Tag Archives: Fragile Houses

September Review

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This month seems to have disappeared in a flash, looking at events listings it is no wonder. The thing I have been coming to terms with this month is missing events either because of clashing dates or lack of energy/needing some gaps in my schedule. It is something every artist has to overcome at some point, just wishing there was a fast cure. If I am really busy I tend not to look at the events calendars on social media as I know they will show places I want to be. Ignorance is bliss and all that.

Writing diary My 2014 Poetry Diary

The desk In Tray is filled with admin tasks I need to take a firm hold over, the house needs sorting out (still), the diary is filling up and my weekly schedule is brimming. The mortgage payments are coming from savings as there is no paid work this early in the term, I have been lucky in recent years to have had work by now. My agent is on secondment, so I keep calling the office in vague hope… it will come but probably when I am at Swindon Poetry Festival. Perhaps it is a godsend as there is no way I could manage the poetry workload and a day job!

I have decided not to worry, repeat the mantra every freelancer knows, ‘money will come’ and just get stuck into my projects and plans.

creative commons park Howell Storytelling1Creative Commons © 2015

This month planning meetings were initiated in Warwick & Rugby for my work with Warwickshire Libraries – Reader in Residence through WMRN. I was so excited when Roz Goddard approached me to apply in the summer. I spent a long time on the application and just kept my fingers crossed for a successful bid. I follow in some mighty footsteps created by Readers in Residence: Jean Atkin, Andy Killeen (2014) and Deborah Alma (2015).

Since August I have completed hours of research and two planning meetings with library staff in Warwick and Rugby. Now I have the schedule and an idea of what is required for my residency which will officially start in November and run until March.

 

A New Design (5)

I also facilitated my first adult workshops in over 12 years. Workshops are something I have wanted to get back into for a long time. I just needed the springboard and it takes years to construct a new one! It was an absolute delight and feedback has been positive. I started planning my WPL workshops back in June and met up with the venues Event Manager back in July. The Sculpture Trail (which was the base stimuli for my Poetry Workshop) arrived on site late August and was open to the public on the 25th August. I went to the grand opening at the Jinney Ring and took plenty of notes and some photos. I then busily planned the workshop and tested the material out on myself.

This month I was contacted by several people for commissioned work and booked performances.

Week 1:

There were only 3 days in this week. I had hoped to make it across to Birmingham for Case Bailey’s Book Launch (he crowd funded this venture earlier in the year) and also to get back to Walsall for ‘Yes We Cant’* to see Gerry Potter who I discovered for the first time in January at Wolverhampton Arts Festival. Neither plan worked as an eventful life weekend meant I couldn’t manage the travel.

yes we cant gerry potter

*as in brick.

Week 2:

Term started back (without me) but I started back the same day. I added a second date to the Jinney Ring Poetry Workshops, tickets for the first one SOLD OUT by the end of August.

I started to organise INKSPILL (my online writing retreat) hosted on this blog for FREE in October.

I had my first WMRN Reader in Residence meeting in Warwick with a team of Librarians to plan what it might look like.

I went back across to Coventry in the evening for a night at the Inspire Cafe and Antony Owen’s book launch of The Nagasaki Elder.

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The following morning I did my first talk as a Poet. This was part of the Second Friday Story Series facilitated by Sue Johnson at Evesham Library. This opportunity was booked back in July and it was a good morning. There are now more plans afoot for a Evesham Festival of Words Fringe Event. The other speakers were Tom Bryson, a local Crime Writer and Ashleigh Jayes.

I spent the past few weeks organising a Poetry Event for the Salt Festival. A group of poets joined me at Canal Side Studios in the Square to perform poems. This year the festival moved location to Vine’s Park, the rain was torrential and there was even a thunderstorm, the whole event was set up with foot passers in mind and there weren’t many there – however, some stayed for a while and a few poets came to watch/support us. We all had fun.

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Week 3:

Started with food poisoning! I am not used to feeling ill now I no longer work a stressful 80 hour week. Staying under a blanket and feeling sorry for myself, watching trashy TV and not reaching my desk was quite hard. I also missed Licensed to Rhyme and a plethora of poets I hadn’t seen in ages.

I was approached to be part of a new commission. A current collaboration between a composer and a visual artist. how could I resist? It may also lead to more workshop work, which would be superb.

Credo Liz Johnson © 2017

I met with the Chair of the International Twin Town Committee to discuss my European Poetry Project. It is wonderful to have these WPL ideas met with so much enthusiasm.

I had my third radio slot on BBC Hereford & Worcester with Tammy Gooding and read my new hometown poem ‘Not on the High Street’.

In the evening, I headlined a split set at Permission to Speak, back in it’s home venue with shiny new owners and a gorgeous new stage. Claptrap is a perfect venue for all us performers. It was lovely to be reunited with everyone.

