Category Archives: Writing West Midlands

A Quick Update 1/4 of the Way into July!

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The beginning of this month has been scheduled to full capacity. Starting with a meeting at the Medical Museum, Charley Barnes asked me to write and perform (along with Mike Alma & Polly Stretton) at ‘Buildings Talk – Hospital Histories’ on the 13th July.

Buildings Talk

 

The George Marshall Medical Museum is a hidden gem, an archive of 250 years of healthcare and hospital history and it will be open on the evening of the event and I am incredibly excited to get inside and have a look at all the history. We are currently working with photographs that Louise Price (Curator) has provided, we all selected the images that talked to us and have been busily writing poetry.

I am looking forward to this performance, having seen the space and the projection area. I am currently editing my writing for this Thursday. https://medicalmuseum.org.uk/

I missed Stanza as my body hit sleep mode!

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It was also the beginning of Ledbury Poetry Festival – I have been drooling over the programme for months but can only manage tomorrow (the final day). I am looking forward to that! http://www.poetry-festival.co.uk/

On Saturday (the real beginning of July), I went to the Custard Factory – Writing West Midlands for a Room 204 project. Adam Speaks has been set up by Rachel Sharpe and Kiki Claxton for the National Trust, following Plumlines last year. We are one of 4 groups creating the outcome along with Chris Alton the Lead Artist on the project. Participating groups are: Kimichi School, The Birmingham Institute of Theatre Arts, Writing West Midlands and St Barnabas First and Middle School.

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© Peter Young 2017

Worcester News

They had a huge number of applicants for this position, including international applications. 13 were shortlisted and in April, Chris was chosen from this group.

 

Chris Alton, from Croydon, is a multidisciplinary artist, whose practice brings together distant, yet connected cultural phenomena. Whether deploying disco music against fascism or playing table tennis in competition with aggressive architecture, he utilises seemingly incongruous juxtapositions to address the multi-layered nature of prevailing social and political conditions. © National Trust Croome Court Adam Speaks

https://www.nationaltrust.org.uk/croome/features/adam-speaks

http://www.chrisalton.com/

The workshop was an intensive thought process in a relaxed atmosphere. Lasting for 6 hours, Chris went away with a massive amount of writing by the end. I look forward to being a part of Adam Speaks. https://www.nationaltrust.org.uk/croome/projects/adam-speaks

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© Peter Young 2017

Sunday saw Evesham Festival of Words and my third official appearance as Worcestershire Poet Laureate, as we took to the green of the town on the Poetry Walk. The programme for this festival was strong and again, there was much I wanted to go and see, but with work and bookings and the In tray of writing tasks currently being shuffled (I mean written), I had no spare time.

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https://eveshamfestivalofwords.org/programme/

 

I was looking forward to this as previous years have been really successful. This year it was all centred in the park around the Bell Tower and I performed under the Cloisters, some poems I wrote especially for the event which were Evesham based. It was a good turn out and I took lots of pictures, which I still need to upload!

 

 

Monday I had my first official slot as WPL on BBC Radio Hereford & Worcester with Tammy Gooding. The interview itself was incredibly short, but it will be a regular monthly slot that I am stepping into. Previous Laureates have done this for years, it is good to keep up the media side. Suz Winspear (WPL 2016-17) continues to write her column for SLAP (Supporting Local Arts & Performers) Magazine. I saw we had a mention in there too – another photo to upload.

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It was lovely meeting Tammy and see her passion for poetry. She made me feel at ease and the interview (pre-recorded) needed no editing. Impressive for my first time.

You can listen in http://www.bbc.co.uk/programmes/p055z30x

 

In the evening I had a Guest Spot at Licensed to Rhyme, hosted by Maggie Doyle & Spoz. Suz Winspear was headlining. It was good to see some new faces and it was a wonderful night of poetry. Claire Walker took the other Guest Spot and I also got to re-meet my High School English Teacher who has started volunteering at the Arts Centre, she retires this year – I have to say, I recognised her straight away but was convinced it couldn’t be her as she looked NO DIFFERENT! I bet she was a little proud to watch a former pupil do something with her subject.

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There were many events Tuesday and Wednesday, but I was working and felt the need to rest and see Mr. G. before headlining Thursday.

 

Thursday night saw me Headline at Uncorked along with Clive Oseman, Jake Scott and Sean Colletti. This wonderful (new) night hosted by Holly Daffurn is always a pleasure to experience, the venue Bottles Wine Bar is brilliant and they love these events as much as we do.

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Everyone produced incredible sets and Sean had spent some time (few weeks) organising us through messenger. Holly allows the headline acts to provide a taster of 5 minutes at the beginning of the evening.

Sean devised a theatrical element – a Dr./patient interview, with light and shade in the script, my favourite line was Jake’s ~ referring to Sean qualifying as a Doctor (in Creative Writing) “What are you going to do? Prescribe Poetry?” We all performed a poem and one of mine ‘Humans’ was divided up so all 4 of us took part.

It was a first for Uncorked and it worked effectively. Great impact for a taster. It was an enjoyable evening, big thanks to Kieran Davis for coming and being my support.

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On Friday I had to get up early and head to Shrewsbury for a totally wonderful workshop with Helen Ivory and Martin Figura – who I almost had the chance to meet in 2015, possibly perform on the same night but failed to meet the deadline. It was great to finally meet them both and I thoroughly enjoyed the 2 hour workshop at the Theatre Severn.

It was worth every minute of journey (my SATNAV took me via Bridgnorth and up some incredibly steep hills)!

I came home laden with books and ideas. Unfortunately I was too tired to do anything other than add the books to the poetry shelf/bookcase and curl up in a ball and sleep.

Today I was planning on another writing group/workshop but with a full day in Ledbury and a still rather full (possibly over-flowing) In Tray – I have given it a miss.

The thing I am missing at the moment is writing time, other than the commissions. I have read articles where poets say they struggle to write anything other than commission… I really hope that doesn’t happen to me. I will give myself some space soon and see if I get my voice back.

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Review April 2017

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As always NaPoWriMo takes over April and makes it challenging to keep other blog posts up to date. I have made an effort to keep the blog NaPo intentionally this month with a few posts breaking the thread. I have had some amazing experiences this month which deserve a dedicated blogging. I plan to pepper them in throughout May.

 

WEEK 1:

I was asked to co-ordinate an event for a Festival I am already involved with – this task took the best part of a fortnight. But I am happy that it is all now booked and in place for this summer. I spent further weeks this month planning and organising the events for an Arts Festival in July.

I went to an editing workshop. Taking with me a poem from 2014 that has never fully worked. I can safely say it has the treatment now and just in time because it formed part of the set I performed at The Poetry Ballroom.

Poetry Ballroom

I experienced the Poetry Ballroom. Suz Winspear (this year’s Worcestershire Poet Laureate) organised this event in partnership with DanceFest. It was an amazing night. I will be blogging a full write up in May, I was honoured to be an invited performer at the event and had great fun writing some dance poems especially for it. The evening was a sound success and the dancers appreciated the theme of our poetry – not realising that we would focus on dance. As an ex-dancer, it was a pleasure.

I was asked to endorse a book (my 2nd one). The first book I endorsed is due to launch in May, more on that next month too. I am currently reading this manuscript and am delighted that the publishers thought of me.

I was asked to read at a Book Launch next month. I have spent some time this month penning new poems for this occasion. To be honest the poems were also part of NaPoWriMo, but why not make your projects work hard for you. Lots of prompts leant themselves to current project pies I have my thumbs in, so given half a chance…napo2017button1

I went to a reading at The Hive with Sarah Leavesley & Melissa Lee-Houghton. I was really excited by this. Ruth Stacey had arranged it for her students at university and just gave a bit of a quiet shout out. thehiveworcsorg

Being part of an audience of students, listening to their woes made me glad this wasn’t my life anymore. It is all to easy to glamorize the undergraduate/post grad life… but really… as much pressure as the real world.

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I loved hearing Sarah read from Magnetic Diaries again after all this time and it was a real treat to hear Melissa Lee-Houghton, as she sadly couldn’t make Verve festival in the end. It was a great evening and I am glad I managed the post work rush to get there. Had to drive a hire car too – as my window decided to malfunction and I spent over an hour finding a garage willing to help me so late on in the day. The window was stuck in the down position. My lesson: using air con is cheaper in the long run!

I spent time writing the brief for a 2nd poetry festival event, involving the other two poets. It is amazing how many days it can take 3 poets to come up with less than 3 lines!

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Back in February (my month of applications), I applied for Room 204 Writer Development Programme run by WWM. They had over 130 applicants this year for 15 places. I am delighted to announce the embargo has lifted and I can share this news. We had our first cohort meeting – what a great year to be in, so much talent. We had a photo shoot (one I wanted a haircut and weight-loss for) – neither happened in the days beforehand, but Paul Stringer is a talented photographer. It was a fun morning, we were all so excited to be part of the 2017/18 cohort and already good things have happened as a result. There is a whole year of mentoring and career development ahead, over £1000 worth. Priceless if you ask me.

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I am extremely excited to be part of Room 204, I discovered it back in 2013 and have been biding my time and developing my writing to the point I thought I was able to qualify for a place on the scheme. I am grateful my application was successful. That my writing stood up to the scrutiny and competition. Here’s the rest of this year’s cohort

https://www.writingwestmidlands.org/room-204-participants-201718/

I also reconnected with a good friend of mine afterwards and we plan to exchange books and do lunch next time I am back in the area. I used to spend more time in Birmingham than I do at the moment. I am spending less time on the road this year and more time at the desk, the natural pattern of a writer. It was good catching up.

WEEK 2

Went to an incredibly exciting meeting at the Custard Factory for this year’s Room 204 programme, which we were embargoed about. The news was finally released on the 11/12th. Rm-204-logo-final-solo-600x328

Started typing NaPo poems, I decided to write longhand this year, which gave me that workshop feeling as much of my writing is straight to screen nowadays. It meant I successfully completed the challenge with 97 poems by the end of the month, however I have typed about 10 to edit so far.

