Snippet reviews from some of my festival experience. Enjoy your bite of SAHLF 2021.
All the featured books can be purchased in the S@HLF Bookshop here.
Layers in Flash Fiction
A writing workshop on imagery and structure, with Anita Goveas and Farhana Khalique.
Farhana Khalique is a writer, voiceover artist and teacher from London. Her stories are forthcoming or have appeared in the National Flash Fiction Day Anthology 2021, Leicester Writes Short Story Prize Anthology 2020, Reflex Fiction and more. Farhana has been shortlisted for The Asian Writer Short Story Prize, and she has won a Word Factory Apprentice Award. She is also the editor of Desi Reads and a submissions editor at SmokeLong Quarterly.
Anita Goveas is British-Asian and based in London. She’s on the editorial team at Flashback Fiction, an editor at Mythic Picnic’s twitter zine, and she’s an editor for the Flash Flood. She is one of the teachers on Dahlia Publishing’s 2021 ‘A Brief Pause‘ writer’s development programme. Her debut flash collection Families and Other Natural Disasters was published by Reflex Press in Sept 2020. © SAHLF Programme
This was an amazing workshop, I signed up with the thought of getting back into Flash Fiction writing and these two certainly spurred me on. This was an excellent workshop, they managed to squeeze so much into the hour. I didn’t really know what to expect. They made me think about writing in a fresh, new way.
Thank You for The Small Things: Poetry Workshop with Nadine Aisha Jassat
A workshop with award-winning writer Nadine Aisha Jassat on using poetry to help give thanks for the small things. This gentle workshop will feature prompts to reflect and write on, suitable for folks writing for the first time or those who write regularly, and will make use of some zoom features including the chat box.
Nadine Aisha Jassat is an award-winning writer and the author of Let Me Tell You This (404 Ink). She has been published widely, including in It’s Not About the Burqa: Muslim Women on Faith, Feminism, Sexuality and Race (Picador), Nasty Women (404 Ink), Staying Human (Bloodaxe Books) and more. She has performed her work internationally and has drawn significant acclaim, including receiving a Scottish Book Trust New Writers Award and being shortlisted for the prestigious Edwin Morgan Poetry Award, and was recently named by Scotland’s Makar Jackie Kay in her International Literature Showcase selection of 10 Compelling ‘BAME’ writers working in the UK, with Kay writing: ‘Hers is a powerful, unforgettable new voice.’ © SAHLF Programme
This was another incredible workshop, one which warmed all our hearts and again, so much packed into the hour. I got some writing done and have useful ideas to run with in the future. This hour was a pleasure and a joy and I am SO GLAD I didn’t miss this!
Friday was exceptionally busy so I didn’t make it to the festival until the evening.
Solace in Sound – Three Bloodaxe Poets Explore the Landscape of Grief
Join a trio of Bloodaxe poets whose recent poetry collections span Scotland, Ireland, England and Estonia. Each shares a powerful sense of their formative landscapes; whether farmland, forest, mountains, estuaries, rivers or beyond. In poems that consider the impact of loss – of friends and friendships, parents, or a communal event of the most traumatic kind – these collections foster sympathy and strength. The poets will read from their own work, and also from each other’s, creating a unique conversation about memory and resonance in the landscape.
Jane Clarke is the author of two poetry collections, The River and When the Tree Falls (Bloodaxe Books 2015 & 2019), and an illustrated chapbook, All the Way Home, (Smith|Doorstop 2019). Four of her poems feature in Staying Human (Bloodaxe Books 2020) and one of the poems from When the Tree Falls was selected for The Forward Book of Poetry 2021. She grew up on a farm in Co. Roscommon and her work explores enduring connections to people, place and nature. She lives in Glenmalure, Co. Wicklow where she combines writing with teaching & mentoring creative writing.
Philip Gross, born in Cornwall, son of an Estonian wartime refugee, has lived in South Wales since 2004. He won the T.S. Eliot Prize in 2009, a Cholmondeley Award in 2017, and is a keen collaborator – with artist Valerie Coffin Price on A Fold In The River (Seren, 2015), with poet Lesley Saunders on A Part of the Main (Mulfran, 2018) and with scientists on Dark Sky Park (Otter-Barry, 2018). His latest collections are Between The Islands (Bloodaxe, 2020) and Troeon/Turnings (Seren, 2021) with Welsh language poet Cyril Jones. A new Bloodaxe collection, The Thirteenth Angel, is due in 2022.
Heidi Williamson grew up in Norfolk and spent many years living in Central Scotland. Her first collection, Electric Shadow, was a Poetry Book Society Recommendation and shortlisted for the Seamus Heaney Centre Prize. The Print Museum won the 2016 East Anglian Book Award for Poetry. Return by Minor Road, published in 2020, revisits her time living in Dunblane at the time of the Primary School shooting and its aftermath. She is an Advisory Fellow for the Royal Literary Fund and also works for the Poetry Society, Poetry School, National Centre for Writing and The Writing Coach.
© SAHLF Programme
I did not want to miss this reading. I saw Heidi last year at the SAHLF and have been fortunate enough to attend several of Philip’s readings. This was an hour filled with incredible poetry. It’s always interesting to hear how themes from different bodies of work can chime together.
The FINAL weekend of the Festival post – COMING SOON!