Category Archives: V Press

NaPoWriMo is COMING ~ Warm Up Here

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NaPoWriMo certainly gets to the heart of things. I enjoy April every year for the gifts of words and focus on poetry. I give myself permission to write a lot of rubbish, but every year there are a handful of poems created with a glow, many of these go on to be published in magazines, anthologies and my own collections.

(2016)

Buy a copy here.

(2019)

Buy a copy here or from my website here.


I have collated this post to link to previous NaPo posts on the blog. So you won’t have to wait until tomorrow to warm up!

Last year’s warm up post – including some of the history of NaPoWriMo (rebranded GloPoWriMo – as it is now (and has been for a while) a Global phenomenon. I just can’t switch to calling it GloPo).

NaPoWriMo Warming Up

There will be some 2022 Early Bird posts arriving at the NaPo site over the next couple of days. I know they start live posting on the 15th March. Here’s a link to the 2020 Early Bird writing prompts.

NaPoWriMo Early Birds 2020

No Napping from 2019 NaPoWriMo (please note not all video links work).

Preparing for the Event of NaPoWriMo from 2018.

You can always search for more – my NaPoWriMo posts go back to 2014 and include a daily thread for every year.

I wish you well with your writing and look forward to the 15th, when the REAL magic starts!

Enjoy x

NaPoWriMo 2020 Day 28

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Read the full post here (although it is almost fully copied as Emily Dickinson is one of my favourites).

There are just three days left in our annual challenge. Congratulations to everyone who has made it this far! 

Featured participant for the day is benkoans, where you will find a spot-on review of the various software programs we are supposed to use to work and learn during these days of social distancing.

Speaking of socially distancing, our poetry resource for the day this online archive of the manuscripts of the famously reclusive Emily Dickinson. Now one of the most-admired poets the United States has produced, Dickinson was little known in her lifetime. She left behind hundreds of poems, often drafted on scraps of paper, backs of envelopes, etc. And an especial point of interest is her amendments and edits. She often provided several different alternatives for given nouns or verbs in poems, as if she was continually revising or trying out new ones. When I am revising my own poems, and come across a dull or commonplace noun or verb that seems  to drag down a line, I think  of Dickinson, and try to come up with four or five alternatives, seeking a word that is a little bit wild, and will help to deepen the poem, or even turn it in a new direction.

Today’s prompt is brought to us by the Emily Dickinson Museum. First, read this brief reminiscence of Emily Dickinson, written by her niece. And now, here is the prompt that the museum suggests:

Martha Dickinson Bianchi’s description of her aunt’s cozy room, scented with hyacinths and a crackling stove, warmly recalls the setting decades later. Describe a bedroom from your past in a series of descriptive paragraphs or a poem. It could be your childhood room, your grandmother’s room, a college dormitory or another significant space from your life.

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I am still catching up with NaPo from yesterday so don’t want to read the featured poem until I have had a chance of writing mine.
I love Emily Dickinson’s poetry so I am looking forward to coming back and working through the prompt.
And as the universe would have took part in a workshop on Monday morning as part of the Stay at Home Fringe Festival with Susmita Bhattacharya where we looked at/wrote about our childhood bed. Although I was writing prose, it brought some previously blocked memories up which I could use today to write a poem.
I often write about place and both pamphlets have got place/room poems in them.
Fabricious Avenue (which actually came from a Colour prompt in 52) in Fragile Houses
fragile-houses-best   The Dark House among others in Patiencepatience cover
(Got to love a stealth-ish book plug) – haven’t even started promoting ^ the new one yet, more to come post-NaPo!

Book Launch: Unable Mother by Helen Calcutt

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Described as a ‘violent grapple with our cosy notions of motherhood’ (Robert Peake)  this bold and breathtaking new book of poems exposes the painful and the beautiful experience  of becoming a new mother, torch-lit with violent and tender experience, sung from the body, and cast through a unique metaphoric lens.
This promises to be an unforgettable evening, celebrating themes of womanhood, transformation, and new life.

 

A much awaited Book Launch happened this month. Helen Calcutt’s first collection UNABLE MOTHER published by V. Press was launched at Waterstones, Birmingham.

I have heard Helen read from Unable Mother several times and was looking forward to getting my hands on a copy. The journey to Birmingham was epic with several issues that had occurred earlier in the day, trains were not running well. We waited on a platform for nearly an hour. By the time we arrived in Birmingham it felt like we should have least made it to Manchester!