Made a promotional Easter video for Fragile Houses. I was reading advice on marketing and promotion and find it hard to detail what my pamphlet with give you beyond shared experience, memory and space to work through mirrored realities. Which all seems a high promise or at the worst an abstract manifesto. Then I thought about chocolate, the calories (personally delighted this year to have so many eggs and treats). easter Had another 3 eggs after this photo was taken!

I spent half a day making the video. Poetry – less calories than chocolate. Maybe I should have offered a free egg with every book sold.

I booked onto a Room 204 event for later in the month.

Started writing a book review and went to see Kate Bush tribute Cloudbusting with Mr G. katebush

I missed License to Rhyme again as the next day I was going to Swindon. Rick Saunders aka Willis the Poet was headlining and he was happy to take me on the road trip. It was a cracking night at Oooh Beehive – a night that Clive Oseman and Nick Lovell started a while ago. Swindon is quite a way on a school night and it was the early hours by the time I was home, but it was the Easter holidays and I am glad I managed it. Lovely to see Sam Loveless and Edward, who I met at the Poetry Festival last year.

I went to HOWL and watched amazing headline sets from Charley Barnes, Tom McCann and Rhythmical Mike. It was a great night and I was happy I made an open mic spot. It was fabulous to see everyone again. HOWL

I went to SpeakEasy where Gareth Owens was headlining. That was a good night too – rare these days that I manage 3 nights on the hoof like this. I spent the day beforehand making media for an upcoming festival shoe and dealing with programme copy.

It was nice to escape for a few hours and immerse myself in poetry.

The Beltane Anthology for 2017 was published by Three Drops from a Cauldron, which has my Rag Tree poem in it. I know you should never judge a book by the cover – but with this stunning design, who wouldn’t want to see their poetry inside!

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Featuring poetry and flash fiction by Jane Burn, Rhiannon Hooson, Alison Stone, Denise Blake, Abigail Elizabeth Ottley Wyatt, Eleanor Penny, Tom Moody, Bee Smith, Rebecca Buchanan, Rebecca Gethin, Nina Lewis, Wendy Mannis Scher, Ceinwen E. Cariad Haydon, Sarah Hart, Raquel Vasquez Gilliland, Kitty Coles, Donald Illich, Dennis Trujillo, Lesley Burt, Cynthia June Long, Vivien Jones, Moyra Donaldson, Maggie Mackay, Bethany Rivers, Lewis Buxton, Carmina Masoliver, Nico Solheim-Davidson, R.M. Francis, Linda Goulden, Ilse Pedler, and Joanna Swan.

Edited by Kate Garrett, with the Three Drops from a Cauldron editorial team: Becca Goodin, Loma Jones, Amy Kinsman, Holly Magill, Penny Sharman, Grant Tarbard, and Claire Walker.

http://www.lulu.com/shop/kate-garrett/three-drops-from-a-cauldron-beltane-2017/paperback/product-23143262.html

It is now also available in digital copy.

https://threedropspoetry.co.uk/2017/04/14/three-drops-from-a-cauldron-beltane-2017/

Week 3

I had a free writing webinar with The Writers Academy & Penguin Random House, it was an interesting few hours, although I wrote copious notes not realising they were sending follow up information via email.

I had my first Room 204 1 to 1 session, we get 3 over the course of the year. It was useful and I have already started working on decisions.Rm-204-logo-WITH-WORDS

I spent an entire day co-ordinating and planning for festival events.

Holly Daffurn has started a new venture – at Bottles Wine Bar, ‘Uncorked’ an evening of Spoken Word, there were over 50 tickets sold and the night was divided into 3 parts with 5 headliners and open mic. Ambitious scheduling, beautiful venue and a stellar line up made for a perfect evening. uncorked

I performed on the open mic. Brilliant Headliners: Jasmine Gardosi, Casey Bailey, Holly Daffurn, Leon Priestnall & Joe Cooke

The Spring edition of Birmingham Literature Festival happened and despite a fantastic programme (all well received), I was unable to make it across to the city for any events. I even missed Cynthia Miller’s Primers Launch.

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I had my WWM group which meant I couldn’t attend some of the events/workshops on Saturday. The group went really well, we made our own magazines. I have since planned the final two session, so feel ahead of the game.

Week 4

I booked tickets to go and see Carol Ann Duffy in May, continued to organise festival events. The Stourbridge Literature Festival started. I went to see Emma Purshouse headline at Spoken Trend, saw Carla Rickets headline too. It was a great night, I even went home with 3 daffodils, now that is a good night.

I took a Napowrimo poem to Stanza and it was approved. I have written 97 in total this month as I have followed 2 main prompts, the main site napwrimo.net and joined Carrie Etter’s group where she provided us with 30 optional prompts. Beyond the poems, I have researched and stumbled into new project territory which is most exciting. Carrie’s group was amazing for comradery and support. Jo Bell spent the entire month posting poems for us to read as it is as important as writing and a sure way to learn/ learn about poetry. I have thoroughly enjoyed reading the poems and discussions on her blog and will miss this daily ritual and ponder more than I will miss the onslaught of daily poetry writing.

imgID54935282.jpg.gallery I went to the first talk organised by Room 204 and now have a notebook full of information and ideas.

And the month finished with a flurry of PR for VOICES FROM THE MIDDLE at Stourbridge Literature Festival.

The first of 3 events I have been organising. A combined reading with: vpress sb I will blog about the festival/event over the coming days. Within 24 hours I will be promoting Cheltenham Poetry Festival and over the next 5 days working towards 30-40-60 the collaborative performance booked into this year’s Worcester Literature Festival.

I will not have time to be sad about the end of NaPoWriMo, but I hope to have time to type edit some of the work produced during April.

This was a GREAT month!

 

 

March in Review

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March felt like a funny old month. The start of the month was rocky, the usual dips and peaks were replaced with a fairly big dip, which fortunately finished mid-March, the end of the month was full of highs and gathered rollercoaster speed, positively hyperactive.

I missed out on many events I wanted to attend due to lack of time, transport and energy. My writing schedule was full and I continued to work on organising festival events as well as time spent making exciting applications. Keeping my fingers crossed.

In addition to this – we have AN EMPTY ROOM, I managed (finally) to sort the smallest bedroom which is our first redecoration project in the house Mr G and I moved into the year I returned to writing (2013). If I wasn’t writing, I kid myself that we would have finished the entire house by now. But the thing I look forward to the most is nesting new writing spaces! The room has now been empty and awaiting action for three weeks, but in that time Mr G has transformed the front garden (much to the pleasure of the neighbours) and bought a sander in preparation for the next epic challenge- actually doing the room!

WEEK 1:

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V. Press collections: Career in Accompaniment by Alex Reed, Book of Bones by Kathy Gee, Fragile Houses by Nina Lewis and The Old Man in the House of Bone by David Calcutt, with illustrations from Peter Tinkler were reviewed by Sam Smith. You can read the full reviews here http://vpresspoetry.blogspot.co.uk/

Sam Smith – Reviews in The Journal. http://thesamsmith.webs.com/

It was the final Permission to Speak on the 2nd, headlined by Pete the Temp (who I first saw at Verve).

Pete the Temp is a poet, educator and musician. His work has been featured on BBC radio and TV and in 2009 he became the National Poetry Slam Champion. Pete has toured theatres across England with his one man show ‘Pete (the Temp) vs Climate Change’. In 2015 he completed the MA Writer / Teacher Programme at Goldsmiths University. This led him to become one of the world’s first full-time spoken word educators to be embedded in a secondary school. He later went on to pilot the same work in a primary school. He was subsequently invited to do a TED Talk on the subject ‘Why Every School Should Have a Spoken Word Educator’. Pete has toured all over Europe with his art and now works as a poet and street performer. Rob Francis © 2017

We are all gutted that this event (of 2 years) has come to an end. The venue – which is one of the most amazing spaces I have had the pleasure to perform in, is closing. Rob Francis is extremely busy with writing and lecturing, maybe these things are sent by the universe as the timing seems right to free Rob up for other opportunities. He also got engaged recently, so I suspect there will be a busy non-poetry element going on in his life soon too. Fortunately I was tipped off just before the night kicked off, otherwise I would have been in floods when Rob announced it to the packed out room.

As always, it was a good night with an eclectic mix of open mics, poems, stories and extracts. It was fantastic to watch Pete in action again and I enjoyed his set immensely. Several lines have become ear-worms over the past month. I had an interesting conversation with him afterwards about poetry. You cannot help but be swept away on his passion-wave of enthusiasm.

Sadly I missed out on watching him perform again at the Artrix this week as I had a gig in Manchester the next day, work and lots of submission deadlines. If you get a chance to see him, you should grasp it for sure! ‘Keep it Lit!’

RELATED LINKS:

http://www.petethetemp.co.uk/

http://burningeye.bigcartel.com/product/numbered-boxes-by-pete-the-temp-bearder

numbered boxes People who have read this collection rave about it – it is on my list to buy.

I spent the majority of writing time organising, I am currently organising three events for festivals which is keeping me busy.

I also had an opportunity to create work for Mental Health Awareness Week (May). Sarah Leavesley has, for several years posted poetry related to Mental Health during this week. ‘The Magnetic Diaries’ deals with these issues and last year you may remember I attended a workshop at the MAC which was part of the Magnetic Diaries Tour. Sarah mentioned back then that we could share our workshop poetry. As with lots of things at the moment it fell into the ‘to do’ pile. My main focus currently is the house, promoting Fragile Houses and organising festival events. Anyway, long story short, I did eventually manage to create a new poem from the workshop and another written especially for the blog project. More on this in May.

I had a request for a poem and spent the weekend working on editing and writing. I have found this month that I am very last minute. I discovered a submission opportunity the day before deadline (always a challenge) and more recently discovered an entire festival I had missed, a great shame as there was a workshop I would have loved to have attended.

WEEK 2:

The week I forgot to live… so many events missed. I felt the dip this week – my body/mind reacts by sleeping. I spent my writing time beavering away at schedules, organising festival events and generally needed sleep before bedtime. I did wish to be a busy poet and I guess I didn’t consider that I would need to be grown-up with scheduling or with reacting to the events I miss. Be careful what you wish for!

