Tag Archives: David Calcutt

Book Launch: Unable Mother by Helen Calcutt

Standard

WP_20180907_004

Described as a ‘violent grapple with our cosy notions of motherhood’ (Robert Peake)  this bold and breathtaking new book of poems exposes the painful and the beautiful experience  of becoming a new mother, torch-lit with violent and tender experience, sung from the body, and cast through a unique metaphoric lens.
This promises to be an unforgettable evening, celebrating themes of womanhood, transformation, and new life.

 

A much awaited Book Launch happened this month. Helen Calcutt’s first collection UNABLE MOTHER published by V. Press was launched at Waterstones, Birmingham.

I have heard Helen read from Unable Mother several times and was looking forward to getting my hands on a copy. The journey to Birmingham was epic with several issues that had occurred earlier in the day, trains were not running well. We waited on a platform for nearly an hour. By the time we arrived in Birmingham it felt like we should have least made it to Manchester!

I was delighted to see lots of familiar faces and the room was buzzing with pre-launch excitement. Helen had some 90s pop quietly playing in the background and everyone was settling in ready to hear some stunning poetry.

WP_20180907_009

The evening was hosted by Gavin, who is a Storyteller but he still treated us to a poem.

Helen invited Guest Poets Nellie Cole, Isabel Galleymore, Claire Walker and David Calcutt to read during the first part of the evening. Each poet read 3 or 4 poems which was enough to catch the flavour of their writing and leave the audience wanting more.

WP_20180907_011

Nellie Cole

I first heard Nellie at Stirchley Speaks a few years ago and thought how confident she was back then, how grounded her work is. I am delighted that I have heard some of the poems in her debut pamphlet in genesis form. I find it fascinating following the progress through to end results. ‘Bella’ is published by Offa’s Press.

http://offaspress.co.uk/poets/nellie-cole/

Nellie is from the Black Country and started writing poetry when she studied at Birmingham University.

Bella is … a work which blends factual evidence with folklore, superstition, hearsay and the imagination, these poems explore the Worcestershire murder mystery ‘Who Put Bella in the Wych Elm?’

bella

The book table at Helen’s Launch generously featured her Guest Poets, I needed more than my train fare and money for Unable Mother. I had hoped to catch Nellie performing at Permission to Speak on the 12th but due to work commitments was not able to make it. Bella is a book destined for my reading pile.

You can grab yourselves a copy here http://offaspress.co.uk/shop/

WP_20180907_013

Isabel Galleymore

I was really excited to hear Isabel’s set as I had not heard her read before. I have read her work, several poems are published on the Poetry Foundation website. She also won the Eric Gregory Award in 2017.

Isabel shared a beautiful set, her poetry draws the listener in. I definitely wanted to hear more.

Isabel’s first collection ‘Significant Other’ will be out next year (March 2019) published by Carcanet. Until then copies of Dazzle Ship published by Worple Press can be found here.

http://www.worplepress.com/dazzle-ship/

dazzle ship

WP_20180907_015

Claire Walker

Claire Walker is a poet I know well, having met her on my first adventure as a poet back in September 2013, she is a good friend and a fellow V. Press poet and it is always a pleasure to listen to her work.

Her debut pamphlet ‘The Girl Who Turned Into a Crocodile’ (V. Press 2015) has sold out, but the poems in those covers remain strong. I was so glad she shared ‘Teaching Your Daughter to Crack Eggs’. Claire’s second pamphlet ‘Somewhere Between Rose and Black’ (2017) published by V. Press was available on the book table.

You can get a copy here http://vpresspoetry.blogspot.com/2017/12/launching-somewhere-between-rose-and.html

somewhere between rose and black

WP_20180907_016

David Calcutt

Three marvellous sets by three amazing poets and I thought it would be Helen next. Then we were introduced to David Calcutt who after his set was then to introduce Helen.

I had not expected David to be reading and was very happy when I discovered he was. It was a captivating set. He read from his latest collection ‘The last of the light is not the last of the light’, published by Fair Acre Press which launched earlier this year. https://awritersfountain.wordpress.com/2018/06/30/a-night-of-light/

The-last-of-the-light-for-website-1

 

You can buy a copy here https://fairacrepress.co.uk/shop/david-calcutt-the-last-of-the-light-is-not-the-last-of-the-light/

 

 

 

 

As a daughter of a musician (and an ‘in the shadow of’ musician) I understand the need for a daughter of a writer/poet to want to feel she has established herself without standing on the shoulders of her father. Helen has definitely done that and I was touched by her metaphorical sigh of relief. Her first collection now published she could confidently invite David to be part of the Launch.

Even if David was aware he may be sounding like Father of the Bride in introducing us to her.

WP_20180907_018

Helen Calcutt

Like Claire, I have known Helen for a while and always enjoy listening to her work. I had the pleasure of hearing a set from Unable Mother at David’s Launch back in June and had heard some of the poems from the collection at other events. But this evening I was buying my own copy.

Hearing some of the poems for a second or third time works for me, because like a good film you notice something else. Something new. When I read poetry books it is not unusual for me to read a poem twice. Of course, in an extended set Helen shared more poems than I had heard and also the stories woven into the poems. How poems written for one thing take on significant and different meanings because of her experiences since.

She even shared the stories behind the magnificent cover.