I was delighted to see lots of familiar faces and the room was buzzing with pre-launch excitement. Helen had some 90s pop quietly playing in the background and everyone was settling in ready to hear some stunning poetry.

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The evening was hosted by Gavin, who is a Storyteller but he still treated us to a poem.

Helen invited Guest Poets Nellie Cole, Isabel Galleymore, Claire Walker and David Calcutt to read during the first part of the evening. Each poet read 3 or 4 poems which was enough to catch the flavour of their writing and leave the audience wanting more.

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Nellie Cole

I first heard Nellie at Stirchley Speaks a few years ago and thought how confident she was back then, how grounded her work is. I am delighted that I have heard some of the poems in her debut pamphlet in genesis form. I find it fascinating following the progress through to end results. ‘Bella’ is published by Offa’s Press.

http://offaspress.co.uk/poets/nellie-cole/

Nellie is from the Black Country and started writing poetry when she studied at Birmingham University.

Bella is … a work which blends factual evidence with folklore, superstition, hearsay and the imagination, these poems explore the Worcestershire murder mystery ‘Who Put Bella in the Wych Elm?’

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The book table at Helen’s Launch generously featured her Guest Poets, I needed more than my train fare and money for Unable Mother. I had hoped to catch Nellie performing at Permission to Speak on the 12th but due to work commitments was not able to make it. Bella is a book destined for my reading pile.

You can grab yourselves a copy here http://offaspress.co.uk/shop/

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Isabel Galleymore

I was really excited to hear Isabel’s set as I had not heard her read before. I have read her work, several poems are published on the Poetry Foundation website. She also won the Eric Gregory Award in 2017.

Isabel shared a beautiful set, her poetry draws the listener in. I definitely wanted to hear more.

Isabel’s first collection ‘Significant Other’ will be out next year (March 2019) published by Carcanet. Until then copies of Dazzle Ship published by Worple Press can be found here.

http://www.worplepress.com/dazzle-ship/

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Claire Walker

Claire Walker is a poet I know well, having met her on my first adventure as a poet back in September 2013, she is a good friend and a fellow V. Press poet and it is always a pleasure to listen to her work.

Her debut pamphlet ‘The Girl Who Turned Into a Crocodile’ (V. Press 2015) has sold out, but the poems in those covers remain strong. I was so glad she shared ‘Teaching Your Daughter to Crack Eggs’. Claire’s second pamphlet ‘Somewhere Between Rose and Black’ (2017) published by V. Press was available on the book table.

You can get a copy here http://vpresspoetry.blogspot.com/2017/12/launching-somewhere-between-rose-and.html

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David Calcutt

Three marvellous sets by three amazing poets and I thought it would be Helen next. Then we were introduced to David Calcutt who after his set was then to introduce Helen.

I had not expected David to be reading and was very happy when I discovered he was. It was a captivating set. He read from his latest collection ‘The last of the light is not the last of the light’, published by Fair Acre Press which launched earlier this year. https://awritersfountain.wordpress.com/2018/06/30/a-night-of-light/

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You can buy a copy here https://fairacrepress.co.uk/shop/david-calcutt-the-last-of-the-light-is-not-the-last-of-the-light/

 

 

 

 

As a daughter of a musician (and an ‘in the shadow of’ musician) I understand the need for a daughter of a writer/poet to want to feel she has established herself without standing on the shoulders of her father. Helen has definitely done that and I was touched by her metaphorical sigh of relief. Her first collection now published she could confidently invite David to be part of the Launch.

Even if David was aware he may be sounding like Father of the Bride in introducing us to her.

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Helen Calcutt

Like Claire, I have known Helen for a while and always enjoy listening to her work. I had the pleasure of hearing a set from Unable Mother at David’s Launch back in June and had heard some of the poems from the collection at other events. But this evening I was buying my own copy.

Hearing some of the poems for a second or third time works for me, because like a good film you notice something else. Something new. When I read poetry books it is not unusual for me to read a poem twice. Of course, in an extended set Helen shared more poems than I had heard and also the stories woven into the poems. How poems written for one thing take on significant and different meanings because of her experiences since.

She even shared the stories behind the magnificent cover.

