Tag Archives: The Hive

International Women’s Day 2021

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There are many online events marking IWD – there are always Spoken Word and Poetry events that mark this day, the joy of this year was discovering the Creative Profiles on the main IWD site include poets.

Almost too many choices happening this evening, but you will find there are events throughout the week for IWD. I booked a ticket for an event tonight a long time ago, so haven’t even explored other events as I know I won’t be able to make them and then that just makes me feel frustrated.

All information and images below are ©International Women’s Day/IWD2021 (unless otherwise stated) and the text is from the official website.

IWD 2021 campaign theme: #ChooseToChallenge

A challenged world is an alert world. Individually, we’re all responsible for our own thoughts and actions – all day, every day.

We can all choose to challenge and call out gender bias and inequality. We can all choose to seek out and celebrate women’s achievements. Collectively, we can all help create an inclusive world.

From challenge comes change, so let’s all choose to challenge.

International Women’s Day (March 8) is a global day celebrating the social, economic, cultural, and political achievements of women. The day also marks a call to action for accelerating women’s equality.

IWD has occurred for well over a century, with the first IWD gathering in 1911 supported by over a million people. Today, IWD belongs to all groups collectively everywhere. IWD is not country, group or organization specific.

#IWD2021 #ChooseToChallenge

For full information on Women Creatives click here.

Firstly, a poet I was lucky enough to meet and hear during the first Lockdown, Sharena Lee Satti. She has been snapped up by Verve Poetry Press.

Sharena Lee Satti is an independent spoken word artist, author and workshop facilitator who writes with her emotions to the fore, her heart at the centre, and a power that can leave peopple breathless. 

“My poems are real, raw and honest – addressing issues like survival, cultural-identity, life’s battles, self-love, body dysmorphia and many subjects people struggle to speak out about,” says Sharena.

Writing has never been optional for Sharena Lee Satti. Like eating and breathing, it’s something integral to her existence. Everyday she is thankful to be able to make a small difference to society, sharing something she is deeply passionate about.

©www.sharenaleesatti.com

When you choose to challenge… through spoken word poetry

Anisa Nandaula is a very talented spoken word poet, play writer, educator and published author

Spoken word is one of the most powerful forms of poetry because it passionately expresses the poet’s deepest thoughts while simultaneously engaging and inspiring listeners. So, spoken word poetry seems a perfect medium to reinforce and amplify this year’s International Women’s Day #ChooseToChallenge theme. Spoken word poets from around the world are stepping forward in solidarity to choose to challenge. 

Anisa was born in Kampala, Uganda and later moved to Australia at the age of 8. Growing up in Australia, Anisa observed the vast distinctions between these two countries and the fundamental difference in living standards sparked her passion to use her voice to articulate her thoughts on social justice. Her poetry explores issues of race, feminism and politics – while employing her talent and wisdom to educate and engage people to have difficult and challenging conversations. Her often controversial work explores the complexities of being a child of diaspora, history and the importance of philosophical questioning. Anisa’s soulful and passionate performance style is incredibly moving.

Some of Anisa’s most influential poems see her confrontationally and powerfully explore concepts of identity, violence and worth.

Anisa has received a multitude of accolades, appeared at numerous high-profile events, and performed upon many prestigious stages including at the Sydney Opera house.

Anisa discusses her passion, struggles and inspiration

“I guarantee there are going to be moments where you want to give up – where you don’t think that you’re good enough or your ideas are good enough – but you have to be resilient enough to keep going…There are going to be days when no one believes in your idea but you, but you have to have belief in what you can see and what you can be in yourself,” says a young Anisa.

Aminah Rahman is an award-winning British-Bangladeshi poet and spoken word artist

Aminah Rahman is a 17-year-old award-winning published poet and spoken word artist born and raised in Cambridge, UK. She is a third-generation British-Bangladeshi with over 60 years of family history in Cambridge. She has been writing poetry since she was eight years old. Most of her poetry focuses on fighting racism and celebrating who we are as individuals. 

To support the International Women’s Day #ChooseToChallenge​ theme and to call upon further spoken word poets to step forward and use their voice to influence positive change, Aminah crafted an inspiring poem “Changing the Future”.

Aminah Rahman

Aminah’s mission is to break down any barriers that could stop people from reaching their potential, and she hopes to connect to the souls of many people who draw comfort from her words.

“I believe that it is important to be there for one another. I remember when I wrote my first rap ‘Accept Me Please’, after hearing stories about tackling racism. I ran up the stairs, taking two steps at a time as so many ideas came flooding in to me, and then I put pen to paper,” she explains. “I had never written so quickly! It was an incredible feeling knowing that I had my first rap right in front of my eyes. Poetry has enabled me to learn about the world around me and most importantly who I am as an individual.”

Winner of prestigious awards and accolades

Aminah wrote her first poetry collection Poems by Aminah in 2016. She then wrote Soul Change, her next collection of poems about social issues that affect humanity today. Five of Aminah’s poems have been published in Young Writers UK anthologies. Aminah is featured in the June 2020 edition of Writing Magazine, the UK’s biggest and bestselling magazine for writers, where she talks about her passion for poetry. Aminah was also recognised as one of the ‘Top 6 Most Influential Muslim Youth’ in Hayati Magazine, Nigeria’s #1 Muslimah fashion and lifestyle magazine.