WP_20180907_019

Helen Calcutt

It was a very moving set and left a few of us in tears. Helen trusted us enough to expose parts of her life on a soul level, it was painfully honest. The poems speak this honesty, this undoing of secrets, uncovering the things we don’t talk about, the experiences we hide – it all holds importance.

As Robert Peake says in his endorsement: “This work challenges our abstract and cosy notions of motherhood with a brutal and vulnerable delve into the psyche.” 

Helen’s set was brave and touching.

safe_image

An excellent evening and a wonderful book launch and a fine celebration with cake, wine and book signings afterwards.

Unable Mother Calcutt 978-1-9998444-0-0 You can buy a copy here

http://vpresspoetry.blogspot.com/p/unable-mother.html and also read a sample poem and hear Soundcloud audio of a selection of poems from the book.

“This work challenges our abstract and cosy notions of motherhood with a brutal and vulnerable delve into the psyche. Calcutt grapples, sometimes violently, sometimes with aching tenderness, each hard-won line ‘like squeezing / flesh and fruit from the bone, / this terrible love’. Yet these poems reach even further, into the rent world, and the remarkable kinds of beauty to which poetry alone can allude. This is an intimate book, the kind that comes in close to your ear to whisper dark secrets and unavoidable truths. These poems are spare, careful, insistent–and devastatingly good.” Robert Peake

“Helen Calcutt’s poems are full of surprising and intricate moments – they unfold like origami, deftly packing and unpacking themselves into new forms and presenting the reader with confidences, secrets and insight, the tender words for the things that are hard to say. In their explorations of motherhood, loss and discovery, Calcutt’s poetry is steeled with precise language, always finding clarity forged in the heart of experience.  These are intimate poems which are felt in the body, and written with a keen physicality – ‘love is meant to live on in the body’ writes Calcutt, ‘My flesh making heaven of it.’ In their makings and re-makings, each poem here reveals this to be a remarkable and potent debut.” Jane Commane

https://helencalcutt.org/

 

Stuart Bartholomew Waterstones Regional Manager is a huge supporter of Poetry (as well as co-director of Verve Poetry Festival and Verve Poetry Press) and he made sure this evening was smooth and possible, so I think he deserves some poetry thanks and praise too!

A Night of Light

Standard

David_Calcutt_Waterstones_2018-06-28_17-58-53_0001_preview@waynefoxphotography

© 2018 @waynefoxphotography

I had the pleasure of attending a Book Launch on Thursday night. It had been an exceptionally long and somewhat emotional day at work and then I had to dash off for more work before heading across to the suburbs to catch a train into the city. My train was delayed with a 15 minute wait in between stations, déjà vu to my last post-Book Launch ride home, which took the best part of an hour (three times the journey). I managed to arrive just in time, but not looking too fresh after all my whizzing around!

I am so glad I made it though as it was a most special evening. Part of me knew it would be because – it was David Calcutt’s Launch.

David_Calcutt_Waterstones_2018-06-28_18-00-45_0003_preview@waynefoxphotography

© 2018 @waynefoxphotography

I know that some of the poems in this new collection The last of the light is not the last of the light, published by Fair Acre Press, are going to be a hard read, tissues on stand by and I was worried that I may fall apart during the launch but the set David chose suited us celebrating his poetry perfectly.

There was music from Glen Buglass, poetry from Nadia Kingsley, Roz Goddard, Helen Calcutt and even a Harmonica, cakes, Prosecco and BOOKS.

David_Calcutt_Waterstones_2018-06-28_18-01-08_0004_preview@waynefoxphotography

© 2018 @waynefoxphotography

We were in the Art Room, which is where I had my own Book Launch back in 2016. The evening was hosted by Jonathan Davidson and the room was full of poets, friends and family. With the talented work of photographer Wayne Fox, whose images will hopefully capture something of the experience for you. Thank you to Wayne for allowing me to use his work in this review.

David_Calcutt_Waterstones_2018-06-28_18-02-35_0005_preview@waynefoxphotography

© 2018 @waynefoxphotography

Despite knowing I would write a review, I really felt that not taking notes was important. I wanted to be 100% present. The evening began with music from Glen Buglass , it ended with music and in between we were treated to some fine poetry.

Nadia Kingsley was the first poet to take a spot, as Editor of Fair Acre Press this was a fitting start. Nadia and David have a working relationship that stretches back years. I loved Nadia telling us that the initial seed for their collaborative work started through a conversation they had a poetry festival whilst waiting in a queue to buy books! I saw them perform together in Kidderminster and bought both books Roadkill and Through the Woods. Nadia writes a lot about Nature, and treated us to a set of superb poems and spoke about David and the opportunity and pleasure of publishing this collection.

David_Calcutt_Waterstones_2018-06-28_18-14-28_0008_preview@waynefoxphotography

© 2018 @waynefoxphotography

David_Calcutt_Waterstones_2018-06-28_18-18-26_0009_preview@waynefoxphotography

© 2018 @waynefoxphotography

David_Calcutt_Waterstones_2018-06-28_18-28-59_0012_preview@waynefoxphotography

© 2018 @waynefoxphotography

Helen Calcutt read poems from her forthcoming V. Press collection ‘Unable Mother’ which launches in September. She told us she was honoured to be one of the Guest Poets and had not expected it. Her set took us through womanhood, motherhood, nature and loss.

