of the Launch, I felt I knew the geography of Iona and the feeling of the island well.

Jenna’s poems are brimming with a sense of place and left many of us longing to go and explore Iona for ourselves.

During the Q&A following the reading, it was interesting to hear what people thought and to listen to how different poems touched us. This demonstrates the eclectic coverage Jenna’s poems have.

Some people arrived part way through so we were lucky enough to hear some poems twice and listen to some Jenna had not planned to read at the launch.

A relaxed event. If the sun hadn’t been glowing, Jenna’s words alone would have filled the evening with warmth.

Jenna Plewes

Find a sample poem and buy a copy here.

“Against the Pull of Time is a spiritual and physical journey. On the island of Iona Jenna Plewes travels far into herself to come to terms with loss, ageing and mortality. The outer landscape is wonderfully realized. Sea, shore, shells, birds and buildings play a central role in her inner exploration. The immediacy of the pared writing in this sequence, its telling details and the sharing of a deeply-felt experience, draw the reader into Plewes’ journey.” Myra Schneider

“In tender, beautiful and unsentimental language Jenna Plewes takes us on a journey, walking barefoot on wet sand, sitting in a ruined nunnery, musing on the shoreline ‘handcuffed to the sea’. it is a long time since I have read a collection that moved me so. One line somehow says it all: ‘so many things are precious in the leaving and the letting go’. This is a collection I want to read over and over – also rare these days.” Roselle Angwin

Against the Pull of Time is very very deep-rooted and seamlessly woven.

© 2018 V. Press

 

 

December Review

Standard

needle-branch-2970997_1920

The end of the year has rolled around fast this year. I feel like my feet have hardly hit the ground! There are so many highlights to 2017, I am gifting them a separate blog post!

I promised myself I would wind poeting down a little in December, especially with Christmas preparations and a house to sort. Plus I have not spent much time with family & friends this year. Now is the perfect time to reconnect. It didn’t quite work out this way, as you can imagine…

Week 1:

The end of November was busy and tiring, so I spent most of my writing day (1st December) resting and completing necessary admin tasks: I completed my next Reader in Residence activity – compiling a list of 12 Reading Challenges for 2018 for Rugby Library users, wrote a blog review for my Writing A Book Review Workshop and booked a repeat of this session for February 2018.

writing book review

I continued to work on applications, wrote a few new poems and opened Contour submissions. I got creative with cover design and started prepping the layout (issue 1 took about 4 days to master)!

Contour – the WPL digital magazine is open for the next round of submissions – February Issue.

Contour Issue 2 Preview

Contour Open Submissions

That was just day 1, week 1!

The weekend was just as busy with was a family birthday celebration, an editing group in Cheltenham, the Victorian Christmas Fayre with Mr G. and a trip to Walsall for Yes We Cant with Elvis Mcgonagall, who I haven’t had the pleasure of seeing since 2014! Long overdue. It was a fantastic night, you can read all about it here. (LINK to follow)

elvis

http://www.elvismcgonagall.co.uk/about.htm

Monday Mr G. had a rare day off booked so we accomplished some work around the house.

Tuesday I was back to poeting and a fabulous new Spoken Word event created by Charley Barnes in Worcester, it was a good mix of poetry, spoken word and story. Polly Stretton was the delightful headliner with an assured set of eclectic mix of her work. A warm, exciting atmosphere, a good turn out and a lovely venue. Perfect. Delighted there will be more.

dear listener

Wednesday saw a workshop in Stratford which will hopefully lead to something else in January and definitely gave me two working poems which would both be suitable for my next writery idea. I thoroughly enjoy this group and the workshops always deliver some new work for me. I had planned to go to Permission to Speak in the evening, The Black Country Anthology compiled by Emma Purshouse/Offa Press was being compiled and I was really looking forward to several of the billed performers and Roy McFarlane was headlining.

pts

By the time I got home it was a strain to keep my eyes open and with a fully booked end of week ahead (radio, work, gig, work, stanza, book launch) I felt that I needed to give myself recovery time. Which I did… it may have taken 4 years, but my ‘sensible’ is developing. I did some prep for the Radio and had an early night.

