Tag Archives: Quiet Compere

January in Review

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typewriter-1227357_1280 2017 started well with lots of diary dates, events and writing time. Of course it was also back to work after a fortnight (unpaid) break. Much needed. I made it back to Ludlow to support Claire Walker who was one of the Headline poets alongside Matt Black. A little like not realising two years had passed since I last watched Ash Dickinson perform, I cannot believe a year has passed since I last went to the Poetry Lounge in the Sitting Room! This time warp has to do with working for 18 months on Fragile Houses I think. Months slip by fast and the first thing that has to go when you shackle yourself to the desk to write is faraway events.

Week 1:

Poetry Lounge in the Sitting Room with Jean Atkin in Ludlow, it was lovely to see everybody again and I hope to make it back before 2018. Matt Black (who I first years ago at a special event we both performed at The Ort in Birmingham  (2014), more recently we shared the floor in Birmingham at Stirchley Speaks (my Headline, back in October). headline-stirchley-speaks-oct

He was entertaining and as we had all had a conversation about vegetarianism on the journey over, apt poems in his set made us giggle.

Claire Walker was amazing, I do not think I will ever tire of hearing her perform from The Girl Who Grew into a Crocodile. She also treated us to some new poems from her next pamphlet collection.sitting room

I completed a lot of research for current writing projects and groups. I also completed a collaborative project set up in December and worked hard on submitting poetry. I had fun writing about Leonard Cohen and am keeping my fingers crossed that the editors will enjoy the results.

I missed Buzzwords in Cheltenham.

Week 2:

In December I submitted to 7 places and the rejections rolled in from 3 of them this week. We all learn to handle this but one publication in particular was dealing with a subject close to my heart and it made me a little glum that they hadn’t taken my work. They did send feedback including details of the process that the poem they nearly took went through. I will not be perturbed. Another rejection cited that the pieces weren’t best fit this time but encouraged resubmission.

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Back in 2015 I had three poems accepted for an anthology by Shabda Press on Nuclear Impact. We all signed contracts in 2016 and it has been a real labour of love for Teresa Mei Chuc who has now got the project to final proof stages. All proof read and returned and I cannot wait to see the result. The readings are all taking place in the States but I am currently looking at the logistics of video performance.

The cover has been revealed featuring the Artwork of John Sokol. Cover Art: “On the Road to Perilous” nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol I could write more poems just from a glance. This book will hopefully be in our hands later this year.

I went to SpeakEasy – where Brenda Read-Brown was headlining and what a set she treated us to. New work, powerful work, emotive (I nearly cried twice), honest and filled with passion. I was really glad that I was able to make it and witness such a performance.

I shared some new poems and gave Fragile Houses a rest, most of Worcester have bought it already and as I headlined last month and read most of it and as the last poem in there was written in 2015, I fancied sharing something newer.

I went to Stanza although I was so tired I was not much use to others and the poem I had written half an hour before leaving didn’t quite work. I do not see the point of taking perfectly polished work to groups – unless perhaps it’s a poem that has been unsuccessfully submitted a few times, in which case new eyes are good. However, I need to give my writing a chance to sit and simmer for a bit so perhaps I should try this year to get a poem ready the week before. Give it some breathing space. It is hard when you feel so attached to something, too vulnerable.

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Sadly at the weekend I said goodbye to Sally Grainger who has been my Assistant Writer for WWM Spark Writers group for the past 9 months. We had a full house for her final session and ran a great group on Scriptwriting. It was fun. I am sad to see her go.

I received exciting news about a new Literature Festival which I am currently organising a showcase/event for.

Week 3:

I spent my time mainly at work, in spare hours I was organising the festival event, missing deadlines, proof reading and writing comic poetry.

Last year I was invited to take part in a one off (now to be repeated as it was so successful) Baldy Poems presents Kings and Queens of Comedy in association with WLF (Worcester LitFest). I love the idea that WLF are fundraising via event charge at one off events throughout the year to help fund/pay for the summer festival. It is a great idea and I have loved the events that have popped up so far.