SpeakEasy

Three things in one day meant I was certainly ready to sleep. The following day I took more bookings and in the evening I headlined as WPL at SpeakEasy. It truly was a night of passion, emotion and brilliant performers. It was noted that all four Flash Fiction Slam Champions were in the same room at the same time! It was great to see Andrew Owens again. I have missed him loads, as has everybody else. Kieran Davis gifted me a belated congratulations present – a book I cannot wait to get stuck into!

I spent Friday missing submission deadlines, planning and writing.

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The weekend saw the start of a new term and a new group for Spark Young Writers – Writing West Midlands in Worcester at The Hive. Emails sent to workshop participants and last minute flapping (packing) for the Sculpture Trail Workshop.

Week 4: 

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I facilitated my first adult workshop in 12 years at the Jinney Ring Craft Centre – Sculpture & Poetry Workshop, it was a great success and now I wait in anticipation of finished poems which we plan to exhibit on site at the restaurant in November.

I researched and wrote some WW1 poetry for a commission, I have been working away on these since August, mainly reading and research. Finally the words presented themselves and I managed to write three poems for this project.

I spent time with the Contour submission pile. Contour is an online digital magazine for my tenure as Worcestershire Poet Laureate. The first issue (out next month) deals with PLACE as a theme, Worcestershire to be exact.

Copy of Food Magazine Flyer Template (2)

I had my 2nd WMRN Reader-in-Residence meeting and the first one on site at Rugby Art Gallery, Museum & Library. It was a productive meeting and now I have my schedule and remit finalised for this role. I am currently spending hours at the desk researching and preparing, I will write a Guest Blog soon and reblog it here on AWF and then I start officially at the Library in November. This residency runs until March 2018 and is something I am very much looking forward to.

I finished writing poetry for Credo – Creative Synergy – the project/performance I was asked to contribute poetry to at the end of the month.

The ‘Adam Speaks’ NT project (which completes on the 25th November) took another twist and I am busy writing for that.

We had a fabulous Poetry Society Stanza meeting and I finished the week with a Room 204 Performance event at Edmunds Brewhouse, Birmingham. A catch up with family and a reunion with college friends.

Week 5:

Mr G and I went to see the Black Angels. A much anticipated gig, the tickets have been pinned to the fridge for months. It has been years since we last saw them.

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I performed as part of a pre-event for Birmingham Literature Festival at Waterstones. Literary Allsorts – A Room 204 showcase.

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Then it was Christmas… I mean National Poetry Day. I blogged a lot, wrote some poems in the local library and went to support Voices of 1919.

The performance of this book by actors was moving and superb.

I performed in Credo-Creative Synergy, an event Liz Johnson asked me to be part of earlier this month back at Elmslie House, Malvern the night after Voices of 1919. This was an incredible project to become part of and I am grateful to Liz for approaching me to be involved. A blog post is owed.

I travelled down to London for Free Verse the Poetry Book Fair where I performed alongside Stephen Daniels in a V. Press Reading. I have been promising myself a trip to this book fair for a few years now, so to get down there and have an opportunity to perform was a double bonus. I had a fantastic day and absorbed an incredible amount of performances, readings and books!

 

 

 

 

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NaPoWriMo Day 16 Downhill From Here

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I never imagined that I would manage NaPoWriMo on Easter Sunday. I was awake early, hours before I needed to be, so I did my writing early on.

Happy Easter everyone! nano rabbit The NaNo Rabbit seemed appropriate! I guess it may even be a hare, for today it is the Easter Bunny!


http://www.napowrimo.net/ Our featured participant today is Paul Scribbles, where the halfway poem for Day 15 explores the complex idea of the middle in deceptively simple language.

Today’s featured interview is with Aimee Nezhukumatathil, the author of three books of poetry, a chapbook of letter-poems with Ross Gay, and the current writer-in-residence at the University of Mississippi’s MFA program. You can find more information on Nezhukumatathil Nezhukumatathil here, and some of her poems here and here.

And now for our prompt (optional, as always). Today I challenge you to take your inspiration, like our featured interviewee did in the chapbook she co-authored with Ross Gay, from the act of letter-writing. Your poem can be in the form of a letter to a person, place, or thing, or in the form of a back-and-forth correspondence.

I wrote a letter to the World, in the form of a Golden Shovel.

broken early on with boundaries,

by borders,

we have time to recover, perhaps.


Carrie Etter prompted us to write a poem with 2 or 3 stresses in a line. I managed to write a very short poem about innocent children in war, Syria for example.

no future here is happy…

I also took this opportunity to revise form and meter.


Jo Bell shares http://www.jobell.org.uk/ The sun has burst the sky By Jenny Joseph.

Jo writes about the feeling captured in Joseph’s poem; “Stop telling the literal truth, and show us how your experience of love /bereavement / shellfish truly feels.” – Jo Bell.

Read the whole discussion and then have a think about your approach to writing, but most of all go and READ.


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The Poetry School Andrew Parkes shared a sonnet prompt today. The word sonnet sends shivers to my brain, I have written some in the past. It is a form that needs careful crafting, some poets really enjoy writing in this form. I am yet to learn to love it!

