Tag Archives: Jessica Mookherjee

ATG Book Launch Chaucer Cameron and Cheryl Moskowitz

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Against the Grain Press present In an Ideal World I’d Not Be Murdered by Chaucer Cameron and Maternal Impression by Cheryl Moskowitz

Yesterday afternoon I had the pleasure of being one of many (126 attendees), at this book launch. It was lovely to see people I know and spend a few hours listening to and celebrating poetry.

I have known about Chaucer’s pamphlet for a while and was able to celebrate the publishing contract with her (virtually, of course) in 2020, I saw her International Guest Reading and have heard many poems from this pamphlet. It is a difficult and necessary subject and I am delighted for her that ATG picked it for one of the 2021 Pamphlets.

This was such an amazing event, I am struggling to put my feelings into words. It will take a while for my mind (and heart) to settle. It was remarkable, a phenomenal reading of poems from four skilful poets. The subject matter of much of the work had my emotions staggering, I was prepared for In an Ideal World I’d Not Be Murdered but I hadn’t readied myself for what I have just experienced. I don’t think I could have.

As far as Book Launches go, we all witnessed something so much more. I felt we had been churned by a rough sea voyage and sprinkled with the relief of a shower after a long, muddy trek. We were taken to some incredibly dark places and also bound to cherished, unconditional love.

I feel like I spent the afternoon in some sort of immersive performance piece. These books carry stories which are difficult to read. As humans it is always hard for us to be open to the truth of what we do to each other, our potential to harm and destroy. They are also mighty pamphlets brimming with monumental poems.

Abegail Morley introduced the event and Cheryl Moskowitz. Cheryl introduced us to her Guest Poet, Isabelle Baafi, who gave us an incredible reading from her pamphlet, Ripe which was a Poetry Book Society Pamphlet Choice: Spring 2021 Selections. I can see why it was selected.

“Ripe is a pamphlet which draws on the mundane to forge beauty, using sensual tones to deal with and address harsh subject matter. Baafi’s poems are great inventions in terms of their use of form. Throughout this book, her use of language is never laboured in its endeavour to draw the reader’s attention. […] Overall, Baafi’s poems often step outside the rational and waking consciousness in order to investigate other realms, be that paranoia, dream states etc. […] Through her lyric poems, prose poetry, erasures and much besides, Baafi offers us a complex world worth savouring, as she revels in language both sacred and profane. This is a pamphlet to enjoy and a poet to watch.”
— Nick Makoha and Mary Jean Chan, PBS Pamphlet Selectors

Her work is wonderful, powerful and honest. Stunning poems. Something special. Isabelle’s work spoke to Cheryl’s work well. And was a perfect set.

PHOTO BY SARAH KIKI NYANZI

Cheryl Moskowitz shared work from Maternal Impression. Cheryl’s work was both enthralling and epic. She talked generously about the inspiration behind the poems and some of the places, narratives and people featured throughout her work. Cheryl also shared an astonishing film poem produced by her filmmaker son for ‘A Son Awake’.

“Every time I have heard Cheryl Moskowitz read “The Donner Party”, strange things have happened – a bell has rung with no-one at the door, candles have guttered in a church setting, and shivers always run down my spine. Moskowitz’s poetry summons spirits and spills beyond the words on the page into a mystical space where we are all connected in body and mind. These are poems that once read or heard, leave their mark. Mesmeric, soul-feeding, uneasy, I come back to them again and again for reassurance, admonishment, and recognition of what it is to hang onto the maternal in our collective journey. Maternal Impression is a call to arms – maternal arms – and all that implies in the Anthropocene. It has a beating heart that needs to be heard, felt, and heeded.” – Lisa Kelly

“Reading Maternal Impression is to have the feeling of walking on nails with bare feet, with the assurance of trust. I go tenderly where these fine poems take me, knowing they will advance my pleasure, my empowerment.” – Daljit Nagra 

Jessica Mookherjee introduced Chaucer Cameron, both poets spoke highly of their editing experience with ATG. Chaucer talked about an interview with Jeffrey Sugarman ‘Voicing our Silences‘ about the impact of prostitution and trauma on the body. Chaucer introduced Lucy English as her Guest Reader.

The Book of Hours

Burning Eye Books

This book has recently become a filmmaking project with 27 filmmakers involved. Lucy wanted to create it in three-dimensional form. You can discover more and watch here.

Lucy shared some of her Lockdown writing, after expressing how difficult creativity has been at this time. Her poetry was brilliant, cinematic, microscopic, the specific and this new work captured the feeling of being trapped well.

