Tag Archives: INKSPILL 2018

INKSPILL 2018 Feedback & Thanks

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We hope you have enjoyed the 6th Annual Writing Retreat. INKSPILL 2019 will be back next October in the final weekend of the month. It will feature more Guest Writers, Workshop Activities, Interviews, News and the latest edition of Contour.

Please spend a few minutes commenting with your feedback and include any ideas of what you would like to see/focus on in 2019.

 

We want to take this opportunity to thank our Guest Writers and Featured Writer for all the time, energy and effort they have put in to make this a successful retreat.

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INKSPILL 2018 CONTOUR Poetry Magazine Issue 4 COMING SOON

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We hope you have enjoyed the INKSPILL weekend.

During my time as worcestershire Poet Laureate I created Contour – A Poetry Magazine. The launch of this issue was hoped to be our final post for INKSPILL 2018*.  Here I was to invite you to curl up with a warm drink and experience the world of poetry and all things poetical in the latest issue of CONTOUR.

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*However, the issue is not ready to go live (in case you missed the post I have had an operation) and this has set me back/time online not possible etc. This issue will go live very soon and I will post on the blog to promote it when it does.

Until then I can share some news and the previous issues of Contour for you to enjoy.

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My Laureateship ended in June 2018 but I have decided to continue with Contour.

It will now be an annual publication released as the final event of INKSPILL weekend. Submissions will open in July 2019, keep your eye on A Writers Fountain for more details.

LINKS:

SPECIAL EDITION ISSUE 3 A TALE OF TWO CITIES

Transatlantic Poetry Project as featured in Poetry Society Poetry News.

 

ISSUE 2 CONTOUR LOVE

 

ISSUE 1 CONTOUR PLACE

 

INKSPILL 2018 ARCHIVE Open

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Our Archive is open for the final time this weekend. Find articles, workshops. reviews, Interviews and writing to keep you busy for the next few hours before the exciting launch of the final WPL issue of Contour Poetry Magazine.

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From 2014 our Guest Writer William Gallagher talks to us about Making Time to Write.

https://awritersfountain.wordpress.com/2014/10/25/inkspill-making-time-to-write-guest-writer-williamgallagher/

 

 

Sticking with 2014 here is an exercise to help you write an article in 30 minutes.

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https://awritersfountain.wordpress.com/2014/10/25/inkspill-speed-write-how-to-produce-an-article-in-less-than-30-minutes/

 

 

The next article comes from 2013 and was not part of INKSPILL but is gold dust for anyone attempting NaNoWriMo this Autumn.

https://awritersfountain.wordpress.com/2013/10/31/nanowrimo-survival-tips/

 

 

From INKSPILL 2013 another article from me about getting organised to write.

https://awritersfountain.wordpress.com/2013/10/27/inkspill-getting-organised/

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From INKSPILL 2015 our Guest Poet Interview with Daniel Sluman.

https://awritersfountain.wordpress.com/2015/10/25/inkspill-guest-poet-interview-with-daniel-sluman/

 

A write up of Daniel’s Book Launch in February 2016.

https://awritersfountain.wordpress.com/2016/02/15/daniel-slumans-book-launch-the-terrible/

 

This evening we are launching ISSUE 4 of Contour –

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Read Issue 1 of Contour Poetry Magazine

https://awritersfountain.wordpress.com/2017/10/29/inkspill-2017-closing-with-something-new/

 

 

From INKSPILL 2017 The Editors

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https://awritersfountain.wordpress.com/2017/10/29/inkspill-the-editors/

Finding your voice and what editors look for.

 

INKSPILL 2018 Bookshop

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The INKSPILL Book Shop posts provides you with access to this year’s Guest Writers books and other books featured over the weekend.

Our Guest Writers give their time for free and the whole weekend is free for you to access… so if you are in the market for a book, you have come to the right place.