Day 16: Sonnet Day          

What are the basic bones of a sonnet? 14 lines and a bit of a jink two thirds of the way through? Well today’s the day to flex your formal muscles and show what the sonnet is to you. Whether you go Petrarchan, Shakespearean, Stretched or Submerged, today we want to see the perfect poetic containers of your sonnets.

If you want a little guidance, there’s some info on the sonnet here.

A cheeky classic from Shakespeare here.

And something more modern from Molly Peacock here.


Whatever you do today, have fun! And… don’t eat too much chocolate!

March in Review

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March felt like a funny old month. The start of the month was rocky, the usual dips and peaks were replaced with a fairly big dip, which fortunately finished mid-March, the end of the month was full of highs and gathered rollercoaster speed, positively hyperactive.

I missed out on many events I wanted to attend due to lack of time, transport and energy. My writing schedule was full and I continued to work on organising festival events as well as time spent making exciting applications. Keeping my fingers crossed.

In addition to this – we have AN EMPTY ROOM, I managed (finally) to sort the smallest bedroom which is our first redecoration project in the house Mr G and I moved into the year I returned to writing (2013). If I wasn’t writing, I kid myself that we would have finished the entire house by now. But the thing I look forward to the most is nesting new writing spaces! The room has now been empty and awaiting action for three weeks, but in that time Mr G has transformed the front garden (much to the pleasure of the neighbours) and bought a sander in preparation for the next epic challenge- actually doing the room!

WEEK 1:

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V. Press collections: Career in Accompaniment by Alex Reed, Book of Bones by Kathy Gee, Fragile Houses by Nina Lewis and The Old Man in the House of Bone by David Calcutt, with illustrations from Peter Tinkler were reviewed by Sam Smith. You can read the full reviews here http://vpresspoetry.blogspot.co.uk/

Sam Smith – Reviews in The Journal. http://thesamsmith.webs.com/

It was the final Permission to Speak on the 2nd, headlined by Pete the Temp (who I first saw at Verve).

Pete the Temp is a poet, educator and musician. His work has been featured on BBC radio and TV and in 2009 he became the National Poetry Slam Champion. Pete has toured theatres across England with his one man show ‘Pete (the Temp) vs Climate Change’. In 2015 he completed the MA Writer / Teacher Programme at Goldsmiths University. This led him to become one of the world’s first full-time spoken word educators to be embedded in a secondary school. He later went on to pilot the same work in a primary school. He was subsequently invited to do a TED Talk on the subject ‘Why Every School Should Have a Spoken Word Educator’. Pete has toured all over Europe with his art and now works as a poet and street performer. Rob Francis © 2017

We are all gutted that this event (of 2 years) has come to an end. The venue – which is one of the most amazing spaces I have had the pleasure to perform in, is closing. Rob Francis is extremely busy with writing and lecturing, maybe these things are sent by the universe as the timing seems right to free Rob up for other opportunities. He also got engaged recently, so I suspect there will be a busy non-poetry element going on in his life soon too. Fortunately I was tipped off just before the night kicked off, otherwise I would have been in floods when Rob announced it to the packed out room.

As always, it was a good night with an eclectic mix of open mics, poems, stories and extracts. It was fantastic to watch Pete in action again and I enjoyed his set immensely. Several lines have become ear-worms over the past month. I had an interesting conversation with him afterwards about poetry. You cannot help but be swept away on his passion-wave of enthusiasm.

Sadly I missed out on watching him perform again at the Artrix this week as I had a gig in Manchester the next day, work and lots of submission deadlines. If you get a chance to see him, you should grasp it for sure! ‘Keep it Lit!’

RELATED LINKS:

http://www.petethetemp.co.uk/

http://burningeye.bigcartel.com/product/numbered-boxes-by-pete-the-temp-bearder

numbered boxes People who have read this collection rave about it – it is on my list to buy.

I spent the majority of writing time organising, I am currently organising three events for festivals which is keeping me busy.

I also had an opportunity to create work for Mental Health Awareness Week (May). Sarah Leavesley has, for several years posted poetry related to Mental Health during this week. ‘The Magnetic Diaries’ deals with these issues and last year you may remember I attended a workshop at the MAC which was part of the Magnetic Diaries Tour. Sarah mentioned back then that we could share our workshop poetry. As with lots of things at the moment it fell into the ‘to do’ pile. My main focus currently is the house, promoting Fragile Houses and organising festival events. Anyway, long story short, I did eventually manage to create a new poem from the workshop and another written especially for the blog project. More on this in May.

I had a request for a poem and spent the weekend working on editing and writing. I have found this month that I am very last minute. I discovered a submission opportunity the day before deadline (always a challenge) and more recently discovered an entire festival I had missed, a great shame as there was a workshop I would have loved to have attended.

WEEK 2:

The week I forgot to live… so many events missed. I felt the dip this week – my body/mind reacts by sleeping. I spent my writing time beavering away at schedules, organising festival events and generally needed sleep before bedtime. I did wish to be a busy poet and I guess I didn’t consider that I would need to be grown-up with scheduling or with reacting to the events I miss. Be careful what you wish for!