If I forget the journey to the train station, my Thursday was an exceptional one. Helen Calcutt asked me to do Brum Radio back in 2016, we were tried to make a booking which became impossible as I was contracted to work on the days of recordings. Fast forward a few presenters and Rick Sanders has taken on the role of host. He asked me to be a guest a while back and has been busily creative matching poets up together for his shows. Today was the day. It was great fun and I have given the experience a blog post. Read all about it here. (Link to follow)

Brum-Radio-logo-crop

Then after getting home I went back to Birmingham – well as far in as Selly Oak for Grizzly Pear. This night usually clashes with SpeakEasy so it took me about 3 years to make it to one and I had not made it back since. At the Verve Launch back in November I discovered Liz Berry would be headlining and immediately put the date in my diary. Unfortunately, it still clashed with a Worcester event, this time Uncorked at Bottles with Bethany (now Beff) Slim, Nick Lovell & Mike Alma headlining. I did go to Uncorked last month, so although I was sad to miss these 3 in headline spots I know I can hear them regularly on the circuit. I am glad to know Holly is better and back in her hosting role. I am sure I will get to hear all about this night soon.

grizzly pear

Having already made the commitment to go, I was delighted to discover Jenna Clake and Susannah Dickey on the same bill. It was tremendous to see the Shropshire contingency out in full force too as well as catching up with local poetry friends. They also had a Haiku Poetry Slam and I came 2nd. The prize was a Verve Festival Workshop – delighted! I have booked 2 already but the chance to do a 3rd, epic! I have written an entire blog here. (Link to follow)

 

christmas-tree-2990851_1920

Week 2:

Friday – a day of snow and an evening of poetry, except by the time I was home I knew my mind was too tired to critique poetry so I missed our Christmas Stanza, I hate missing Stanza, but I also dislike it when I am too tired to participate properly and feel like I cannot be of assistance to others. It was the right decision as I fell asleep at 7 PM. I also wanted to be fresh for Claire Walker’s Book Launch the following evening. I think I was suffering after only managing 5 hours sleep after Grizzly Pear and a day of work in the only school that didn’t close for snow!

Saturday saw the much anticipated Book Launch of ‘Somewhere Between Rose & Black’ by Claire Walker, her 2nd V. Press pamphlet.

cwalker rose The Book has already been on sale and I resisted the urge to buy/pre-order my copy. I like to support the launches and buy one on the sizzle of the evening.

Tuesday 12th December was the Michael Marks Awards with V. Press nominated for the Publishers Prize.

Vpress (1)

There was a Room 204 party organised in Birmingham, which I would have loved to go to. This was actually cancelled due to the snow.

Thursday SpeakEasy in Worcester, saw Sharon Carr Headline.

 

tree-2990808_1920

Week 3:

Saturday was my last WWM Spark Writers Group for the year. It was also the end of Poetry Events for me before a Christmas Break. Work finished too… not that there has been a lot this term, I can count the days I have had on both hands and still have fingers left over!

I plan to spend my Christmas break preparing for an International Festival, workshops and getting some work done (writing), as well as sorting out the house.

 

christmas-background-2985553_1920

Week 4:

I did indeed manage a fortnight break from all things writing with the exception of organising The Tale of Two Cities, a Poet Laureate Transatlantic Poetry Project.

I read Cherry Pie – Holly McNish’s debut collection. I read it back in 2014 when I went to Wenlock and watched her perform for the first time. I saw her perform twice this year, once at The Hive in Worcester and once at the Town Hall in Birmingham. Love her. I thoroughly enjoyed reading this book again. I read a couple of novels I borrowed from the library and started my Christmas read. For the past few years I have chosen a Christmas themed novel for the holidays. This one had all the promises of chick lit… but before the end of the first few chapters I found myself in a whole world of serious issues. About as unchristmassy as you can get! A good read though.