I was honoured to be one of the 6 performers (we had 8 on the night with Kieran Davis and a Special Surprise Guest joining us). I have only written about 5 funny poems and the two I had ready for this event have not seen the light of day since 2015, so I decided to emulate BaldyPoems style and kick out 6 new ones. That and I needed the material to cover a 10 minute set. More on this later.

I missed David Calcutt at Smokey Joes in Cheltenham – Poetry Refreshed and sadly I missed Clive Osman’s Waterstones book launch for his debut collection ‘Happy’. Both nights looked to be good. I had taken on extra work and with a gig Thursday night and Friday needed to sleep.

After almost 2 weeks of working full-time, I finally finished on Thursday at 5:30 and then headed over to Birmingham with Mr G and a friend, in birthday celebration mode. We went to see THE BLUE AEROPLANES at the Hare and Hounds (where UB40 played their first gig) and it was exceptional. I am so glad that I was filled with the charm of performance because it set me up for the following evening for Kings and Queens of Comedy.

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I was so nervous – worried that the audience wouldn’t find the dusted off material funny, But I forgot the universal appeal of my moustache poem, the magic of proto-type props and the delight of people who have never heard this one before. It was also funny because people who know me know that I am funny, I just do things that amuse people as I have no logical bone in my body and I have a quick, dry, wordy wit… in fact there was a turning point once upon a time between poet and comedian. The world breathes a sigh of relief.

Anyway because a lot of people now on the scene weren’t back in 2014 when I played the clown a little more, they didn’t see me as a funny poet and were quite shocked at the billing. There are now at least two people who will never take me seriously again!

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To read a full review of the evening click here

And then I had a well deserved weekend off to catch up with Mr G and writing.

Week 4:

Saw happy news and my first acceptance of 2017. That collaborative project I mentioned earlier was with Claire Walker. The result was a meeting about prompts, shared ideas, word lists and after writing editing together. After a few weeks we had a poem written by each of us from working with the other and a joint poem written line by line. The acceptance was a the poem Claire Walker wrote called ‘The Puzzle of an Ending’, a beautiful title and a hard hitting poem. It was the strongest of the collaboration.

It delights me that it exists because of an opportunity I found and a risk I took (asking another poet to partner me and risk rejection, that lack of self-belief/inner critic we all have to deal with). Fortunately, Claire was only too happy and we enjoyed this rather intense poetry pocket in our otherwise Christmassy/family orientated holidays. There will be more to come. And I am doing something here I first dreamed of in 2014. Happy.

I spent the night, along with many poetry friends at the Kitchen Garden Café, Birmingham for Jacqui Rowe’s ‘Poetry Bites’. The featured poets were David Calcutt & Claire Walker (fellow V. Press poets) and Jacqui announced (which most of us already knew) that they are going to publish her first collection this year too. Her ‘Ransom Notes’ was the first pamphlet of the run in 2015 from the round I applied successfully for in 2014.

ransom Poetry Bites was a packed out night, it is so sad that this is Jacqui’s final year, but it is a phenomenal achievement to have hosted and supported such an abundant amount of poets over the years. The atmosphere was great and there were some top class floor spots as well as a V. Press collective, Kathy Gee was also reading from her collection Book of Bones.

I really enjoyed reconnecting with Brumside poets I had not seen in a while, as well as listening to some inspiring and thought provoking sets.

Maybe it was the double dose of Americano coffee, or the Kitchen Garden cake… I came away buzzing and refuelled with an extra layer of poet-y energy!

42

I wrote new poems for Burn’s Night, which was celebrated at 42, in Worcester on the 25th. I even made a badge – Lewis tartan, of course. I have thoroughly enjoyed finding out more about this 18th Century rascal. It was a great night, intimate and full of heart – but not lungs or liver (haggis pun)!