Kate Garrett

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The Density of Salt

These are poems of journeying, transformation, and growth, woven through with fairytale and myth, forest, sky and sea; they are elaborations of the dark times that make us look for light. This book is a place where love is never the same feeling twice, and neither is revenge.

doomsday

You’ve never seen a doomsday like it

These are poems about surviving doomsdays. People use the word doomsday to describe the apocalypse, and apocalypse simply means ‘an uncovering of knowledge’. Every life has its share of apocalyptic moments—not only great catastrophes, but also small secret revelations, and surprise twists of good fortune as well. They leave you with lessons learned, and stories to tell.

deadly

Deadly, Delicate 

Here are fourteen poems circumnavigating the world of historical piracy, presented at a slant where the men are dangerous and the women are lethal. The violence and the sweetness, the freedom and the acceptance of death are all given equal footing. Never straying from the brutality of a lawless life on the seas, Deadly, Delicate welcomes you to the depths…

Three Drops Press and Picaroon Titles can be found here – 4 pages of books.

Spotlight Kate Garrett

 

bONNIES CREW

Bonnie’s Crew Poetry Anthology 

The Bonnie’s Crew poetry anthology is here! Our tiny A6 paperback contains 41 poets and 52 pages of poetry. It’s a limited first print run of 200, and they’ve been flying out my front door – but we do still have plenty available.



Kevin Brooke

jimmy-cricket-front-cover YA

Jimmy Cricket

‘Seen through the eyes of the main character, Jimmy Latham, this story shows how teenagers can, with the right support, survive just about anything. Set just after Jimmy’s fifteenth birthday and a year after the death of his parents in a car accident his life is in disarray. But then…he’s given the chance to focus on something positive.’

Published by Black Pear Press

Max & Luchia–The Game Makers

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Max & Luchia–The Game Makers takes you on a magical journey into an online game invented by the imagination of Max & Luchia. Illustrated throughout by the super-talented Seraphim Bryant, this is an exciting, engaging read that young readers have said is unputdownable! 

Published by Black Pear Press

The Roman Citizens From Class 6B

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Ben has an amazing talent – his pictures come to life! When he and his friends Calum and Maisie are transported onto a Battlefield, their Roman adventures begin. Aimed at an approximate reading age of 6-10, the story includes a chariot race in the Circus Maximus, a day in the Roman Senate and a daring rescue of a slave girl called Phina from the lions in the Colosseum. After hiding in the Catacombs, Ben draws one last picture and he, Calum, Maisie and Phina are transported back to England – 61AD England to be precise where they are soon charging towards the Roman Army alongside Boudicca, the Iceni Queen.


Alison May 

All That Was Lost

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In 1967 Patience Bickersleigh is a teenager who discovers a talent for telling people what they want to hear. Fifty years later she is Patrice Leigh, a nationally celebrated medium. But cracks are forming in the carefully constructed barriers that keep her real history at bay.   

Published by Legend Press

Click below to buy a copy.

INKSPILL 2018 Feature – Interview with Alison May ALL THAT WAS LOST

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What inspired you to write All That Was Lost?

All That Was Lost is an idea that I’ve had on the back burner for a long time now. I started writing a rom com about a stage medium years ago, but the subject matter was pulling the story in a darker direction. And my rom com heroine had a mother, who was also a medium, and had been in the business for years and years. She was a total pro at what she did. And that character seemed so much more interesting than my twenty-something main character. So the rom com (and the daughter) got ditched and I put my old pro centre stage, where she belongs.

 

Patrice isn’t a classic heroine. What drew you to that character?

I’m fascinated by the question of to what extent our personalities are formed by our upbringing and to what extent we get to choose who we are.
Patrice is an extreme example of that. It seems that she’s based her whole life on a lie – what does that do to a person over fifty years? Does the lie become truer because someone sells it hard enough?
I was also really excited to write a slightly older heroine than I’ve written in the past. Patrice has decades of good and bad experiences that colour every decision she makes. I think we often cast older women as supporting characters – someone’s mum (as Patrice started out!), someone’s grandmother, someone’s wife – so putting all the complexity that Patrice has built up over her life at the heart of a story felt good.