I sent a few poems to Angela France for an event that takes place in January, where I hope to read my poems and set about updating blog posts so when the December Review goes live (later today) there can be active links.

I also had to schedule meetings for early January with regards for several poet laureate events which will all take place before March.

It is hard to believe that I have less than 6 months left in this position! Although a lot of writing time and preparing for the International Festival is set in place post laureateship.

My desk had an annual clean up as we needed the table for Christmas Day! The laptop had a 10 day rest.

Now I am doing the final family visits before New Year and getting organised for a smooth launch into 2018.

I hope you all had a great Christmas.

IMG_1163 (2)

Mr G’s snowman.

 

 

 

 

 

 

Poetry Swindon Festival Day 1

Standard

Photography Credit: Mark Farley, RJ Museum © 2017

Thursday 5th October (Cont’d)

After a wonderful morning at Artsite… we all headed back to the museum.

spf

These hats, like Jinny’s balloons feature heavily throughout the Festival!

Back at the Richard Jefferies Museum we had a whole afternoon and evening of events to enjoy and of course – for the team, chores and jobs we needed to get used to quickly.

16:00 to 17:00 POETRY LECTURE RJ Museum Tent-Palace 
In this special lecture, From The Supernatural To The Surreal, Christopher Eddy, philosopher and poet, traces the journey from the one to the other in poems by W.B.Yeats and Dylan Thomas.
£5

Christopher PS

Christopher Eddy provided a lecture, whilst Stephen, Gram and myself busily started preparing for our performance at 5:30 PM.

I was incredibly nervous and felt I needed more than an hour to get my head swapped to performance mode, I needn’t have been so nervous. It was an exceptional event, I am not just saying that because it was our event! People were still talking about it several days later.

17:30 to 18:30 V FORMATION – POETS of V. PRESS RJ Museum Tent-Palace
A celebration of three new and exciting voices in British poetry: Stephen Daniels, Gram Joel Davies and Nina Lewis. Stephen Daniels is the editor of Amaryllis Poetry and Strange Poetry websites. His debut pamphlet Tell Mistakes I Love Them was published in 2017 by V. Press. Gram Joel Davies lives in Devon and his pamphlet, Bolt Down This Earth was V. Press’ Forward Prize nominee for 2017. Nina Lewis is Worcestershire Poet Laureate and her debut pamphlet Fragile Houses was published by V. Press in 2016.

AWF SP V Formation 5

We were introduced by Sam Loveless.

SPF V

 

SPF STEPHEN V

Stephen Daniels

AWF SP V Formation 3AWF SP V Formation1

Gram Joel Davies

SPF ME V

Nina Lewis

 

SPF V me

Nina Julia Webb

Julia Webb © 2017

Nina taken Julia Webb

Julia Webb © 2017

Stephen Daniels, the most local poet amongst our formation, read from his recently published pamphlet Tell Mistakes I Love Them, then Gram Joel Davies read from his collection Bolt Down This Earth and finally I took to the ‘Blue Gate’ home-made by the marvellous handy man, Mike Pringle, lectern to read and perform poems from Fragile Houses.

Poetry Swindon was the first festival where I sold my pamphlet last year when it was fresh off the publishers line. I was delighted to have an official space on the book stall again this year along with my fellow V. Press poets.

AWF SP V Formation 2

We had a great event which was thoroughly enjoyed by the audience.

Then it was time to don the green uniform (RJ T-shirts) and get back to work serving supper before the final show of the day. One I was very much looking forward to as it featured all 3 Resident Poets and I am a big fan of all of them.

 

20:00 to 21:30 READINGS RJ Museum Tent-Palace
Daljit Nagra, Tania Hershman & Jacqui Saphra, our resident poets, perform from their
new work and most recent collections. Plus music from young singer and poet Olivia Tuck.