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Helen Calcutt

It was a very moving set and left a few of us in tears. Helen trusted us enough to expose parts of her life on a soul level, it was painfully honest. The poems speak this honesty, this undoing of secrets, uncovering the things we don’t talk about, the experiences we hide – it all holds importance.

As Robert Peake says in his endorsement: “This work challenges our abstract and cosy notions of motherhood with a brutal and vulnerable delve into the psyche.” 

Helen’s set was brave and touching.

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An excellent evening and a wonderful book launch and a fine celebration with cake, wine and book signings afterwards.

Unable Mother Calcutt 978-1-9998444-0-0 You can buy a copy here

http://vpresspoetry.blogspot.com/p/unable-mother.html and also read a sample poem and hear Soundcloud audio of a selection of poems from the book.

“This work challenges our abstract and cosy notions of motherhood with a brutal and vulnerable delve into the psyche. Calcutt grapples, sometimes violently, sometimes with aching tenderness, each hard-won line ‘like squeezing / flesh and fruit from the bone, / this terrible love’. Yet these poems reach even further, into the rent world, and the remarkable kinds of beauty to which poetry alone can allude. This is an intimate book, the kind that comes in close to your ear to whisper dark secrets and unavoidable truths. These poems are spare, careful, insistent–and devastatingly good.” Robert Peake

“Helen Calcutt’s poems are full of surprising and intricate moments – they unfold like origami, deftly packing and unpacking themselves into new forms and presenting the reader with confidences, secrets and insight, the tender words for the things that are hard to say. In their explorations of motherhood, loss and discovery, Calcutt’s poetry is steeled with precise language, always finding clarity forged in the heart of experience.  These are intimate poems which are felt in the body, and written with a keen physicality – ‘love is meant to live on in the body’ writes Calcutt, ‘My flesh making heaven of it.’ In their makings and re-makings, each poem here reveals this to be a remarkable and potent debut.” Jane Commane

https://helencalcutt.org/

 

Stuart Bartholomew Waterstones Regional Manager is a huge supporter of Poetry (as well as co-director of Verve Poetry Festival and Verve Poetry Press) and he made sure this evening was smooth and possible, so I think he deserves some poetry thanks and praise too!

Review July 2018

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July

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Photo by Natalie on Pexels.com

 

Week 1:

July – the season of Festivals. Ledbury Poetry Festival (30th June – 8th July) kicked off with a weekend of events I had hoped to manage. Work has been exceptionally busy and I have grabbed any time I can at the weekend to just recoup a little. My Ledbury Saturday (which was also a reason I couldn’t make this year’s National Writing Conference) was much diminished.

Sunday saw the morning at Evesham Festival of Words and Polly Stretton’s final Poetry Walk Event. It was lovely that she acknowledged those of us who have managed all three of these. It was also great that I had time to stay for the extra reading which takes place in the Almonry Gardens after the walk. http://www.almonryevesham.org/

Read the full review here https://awritersfountain.wordpress.com/2018/07/30/evesham-festival-of-words/

I booked events for the Autumn and promoted several current projects. I also started firming up plans for Australia and the Perth Poetry Festival in August.

On Tuesday I went to Ledbury to the Homend Poets – who were launching the 11th anthology and a small collective of PoARTry poets promoted the Launch (11th) by reading some of our exhibited poetry. It was a great night – slightly soured by the M50 slip roads being closed for Roadworks and adding time onto my journey home. I had recorded the match (World Cup) and had to avoid using the radio and sadly, the 1.5 hour round the rigging route home meant I was met by revellers leaving the pub and rather giving the result away! I did witness an amazing sunset with the Malvern Hills which I would have missed if the roads had been open.

I managed to secure at least one musician for our Launch event. Bonus.

Much as I wanted to go to Ledbury for Pascale Petit and Tishani Doshi*  I had no energy after work for a mid-week jaunt across for an hour. *Tishani was part of the inspiration behind one poem in my debut pamphlet ‘Fragile Houses’.

I also wanted to go back the following evening to see Martin Figura –Dr Zeeman’s Catastrophe Machine. I spent a few days buckling down promoting events and organising shows and magazines from my desk in the evenings.

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The week finished with a rehearsal for our poetry show 30-40-60. Which was brilliant and made the three of us want to do this show again. None of us can quite believe it has been a year since the premiere event at Worcestershire LitFest 2017!