She was the winner of the Young Muslim Writers Awards Key Stage 2 Poetry category in 2015. In 2017, she was the joint winner of the Cambridge News and Media Education Awards: Pupil of the Year award. She also took part in the BBC Upload Festival 2020, a festival that showcases talent from across England and the Channel Islands. Aminah represented Cambridgeshire with her poem ‘Please’. She has spoken at numerous events, actively promoting inclusion and diversity.

Using poetry to understand the people and the world

Aminah Rahman

Poetry can be a powerful mechanism for change. For Aminah, it is the heartbeat for change.

It helps her to understand and appreciate the way the world is today. Poetry is a form of expression that helps her to process her thoughts and feelings. Writing and reading poetry helps her to see things from a different perspective.

For Aminah, words are the best reflections. “Poetry helps me to empathise with others and it leads us to love. It also helps me to understand my own identity. My journey has helped me to discover my own voice. Poetry is a powerful gift because it addresses feelings which can be hard to describe. Poetry brings us together,” she adds.

©International Women’s Day/IWD2021

I will be celebrating with some women I know this evening.

And I couldn’t post IWD without a link back to one of the many anthology collections I edited/curated as Worcestershire Poet Laureate in 2018. This one came from a Mini Workshop I facilitated in The Hive, based on the wonderful exhibition they displayed to mark 100 years of votes for women/ the Suffragette Movement. Those women certainly chose to challenge! #ChooseToChallenge.

Suffragettes Anthology – Worcestershire Poet Laureate 2018

I was the 7th WPL and the 4th woman to take the role, my plate was very full 3 years ago, so for IWD I created this call out IWD which resulted in this brilliant post all about female poets and inspirational & influential women. Many listed are friends of mine and poets I know, I have now (in the past 3 years read all of them), maybe you will find a new read somewhere in there and they are all STRONG women!

I couldn’t quite leave it there – I created this post with the former female Worcestershire Poets Laureate – Maggie Doyle (2012-13), Heather Wastie (2015-16) & Suz Winspear (2016-17) celebrating their work and influential women in their lives.

It’s IWD – it can’t pass without another watch of Amanda Gorman!

And, from the power of performance through words of wisdom, we reflect on that moment when our spirits were ignited across the world by the stirring call from Inaugural poet Amanda Gorman who delivered her poem ‘The Hill We Climb’ at President Joe Biden’s inauguration. An American poet and activist, Amanda Gorman’s work focuses on issues of oppression, feminism, race, and marginalization. © International Women’s Day 2021

#IWD2021 #ChooseToChallenge

I have always been a letter writer, at 13 I had 33 International pen-pals and many of us wrote well into our 20s and have since found each other via social media! Lifelong friendships. I used to love receiving post… nowadays it is mainly business and bills but occasionally someone sends me gold. I was overjoyed to see this… although (typically) it is a no-post day for me. A wonderful gesture from the Royal Mail.

Millions observe Royal Mail’s significant #ChooseToChallenge awareness raising efforts

Thank you to the UK’s Royal Mail for celebrating International Women’s Day, raising community awareness, and amplifying the call-to-action to #ChooseToChallenge. ⁠

Royal Mail’s special #IWD2021 #ChooseToChallenge postmark is being applied to millions of stamped mail items over three days of the International Women’s Day period. 

Important support for women’s empowerment

Royal Mail’s special moment-related postmarking provides an important opportunity to amplify key messsages, mobilize positive action, and engage communities.

Not only will women appreciate the organization’s support in reinforcing equality, but the #IWD2021 #ChoooseToChallenge postmarking is relevant to all genders inviting people to courageously step forward and call out stereotyping, bias and discrimination. 

© The Guardian 2014

An iconic organization where women choose to work, Royal Mail is one of the oldest organizations in the world, and can trace its origins back over 500 years to 1516.

They are also one of the UK’s largest employers and mantain a solid focus on diversity and equal opportunity within its workforce.

Royal Mail Group has a strong community engagement focus which provides an important opportunity for its people to interact and build relationships with the communities they serve – and this is of benefit to both parties. The organization’s ongoing commitment to community engagement is significant.

© Alison Evans @artsyalisondesigns

Typography From the Creatives IWD.

Alison Evans is from Sacramento in California, USA and her design focuses on challenging and calling out gender bias and inequity. ” I love the empowerment in the message and knew I had to create something that not only celebrates the day, but shows solidarity with the mission,” she says.

“I like to serve up positive, uplifting art with a side of feminism and pop culture. The main focus of my work is based on my own personal experiences with mental health, feminism and being raised by the television screen. While most of my work is focused on illustration, my main inspiration and motivation is typography, lettering and calligraphy.” 

“My concept behind my IWD design is that I really wanted to embody the celebration of women’s achievements and promote a sense of inclusion and togetherness. Hands are something I gravitate towards illustrating, so I thought that holding hands would be a perfect depiction of that idea. I also wanted to incorporate the international symbol for women, and decided to include that with the background pattern.”

“For the process, the program I use for all of my lettering/typography/illustration is Procreate. I started with the message: ‘Happy International Women’s Day’ and decided I wanted to have that as the biggest element in the design. I sketched the lettering out first and realized that I had a blank spot underneath the lettering portion. As mentioned, I enjoy drawing hands so I thought this would be a perfect addition to the design at the bottom. I sketched those until they fit how I wanted them to, then went back and lettered the writing, and designed the ribbon-like texture to it. After that, I finalized the hands and colored them in. I always have a problem selecting colors, so that part took a long time, but I finally settled on a darker background so that the messaging popped.”

