Tag Archives: INKSPILL 2016

INKSPILL Guest Writer Roy McFarlane Workshop ‘Physical, tangible & unforgettable’

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Welcome back to another Roy McFarlane workshop, get your pens and hearts ready as we explore the ‘Physical, tangible & unforgettable’ – you can almost taste the poems you are about to write already!

If possible you will need a large sheet of paper (A3)

In this workshop Roy uses Stretch Marks from Her Birth by Rebecca Goss and his own poem The Map of your Leg

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© 2011 Smokestack Books

Physical, tangible and unforgettable

Physical markers that connect us to those we’ve lost; the way we might look like an individual or the spitting image, the sayings and proverbs that we promised we would never repeat, the marks we wished we had that would remind of us them.

Stretch Marks from Her Birth by Rebecca Goss

My swims kept those scars at bay,

Two thousand lengths it took, to form

My mapless globe. No trace she was here,

Her travels around me refused to surface

As she divided between poles, lapped

That black belly ocean. Once born, meridian

Of my achievements, she went off course.

I followed her divergent route, but this was not

Her geography. I have wished for them,

A record of her tracks, all snowed over, gone.

Read an extract from Rebecca Goss of the journey for putting this poem together from poetry archive; ‘I did an awful lot of swimming through both my pregnancies to keep fit…and I didn’t get any stretch marks – but after Ella died, I really wished I had some stretch marks…physical branding to prove that I had her…’ please read the rest of this introduction.

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© Guardian

My poem The map of your leg begins with;

In hospital your legs are unusually dry

after a weekend lying in bed,

The scene is set for an intimate mother and son moment, where the son creams her mother’s legs and notice her scars, all with their different story to tell.

There’s a survey of marks across your legs

Mapping time and continents,

The basin of scar on your shin bone

That carries you back to the teenager

Daring to backchat your mother…

And the stories that are told, until we’re brought back to the present moment, especially the blemishes of darkness where the most important thing to be said is the most difficult thing to be said.

And you ask me

What have they done to me?

The chemotherapy? The radiation?

they’ve told me that these are the signs

of the cancer returning again.

I continue creaming your skin

But I can’t tell you yet.


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Exercise

The easiest way to do this, is to possibly draw the outline of a body on A3 paper and mark the scars on the body you remember, describe how they look, be inventive, and then tell the story.

Remember, think big, we’re looking at stretch marks, scars, beauty marks, (lets stretch this further), have a look at parts of the body as in Elaine Feinstein Hands, or the lack of certain body parts go for it make it unforgettable.

Hands by Elaine Feinstein can be read here

 

RELATED LINKS:

Her Birth is available to buy and is currently on offer (10%) discount. Her Birth Carcanet

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Listen to the poem here http://www.poetryarchive.org/poet/rebecca-goss

https://rebeccagoss.wordpress.com/

 

INKSPILL: Guest Writer Workshop Roy McFarlane ‘Writing their presence…’

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Are you ready for more from Roy McFarlane? Today we will be sharing the remaining Workshops he has generously prepared for us. In this workshop Roy uses ‘Hands’ a poem by Elaine Feinstein from ‘Talking to the Dead’.

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© 2011 Smokestack Books

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Writing their presence rather than the grief of loss

Talking to the Dead opens with a death in winter, and closes with a grandchild ‘as tender as blossom’. In poems which are moving but never dispiriting, Elaine Feinstein evokes her husband as he was – now affectionate, now querulous. It is his presence, rather than the grief of loss, which is the centre of the book. The next bit I love the truth of poetry, their willingness to be naked; theirs was not an easy relationship. Feinstein registers the difference between them, the ambivalence of a long marriage, and the intimacy of their last month together, this is what you’re going to do but we’ll read a few extracts before we start writing.

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Hands

We first recognized each other as if we were siblings,

And when we held hands your touch

Made me stupidly happy.

Hold my hand, you said in hospital.

You had big hands, strong hands, gentle

As those of a Mediterranean father

Caressing the head of a child.

Hold my hand, you said. I feel

I won’t die while you are here.

You took my hand on our first aeroplane

And in opera houses, or watching

A video you wanted me to share.

Hold my hand, you said. I’ll fall asleep

And won’t even know you’re not there.

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© Alma Books

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Exercise

This is where you go crazy, write down, quirks, infuriating actions, sayings, proverbs, habits, things that you pissed you off (be careful), things you loved, something they said that takes you back to a moment, or something said that has echoed over time or generations. Go for it, spend (15mins) just writing as many things as you can.

Ok, step back and see if you can find a refrain, an outstanding statement or action to repeat and build a poem. Here’s something extra see if you can find two strong lines and try to create a villanelle, I suggest the two lines that you’re using should be different, maybe opposites, or complimentary to each other, like;

Do not go gentle into that good night

Rage, rage against the dying of the light.

The greatest villanelle of all is by Dylan Thomas.


 

 

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For those who need it find out how to write a villanelle here.

http://www.wikihow.com/Write-a-Villanelle

 

 

RELATED LINKS:

http://www.elainefeinstein.com/

Talking to the Dead is available to buy here

Read the full poem – a preview page showing ‘Hands’ can be read here Roy used the full poem in this post, other poems are available to read in this book preview, should you wish for more from Elaine Feinstein.

 

INKSPILL Poetry Film Night (4)

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POETRY FILM NIGHT presents Alastair Cook

To complete our Poetry Film Night, we have the master of poetry film making – Alastair Cook.