 

Week 2

Much as the first week of the month work kept me busy with report writing and assessments. I received an exciting invitation for November, more news on that once plans get firmed up.

My main focus was PoARTry at Ledbury. We had our launch night on Wednesday 11th July (another England World Cup game… this time slightly given away by the raucous cheers from the pub next door)!

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© Rick Sanders

It was a great event, mainly the Artists and Poets attended but some of us brought guests so there was an audience. The Exhibition itself did really well.

A more detailed review can be found here.

Thursday saw Ben Banyard Headline SpeakEasy in Worcester, a poet (from our 52 gang) who I wanted to meet and hear in person. It was a great evening in a new venue and the first time this event has been hosted outside. The garden was set for a wedding the next day and was beautiful. It was a fun night! Read more here.

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Friday saw a staff meal (nice to be invited) and then Saturday there was a workshop I wanted to attend in Walsall but after a full week of work and 3 nights out on the trot I needed a breather before Charley Barnes’ Book Launch in the evening.

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I was delighted to be a Guest Poet alongside Claire Walker, Sarah Leavesley and Holly Magill. As it fell during Droitwich Artsfest they advertised it as an Artsfest event. It was well attended and an exceptional evening. A pleasure to welcome Charley to the V. Press family. Read more about this sparkling evening here

https://awritersfountain.wordpress.com/2018/07/30/a-z-hearted-guide-to-heartache-by-charley-barnes-book-launch/

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I had the day off on Sunday – except I didn’t – I spent 6 hours sorting and editing film for our 30-40-60 performance. As well as working on a current Stanza project, sorting Issue 4 of Contour and organising paperwork for the trip to Australia.

 

Week 3 

On Monday night I spent another 5 hours in the cutting room, editing the new film for our event the next day.

On Tuesday 17th July Kathy Gee, Claire Walker and myself performed 30-40-60 in St. Andrew’s Church as part of the Artsfest. We had a small but mighty audience, it was a wonderful evening and lovely to hear people on the Open Mic and see poets visit Droitwich for the first time. Lots of people commented on the venue and of course the show.

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Read more about it here.

Also if you missed it – there is a review here. With thanks to Mad Hatter Reviews.

https://awritersfountain.wordpress.com/2018/07/31/30-40-60-performance-review/

One of the exciting things about an International Guest Poet is I get to attend plenty of workshops throughout the festival. I have had the schedule for a few months but now the programme is out was able to book into them. I am as excited about this as I am about being part of Perth Poetry Festival!

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I also had more exciting news – again under wraps for now.

Work finished – another splatter of excitement after a 3 month lock in! It was lovely working with such a great team. As everyone met in the pub to celebrate I stayed in and got an early night because my weekend was a wild one! Poetry WILD that is!

ArtsFest traditionally have a poetry day and for the past 2 years I have had the honour of organising it!

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We started at 2 PM with Poetry in the Square – my guests this year were John Mills and Liz Mills, two poets I met through 52. They put me up for the night before Stafford Festival – it was a welcome return to Stone for me – I lived there for a few years – and we have been friends ever since!

They are also brilliant poets and between us we managed the 2 hour stint in town.

Then I rushed off to Worcester to Guest Poet at Kieran Davies’ Book Launch for Legacy, published by Black Pear Press. Which was a great event, a true celebration – read more about it here.

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Then back to Park’s Cafe for Poetry Extravaganza and the first UK reading of ATOTC. It was a delightful evening of poetry.

ATOTC ME © Rhys Jones – Droitwich Arts Network

Read about it in full here https://awritersfountain.wordpress.com/2018/07/31/artsfest-2/

 

Week 4

At this point my diary suggested (because I pencilled it in – in May), taking the first 2 weeks of my summer holiday off from poetry events and prepare for Australia… to a certain extent I have missed events I would have otherwise attended, but as always there were some which slipped through that I couldn’t possibly miss.

The week started in Ledbury collecting work from the Exhibition. PoARTry was a great project and I know I will be staying in touch with my artist, Molly Bythell.

I got everything organised for my trip except money and mini-toiletries! It took a while to find cabin luggage small enough for the airline restriction and a while longer after that to choose just 1 piece! I also invested in a large but extremely lightweight suitcase… mine date back to when wheels were first introduced and the handle extends only 6 cm from the corner… they work like a supermarket trolley with a wonky wheel and have mainly been used for storage. Travelling with soft bags and backpack ever since! However, I am not backpacking and the last time I used that on Long Haul it caused a few problems, so decided to do the respectable suitcase thing!