“When it comes to IWD, I believe that as a society we need to celebrate women’s successes and stand up for gender parity in every aspect of life. Although I would love if everyday could be International Women’s Day, it is nice that we can set aside one day where we can focus our efforts on raising awareness about equality and come together for a common cause to celebrate the achievements the world has made in the goal of gender equity and inclusion.”

© International Women’s Day 2021

And finally pop over to this post to read some inspirational quotations from more authors.

Monthly Review December 2020

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Photo by Marta Wave on Pexels.com

We had a day of snow shortly after Christmas, a good thick layer to enjoy, enough to take our minds off things for a while. Christmas was different for us all this year, but through the powers of technology we managed to see/hear each other, it felt even more special to share parts of our day. Last year we were lucky enough to share a big family Christmas, like those we remembered from childhood – reflecting back on the few days we all spent together was a pleasure.

Today we are all looking forward to seeing this year out – we have fireworks to look forward to, but no parties, which means no sore feet tomorrow though!

December was a month with very little work, I delivered my last Star Centre Workshops in the series and attended lots of events. We had the final Dear 2021 session with Nik Perring, more on this when the work is realised. One of my poems made it into the book which was produced as part of this project. I completed my Beta-Reader task, attended a Mona Arshi reading delivered by the University of Worcester, it was a cracking event, it has been years since I’d seen Mona and I admire her work. https://monaarshi.com/

I enjoyed the last two Poetry Workshops with Sara-Jane Arbury & Ledbury Poetry Festival and a special poetry event at The Hive facilitated by Amanda Bonnick & Polly Stretton, a Poetry Bubble online event. Hoping they have more in the future. It clashed with the Forward Reading, organised by Cath Drake. I have since discovered it’s available on YOU TUBE, as Cath wanted to share the event with her Australian audience too. And Mr G. (as is tradition) gifted me The Forward Poetry Book 2021 for Christmas!

A LIVE recording of a selection of poets Highly Commended in the Forward Prizes, included in the 2021 anthology, who launched a book our during this pandemic year:

Colette Bryce reads from ‘The M Pages’ /Matthew Francis reads from ‘Wing’ /Maria Ferguson reads from ‘Alright, Girl?’ /Mina Gorji reads from ‘The Art of Escape’ /Cath Drake reads from ‘The Shaking City’ /Katherine Horrex reads from ‘Growlery’ /Shane McCrae reads from ‘Sometimes I Never Suffered’ /Abegail Morley reads from ‘The Unmapped Woman’ /Julian Stannard reads from ‘Heat Wave’ /Maria Taylor reads from ‘Dressing for the Afterlife.

‘The Poetry Oscars’ – The Telegraph. Buy your copy here.

https://www.faber.co.uk/catalog/product/view/id/7724/s/9780571362486-the-forward-book-of-poetry-2021/

Treat yourselves to watching this incredible collection of poets reading their work at the very least!

I managed to get to another Creative Writing workshop with Sheffield Libraries and have since discovered they have purchased a copy of Patience for the library, which is great news!

We had Birthdays to celebrate in our family in December, I saw my Grandma (socially distanced/ I was outside in the garden) for her Birthday – first time I have seen her since March! And Emily Dickinson celebrated her 190th Birthday at the Museum with an epic programme of events which I was still watching in the early hours. I spontaneously shared two short poems I wrote during the Tell It Slant Festival earlier this year, it was a great night. https://www.emilydickinsonmuseum.org/emily-dickinson-birthday-december-10-2020/

I managed to get to the USA to catch Julie Danto‘s Book Launch and reunited with some of the Worcester County Poetry Association (WCPA) poets in Massachusetts, who I created A Tale of Two Cities with a couple of years ago.

And I managed a couple of workshops with Rakaya Fetuga again. I watched the Michael Marks Awards and enjoyed Jessica Mookherjee and Sean Wai Keung at Cafe Writers, I got to the Room 204 Christmas Party and have a little catch up and a bit of pre-Christmas cheer. WLF had SpeakEasy featuring Raine Geoghegan and it was a magical Christmassy event! The next one is in February.

We had a reading to celebrate the end of the Ledbury workshops, it was a treat to hear everyone. I had some studio time in Emily Dickinson’s bedroom at the Museum, it is my 2nd visit there this year. Something very calming and slightly magical about this space.

Words Stafford had a Tanka competition – which I couldn’t resist – I love writing short form poetry. The theme was Steampunk, my research was fascinating and inspiring. 10 of us had poems chosen and were able to read at the event, sadly mine were not in the Top 3 (Prize Winners) and I love the Anti-poet, the prize was Paul’s Steampunk novel The Periwinkle Perspective – The Giant Step – Volume 1 by Paul Eccentric. It was a fun night and the winning poems were fantastic!

In the final week before Christmas I completed some Christmas writing with Nik Perring and spent an amazing night at Cheltenham Poetry Festival enjoying John Hegley and making up captions for one of his sketches, a new talent discovered (not John – I knew he drew), it was a perfect Christmas Party and not a photocopier in sight!

This week I wrote a couple of applications and I finally made some end of month submissions (NY Resolution started early) and enjoyed a night of Disquieting Christmas stories and poems with Polly Stretton at Worcester, 42.