David_Calcutt_Waterstones_2018-06-28_18-23-19_0010_preview@waynefoxphotography

© 2018 @waynefoxphotography

last helen 2 EC

© 2018 Elaine Christie

Following on was Roz Goddard who read some poems from her Flarestack Pamphlet ‘Spill’ and others. She lifted me with her poem about the joy of Buddhism. Another beautiful set.

David_Calcutt_Waterstones_2018-06-28_18-38-07_0015_preview@waynefoxphotography

© 2018 @waynefoxphotography

 

Then we had an interval of books, cake and Prosecco. I had planned to mingle like mad, but with so many people in the room I wanted to talk to, this was impossible. I barely made it from my seat, I managed to catch up with five people – although hugging with Prosecco & cake hands is a fine art!

Sadly, I missed a chat with Helen (who flew off to teach Dance) and wasn’t there at the end when I managed my mingle.

The room was a hive of activity and it took professional shepherding to get us all back to our seats.

David_Calcutt_Waterstones_2018-06-28_19-01-58_0016_preview@waynefoxphotography

 

© 2018 @waynefoxphotography

Before Jonathan introduced David, there was more music.

David_Calcutt_Waterstones_2018-06-28_18-03-59_0006_preview@waynefoxphotography

© 2018 @waynefoxphotography

David shared just six poems, although true to his impromptu style changed his mind on at least one, I wasn’t counting – he may have added or substituted. Whatever he did, it was magical to hear. I think most people bought the collection so we will be able to read it for ourselves, it is always memorable to hear the poet read their own words.

David_Calcutt_Waterstones_2018-06-28_19-06-17_0017_preview@waynefoxphotography

© 2018 @waynefoxphotography

David_Calcutt_Waterstones_2018-06-28_19-08-07_0018_preview@waynefoxphotography

© 2018 @waynefoxphotography

David_Calcutt_Waterstones_2018-06-28_19-09-22_0019_preview@waynefoxphotography

© 2018 @waynefoxphotography

I was grateful that the light was very much present throughout the evening and in David’s set. And to finish the night- we were treated to a musical duet. I don’t think I have ever heard the musician David Calcutt and it was a treat. I was certainly transported to Mississippi, lost on dreams of travel I thoroughly enjoyed this highlight.

David_Calcutt_Waterstones_2018-06-28_19-18-08_0023_preview@waynefoxphotography

© 2018 @waynefoxphotography

It was great to catch up with friends and Birmingham, to find pockets of time to catch up with Stuart Bartholomew and to buy the book. I had a good mingle after the event and managed to catch up with most people.

 

A thoroughly enjoyable Book Launch with a relaxed atmosphere. A perfect evening.

calcutt  If you click the cover you can buy a copy for yourself.

“This is a collection full of grace, at once deeply authentic and heart-felt, a set of beautiful lyrical poems.”

 

RELATED LINKS:

https://www.waynefoxphotography.com/

INKSPILL Library Open

Standard

INKSPILL Library

We hope you enjoyed the archives on offer in the NEW library yesterday. Here are some more links for you to enjoy from previous INKSPILL retreats. 

 

INKSPILL 2015 

GUEST WRITER INTERVIEW

with Alison May

https://awritersfountain.wordpress.com/2015/10/24/inkspill-guest-writer-interview-with-alison-may/

 

GUEST WRITER INTERVIEW 

with David Calcutt Poet, Writer & Playwright.

https://awritersfountain.wordpress.com/2015/10/24/inkspill-guest-writer-interview-david-calcutt/

https://awritersfountain.wordpress.com/2015/10/24/inkspill-guest-writer-interview-david-calcutt-part-2/

 

 

CREATING CHARACTERS WORKSHOP 

with Nina Lewis 

https://awritersfountain.wordpress.com/2015/10/24/inkspill-workshop-2-creating-characters/

 

library-32746_1280

INKSPILL 2016

 

FEATURED INTERVIEW with 

Neil Gaiman

 

GUEST WRITER INTERVIEW 

with Gaia Harper 

https://awritersfountain.wordpress.com/2016/10/22/inkspill-guest-writer-interview-with-gaia-harper/

 

GUEST WRITER 

Deanne Gist and her Two Minute Tips

https://awritersfountain.wordpress.com/2016/10/23/inkspill-guest-writer-deeanne-gist-two-minute-tips/

library-32746_1280

In 2016 I was lucky enough to book Roy McFarlane as a Guest Writer and he produced an in depth workshop series exclusively for us. 

You will find links to other parts of his INKSPILL workshops at the bottom of the post, I strongly advise you trawl through all the exercises. It is more Masterclass than Workshop!

GUEST WRITER 

Roy McFarlane Workshops on Writing Loss 

https://awritersfountain.wordpress.com/2016/10/23/inkspill-guest-writer-workshop-roy-mcfarlane-writing-their-presence/

 

library-32746_1280

Open Poetry for PIPKA

Standard

PIPKA is a self organised refugee camp set up to help Refugees in Greece.