Tuesday saw Poetry Bites at the Kitchen Garden Cafe with Jonathan Edwards and Holly Daffurn headlining. 

Thursday I was in Stratford at a workshop and Friday I went to Stanza, where there was even more exciting news.

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This weekend I received my copy of Hex – by Jennie Farley, published by IDP Indigo Dreams. Jennie was kind enough to ask me for an endorsement. It is the third book I have endorsed and it was a pleasure reading it. It is a mesmerising collection and I look forward to the official Launch in December!

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I also approached Guest Writers for this year’s INKSPILL online writing retreat and both have confirmed (exciting), so I spent a little time on this promotional film to encourage you to book it into your diaries NOW!

Find out more INKSPILL 2018.

I am now spending the rest of the month working on 3 writing projects, editing and organising myself ready for Perth!

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30-40-60 Performance Review

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As part of the Artsfest Programme this year we performed 30-40-60 for the first time since 2017.

We are delighted to have received a review of our show.

Read the full review here http://www.madhatterreviews.co.uk/performance–arts.html


30-40-60 …a three-woman poetry-show complete with multi-media elements galore. 

Moving through the complexities of womanhood and a female life at varying stages, Lewis, Walker and Gee combine their works seamlessly, borrowing from each other’s works wonderfully to breathe a new life into many of their respective poems. The vocal delivery throughout was clear and concise while the poems were shared out across the three separate voices too, allowing the collaborative feel of the show to really come through. All three performed with care and control over their work and indeed each other’s, showing just how much time, effort, and synchronisation has gone into the planning of this. 

Having read the three collections that the show is made up from, what struck me as particularly wonderful is how these poems are made new by this new-style delivery, complete with musical and visual accompaniments – thanks to Lewis’ film addition to the show. 

… empowered, well-put together, and downright inspiring, thanks to the strong feminist themes and defiant tones that come through from the off – and the authors themselves don’t ease off that pedal until the final music plays. 

A well-polished and thought-provoking collaboration…

…reminding listeners what stunning writers they all are in their own rights…

© 2018 MAD HATTER REVIEWS MHR

The Return of 30-40-60

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I was delighted when Artsfest booked our 30-40-60 Poetry Show as part of the 2018 Programme. It has been a year since Kathy Gee, Claire Walker and I performed this work… so as soon as we had news of it being accepted we organised a rehearsal.

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The rehearsal was great fun, the run-through was barely problematic and we found the right cables for all the equipment.

Unfortunately, due a Windows 10 update I lost some of the original files and with one glitch on the film (it is a media show/performance), I had no choice but to start the process of film-making over again. This was a lesson in backing up files but actually, as some of our audience had seen the 2017 performance at Worcestershire LitFest, I was happy we had new media to entertain them, with deeper connectivity to the script.

It took a whole day, but it is backed up!

Kathy worked hard on producing new programmes and Claire took over the social media drive and promotion.

Fast forward into the following week and we all met excitedly in St. Andrew’s Church, Droitwich to set up the media, lights and sound for our show, with help from Rhys Jones.

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With the stage set and an introduction from Rhys Jones, we kicked off with open mic sets from: Janet King, Nigel Hutchinson, Ian Glass and Charley Barnes and then performed the show.

Photographs © Rhys Jones Droitwich Arts Network

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It was a great evening and an appreciative audience.

I approached Kathy and Claire with the idea in late spring 2017, I had the idea before Fragile Houses was published. We worked on the show for several months. It was quick and easy to compile as our work complimented the themes and was easy (ish) to structure, the time consuming side was rehearsals and technical work.

We hope to do more with this show next year. If you are interested please let us know.

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We received great feedback again this year and even bagged a review!

http://www.madhatterreviews.co.uk/performance–arts.html

 

http://vpresspoetry.blogspot.com/p/bookshop.html

A Z-hearted Guide to Heartache by Charley Barnes – Book Launch

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Sometimes in the writing world you have to keep secrets, occasionally even official embargo’s are placed on you. I knew Charley Barnes was joining V. Press and I was delighted (but wasn’t allowed to announce my joy)!