I hope you all managed to have a good Christmas despite restrictions and the state of our world at the moment.

Be kind to each other and stay safe.

Flashback May: ‘Cutting the Green Ribbon’ Book Launch

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I have a whole page in my TO DO List book of missing Blog posts from May – July. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Friday 18 May, 6pm in the Studio at The Hive

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Back in May I was fortunate enough to attend Katy Wareham Morris’s Book Launch for her debut collection ‘Cutting the Green Ribbon’. The collection is published by experimental, Bristol-based publisher, Hesterglock.

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Katy is a writer and lecturer in Media and Culture, based in the West Midlands, UK. She has a particular interest in gender and queer studies, identity politics and digital humanities. Her debut pamphlet was a poetry duet entitled, Inheritance published by Mother’s Milk Books and was launched at Ledbury Poetry Festival (2017). It went on to win ‘Best Collaborative Work’ at this year’s Saboteur Awards.

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Her poems have also featured in the webzines I am not a silent poet and Ink, Sweat and Tears. Katy is also the Birmingham, UK Branch Leader of the Women’s Equality Party, of which she was a founding member.

cutting 2Hesterglock specifically asked for feminist poetry in the submission call and Katy gave them that and more. Here is what she says about the ‘Cutting the Green Ribbon’.

This collection is a collage of womxn’s voices, attempting to call time on the ‘female’ identities attributed to women by patriarchal  culture. The poetry is personal, political and provocative.

I am incredibly proud of this collection, which I have been working on for some years now. It is informed by my own love of poetry, which began with the Romantics -Wordsworth, Keats and Blake – when I was a child, to the Modernists, particularly HD, and the Beats, namely Diane di Prima whom I discovered as part of my Undergraduate and Postgraduate degree courses. It also reflects my appreciation of pop culture and the research I have undertaken in gender studies and identity politics. There were many times when I thought this poetry was too controversial or risky to ever be published. I persevered to prove to myself, if no one else, that womxn can fight for an equal place in this society, and that we have many different, equally valuable stories to share. © https://katywarehammorris.com/

Katy was joined by Guest Poets Kathy Gee, Holly Magill & Claire Walker.

WP_20180518_002It was a terrific, uplifting evening and a warmly received launch. There are striking poems in this collection. See for yourselves – order a copy here.

 

 

 

 

 

 

30-40-60

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Back in 2015 I dreamed of my pamphlet being published at the same time as Claire Walker’s, we have talked of many collaborative readings and ideas. By the time 2016 rolled around, my head was filled with firm ideas of collaborating, by 2017 there was somewhat of a larger idea forming.

I had a concrete plan and all I needed was acceptance. I approached Kathy Gee and Claire Walker, two poets who are also published by V. Press. I was delighted when they both agreed to my idea and I swiftly put in an application for Worcester LitFest (WLF).

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We waited until our place in the programme was confirmed before we set to work on this project. I am from a performance background and know only too well the unseen hours of work and rehearsal. What I loved about our meetings was the fluidity in which we found ourselves working. There is nothing better than a positive environment with like-minded people to stoke the fires and like an Olympic torch ours kept burning!

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We all know each other’s poetry and have each other’s books on our shelves, so placing our work together was not too difficult, cutting it down to a running order size was a fair challenge – thank goodness we all know how to kill our darlings.

Once we had organised the poetry we then played (and I mean that verb) with the sequence until we were all satisfied with the show. Then the real fun began with read through, deciding where the combined voices worked best.

I had started work on the multimedia element before we were accepted for WLF as I was convinced this performance would happen at some point, somewhere. I know from making poetry films last year (Fragile Houses) that media and editing is painstakingly time consuming. I also know that when you LOVE what you do, work never feels like work.

Eventually we brought voice and film together and rehearsed and altered the show.

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And what a show it was.

A    M    A    Z    I    N    G!

We are very proud our show was one of the best-selling festival events, we did some point specific marketing and believe that the tireless work of the WLF team and The Hive (Worcester Library/Venue) advertising in the What’s On at The Hive programme helped in this success!

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There were plenty of people we did not know as well as good friends and supporters. It was a fabulous night! We hope to tour it next year. Catch us if you can.

Photography Elaine Christie© 2017

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Nina Lewis  – Introducing the Poets:

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Nigel Hutchinson

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Neil Richards

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Belinda Rimmer

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Rick Sanders

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Suz Winspear

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Paul Wooldridge

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Kate Weatherby

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Followed by our 40 minute show exploring the various stages of life through womanhood.

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Huge thanks to Kathy Gee for providing some of the media clips, projectors, scripts, folders and the programmes! For Claire Walker who had the wonderful idea of incorporating the open mic element. To the audience for having faith and to our open mic performers for beginning such a cracking night!

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Really enjoyable evening, the interweaving of voices – both actual and literary – worked extremely well. Video backdrop a unifying element. -Nigel

Fantastic evening, the show should go on the road, really enjoyable, and the three poets really worked as a performance. -Neil

A gorgeous night tonight! Brilliant poetry presented in a way I’ve never seen before! -Suz

Such a pleasure. Spellbinding poetry and a beautiful backdrop of images. Thanks for lovely evening. -Kathy A

30-40-60 is a triumph. A splendid performance from spectacular poets. Kathy Gee, Claire Walker and Nina Lewis were exquisite. Wonderful! –Kieran

A lovely evening at the Hive with Worcester LitFest and the wonder 30-40-60. When it comes back it’s a Do Not Miss. -Anne

Poetry perfection, wonderful. – Maggie

The poetry found so many points of connection. Beautiful. -Belinda

Rick Sanders reviewed the show (Related Links) – here are some soundbites. Thanks to Rick for the review and feedback.

