Tag Archives: Ecology

Book Launch Nature at a Cost by Annie Ellis

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Annie is a much-loved member of the Cheltenham Poetry Festival team and her Book Launch was hosted by them. Presented by Howard Timms. Annie’s collection has been described by Ankh Spice as ‘a clarion call to find the edges we have forgotten’, and by Ben Ray as ‘a haunting love letter to the natural world’.

It was a pleasure listening to all the poems, a delight to watch her excitement as Guest Readers shared some of their own poetry and read poems picked from her first collection. It is always exciting to hear your words coming from the mouth of another. Something magical about that process. I was touched when several readers shared poems written especially for Annie or inspired by poems in this collection. Annie’s Special Guests were Ben Ray, Anna Saunders, Zoe Brooks and Ankh Spice. In addition to these four powerful poets, Annie had asked other members of the poetry community to read a poem from the collection.

It was an honour to be there, to listen, to watch, to see. The witness and kinship. Annie’s poems bring nature in until it becomes us (as it should be, as it is). We are, after all part of it, we are it, it is us. As more people (through Lockdown Nature) are realising and we’re all bearing witness to the proof of our ecological impact.

About the Book

Nature at a Cost is a collection of poems essentially focusing on the interaction between humans and the environment. Poet Annie Ellis explores the impact that our way of life is having on other species that share our planet, offering a unique perspective on the disturbing situation we are currently creating. Her words send a powerful message to all of us to protect rather than exploit the natural world, to bring harmony and balance for a better future.

Extracts from the testimonials for Nature at a Cost 
A collection of vivid and beautifully observed poems by a writer who loves nature in all its manifestations – from the jack-of-all-trades to the king of the pack, all the creatures in this charming collection are depicted with awe and delight.
Anna Saunders, CEO of the Cheltenham Poetry Festival and poet

A raw, real and honest update on the Romantics’ odes to the natural world, Nature at a Cost is an engrossing and challenging collection which flows from the page as naturally as the rivers and forests it describes – a haunting love letter to the natural world, which stays with the reader long after the final stanza. Sometimes unsettling and uncomfortable in its questioning of our self-centred perception of the world, Ellis is not afraid to explore the nature’s raw and often violent mechanics: seals twist in water to escape ‘a cave of daggers’, millions of ladybirds bury a small town, and the seasons turn unstoppably in ‘pompoms of autumn fizz’. Ellis is disarmingly honest and open about her own position in this wildness, which she finds reflected inside herself: ‘I feel the pain of solitude, / with the twist of time coming round.’ Yet throughout this collection, Ellis’ writing consistently holds a deep love and respect for nature and its inhabitants. This is twinned with a keen and subtle eye for observation: goats ‘wander like lost pebbles’, whilst ducks swim in an ‘army of ripples’. As the collection’s title suggests, there is an underlying tension between the human and wild here: but Ellis masterfully negotiates this distance, using poetry as the bridge to carry us from the familiar into the wilderness. In the final poem, a tree speaks of this innate connection: ‘find me in the pencil / you are holding.’ If you are looking for this entry point into the wilds, look no further than Nature at a Cost.  
Ben Ray

‘Nature at a Cost’ beckons you to step beyond your comfortable human skin and allow your boundaries to be repainted in a wilder shape. Ellis’s poetic gift is for suspending time on the wing, on the hoof, the claw, or the branch – she offers vivid moment after moment as a series of natural Attenborough-esque observations, still moving as we watch – or better still as we step in with the poet to channel our consciousness into her global family of flora and fauna, weather and wile. In this time of disconnection from the deep and intimate living our own animal experience could, and should, offer us, this collection is a clarion call to find the edges we have forgotten, and to redefine what we notice and protect as valuable.
‘Because of you I want to keep living’ realises Ellis in ‘Wolf’, and it is truly that simple. We are in the quietly clamouring presence of every reason to persist in symbiosis, not at odds, and every beast captured by this poet’s keen and tender lens shows us how – from revelling ladybug to nursing doe to goats on the edge. This collection is, in every sense, a vital one.

Ankh Spice, Co-Editor of Ice Floe Press.

– Source Cheltenham Poetry Festival

You can order a copy of Annie’s collection here.

Congratulations to Annie Ellis.

The Last Day of Hay – 31st May

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During the last weekend of Hay I was working hard on some deadlines of my own (more on that soon) so apologies for the delay in posting the last day of events (31st May). We also had an incredible mini-heatwave and the rain was already forecast, so the garden was calling too. You all got Hay Player though? £10 for a year, archived material from the mid-90s.