So when Charley asked me to be one of her Guest Poets I felt doubly honoured. During the evening Claire Walker and I discovered just how influential we had been supporting Charley’s dive into the publication of poetry. It is wonderful when you realise the impact you have made on someone’s writing goals. I am in debt to those who have helped me realise mine and know how it feels. There were nearly tears!

So let’s backtrack a little. Charley has just published her debut collection with V. Press ‘A Z-hearted Guide to Heartache’ and it is a fabulous pamphlet, full of life, love, difficulties and lessons.

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It was released on the 11th July and the Book Launch took place on the 14th. Charley’s Guest Poets were myself, Holly Magill, Claire Walker and Sarah Leavesley.

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It was a fantastic celebration of life and poetry and all took place (as many V. Press launches do), at the wonderful Park’s Cafe in Droitwich. It was made extra special by falling into the Artsfest and being advertised as part of the Festival programme.

Which also meant Rhys Jones (Droitwich Arts Network) was in attendance with his camera to capture some spectacular moments throughout the evening.

All photographs © Rhys Jones Droitwich Arts Network, unless otherwise stated.

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After an introduction which nearly made me blub I was the first Guest Reader. I had compiled a set which was my own A Z-hearted Guide through heartache and hoped that Charley enjoyed it. I did think (afterwards) that I should have done some of her favourite poems of mine. Hindsight…

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My set included a brand new poem and some I had not performed before.

Next was Holly Magill who treated us to a set from her own debut pamphlet, The Becoming of Lady Flambé’, published by IDP Indigo Dreams. Another strong collection of Poetry.

the becoming holly magill More information here. The book was published in June and Holly’s official launch happens later this summer.

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Then Charley treated us to poems from her NEW book!

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Before an interval of book sales and signing! Although I had plenty of opportunities to buy the pamphlet, I made myself wait until the launch. It is a bit like waiting for Christmas and is something I tend to force myself to do whenever possible!

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You can buy a copy for yourselves here and can also read a sample poem from the collection.

“The poems in A Z-hearted Guide to Heartache will make you re-think your relationship with pizza, garlic bread and your mobile phone. These sharp, sad and wry observations – on the reality of living with mental illness and disability, the heartbreak of the everyday, and perseverance despite everything – capture what it is to be twenty-something, in love, and healing through food. This is an exciting debut pamphlet from a new and honest voice.” Jenna Clake

“In her debut pamphlet, Charley Barnes examines the reality of heartbreak and its different forms, highlighting how aspects of modern society can play – often brutally – on our insecurities: the wish to be prettier, more popular, more lovable. These poems deftly explore the bitter, lasting sting of loss and how it shapes us. Yet there is also the tenderness of possibility at play – a sweetness to offset the sharpness encountered by a young woman trying to navigate her way; a knowing, self-deprecating humour that shines through, even in dark experiences. There is a wisdom of the importance of nurturing here, accompanied by the will that, whatever happens, ‘you have to keep going, don’t you?’ (‘The lie my mum told me’).” Claire Walker

Then came the second half of the evening with Guest Poet, Claire Walker. I always enjoy listening to Claire’s work and those hindsight fairies made it to her door, as she delivered a set including some of Charley’s favourite poems.

Additional treasure came from her recount of the love her girls have for Charley… or Charley Barnes as they call her.

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It all starts with an acorn‘, a poem in Charley’s pamphlet will reveal a little more to you.

Sarah Leavesley a prolific poet in her own right and editor/publisher at V. Press was the final Guest Poet. It was good to hear some poems from her latest collection again, having recently enjoyed her own launch of How to Grow Matches – published by Against the Grain Poetry Press.

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This collection was shortlisted for the  International Rubery Book Award 2018.

The evening concluded with another wonderful set from Charley, who had mainly shared her more lighthearted work in the first half and waited for the end to take our breath away with the more serious poems in her book.

A true gift of an evening. Thoroughly enjoyed by us all, as captured here in this group shot!

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© Harriet Barnes – whose direction made this photo what it is.

A fantastic night – five poets on a high for sometime after the Launch!

In Conversation – BMI Poetry Project

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Last night I had the pleasure of a reading in Birmingham at the Birmingham & Midland Institute, a booking which was taken last year.