I missed Stirchley Speaks, Headlined by Tom McCann, Steve Pottinger was performing in Ludlow at The Poetry Lounge, I missed Howl – there was a new event in Cannock – Speaking Out Midlands, where all performers were open mic, allocated 10 minute slots. Charlotte had invited me some months ago and then word was spread on social media and it attracted a great crowd and I have read some rave reviews.

It clashed with SpeakEasy and when I discovered Adrian Mealing (who I have not seen for years) was headlining, I knew that I was going to save the car some miles. I do not regret this decision, SpeakEasy was a good night and it was lovely chatting and catching up with Adrian. CONFAB Adrian Confab Cabaret with John Hegley (the last time I saw Adrian).

Suffering the dip, being in a familiar environment with people I know was preferable. I was revitalised by the end of the evening. There were lots of new faces and audience, incredibly positive for the LitFest team. Suz performed the Squid Ballroom, part of her Laureate event – more on this next month, I am one of the invited performers.

I spent Friday tying up loose ends and trying to write. I sent my poems to Rick Saunders the brainchild behind Rob’s PTS thank you gift. We (the collective at PTS) have sent writing to Rick who has printed a pamphlet (more like a book at 80 odd pages) to present to Rob on the final night – Permission to Shut Up – at the end of March. I sent my poem about the stage ‘The Secret of Scary Canary’s Stage’ and one I wrote especially for Rob all about what he has achieved with PTS and what it means to the rest of us, originally titled ‘Permission to Speak’. He should be extremely proud of his achievements and hopefully this isn’t the last we have heard from him.

spark I spent an entire evening planning a non-fiction session for my Spark Young Writers group (Writing West Midlands). Inspired by the Royal Society of Photographers exhibition I walked around last month I decided to do Science Journalism. The group thoroughly enjoyed themselves and I am still wiping sweat from my brow – I was worried in case any of them chose to write about the bee’s anus. Which was an amazing piece of photography and incredibly fascinating to look at. I was amazed by the talented articles that came from this session. Some great writing.

It was also the DeMontfort Book Fair in Leicester – States of Independence, not something they hosted when I lived there for 5 years. Leicester is where I broke my performance poetry seal and will always have a little bit of a special place in my heart. Sarah Leavesley was there with her V. Press bookshop, she also launched her new book – a novella published by Mantle Lane Press.

http://www.mantlelanepress.co.uk/product/kaleidoscope available to buy for just £4.00

It always hurts to miss out on events, I dreamed of a busy writing life and I have one, but it means that sometimes I no longer have the freedom to march across the country to be a part of special evenings. There are also the inevitable date clashes where big decisions are made. Never have cloning and teleportation been so necessary in my life!

On Sunday I missed one of the best opportunities since the Verve Festival. Bang Said the Gun – which I have known about since 2014 and watched countless clips of online is touring and they kicked off in Stafford – relatively close (would be closer if the M6 ever flowed properly) with Jo Bell and Jonny Fluffypunk (two of my old time/all time favs) and I missed it! It was Sunday night, Week 3 and 4 are full in my diary, energy was low, as were funds and Mr G and I need to spend more time together and my car is the equivalent of an old broken pull along toy with some bits missing and broken/re-knotted string! I do not trust it on terribly long journeys or car park motorways where you hear it over heat within the first crawling 100 yards.

I missed an amazing night and an opportunity to see friends from that neck of the woods too. Gutted. I did go to check out tickets and look at the rest of the tour and this was the nearest and also had the featured artists I wanted to see. I would say there will be other times, but with something like this – there won’t be. Gutted with a capital G.

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Canterbury never had anything like this when I lived there either!

Week 3:

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I knew I would miss License to Rhyme at the Artrix, featuring Pete the Temp. I had to work and manage Manchester the following evening and I spent part of Monday choosing and rehearsing/timing my set. I also spent time with family, which I hadn’t planned much beforehand and this left me hours behind on writing time. Not that it would be any other way. Family comes first. It just meant the will I /won’t I… became a definite No I won’t!

Again I heard good things about the evening and am particularly disappointed that I missed Fergus McGonigal and Lorna Meehan performing.

I did receive some exciting emails which made a night in with my inbox particularly worthwhile. And have since taken action on these – fingers crossed once again!

On Tuesday I headlined alongside Becky Cheeriman and Mark Pajak in Manchester at Sarah L. Dixon’s Quiet, Quiet Loud. I have known about this booking at Quiet, Quiet Loud for months and the butterflies went tribal. Originally looking to headline in April or May, the gig was brought forward as Sarah L Dixon is on the move and this was to be her final event at The Llyod’s.

Rick Saunders had signed up for the open mic and kindly offered to chauffeur up the M6. Unfortunately, days before his car broke down and so we were left with some last minute arrangements. In the end we hired a car (scared that mine wouldn’t make a 200 mile round trip in a night). The journey there was fine, even passing a Willis milk tanker – Rick’s stage name is Willis the Poet…  we passed the time chatting about the spoken word scene and stopping just once for the most expensive bottle of service station water – I think it was made from diamonds or something! The journey back was horrendous, closed motorways, detours and a SATNAV that was convinced the motorway junction was still open.

The event itself was worth every mile of motorway network and it was a pleasure to headline at the final Quiet, Quiet Loud. You can read my full review here and Rick managed to post his the very next day. https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

Huge thanks again to Rick for the lift.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/manchester-quiet-quiet-loud-headline/

I spent Wednesday morning before work recovering, I found out about the Science and Arts Festival hosted by Birmingham University and a creative writing workshop that I would have loved to attend, although it would have been a lot before work to manage. I have pencilled it in for next year as there were lots of interesting events.

I spent Wednesday night working on submissions and on Thursday mum and I went to see Verve – Northern School of Contemporary Dance. Mr G bought us tickets for Christmas. Verve-web-8-crop-1876x1055

http://www.nscd.ac.uk/verve/

They made me want to dance again, to create dance poetry and to lose myself in costume and movement. The fact that my body could barely manage to sit through a 2 hour production tells me otherwise, but my soul is still very much committed!

I spent the weekend on things other than writing and chiselled out some time at the end of Sunday to write applications and work on my writing action plan. There are some intended submissions to create before the end of the month and three sets to plan for EarthHour (25th March), HerStory (31st March) and Poetry Ballroom (2nd April).

Week 4:

The week started with a flurry of activity organising poetry events and writing. February was a busy month for making applications and devising projects and this month sees more energy focused on these and some fruition.

I spent the first part of the week in rest (working, sleeping, living) and saving energy for a series of 3 days of poeting. Which was easy as only one of them involved performing. Although I left it somewhat late to arrange a set and fine tune the details.

I also agreed to hiding some GOLDEN TICKETS for Birmingham Literature Festival. It is the 20th Anniversary this year and the team have organised a Spring Festival to celebrate. They have sent out Golden Tickets to be found in local bookshops, Art cafes and libraries. I have taken two under my wing and let them fly (and hide).

https://www.birminghamliteraturefestival.org/2017/03/will-you-find-a-golden-ticket/

The lucky finder wins a free ticket (worth at least £10) to an event of their choice. I want to find one of these – but it may cost more petrol money than buying a ticket. Fun idea. Great one. One I may steal in the future! First time I have ever felt like Willy Wonka… it was a good feeling.

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On Thursday I saw Hollie McNish, I love Hollie…  it has been a while since I saw her perform and part of me knew that this book would be difficult for me for personal reasons, this is why I have not yet bought a copy – but watching her breathing magic into the tale and hearing such personal disclosure and truth was wonderful. hollie 2 The event had been organised at The Hive (Library) in partnership with Poetry On Loan – well done to Brenda Read-Brown!

I had been to the basement space once with my writing group and was amazed to find the event not in the studio – that was until I saw the size of the audience! Holly thought, it being a library gig in a small city there may be about 20 people! Multiply that by 10! A smashing night.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/hollie-mcnish-nobody-told-me/

My review of the Verve Poetry Festival went live on Sabotage Reviews. http://sabotagereviews.com/

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Stanza happened on Friday – for the first time in months I thoroughly enjoyed it – and in a strange way all of our poems were love poems (but not the sort you imagine).

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Over the weekend I celebrated Earth Hour and Mother’s Day. Earth Hour was amazing, I went to the event organised by Worcester LitFest at Café Bliss. You can read the full review here

https://awritersfountain.wordpress.com/2017/03/27/earth-hour-with-wlf/

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Week 5

I spent the majority of my spare time writing and editing and planning how an earth I was going to manage this final week of performances and deadlines. The solution was an A4 checklist that I had very little leeway on.

I also had another poem published ‘Rag Tree’ which will be in the Beltane anthology by Three Drops. More news about festival events I am organising/performing in and events that I am just performing in. Future workshops to book and lots of potential festival tickets to be bought. I wrote new work and edited older poems.

Tuesday evening saw the final PTS – Permission to Speak become Permission to Shut Up – as it was a work night I was worried I may not last until the end, but scribbled a new poem especially for the last event (for now), the night before and got a short set ready. I was due to headline in May, potentially Rob may have a new venue by then, but I get the feeling that he needs/wants a mini-break and this would be the time to take it.

It was a great night, all in all and I will mark the occasion with a blog post as soon as I get some spare time. I took lots of pictures and stayed until the end to see Rick present Rob with his pamphlet.

42 in Worcester celebrated it’s 6th birthday and I took a newly scribed poem to celebrate. Rick Saunders headlined Spoken Trend on the same night, which I had to miss. Please someone clone me! Event clashes… every poet’s nemesis! 42 was fun and again, I will mark the occasion with a full blogpost when I have a little time. Polly made an amazing Black Forest Gateaux cake! Makes my mouth water just thinking about it. All the performances were bang on and the celebratory air was sweet.

LINKS TO FOLLOW.

With two days left of March and Easter around the corner, you may think that was it… no, I am playing the game – How much can you pack into 48hours?

Thursday I gave myself a night off from performing/events – missing out on Caffe Grande Slam in Dudley again, I will get there. I spent the evening editing a new poem (my 3rd this week) and submitting work.

