Category Archives: Review

Sculpture Workshop Reading

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I have a whole page in my TO DO List book of missing Blog posts from April – June. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks. We have now reached May!

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Photo by Aris Ioakimidis on Pexels.com

This event started with a workshop back in September at the Jinney Ring, celebrating the annual Sculpture Trail. I am running a new Sculpture Trail workshop this year in September, drop me a line if you are interested in making an advanced booking.

For information – worcspl@gmail[dot]com

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Following the workshop the project went twofold – an exhibition of our poetry which has been on display at The Jinney Ring since April and a Reading.

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It took a while to find a venue in the village, but in the end it was perfect and the Church even had a Book Sale! Plus it was an extremely warm Bank Holiday and a stone building is the perfect air con and a new opportunity has arisen for some Autumn/Spring workshops based in St. Mary’s.

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© 2018 Martin Aspley-Davis

We are a vibrant church set upon a hilltop in the village of Hanbury in Worcestershire. We, at the Parish Church of St Mary the Virgin, attract people of all ages and outlooks to services that range from the contemporary to the traditional, from the informal to the formal and we would love to meet you. © 2018 https://www.hanburychurch.org/

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On arrival the path from the gates had been chalked, the church steps were chalked and there was a billboard advertising the event.

Just as I hoped, this brought people in for a few poems, we also had an audience who enjoyed the full almost hour of poetry about the Jinney Ring Sculptures.

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The workshop poets all thoroughly enjoyed hearing each other’s take on the Artwork and it brought back many memories of the trail. It is always interesting to hear other people’s poems when there is a shared source. The Mermaid sculpture featured in a fair few poems and not one of them the same.

It was unfortunate that not every poet was able to be there, however other Workshop Poets kindly read poems from the missing participants.

Maggie Doyle, Margaret Adkins, Polly Stretton & Nigel Hutchinson.

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            Jenna Plewes & Serena Trowbridge

The acoustics in the Church were great and the poetry was quality. It was a wonderful celebration of work, we read poems by Claire Walker, Roz Levens, Cass Osborn, Anne Milton and Linda Williams too.

To make more of a day of it we went back to where it all started and enjoyed tea and cake in the sunshine at The Jinney Ring.

My gratitude to Judith Burman, the Church Warden for advertising and helping organise this event and to the Rev. David Morris for allowing poets to use the Church in the first place. We all had a wonderful time and it was a great success.

What was also special is a number of people had never had the pleasure of exploring/discovering the Church before and I know they too will now probably take a walk through the woods up to the Church (as we did when we were children). I look forward to working with words inside the Church later in the year.

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Flashback April: Bohemian Voices

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I have a whole page in my TO DO List book of missing Blog posts from April – June. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

antique aperture blur camera

Photo by Aris Ioakimidis on Pexels.com

Following Cheltenham Poetry Festival, the next night I was part of Steve Soden’s Bohemian Voices event at the Jinney Ring, Hanbury.

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Steve used to run these events in London and back in November he premiered the evening at the Jinney Ring to a sell out crowd. Music, Comedy and Poetry all in one night.

It was a fabulous evening and a joy to be part of. Another event I wish I had the time to blog about in the moment – because afterwards I felt euphoric!

Tickets for evening included 6 acts, canapes, 2 courses and a welcome drink and I was surprised and delighted when my mum and Aunty showed up! It was sold out and the restaurant was buzzing on the other side of the wall to where we were busy setting up.

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7 – 8PM

It was exciting meeting the other acts and it was special sitting with the other artists, tucked away in the restaurant for the courses. After a brief sound check, whilst canapes were being enjoyed by guests. The evening started… with FOOD! Which was fantastic – the food was fantastic – but also being able to eat, so often with evening gigs you travel during teatime, arrive hungry with little choice of food (if any), leave hungry, arrive home and eat at about midnight.

The menu choices made it really hard to decide on what to have and as we were performing we were allowed to order early, before I had a chance to swipe a look at other diner’s plates!

 

 

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8 – 8:45 PM

The first course ‘The Main Event‘, was followed by 45 mins of entertainment from the first 3 artists on the bill. I think performing on a full stomach is hard and that is exactly what I had to do as I was up first!

Steve fortunately performed a poem and made introductions, but essentially I had the slot no performer jumps at. On the other hand, I was able to enjoy the rest of the show and Steve does know what he is doing with a running order.

Nervous butterflies and Burritos – a curious mix. My set was mainly from Fragile Houses and it went down well.

Then there was music from Danielle Cawdell, which was simply magical.

 

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Comedy from Masai Graham, who won the crowd over and had us all chuckling.