I missed Stirchley Speaks, Headlined by Tom McCann, Steve Pottinger was performing in Ludlow at The Poetry Lounge, I missed Howl – there was a new event in Cannock – Speaking Out Midlands, where all performers were open mic, allocated 10 minute slots. Charlotte had invited me some months ago and then word was spread on social media and it attracted a great crowd and I have read some rave reviews.

It clashed with SpeakEasy and when I discovered Adrian Mealing (who I have not seen for years) was headlining, I knew that I was going to save the car some miles. I do not regret this decision, SpeakEasy was a good night and it was lovely chatting and catching up with Adrian. CONFAB Adrian Confab Cabaret with John Hegley (the last time I saw Adrian).

Suffering the dip, being in a familiar environment with people I know was preferable. I was revitalised by the end of the evening. There were lots of new faces and audience, incredibly positive for the LitFest team. Suz performed the Squid Ballroom, part of her Laureate event – more on this next month, I am one of the invited performers.

I spent Friday tying up loose ends and trying to write. I sent my poems to Rick Saunders the brainchild behind Rob’s PTS thank you gift. We (the collective at PTS) have sent writing to Rick who has printed a pamphlet (more like a book at 80 odd pages) to present to Rob on the final night – Permission to Shut Up – at the end of March. I sent my poem about the stage ‘The Secret of Scary Canary’s Stage’ and one I wrote especially for Rob all about what he has achieved with PTS and what it means to the rest of us, originally titled ‘Permission to Speak’. He should be extremely proud of his achievements and hopefully this isn’t the last we have heard from him.

spark I spent an entire evening planning a non-fiction session for my Spark Young Writers group (Writing West Midlands). Inspired by the Royal Society of Photographers exhibition I walked around last month I decided to do Science Journalism. The group thoroughly enjoyed themselves and I am still wiping sweat from my brow – I was worried in case any of them chose to write about the bee’s anus. Which was an amazing piece of photography and incredibly fascinating to look at. I was amazed by the talented articles that came from this session. Some great writing.

It was also the DeMontfort Book Fair in Leicester – States of Independence, not something they hosted when I lived there for 5 years. Leicester is where I broke my performance poetry seal and will always have a little bit of a special place in my heart. Sarah Leavesley was there with her V. Press bookshop, she also launched her new book – a novella published by Mantle Lane Press.

http://www.mantlelanepress.co.uk/product/kaleidoscope available to buy for just £4.00

It always hurts to miss out on events, I dreamed of a busy writing life and I have one, but it means that sometimes I no longer have the freedom to march across the country to be a part of special evenings. There are also the inevitable date clashes where big decisions are made. Never have cloning and teleportation been so necessary in my life!

On Sunday I missed one of the best opportunities since the Verve Festival. Bang Said the Gun – which I have known about since 2014 and watched countless clips of online is touring and they kicked off in Stafford – relatively close (would be closer if the M6 ever flowed properly) with Jo Bell and Jonny Fluffypunk (two of my old time/all time favs) and I missed it! It was Sunday night, Week 3 and 4 are full in my diary, energy was low, as were funds and Mr G and I need to spend more time together and my car is the equivalent of an old broken pull along toy with some bits missing and broken/re-knotted string! I do not trust it on terribly long journeys or car park motorways where you hear it over heat within the first crawling 100 yards.

I missed an amazing night and an opportunity to see friends from that neck of the woods too. Gutted. I did go to check out tickets and look at the rest of the tour and this was the nearest and also had the featured artists I wanted to see. I would say there will be other times, but with something like this – there won’t be. Gutted with a capital G.

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Canterbury never had anything like this when I lived there either!

Week 3:

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I knew I would miss License to Rhyme at the Artrix, featuring Pete the Temp. I had to work and manage Manchester the following evening and I spent part of Monday choosing and rehearsing/timing my set. I also spent time with family, which I hadn’t planned much beforehand and this left me hours behind on writing time. Not that it would be any other way. Family comes first. It just meant the will I /won’t I… became a definite No I won’t!

Again I heard good things about the evening and am particularly disappointed that I missed Fergus McGonigal and Lorna Meehan performing.

I did receive some exciting emails which made a night in with my inbox particularly worthwhile. And have since taken action on these – fingers crossed once again!

On Tuesday I headlined alongside Becky Cheeriman and Mark Pajak in Manchester at Sarah L. Dixon’s Quiet, Quiet Loud. I have known about this booking at Quiet, Quiet Loud for months and the butterflies went tribal. Originally looking to headline in April or May, the gig was brought forward as Sarah L Dixon is on the move and this was to be her final event at The Llyod’s.

Rick Saunders had signed up for the open mic and kindly offered to chauffeur up the M6. Unfortunately, days before his car broke down and so we were left with some last minute arrangements. In the end we hired a car (scared that mine wouldn’t make a 200 mile round trip in a night). The journey there was fine, even passing a Willis milk tanker – Rick’s stage name is Willis the Poet…  we passed the time chatting about the spoken word scene and stopping just once for the most expensive bottle of service station water – I think it was made from diamonds or something! The journey back was horrendous, closed motorways, detours and a SATNAV that was convinced the motorway junction was still open.