HC3

Performers included:

Set 1
Mike Alma
Mickey Ali
Romalyn Ante
Suzan Atasu
Richard Archer
Elaine Christie
Ann Clarson
Tina Cole
Leanne Cooper

Guest: Helen Calcutt

Set 2
PIPKA Aurelie Blondeau

Grace Dore
Emily Galvin
Amanda Glover
Penny Harper
Jane James
Janet Jenkins
Gerald Kells
Nina Lewis

Set 3
Liz Mills
John Mills
Neil Richards
Janet Smith
Mel Woodend
Sue Wood

Guest: Christina Thatcher

GDGrace Dore © 2017

It took Mike and I an epic amount of time to get to Walsall – 2 hours (!) as there were motorway closures and traffic queues at stand still throughout the route, we did make it in time for the 2nd and 3rd sets.

It was great to see everyone again at the Arboretum, it feels like a long time since I have been there. I didn’t want to miss the opportunity to see Helen and Christina in action either. They were performing at Waterstones, which I believe has been postponed/rescheduled but was on a date I couldn’t attend. I was not expecting a buffet but was very glad of it – Mike and I had not eaten and were planning to grab lunch in the cafe before the event as we set off plenty early enough to do so.

Also, the main focus was to raise money for charity, so giving a donation to perform was all part of it too. If I had a valid passport I would go and do something too. Especially after hearing Aurelie Blondeau Calcutt talk about her experience with Helen out there.

EC

Elaine Christie © 2017

hC1

Helen Calcutt © 2017

Below: all photos by Elaine Christie, unless otherwise stated.

 

 

EC20EC18EC17EC16

 

EC5ec3

 

 

EC10

Many people shared important poems about the refugee crisis.

JJ

Janet Jenkins © 2017

more_than_you_were_large

Christina Thatcher performed a couple of sets from her collection ‘More Than You Were’ a book about grief and losing her father. Emotive the exploration of a relationship that is far from perfect and no longer able to be reconciled. This is a hard and beautiful collection.

https://christinathatcher.com/

In July 2013, David Thatcher died of a drug overdose in America. More than you were was written by his daughter, to try to understand what came after. The result is a striking collection of poetry which explores addiction, family politics, childhood memories and grief. © 2017, Parthian Books.

more-than-you-were-tour-poster-all-dates-high-res-2


After the event Helen sent this message of gratitude.

Pikpa poetry was brilliant yesterday. Thank you everyone who came and performed for us. Listened to us. And donated. We have now raised £610 for Lesvos Solidarity – Pikpa. Nearly half-way there.

A special thanks to Christina Thatcher for travelling all the from sunny Cardiff to read from her new collection – stirring, compelling, brilliant. To Aurelie Blondeau Calcutt for the very positive, informative talk. And to Pop for putting it all on for us. Love to you all, it was a truly successful (and inspiring) afternoon.

Helen Calcutt © 2017

EC2 Elaine Christie © 2017

If you would like to make a donation you can do so here.

https://www.justgiving.com/crowdfunding/pikpa-medical-uk

In May 2017, my sister-in-law and I visited PIKPA, a self-organised refugee camp on the island of Lesvos, providing support to the most vulnerable individuals seeking refuge. We were both inspired and saddened by what we saw. After speaking with Dimitri Ippioti, one of the two nurses on PIKPA, we decided to focus on crowdfunding for healthcare.

Helen Calcutt © 2017

HC2

Stourbridge Literature Festival

Standard

I have been busy this Spring organising festival events. Stourbridge are having there first Literature Festival and it has been received well so far.

Tomorrow afternoon VOICES FROM THE MIDDLE are performing at 3:30pm

David Calcutt, Kathy Gee, Claire Walker and myself will entertain you for an hour with poetry from our pamphlets/books.

vpress sb

Tickets are £5.50 and for that you gain entry to ALL the events. It is a superb line up and they are also raising funds for Amnesty International.

http://wwwkatiefitzgeralds.moonfruit.com/literary-fest/4593576419

Stourbridge

Do come and support us if you can.

January in Review

Standard

typewriter-1227357_1280 2017 started well with lots of diary dates, events and writing time. Of course it was also back to work after a fortnight (unpaid) break. Much needed. I made it back to Ludlow to support Claire Walker who was one of the Headline poets alongside Matt Black. A little like not realising two years had passed since I last watched Ash Dickinson perform, I cannot believe a year has passed since I last went to the Poetry Lounge in the Sitting Room! This time warp has to do with working for 18 months on Fragile Houses I think. Months slip by fast and the first thing that has to go when you shackle yourself to the desk to write is faraway events.

Week 1:

Poetry Lounge in the Sitting Room with Jean Atkin in Ludlow, it was lovely to see everybody again and I hope to make it back before 2018. Matt Black (who I first years ago at a special event we both performed at The Ort in Birmingham  (2014), more recently we shared the floor in Birmingham at Stirchley Speaks (my Headline, back in October). headline-stirchley-speaks-oct

He was entertaining and as we had all had a conversation about vegetarianism on the journey over, apt poems in his set made us giggle.

Claire Walker was amazing, I do not think I will ever tire of hearing her perform from The Girl Who Grew into a Crocodile. She also treated us to some new poems from her next pamphlet collection.sitting room

I completed a lot of research for current writing projects and groups. I also completed a collaborative project set up in December and worked hard on submitting poetry. I had fun writing about Leonard Cohen and am keeping my fingers crossed that the editors will enjoy the results.