We were competing with an event at Waterstones (Cinnamon Press Showcase which was postponed from earlier in the year and an event I would have attended myself), final assignment deadlines for Birmingham Universities and the sunshine which made an appearance around 4 PM and again at 8 and probably had most people running for their gardens!

Still we had a good time and it was great meeting new poetry lovers. I was surprised and delighted by the support of Roy McFarlane who is the current Poet in Residence at BMI and fast approaching the launch of his next collection (Nine Arches Press).

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I was a little nervous, I have 3 Guest Speaker events under my belt and a string of radio interviews but had never had a live Q&A in front of a theatre audience and I am always mindful of what people probably want to hear and the art of gentle disclosure.

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Photo credits Paul Stringer (Room 204) and PhotoGiraffe

Talking to people during the interval, the insights that came up were from points where I relaxed and answered honestly hiding behind the 4th wall (forgetting we were being watched). It was fun talking about writing and all things poetry.

The event was held in the John Lee theatre, acoustics were great. I had woken up without a voice and used it all day at work.

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I enjoyed the reading – the first half was Fragile Houses and the second part a mixture of poems from the book and some newer material. Again, lots of positive feedback and although the audience was not as large as hoped my work has found new ears.

The evening finished with an Open Mic and this was a chance for new performers. The poetry was good, some of it deeply moving and we even managed to convince Roy to treat us to a poem.

The sun was just setting as we made our way back to New Street (now Grand Central).

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Fragile Houses is now housed in the Library at BMI.

Huge thanks to Jo, who stepped into Serena Trowbridge’s shoes, I wish Serena a speedy recovery and look forward to more events the BMI has to offer.

Images © 2017 Birmingham & Midland Institute https://bmi.org.uk/

 

 

 

Against the Pull of Time Book Launch

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20th April

Back in April I had the pleasure of attending a book launch in my local Library, Against the Pull of Time is the latest pamphlet by Jenna Plewes, published by V. Press. It was a lovely way to spend a sunny Friday evening.

jenna pull

The poems in this book were written on retreat on the island of Iona. Although some people in the audience had been there it is not a place I know. Or at least it wasn’t. By the end of the Launch, I felt I knew the geography of Iona and the feeling of the island well.

Jenna’s poems are brimming with a sense of place and left many of us longing to go and explore Iona for ourselves.

During the Q&A following the reading, it was interesting to hear what people thought and to listen to how different poems touched us. This demonstrates the eclectic coverage Jenna’s poems have.

Some people arrived part way through so we were lucky enough to hear some poems twice and listen to some Jenna had not planned to read at the launch.

A relaxed event. If the sun hadn’t been glowing, Jenna’s words alone would have filled the evening with warmth.

Jenna Plewes

Find a sample poem and buy a copy here.

“Against the Pull of Time is a spiritual and physical journey. On the island of Iona Jenna Plewes travels far into herself to come to terms with loss, ageing and mortality. The outer landscape is wonderfully realized. Sea, shore, shells, birds and buildings play a central role in her inner exploration. The immediacy of the pared writing in this sequence, its telling details and the sharing of a deeply-felt experience, draw the reader into Plewes’ journey.” Myra Schneider

“In tender, beautiful and unsentimental language Jenna Plewes takes us on a journey, walking barefoot on wet sand, sitting in a ruined nunnery, musing on the shoreline ‘handcuffed to the sea’. it is a long time since I have read a collection that moved me so. One line somehow says it all: ‘so many things are precious in the leaving and the letting go’. This is a collection I want to read over and over – also rare these days.” Roselle Angwin

Against the Pull of Time is very very deep-rooted and seamlessly woven.

© 2018 V. Press

 

 

The Birmingham & Midland Institute Poetry Event

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THURSDAY 10 MAY – IN-CONVERSATION AND POETRY READING WITH NINA LEWIS

The BMI is proudly welcoming Worcestershire Poet Laureate Nina Lewis to discuss her work. Join Nina for an in-conversation about her life through poetry and listen as she shares poems from her pamphlet Fragile Houses (V. Press, 2016) along with some of her new work.

This will be followed by an Open Mic session – spaces are limited and poets will be invited to read their work for no more than 6 minutes. Please contact Serena Trowbridge at serena.trowbridge[at]bcu.ac.uk to reserve your slot to read!

© 2018 Birmingham & Midland Institute

https://bmi.org.uk/product/conversation-poetry-reading-nina-lewis/