Tag Archives: Poets in Motion

2020 Writing from Inlandia Book Launch

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During the 1st UK Lockdown, (which for me lasted 6 months before I was back to face to face work), I signed up to many workshops and writing classes. It was not just a way of navigating the pandemic, coping with mental health or a way to travel when grounded, it helped me find community.

The pandemic came after 15 months of ill health, in which I barely worked or lived and was, aside from hospital appointments and the occasional tea out with friends, pretty much locked down. I had been back at work for a few weeks and was trying to find my writing mojo again. I managed to edit my collection on morphine (not recommended) and through the kindness of friends was able to attend Stanza meetings and the join the Worcester Poetry Film Collective, I even made one event at the Worcestershire LitFest & Fringe in 2019. But I struggled to be at the desk and it was a long journey back to creating. The realisation of the global pandemic hit and … those of us lucky to have story, have story.

Poets in Motion was a great class with US/NZ/UK participants, a real international mix and a range of lives and stories. CelenaDiana Bumpus was a joy, there is no other word to describe her. Sadly, Celena passed away in 2020, before she had chance to make many of her plans realities. She is missed dearly and I am so grateful that we were able to write a class poem in her honour, which appears in the anthology too.

The day I received my book in the post I was so excited, I knew Inlandia Institute had planned a LIVE USA launch event and I never dreamed I would have the opportunity to read, then they announced an online launch event.

I am a panelist this evening AND so are some of my much loved and missed class members. It will be a great event, it is a splendid Anthology and I am blessed to have some words on the pages.

It’s free to come and watch – 9PM GMT.

Register HERE

Join Inlandia Institute for a special online reading of selected works from 2020 Writing from Inlandia! This yearly anthology has been published since 2011 and is an Inlandia tradition, with contributors from sixteen of Inlandia’s creative writing workshops in the 2020 edition. Packed with over 300 pages of stories, poems, and essays, 2020 Writing from Inlandia explores the experience of being alive through memoir, food writing, reflections on the COVID pandemic, and more. Participants will read their work aloud in reflection of the myriad challenges – and rewards – of being human. Don’t miss it!

In memory of Candace Shields, Morris Mendoza, and CelenaDiana Bumpus.

ORDER your copy here.

The Writing from Inlandia series was created to celebrate the participants in our creative writing workshops program and to serve as a record of who we are at the present moment. May these writings pay tribute to a year unlike any other.

© 2021 Inlandia Institute

Flashback Summer (Aug)

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Photo by Ylanite Koppens on Pexels.com

August was still patchy with sun and I was able to enjoy the garden. I was beginning to feel the edge of cabin fever. I slowed down online with extra events and focused on writing and reading. It was as strange as all the other months this year. I had hoped my birthday wouldn’t be in Lockdown – I’d seen and attended some awesome, creative celebrations online – I just couldn’t face the extra screen time. Mr G. and I planned to use one of the socially distanced restaurants and go out for the first time since March, but I got too scared.

I went to Jonathan Davidson‘s Book Launch for Commonplace, Smith | Doorstop, 2020. https://jonathandavidson.net/blog-2/books/a-commonplace/

I read at Polly Stretton‘s launch of The Alchemy of 42, Black Pear Press, 20220. https://blackpear.net/2020/07/31/the-alchemy-of-42-launch/

I read my cathedral poems at the launch of the ‘Call & Response’ anthology compiled by Amanda Bonnick, Poet in Residence at Worcester Cathedral. https://blackpear.net/2020/07/22/an-invitation-to-the-launch-of-call-and-response/

Photo by Lum3n on Pexels.com

I finally made some submissions. I spent hours writing applications, which were unsuccessful in results but updated all my paperwork ready for when the right one does come along!

We had a wonderful International Reading again for Cath Drake‘s Writing course Reinvent the Future – this time with Malika Booker as Guest Poet. It was another wonderful event.

Cath Drake
Malika Booker

Melbourne Spoken Word Festival continued, Army@Fringe hosted a Virtual Festival with lots of programmes about theatre writing, Jinny Fisher hosted another Poetry Pram event, Wendy Pratt hosted one day retreats, and PPP continued with many events and classes. I finally got to some events in New Zealand and made it back to Fire & Dust (Coventry) to see Genevieve Carver, I saw Joelle Taylor and Laura Scott at Cafe Writers. I managed to Zoom to Stafford WORDS Myths & Legends. I started attending some of the creative writing workshops held at Sheffield Libraries, they have raised a whole community online. Wonderful work. I started workshops with Nik Perring , Reader in Residence at Sheffield Libraries, who have all been great and productive. I attended a few seminars and talks.

I joined Celena Diane‘s Poets in Motion and had a great time at the Wirral Poetry Festival with Brian Wake, writing from ‘At the Circus’ prompts and artwork. Love an ekphrastic poem & poet/artists projects. I get involved with them as often as I can. I was asked to be Poet in Residence (virtually) for Cheltenham Poetry Festival.

I finished my Connect Dudley commission and Worcestershire LitFest went online. We held the delayed interviews for the next Worcestershire Poet Laureate.