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I also received an exciting email from my publisher. Another review of Fragile Houses, this time on Sabotage Reviews. How wonderful to start and end the month with reviews. You can read Rachel Stirling’s incredibly intricate review here.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

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I discovered Claire Walker and Holly Magill have embarked on editing a new Magazine ‘Atrium’, they have both edited for Kate Garrett at Three Drops recently and this new opportunity morphed from that experience. More on Atrium soon.

I saw Heather Wastie’s Nationwide advert – which was as equally exciting as watching Jo Bell’s and what made it special was seeing it first thing before work and in the final adverts before bed. Don’t ask me how I have time to watch TV and complete my mammoth writing tasks!

Holly McNish won the Ted Hughes award (one of the judges this year was Jo Bell – busy as always). Amazing news & recognition!

http://www.thebookseller.com/news/hollie-mcnishs-poetic-motherhood-memoir-wins-ted-hughes-award-518171

https://www.theguardian.com/books/2017/mar/29/hollie-mcnishs-funny-and-serious-poetry-wins-ted-hughes-prize

I received news of another successful Festival bid for this summer. More on this soon.

I completed the month with a Woo Feminista event HerStory at Café Bliss. I will blog and link it up here as soon as I can.

And now I am ready for NaPoWriMo, Poetry Ballroom and a rather-already-regrettable booking of an almost full week of work! I booked Monday off as I have 3 consecutive events this weekend and will be typing until my fingers go numb finishing my writing tasks over the next 24 hours!

I hope you all had a good month too. Leave me some of your highlights in the comments, it would be great to hear from you.

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Keep Writing x

On Writing – Memoir

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WWM I have worked for Writing West Midlands since 2014 and (as with all things in life), changes have been embraced. This year a decision was made to make all groups 2 hour sessions (mine always were). We are still more creative than academic curriculum education, although there has been a realisation of fair access. So for the first time, all groups are following a theme of genres. We can still approach them in any order and we are all still planning and sharing ideas for our groups, every group is unique in that sense.

Next month my group are tackling memoir and I thought it would arouse a quiet murmur of excitement (I think maybe it is just adults that enjoy writing about themselves). Instead it got a less-than-responsive response.

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I dug deeper and found out this is the current topic for many of them at school. So I  finished with the promise that it will be greater than Literacy (and as a Literacy specialist, am confident delivering on this)!

I have already pulled hours of research to lift this session out of the greyness and I think they will all enjoy it.

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Every writer knows the richness of recycling, so here in this post I am sharing the bits that I won’t be using or showing the group. No need for ADULT WARNING. < That may have been one!


In this video Mary Karr talks about her first book launch (where only 3 people turned up… not sure how true this is), but if you ever feel a pang at a small turn out – think of this audience.

She discusses Memoir (‘knocking yourself out with your own fist’), how we connect to readers, tattoos, spirituality, therapy, writing prompts, the difficulties of feelings and memories, things that people don’t talk about, Helen Keller, Maya Angelou, the beginning of compassion, developing a voice – ‘lowering your voice into the head of the reader’, delusions, looking for evidence and truth.

It is just over half an hour and I think you should treat yourself to watching it. In listening to Mary, I jotted memories of my own that I wouldn’t otherwise have remembered. Yes, I wrote them into my notebook for future fodder. ‘Hard seeds of memories, growing into vines.’



Beginning in 1995 with ‘The Liars’ Club,’ Mary Karr’s three critically acclaimed, best-selling memoirs are credited with sparking the genre’s current renaissance. She has also taught writing for thirty years and in her latest book, ‘The Art of Memoir,’ now available in paperback, she synthesizes her fields of expertise in a funny, heartfelt and uniquely insightful guide to the mechanics of personal narrative. In Strand’s Rare Book Room, the award-winning author and professor shares the secrets of her craft.

December Review of the Month

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Everything starts to wind down in my writing world during December, which is lucky as everything else winds up to Christmas and I think I would pop if something didn’t give.

Week 1: (which was only 4 days)

I put in a bid to review an anthology which a few poetry friends appear in, it looks like a great quality publication and I am gutted I knew nothing of the submission for it. I do not think my application was successful as they had the launch in December, but I tried.

I also went to Permission to Speak, Rob Francis’s night in Stourbridge at the Scary Canary. Rob booked Ash Dickinson as the headline act, it has been over a year since I’ve seen him perform.1 Ash DickinsonPerhaps longer. Last time was Digbeth, Birmingham. I was also doubly excited because he has a new book out and I was able to grab a copy – which I then saved to be my Christmas read, but also borrowed 3 Christmassy novels from the library and with actually celebrating festivities and catching up with family and friends, I ran out of time to read it. It has become my New Year book instead… now my January book. It is my next read and has overtaken a whole shelf of poetry still on my must read radar.

Thanking Jonathan Davidson for teaching me to support poetry by buying books (back in Sept. 2013), I would love time to read them all. One day I will have my landing book nook and an hour a day to indulge.

It was an exceptional night, (despite the mic stand completely playing me up). Part of my set was ‘Fragile Houses’ which is a serious book and it made Ash feel comfortable to step away to his more serious work too. Which went down a storm. So I was glad that my set persuaded him to mix his up a bit. Very brave.

What I did manage to do was re-read his previous collection – (bought last time I saw him in Digbeth), I love having the poet’s voice in mind as I read their words. I had forgotten how stonkingly good ‘slinky espadrilles’ was. It was a delight to hear some poems from this, his first collection at PTS.

adameve It was actually 2014 when I last saw Ash perform. How time flies when you’re writing poems. The photos I took of Ash are trapped on an old phone, so you can make do with a 2014 lazy Sunday version of me instead.

If you fancy ordering a copy of Slinky Espadrilles (2012), which remains one of the top selling titles, you can follow the links below. Or maybe you would rather treat yourself to the latest collection Strange Keys (2016) … both published by Burning Eye books.

http://burningeye.bigcartel.com/product/slinky-espadrilles-by-ash-dickinson

http://burningeye.bigcartel.com/product/strange-keys

A great night at ScaryCanary and I also picked up a copy of Rob’s new pamphlet ‘Orpheus’ published by Lapwing. It was his first reading from it. orpheus-1st-reading

I have since watched him perform from it at SpeakEasy and he has a few more dates in the Midlands, up North  and soon down South too.

28th Jan – Wolverhampton Literature Festival @ Wolverhampton Art Gallery
16th Feb – Stanza @ The Exchange, North Shields
25th Feb – The Black Light Engine Room, Middlesbrough

More dates may be added soon in Folkestone, Leeds and London

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Rob is also donating all of his profits for this book to charity. £25 was raised by initial sales for the village School feeding scheme in Namibia. I am not entirely sure if this campaign has now closed as the crowdfunding page has finished. Know that if you buy a copy, Rob has donated profits so far to this cause.

Ordering Orpheus – please contact R. M Francis https://www.facebook.com/RMFrancisPoet/

I also returned Heather’s projector which I had used for the Book Party event to show my Fragile Houses Poetry Films. Over Christmas I discovered my mum had been given a projector through a contact in education (they were upgrading), after it served no use to my mum she gifted it forwards – not releasing her poetry daughter was about to embark on Poetry Films… so if any of you know of anyone getting rid of a working projector at any point I would be very interested. My car has also gone over the clock (100,000) with all these poetry gigs, so if anyone has a decent 2nd or 3rd hand car to sell also let me know!

My friend Caution Poet had a couple of events at the Anchor Gallery, Birmingham where he was generously selling artwork and giving away copies of his latest collection of poems. On the same night there were Christmas Spoken Word events at The Ort. But my relatives were up from London and it was my Gran’s birthday so I missed all the poetry and went to celebrate with them instead.

I was asked to perform at the Mistletoe Festival in Tenbury Wells. In the end Myfanwy and Peter Sutton made it and I am in conversation about 2017.

I had my winter solstice poem ‘Burn All the Clocks’ accepted by Three Drops From a Cauldron at the end of November, but don’t think I mentioned it on the last review. It is going to be published in the Midwinter Anthology.

Week 2:

I continued to make Poetry Films and missed Hatstand – I have missed all the events hosted this year under this new night. I hope they continue in 2017 and that I may make them. Monday night is a tricky one with teaching the next day.

I worked on the Writing West Midlands December session, prep and planning. I missed Gary Longden’s Poetry Alight and Roz Goddard’s Stanza Christmas Party to go to Stirchley Speaks, which was a great night.

I also worked on two projects which at this time were in initial planning stages. The one has been signed, sealed and delivered and is already forging new developments into 2017. The other is ready to start in February, on a date that I have been asked to perform as part of a Peace Day at Coventry Cathedral. Both events are geographically too far apart to manage in the same day. I hope to get involved with Antony Owen’s next event in the summer. In the meantime I am writing poems to be read on the day.

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December sees the return of SpeakEasy at the beautiful Cafe Bliss and, to rid you of your Winter blues, we’re bringing along with us the wonderful Nina Lewis!

Nina has had poetry published in many publications over the years and has recently celebrated her first solo publication, Fragile Houses, published by V. Press. A wonderful poet with a back catalogue of hard-hitting and beautifully crafted verses, Nina Lewis is definitely an act worth seeing.

I headlined SpeakEasy in Worcester. It was a great night – there are some photos I need to track down. My non-poetry friends came to support me and Café Bliss was packed. It was a great night although one of the most nervous I have been (home crowd and all that) and there were about 8 close poetry friends (and regulars at this event) who couldn’t make it so I was supressing the paranoid part of myself for most of the evening. I did manage to enjoy the open mic spots and the atmosphere was brilliant.

My set went well and I sold quite a few copies of Fragile Houses. I even performed one of the poems I didn’t envisage ever being able to perform in public. That may be the only time I do. So for all the people who were there that was a first and last.

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As with all things the 8th December when I headlined clashed with other events, The Grizzly Pear where I missed Bohdan Piasecki and Leon Priestnall and also the Nine Arches Press Christmas Party.

On Friday I had one of the most exciting meetings of the year and some delicious cake! I missed Caution Poet’s second event and Clive Osman Performing from his new book ‘Happy’ at the P Café as I had a lot of writing work to submit and a WWM to prepare.

On Saturday we celebrated the end of term with a workshop on Fiction and a slightly Christmassy session for WWM. To prove how talented the writers are in my group there was an entire page of the plan I discarded as they were already there. Great when young writers don’t need all the input. They, like me, are passionate about learning the craft.