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Then an interval with tea and coffee. ‘The Final Curtain‘ brought us more culinary delights, this time in the form of bite size desserts, which I enjoyed sharing with the talented musicians. I remember a small pink one tasting of heaven. It was great to have an hour for the 2nd course and it gave me time to catch up with my mum and Aunty too.

The Jinney Ring understand that this experience is food with entertainment and want their diners to experience a laid back evening with plenty of time to eat, drink and be merry.

WP_20180427_003 There was even time to read the poetry exhibition from my Sculpture Trail Poetry Workshop too.

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I could have happily stayed in the restaurant for hours chatting to fellow artists but after a much needed coffee (to balance the sugar rush), we were all ushered back into the performance area for the 2nd half.

9:45 – 10:30 PM

The 2nd half started with poetry from Steve Soden, who was also the slick, professional and reassuring host of the evening, followed by Matt Windle (Birmingham’s Current Poet Laureate) his set, as always was phenomenal.

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The evening closed with a cowboy, Rob Brunt – whose set was spellbinding. It took me back to memories of travel and was thoroughly enjoyable.

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It was great catching up with Matt and meeting the other performers. I had a really lovely evening, I enjoyed it equally to Cheltenham Poetry Festival (and I loved that)!

It is rare I survive/manage back to back bookings anymore and to have these two great events booked in my diary in April was a real high way of ending a busy month! It was a late night, but one filled with pleasure from start to finish.

I am grateful to Steve for the booking and would recommend you look out for another Bohemian Voices soon. You are in for a treat!

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RELATED LINKS:

https://bromsgrovestandard.co.uk/news/night-of-music-and-poetry-at-the-jinney-ring-craft-centre-in-hanbury/

https://droitwichstandard.co.uk/lifestyle/bohemian-voices-event-heading-to-hanbury-5981/

 

A Night of Light

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© 2018 @waynefoxphotography

I had the pleasure of attending a Book Launch on Thursday night. It had been an exceptionally long and somewhat emotional day at work and then I had to dash off for more work before heading across to the suburbs to catch a train into the city. My train was delayed with a 15 minute wait in between stations, déjà vu to my last post-Book Launch ride home, which took the best part of an hour (three times the journey). I managed to arrive just in time, but not looking too fresh after all my whizzing around!

I am so glad I made it though as it was a most special evening. Part of me knew it would be because – it was David Calcutt’s Launch.

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© 2018 @waynefoxphotography

I know that some of the poems in this new collection The last of the light is not the last of the light, published by Fair Acre Press, are going to be a hard read, tissues on stand by and I was worried that I may fall apart during the launch but the set David chose suited us celebrating his poetry perfectly.

There was music from Glen Buglass, poetry from Nadia Kingsley, Roz Goddard, Helen Calcutt and even a Harmonica, cakes, Prosecco and BOOKS.

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© 2018 @waynefoxphotography

We were in the Art Room, which is where I had my own Book Launch back in 2016. The evening was hosted by Jonathan Davidson and the room was full of poets, friends and family. With the talented work of photographer Wayne Fox, whose images will hopefully capture something of the experience for you. Thank you to Wayne for allowing me to use his work in this review.

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© 2018 @waynefoxphotography

Despite knowing I would write a review, I really felt that not taking notes was important. I wanted to be 100% present. The evening began with music from Glen Buglass , it ended with music and in between we were treated to some fine poetry.

Nadia Kingsley was the first poet to take a spot, as Editor of Fair Acre Press this was a fitting start. Nadia and David have a working relationship that stretches back years. I loved Nadia telling us that the initial seed for their collaborative work started through a conversation they had a poetry festival whilst waiting in a queue to buy books! I saw them perform together in Kidderminster and bought both books Roadkill and Through the Woods. Nadia writes a lot about Nature, and treated us to a set of superb poems and spoke about David and the opportunity and pleasure of publishing this collection.

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Helen Calcutt read poems from her forthcoming V. Press collection ‘Unable Mother’ which launches in September. She told us she was honoured to be one of the Guest Poets and had not expected it. Her set took us through womanhood, motherhood, nature and loss.

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© 2018 @waynefoxphotography

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Following on was Roz Goddard who read some poems from her Flarestack Pamphlet ‘Spill’ and others. She lifted me with her poem about the joy of Buddhism. Another beautiful set.

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© 2018 @waynefoxphotography

 

Then we had an interval of books, cake and Prosecco. I had planned to mingle like mad, but with so many people in the room I wanted to talk to, this was impossible. I barely made it from my seat, I managed to catch up with five people – although hugging with Prosecco & cake hands is a fine art!

Sadly, I missed a chat with Helen (who flew off to teach Dance) and wasn’t there at the end when I managed my mingle.

The room was a hive of activity and it took professional shepherding to get us all back to our seats.