SPF Res

Hilda Sheehan introduced the event and poets.

AWF PS first

Olivia Tuck shared her music and then three poets wowed a tent palace and demonstrated why they are this year’s resident poets.

 

SPF TANIA HERSHMAN THURS 6

Tania Hershman

SPF JAC THURS 6

Jacqueline Saphra

SPF Jacqueline Saphra

SPF DALJIT THURS 6TH

Daljit Nagra

It was a magical evening and a great first night at the festival. I wish I could review it all in more detail, but it was a long while ago and nothing but the emotions stay fresh in my memory. By the end of the 5 days that was Poetry Swindon, I was struggling to remember my name!

I know that I have read and heard Daljit’s work a lot in the past three years and always want to hear it again, it is never quite the same when I read it from the page. I know that I first met Tania Hershman years ago, officially in 2014 at Poetry Swindon when Jo Bell was the resident poet and Tania insisted she was a short story writer and not a poet… fast forward a few years, she has had her first collection published by Nine Arches, so I think Jo was right on that one! Jacqueline Saphra I had the pleasure of meeting just a week before Poetry Swindon, in London at Free Verse, the Poetry Book Fair (which I also need to blog still). I thoroughly enjoyed her reading and discovering more of her work.

Traditionally after every final event Hilda and the team provide FREE toast. That was an experience for us new to the team. The bar remains open and we were serving until bed time.

SPF Toast

 

Shortlisted Michael Marks Award

Standard

I am delighted to share the news that my publishers, V. Press have been shortlisted this year for the Michael Marks Publishers’ Award.

Vpress (1)

V. Press is very very delighted to have been shortlisted for the Michael Marks Publishers’ Award.

The award is a highlight of the poetry pamphlet publishing calendar and runs from July to July. The pamphlets that V. Press had in for this year are: Alex Reed’s A Career in Accompaniment, Nina Lewis’ Fragile Houses, David Clarke’s Scare Stories and Stephen Daniels’ Tell Mistakes I Love Them.

It’s been a delight to publish these pamphlets and V. Press is very very proud of all its authors – the press is its writers, readers and all those involved with it, including our fabulous poetry covers from V. Press designer Ruth Stacey.

The Awards will be announced at a dinner at the British Library on Tuesday, 12 December, where Sarah Leavesley will be giving a three minute presentation about the V. Press 2016/17 pamphlet list.

Other presses shortlisted are Mariscat Press, The Poetry Business/Smith Doorstep and Rack Press. The awards are run by The Wordsworth Trust and The British Library, with the generous support of the Michael Marks Charitable Trust, in association with the TLS and Harvard University’s Center for Hellenic Studies (CHS), in Washington DC and in Nafplio Greece

© V. Press

Read the full post here and discover the celebratory discount offered on the four titles above.

http://vpresspoetry.blogspot.co.uk/2017/11/michael-marks-awards-shortlisting.html

From the Wordsworth Trust:

The Michael Marks Publishers’ Award recognises an outstanding UK publisher of poetry in pamphlet form, based on their publishing programme between 1st July 2016 and 31st July 2017. The judges will take into account the publishers’ philosophy, aims, plans, design ethos and marketing strategy as well as the quality of the poetry.

V. Press

Judges’ Comments: The V. Press offering of four remarkably diverse pamphlets included a mix of established and new writers. We fell in love in particular with Alex Reed’s pamphlet ‘A Career in Accompaniment’ about looking after his wife – quiet poems, carefully crafted, with enormous emotional heft and dignity.

The winners, along with the winner of the Illustration Award, will be announced at the Awards Dinner at the British Library on Tuesday 12th December.