Chaucer Cameron read an epic set, strong, brave, vulnerable poems which hinge around characters in the industry, including Crystal. It is an incredible body of work and like nothing I’ve ever read. As Chaucer says ‘the characters have their own reasons for being in the industry and only they know where they stand at any given time‘.

In an Ideal World I’d Not be Murdered is part memoir/part fiction and is Chaucer’s debut pamphlet. The poems explore the impact of prostitution.  

“These poems ring out like gunshots in the night; they will wake you from your sleep. Yet despite its distilled directness, this book is lifted by both mystery and surprise. Listen for the songs emerging from the dark centre of this transformative work of experience and survival.’  Jacqueline Saphra.  

Chaucer also shared a film poem made by Helen Dewbery ‘Hooked (with internal song)‘. Another amazing work.

Both poets spoke of their connections to each other having never met they discovered amongst other things, giving birth to their children in the same hospital.

Every reading was outstanding! I love being introduced to new-to-me poets and Isabelle Baafi and Cheryl Moskowitz are now both on my reading list. It was a joy to watch two new poetry films. ATG asked for our questions and plan to produce blog content with the Q&A. It was such a rich and full afternoon of content I am glad they didn’t add a Q&A on. As audience we were stunned and needed time to sit in the sensations we felt. I look forward to reading the Q&A from the ATG poets soon. Instead we heard extra poems from Cheryl and Chaucer.

There really are no words to express this Book Launch, those lucky enough to have been there, know.

BUY the books here.

Arrival at Elsewhere – Cheltenham Poetry Festival

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I was lucky enough to be at this Reading, hosted by Cheltenham Poetry Festival at the beginning of March (4th). It was incredibly moving and the whole time I was thinking what a powerhouse of a project it was, what an undertaking. Although, in the Q&A Carl Griffin (curator) brushed it off as not being overly complicated. Many of us feel we wouldn’t have known where to begin. He started with a kitchen table and some cut up pieces. Carl looked for pattern and he was certainly able to orchestrate that. It was interesting to hear about the process of the book coming together from the initial idea to the finished product. I am still amazed at the seaming of 100 voices into one book length poem.

Carl Griffin talks more about the process here.

This book is more than a chronical of our times.

Money raised from book sales goes to NHS Charities Together. The link below the book cover will take you to the ordering page. £11.99 incl P&P to UK/ £13.99 to the rest of the world.

You can watch an extract/ film poem by Karen Dennison.

This was originally posted on movingpoems.com

You can read an excerpt from the book here.

As well as sharing work from Arrival at Elsewhere the poets shared some of their own work. George Szirtes treated us, revealing some new poems from his next book.

Abegail Morley

Julian Stannard

John Glenday

Graham Clifford

George Szirtes

Here is the information from Cheltenham Poetry Festival about the event and the Publisher (Against the Grain Poetry Press) promotion.

A reading from the epic, pandemic-inspired book – Arrival at Elsewhere( Against the Grain Press).

Arrival at Elsewhere is a ground-breaking, book-length poem, curated by Carl Griffin, in which poets from across the world speak in one voice in response to 2020’s life-changing pandemic.

Arrival at Elsewhere symbolises the fact that all people, no matter our differences, are equally vulnerable, and this rich and eclectic joint voice is a made up of a multitude of individual experiences.

This book-length poem contains lines from T.S. Eliot Prize winners (Philip Gross, Sean O’Brien, George Szirtes), National Poetry Competition winners (Linda France, Beatrice Garland), and a Pulitzer Prize winner (Yusef Komunyakaa), alongside several newcomers and overlooked veteran poets, and seeks to raise money for NHS.

The book is edited by Carl Griffin. Carl Griffin lives in Swansea, in South Wales. He has written extensively on Welsh poetry and poets, in the form of reviews and essays. Though born in Stockton-on-Tees, in 1984, he has spent most of his life living in each of the Welsh cities, and these are the places that inspire many of his poems.  His poetry collection, Throat of Hawthorn, was a winner of the Geoff Stevens Memorial Poetry Prize and was published by Indigo Dreams Publishing.

Readers at the event include  Abegail Morley, George Szirtes, John Glenday, Julian Stannard and Graham Clifford.

© Cheltenham Poetry Festival 2021

In this book-length poem, curated by Carl Griffin, poets from across the world speak in one voice in response to 2020’s life-changing pandemic. Not a definitive voice, nor an authoritative one. But a contrasting, contradicting, confused voice, set both in the UK and everywhere else, represented by one narrator who, just like the rest of us, is made up of a hundred different people. A narrator cohesive only in his/her/their contemplation of Elsewhere.