Week 3:

My final week of real world work and I booked workshops for the Verve Poetry Festival (Feb.) with Kim Moore and Sarah Howe, I met both these talented poets this year and cannot wait for this treat – which was a Christmas present from my Mum – even better when these experiences are free! I missed the booking at Swindon on Kim’s workshop due to getting a little lost finding the new venue. So I am doubly looking forward to the magic.

I helped organise accommodation for the Quiet Compere (January) Wolverhampton Literature Festival.  I started working on a collaborative project which will see 3 new poems written (and submitted) in as many weeks. I worked on general submissions, getting the last bit of writing done before the Christmas break.

I had also been asked (in October) to produce a writing prompt for Squiffy Gnu (an online writing/ poetry group). The deadline was the 14th and although it had been on my radar for a while I couldn’t start to work on it until after I had headlined SpeakEasy.

I am really proud of myself for coming up with an original idea and not copying someone else’s groundwork. I have yet to actually attempt the writing myself and have only read a few of the outcome poems, but again I plan to carve some time out to do this next month. It was fun to be a guest poet and an honour to be the last one of the year. Thanks to Chris Hemmingway for this opportunity.

I missed Luke Wright and Jasmine Gardosi headline at Howl, again next year HOWL is already in the diary for February, it has been a shame to miss this events as it is always a great night. Once again I will blame work and distance.

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There was a Christmas Party for the Walsall Arboretum poets which I couldn’t attend originally because of work. However, that day work was cancelled and I had hoped to make it after all. I was buried under a self created submission mountain though and it was in the middle of the day. I heard they had a good time.

Instead, the following day, I treated myself to the Poet Christmas Party (like a works do but better), just three of us meeting up for lunch and pretending it was our annual do really! I made the mistake of drinking a glass of wine as I wasn’t driving, but I had forgotten that I skipped breakfast and hadn’t yet lined my stomach. So I guess I was entertaining.

I missed Attila The Stockbroker and Caution Poet Man Down on Friday night as it was Stanza and I had missed the previous two months and really wanted to go.

It was a great and Christmassy evening.

Week 4:

Christmas and my hibernation from my poetry skin.

In the Greenwood Shade – my poem about the Frog Prince (initially started at a workshop with Angela France) was published by Three Drops From a Cauldron in the December Issue.

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https://threedropspoetry.co.uk/2016/12/23/three-drops-from-a-cauldron-issue-ten/

Review of October

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Review of October

Week 1

Following advice I was trying to not be too busy pre-book launch but after a week off events I took my writing group for Writing West Midlands, watched all the poetry coverage on BBC2, missed another writing deadline and decided that I would drive to Cheltenham to Buzzwords and catch David Clarke and Cliff Yates (another new-to-me poet).

Buzzwords was great, I realised I hadn’t been for over a year. I had a fabulous evening and do not regret it, despite it being the night before my launch. I read my latest poem – a work on tribal philosophy and have some poetry drafts from the workshop to work on when I get a chance (Christmas holidays maybe).

I had imagined I would spend Monday getting ready for the evening – but in reality I missed writing deadlines, overslept, did everything I could to reduce the nervous anxiety of what if no-one turns up and finally at about 2pm started to get organised.

I am going to write a full post about the launch and some follow up posts about the organisation aspects, as there is a gap of relevant information in this area.

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Waterstones Book Launch for Fragile Houses in Birmingham with Guest Readers – Roy McFarlane, Antony Owen and Claire Walker. It was a cracking night, the next morning I woke up to go to work and it felt like a dream.

The following evening I headlined at Stirchley Speaks. I have been headlining since Autumn 2014 but this is the first time I had a book to sell. I did leave home without them and had to turn back to grab the bag, I knew there was something I had forgotten. Since this night I have started using a large event handbag and always carry a couple of copies.

Stirchley Speaks was a great night and I sold lots of books, I realised at this point I had underestimated how many I should order. Taking advice from Jane Commane back in 2014 who said that audience doesn’t necessarily convert to readership. I was aware not everyone I know will buy the book. I have a list of people who want a copy next time I see them too.

It was good to catch up with everybody in the P Café and it was an incredible night of poetry.

The next day I contacted my publishers and ordered another box.

I hadn’t submitted any poetry for a while and had news of one of my poems being published in the USA. More on that when it happens.

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I treated myself to an evening off and a little rest before National Poetry Day, which is fast becoming one of my favourite dates on the calendar.

I collected my new batch of books and went to Suz Winspear’s NPD event in Worcester. As Worcestershire Poet Laureate, Suz is working hard this year in the city and found a brand new venue for the NPD Event. Berkeley Almshouses was the venue and some of the residents came to enjoy the event. It was a great evening and the old chapel had fabulous acoustics and suited Suz very well.

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This year’s theme was messages and I certainly sent a few texts whilst trying to track down the entrance to the venue. Great sets from everyone and I got to catch up with Math Jones (up from London) and Ruth Stacey. I even sold a book!

I spent the weekend Fri- Sun at Swindon Poetry Festival, it was 2nd year there and much as I loved it last year, this year was EVEN better! It deserves a full post and as I pretty much did everything on the programme, will certainly need one. A great way to finish an exhausting, fantastic week in my poetryskin!

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Other great news was Matt Windle became Birmingham’s new Poet Laureate and by the end of the week I had sold over 50 copies of my book!

 

Week 2

Started with a recovery day. I started to create Poetry Films, something I have got hooked on. Last year Sarah Leavesley kindly tutored a group of us in the art of production and I was inspired by the Poetry Films I had seen at Swindon. There are several poems in my pamphlet that I will rarely perform. These are all now Poetry Films.

On my recovery day I spent some INKSPILL admin time and rehearsed a set for Licensed to Rhyme. Roy McFarlane was headlining. It was a great night and I was allowed to sell my pamphlets, they had a table and everything.

The next evening I went to Ledbury to the Poetry Salon where Deborah Alma was reading and finally got a copy of her book, ‘True Tales of the Countryside’, a beautiful Emma Press pamphlet. deb-alma2

I unexpectedly performed in the open mic section. Fragile Houses reached Ledbury. It has since reached Palestine, Malta, Holland and Australia to my knowledge. It was a wonderful, rich evening and great to see Ledbury folk again.

This week was also Birmingham Literature Festival and due to work commitments and events was the first time since coming back to writing (2013) that I missed it. The night after Ledbury Liz Berry and Benjamin Zephaniah were performing and also Gregory Leadbetter had his book launch for ‘Fetch’ (Nine Arches) at Waterstones, Birmingham with Angela France and Jo Bell reading.

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© 2016 Nine Arches

I was gutted to miss both these events but with working and poeting I had no energy and if I remember rightly was asleep as soon as I had finished tea.

The following night Luke Kennard was performing in Birmingham and I missed it because it clashed with SpeakEasy, where I was already performing. Roy McFarlane was the feature and it was a joy to listen to him twice in one week.

Fragile Houses received a Chez Nous Review which I was delighted to discover came from Gram Joel Davies. He actually chose some of my favourite foods – go and have a read.

http://vpresspoetry.blogspot.co.uk/2016/10/chez-nous-recommendations-for-fragile.html

By the end of the week I was run down with illness and missed Holding Baby a play by Jan Watts and the rest of the Book to the Future Festival (again for the first time since 2013). I hope to catch the show another time, I have heard nothing but good things about it.

It was great to finish the week with a Madhatter Review http://www.madhatterreviews.co.uk/books–e-books.html

 

Week 3

Fragile Houses has positive reviews on Amazon and Good Reads.

I was asked to do something that I am really excited about, more on that next year. I spent days preparing for INKSPILL in shifts of 8 – 12 hours.

Mr G and I went to London to see Woven Hand.

I was too tired to manage Hit the Ode and Smokestack Poetry Evening event clash), both in Birmingham, both top nights. I also missed the Dylan Thomas Festival, running for the first year in Cheltenham. Unfortunately it clashed with INKSPILL this year.

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I signed up to an online course ‘Arts for Health’ and performed poetry for ‘She Speaks Her Mind’ Woo Feministas – alongside Suz Winspear, Charley Barnes, Claire Badsey & Holly Magill.

Then of course it was INKSPILL with Gaia Harper, Roy McFarlane and Deanne Gist. This was the 4th year for us and it was a success. I already have Guests and plans lined up for 2017.

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The Magnetic Diaries – which I saw in it’s infancy in Hereford last year was on at the MAC and although I couldn’t make the show I did make Sarah Leavesley’s workshop ‘Pain to Poetry’. I have some poetry notes and one poem so far from this and it was a challenging (emotionally) but not unpleasant experience. I also got time to reconnect with many poetry friends I have not seen in a while.

 

Week 4

I spent the early part of the week writing. I entered a few free poetry competitions. I took some bookings for next year and exchanged pamphlets with J.V Birch through the post. She is a childhood friend, now living in Australia and has also become a poet at the same time as me. It has been exciting to map and mirror each other’s journeys through this new world.

I dressed up for Halloween as a ‘Cereal Killer’ and went off to perform at the Halloween Special 42 in Worcester. Where (due to the wig) people didn’t recognise me. It was a fabulous night and a great excuse to dress up. Fantastic sets from everyone.

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photos by Liam Cortintias

The next day I had to do my best to get all the make up off and go to a workshop run by Angela France, the theme was Fairy Tales and I had a thoroughly enjoyable day and even sold a few books.

I listened to poetry on Radio 4 and missed my Stanza meeting to take part in a Charity Quiz night. All teams of 8 and due to circumstances we ended up with just 4 in our team. We were going for the Booby Prize but decided it was hard to share a bottle of wine and so started to get answers right. We came in 5th not too shoddy, somewhere in the middle. Over £1000 was raised for MacMillan.

I hoped to go to Lania Knight’s workshop, having missed her last one due to a crash on the motorway, but this weekend we celebrated a special family birthday.

 

September Review (better late than never)

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So the Christmas adverts haven’t gone unnoticed and I realise we are fast approaching the end of November, (I realise this as I haven’t started seasonal shopping yet)! It has been a really busy Autumn, which is great as this is the life I wanted… it does mean that my blogging time has diminished.