Last night I had the pleasure of seeing 30 – 40 – 60 at the Hive in Worcester, one of a myriad of events taking place as part of the Worcestershire Litfest. The show is the brainchild of poets Claire Walker, Nina Lewis and Kathy Gee and it explores the works of all three poets through a connected narrative and visual accompaniment.

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Some pieces are solo readings, while others combine the voices of all three poets in acoustic harmony, which is different and rarely seen in poetry performance. 

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an engaging and highly entertaining piece of performance art.

A must see if 30 – 40 – 60 pops up again in a town near you…

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RELATED LINKS:

https://willisthepoet.wordpress.com/2017/06/12/30-40-60/

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… distinctive voicing to a beautiful narrative, which is complimented in turn by the visuals being displayed behind the readers. As an audience you get to see and hear two things at once, adding to the imagery of the spoken word and layering another context to the poems. It’s a clever use of multimedia and works well in the overall effect. -Rick

PERFORMANCE BIOS 

https://awritersfountain.wordpress.com/2017/06/25/30-40-60-open-mic-poets/

Working on a Poetry Show 30-40-60

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Back in 2016 I was already planning collaborations to promote my debut pamphlet ‘Fragile Houses’, published by V. Press.

This year I had the opportunity to organise events for festivals and two of these included this body of work. Stourbridge Literature Festival saw a straight reading of pamphlets and collections that I organised with fellow V. Press published poets: David Calcutt, Kathy Gee & Claire Walker. It was fun to do and we sold a couple of books.

The next bid I placed was with Worcester LitFest, although I have been aware of the festival and participated in various events since 2014, I had never discovered the bidding stage. I wrote a synopsis for a collaborative reading.

We heard that our application had been successful in March and set to work on developing the show 30-40-60.

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We have had several meetings to script and rehearse the poetry side of things and have developed film work to enhance the experience, as well as promoting the show in hope of ticket sales. It is a something we hope to repeat at other festivals/events in the future as there has been an incredible amount of groundwork put in.

It has been one of the most pleasurable projects so far this year. The 3 hour meetings fly by and we have our fingers crossed now that we can make it a success.

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Worcester LitFest runs from 9th – 18th June and as you can see 30-40-60 is billed for the 11th June, do come along if you can make it to The Hive, tickets are a festival fiver and if you want to perform poetry, sign up for the open mic beforehand by emailing us at 304060[at]mail.com

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Litfest A5 Programme 2017 30-40-60 page

Hollie McNish – Nobody Told Me

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I have always been a bit of a fan-girl of Hollie McNish and it seems ages since I last saw her perform. I was delighted to discover that thanks to Poetry on Loan and Brenda Read-Brown, Hollie was coming to perform at The Hive in Worcester.

I always pick up the What’s On Guide and generally gleefully thumb through it… I forgot to have a proper look and only discovered this event in February! The tickets had been on sale for a while and after making enquiries at the library was not holding out much hope of snagging one. But I DID! And then I had to count down the weeks patiently. (I was not patient!)

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There were many things that Hollie McNish didn’t know before she was pregnant. How her family and friends would react; that Mr Whippy would be off the menu; how quickly ice can melt on a stomach.

These were on top of the many other things she didn’t know about babies: how to stand while holding one; how to do a poetry gig with your baby as a member of the audience; how drum’n’bass can make a great lullaby. And that’s before you even start on toddlers: how to answer a question like ‘is the world a jigsaw?’; dealing with a ten-hour train ride together; and how children can be caregivers too. But Hollie learned. And she’s still learning, slowly.

Nobody Told Me is a collection of poems and stories taken from Hollie’s diaries; one person’s thoughts on raising a child in modern Britain, of trying to become a parent in modern Britain, of sex, commercialism, feeding, gender and of finding secret places to scream once in a while.

Here for your pleasure is Hollie.

I have a copy of Cherry Pie and I knew that ‘Nobody Told Me’ would be hard for me but I also knew that it contained lots of personal writing and brilliant poetry by Hollie. It is a brash, wonderful, truthful account of motherhood.

I loved every minute of her performance and the fact that she expected about 20 people because it was a library gig. There seemed to be 200 chairs full but I think the official ticket number was 130 – mainly women, but some men too. An audience of Hollie fans and what I particularly loved was that I knew just 4 people there! So there are 100s of people who love poetry and will travel to Worcester to see it – this is good to know.

I chatted to the lovely strangers from Malvern that I sat next to before the event and did a little quiet promoting for SpeakEasy, Poetry Ballroom, Uncorked and WLF.

There was a great atmosphere in the basement – like we had all been invited to some secret club. I once used this space with my writing group, but I had expected the event to be held in the studio. The audience was too big for that space.