So, my birthday was quiet – but we are still safe.

Five months into the pandemic and most of us know someone who has suffered. My heart goes out to all the families who’ve lost more than birthdays this year. The Lockdown is difficult to cope with – but suffering from Covid – there are no words, just huge thanks to those tasked with trying to help us.

Flashback Summer (June)

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Photo by Maria Orlova on Pexels.com

For some reason I attempted Yoga again this month, Lockdown has made us all a little crazy, I think I did a fusion of Yoga and Pilates, basically the warm up and then filled in most of the class with exercise my back could manage.

I saw my first human being other than my mum and Mr G. since the beginning of Lockdown. It was my eldest nephew’s birthday. I stood in the garden, he stayed inside. It was the hardest not-hug to give/not give. Delighted I saw him. He couldn’t believe he was only the 3rd person I had seen since the end of March! By the end of the month I shared garden coffee with a few friends.

My actual travel/ life may have diminished to something which resembled 2019 (without the pain) but my screen life was exploding. I stretched my Zoom poetry wings further into Australia, out to New Zealand, Canada, Singapore, America and Coventry – if you have ever driven the route from here you will understand why I include that UK destination in amongst my international travel. Other local events found the wonders of Zoom and FB and moved events online. Library services also extended online content.

Poetry and writing has gone Global this year, writing is also (like baking, making sourdough, planting, painting and photography) one of the hobbies/ escapes people turned to. Even people who never appeared online have probably scribbled journals or feelings down at some points in this Lockdown. There have been wonderful local/ national/ international community projects popping up all over the place. Letter writing has become fashionable again, or at least it did before people realised the dangers of post. The world has creatively adapted. We have held each other (metaphorically) up in a year that made us all feel like we no longer had bones!

Photo by Porapak Apichodilok on Pexels.com

The other thing which began to take seed was the funding artists had applied for through the Arts Council. With this emergency funding came a flurry of projects and workshops. Funding was also received from other revenue sources.

PPP (Poets, Prattlers, and Pandemonialists) celebrated the Black Country/ Lockdown and isolation with Stay Up Your Own End – which offered people both a microscopic and magnified view of their locales as seen through the eyes of people with pens. It encouraged people who had never written before or never openly written before to pick up a pen and write. It was set up as a round of competitions, prizes included a video film produced & £25.

The judges/prompt writers for each round were local favourites of the Black Country poetry scene Richard Archer, Rick Sanders, Roy McFarlane, Kuli Kohli, and Heather Wastie.

PPP were commissioned by Creative Black Country to run a series of online poetry activities across the region.

Read more about it here: https://www.pandemonialists.co.uk/stay-up-your-own-end/

Louise Stokes provided bi-weekly writing classes under the ‘Let’s Write’ project. http://www.louiseland.co.uk/

I did workshops with Anna Saunders, Adam Horovitz, Liam Brown, Zena Edwards and joined Malika Speaks and Poets In Motion. I went to Book launches including The Estate Agent’s DaughterRhian Edwards (Seren), Wild PersistenceKatrina Naomi (Seren), Pack of LiesRoz Levens (Black Pear Press)

More Festivals and Events: ART IS… Festival, Trim (Ireland), Own It! Online Festival, Wirral Poetry Festival, Cheltenham Poetry Festival, Kit De Waal Creative Writing Wonder Women, Ledbury Poetry Salon with Philip Gross & Lesley Saunders. Sarah L. Dixon moved The Quiet Compere online and created a series of reunion shows. I made video poems for Wordcraft, PASTA, performed at Fire & Dust, 42, That Poetry Zoom, Perth Poetry Club, Poets’ Cafe and watched Dear Listener. Oooh Beehive, Run Your Tongue, Yes We Cant and others. Room 204 continued to support us with opportunities.

Personal highlights for the month (other than braving the company of friends) were:

A reading for the end of Writing to Buoy Us – Reading to Buoy Us with Cath Drake. The courses drew both established and new poets in from across the world.

Read all about it at Cath’s website here.

It was an uplifting event which featured both class groups and Australian poet Mark Tredinnick as the Guest Reader.

Writing and creativity are how most of us are continuing to process this pandemic 6 months later, the connectivity shared at this time was invaluable. It was special.

Cath Drake
Mark Tredinnick
Nina Lewis

Poetry Film Live Relaunched their website and featured one of my animated Poetry Renewed Films ‘Tailspin’ to Launch it. Like every business Elephant’s Footprint have adapted during this pandemic and shifted their courses online.

Exciting talks started with the committee about moving WLF online, we were holding off in the hope the postponed annual festival (mid-June) could be pushed back to early Autumn, by this time it became apparent that Covid was going to be with us for some time.

I took part in my first online SLAM (I don’t really do the SLAM poet thing but this was in Australia and I couldn’t resist). My poems appeared in the keepsake gift book the Art Is Festival released.

I wrote down submission opportunities and promptly missed the deadlines. Seems like I have the horse ready but a little unsure of getting back on!