I missed Buzzwords in Cheltenham.

Week 2:

In December I submitted to 7 places and the rejections rolled in from 3 of them this week. We all learn to handle this but one publication in particular was dealing with a subject close to my heart and it made me a little glum that they hadn’t taken my work. They did send feedback including details of the process that the poem they nearly took went through. I will not be perturbed. Another rejection cited that the pieces weren’t best fit this time but encouraged resubmission.

shabda

Back in 2015 I had three poems accepted for an anthology by Shabda Press on Nuclear Impact. We all signed contracts in 2016 and it has been a real labour of love for Teresa Mei Chuc who has now got the project to final proof stages. All proof read and returned and I cannot wait to see the result. The readings are all taking place in the States but I am currently looking at the logistics of video performance.

The cover has been revealed featuring the Artwork of John Sokol. Cover Art: “On the Road to Perilous” nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol I could write more poems just from a glance. This book will hopefully be in our hands later this year.

I went to SpeakEasy – where Brenda Read-Brown was headlining and what a set she treated us to. New work, powerful work, emotive (I nearly cried twice), honest and filled with passion. I was really glad that I was able to make it and witness such a performance.

I shared some new poems and gave Fragile Houses a rest, most of Worcester have bought it already and as I headlined last month and read most of it and as the last poem in there was written in 2015, I fancied sharing something newer.

I went to Stanza although I was so tired I was not much use to others and the poem I had written half an hour before leaving didn’t quite work. I do not see the point of taking perfectly polished work to groups – unless perhaps it’s a poem that has been unsuccessfully submitted a few times, in which case new eyes are good. However, I need to give my writing a chance to sit and simmer for a bit so perhaps I should try this year to get a poem ready the week before. Give it some breathing space. It is hard when you feel so attached to something, too vulnerable.

WWM

Sadly at the weekend I said goodbye to Sally Grainger who has been my Assistant Writer for WWM Spark Writers group for the past 9 months. We had a full house for her final session and ran a great group on Scriptwriting. It was fun. I am sad to see her go.

I received exciting news about a new Literature Festival which I am currently organising a showcase/event for.

Week 3:

I spent my time mainly at work, in spare hours I was organising the festival event, missing deadlines, proof reading and writing comic poetry.

Last year I was invited to take part in a one off (now to be repeated as it was so successful) Baldy Poems presents Kings and Queens of Comedy in association with WLF (Worcester LitFest). I love the idea that WLF are fundraising via event charge at one off events throughout the year to help fund/pay for the summer festival. It is a great idea and I have loved the events that have popped up so far.

I was honoured to be one of the 6 performers (we had 8 on the night with Kieran Davis and a Special Surprise Guest joining us). I have only written about 5 funny poems and the two I had ready for this event have not seen the light of day since 2015, so I decided to emulate BaldyPoems style and kick out 6 new ones. That and I needed the material to cover a 10 minute set. More on this later.

I missed David Calcutt at Smokey Joes in Cheltenham – Poetry Refreshed and sadly I missed Clive Osman’s Waterstones book launch for his debut collection ‘Happy’. Both nights looked to be good. I had taken on extra work and with a gig Thursday night and Friday needed to sleep.

After almost 2 weeks of working full-time, I finally finished on Thursday at 5:30 and then headed over to Birmingham with Mr G and a friend, in birthday celebration mode. We went to see THE BLUE AEROPLANES at the Hare and Hounds (where UB40 played their first gig) and it was exceptional. I am so glad that I was filled with the charm of performance because it set me up for the following evening for Kings and Queens of Comedy.

baldy

I was so nervous – worried that the audience wouldn’t find the dusted off material funny, But I forgot the universal appeal of my moustache poem, the magic of proto-type props and the delight of people who have never heard this one before. It was also funny because people who know me know that I am funny, I just do things that amuse people as I have no logical bone in my body and I have a quick, dry, wordy wit… in fact there was a turning point once upon a time between poet and comedian. The world breathes a sigh of relief.

Anyway because a lot of people now on the scene weren’t back in 2014 when I played the clown a little more, they didn’t see me as a funny poet and were quite shocked at the billing. There are now at least two people who will never take me seriously again!

king1

To read a full review of the evening click here

And then I had a well deserved weekend off to catch up with Mr G and writing.

Week 4:

Saw happy news and my first acceptance of 2017. That collaborative project I mentioned earlier was with Claire Walker. The result was a meeting about prompts, shared ideas, word lists and after writing editing together. After a few weeks we had a poem written by each of us from working with the other and a joint poem written line by line. The acceptance was a the poem Claire Walker wrote called ‘The Puzzle of an Ending’, a beautiful title and a hard hitting poem. It was the strongest of the collaboration.

It delights me that it exists because of an opportunity I found and a risk I took (asking another poet to partner me and risk rejection, that lack of self-belief/inner critic we all have to deal with). Fortunately, Claire was only too happy and we enjoyed this rather intense poetry pocket in our otherwise Christmassy/family orientated holidays. There will be more to come. And I am doing something here I first dreamed of in 2014. Happy.