I missed a workshop with Ash Dickinson, that had I not been performing in the Quiet Compere/ Wolverhampton Literature Festival the following night, I may have tried to get to. It was just a little out of range geographically and no way I could have got myself there on time after work without the help of a helicopter and pilot… neither of which I have. Oh, to be a rich girl! So I just have to brush away the disappointment and hope for another opportunity in the future.

This brings us to the finale of the poeting week – the first literature festival to be held in Wolverhampton and a great line up of events across all genres. I was lucky enough to be one of the ten poets on the bill for Sarah Dixon’s Quiet Compere Event at the Art Gallery on Friday evening.

What an evening it was. Fabulous line-up, including two poets who are new to me (always a pleasure), Tom McColl & Gerry Potter. What a venue, the room was majestic and had one of the best backdrops to poetry I have ever seen. The setting was incredible. It was a wonderful night and I was still buzzing the next day. You can read the full review of the event and find out more about the performers here https://awritersfountain.wordpress.com/2017/01/28/quiet-compere-wolverhampton-literature-festival/

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I got home to find emails about up and coming books and spent a while chatting to the other buzzing poets online. A fine night.

walsall-arboretum I finished my weekend at Open Poetry at Walsall Arboretum with David Calcutt and an amazing number of poets on Sunday. Despite the horrible rain, bad driving conditions and leaving a ton of work on the To Do List, I headed out for some poeting fun.

It was a great couple of hours, lots of moving and humorous work was shared. I met some new poets and saw John Mills, who had battled the unnavigable roads of Walsall to experience David’s event for the first time. walsall-arb © 2016 Walsall Arboretum

Then I spent a horrendous amount of time sorting out unread and unmanaged emails instead of completing applications which I now need to do tomorrow after work. There are lots of deadlines in the next 72 hours and I plan to hit them all.

Wolverhampton Literature Festival finished with a Poetry Slam that Nick Lovell won and Willis – a.k.a Rick Sanders came 2nd and Rob Francis, 3rd. Well done, boys! An all male sweep. I was sad not to be able to go to the festival this year. Other plans had already been made. Hopefully they will do another one next year.

The Extra Few (Writing) Days

Mainly spent Monday night at the computer pulling a 6 hour shift (after a day at work), writing new material, researching, organising events, writing applications and submitting. There are so many end of month submissions and I have been busy enjoying myself and thinking the end of the month was a while away yet and here we are. I am pleased that I have managed a few more submissions as I have not been keeping the resolution of weekly output, as advised by another poet.

Obviously there is a certain amount of selectivity both in terms of material, feel, attitude, time etc. My aim is for monthly submissions, which should be entirely achievable – as the months missed last year were to do with the final editing process of the pamphlet.

I will spend the final day of the month (in the evening, after work) getting productive with my next To Do List and making final submissions too.

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There are so many exciting things planned for February already, I can hardly believe we have reached the end of January!

I hope you had a good one, filled with spirit and joy …. oh and writing!

 

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The Quiet Compere – Wolverhampton Literature Festival

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I am excited whenever new festivals pop up, especially when they are not too far from home. Due to busy plans and the Verve Festival in a few weeks, I am not able to go to all the events I would like to this weekend. If I had a magic wand and teleporting superpowers I would also go to:wolves-lit AFTERNOON TEA – WITH WIN SAHA & BERT FLITCROFT, ARUN KAPUR + ABDA KHAN + ROMALYN ANTE + SABBI KAUR & MARTIN SHONE, BLACK COUNTRY VOICES – Dave Reeves & The Nailmakers’ Daughters, BONES PRESENTS……. A LIL SOMETHING DIFFERENT, ROY MCFARLANE and THE LIFE & TIMES OF THE TAT MAN by DAVID CALCUTT and possibly more.

QC tour

Tonight was brilliant, it was great to be part of an event on the opening day of the festival (27-29th). The Quiet Compere – conceived and hosted by Sarah Dixon.