I had to watch the Shakespeare event from last night again because it was so enjoyable, delightful, well presented, theatrical and a such a feast that you need to have a second helping at least. It was a gorgeous event – and certainly made it to my Top 10!

Also there is something magical about Shakespeare in the morning!

Allie Esiri, Helena Bonham Carter and Dominic West in SHAKESPEARE FOR EVERY DAY OF THE YEAR.

 

William Shakespeare wrote at least 37 plays, 154 sonnets and a handful of longer poems and you can discover them all here. Each page of this unique collection contains an extract, which might be a famous poem, quote or scene, matched to the date. Allie Esiri’s introductions give her readers a new window into the work, time and life of the greatest writer in the English language.

Shakespeare for Every Day of the Year is perfect for reading or sharing and brings you Shakespeare’s best-known and best-loved classics alongside lesser known extracts. Esiri’s entertaining and insightful thoughts on each entry will fill your year with wonder, laughter, wisdom and wit.

Publisher: Pan Macmillan 
ISBN: 9781509890323 
© Waterstones 2020

This is definitely on the birthday list! Get your copy here.

I also re-watched David Mitchell talks to John Mitchinson, mainly because the sound kept dipping out yesterday and it also clashed with an event I was involved in.

HAY DAY 12 DAVID MITCHELL UTOPIA

It was a fun discussion about the book Utopia Avenue, music and the writing process and I wanted to give it my full attention. 

 

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On Sunday afternoon I watched Hallie Rubenhold and Lisa Taddeo. It was an interesting interview/discussion on the politics of gender.

Hallie Rubenhold and Lisa Taddeo

EIGHT WOMEN

Virtual venue: Baillie Gifford Digital Stage

A conversation between the authors of two of the most successful non-fiction books of current times.

Rubenhold’s Ballie Gifford Prize-winning The Five is a reclamation of the lives of the women murdered by Jack the Ripper, and is the subject of a recent Hay Festival podcast.

Taddeo’s Three women is a record of unmet needs, unspoken thoughts, disappointments, hopes and unrelenting obsessions.:

All Lina wanted was to be desired. How did she end up in a marriage with two children and a husband who wouldn’t touch her?
All Maggie wanted was to be understood. How did she end up in a relationship with her teacher and then in court, a hated pariah in her small town?
All Sloane wanted was to be admired. How did she end up a sexual object of men, including her husband, who liked to watch her have sex with other men and women?

Chaired by Stephanie Merritt.

 

 

I then caught up with this event, with Diana Beresford-Kroeger. I knew about the importance of trees and how they communicate. This aspect of nature has been in my research radar for a few years and has manifested in poetry for various nature//eco projects.

Diana Beresford-Kroeger

BLACK MOUNTAINS COLLEGE LECTURE 2020

Virtual venue: Llwyfan Cymru Digidol – Wales Digital Stage

The renowned Canadian botanist, biochemist and visionary has underpinned a quiet revolution in the way that we see trees. Her research includes the discovery of mother trees at the heart of a forest; the fact that trees are a living library, have a chemical language and communicate in a quantum world; the major idea that trees heal living creatures through the aerosols they release and that they carry a great wealth of natural antibiotics and other healing substances; and, perhaps most significantly, that planting trees can actively regulate the atmosphere and the oceans, and even stabilize our climate. In this talk she tells the story of how she came to uncover these startling insights of tree function and behaviour and explains why healthy intact forests are essential to the survival of humans on planet earth.

Black Mountains College asks: What is an education for the future? We know that the way we live our lives is broken and BMC  has designed an undergraduate degree dedicated to changing it.  Underpinned by neuroscience, the teaching methods, contextual learning, the collaborative culture and interdisciplinary curriculum will maximise the potential of students to re-engineer our society and systems for the better. Diana Beresford-Kroeger embodies exactly the kind of maverick inter-disciplinary thinking that BMC aims to foster.

Chaired by Owen Sheers and introduced by Ben Rawlence.

 

 

 

And I finished Hay with my ticket live to watch Sandi Toksvig close the festival.

It was everything I thought it would be entertaining, amusing, hard hitting, informative and necessary!

Sandi Toksvig talks to Lennie Goodings

BETWEEN THE STOPS

Virtual venue: Baillie Gifford Digital Stage

The View of My Life from the Top of the Number 12 Bus: the long-awaited memoir from the star of QI and The Great British Bake Off.


HAY LAST DAY SANDI