The event itself was worth every mile of motorway network and it was a pleasure to headline at the final Quiet, Quiet Loud. You can read my full review here and Rick managed to post his the very next day. https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

Huge thanks again to Rick for the lift.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/manchester-quiet-quiet-loud-headline/

I spent Wednesday morning before work recovering, I found out about the Science and Arts Festival hosted by Birmingham University and a creative writing workshop that I would have loved to attend, although it would have been a lot before work to manage. I have pencilled it in for next year as there were lots of interesting events.

I spent Wednesday night working on submissions and on Thursday mum and I went to see Verve – Northern School of Contemporary Dance. Mr G bought us tickets for Christmas. Verve-web-8-crop-1876x1055

http://www.nscd.ac.uk/verve/

They made me want to dance again, to create dance poetry and to lose myself in costume and movement. The fact that my body could barely manage to sit through a 2 hour production tells me otherwise, but my soul is still very much committed!

I spent the weekend on things other than writing and chiselled out some time at the end of Sunday to write applications and work on my writing action plan. There are some intended submissions to create before the end of the month and three sets to plan for EarthHour (25th March), HerStory (31st March) and Poetry Ballroom (2nd April).

Week 4:

The week started with a flurry of activity organising poetry events and writing. February was a busy month for making applications and devising projects and this month sees more energy focused on these and some fruition.

I spent the first part of the week in rest (working, sleeping, living) and saving energy for a series of 3 days of poeting. Which was easy as only one of them involved performing. Although I left it somewhat late to arrange a set and fine tune the details.

I also agreed to hiding some GOLDEN TICKETS for Birmingham Literature Festival. It is the 20th Anniversary this year and the team have organised a Spring Festival to celebrate. They have sent out Golden Tickets to be found in local bookshops, Art cafes and libraries. I have taken two under my wing and let them fly (and hide).

https://www.birminghamliteraturefestival.org/2017/03/will-you-find-a-golden-ticket/

The lucky finder wins a free ticket (worth at least £10) to an event of their choice. I want to find one of these – but it may cost more petrol money than buying a ticket. Fun idea. Great one. One I may steal in the future! First time I have ever felt like Willy Wonka… it was a good feeling.

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On Thursday I saw Hollie McNish, I love Hollie…  it has been a while since I saw her perform and part of me knew that this book would be difficult for me for personal reasons, this is why I have not yet bought a copy – but watching her breathing magic into the tale and hearing such personal disclosure and truth was wonderful. hollie 2 The event had been organised at The Hive (Library) in partnership with Poetry On Loan – well done to Brenda Read-Brown!

I had been to the basement space once with my writing group and was amazed to find the event not in the studio – that was until I saw the size of the audience! Holly thought, it being a library gig in a small city there may be about 20 people! Multiply that by 10! A smashing night.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/hollie-mcnish-nobody-told-me/

My review of the Verve Poetry Festival went live on Sabotage Reviews. http://sabotagereviews.com/

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Stanza happened on Friday – for the first time in months I thoroughly enjoyed it – and in a strange way all of our poems were love poems (but not the sort you imagine).

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Over the weekend I celebrated Earth Hour and Mother’s Day. Earth Hour was amazing, I went to the event organised by Worcester LitFest at Café Bliss. You can read the full review here

https://awritersfountain.wordpress.com/2017/03/27/earth-hour-with-wlf/

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Week 5

I spent the majority of my spare time writing and editing and planning how an earth I was going to manage this final week of performances and deadlines. The solution was an A4 checklist that I had very little leeway on.

I also had another poem published ‘Rag Tree’ which will be in the Beltane anthology by Three Drops. More news about festival events I am organising/performing in and events that I am just performing in. Future workshops to book and lots of potential festival tickets to be bought. I wrote new work and edited older poems.

Tuesday evening saw the final PTS – Permission to Speak become Permission to Shut Up – as it was a work night I was worried I may not last until the end, but scribbled a new poem especially for the last event (for now), the night before and got a short set ready. I was due to headline in May, potentially Rob may have a new venue by then, but I get the feeling that he needs/wants a mini-break and this would be the time to take it.

It was a great night, all in all and I will mark the occasion with a blog post as soon as I get some spare time. I took lots of pictures and stayed until the end to see Rick present Rob with his pamphlet.

42 in Worcester celebrated it’s 6th birthday and I took a newly scribed poem to celebrate. Rick Saunders headlined Spoken Trend on the same night, which I had to miss. Please someone clone me! Event clashes… every poet’s nemesis! 42 was fun and again, I will mark the occasion with a full blogpost when I have a little time. Polly made an amazing Black Forest Gateaux cake! Makes my mouth water just thinking about it. All the performances were bang on and the celebratory air was sweet.

LINKS TO FOLLOW.