We have chosen Amerika (The Man Who Disappeared)

It was three years in the making, with new writing by twenty of the world’s best poets, sountracked by composer Luca Nasciutia and read by poet Rachel McCrum – screens worldwide from Autumn 2016. New ekphrasis work by poets John Glenday, Vicki Feaver, Stevie Ronnie, Janie McKie, Brian Johnstone, Jo Bell, Andrew Philip, Linda France, Dave Bonta, Angela Readman, Michael Vandebril, Gerard Rudolf, George Szirtes, Emily Dodd, Ian Duhig, Rachel McCrum, Robert Peake, Polly Rowena Atkin, Pippa Little and Vona Groarke.

 

Treat yourself to the full screen, get comfortable, sit back and relax.

http://filmpoem.com/filmpoem-50-amerika-the-man-who-disappeared/

 

 

INKSPILL: Poetry Film Night (3)

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POETRY FILM NIGHT presents Kei Miller

This is poetry and poet on film really. Another favourite poet of mine, Kei Miller, who I was fortunate to watch and meet at Swindon Poetry Festival 2015.

Let us start with the interview.

 

And now for a poem.

 

INKSPILL Poetry Film Night (2)

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POETRY FILM NIGHT presents Pablo Neruda

One of my favourite poets Pablo Neruda comes next in our poetry film night. There are several films on this post.

Three innovative new films – RANT * RAVE * RIFF. Poema 20 was written in 1924 by Pablo Neruda. The poem is recited in its native Spanish by Carlos Alfaro and includes English subtitles translated from Spanish by W.S. Merwin. Perhaps one of Neruda’s most beautiful love poems Poema 20 comes to life with classic footage of Rudolph Valentino. 

 

 

 

The next poem is ‘And Now You’re Mine’.

 

 

 

And finally ‘I Like For You to be Still’

 

 

INKSPILL – Poetry Film Night

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POETRY FILM NIGHT presents Shane Koyczan

Starting off the Poetry Film Night is this video from Shane Koyczan.

I was lucky enough to see him perform at Hit The Ode in 2014, he is an amazing man. This poetry film is part of To This Day Project, confronting bullying.

“My experiences with violence in schools still echo throughout my life but standing to face the problem has helped me in immeasurable ways.

Schools and families are in desperate need of proper tools to confront this problem. This piece is a starting point.” – Shane

RELATED LINKS

http://www.tothisdayproject.com

INKSPILL – Fiction Rules for Writers

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Fiction Rules for Writers. We all need to know this, we are always curious to discover people’s thoughts on this area. As far as people go this list of established writers is not to be sniffed at.

Follow the link to 10 Rules for Writing Fiction published in The Guardian (2010)

Writers include; Elmore Leonard, Diana Athill, Margaret Atwood, Roddy Doyle, Helen Dunmore, Geoff Dyer, Anne Enright, Richard Ford, Jonathan Franzen, Esther Freud, Neil Gaiman, David Hare, PD James & AL Kennedy.

https://www.theguardian.com/books/2010/feb/20/ten-rules-for-writing-fiction-part-one

The second part of the article includes; Hilary Mantel, Michael Moorcock, Michael Morpurgo, Andrew Motion, Joyce Carol Oates, Annie Proulx, Philip Pullman, Ian Rankin, Will Self, Helen Simpson, Zadie Smith, Colm Tóibín, Rose Tremain, Sarah Waters and Jeanette Winterson

and can be found here https://www.theguardian.com/books/2010/feb/20/10-rules-for-writing-fiction-part-two

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ENJOY! Happy writing x

 

INKSPILL – Hugging the Monster

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We all have one – that loud obnoxious inner critic that gets in our way, stops us believing. We are about to hug that monster, so flex your arms ready!

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We are going to write a letter to our inner critic.

Dear Monster… I am sure you all have a name for this beast.

Do NOT stop, tell them exactly what you think of them messing with your confidence and if you brave enough give them some advance warning of what terrible fate they will suffer next time they enter your head.

 

You may think this is a really silly exercise, but believe me – next time the inner critic pops up you will be ready to whack that nuisance away. You may not even hear them. We live in hope.

 

Anyway – have fun with this little exercise and be sure to sign off as your writer self.

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INKSPILL: Gaia Harper and the Foyle Young Poets Prize

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You met our Guest Writer, Gaia Harper, you read she won the Foyle Young Poet prize in 2015. Here’s where you find out about the competition and hear a BBC Radio interview Gaia excitedly managed when she was in London for the prize giving last year.


Every year, 15 young people across the country are selected as top winners of the Foyle Young Poets competition. In 2015 judged by esteemed poets Liz Berry and Michael Symmons Roberts. There were thousands of entries from all over the world.

The winning entries were anthologised in Wolves of Normality

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Image copyright 2015 The Poetry Society

You can read them here

The Foyle Young Poets of the Year Award is the biggest award for writers aged 11-17. It welcomes poems on any theme and entry is completely FREE.

Since it began the Award has kick-started the career of some of today’s most exciting new voices. Past winners include Sarah Howe, Helen Mort and Caroline Bird.

© 2016 The Poetry Society

The Guardian also publish the winning poems, read them all here https://www.theguardian.com/childrens-books-site/2015/oct/08/foyle-young-poets-winners-2015-poetry-day


 

RADIO INTERVIEW with Gaia Harper

Gaia-Rose Harper is interviewed by BBC Radio Shropshire on National Poetry Day about her prize-winning poem ‘Columbia Calling’. Gaia-Rose’s poem was chosen from over 12000 entries from 69 countries as one of the 15 winners of the 2015 Foyle Young Poets Award.

In the photo, Gaia-Rose gets her picture taken with poet Liz Berry, one of the judges of the competition.

 

This year they received over 10,000 entries. The judges were Malika Booker and W.N. Herbert. Find out more about the 2016 results here