I spent the night, along with many poetry friends at the Kitchen Garden Café, Birmingham for Jacqui Rowe’s ‘Poetry Bites’. The featured poets were David Calcutt & Claire Walker (fellow V. Press poets) and Jacqui announced (which most of us already knew) that they are going to publish her first collection this year too. Her ‘Ransom Notes’ was the first pamphlet of the run in 2015 from the round I applied successfully for in 2014.

ransom Poetry Bites was a packed out night, it is so sad that this is Jacqui’s final year, but it is a phenomenal achievement to have hosted and supported such an abundant amount of poets over the years. The atmosphere was great and there were some top class floor spots as well as a V. Press collective, Kathy Gee was also reading from her collection Book of Bones.

I really enjoyed reconnecting with Brumside poets I had not seen in a while, as well as listening to some inspiring and thought provoking sets.

Maybe it was the double dose of Americano coffee, or the Kitchen Garden cake… I came away buzzing and refuelled with an extra layer of poet-y energy!

42

I wrote new poems for Burn’s Night, which was celebrated at 42, in Worcester on the 25th. I even made a badge – Lewis tartan, of course. I have thoroughly enjoyed finding out more about this 18th Century rascal. It was a great night, intimate and full of heart – but not lungs or liver (haggis pun)!

I missed a workshop with Ash Dickinson, that had I not been performing in the Quiet Compere/ Wolverhampton Literature Festival the following night, I may have tried to get to. It was just a little out of range geographically and no way I could have got myself there on time after work without the help of a helicopter and pilot… neither of which I have. Oh, to be a rich girl! So I just have to brush away the disappointment and hope for another opportunity in the future.

This brings us to the finale of the poeting week – the first literature festival to be held in Wolverhampton and a great line up of events across all genres. I was lucky enough to be one of the ten poets on the bill for Sarah Dixon’s Quiet Compere Event at the Art Gallery on Friday evening.

What an evening it was. Fabulous line-up, including two poets who are new to me (always a pleasure), Tom McColl & Gerry Potter. What a venue, the room was majestic and had one of the best backdrops to poetry I have ever seen. The setting was incredible. It was a wonderful night and I was still buzzing the next day. You can read the full review of the event and find out more about the performers here https://awritersfountain.wordpress.com/2017/01/28/quiet-compere-wolverhampton-literature-festival/

qc

I got home to find emails about up and coming books and spent a while chatting to the other buzzing poets online. A fine night.

walsall-arboretum I finished my weekend at Open Poetry at Walsall Arboretum with David Calcutt and an amazing number of poets on Sunday. Despite the horrible rain, bad driving conditions and leaving a ton of work on the To Do List, I headed out for some poeting fun.

It was a great couple of hours, lots of moving and humorous work was shared. I met some new poets and saw John Mills, who had battled the unnavigable roads of Walsall to experience David’s event for the first time. walsall-arb © 2016 Walsall Arboretum

Then I spent a horrendous amount of time sorting out unread and unmanaged emails instead of completing applications which I now need to do tomorrow after work. There are lots of deadlines in the next 72 hours and I plan to hit them all.

Wolverhampton Literature Festival finished with a Poetry Slam that Nick Lovell won and Willis – a.k.a Rick Sanders came 2nd and Rob Francis, 3rd. Well done, boys! An all male sweep. I was sad not to be able to go to the festival this year. Other plans had already been made. Hopefully they will do another one next year.

The Extra Few (Writing) Days

Mainly spent Monday night at the computer pulling a 6 hour shift (after a day at work), writing new material, researching, organising events, writing applications and submitting. There are so many end of month submissions and I have been busy enjoying myself and thinking the end of the month was a while away yet and here we are. I am pleased that I have managed a few more submissions as I have not been keeping the resolution of weekly output, as advised by another poet.

Obviously there is a certain amount of selectivity both in terms of material, feel, attitude, time etc. My aim is for monthly submissions, which should be entirely achievable – as the months missed last year were to do with the final editing process of the pamphlet.

I will spend the final day of the month (in the evening, after work) getting productive with my next To Do List and making final submissions too.

social-1206603_1280

There are so many exciting things planned for February already, I can hardly believe we have reached the end of January!

I hope you had a good one, filled with spirit and joy …. oh and writing!

 

Vanguard Readings – Birmingham

Standard

2016 has been a busy year, which is why the blog posts are fewer. My pamphlet has reached final proof stages after 17 months of hard work. The editing process is a new experience for me and due to the nature of the subject (core of which is family/growing up) it has taken time to cross that gauntlet between autobiographical recount and something interesting enough for people to read, feel, attach themselves to.

I am in final proof stages with my pamphlet now and it is a great  feeling.

There are gaps I want to fill on the blog and now I have started to work on INKSPILL, I want to fill the gaps before the next big project takes over.

VANGUARD READINGS

1 birm ort1

Back in March I attended Vanguard Readings, in Birmingham. Richard Skinner is the man behind Vanguard. Vanguard Readings are hosted monthly in London from October to July, they feature new writers and established authors, 6 writers each read for 10 minutes.

Richard realised the need for expanding out and touring Vanguard Readings regionally.

vanguardI am glad he did. A whole evening being carried away by poetry. Readers; David Calcutt, Helen Calcutt, David Clarke, Jane Commane, Emma Purshouse and Richard Skinner.

With plenty of time in the interval to mingle, chat and catch up. I thoroughly enjoyed myself and came away feeling inspired and rekindled.

