Tag Archives: Saboteur Awards

Saboteur Awards Festival 2021

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Saboteur Awards Festival 10th-15th May

So the Stay at Home! Lit Festival is over – but there was no festival slump!

Saboteur Awards Festival (10th – 15th May) The team have been working hard to adapt the awards to a digital platform for the 2nd year and have introduced the Saboteur Awards Festival -a Panel Discussion, Workshop, Reading Series ‘specifically to promote work that had been impacted by the pandemic and/or the various lockdowns throughout the UK’.

At the end of the festival this year’s winners will be announced and then you can look forward to the Spotlight Winners Series running throughout May and all the way into July. There is a lot on offer on the You Tube channel.

I was super excited when I discovered Rose Condo was one of the performers on offer. I felt extremely lucky to finally catch Rose Condo’s reimagined show The Empathy Experiment. Amazing how she managed to deconstruct the 2019 show to bend around the global experience of 2020+ and I think probably makes it even stronger.

“An example of why we so desperately need to campaign for the survival of the arts.”

Northern Soul review of online performance for Bradford Literature Festival

I met Rose back in about 2015, when she Headlined Hit the Ode in Birmingham and I was first introduced to her little red dot. I knew I wasn’t going to see The Empathy Experiment in Edinburgh (Festival) – for one thing I was still hobbling around on a stick! But I had hoped to catch her last year, online at Bradford Festival, so I am glad that she is still performing this reimagining of The Empathy Experiment.

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The Carcanet Reading was highly enjoyable and great fun with a range of poets. I enjoyed readings from Katherine Horrex, Joey Connolly, Mina Gorji and Victoria Kennefick. I know the work of some of these poets and had most recently enjoyed Victoria Kennefick at the Stay at Home! Lit Festival. All of them were utterly brilliant and are on the Birthday list!

You can purchase the books by clicking the links beneath the covers.

Growlery by Katherine Horrex Debut Collection

Horrex – whose poems found an enthusiastic readership via Carcanet’s New Poetries series – unpicks the illusion that order upholds society and reveals the true ramshackle complexion of things. Her debut collection reimagines the ‘growlery’ of Dickens’ Bleak House by looking at the concept of internal space in a twenty-first century which is both connected and disjointed.

Long Pass Debut Collection

‘Ach! I misspoke. What I mean to say is this …’ In Long Pass, Joey Connolly’s first collection, the poet – in love, in puzzlement, in frustration or in elegy – keeps catching himself out, starting again. He wants to speak truthfully. He wants to say things simply. But nothing is as simple as it seems at first. Nothing strikes the interlocutor quite as he intends. Ach! He goes back. Deflections, tangents: the long pass, the long unfolding sentence, the growing sequence, move away from what they intend to say in order at last, wittily, angrily, ironically, to swerve in and say it.

‘...This is a serious attempt to write philosophy as poetry, to render complex arguments about nominalism and epistemology in verse without losing sensuality’s boom boom.’
Will Harris, Poetry School

Art of Escape

Among Mina Gorji’s poems in New Poetries V (2011) was one about Houdini entitled ‘The Art of Escape’ which returns here as the title poem. This colourful and vivid first collection continues the course of Mina Gorji’s meticulous explorations of ‘the strange and sometimes darker side of nature’ and the different forms and meanings of escape: dandelions crossing the ocean, the journey of a gall wasp from Aleppo to England, the transformation of an armadillo into music. These poems shift by degrees until new patterns and sounds emerge, transforming the familiar into unexpected configurations. Art of Escape is a wonderful casting off into the complex waters of adult life, in which change has become the constant.

Debut Collection

Victoria Kennefick’s daring first book, Eat or We Both Starve, draws readers into seemingly recognisable set-pieces – the family home, the shared meal, the rituals of historical occasions, desire – but Kennefick forges this material into new shapes, making them viable again for exploring what it is to live with the past – and not to be consumed by it.

©2000-2021 Carcanet Press Ltd

I was lucky enough to grab a workshop ticket for the weekend with Rose, which was a fantastic way to start the weekend (after a much needed – real life working week- lie in)! It was a great group, I knew a few of the people who came to the workshop. I wasn’t sure what to expect… but ‘Have a (Kind) Word with Yourself’ is never going to be a bad experience. It was joyous, there was a lot of laughter and writing too. No pressure and very relaxed. I don’t want to give details away as I know Rose plans to repeat the show and workshop. You should definitely book on when you see it!