With two days left of March and Easter around the corner, you may think that was it… no, I am playing the game – How much can you pack into 48hours?

Thursday I gave myself a night off from performing/events – missing out on Caffe Grande Slam in Dudley again, I will get there. I spent the evening editing a new poem (my 3rd this week) and submitting work.

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I also received an exciting email from my publisher. Another review of Fragile Houses, this time on Sabotage Reviews. How wonderful to start and end the month with reviews. You can read Rachel Stirling’s incredibly intricate review here.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

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I discovered Claire Walker and Holly Magill have embarked on editing a new Magazine ‘Atrium’, they have both edited for Kate Garrett at Three Drops recently and this new opportunity morphed from that experience. More on Atrium soon.

I saw Heather Wastie’s Nationwide advert – which was as equally exciting as watching Jo Bell’s and what made it special was seeing it first thing before work and in the final adverts before bed. Don’t ask me how I have time to watch TV and complete my mammoth writing tasks!

Holly McNish won the Ted Hughes award (one of the judges this year was Jo Bell – busy as always). Amazing news & recognition!

http://www.thebookseller.com/news/hollie-mcnishs-poetic-motherhood-memoir-wins-ted-hughes-award-518171

https://www.theguardian.com/books/2017/mar/29/hollie-mcnishs-funny-and-serious-poetry-wins-ted-hughes-prize

I received news of another successful Festival bid for this summer. More on this soon.

I completed the month with a Woo Feminista event HerStory at Café Bliss. I will blog and link it up here as soon as I can.

And now I am ready for NaPoWriMo, Poetry Ballroom and a rather-already-regrettable booking of an almost full week of work! I booked Monday off as I have 3 consecutive events this weekend and will be typing until my fingers go numb finishing my writing tasks over the next 24 hours!

I hope you all had a good month too. Leave me some of your highlights in the comments, it would be great to hear from you.

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Keep Writing x

Manchester – Quiet, Quiet Loud Headline

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Last year Sarah Dixon contacted me about headlining in Manchester, originally the booking was set for April/May- but due to Sarah relocating my spot was brought forward to March.

I booked time off work and made arrangements. I was originally going to do an overnight and what I learnt from this experience is how to be sensible… gigging further afield, it is probably best to stay overnight. Fortunately, Rick Saunders (a.k.a Willis the Poet), signed up for the open mic and offered to drive. Unfortunately his car broke down the week before and we ended up hiring a nifty little number to get us Northbound.

Manchester isn’t all that far away, but after a day of work and with butterfly nerves I did not fancy driving. Plus I have an inherent fear of the M6! That pesky Toll road…

Our journey out there was easy, didn’t take long. We found the venue and headed off for some tea before going to the The Llyod’s Hotel. Our journey back was horrendous with motorway closures, traffic jams and a satnav that was convinced the signs suggesting junction closures were wrong.

BUT – it was all worth it!

Quiet, Quiet Loud is an incredible event that Sarah has been running for two and a half years now. I can imagine the loss to the local poetry community (having just experienced the end of PTS at the Scary Canary).

March 14th Quiet, Quiet Loud

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Guests Mark Pajak and Becky Cherriman and Nina Lewis

Mark Pajak was born in Merseyside. His work has been published in Magma, The North and The Rialto (among others), been highly commended in the Cheltenham Poetry Competition and National Poetry Competition and won first place in the 2016 Bridport Prize. He has received a Northern Writer’s Award from New Writing North and was 2016’s Apprentice Poet in Residence at Ilkley Literature Festival. His first pamphlet, Spitting Distance, was selected as a Laureate’s Choice and is published with smith|doorstop.

Becky Cherriman is a writer, workshop leader and performer based in Leeds. Published by Mslexia, New Walk, Envoi, Mother’s Milk, Bloodaxe, Well Versed and in Poets For Corbyn, she was resident poet for Morley Literature Festival in 2013 and lead artist for Altofts Festival In A Day 2016. Becky is a co-writer and performer of Haunt, a site-specific theatre commission for Imove, a project about homelessness. She is currently working on her one woman show with voices, Corseted. Her first poetry pamphlet Echolocation and first collection Empires of Clay were published in 2016 by Mother’s Milk and Cinnamon Press respectively. www.beckycherriman.com

Nina Lewis is widely published in poetry journals and anthologies, including Abridged, Fat Damsel, Take Ten, Hark, Here Comes Everyone (HCE), I am Not a Silent Poet, New Ulster Poetry, Nutshells and Nuggets, Under the Radar and Visual Verse. Worcestershire Poet Laureate Competition 2015/2016 runner-up, Nina often performs at spoken word events and literary festivals. She was commissioned to write and perform poetry on ‘ecology and the city’ at the Birmingham Literature Festival in 2014. Her haiku have appeared in an art installation at the Midlands Art Centre, on the Poetry Fence at Acton Scott Historic Working Farm and in Municipal Bank Vaults for an International Dance Festival. Nina’s work also formed part of the poetry trail for Wenlock Poetry Festival 2014. Fragile Houses, published by V. Press autumn 2016, is her first pamphlet.