© The Wordsworth Trust

https://wordsworth.org.uk/poetry/poetrypamphlets.html

Background Information:

Michael Marks Awards for Poetry Pamphlets (established 2009) are a set of British literary awards for poetry writing and publishing in pamphlet form. As of 2012, the awards are administered by Wordsworth Trust in association with the British Library and the Times Literary Supplement, and the financial support of the Michael Marks Charitable Trust.

The prize was created to show how effective pamphlets can be in introducing new poetry to readers. The Nobel laureate Seamus Heaney praised the prize’s establishment as “inspired”.

It is an honour to be a small part of this and I wish V. Press every luck on the 12th December, I will all be crossing my fingers for you.

imagesCAPZJ2BH

INKSPILL Guest Poet Interview Stephen Daniels

Standard

INKSPILL SUN

1) How long have you been writing?

Not long really. I started writing Poetry in March 2015. I was encouraged to write by my creative writing tutor (and now very good friend) Hilda Sheehan. 

 

2) What tips would you give to someone starting out?

Read – write – read – write – repeat! It is so important to read when you are starting out – I learned more from reading than I ever did writing and it exposes you to different styles. This is what helped me find the writing style that worked for me. 

Secondly, don’t worry about being bad. I think it is important to just write at the beginning – being good should be secondary, that will come with time, but I think most writers struggle with feelings of inadequacy. My advice is to write through it – I think we all have to write the personal, cheesy poetry to break-through to the good stuff! 

tell mistakes

Stephen Daniels had his debut pamphlet published by V. Press in 2017

 

3) Where did ‘Tell Mistakes I Love Them’ start? 

I had written a lot of poetry and had been lucky enough to have much of it published. So I started thinking about what I could do next. I looked at the body of work I had created and realised I had a strong theme running through some of the work and started to pull it together.

I had around 50 poems which were semi-autobiographical, telling tales of my life, my family and my anxieties. I went through them all with some poet friends and whittled down the poems to around 30 and the line ‘Tell Mistakes I Love Them’ stood out on one of my poems and I felt like it summed up what I was trying to say.

The poems can be quite devastating, and I liked the idea of optimism running through them – even though some times it can be really, really hard to spot! 

 

4) Why V. Press? (I know you did lots of research – admirably so)

I have read a lot (A LOT) of poetry over the last two and a half years, and I found V. Press by accident, I read a poet called Claire Walker and loved the poem – so I bought her book – which was published by V. Press – I read it in one sitting and fell in love with it.

Claire Walker

My first poetry love! The content was amazing, but I also loved the way the books were produced and I felt a strong affinity with the style of poetry. So I started buying more V. Press books.

I have nearly all of them, and love them all. So when I found out V. Press had an open submission window, I sent them my manuscript. They were the only place I had considered, and thankfully the editor Sarah Leavesley enjoyed my poetry enough to offer to publish it!

 

5) I know we shouldn’t have them, but a favourite poem from your book?

I shall skilfully avoid this question and my own ego – by bowing to the people! One of the biggest surprises of having a book published is the poems that resonate with other people.

The poem that has resonated most with people was not what I expected but it has been a very pleasant surprise and that is ‘Wordslast’ a poem that came out of a Hilda Sheehan workshop… I will share the workshop task below so that you can try it!

Wordslast
 
Now she shouted shutwindow
Shutwindow now she shouted
So I said windowshut
Windowshut I said so
 
Opendoor now please come in I said
I said Please come in now opendoor
Dooropen now she screamed at me
Now at me she screamed dooropen
 
Lockedgate She demanded now
She demanded lockedgate now
I replied gatelocked now
Now gatelocked I replied
 
Now she questioned clearroad
Clearroad now she questioned
Roadclear now I answered incorrectly
Incorrectly I answered roadclear now
 
Wideeyes she pleaded with me
With me she pleaded wideeyes
Eyeswide I struggled to tell her
I struggled to tell her eyeswide
 
Handhold she asked me to
She asked me to handhold
Holdhand I said closing my eyes
Closing my eyes I said holdhand
 
 
(Previously published in ‘And Other Poems’)

Also published and discussed here https://louisacampbellblog.wordpress.com/2017/06/10/signpost-twelve-wordslast-by-stephen-daniels/

desk

6) Describe your typical writing day.