The festival experience led up to the most exciting part — the announcement of the 2021 Saboteur Winners with some special new graphics especially for the 2021 Ceremony!

Check out Saboteur Awards Results, follow across social media and look out for bountiful readings on the You Tube channel as they Spotlight the winners from the end of May (26th) until July (4th).

Flashback Spring (May)

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Photo by Boris Pavlikovsky on Pexels.com

If I thought April had been a whirlwind, I wasn’t quite buckled in for May!

I was enjoying off screen time in the garden, had already taken photos of the blossom and enjoyed the early Spring flowers.

You know it is easy to misremember how it was? I closed the last flashback with the realisation I had not travelled more than 1.5 miles from my home – actually my perimeter was a lot smaller in April. I hadn’t started walking outside of my home and the supermarket is not that far away so thinking back, the frame of my life was caught in a circle of 3 roads, just one small block of life!

This was the month it expanded to 1.5 miles.

I do remember I stayed in, if I wasn’t in the garden I was in the house. Most of the street were out in the back gardens, enjoying the sun, building new sheds, cabins, garden furniture, slides and swings whilst I was indoors fighting the good fight for Furlough or burying my head in the sand of a writing world that became my Narnia.

Photo by Pixabay on Pexels.com

May started with more festivals: Avon Book Festival, Stay at Home Fringe Festival (organised by the Students/graduates of Glasgow Uni), The Urban Tree Festival and of course HAY (which I managed to blog in a timely fashion). Huge gratitude to everyone who has worked so hard to give creatives access to platforms and festivals at this time.

Big gratitude to Julia Webb for the prompt/course she ran this month. To Kim Moore for braving the online world of workshops and furthering my year of learning. To Carys Hannah who started a Golden Girls Watch Party, which reminded us what laughter is and made us all hope we get to grow old.

To Anna Saunders and the team at Cheltenham Poetry Festival for delivering a feast of poetic pleasure with numerous events and a great line up of poets. To Seren for creating a series of reading events, AWP for giving us a night with Joy Harjo (Poet Laureate of USA). For the universe for keeping my neighbour safe the morning she climbed up on our conservatory roof to clean and I couldn’t stop her!

Thanks to Helen Ivory & Martin Figura for events at the Butchery and to Jinny Fisher for her Poetry Pram Party. Thanks to Jane Commane at Nine Arches Press for videos, live readings and Book Launches, to Emma Wright at the Emma Press for Book Launches and webinar readings/Q&A. To Phillipa Slinger and Chloe Garner who moved Ledbury Poetry Festival and the Salons online.

This month I also enjoyed the Saboteur Awards and Book Launches for The Unmapped Woman by Abegail Morley (Nine Arches Press), Dorothy by Briony Hughes (Broken Sleep Books), Apple Fallen by Olga Dermott-Bond (Against the Grain).

Photo by Jason Toevs on Pexels.com

And I finally realised online events meant we could travel after all… and travel I did, first stop back to Australia. I headed back to Perth and Freo. Thanks to all at VoiceBox. I reunited with some of the Perth crew at Zoomouth, which was brilliant!

I finished the 6 weeks Writing to Buoy Us course with Cath Drake and writers from Europe and Australia. I started a Hybrid Experimental course with Tawnya Renelle https://tawnyaselenerenelle.com/ , who I also met through the Stay at Home Fringe Festival. And who also needs a huge shout out of gratitude. I was glad to help where I could at the beginning and have loved watching the take-off!

I completed work on the animations for Poetry Renewed with Elephant’s Footprint and wrote lots in journal form and a few poems. Covid had crept into the writing and I was attempting to not write about it in the beginning. And the BIG conservation started about the artists place in all this, whether it is our job or not to almanac the times (which is what a lot of writers/artists do). I believe most of us do, but also agreed that writing books about it probably wouldn’t even make it to the slush pile, of course I am sure there will be some, there already are. But I’m still processing last year and things which happened at the beginning of this one (pre-Covid).

May was the month: I realised my back can’t manage Yoga and gracefully I saluted the sun for one last time, started to walk in nature, used my walking stick for the last time (hadn’t needed it for 3 months), I blamed the yoga but looking at this it was more likely all that sitting at the desk! It marked the milestone of my first submission in 5 months! I have been very slow to get back on that horse!