What are your top tips for new writers trying to write or publish their first novel?

Just write the sodding book. That is always the top piece of advice. There’s lots of stuff you can learn and develop in terms of craft and understanding story structure, but none of that will help you if you don’t get some words down on the page.
Following on from that, listen to advice, but make your own decisions. There are a lot of writing tutors and consultancy services out there – I’m one of them – but what none of those people can do for you is find your voice and work out what sort of stories you want to tell. That has to come from you, so don’t let all the advice that’s out there overwhelm who you want to be as a writer.

 

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INKSPILL 2018 Feature – All That Was Lost By Alison May

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Alison May was a Guest Writer for INKSPILL back in 2015. We are delighted that this September Alison launched her latest novel ‘ALL THAT WAS LOST’. This afternoon we are happily featuring Alison May and her new book on INKSPILL.

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Author bio

Alison is a novelist, short story writer, blogger and creative writing tutor who grew up in North Yorkshire, and now lives in Worcester. She has worked as a waitress, a shop assistant, a learning adviser, an advice centre manager, a freelance trainer, and now a maker-upper of stories.

Alison won the RNA’s Elizabeth Goudge trophy in 2012, and her short stories have been published by Harlequin, Choc Lit and Black Pear Press.

Alison has also been shortlisted in the Love Stories and RoNA Awards.

Alison writes emotional fiction, and her seventh book, All That Was Lost, was published by Legend Press in September 2018.

She also writes modern retellings of misunderstood classics, in collaboration with Janet Gover, under the penname Juliet Bell. Alison is currently Vice-Chair of the Romantic Novelists’ Association.

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You can find out more about Alison on her website: www.alison-may.co.uk, by following her on Twitter or Instagram @MsAlisonMay or on her facebook page: www.facebook.com/AlisonMayAuthor/

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‘Intriguing with a cast of complex characters that keep you fascinated, this is a page-turner and surprisingly tender’ Katie FForde

‘A resonant, emotional story about grief, loss and love with a complex, tragic heroine—a fake psychic reaching the end of her career. Although it’s about death, this story is never depressing, and ultimately it’s about recovery and healing’ Julie Cohen

‘A beautiful and compelling story that delves into what is real, what we are willing to believe and the power of grief’ Liz Fenwick

‘”All That is Lost” is a bold, beautiful thought-provoking novel, that sensitively confronts difficult themes’ Rowan Coleman

‘It is a triumph. What Alison May has produced is an intimate and affecting study of loss, grief and identity that is just wonderful.’ Linda’s Book Bag

‘What an interesting and unique book… a fascinating, at times heart-wrenching, look at secrets, the cost of keeping them hidden, and whether hiding them requires lies.’ Fireflies and Free Kicks

 

 

INKSPILL 2018 ARCHIVES Open

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Yesterday we opened the Archive and shared some posts from previous years of INKSPILL. Today the Archive opens once more – an offering from 2015 a workshop on Creating Characters by me, Nina Lewis.

https://awritersfountain.wordpress.com/2015/10/24/inkspill-workshop-2-creating-characters/

 

INKSPILL 2018 Guest Writer Kevin Brooke Extract from Jimmy Cricket

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Our Guest Writer Kevin Brooke has two publications with Black Pear Press, his latest book ‘Max and Luchia The Game Makers’ published by Black Pear Press launched 23rd September.  It is a story about an eleven-year-old dyslexic boy and his sister who travel to a fairy-tale kingdom of dragons, knights, vampires and giants.

Here is Kevin reading an extract from Jimmy Cricket his book for YA published by Black Pear Press in 2014.

INKSPILL 2018 Bookshop

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The INKSPILL Book Shop posts provides you with access to this year’s Guest Writers books and other books featured over the weekend.

Our Guest Writers give their time for free and the whole weekend is free for you to access… so if you are in the market for a book, you have come to the right place.