I have some great ideas how to utilise this blog in 2017 that will fit into the ever-increasingly busier patterns I now exist in. I will save the big reveal for the New Year whilst I focus on the backlog!


REVIEW OF SEPTEMBER

September was the most exciting month of 2016 so far, my debut pamphlet ‘Fragile Houses’ made it out of editorial and to the printers and I was able to get my teeth into something I do well, organising the Book Launch event and promoting.

fragile-houses-best I was always a little unsure how soon to the end of the process the book had to be before the promoting could begin. Hard work after keeping it a secret for so long. Frustrating though the length of time it all took was, I am glad we launched in October because it is close enough to still being NEW at Christmas! So if, like me, you haven’t started shopping yet…

The rest of September wasn’t too bad either.

Week 1

I finally managed to get back over to Permission to Speak, where Walsall Poetry Society had the headline slot. A collective of poets with a great range of work. Richard Archer – a poet from Walsall helped set this up. Richard has written 3 books of poetry and has performed his work on TV and radio. He describes his poems as a sideways look at life as he tries to dissect the world around him, failing or succeeding in equal measure.

Richard was joined by founding member Bryan Sydney Griffin a.k.a “LaGrif”, Marrianne Burgess, Paul Elwell, Ian Ward and Vicki MacWinyers.

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I was also delighted to see Steve Harrison there, our paths haven’t crossed in a while. Busy poets that we are, with a few Counties of separation. It was a good evening and it felt like coming home. Rob Francis is always so welcoming and it is a great venue to perform in with one of my favourite stages (because it is made out of old school desks) and features in one of my poems. It was lovely to share the evening with Claire Walker and Ian Glass.

I missed the Fringe Festival in Digbeth, as I was out celebrating my birthday (yes! It was in August), I like to party! It was at the expense of missing several submission deadlines this month though. I try to be kind to myself when that happens but the inner voice is screaming ‘GET ORGANISED GIRL!’

 

Week 2

I spent my time organising new term workshops for my Writing West Midlands group and sifting my way through the admin mountain.

I went to Waterstones to watch fellow V. Press poets David Calcutt, Kathy Gee and Claire Walker who have spent months planning ‘From Birth to Bone’, a scripted reading combining poems from all of their collections. I was a little gutted that Fragile Houses wasn’t out in time to participate, I have had conversations about collaboration for sometime. Still I have a few ideas to bounce around in 2017.

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It was a fabulous night and their work blended well. I thoroughly enjoyed it, it was a jolly good performance. The other thing I loved was the programme. Listed on it were all the poems and the relevant pages from their books.

What I did manage to do was speak to Stuart, as an Area manager and Poet himself he is fully behind events in Waterstones. I have over the year attended several, but from this point onwards the book shop becomes my second home! I confirmed my book launch was to take place in Waterstones ! Oh, my wake me up – I am dreaming!

I went to SpeakEasy in Worcester where the featured artists was a three piece, ‘Threezacrowd‘ – Michael Thomas on words and Campbell and Jan Perry on music. SpeakEasy tends to be poetry so it was different to have some music and singing. Mike Alma and Pip Barlow brought us guitar and voice the month before.

mike-and-pip-barlow-mary-davis Photograph – Mary Davis

The photo is from the August SpeakEasy, where I read some of the canal poems (still in draft form) from our poetry trip. I was wearing my Tiller Girl badge and Alan Durham wore his pirate badge.

speakeasy Photograph – Mary Davis

I spent the rest of the week planning and promoting my Book Launch, working for Writing West Midlands, wrote endorsements for ‘Birth to Bone’ and my pamphlets became real and reached the editor. I still cannot believe I waited to pick them up for several days as our schedules weren’t matching.

They were published in time for the London Book Fair, which was exciting.

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Week 3

Following some summer preparation, I started organising INKSPILL – our online writing retreat. Sending emails and making contact with writers was fun and in the process have pretty much organised next year’s Guest Writers too.

It was also the first ‘Licensed to Rhyme’ – my most local poetry night! Finally my hometown can offer something and what a something it is. Maggie Doyle and Fergus McGonigal ran SpeakEasy for a couple of years and both took retirement from it earlier in 2016. Maggie and Fergus worked hard finding the perfect venue and pricing and all the millions of behind the scenes work, we never really consider.

licensed-to-rhyme The Advertiser

Spoz co-hosts the event with Maggie Doyle once a month. This first evening was a great success and because the venue is an Arts Centre (Artrix) we have professional sound and sound engineers to boot. We walked on to ‘James Bond theme music’ and the atmosphere was electric. Which all helps performers to perform well. I had a 10 minute Guest Spot and Maggie mentioned my pamphlet was to launch in a few weeks too.

Even more exciting was finally meeting Dreadlock Alien, a man people have constantly spoken about since I hit the circuit in 2014. I knew some of his poems and have seen him perform online but to meet him was thrilling and it was lovely to see a lot of the Birmingham crowd over here too.

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I also worked on (for hours) a professional writing website where people can find me, book me etc. A space I can keep for promo and work. And guess what? I found the only web space that doesn’t link to SEO on Google searches etc. which means unless I send the direct link – you cannot find me. I am limited by free webpages at the moment and many of these need you to install all sorts. I am tempted to use WordPress and as I bought ‘A Writers Fountain’, 16 years ago, I know I can do it again, when money flows a little better.

I still haven’t sat down to work this out but will spend those post-Christmas moments on it, ready to hit 2017 hard.

Come and see it anyway – http://ninalewis.webs.com/ – save it to your favourites, it may be the only way to find it again!

This is the week term started and for this half term I faced a new challenge, I have taken on a 3 day week. Okay, that doesn’t sound a lot but they are full paced and challenging days in a block and I am still on medication. What it will mean is I needn’t worry about not having enough work and it will give me a chance to build up skills with individuals, which is half the battle at the chalk-face or whatever it is called now we are all fully interactive.

It was also super busy with Poetry Events, such as Roy McFarlane’s book launch for his collection ‘Beginning with your Last Breath’- Nine Arches. roy-beg-last-breath

A superb event that took place in Wolverhampton at the Arena Theatre. This was a night I did manage to blog about in real time and you can read the post here.

https://awritersfountain.wordpress.com/2016/09/19/beginning-with-your-last-breath-by-roy-mcfarlane/

Hit The Ode was the next evening and I was just too exhausted by then to get myself back to the city, fortunately in a move of pure genius Carl Sealeaf was providing LIVE streaming, which was no way as good as being there – but was much better than missing it all. It also meant I had time for 2 hours worth of research and some book promotion work.

I also started to write properly again, something I haven’t really been able to do whilst the pamphlet was still in editorial.

I booked guest poets for my book launch; Roy McFarlane, Antony Owen and Claire Walker. Delighted they all agreed to read.

This week didn’t stop. On Friday I went to Kenilworth to see a Poetry Reading at the Talisman Theatre, curated by David Morley. Just in the foyer alone I was excited to see so many people, many I had seen just a couple of days earlier at Roy’s book launch. By far the most exciting sightings were John & Liz Mills, I had no idea they were coming, we have already decided to make a reunion of it next year, treating ourselves to pre-show dinner, after show drinks and a hotel. They had booked a hotel, I live a little nearer so opted for a night drive.

I also saw Julie Boden and that was a treat. So glad that she made it to the show.

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The show itself was mighty fine. I loved meeting and hearing new to me poets – Luke Kennard, who I have missed every time the opportunity has arisen, Sarah Howe who writes beautiful, honest poetry and Claire Trévien, who loves language and was a joy to watch/listen to. I enjoyed the sets from the poets I do know David Morley, Jo Bell, Jonathan Edwards too. They promised a special evening – and it was!

I really wish I had blogged about it at the time, because so much has happened since, it was a wonderful evening and I remember it fondly.

http://www.kenilworthartsfestival.co.uk/events/poetry

I missed Jo Bell’s workshop on Saturday as I was going to Worcester Music Festival to see The Anti-Poet, after missing them at WLF (Worcester LitFest) in the summer. I loved it! It was a total nightmare to park, but well worth the agro. anti-poet-2

After this I finally COLLECTED my PAMPHLETS!

It was also London Book Fair and although I couldn’t make it this year and missed the opportunity to perform Ambiguous Answers for Paper Swan Press,

 

my book did make it and I got to follow it all on Twitter.

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And FINALLY on Sunday I headed out to the MAC where I watched the new version of Ten Letters. The original last year was crowdfunded, a project that was the brainchild of Lorna Meehan and Spoz. This year they have a few new performers, lots of new writing and media and have been funded by the Lottery and Arts Council.

I was also asked to appear on a panel of writers on Radio – which I was jumping about over, until I realised it was a work day and I wouldn’t be able to get to the studio. However, I have been booked to do this in January. Which hopefully will be an easier month on the calendar and I will be all fresh and ready.

Week 4

This is the week of the Poetry Festival in Stratford-Upon-Avon and I was gutted to miss every event I had hoped to get to. After typing week 3 for the past hour, I can see why I didn’t have the energy to work, play and drive all over the place. The final performance from all the resident poets, ‘Unexpected Encounters’ was something I really wanted to see, but had booked (way back in August) my final birthday meal with friends, where we got to cook our food on hot volcanic rocks and this was something that couldn’t be undone. It was a great night!

It was also Leicester Shindig and I hadn’t realised Claire Walker was featuring there, missed it completely. Leicester was the city I came out as a poet in and performed spoken word for the first time.

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I had several invites to events I missed this week – it was hard enough to stay awake and work without going out in the evenings. I was getting in and falling asleep. I did admin tasks, promotion online and booked tickets for Swindon Poetry Festival. I also managed to get to the local Stanza meeting as well as taking a Headline booking for Stirchley Speaks next month, the night after my Book Launch. I also took my first booking for 2017 and booked up October.

On Sunday I read at Open Poetry in the Arboretum, Walsall and promoted my forthcoming pamphlet. It was a lovely afternoon.

 

The last 5 days – no wonder this month seemed so long!

I continued Market Research, promoting and organising the Book Launch (1 week to go).