I crave a typical writing day!! Unfortunately, like editing, I tend to write in the space in between things. I tend to give myself time in the evenings to write, but if I am struggling to put anything meaningful on paper I always have book nearby as an alternative.

 

7) Where do you write?

Anywhere, I find my best poetry tends to happen when I am watching people – on a train, in a pub, in a park etc. but sometimes an idea just grabs you and you have to write  it there and then. I find that if I don’t capture it at that point, it rarely comes back again!

I always liked Ruth Stone’s story of how she would capture poems… I’m not sure my experience is as intense, but I definitely relate to the experience!

Taken from Wikipedia (https://en.wikipedia.org/wiki/Ruth_Stone) :

As [Stone] was growing up in rural Virginia, she would be out, working in the fields and she would feel and hear a poem coming at her from over the landscape. It was like a thunderous train of air and it would come barrelling down at her over the landscape. And when she felt it coming . . . ’cause it would shake the earth under her feet, she knew she had only one thing to do at that point. That was to, in her words, “run like hell” to the house as she would be chased by this poem.
The whole deal was that she had to get to a piece of paper fast enough so that when it thundered through her, she could collect it and grab it on the page. Other times she wouldn’t be fast enough, so she would be running and running, and she wouldn’t get to the house, and the poem would barrel through her and she would miss it, and it would “continue on across the landscape looking for another poet.”

 

And then there were these times, there were moments where she would almost miss it. She is running to the house and is looking for the paper and the poem passes through her. She grabs a pencil just as it’s going through her and she would reach out with her other hand and she would catch it. She would catch the poem by its tail and she would pull it backwards into her body as she was transcribing on the page. In those instances, the poem would come up on the page perfect and intact, but backwards, from the last word to the first.

 

8) Who are you reading right now?

Books I am enjoying right now include Sinead Morrissey’s collection ‘On Balance’, Pascale Petit’s ‘Mama Amzonica’ and ‘The Nagasaki Elder’ by Antony Owen – a stunning collection of poems published by V. Press earlier this year.

 

 

INKSPILL Guest Poet Interview with Antony Owen

Standard

INKSPILL SAT

I talk with Antony about his latest collection The Nagasaki Elder, his work as an Ambassador for CND Peace Education in the U.K, The Coventry Hiroshima Society and his hopes for this incredible book.
thenagasakielderversionfront

1. How did the idea for writing The Nagasaki Elder come about?

It was less of an idea and more of a promise to a Hibakusha that I would do all I could to raise awareness through poetry about the ghoulish consequences of nuclear weapons.
The seed was planted in 1984 when I watched Threads by a hugely overlooked writer called Barry Hines.

Threads was a BBC docu-drama that caused much controversy about its graphic portrayal of a one-megaton bomb being dropped over Sheffield. This was a working-class city like the one I was from and the people who became victims were my kin, toolmakers, mechanics. Cleaners, wives, mothers and fathers all decimated from the multiple faceted horrors of a nuclear weapon. The bomb depicted in Threads was around 70 times more powerful than the one that detonated over Hiroshima.

By today’s standard of nuclear weapons the one megaton bomb shown in Threads can be made 50-100 times more powerful. It is truly frightening and we cannot bury our heads in the sand. The idea for writing it is to show people what these weapons do and we will not get a 2nd chance to prevent them from ruining the human race and innocent blameless species that have been around long before us.

 

2. How long has this collection taken to write?

About 2 years. I work full time (not relying on poetry for an income) so all my free time was spent pretty much in researching, writing, re-writing etc. An old friend told me once that poetry is endless revision trailing through miles and miles of slush to find the purest, whitest snow.