I was really excited to meet Becky and see Mark again (who I first saw perform at Waterstones last Autumn with the Poetry Business).
It was a thrill to stand in a room I had seen on social media for years! The standard of poetry was really high and there were plenty of open mic spots. An appreciative, poetry loving audience and bundles of talent. It was lovely to see Sarah again and hear her poems, many from her pamphlet collection (fingers crossed for this to make publication soon). I had the pleasure of reading through a draft copy for her last year. She chose some strong poems to share with us.

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Becky Cherriman was the first Guest Poet to take to the floor. I love it when I do not know a poet and have no idea what to expect.
I was moved by Becky’s set and need to buy her book, she was a wonderful performer and her poetry ran a gauntlet of emotions. An incredibly powerful set. It was good to meet her.

I would have bought her book on the night but with hire charges and petrol/drinks etc. my cash was a little light. I will catch her again and you should too. A gifted poet who deals with all shades of life. I still have her poetry in my head a fortnight later.

http://www.beckycherriman.com/

Mark Pajak took us into his world after the interval. I was looking forward to hearing his work again and thoroughly enjoyed his set. It was good to hear more from him. He is talented performer and an engaging poet. He writes about some seemingly bizarre incidents and is not afraid to share them, despite being advised not to. I appreciate that rebellious side. His work is like nothing I have read or heard from anybody else, unique. Prizewinning and extra special.

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I was nervous having watched these masters at work and really wanted to change my set – but having timed it I didn’t think it was appropriate to cast last minute changes. I find my pamphlet fairly difficult to share as I want to give the audience enough of the sizzle and taste but don’t want to take them on the whole chronological journey or indeed read all the poems in the book. I have seen other headliners (with pamphlets) sharing several newer poems too, this may be the way forward – but I am not entirely sure. It may be like when you see a band and want them to play the albums and they slip in several B sides… I have always been a fan of the B side.

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It was a pleasure to be invited to the final Quiet, Quiet Loud and read in Manchester. It was an inspiring evening filled with poetry buzz.

If you want to read a review of my set, check out Rick’s blogpost below.

RELATED LINKS:

https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

Welcome 2017

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Welcome 2017

I think it is a little late to be wishing you all Happy New Year – so welcome to 2017, I hope it has started well for you.

I took my annual break over Christmas and although I still need to tie up some monthly reviews and pages there really was little action as everything calms down a bit in December. Poets, like bears, enjoy hibernation.

This year I am spending the majority of my time writing and promoting ‘Fragile Houses’. Three new exciting opportunities have landed on my lap and in addition to these some new Literature Festivals have sprung up that I am busy organising events for. I do not plan to do 107 gigs this year, but there are still several events a month to keep me in the performance circuit/loop.

I am very excited about 2017 and have harnessed the sense of ‘new dawn’ we all experience on the 1st January and I intend to keep it. Which is ironic as I have had some wobbles already this month. So running on the pure scent of the beginning of the year… let’s get stuck in!

Be brave

be bold

and keep writing!

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Fragile Houses The Book Launch

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On October 3rd Fragile Houses, my debut poetry pamphlet was launched at Waterstones Birmingham.

It was a fantastic night and I felt like ‘Christmas Eve’, the next morning it felt like a dream. The morning after felt whimsical and I had to pinch myself to tell that I was awake. This is how a great book launch should feel.

I cannot believe I didn’t blog it straight away, that I didn’t show you all how I felt. That you have had to wait two months for this post.

There was a lot to do before the event and next year I will be blogging about this side of things as I found, through countless hours of research a gap on the practicalities of organising launch events.

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I got to Birmingham with a travel bag of books. I was a bag of nerves, but fortunately had Maggie Doyle and Spoz with me, taking my mind off it.

I wish I had taken a photo of the room and another of the audience. When I stepped into the space, my breath was taken away. We had four comfy, green chairs ready for us at the front (Hays Festival style staging) and more chairs had to be put out for the audience, always a good sign. There were over 25 people there and I was delighted that family and friends had also come to support me. There were three audience members who had seen the advertising and turned up for a free night of poetry and one of them kindly bought my book. So I was able to tick off the unwritten checklist of selling the book to a stranger on the evening of it launching. Happy dance.

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I had asked for Roy McFarlane, Antony Owen and Claire Walker to come and read at the event. Claire started proceedings with a lovely set. I have always been a fan of her poetry (and Roy’s and Antony’s) – one of the many reasons I asked if they would read at the launch.

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My publisher, Sarah Leavesley was also there and made a short and delightful speech that I had to speak after (and she nearly made me cry). I read a selection of poems from the pamphlet, signed and sold lots of books and we all celebrated with wine and cake.

It was an incredible night. It still feels like a dream.

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Signing my first book. The books sold on the launch evening were all numbered as well.


 

Official Launch Photographs were kindly taken by Bernard Davis.