THE QUIET COMPERE

with Sarah L Dixon, Leanne Bridgewater, Jess May Davies, Kathy Gee, Nina Lewis, Holly Magill, Tom McColl, Gerry Potter, Steve Pottinger, Polly Stretton & Heather Wastie

It was such an enjoyable night. The room in the gallery was very impressive. I really want to go back to the Gallery to just take a look at all the work on display. We had to walk through the Art and Writing space, I took a quick look at the exhibition during the interval.

It was great that an audience showed up and there weren’t too many empty chairs. During the first half the mics were set up quite a distance from the audience, this was changed by request during the interval. I just presumed cable length shackled us to the back of the room. It has to be the best backdrop ever though!

It was such a fantastic night and lovely to hear comments about my set, which went down well… despite last minute nerves of ‘I have chosen all the wrong poems!’. The 10 minutes flew by and I really enjoyed performing. I was very nervous before, but think I covered those nerves well once I had the mic in front of me.

I really appreciate having the opportunity to perform in the Quiet Compere again, we did one in Worcester in 2015. https://awritersfountain.wordpress.com/2015/08/01/quiet-compere-tour-2015-stop-6-worcester/


All photography © 2017 Sarah Dixon

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Sarah Dixon, Poet, Quiet Compere, Amazing Lady! I had the privilege of reading the workings of her new pamphlet that she shared poems from this evening. It was the first time I had heard her read them though, always adds to the power.

qc-polly-robinson Polly Stretton kicked off the evening (Sarah always goes first, knowing how we all hate that opening slot) the first of ten poets – sharing fairy poetry (she has many) and once again I had the inside track on part of her set as she tested it out at 42 this week. She opened her set with a poem about Evelyn Glennie and a tambourine. Fine set.

Next came Holly Magill. qc-holly-m I love Holly’s poems (and wardrobe). It was a great set and good to hear the audience reaction from those who had not heard her before and didn’t know what to expect. As always the serious mixed with a good measure of fun.

Then it was my turn Nina Lewis.qc

I thought long and hard about which poems to read. For a week I carried my notebook and pamphlet in my work bag. I had such a shocking week at work that both stayed in my bag as I didn’t have a moment to ponder through them.

Then I had my Burns set to be ready for the 25th. Fortunately I chiselled out some time on Friday to get myself ready. We were performing in the Art Gallery so I wanted to use some of my artefact/art inspired poetry. There was also a table filled with goodies (all of our books and wares) so performing from Fragile Houses also seemed like a good idea.

I shared the runner up poem from Worcester Porcelain Museum Competition ‘The Unfading Cornflower’, then my poem for Marina Abramovic ‘Unfolding’, then one of the Arthur Rackham inspired poems ‘Buckled Air’ before moving onto the pamphlet and ‘Fabricious Avenue’ (my only 52 poem on colour), Fortori and Your Gift to finish the set with a poem about my parents.

qc-leanne-bridgewater Next came Leanne Bridgewater who threw fruit into the mix (literally)! I was looking forward to watching Leanne’s set as it has been a long while since I have seen her performing her own work. She educated us all about Veganuary. Veganuary aims to reduce the suffering of animals by inspiring and supporting people across the globe to go vegan for the month of January. She handed out fruit in support of this gesture. Then she read from her book, Confessions of a Cyclist, which has such playful content inside.

To complete the five in the first half was Tom McColl.

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Tom stepped in to fill Bobby Parker’s spot. Tom is based in London and was one of the new to me poets. A good mix of serious and amusing. I really enjoyed the humorous material included in his set.

During the interval I was able to catch up with people and whizz around the gallery downstairs. I was really looking forward to the second half.

Which after more from Sarah was started by Heather Wastie.

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Now, I have always loved watching Heather, for the past year she has been busy working on Idle Women and also let Mouth & Music go after facilitating the Open Mic night for many years, so with the exception of a performance here and there it has been ages since I have had the pleasure of watching her on stage. I thoroughly enjoyed the set and so did everyone else.