Kate Garrett

density.jpg

The Density of Salt

These are poems of journeying, transformation, and growth, woven through with fairytale and myth, forest, sky and sea; they are elaborations of the dark times that make us look for light. This book is a place where love is never the same feeling twice, and neither is revenge.

doomsday

You’ve never seen a doomsday like it

These are poems about surviving doomsdays. People use the word doomsday to describe the apocalypse, and apocalypse simply means ‘an uncovering of knowledge’. Every life has its share of apocalyptic moments—not only great catastrophes, but also small secret revelations, and surprise twists of good fortune as well. They leave you with lessons learned, and stories to tell.

deadly

Deadly, Delicate 

Here are fourteen poems circumnavigating the world of historical piracy, presented at a slant where the men are dangerous and the women are lethal. The violence and the sweetness, the freedom and the acceptance of death are all given equal footing. Never straying from the brutality of a lawless life on the seas, Deadly, Delicate welcomes you to the depths…

Three Drops Press and Picaroon Titles can be found here – 4 pages of books.

Spotlight Kate Garrett

 

bONNIES CREW

Bonnie’s Crew Poetry Anthology 

The Bonnie’s Crew poetry anthology is here! Our tiny A6 paperback contains 41 poets and 52 pages of poetry. It’s a limited first print run of 200, and they’ve been flying out my front door – but we do still have plenty available.



Kevin Brooke

jimmy-cricket-front-cover YA

Jimmy Cricket

‘Seen through the eyes of the main character, Jimmy Latham, this story shows how teenagers can, with the right support, survive just about anything. Set just after Jimmy’s fifteenth birthday and a year after the death of his parents in a car accident his life is in disarray. But then…he’s given the chance to focus on something positive.’

Published by Black Pear Press

Max & Luchia–The Game Makers

front-covere28093max-luchia

Max & Luchia–The Game Makers takes you on a magical journey into an online game invented by the imagination of Max & Luchia. Illustrated throughout by the super-talented Seraphim Bryant, this is an exciting, engaging read that young readers have said is unputdownable! 

Published by Black Pear Press

The Roman Citizens From Class 6B

roman

Ben has an amazing talent – his pictures come to life! When he and his friends Calum and Maisie are transported onto a Battlefield, their Roman adventures begin. Aimed at an approximate reading age of 6-10, the story includes a chariot race in the Circus Maximus, a day in the Roman Senate and a daring rescue of a slave girl called Phina from the lions in the Colosseum. After hiding in the Catacombs, Ben draws one last picture and he, Calum, Maisie and Phina are transported back to England – 61AD England to be precise where they are soon charging towards the Roman Army alongside Boudicca, the Iceni Queen.

 

INKSPILL 2018 Guest Writer Kevin Brooke Interview

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INKSPILL GUESTS Kevin

Kevin Brooke talks to us about writing, research and relaxation. Links have been included, you can also find Kevin’s books in our INKSPILL BOOKSHOP.

1. What are your ambitions for your writing career?

My main focus as a writer for young people is to publish as many books of the right standard as I can. In doing so, it will allow me to contact local schools and speak to young people with the aim of encouraging reading and writing. As someone who didn’t start reading for pleasure until I was about 25, this is particularly important to me and tend to write stories that are accessible for all. I also concentrate on stories of the type I would have liked to have read when I was younger and base my characters on two demographics i.e. 7-11 and 11-15. For me, these are such crucial ages of development for young people and I therefore focus on themes that are suitable for these age groups.

 

2. So, what have you written?

My first book, The Roman Citizens from Class 6B was utilised as a resource in a primary school in Malvern in 2016.

https://www.amazon.co.uk/Roman-Citizens-Class-6B/dp/1291271511

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I regularly use my second book, a Young Adult novel, Jimmy Cricket, as a resource to encourage reading in schools (I am currently Patron of Reading at Blessed Edward Oldcorne Catholic College in Worcester).

https://blackpear.net/authors-and-books/kevin-brooke/jimmy-cricket/

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I have added this in, as Kevin is too humble… In 2015 Jimmy Cricket was studied in school in AustriaInternational Success

I am hoping that my third book, Max & Luchia: The Game Makers (aimed at 7-11 years), will be just as successful.

https://blackpear.net/2018/08/14/max-luchia-the-game-makers/

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I’ve had approximately 35 short stories published in various publications that include Short Stories From Black Pear, in Graffiti Magazine, as a member of Worcester Writers’ Circle, in WorcesterLitfest Flash Fiction collections, University of Worcester magazines and WWI remembrance publications.