Elsewhere has arrived…

to everyone affected by the Covid-19 pandemic – in aid of NHS Charities Together

PUBLISHER NOTE

When the idea for this book was pitched to us it was still fairly early in the global Covid-19 pandemic. We were all still probably in a state of shock. All locked down, uncertain what was happening – we certainly felt we had landed in a new place. All three of us, like many poets, were unsure how to creatively assess this new situation. That’s why we wanted to support this book. A collaboration of sorts, a creation of a road through all the work of poets who contributed to its making and a maker who has sensitively crafted this winding path of a poem from all our tongues. We are happy to support this work and its intention to support the NHS.

Abegail Morley, Karen Dennison and Jessica Mookherjee
Against the Grain Poetry Press

© Against the Grain Poetry Press 2021

Monthly Review December 2020

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Photo by Marta Wave on Pexels.com

We had a day of snow shortly after Christmas, a good thick layer to enjoy, enough to take our minds off things for a while. Christmas was different for us all this year, but through the powers of technology we managed to see/hear each other, it felt even more special to share parts of our day. Last year we were lucky enough to share a big family Christmas, like those we remembered from childhood – reflecting back on the few days we all spent together was a pleasure.

Today we are all looking forward to seeing this year out – we have fireworks to look forward to, but no parties, which means no sore feet tomorrow though!

December was a month with very little work, I delivered my last Star Centre Workshops in the series and attended lots of events. We had the final Dear 2021 session with Nik Perring, more on this when the work is realised. One of my poems made it into the book which was produced as part of this project. I completed my Beta-Reader task, attended a Mona Arshi reading delivered by the University of Worcester, it was a cracking event, it has been years since I’d seen Mona and I admire her work. https://monaarshi.com/

I enjoyed the last two Poetry Workshops with Sara-Jane Arbury & Ledbury Poetry Festival and a special poetry event at The Hive facilitated by Amanda Bonnick & Polly Stretton, a Poetry Bubble online event. Hoping they have more in the future. It clashed with the Forward Reading, organised by Cath Drake. I have since discovered it’s available on YOU TUBE, as Cath wanted to share the event with her Australian audience too. And Mr G. (as is tradition) gifted me The Forward Poetry Book 2021 for Christmas!

A LIVE recording of a selection of poets Highly Commended in the Forward Prizes, included in the 2021 anthology, who launched a book our during this pandemic year:

Colette Bryce reads from ‘The M Pages’ /Matthew Francis reads from ‘Wing’ /Maria Ferguson reads from ‘Alright, Girl?’ /Mina Gorji reads from ‘The Art of Escape’ /Cath Drake reads from ‘The Shaking City’ /Katherine Horrex reads from ‘Growlery’ /Shane McCrae reads from ‘Sometimes I Never Suffered’ /Abegail Morley reads from ‘The Unmapped Woman’ /Julian Stannard reads from ‘Heat Wave’ /Maria Taylor reads from ‘Dressing for the Afterlife.

‘The Poetry Oscars’ – The Telegraph. Buy your copy here.

https://www.faber.co.uk/catalog/product/view/id/7724/s/9780571362486-the-forward-book-of-poetry-2021/

Treat yourselves to watching this incredible collection of poets reading their work at the very least!

I managed to get to another Creative Writing workshop with Sheffield Libraries and have since discovered they have purchased a copy of Patience for the library, which is great news!

We had Birthdays to celebrate in our family in December, I saw my Grandma (socially distanced/ I was outside in the garden) for her Birthday – first time I have seen her since March! And Emily Dickinson celebrated her 190th Birthday at the Museum with an epic programme of events which I was still watching in the early hours. I spontaneously shared two short poems I wrote during the Tell It Slant Festival earlier this year, it was a great night. https://www.emilydickinsonmuseum.org/emily-dickinson-birthday-december-10-2020/

I managed to get to the USA to catch Julie Danto‘s Book Launch and reunited with some of the Worcester County Poetry Association (WCPA) poets in Massachusetts, who I created A Tale of Two Cities with a couple of years ago.

And I managed a couple of workshops with Rakaya Fetuga again. I watched the Michael Marks Awards and enjoyed Jessica Mookherjee and Sean Wai Keung at Cafe Writers, I got to the Room 204 Christmas Party and have a little catch up and a bit of pre-Christmas cheer. WLF had SpeakEasy featuring Raine Geoghegan and it was a magical Christmassy event! The next one is in February.

We had a reading to celebrate the end of the Ledbury workshops, it was a treat to hear everyone. I had some studio time in Emily Dickinson’s bedroom at the Museum, it is my 2nd visit there this year. Something very calming and slightly magical about this space.