I missed some submission deadlines.

Took pre-orders for the pamphlet.

Missed Poetry Bites and the Open Mic at Waterstones, 42 and a Scratch Night. I was attempting to take my editor’s advice and take it easy the week before the launch. Which I managed ALL WEEK and then at the weekend (with 48hrs to launch) I broke my promise to myself.

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MORE ON THAT IN THE OCTOBER REVIEW.

 

 

 

The Weather is more July than September. Review of July

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I have learnt many lessons during my pamphlet being published, one of the many is how difficult keeping up with timely blog posts can be. Never underestimate the time it takes a blogger to create a post.

Here we are in September without a review of the summer. So tonight I am posting my review of July and August and updating The Write Year. I should be happily promoting my new book and INKSPILL, I will get to these matters soon. Did I mention I have a book out?

Review of July

WEEK 1:

July started fairly quietly, my priority was to complete editing the pamphlet, which by this point was being batted back and forth between myself and the publishers fairly frequently. Lesson 2 do not underestimate the length of the editing process even after you have completed your manuscript.

On Sunday 3rd July, I happily experienced my first taste of Evesham Festival of Words. I have been aware for many years of AsparaFest but never made one. This year the festival had a revamp. I was one of a merry group of poets completing a walking performance from the Bell Tower, through town and back to Abbey Park. The event was organised by Polly Stretton and this is what people had to say;

Just back from the poetry walk around Evesham’s historic centre, starting in the ringing chamber of the newly-restored Bell Tower. The walk was organised and led by talented poet, Polly Stretton and was supported by lots of other poets. The sun shone and the poetry was really enjoyable. Evesham Festival of Words continues to excel!

Thoroughly enjoyed the poetry walk on the Sunday morning but unfortunately that was the only event I could attend. Well done to all involved. MW

I performed at Stirchley Speaks and had the pleasure of watching Charley Barnes fill her first featured slot. A fabulous night, as always.

I attended a WWM meeting as we set plans in motion for our 2016/17 groups. My new challenge is a new group, different age group and a blended version of the what went before. It isn’t just the name of the groups that is changing. Our first group took place last weekend and it was brilliant! Back in July I was a nervous wreck thinking about it all.

I missed several events I had hoped to attend and continued to plan INKSPILL, including conversations and meetings with our Guest Writers.

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WEEK 2:

A heavy week of editorial work, sprinkled with events. I was lucky to meet and watch the awesome (in the true sense of the word) performance poet Buddy Wakefield, when he headlined HOWL, in Birmingham. It was the tail end of his massive UK tour and as he didn’t want to fly any merchandise back home, we were able to buy GOLD at silver prices. I treated myself to his full collection and the very next day opened it randomly (it has one of those lovely soft plastic covers that tease you with smoothness), and read a line, I then started free writing and used that later in a week to create a poem. I have since read the book properly and I am so glad that I have a copy of this book, which I will probably read again before the year is out!

I also managed to get to SpeakEasy to watch a full set of Kathy Gee, I have seen her headline before and have always loved listening to her poetry. It was a pleasure to be there and hear again from her debut collection ‘Book of Bones’. http://vpresspoetry.blogspot.co.uk/p/book-of-bones.html

I heard about a great event (now tomorrow!) ‘Early Bird – An Evening of Poetry Readings’ featuring; David Morley, Sarah Howe, Jo Bell, Luke Kennard, Jonathan Edwards, Claire Trevien. I booked my tickets within minutes of discovering the event.

Open Poetry at the Walsall Arboretum with David Calcutt where we had an enjoyable afternoon in the sun, staff even supplied us with the shade of golfing umbrellas. I performed on the open mic and bought my copy of David’s V.Press pamphlet ‘The Old Man in the House of Bone’. https://davidcalcutt.com/the-old-man-in-the-house-of-bone/

I secured our first Guest Writer confirmation for INKSPILL 2017 – Our annual online writing retreat, which is still FREE.

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Week 3:

I discovered I had poems accepted for the ‘We Are Not Alone’ anthology, which is a collection of poetry covering aspects of depression. The anthology is out later this year. They have published a poem I wrote about a man suffering depression in secret and one that is more autobiographical which also appears in my debut pamphlet (have I mentioned it again?) ‘Fragile Houses’, published by V. Press and available from 3rd October. *Well there has to be some positive impact posting a monthly review 2 months late! http://vpresspoetry.blogspot.co.uk/p/fragile-houses.html

I was delighted to have this acceptance as I have hardly written new material for months and my last submissions were made in the spring.

I missed a couple of events and learnt about some marketing opportunities which will hopefully spread the potential audience for my poetry pamphlet.

I signed my poetry contract! A highlight of this year, especially watching the faces of the poet witnesses when they read the title of this collection. My editor was very patient about my chronic indecision and constant brainstorming and I was receptive of her knowledge and advice. You know a title works with the reaction that night.

I started my long summer holiday officially, although I had already had practically the whole last week of term off. There is never much cover work at this point.

I threw myself into getting INKSPILL organised.

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Week 4:

Sadly, we said goodbye to another poet this year, Clive Dee. His funeral was arranged and I think he would have been so proud of his kids for the service. He would have loved hearing the laughter and sure he appreciated the splashes of colour that were everywhere. A gentle soul, loved by most people he had contact with and a sad loss to us all. It still doesn’t seem very real at all. He was very secretive about what he was going through so it was a shock to many of us.

I am happy he discovered the world of poetry when he did.

I missed Daniel Sluman and David Clarke performing in Birmingham because the day after Clive’s funeral Mr G and I headed off into the Welsh mountains for our first holiday in 3 years!

We had a wonderful break and it was good to spend time together. The only tech being the TV in our suite, which was bigger than any at home – and Mr G has a big TV!

That was July! A month of high ups and a few broken downs.

BL me Universe poem

Rangzeb © 2014

 

 

The Olympic Year – The Story so Far

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2016 my first Olympic year milestone. I know generally people have a ‘5 year plan’, but I decided in 2013, when I gave up a full-time career (at a current loss of about £60K – what is money…) and embarked on my creative life instead that I would use the Olympic model. I was inspired by London 2012 and listened to many successful athletes talking about life before the Gold medal. For many this was their 4th (and last) games and winning has an almost entirely invisible to the public trail behind it.

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Part of the ethos of the blog is honesty, to share the rejection as well as success, expose the hidden underbelly creatives face daily. The theory behind the Olympics was my imagining but I have learnt in the past 3 years of networking that many of the poets and artists I admire are about 16+ years in. It is entirely possible. I believed it and now I know it is true.

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2013 – Learning

In the first year I built a steady foundation. I used to write, was published in anthologies as a young writer and performed into my early 20s. I trained in Creative Writing on a modular writing course facilitated by (famous) professionals, in Leicester and lived a creative life (until I couldn’t afford to eat).

It has been over a decade since I last wrote and the writing world had changed, I was out of practise and out of touch. Workshops and writing classes were an important initial investment. It took me 10 months before I wound my way back to poetry, which although one of the smaller writing markets, has always been my natural home. I can write, but I am a poet.

I participated in Camp NaNoWriMo, Spring and Summer and the official NaNoWriMo in November. I spent the words on a Non-Fiction manuscript I have been writing (mainly in my head) on and off for the past 13 years. It was the last thing I worked on in 2002, the year my writing stopped. I blew the dust off and picked it up again this year in Nano. I also worked on some short stories.

My main focus was to establish this blog and I spent hours typing away thinking ‘what if I actually used this time to write?’ I have no regrets though, this is an award winning, well established blog with lots of traffic and steadily increasing statistics.

My first public performance was in Leamington at Julie Boden’s Spoken Word night, where I met Dave Reeves. Within 2 weeks of finding myself back in the heart of poetry I met the local poetry scene and volunteered to work for Writing West Midlands. I performed at Birmingham Book to the Future Festival, in Stratford-Upon-Avon at an Emma Press Book Launch and Worcester.

I submitted some prose work and had a poem published.

I established INKSPILL – an annual virtual writing retreat. It was important to keep it FREE, catering for all those people who want and need it, but cannot afford it. In future years this may change, but now in its 4th year it is still FREE and accessible to anyone, although I do encourage a FOLLOW to the blog as a thank you. The initial idea came from an email I received about Iyanla_Vanzant’s Wonder Woman Weekend, which I couldn’t attend as I couldn’t afford to get to America.

I went to the Birmingham Literature Festival and Book to the Future Festival.

42 flash

2014Performing

After returning to performing poetry at the tail-end of 2013, 2014 became my touring year. Whatever I earn from writing will just about cover my 2014 fuel bill!

I became an Assistant Writer for Writing West Midlands and performed in over 107 places, I started taking bookings as a Headline performer. I also worked on commissioned projects, some for established festivals. I realised that as an artist, I enjoy doing unusual things with my writing and sought opportunities to do more than perform and write words.

I sent a pamphlet out and got rejected. Unlike 2013, where my focus was learning, this year was performing. I was writing lots and submitted a lot more work, with a clearer recording system. I had many individual poems placed and published and enjoyed celebrating the successful year in an event called ‘One Year a Poet’. 6 poems appeared in 3 anthologies, 2 poems were published in magazines, 4 poems published online. I had a poem on the Poetry Fence at Acton Scott Farm, another on the Wenlock Poetry Trail, Wenlock Poetry Festival 2014, 21 Haikus were used in an installation at the Midlands Arts Centre (MAC), another was displayed in a local library by an Arts Network. That’s 36 poems out there in the real world. In August I decided, incredibly last minute to submit my pamphlet to V. Press. My hesitation was having to deal with rejection again.

Performance highlights include; performing in Worcester LitFest alongside Adrian Mealing for the first part of Jonny FluffyPunk’s show. My moustache poem had been written with him in mind, so it was great to perform it in front of him.

The moustache poem was part of a set with other work being collaborative between myself and Tim Scarborough. This duo experience was sadly short lived, as he fell in love and focussed on his drumming business. But if we have time in the future, it is not a closed door.

I opened the Arts All Over the Place Festival, in support of Mental Health. A cause close to my heart as it was through suffering depression that I made my life changes and found myself picking up my pen again.

I performed at Worcester Music Festival.