Then Gerry Potter, who was the other new to me poet.

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Gerry is from Liverpool originally and is a lively spoken word performer. His material took me back to my birthday trip to Liverpool last summer and I started scribbling all sorts of things in my notebook, whilst watching his set (I can write without looking at the page) and my brain can just about listen and write if I don’t focus on the writing. I have not re-read these notes but if they become poems ever, they were inspired by Gerry’s set which encapsulated life, childhood and the city.

Jess Davies followed.

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Like Heather, Jess is another poet who hosted an open mic event, so although I saw a lot of her last year I had not heard her poems for a long while. I was delighted to hear new poetry and witness a brilliant performance. I really enjoyed her set.

Kathy Gee was next.

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She treated us to poems from her Book of Bones and some from The Suite for the Fallen Soldier, a choral project Phil Mountford was commissioned to create. Kathy wrote the narrative suite. I love Kathy’s poetry too, thought provoking and highly crafted. Words you muse over long after the final line. She bravely risked a newer, political poem too. It was a great set.

The Suite for the Fallen Soldier

http://suiteforthefallensoldier.com/

And finally to complete the great night of poetry we heard from Steve Pottinger.

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Again I have seen Steve perform recently but it has been a long while since I saw him headline at Mouth & Music. It is always great to hear a longer set from performers like Steve. Like listening to a whole album rather than enjoying a few tracks. I thoroughly enjoyed the set and he did a grand job closing the night. Like Kathy, he bravely performed a very freshly penned poem too, less than a day old.

It was a fantastic evening, I am still buzzing from the atmosphere now. It was great to meet new people and see old friends and to experience the incredible Wolverhampton Art Gallery. exterior_wolverhampton-art-gallery1536ls

© 2016 Artfund.org Artfund

Also incredibly grateful to have shared the journey with Kathy Gee, who saved me from facing the prospect of driving to the city. We spent the first part of the evening enjoying the wonderful interior of the Posada. An incredible Real Ale pub steps away from the gallery. Well worth a visit the_posada_wolverhampton_4327682633 © 2010 Wikimedia Commons

wolverhampton-posada-publicbar1 especially if you like Heritage pubs or real ale!

Congratulations Sarah Dixon on another fine QC Event, I hope you enjoy the rest of the festival and all the city has to offer.

RELATED LINKS:

http://www.wolvesliteraturefestival.co.uk/the-quiet-compere/4593202795

http://www.wolvesliteraturefestival.co.uk/

Worcester LitFest 2016

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Here is a round up of this year’s WLF (Worcester LitFest) 10th – 19th June. I was not able to make as many events as I had hoped and heard lots of good things about those events I missed.

WLF&F logo conceptsThe festival was five days in before I made it to the city this year.

42 Worcester LitFest Special – 15th June

Many of us wrote pieces to perform at this event based on the theme of the ‘Last Stop on the Worcester Night Train’. It was a pleasure to perform and the atmosphere was brilliant.

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SpeakEasy LitFest Special – 16th June

The following evening saw Angela France feature at SpeakEasy.

Angela France

Featured artist Angela France has had poems published in many of the leading journals and has been anthologised a number of times. Her publications include ‘Occupation’ (Ragged Raven Press, 2009), Lessons in Mallemaroking (Nine Arches Press, 2011) and Hide (Nine Arches Press 2013). Angela teaches creative writing at the University of Gloucestershire and in various community settings as well as working for a local charity. She runs a reading series in Cheltenham, ‘Buzzwords’. © 2016 WLF

My set included a Fox poem, as Myfanwy Fox was the guest MC and ‘Awumbuk’, a poem I wrote in response to workshop writing with Angela.

It was a great night and good to be back at the original venue opposite the river.

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The Quiet Compere

After the success of the Quiet Compere Tour last year, Sarah Dixon was back with us at The Hive for a full on night of poetry.