One of the poems called The Fisherman’s Daughter in The Nagasaki Elder is about writing war poetry and the danger of doing so, if you go too far into the darkness you forget what light feels like. This happened to me and I think it is inevitable when writing about something so devastatingly sad.

 

3. Can you tell us about being an ambassador for CND Peace Education in the UK?

It is a role I take very seriously. The payment is not fiscal but active participation. CND Peace Education exist on minimum funding but maximum collaborative passions. All the people who work there make me very proud and make a pivotal difference to peace education and allowing tomorrows generation to make a difference today.

School students deserve to express themselves, there is no right or wrong answer in peace education, just the route we choose from being informed in a balanced way.

We plan to spend over 150 Billion pounds on weapons of mass destruction yet invest a pittance into peace education resources and peaceful weapons of mass instruction. It is wrong, places like CND Peace Education and the PEN Network deserve more sustainable funding so they can plan for legacies instead of day to day survival. It makes me very frustrated so I am pleased to help CND and will do so to the last.

carousel-cnd© Campaign for Nuclear Disarmament

More information on CND Peace Education can be found here.

http://www.cnduk.org/information/peace-education

 

4. How did the Coventry Hiroshima Society help support your peace work. Can you tell us about The Coventry Hiroshima Society?

They nurtured my social conscience with encouragement to pursue a path of peace and express it through poetry. It has helped further tighten the peace links between Coventry and Hiroshima.

The founder, Hideko Okamoto, has done more for peace than anyone else I know. The Coventry Hiroshima Society was a labour of love for Hideko after her time at Warwick University she was impressed with Coventry’s international links and advocation of peace and reconciliation. It moved her, particularly how Coventry which was badly bombed in WW2 remembers the anniversary of the atomic bombings on Hiroshima and Nagasaki.

The Coventry Hiroshima Society is a beacon of reciprocal remembrance that burns bright through all this human darkness in the world at the moment.

Coventry Cathedral-Statue of Reconciliation

Coventry Cathedral-Statue of Reconciliation  © gcgi.info

 

5. What are your hopes for the collection?

That it touches people, inspires them to research more about nuclear weapons and do something rather than nothing. I want the collection to break down walls and build bridges because we need them more than ever.

 

 

INKSPILL BOOKSHOP Check out the INKSPILL Bookshop for more information and links to Antony’s Poetry Collections including The Nagasaki Elder.

Working on a Poetry Show 30-40-60

Standard

2016-11-24 19.40.20

Back in 2016 I was already planning collaborations to promote my debut pamphlet ‘Fragile Houses’, published by V. Press.

This year I had the opportunity to organise events for festivals and two of these included this body of work. Stourbridge Literature Festival saw a straight reading of pamphlets and collections that I organised with fellow V. Press published poets: David Calcutt, Kathy Gee & Claire Walker. It was fun to do and we sold a couple of books.

The next bid I placed was with Worcester LitFest, although I have been aware of the festival and participated in various events since 2014, I had never discovered the bidding stage. I wrote a synopsis for a collaborative reading.

We heard that our application had been successful in March and set to work on developing the show 30-40-60.

script

We have had several meetings to script and rehearse the poetry side of things and have developed film work to enhance the experience, as well as promoting the show in hope of ticket sales. It is a something we hope to repeat at other festivals/events in the future as there has been an incredible amount of groundwork put in.

It has been one of the most pleasurable projects so far this year. The 3 hour meetings fly by and we have our fingers crossed now that we can make it a success.

30-40-60

Worcester LitFest runs from 9th – 18th June and as you can see 30-40-60 is billed for the 11th June, do come along if you can make it to The Hive, tickets are a festival fiver and if you want to perform poetry, sign up for the open mic beforehand by emailing us at 304060[at]mail.com

prog

Litfest A5 Programme 2017 30-40-60 page

Fragile Houses Receives a Sabotage Review

Standard

 

saboDelighted to share the review of Fragile Houses by Rachel Stirling on Sabotage Reviews.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/