I did some 1 to 1 Mentoring for Writing West Midlands and promoted Daniel Sluman’s second collection ‘the terrible’ (Nine Arches Press). I reviewed this poetry book, loving hand made and  a joy to read,  Sarah Hymas In Good Weather 1 for Sarah Hymas.

INKSPILL included Guest Writers; William Gallagher, Charlie Jordan & Heather Wastie.

I went to Wenlock Poetry Festival, Worcester LitFest, Birmingham Literature Festival, Stratford Literature Festival, Arts All Over the Place, Book to the Future, Ledbury Poetry Festival, Worcester Music Festival.

Who could forget this was the year of 52. A poetry year created by Jo Bell, with weekly prompts and over 500 people taking part. An incredible project to be part of. I am so glad that Jo Bell invited me to take part. I also told several local poets about it and they have since had great success from work produced during this time, as well as forming friendships with many poets across the UK and beyond.

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©Murdock Ramone Media

2015 – Submitting & Performing

My poetry pamphlet was accepted by V. Press, which has to be my biggest achievement so far. 14 months after embarking back on my poetry path, I had the opportunity to publish my first book.

V. Press have worked hard in creating a strong debut pamphlet and I had my first experience of professional editing, lots of changes were made to the content before the editing process could begin. I dreamed that my pamphlet would be published in 2015 alongside, Jacqui Rowe, David O’Hanlon and Claire Walker. This was not to be and although I found this difficult and even harder to see each book since, I know that my own pamphlet needed time to germinate.

11 poems were published online, 4 poems were published in anthologies and 3 poems were published in poetry magazines. I mainly worked on my manuscript poetry. I had one short prose piece published too. 18 pieces of work flying around in the real world and a pamphlet in the pipeline.

I continued to get bookings as a Headline/Guest Poet, including Cheltenham and Shrewsbury, performed in London for the first time at HARK Magazine launch, performed at Charity Fundraisers, entered Worcestershire Poet Laureate and was a runner up, became a Lead Writer for Writing West Midlands, took part in Caldmore Community Garden Poetry workshops with David Calcutt (Poet in Residence), was booked as one of ten poets for the Quiet Compere Tour, Midlands leg (Sarah Dixon),  went back to London to perform at The Poetry Café for the Paper Swans Press launch of Schooldays anthology, commissioned for National Poetry Day Light and Shade event and took part in my first Poetry Brothel event, organised by Caged Arts for Halloween and performed at Waterstones.

INKSPILL had guest writers; Daniel Sluman, David Calcutt and Alison May.

I went to Wenlock Poetry Festival, Worcester LitFest, Birmingham Literature Festival, Stratford Literature Festival, Walsall Festival, Arts All Over the Place, Poetry Festival Swindon, Book to the Future, Ledbury Poetry Festival.

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2016 – The 1st Games – Writing & Editing

This year’s story cannot be written yet, but I am still Headlining and have finally finished the pamphlet. It is to be published by V. Press, date yet to be announced.

I am delighted to mark the Olympic year with something so massive!

I am currently organising INKSPILL, guest writers will be announced in the Autumn and I am incredibly excited.

Festivals have taken a backseat this year, so have performances as I tied myself to the desk to finish writing and editing.

Submissions started well – since April I have not submitted anything as I have been attached to the manuscript and at times attempting to detach myself enough to see what is for the best. I am neglecting the end of July’s submission window as I want to focus on the current project. ‘Operation pamphlet’. Contracts have been signed and it is beginning to become real.

4 poems published online, 5 published in poetry magazines, 3 poems published in 2 e-books, 1 poem in a chapbook and 5 poems in 2 anthologies and the pamphlet soon. 20 – 40 poems flying around in the world. A grand total of 95 poems. I know I can smash 100 before the end of this 4 year marker. I don’t hold a number as a target. I just write and keep my eye out and when something takes my fancy I aim and fire. I have a long list of rejections as well. Learning what publications, journals and editors want and like is an ongoing process and involves reading and subscribing and supporting the poetry market. It is fun and I look forward to more training and success.

me MM

Saffron Toms © 2014

OLYMPIC YEAR

Pamphlet to be published by V. Press

Lead Writer Writing West Midlands

Facilitator/ Creator of INKSPILL (4th Year)

Poet – 95 poems published

BL me Universe poem

Rangzeb ©2014

 

 

 

 

 

 

 

 

Review of June

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So why was there only one blog post this month? Mainly because I have been training myself to learn to love the editing process as much as the writing one… although, I am certain this will never happen.

I have taken a real backseat with performing too. We are entering the summer festival season and despite looking through brochures and deciding I would like to attend many events, I have been held back from doing so as I am time poor and poor at the moment.

I haven’t submitted anything other than edited manuscripts for ages and writing new material has been a no go zone too. Due to the long summer break I have been taking on as much work as possible and I am also busy trying (and failing) to arrange birthday parties and mini breaks. June is also a ‘real life’ busy month with birthdays, celebrations and events, not to mention the hours consumed watching programmes about Britain leaving the EU. The REMAIN/LEAVE campaigns were something not many of us understood prior to June and I needed to be sure of my stance and understand the impact before voting.

The world knows the story since… seems strange that when David Cameron resigned as Britain’s Prime Minister it was only the 3rd most important story of the day.

And of course when the future is in the head of a poet, it guarantees that there isn’t much room left for poetry.

Here is a review of what I managed and sometimes what I missed in the world of poetry this month.


Cheltenham

I totally missed Cheltenham Poetry Festival, but the month started with a personal invite to a workshop. Unfortunately there was a tragic accident on the motorway in the morning and the only other route to Cheltenham was blocked by overflow traffic, so I didn’t make the workshop. I felt guilty feeling sad about it when there were some poor people who hadn’t survived the day.

Editing

I spent my break editing and haven’t managed a writing day since.

Book Launches

Jenna Plewes had a book launch at the local library on the 6th June. Her latest collection ‘Pull on the Earth’ includes lots of poems about her travels. It was an enjoyable launch.

Pull of the Earth is published by Indigo Dreams and is available for £8.99 + P&P BUY your copy here

See blog post for more details https://awritersfountain.wordpress.com/2016/07/06/book-launch-pull-of-the-earth-by-jenna-plewes/

Pull of Earth

Open Mics

June saw Jess Davis hosting her final Stirchley Speaks. The monthly poetry night held at the P Café will be hosted by Callum and Jessica Bates from July. This is a full circle for them as they were one of the three headline acts appearing at the first Stirchley Speaks one year ago.

I was lucky enough to perform, it was a great night.

Unfortunately it clashed with David Hart appearing at The Works’ Canteen. I had hoped to make it back to this night held at the Black Country Museum, hosted by Dave Reeves. David Hart meantime, waits on my list of must see.

I also missed HOWL as I was still editing.

I performed at the 42 Festival Special as part of WLF (Worcester LitFest), an enjoyable night themed around the Last Stop on the Worcester Night Tra.

I also had a slot at WLF SpeakEasy which was hosted by the ever delightful Myfanwy Fox and headlined by Angela France. It was great to catch up with both of them and Angela gave me a good Ledbury tip off.

 

Lit Fests & Workshops

Worcester LitFest kicked off on the 10th June with the Poet Laureate Final (I remember the nerves from this time last year), not good memories as far as emotions go. Traumatic in actual fact. This year saw a new venue at Worcester Race Course and instead of 3 finalists being picked from 6 performers, they had 3 finalists striving for the accolade. A wise decision was also made with regard to the amount of other ceremonial achievements celebrated beforehand, making it a shorter event and allowing the poets to suffer less palpitations. I didn’t manage to support in person this year but I am delighted to announce that this year’s Worcestershire Poet Laureate is Suz Winspear!

Positive Images Festival

On June 12th I headed over to Coventry for a ‘The Atomic Sun’ workshop with Antony Owen, Patron of CND Peace Education UK and Award Winning Poet. Antony and I have poems in an anthology due out later this year published by Shabda Press entitled ‘Nuclear Impact Broken Atoms in our Hands’. It was a deeply moving experience which I will post about separately.

http://www.positiveimagesfestival.co.uk/

https://antonyowenpoetry.wordpress.com/

http://www.cnduk.org/information/peace-education/item/2254-peace-education-patrons-antony-owen

Workshop

Gary Crew is an Australian Author of YA Fiction. His picture books for KS2+ are brilliant and ‘The WaterTower'(1994) formed part of the mantle learning at one of the schools I work at. The Watertower

As part of his time here in the UK (mainly London and Oxford) he was also able to catch a train up to the Midlands and workshop with some very eager children. As part of his contract he had to deliver something to academics (funding), so I was one of about 40 teachers treated to a session with him after work.

I will add a post of information about his writing. It was inspiring for me and I bought a book of his I have not read as poetry instantly sprang to mind, we will see where that leads (after I have finished this first manuscript maybe)!

https://www.fantasticfiction.com/c/gary-crew/

 

Performances

Quiet Compere Worcester LitFest

Friday 17th June I was lucky enough to be part of the QC Event at Worcester LitFest, Sarah Dixon returned for another wonderful night of poetry at The Hive. A different format this time she had featured poets, guest poets and some open mics, pre-booked (like mine) or signed up on the night. Link to follow.

Midsummer Poetry Brothel Caged Arts

Heidi Murphy hosted her 2nd Poetry Brothel at P Café on the 22nd June to celebrate the solstice. I had missed the Solstice Walk (Festival Fringe event), due to family celebrations clashing so it was useful to be able to blow the dust off last year’s solstice poems. No time to pen anything new, but I did have time to raid my wardrobe for florals; trousers, flower in the hair… it was my 3rd Poetry Brothel (am I forming a habit?).

Writing West Midlands

From September the Junior and Senior groups are amalgamating, so I spent an entire Saturday at the library being Jenny Hope’s assistant and then taking my own final session for this term/year in the afternoon. I had hoped to attend A Night at the Museum, WLF event in the evening but after working two groups and with a few hours of limbo, I decided I was too tired and left the city for home.

So there is June in rather a big nutshell – and of course, I am still writing NaPoWriMo poems (from April prompts)…

pen sarah wilko anderson Happy writing! x