Tag Archives: NaPoWriMo 2016

NaPoWriMo: The Inevitable Catch Up – Day 1

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I took Easter offline and have been chasing my tail ever since. It was not an intentional break from online activity, but it was a blissful and practically fulfilling decision.

My first full writing day for a while (last Thursday) was spent sorting through the inbox, finding a fair few rejections and also some work accepted for publication. I also discovered a freelance job opportunity – I would have bid but unfortunately it was too close  to the deadline. Apart from this and the backlog of social media and emails my time offline has not had any great impact.

It does mean I am 18 days behind with NaPoWriMo and one of the jobs on the list today is to get busy writing. I am mid editorial on my manuscript so in the ‘take a break’ slots I am playing catch up.

I have discovered this year that they are featuring different poets;

As in prior years, we’ll be featuring a participant each day, and giving you an optional prompt. In years past, we’ve also featured a daily new book of poetry, magazine, or poetry-themed website. This year, we’ll be doing something a little bit different. Every day, we’ll be featuring a different poet who writes in a language other than English, but whose work is available in English translation, working our way from east to west.

Our first poet in translation is Japan’s Hiromi Ito. Known for her ability to uncannily represent spoken language on the page, several of her books have been translated into English and, incidentally, she’s a translator herself, having translated Dr. Seuss’ The Cat in the Hat and Oh, the Places You’ll Go! into Japanese. But you don’t need to know Japanese to get to know Ito’s work: Poetry International features translations of a number of her poems into English, as well as audio files and essays. Also, one of her books, Wild Grass on the Riverbank, is available in English from Action Books, as well as a selected poems, Killing Konoko. © 2016 NaPoWriMo

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As well as this they still have a featured participant each day too. I spent some time this morning exploring Veronica Hosking’s poetry vhosking without reading her NaPo work (I like to write mine cold). I will link my NaPo posts to the featured blogs because they are great to share.

DAY 1: The first challenge was to Write a Lune, which is apt as I spent the weekend writing Haikus with my Young Writers Group.

The lune is also known as the American Haiku. It was first created by the poet Robert Kelly (truly a great poet) and was a result of Kelly’s frustration with English haiku. After much experimentation, he settled on a 13-syllable, self-contained poem that has 5 syllables in the first line, 3 syllables in the second line and 5 syllable in the final line.

Unlike haiku, there are no other rules. No need for a cutting word. Rhymes are fine; subject matter is open. While there are less syllables to use, this form has a little more freedom.

There is a variant lune created by poet Jack Collom. His form is also a self-contained tercet, but his poem is word-based (not syllable-based) and has the structure of 3 words in the first line, 5 words in the second line and 3 words in the final line.

As with Kelly’s lune, there are no other rules. © 2016 Writer’s Digest

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I like this genre as it is fun to play with and doesn’t take too long to come up with new poems (unless you are writing to demonstrate the ease to teenagers, then you will struggle to identify multiple syllables and finding words to fit)!

Generally I post excerpts of my NaPo Poems, as these are short form you get to enjoy them fully.

Go have a play!

Robert Kelly Lune

The grey day unfolds

work did not

call. Freedom to write.

The sky is white with

Spring, frozen

bird sits on bare tree.

Faint music. Thin walls

the daily

ghost playlist begins.

 

Jack Collom Lune

I thought a word count as opposed to a syllable count would be easier to compose, I actually found it trickier and it is quite hard to get the brain to stop counting in syllables.

My Desk (which is messier than this Lune suggests)

Black stapler, pen,

bulldog clip, paperclip, magazine, key,

notebook, receipt, diary.

 

Now

High flying dreams

catch invisible contours and soar

further than imagined.

April

Numb feet, stinging

toes, fluffy socks, extra layers,

the English spring.

I hope you enjoy them.

RELATED LINKS

DAY 1 Lune

 

 

Preparation NaPoWriMo

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It is that time of year again, Spring has sprung and poets all over the world are limbering up to take part in NaPoWriMo. Founded in 2011, I have been a participant since 2014 (when I discovered it) having battled Camp NaNoWriMo and the full event in the Autumn in 2013. From time to time I have discovered other such boot camps but to be honest I have rarely done anything with the writing afterwards. A waste of over 100,000. So now is my strategy planning time.

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I love taking part just for the fun and comradery of the event and the scheduled commitment to writing – which after last week, I know I can do alone. I had submission deadlines as well as day job work and performances, so I basically drew up an old school timetable (not done since exam revision time) and was as hard-core. Relentless. I managed all submissions as a result and even had a poem published. This year I need a Post-NaPoWriMo Plan.

As with other years I have signed the blog up as a participating site and will be writing about the event throughout the month. I will also post extracts from the poems I write. Many people will be taking part posting full poems and another aspect of the event is reading work by other poets. I am going to carve NaPo reading time into my April writing time to do just that.

Find out more and sign up your site here http://www.napowrimo.net/

napofeature3This poem featured in the Top 10 listing for ‘Best poems about Spring’ compiled by The Guardian in 2014.

In Perpetual Spring by Amy Gerstler

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ABOUT THE AUTHOR: Amy Gerstler won the 1991 National Book Critics Circle Award in Poetry for Bitter Angel (1990). Her early work includes White Marriage/Recovery (1984), and her more recent works include Nerve Storm (1993), Medicine (2000), Ghost Girl (2004), and Dearest Creature (2009), which the New York Times named a Notable Book of the Year. A graduate of Pitzer College and Bennington College, Gerstler has taught at the Art Center College of Design, the University of Southern California, and the Bennington Writing Seminars program. She lives in California with her husband, the artist and author Benjamin Weissman.