Words Stafford had a Tanka competition – which I couldn’t resist – I love writing short form poetry. The theme was Steampunk, my research was fascinating and inspiring. 10 of us had poems chosen and were able to read at the event, sadly mine were not in the Top 3 (Prize Winners) and I love the Anti-poet, the prize was Paul’s Steampunk novel The Periwinkle Perspective – The Giant Step – Volume 1 by Paul Eccentric. It was a fun night and the winning poems were fantastic!

In the final week before Christmas I completed some Christmas writing with Nik Perring and spent an amazing night at Cheltenham Poetry Festival enjoying John Hegley and making up captions for one of his sketches, a new talent discovered (not John – I knew he drew), it was a perfect Christmas Party and not a photocopier in sight!

This week I wrote a couple of applications and I finally made some end of month submissions (NY Resolution started early) and enjoyed a night of Disquieting Christmas stories and poems with Polly Stretton at Worcester, 42.

I hope you all managed to have a good Christmas despite restrictions and the state of our world at the moment.

Be kind to each other and stay safe.

Poetry Swindon Festival – Day 4

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Photography Credits: Mark Farley (Official Festival photographer) and Richard Jefferies Museum © 2017 Copyright remains with them.

Day 4 

Sunday 8th October

swindon RJ

Sunday… a day of rest? Erm, NO! It was quite a sad day, we had already lost Gram Joel Davies to the dreaded Swindon Lurgy, which was caught by the whole team and some of our resident poets too and Jill Carter the Artist in Residence! Today we had to wave goodbye to Sarah L. Dixon*. We also had to steward on very little sleep and draining energy supplies. So extra holes in the heart were quick to drag us down. But we were picked up by the ever positive Hilda Sheehan in the morning meeting where we scheduled the last full day of the festival.

*I knew I was going to miss Sarah, lots. I managed to sneak a little message and a poem into her suitcase for her to find once she made it home. After having a roommate it was very strange to be in a room on my own.

This was the final day of workshops, Jacqueline Saphra had stepped up to run a workshop as Jacci Bulman was unable to make it and Rishi Dastidar was booked to facilitate a Call & Response Workshop.

10:00 to 12:00 WORKSHOP: Call and Response Sun Inn With Rishi Dastidar
We’ve all been to workshops where we’ve been inspired by other poems, maybe visual art too, and then written in response to them. So what happens when we use pop songs instead? That’s the simple premise behind ‘Call and Response’, where some great music will hopefully provide great inspiration for writing poems. Just bring some paper, pencils – and your ears.
Rishi Dastidar is a fellow of The Complete Works, a consulting editor at The Rialto magazine, a member of the Malika’s Poetry Kitchen collective. His debut collection, Ticker-tape, is published by Nine Arches Press.

SPF Rishi Workshop MF

SPF rishi 2

It was a most enjoyable experience, music really bringing me to waking moments on this tired Sunday morning, full of thoughts of goodbyes and trying to keep a balanced heart, this workshop lifted me out of that head-space. It was fast, furious and fun and a surprising amount of poetry was created. I loved hearing everyone’s takes on the same pieces and Rishi was a fantastic workshop leader. I would not hesitate to workshop with him again!

Over at the Museum A. F. Harrold had it all under control at the Open Mic Talent Show. This was the 2nd event for children, the first took place on Thursday 5th October on the opening day of the festival, whilst we were at Artsite.

10:30 to 12:00 POETRY RHYME TIME RJ Museum Tent-Palace 
You are invited to meet Custard the Dragon, The Owl and the Pussy Cat, and many more famous poetry friends. A fun and animated poetry rhyme time with music and movement for under 5’s, with arts & crafts with Suzie, and poetry.

Events for children is another great element of the Poetry Swindon Festival. Children are no strangers to the Richard Jefferies Museum programme either.

spf harold & milo

A. F. Harrold and Milo.

10:30 to 12:00 CHILDREN’S OPEN MIC TALENT SHOW RJ Museum Tent-Palace 
With A. F. Harrold
A morning of poetry play and fun for children under 11 years, presented by Milo age 10 and A.F. Harold. With Special Guest Young Poet Sophie Daniels. Come along with a poem, a song or a story – one you have created yourself, or a favourite!
A.F. Harrold is the author of the hilarious Fizzlebert Stump series, the award-winning book The Imaginary and the children’s poetry collections I Eat Squirrels and Things You Find In A Poet’s Beard (illustrated by Chris Riddell). He is well known for his energetic and silly performances where almost anything can happen. Expect poems, jokes, beards and nonsense, and maybe a snippet of his brand new book, Greta Zargo and the Death Robots from Outer Space.