Sarah L Dixon runs regular Quiet Compere events in Chorlton, Manchester. She hosted a medical-themed poetry event at Cheltenham Poetry Festival in 2014. Sarah has toured The Quiet Compere format (ten poets x ten minutes each) nationally in 2015 and in the North of England in 2014. Quiet Compere events enlist great, established poets and emerging voices. The Quiet Compere introduces them with little fanfare so the poems (and not the poet’s track record) tell you all you need to know. © 2016 WLF

QC tour

I was looking forward to seeing Adam Horovitz, as I missed him at Swindon and am currently missing him at Ledbury too. I must book the week off next year!

The QC event was a night of powerhouse poetry. Featured poets included;

Adam Horovitz, Jess Davies, Jasmine Gardosi, Leon Priestnall, Ken Evans and Holly Magill. Pre-booked open mic slots myself, Polly Stretton, Leena Batchelor and Neil Laurenson. Other open mic spots were Kathy Gee, Anne Milton (reading publically for the first time) and Kieran Davis.

Who better to tell you all about it but the Quiet Compere herself. Read Sarah’s review here. http://thequietcompere.co.uk/robin-williams-apple-sorrow-and-elephants-in-every-corner-the-blog-of-quiet-compere-at-worcs-litfest-2016/

This was my final dip into WLF 2016 and what a way to go out with the QC!

 

Congratulations to Suz Winspear – Worcestershire Poet Laureate 2016-2017 AND the new Poet in Residence at the Museum of Royal Worcester.

Follow these links to delve into the magically gothic world of Suz Winspear.

 

Buy her poetry here

https://www.amazon.co.uk/not-need-new-Obsession/dp/1291592547

Read about her residency here

Poet Laureate

For the full festival listing of all events follow this link https://worcslitfest.co.uk/programme-tickets-2016/

Review of June

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So why was there only one blog post this month? Mainly because I have been training myself to learn to love the editing process as much as the writing one… although, I am certain this will never happen.

I have taken a real backseat with performing too. We are entering the summer festival season and despite looking through brochures and deciding I would like to attend many events, I have been held back from doing so as I am time poor and poor at the moment.

I haven’t submitted anything other than edited manuscripts for ages and writing new material has been a no go zone too. Due to the long summer break I have been taking on as much work as possible and I am also busy trying (and failing) to arrange birthday parties and mini breaks. June is also a ‘real life’ busy month with birthdays, celebrations and events, not to mention the hours consumed watching programmes about Britain leaving the EU. The REMAIN/LEAVE campaigns were something not many of us understood prior to June and I needed to be sure of my stance and understand the impact before voting.

The world knows the story since… seems strange that when David Cameron resigned as Britain’s Prime Minister it was only the 3rd most important story of the day.

And of course when the future is in the head of a poet, it guarantees that there isn’t much room left for poetry.

Here is a review of what I managed and sometimes what I missed in the world of poetry this month.


Cheltenham

I totally missed Cheltenham Poetry Festival, but the month started with a personal invite to a workshop. Unfortunately there was a tragic accident on the motorway in the morning and the only other route to Cheltenham was blocked by overflow traffic, so I didn’t make the workshop. I felt guilty feeling sad about it when there were some poor people who hadn’t survived the day.

Editing

I spent my break editing and haven’t managed a writing day since.

Book Launches

Jenna Plewes had a book launch at the local library on the 6th June. Her latest collection ‘Pull on the Earth’ includes lots of poems about her travels. It was an enjoyable launch.

Pull of the Earth is published by Indigo Dreams and is available for £8.99 + P&P BUY your copy here

See blog post for more details https://awritersfountain.wordpress.com/2016/07/06/book-launch-pull-of-the-earth-by-jenna-plewes/

Pull of Earth

Open Mics

June saw Jess Davis hosting her final Stirchley Speaks. The monthly poetry night held at the P Café will be hosted by Callum and Jessica Bates from July. This is a full circle for them as they were one of the three headline acts appearing at the first Stirchley Speaks one year ago.