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Here is my post-launch social media message;

A very quick, adrenalin filled THANK YOU to everybody who came to celebrate the launch tonight. Family, friends, poets & general public. Couldn’t have asked for a better event. Room was perfect. Fell in love with that space as soon as I saw the backs of the chairs. Slightly awkward explaining to the general public, who had rushed in that the first half hour was mingle time. Poets never get to chat (learnt that if it is your launch you don’t get to chat either) but think I managed to hug and welcome everyone. Sold more books than no. of people in attendance, thanks for the generosity.

Huge, huge thanks to Claire Walker, Roy McFarlane and Antony R Owen who made me swell with heartfelt sets and lots of appreciated sign language from the green chairs. How ‘Hay’ was that?

Thanks to V. Press for publishing Fragile Houses & Sarah Leavesley for her generous words and all the hard work. I managed not to cry the poems, but after that speech it was hard to do the next intro.

Thanks to Maggie Doyle who had my camera and captured that magic writer- editor/ publisher moment, gave me a lift and has been there from almost the very beginning. Thanks to Giovanni Spoz Esposito for the extra lift relay, for supporting the launch and for the delivery of my words elsewhere. Hope they serve well.

Thanks to John who enabled me to tick ‘sell your book to a stranger’. Thanks to everyone. Next stop, headlining Stirchley Speaks tomorrow, along with the wonderful Carl Sealeaf, P Cafe 7.30pm. Signed pamphlets will be available, minus the free muffins & wine.

Also thank you to Waterstones Birmingham and Bernard Davis who stepped in to catch everything through his camera lens. I cannot wait to see the shots!

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As you can see from this photo – the pamphlet costs £5.50 and makes Christmas shopping REALLY easy.

V.Press have currently got Christmas bundles on SALE. Which means for just £7.50 you can be the owner or giver of two pamphlets.

Festive Offer 3: The way home

2 illustrated poetry pamphlets: David Calcutt’s The Old Man in the House of Bone and Nina Lewis’ Fragile Houses for just £7.50 (including P&P in the UK only)

My Book is 1 Week Old TODAY!

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My book is now a week old and what a busy entry into the world it has had.

On Monday I was joined by the lovely poets; Roy McFarlane, Antony Owen and Claire Walker to launch Fragile Houses at Waterstones, Birmingham. It was a fabulous night that deserves a blog post of its own, (on the TO DO list).

On Tuesday it was treated to a night out at Stirchley Speaks, where I headlined alongside Lydia Scarlett, who stepped in to fill the mighty shoes of Carl Sealeaf.

On Wednesday I gave it a night off.

On Thursday it celebrated National Poetry Day in Worcester, sharing the space with new poems all about messages. ‘Linger’ is a poem about messages, so that made it to the set, but the rest of the book was available to buy.

Then… da, da, daaa… the book went to Poetry Swindon. Hilda Sheehan let it share tablespace with the big boys, which was generous as most of the writers/publishers represented on the book stall were also on the bill. It sold well. Having rested on the book table isn’t as exhausted as me.

I am hugely grateful to everyone for their support. If someone had told me 3 months ago I would launch a book at Waterstones and have a copy with Daljit Nagra and another copy in Palestine, Bethlehem I would not have believed it. The latter have happened through the generosity of two poets who probably want to remain nameless. Let me know if you don’t – as I will gladly sing your praises!

I have seen both Angela France and Jean Atkin in person and was able to thank them for endorsing my debut pamphlet.

And it has been made into a film… well, not quite. I made a poetry film with ‘Journey’, one of the poems in the pamphlet. Now hosted on my YouTube channel.

 

WHAT A WEEK IT HAS BEEN!

Buy your copy here £6.99 (including P&P) – UK

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A Year of Learning Curves

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2015/16 have been eye opening years for learning. At no point have I thought staying in my comfort zone was a good idea, in fact I don’t think I have found a comfort zone yet. The whole idea behind this leap of faith was creativity and adventure and I expected (sought and found) abundant amounts of it.

I jump from learning about the lengthy editing process to marketing books. I am glad I didn’t look down. I have researched and actioned so much in the past few weeks that it has been hard to keep track of all the avenues. The most important lessons will not be lost though, I plan to share some of my new found knowledge with you. Hopefully the next person with similar Google searches will find more answers with less time and energy used that I expended.

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Bruce Elkin © 2016

The one thing I will mention is how much fun this hard work has been! After decades working (extremely hard) for someone else in a thankless profession, I relish the idea of freedom as much as I love experiencing it. The hours used researching and networking to market my book, Fragile Houses fragile-houses-best By Nina Lewis, Published by V.Press, have been an absolute pleasure.

Of course, there is always the possibility that I am driving people mad with social media updates. With a week to go and today being my last day of freedom to drive the PR machine, I am in fifth gear.

The good news is there are pre-orders both for mailing and for signing. The fear that no one will want to buy the pamphlet is a thing of the past. The fear that no one will turn up for the Book Launch, a fear of the past. Now the worry energy can be converted into real energy as I attack the final full day pre-launch TO DO list. A day to remember.

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A week Monday will be a day I never forget too.