I queued up for ages afterwards to chat to Hollie, but unfortunately the majority of people in that queue were mums and there was only so much conversation I could take. Also it was the end of a long, hard week and bless Hollie, she was spending a long time with each individual. I also felt bad (although she told us not to) because I wasn’t buying the book. It is a brilliant book but it is a very tough subject for me at the moment so I know I wouldn’t read it straight away. I will buy it. It is packed full and a bargain on poem/story to £ ratio. But I wasn’t buying it right there. So I freaked myself out a bit in the line and decided to call it a night. I regret now, not waiting to chat with her as I have on previous occasions and it would have made my night to do so. On the flipside I got home really early and had the rest of the evening with Mr G.

It was a joy to watch Hollie perform and listen to the Q & A afterwards. Sharing her writing method and unedited voice was good to know. Witnessing her realising nobody has ever asked her for advice was as funny as hearing about her (pre- Mothercare) advice from her Grandmother. Loved it!

RELATED LINKS:

https://www.theguardian.com/books/2017/feb/26/nobody-told-me-hollie-mcnish-review-warm-poetic-motherhood-memoir

https://holliepoetry.com/

 

National Libraries Day & Liz Berry

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6th February 2016

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Why a National Libraries Day?

  • To say thank you to our nation’s librarians for the wonderful work they do
  • To get people out to visit their library and see the amazing services our libraries offer – and join up if not already a member
  • To promote the work of libraries of all kinds in our communities
  • It’s a reminder: libraries matter to us all, and this is the time when we can send a collective, public message to decision makers that we love and value our libraries and recognise that no one else can do the work of a professional librarian – especially in an election year
  • To get together as a community to celebrate what we value – and libraries are at the heart of this

National Libraries Day is a grassroots celebration led by library staff and library users. It is supported by CILIP and a coalition of leading literacy, reading, library and education organisations including the Reading Agency, the School Library Association and the Society of Chief Librarians.logoW741HQ7Z

And what treats our County had in store for us. I was lucky enough to start the day in The Hive – Worcester Library as my Writing West Midlands group met and spent the session gathering material for our book and completing a mock up of it.

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Then I hot footed to see Liz Berry perform at Bromsgrove Library. It was great to hear/see her in action again and a really great way for the local library to celebrate National Libraries Day. Her opening speech about libraries was passionate.

I feel the same way about libraries – I moved around the Country a lot as a 20 something and I would always check out the library, like a second home. It is appalling that these services are having budget cuts and closures. No-one says this but they are also a great place for the children of families who aren’t book families, for people who can’t afford to buy lots of books. Safe spaces that need to be protected and cherished.

Liz Berry’s set was nothing short of magical. It was a lovely night.

BUY a copy of ‘Black Country’ https://www.penguin.co.uk/books/1097057/black-country/9780701188573/

LOVE YOUR LIBRARIES! natlibday

 

RELATED LINKS

http://www.nationallibrariesday.org.uk/

http://www.theguardian.com/books/2014/nov/21/black-country-liz-berry-review-poetry-collection

https://www.penguin.co.uk/articles/find-your-next-read/extracts/the-friday-poem/homecoming-by-liz-berry/

Writing, Research, Performing & Watching

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This week is one of those weeks that feels as if it is going on forever (in a good way, I think)! I have managed to work this week and get my nose to the writing grindstone too. Which is fortunate as I have just accepted a short-term contract for the next fortnight and will have precious time or energy left for writing. I haven’t worked full-time since my illness, but it isn’t for a long period of time and I have a week off after to recoup…well, after Mr G’s Birthday/Valentine weekend.

Next week I have writing deadlines, a headline slot at Stirchley Speaks along with Alisha Kadir and Mark Kilburn. It is also Daniel Sluman’s Book Launch and Emma Purshouse is performing at Permission to Speak, which (depending on energy levels) I hope to make. On Saturday I am working for WWM (Writing West Midlands) and in the evening watching Liz Berry as part of National Library Day as well as working with small, terrifyingly energetic four year olds! I think the blog posts may have to wait.

the terrible daniel sluman

Maybe next week will seem as endless as this one, it is good when time feels stretched this way.

This week I have been taking chunks out of the Action Plan. Writing around the day job, as many of us have to do. My main focus was on a project that needed lots of research, which I managed to write 5 new poems and have enough material and ideas to generate more when I get a moment to write again. I have submitted this poetry and now have my fingers crossed for a positive response.

I have also been editing the manuscript, which really needs to be emailed. You know that thing when something is as written as it can be for now but you keep chipping away at it. I heard an interview with David Calcutt this week, where a comment about editing struck me because I think not only is it true of my own poetry/writing progress, but is also part of my learning of 2015 about writing once you have had work accepted and it is part of an editorial process.

David on editing poetry: ( paraphrased) some people ‘polish the diamond’ – diamond poetry is strong, hard, well executed, beautiful but it is what it is and doesn’t leave room to be anything else. Poetry can be equally as good but not as polished, where there is still breath in the work, it has been overly re-written, it allows the reader space.

I guess it is that fine line between polishing something so it shines and polishing it so hard it becomes so hard to handle it slips right out of your hand to the floor. I am always aware of ‘authentic voice’ in poetry, this may or may not be a bad thing. I know we all work differently and that my manuscript is in exceptionally safe hands editorially. It is just me learning to let go more I think.

The things that we dream of are new realities and experiencing them in real-time is different to how they were imagined.