A full list of publications can be found at www.kevinbrooke.com

I often enter short story competition and was awarded first prize in the Erewash National Short Story Competition in 2014 and the Kishboo Magazine Spring Competition in 2016. Several runners up prizes, a number of commended and highly commended awards have also led to publication in competition anthologies.

Although I don’t consider myself as a poet as such, I do write poetry and publications include Contour Magazine (as organised by former Worcestershire Poet Laureate, Nina Lewis), on the Goodhadhood website, WorcesterLitfest publications and several collections aimed at Young People.

3. How much research do you do?

I’ve just finished a degree in Creative & Professional Writing and English Literature at the University of Worcester and one of the main things I’ve learnt is the need for proper research. Although I’d always researched in the past, I tended not to delve as much as I do now. This includes the need for visiting the place I am writing about as experiential research, to fully utilise the five senses. For example, I recently wrote a short story about a protagonist who headed into a dark forest and replicated their situation by going to a nearby wood and turning off the torch. The results of taking shorter steps as I walked, holding my arms out in front of me and a general sense of disorientation were then utilised in the story. In my opinion, people observation in cafes, bars, train stations etc. is also crucial to pick up on individual mannerisms and to create genuine dialogue. As a writer for Young People, I also try and read as many modern stories as I can to enable me to gain a general sense of what is popular at the time of writing a story.

4. What was the hardest thing about writing your latest book?

Max & Luchia: The Game Makers, is based on a young person’s imagination. The two main characters create a world in their minds and then, after doing something special to help other people, they are given the chance to play the game they’ve created for real. The hardest aspect, therefore, was creating something a 7-11 year old would be inspired by. Fortunately, I carry out a number of creative writing workshops with young people and this gave me a sense of the fairy-tale, mythical world they created in their stories. After that, it was about creating the imagery that a child would relate to. For example, instead of an adult description based on feelings to describe “a beautiful night’s sky” I tried to use clearer, descriptive phrases such as the one I heard an 8 year old use about the sky being “filled with a thousand stars”.

5. Do you let the book stew – leave it for a month and then come back to it to edit?

In giving advice to a writer, J K Rowling has been quoted as saying “Write the story as well as you can, revise it, refine it, and if it still seems alive to you, you’re done” and I tend to offer this advice creative workshops for young people. For me, if this means leaving gaps between revisions to ensure the story has had chance to grow then so be it. I wouldn’t particularly use the time-span of one month, but enough time for a few ideas to develop or for external influences to enter the story.

6. Any tips on what to do and what not to do?

If you are going to write a children’s story, make it current. Winnie the Pooh was successful in 1926 because of the world in which it was set, but if you’re going to write a children’s story now, read a few that are fast-paced, modern and relevant to young people today. I made this mistake and spent an entire year writing a story that I wanted to read as an adult. The agents and publishers who rejected it (and these are the kind ones that replied) said, in a nutshell, “Go away and read some children’s stories that have been written in the last ten years.” They were right.

7. How can readers discover more about you and you work?

Although I use Twitter, Instagram and Facebook, the aim is always to direct people back to my website www.kevinbrooke.com

8. What do you do to relax?

I am a member of a local contemporary choir called Voices Unlimited. The photograph I have used for this (taken by nature, landscape an event photographer, Jodie Stilgoe) is from a show entitled ‘Welcome to the 60s’ in which I played Davy Jones at The Swan Theatre in September 2018. I also use this photo (and similar) for marketing purposes and send it to schools to introduce myself as someone who doesn’t take himself too seriously. As for singing itself, as well as being therapeutic, I find there is something in its very act of self-expression that helps with my writing.