I was lucky enough to perform, it was a great night.

Unfortunately it clashed with David Hart appearing at The Works’ Canteen. I had hoped to make it back to this night held at the Black Country Museum, hosted by Dave Reeves. David Hart meantime, waits on my list of must see.

I also missed HOWL as I was still editing.

I performed at the 42 Festival Special as part of WLF (Worcester LitFest), an enjoyable night themed around the Last Stop on the Worcester Night Tra.

I also had a slot at WLF SpeakEasy which was hosted by the ever delightful Myfanwy Fox and headlined by Angela France. It was great to catch up with both of them and Angela gave me a good Ledbury tip off.

 

Lit Fests & Workshops

Worcester LitFest kicked off on the 10th June with the Poet Laureate Final (I remember the nerves from this time last year), not good memories as far as emotions go. Traumatic in actual fact. This year saw a new venue at Worcester Race Course and instead of 3 finalists being picked from 6 performers, they had 3 finalists striving for the accolade. A wise decision was also made with regard to the amount of other ceremonial achievements celebrated beforehand, making it a shorter event and allowing the poets to suffer less palpitations. I didn’t manage to support in person this year but I am delighted to announce that this year’s Worcestershire Poet Laureate is Suz Winspear!

Positive Images Festival

On June 12th I headed over to Coventry for a ‘The Atomic Sun’ workshop with Antony Owen, Patron of CND Peace Education UK and Award Winning Poet. Antony and I have poems in an anthology due out later this year published by Shabda Press entitled ‘Nuclear Impact Broken Atoms in our Hands’. It was a deeply moving experience which I will post about separately.

http://www.positiveimagesfestival.co.uk/

https://antonyowenpoetry.wordpress.com/

http://www.cnduk.org/information/peace-education/item/2254-peace-education-patrons-antony-owen

Workshop

Gary Crew is an Australian Author of YA Fiction. His picture books for KS2+ are brilliant and ‘The WaterTower'(1994) formed part of the mantle learning at one of the schools I work at. The Watertower

As part of his time here in the UK (mainly London and Oxford) he was also able to catch a train up to the Midlands and workshop with some very eager children. As part of his contract he had to deliver something to academics (funding), so I was one of about 40 teachers treated to a session with him after work.

I will add a post of information about his writing. It was inspiring for me and I bought a book of his I have not read as poetry instantly sprang to mind, we will see where that leads (after I have finished this first manuscript maybe)!

https://www.fantasticfiction.com/c/gary-crew/

 

Performances

Quiet Compere Worcester LitFest

Friday 17th June I was lucky enough to be part of the QC Event at Worcester LitFest, Sarah Dixon returned for another wonderful night of poetry at The Hive. A different format this time she had featured poets, guest poets and some open mics, pre-booked (like mine) or signed up on the night. Link to follow.

Midsummer Poetry Brothel Caged Arts

Heidi Murphy hosted her 2nd Poetry Brothel at P Café on the 22nd June to celebrate the solstice. I had missed the Solstice Walk (Festival Fringe event), due to family celebrations clashing so it was useful to be able to blow the dust off last year’s solstice poems. No time to pen anything new, but I did have time to raid my wardrobe for florals; trousers, flower in the hair… it was my 3rd Poetry Brothel (am I forming a habit?).

Writing West Midlands

From September the Junior and Senior groups are amalgamating, so I spent an entire Saturday at the library being Jenny Hope’s assistant and then taking my own final session for this term/year in the afternoon. I had hoped to attend A Night at the Museum, WLF event in the evening but after working two groups and with a few hours of limbo, I decided I was too tired and left the city for home.

So there is June in rather a big nutshell – and of course, I am still writing NaPoWriMo poems (from April prompts)…

pen sarah wilko anderson Happy writing! x