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I also had the pleasure of a Poetry Event, so far this year (and I know we are only weeks in), I have managed to maintain my resolution of cutting back performances and events in order to create more writing time. This was my first performance in two weeks. It was the first 42 event of 2016 and as there is no December event it has been a good while since I had seen some people. It seemed a little strange wishing each other Happy New Year at the end of the month. These spoken word nights are themed – and as you know, I pride myself on writing to theme. This month’s theme was extremely challenging:

‘Around the Myths in 80 Words’ – I liked the play on title but researching and writing the poetry was a different matter. At the end of two days I was happy with all 4 poems and they were ALL just 80 words (sometimes editing is necessary to success). I wrote about Hercules and Achelous, The Rainbow Lady – A Goddess in Mayan Myth, Welsh myths from Cader Idris. Cader Idris is a mountain in Gwynedd, Wales, found at the southern end of the Snowdonia National Park. I also wrote a poem based on Urban Myths.

I really enjoyed the evening and there was some great writing born from this challenging prompt. It was a late night and there are currently night works on the main exit roads, making my journey home close to an hour, on a work night! I tried not to let this dampen my spirit last night as it was such an enjoyable evening.

Also Andrew Owens shared the exciting news that rather like my local roads, the bar where he hosts 42 is having a renovation. Hopefully this will leave us with a great new performance space for the rest of the year. The pub has bands playing on the stage weekly too and the room could use some TLC, I am sure the new owners of the pub will do themselves proud. I cannot wait for the unveiling.

42 superhero Most of us are hoping the performance post disappears.

Today I heard that one of my submissions has been unsuccessful, you know when you really want to crack a publication and you submit time again to be rejected… well I have decided that since doing battle in 2014, 2015 and now this year to wait until I find a perfect match between the issue theme and work I have already written because creating to theme in a style that matches the publication doesn’t seem to be working. I will crack it.

I realised whilst playing with diary dates and deadlines that 2016 is in fact my Olympic year. I am in the 4th year of writing (technically 3rd year of poetry – two under the belt), so this will be the year I take stock and so far I think it is fair to say that I am not giving up on wordsmithing, nor will I ever. The 15 years I have taken off in the past was enough and the success and feelings I maintain writing show me that this is the right path. I know I won’t need 16 years to achieve what I am striving for – but still I look forward to taking stock over the next 4 Olympics nevertheless.

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I have also taken some time to compile my set list for Headlining next week and have finally taken my new Kindle Fire out on the open (or not quite so open) road to 42, one of the reasons I wanted one was to use for performing. I look forward to setting it up over the weekend for next week’s readings.

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This weekend I am going to watch Patience Agbabi at The Hive and go to the MAC for the 52 Launch Party before collapsing in a heap and getting some sleep before next week. I hope that the in a night-out a night pattern that fortunately fits the week will keep my head above water.

Patience Agbabi in Worcester

Telling Tales

 

 

 

 

 

 

Writing West Midlands

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Back at the very beginning of my writing life in 2013 I attended a WWM (Writing West Midlands) network meeting in Hereford at the Courtyard Theatre, later in the year I went to another one in Oswestry to meet Simon Thirsk (Bloodaxe) & Ian Billings.

WWM

At this meeting I talked to Jonathan Davidson and by January 2014 I had confirmation of working in a voluntary capacity as an Assistant Writer for WWM in Worcester with Ian MacLeod – a Science Fiction writer.

I spent a year and half working in this role and this September I became as the Lead Writer for the Worcester Senior Group of Young Writers, 12-16 yr olds.

leeallenphotographycom WWM

On September 12th I led my first session with this group. It was incredible!

My new Assistant Writer is amazing and eager and we had a good number of participants. The next session I have planned is even better.

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We are rallying for more members so if you are local to Worcester or know people who are, we are interested in having new members. Age 12 -16

Please contact Joanne Penn at Writing West Midlands

Apply through the website http://www.writingwestmidlands.org/

or contact Joanne Penn (Learning and Participation Manager)

Writing West Midlands

Unit 204, Custard Factory, Gibb St, Birmingham,  B9 4AA

T: 0121 246 2774

WWM PINK

Sessions are held once a month, £6.00 per session and classes run inline with the academic year Sept – June – you can join at any point in the year.

We meet in the Oasis Room at The Hive (library) in Worcester.

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RELATED LINKS:

Where it all began – WWM Network Meeting Oswestry – I cannot remember the shoes I was throwing away – but in 2015 my poetry shelves creak with the amount of support I have shown to others (which I course hope will be returned to me on the launch of my own pamphlet)!

https://awritersfountain.wordpress.com/2013/09/14/my-writing-life-vs-sleep/

Quiet Compere Tour 2015 – STOP 6 – Worcester

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The Quiet Compere Tour was a great success for Sarah Dixon in 2014 and what started as a tour of poets in the North of England spread as far as the Midlands. Following her success Sarah applied for a 2nd Arts Council Grant to continue the tour across the UK this year. We were booked prior to funding and kept our fingers crossed. It is my longest awaited gig and due to funding, poets were paid – something that doesn’t happen often enough and is always a pleasure!

I was incredibly excited and worked on what would be part of my set for some time. This tour stop was one in which I knew all my fellow performers and we knew a lot of each other’s work, so it felt a little different to my first exposure to the QC back in 2014, watching the 10 magnificent performers at the MAC.

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It was incredibly exciting to be part of the tour and I was delighted when fellow poets mentioned statistics from my interview with Sarah in introductions to their sets.