Vanguard Readings take place at The Peckham Pelican, SE London.

A Review of March

Standard

March started with a performance at ‘The Works’ Canteen’, a night of poetry, music and storytelling at the Black Country Living Museum, hosted by the museum’s poet in residence, Dave Reeves. An event that has been on my radar for a long time and one of the few events I blogged about in a timely manner. The Guest Poets were Jan Watts & R.M Francis. Rob Francis hosts Permission to Speak (PTS) and took a collective to perform at the museum, including me.

It was a fabulous evening – read more about it here.

BCM1

I received my long awaited and much anticipated copy of Under the Radar – Nine Arches Press, where my poems Fortiori and The Gift share the pages with a plethora of poetry talent. These poems are from my forthcoming collection and I was delighted to have them accepted. They were accepted in 2015 and it seems like a lifetime ago now.

UTR.jpg

I completed research to write poetry celebrating Women’s History Month and took great pleasure rewriting a poem about Annie Edison Taylor, the first person over Niagara Falls in a barrel and she survived, her only injuries came from trying to get out of the barrel after the drop. All about the adventure! Her poor cat was the test lunge, the cat was barely harmed either.

My work with Writing West Midlands was secured for another year.

The second week of March involved a lot of writing, more submissions were sent out and admin tasks, which every writer could use a PA for. I was asked to judge a slam for Womanly Words, in the end I performed instead. I missed events I had planned to go to, day job work kept me busy and with the heavy writing schedule I didn’t have the energy. I dream of a poetry chauffeur.

The WWM group met our new Assistant Writer and worked on our book project. I missed a Memorial event for Sammy Joe at The Edge, which was on the same day.

I enjoyed ‘Poetry by the Lake’ in the Arboretum, Walsall with David Calcutt and performed a short set. It was a sunny day and the park was full. It was a great way to spend a Sunday afternoon. Highly recommended.

POETLAKE

The third week of March could be the reason why I ended up fading away. I was working full time and also had a timetable to get all my submissions out on time. The writing still needed editing and polishing.

  • I wrote over 12 new poems.
  • Sent 8 submissions.
  • Wrote a set of poems for Woman’s History month.
  • Took bookings for next month and the summer.

I missed events I had hoped to attend. Three of which fell on the same night. I also missed WLF & Fringe Earth Hour which I wanted to support. I had already committed to the Vanguard Readings, with Richard Skinner. An amazing night of poetry from Helen Calcutt, Emma Purshouse, David Calcutt, David Clarke, Jane Commane and Richard Skinner. I have yet to blog about this event and wish I had managed it in real time.

vanguard

I performed at Worcester Arts Workshop for the first time, for Women’s History Month, it is always lovely to come across new (to me) poets. It was a pleasant evening, vibrant, warm atmosphere and lots of support and love for women, organised by Feminista Leisa Taylor. I am grateful to have been part of it.

her story

By Week 4, I barely knew my name. I had a writing day (they do not exist as much as I would like), worked on my manuscript (approaching what I hope is final editorial stages), I marked WORLD POETRY DAY, missed a photo shoot with fellow Womanly Words poets, wrote a short article on poetry and completely forgot about Stanza! It fell on Good Friday and Mr G and I had had an action packed start to the Easter weekend.

The end of March was slightly strange as I took a break from most of my writing and performance schedule for Easter and never started again. The last few days of the month were mostly offline. I proofread copy of an up and coming anthology. Another lingering process which started last year. It will be a delight to finally read the collection. I have the proof copy but I want to curl up with the real thing.

I finished the month with a workshop in Stratford with Angela France and submitted the blog as a participant for napo2016button2

Review of the Month January 2016

Standard

What a strange start to the year, so much change and loss. I do not feel that I can write a review of this month without a mention of Sammy Joe, who sadly passed away on the 5th January. Events that I attend weeks later are still making tributes to her and many of us still cannot believe that she has gone. Her funeral is early February and a donation page has been set up to raise money for Mental Health Charities.

Many of us (artists and non-artists) suffer mental health issues from time to time or all the time, it is the nature of using our minds, the depths a creative soul can rise and fall. Anyway instead of flowers some of us are pledging a donation in the hope that other people can experience a better kind of care and understanding.

I for one find it difficult to imagine not seeing Sammy at an event again, my thoughts are still very much with her family and close ones, her daughter and everyone who has known her. Whether you knew her for a few years or more, she will have touched your life in some way either through her brutally honest poetry or through conversation or her cuddly hugs. I wish I had known her for longer than I have, I feel good to have known her and thank her for all our heart to hearts.

Rest in Peace  Sammy x BL RH Sammy Joe © Rangzeb Hussain 2015

 

 CHANGES ON THE CIRCUIT – EVENTS

This month also saw the end of Mouth & Music for a while, back in 6 months time hopefully.

SpeakEasy will still continue as it is part of the Worcester LitFest but after two years at the helm Maggie Doyle & Fergus McGonigal are retiring from organising and MCing the event, the last chance to catch them hosting will be next month.