Back to the Museum for Lunch and an action packed day for the team with three Stewards down. Julia Webb had stepped up to an afternoon reading as a poet couldn’t make it and had some time to go and prepare and of course, we had lost Gram and Sarah. I think this was one of the hardest work days, but all work is fun when you are part of such a great team.

13:30 to 14:30 READINGS RJ Museum Tent-Palace
With Rishi Dastidar, Jessica Mookherjee & Camilla Nelson
Transgressions and experiments of three daring poets who tread where it doesn’t seem safe or sane, and so manage to open our eyes and ears to the real pulse of the present.
If you were unable to get to Rishi Dastidar ‘s workshop in the morning, this is your chance to hear from his debut collection, Ticker-tape.
Camilla Nelson is a language artist, researcher and collaborator. Her current work is Apples & Other Languages, published by Knives Forks and Spoons.
Jessica Mookherjee is a poet of Bengali origin. Her first collection, Darshan will be published by Cultured Llama in 2018.
AWF Rishi Dastidar

I have heard Rishi Dastidar reading at Ledbury and Waterstones Birmingham and it is always a delight to hear from this collection, Ticker-tape. Nine Arches Press were certainly well represented at this year’s festival.

In the afternoon reading I was so touched by one of Jessica Mookherjee’s poems that I completely unravelled! Which was a tricky situation to be in when there is no-one around as everyone was busy watching the event.

This is the power of poetry.

AWF Jess Mookherjee

A speedy turn around for the last Open Mic event of the festival and one I could finally take part in.

15:00 to 16:00 OPEN MIC – Magic RJ Museum Tent-Palace 
‘I believe reality is approximately 65% if. All rivers are full of sky. Waterfalls are in the mind. We all come from slime.’
Dean Young Can you pull a poem out of hat? Join in as poetry is conjured from every beautiful mind. With special guest readings from Kathy Gee & Liz Mills – once upon a time Kathy was a museum curator, so for quite a while she wrote about ‘stuff’ and what we leave behind. Liz has written and acted all her life but only started writing poetry last summer.

During this event many poets appeared (for the next event) and I really wanted to leave the book stall and go to catch up with them, but I was torn as it seemed rude to miss the open mic-ers and I was also waiting for a slot (names were pulled from a hat). I stayed put.

I enjoyed the ‘Magic’ open mic and this time it was the turn of Kathy Gee and Liz Mills to take the Guest Spots. It was a lively event with some beautifully magic poetry.

kathy Gee

Guest Poet Kathy Gee

SPF LOUISA 1

Louisa Davison

SPF LOUISA CAMPBELL 1

Louisa Campbell

SPF MIRANDA L BARNES

Miranda L. Barnes

susan taylor

Susan Taylor

shaun butler

Shaun Butler

iris anne lewis

Iris Anne Lewis

James Harris

James Harris

SPF MAGIC ME

I performed one of the shortest poems in the book ‘Linger’.

bethan rees

Bethan Rees

1simon williams

Simon Williams

SPF MAGIC OPEN

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Guest Poet Liz Mills

A quick stint behind the bar and then it was onto the final afternoon Readings of the festival. I was very much looking forward to seeing Daniel Sluman reading again and discovering the poetry of Alex Josephy, having met her earlier on at the Book Stall. Melissa Lee-Houghton was unable to make it so we had the delight of Julia Webb reading from her collection Bird Sisters (also Nine Arches Press).

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16:30 to 17:30 READINGS RJ Museum Tent-Palace
With Melissa Lee-Houghton, Daniel Sluman & Alex Josephy
Intense and exacting reading from three of Britain’s rawest readers.
Melissa Lee-Houghton was named a Next Generation Poet 2014 for Beautiful Girls. Her latest book, Sunshine (Penned in the Margins, 2016) saw her shortlisted for the Costa Poetry Award, Ted Hughes Award and Forward Prize for Best Single Poem. Daniel Sluman is a poet and disability rights activist based in Oxfordshire. He was named one of Huffington Post’s Top 5 British Poets to Watch in 2015. His debut collection Absence has a weight of its own was released by Nine Arches Press in 2012. Alex Josephy lives in London and Italy. She has been a student and teacher of poetry all her life and leads a poetry reading group in East London. Her poems have been published widely in magazines and anthologies.

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Alex Josephy


SPF DANIEL SLUMAN

Daniel Sluman

SPF JULIA WEBB

Julia Webb

Then came the teatime rush and finally the Festival Finale… which deserves a post all to itself!