Ten minutes flies by when you are part of a collective set, most of my headline slots have been 15+ minutes and the pressure of those feels a lot longer than the extra 5 minutes.

My first spark of excitement came when I saw our names in The Hive programme.

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Before I knew it the day arrived – I knew it was a mistake to take work on the day, but needs must – so I spent the whole day run ragged by 4 year olds and arrived home in time to get ready and grab some food and GO! No time to feel the pressure, after my Poet Laureate experience, I decided this was for best.

Sarah is exceptionally professional, kind and always seems magnificently calm! On the day she had to deal with a change if line-up, sadly missed was Hayley Frances, I was particularly looking forward to her set because although I saw her a lot 2013/14 I have only seen her perform at the Poet Laureate final, Birmingham Literature Festival 2013. Clive Dee bravely stepped up to the mark… well once you have performed on the same night as John Hegley!

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I arrived to find that the ‘Green Room’ was the Oasis Room, which was great as this is the new venue for Writing West Midlands, ground floor and very yellow! They are never green. Sarah Dixon and Steve Wilson (Arts Officer) who I met properly for the first time at the Worcestershire Poet Laureate finals in June greeted me and after some time in the Green Room, I wandered off to find the other poets were all having coffee and cake in the café of course, others were playing in the library, there are some great kids spaces in the walls, small nooks to read books, appreciated by the poets small enough to make use of the spaces.

ad Photographs – Sarah Dixon  © 2015

merch I bought a QC t-shirt, a forever memory from the merch table and before long it was time to get the show on the road.

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Sarah Dixon, introducing and performing her own poetry too, including some great words about Frank and from Frank (her young son).

Catherine Crosswell

Always a pleasure to listen to, and since her return to theatre last year, someone who I don’t get to see perform as often as I would like, she performed at Ledbury Poetry Festival this year too. A perfect start to the evening!

Catherine Crosswell

www.catherinecrosswell.co.uk

Mike Alma

Mike has written about the war and shared his war poems since 2013, he and I talked of books in my early days and I am delighted he chose to self publish his collection ‘Fragments of a Great War’.

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He performed a set of some of his best poems, about butterflies, twin brothers and war. He performed Letters to a Soldier at the Front with the help of Moira and using two voices made it a powerful reading.

Mike Alma

Then it was my turn.

Nina Lewis

I performed some of my favourite poems and am here with my eyes closed because the lines;

‘ I watched your face as you played,

eyes closed,

breathing through that silver saxophone …’

always make me want to shut my eyes.

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Jasmine Gardosi

Highly energetic – always whether hosting or performing, I love watching her perform. She treated us to a dark and thought provoking set. I especially liked her Night Club poem.  https://www.facebook.com/JasmineGardosiPoet and @jasminegardosi on twitter

Jasmine Gardosi

Neil Laurenson

Neil Laurenson Neil writes witty, short, satirical poetry. I first met him in 2014 at Speakeasy and he was at Wenlock Poetry Festival as part of a Silhouette Press event.

http://herecomeseveryone.me/hce-meets-neil-laurenson-wenlock-2014-poet/

Adrian Mealing  Adrian Mealing

Another strong force in the world of music and poetry, someone else who I don’t see nearly enough of. He shared as we hung on every word. A man who is a master of humour, wordplay and talking about allotment produce, whenever encouraged.
The Very Grimm Brothers https://www.facebook.com/pages/The-Very-Grimm-Brothers/193869703992330

Myfanwy Fox

Another performer I don’t see enough of, her subtle humour is delightful and her set was quietly spoken and well received. It is amazing what we learn about each from our poetry…

Myfanwy Fox like Myfanwy comes from a long line of ‘Windmills’. https://myfanwyfox.wordpress.com

Claire Walker

My dear poetry friend who has her first collection/pamphlet coming out this Autumn.

Claire Walker She read beautifully as always, understated – despite her poetry being constantly worth underlining. Her poetry is beautiful, gently strong and filled with love.

Claire’s pamphlet The girl who grew into a crocodile is available in Autumn 2015 here; http://vpresspoetry.blogspot.co.uk/p/our-poets.html  

www.clairewalkerpoetry.com

Carl Sealeaf

Another favourite of mine, I met him back in early 2014 and had not seen him for ages until I went to Jasmine Gardosi’s OPUS CLUB night and we were reunited. He is an amazing bloke and a great ambassador for Poetry.

He shared some incredibly strong poetry, words we needed to here. Crisis and our part to play.

Carl Sealeaf

Clive Dee

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Poignant poetry – I used to love his Haikus but nowadays without the brevity of word count he can pack the same punch!

It was a fabulous night and we all left on a real high. Thanks Sarah for asking me to be involved.

RELATED LINKS

https://awritersfountain.wordpress.com/2015/07/08/interview-the-quiet-compere-sarah-dixon/

https://thequietcomperemcr.wordpress.com/2015/07/20/a-shrinking-of-shrugs-mermaids-and-carbon-monoxide-poisoning-worcester-blog/

Keep track of Quiet Compere Tour here

https://www.facebook.com/pages/The-Quiet-Compere/523455994408580

https://www.ents24.com/uk/tour-dates/the-quiet-compere

or on twitter @quietcomperemcr

The Quiet Compere Tour is supported using public funding by the National Lottery through Arts Council England.