——-

JANUARY – BACK TO WRITING

For me January was the month I learnt to swim again *not literally. The end of 2015 from November onwards saw a slow decline in productivity, I found I was unable to write, by December I was barely trying. I had the weight of other things crowding my mind and the ‘love of writing’ spell broke for a while. This deflated me, as it was the first dip I had felt since embarking back into a writing life. It usually makes me feel great, even during periods of editorial rejection or non-submission, but by the end of 2015 I had ground to a halt. I knew I would pass GO again, just wasn’t sure when. I tried not to worry, but wasn’t happy with the negative projection I was giving writing.

I knew I would still carry on with this dream, but was dreading January becoming another winter month of no writing.

Fortunately the month kicked off a few days in with a Claire Walker Workshop, in which I managed to write a poem and faith was restored. The action plan was drawn up and I organised 4 writing days this month as well as working evenings and weekends to get everything done. There has been a lot of editing too.

I wrote over 21 new poems and submitted work to 9 different places. See I told you I meant business. It still amazes me that organising submissions can still take 3-5 hours even when the material is ready. A few revision lessons in not leaving things to the last minute, have managed that well as everything to be sent by 31/1 was actually out by 3oth! Leaving me a whole day at the end of this month to get ready for February. Yes the Action Plan is already saved.

This is my year of WRITING (I keep telling myself).

2013 the year for (re)learning and finally finding poetry

2014 the year of the gig, festivals and commissioned work

2015 the year of headlining and writing my first chapbook

2016 the year of editing/writing

I have had poetry accepted by I Am Not A Silent Poet, Abridged, Maligned Species Fairacre Press. A total of 5+ poems out there for eyes to read. That’s smashing. I will write more about these publications next month.

Contaminated

Your Sentence of Non-Guilt

Poems for Ashraf Fayadh published in I Am Not a Silent Poet

Expectation – Abridged Floodland Issue

Colonisation

Quantum Wonderment – Fairacre Press, Maligned Species Project Spider E-book

I also discovered the poetry of Patience Agbabi. I went to watch her perform at The Hive. I enjoyed a night at the 52 Launch this evening and will blog about both events next month.

Week 1

Workshop – with Claire Walker, new poetry written, performed at The Ort, booked Headline slot for February.

Week 2

Booked tickets for Patience Agbabi & Liz Berry, performed at Mouth & Music & SpeakEasy, went to Poets by the Lake to watch Sarah James, Bert Flitcroft & Roy McFarlane – an event facilitated by David Calcutt, submitted poems, wrote new ones – including some I performed in my set at SpeakEasy, Daniel Sluman invited me to his book launch in February.

Week 3

Wrote and submitted more poetry, published on I Am Not A Silent Poet, thanks Reuben Woolley, I read a lot about Ashraf Fayadh and watched other poets and politicians performing his work, there was an online event on the 22nd in support of his release but I was working my day job and unable to participate. I received a nice rejection email from Little Lantern Press, I had sent work for the next anthology on Loss back in 2015. I started to research modern love and wrote a poem about pearly presents which I took to Stanza.

Week 4

I did a lot of research for the Maligned Species Project which was released by Fairacre Press back in the Autumn and naturally I left it until the last week to work on submissions. It is a really interesting project which again I will blog about in more detail, I have had 2 poems accepted for the spider e-book. I am delighted to have a poem published in the next issue of Abridged too, I was accepted 3x on Friday night – that was a buzz and shows what an activated action plan can achieve!

I am still working on my manuscript and have by-passed 2 self imposed deadlines. I know the editor would rather have a manuscript that is ready though, especially after all this time. It has been on the top of the desk this week and I am part way through.

I was sent an email which made my day/year – someone on twitter had tweeted that in the whole of Paper Swans Press ‘Schooldays’ Anthology the end line of my poem was their favourite line in the WHOLE book! I have read it (RECOMMEND) and know how good the poetry is!

I made more submissions and received another rejection from a magazine I have tried to break since 2015 – does one give up or keep going?

I watched Patience Agbabi perform at The Hive – wow – wowed!

I signed up for a Warwick University course Literature & Mental Health – which starts in February. I started using my Kindle Fire *Thank you Mr G – Christmas pressie!*

I have just come back from the launch of the 52 Prompt book at the MAC, more on this soon.

I wrote my ACTION PLAN for next month!

 

Poets by the Lake

Standard

Last year David Calcutt was resident poet of Caldmore Community Garden, this year he is taking the Visitor Centre at Walsall’s Arboretum to a new level. Back in the summer, during Jimmie Rennie’s Walsall Festival workshop, David mentioned this idea during a conversation about how great the space is.

caldmore david-portrait-1

I was hoping to make his first event in December, but – well we know what the end of 2015 was like…

The first event was an open mic, the following month it is Poets by the Lake -pre-booked events and there will be some workshops too. I know the first one of these will happen on the 13th February, which is Mr G’s birthday, so I can’t make that either. swans

This is another reason I hoped to make the 16th January, but I had a very low energy day and I wasn’t convinced driving on motorways was a good idea. I was kindly given a lift by Mike Alma and we had an enjoyable evening of poetry and music. I saw lots of poetry friends there from Staffordshire and the Black Country.

Roy Mcfarlane, Bert Flitcroft (Staffordshire’s Poet Laureate) and Sarah James performed sets of poetry and the ‘Flaky Tarts’ a three piece played and sang and even made us sing! The atmosphere in the café was vibrant, we got to hear some poems from Roy’s new collection too, which will be published by Nine Arches Press later this year.

 

walsall lake