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Before Jonathan introduced David, there was more music.

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© 2018 @waynefoxphotography

David shared just six poems, although true to his impromptu style changed his mind on at least one, I wasn’t counting – he may have added or substituted. Whatever he did, it was magical to hear. I think most people bought the collection so we will be able to read it for ourselves, it is always memorable to hear the poet read their own words.

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I was grateful that the light was very much present throughout the evening and in David’s set. And to finish the night- we were treated to a musical duet. I don’t think I have ever heard the musician David Calcutt and it was a treat. I was certainly transported to Mississippi, lost on dreams of travel I thoroughly enjoyed this highlight.

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© 2018 @waynefoxphotography

It was great to catch up with friends and Birmingham, to find pockets of time to catch up with Stuart Bartholomew and to buy the book. I had a good mingle after the event and managed to catch up with most people.

 

A thoroughly enjoyable Book Launch with a relaxed atmosphere. A perfect evening.

calcutt  If you click the cover you can buy a copy for yourself.

“This is a collection full of grace, at once deeply authentic and heart-felt, a set of beautiful lyrical poems.”

 

RELATED LINKS:

https://www.waynefoxphotography.com/

Flashback April: Cheltenham Poetry Festival

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I have a whole page in my TO DO List book of missing Blog posts from April – June. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Back in April, I performed at Cheltenham Poetry Festival. I was asked to do Cheltenham PF in 2016 but I was too shy about the ‘how to’ and waited on emails, leaving it too late to secure the booking for the 2017 Festival. So I had the pleasure of being in the 2018 Programme instead. Booked way in advance (as these things are), I was gutted when an email from Jill Abram popped up in the inbox asking me to be part of the V.Press Stablemates in London, and of all the dates – YES, you guessed it – 26th April when I was already booked for Cheltenham. Clashes. They will be the undoing of me!

Still, I was very excited to be part of CPF and very much looked forward to it for months.

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I arrived at Smokey Joe’s in time to see the INDIGO DREAMS SHOWCASE and get a pre-launch preview of Anna’s new collection (her 5th) ‘Ghosting for Beginners’.

INDIGO DREAMS SHOWCASE 7-8.30 pm, Smokey Joe’s,

CPF IDP
Indigo Dreams is an award-winning publisher renowned for its beautifully produced
collections of contemporary poetry by both new and established writers. The press was
voted Most Innovative Publisher 2017 at the annual Saboteur Awards. Join us for a
feast of verse as four authors from the press read from their brand-new publications.
Chris Hardy (‘Chris consistently hits the right note’ – Roger McGough), poet, musician
and member of Little Machine, reads from Sunshine At The End Of The World. Chrys
Salt (‘a wonderful and unique poet’ – Bernard Kops), reads from The Punkawallah’s Rope.
Festival Founder and Director Anna Saunders (‘a poet who can surely do anything’ – The
North) reads from Ghosting for Beginners. The showcase also includes a reading by one of the joint winners of the Indigo Dreams 2017 Pamphlet Competition. Amy Kinsman
is a multi-published poet and playwright from Manchester. © Cheltenham Poetry Festival Programme

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It was a cracking event, a packed out venue and a great IDP line-up. I was looking forward to discovering new to me poets and hearing from poets I have only had contact with via social media.

WP_20180426_003 The poets were introduced by Jennie Farley (another IDP poet) and I was held captive by stories in poems for the next hour.

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NINA LEWIS – FRAGILE HOUSES
PLUS PETER MCDADE, GUESTS AND OPEN MIC
9-10.30 pm, Smokey Joe’s
‘In our family, minds go missing’. Nina Lewis writes, in one of a series of moving and
poignant poems about family life from Fragile Houses (V. Press), a pamphlet commended
for its ‘tremendous warmth and descriptive power’. In this highly praised volume Nina
Lewis explores the people, places and memories carried through life and deftly
examines the human condition through the lens of family relationships.

Nina is joined by Peter McDade – expect deliciously surreal, and thought- provoking poetry from this talented and erudite poet who has drawn comparisons with Ivor Cutler. This event also includes an open mic. Come and share your poems on the subject of home.

© Cheltenham Poetry Festival Programme

 

I was incredibly nervous, but had worked on a perfect story arc set and despite a mass exodus to the bar in between events, people came back. I thoroughly enjoyed getting Fragile Houses to new ears and it was a pleasure to be back in the venue reading. There were a few last minute additions to the night, poetry from another IDP poet- Ben Ray, who joined Peter & I with a set of poetry before the open mic.

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© Sarah Snell-Pym

It was a wonderful evening of poetry and afterwards, on a complete high I joined Neil Richards (who performed in the first event of the evening, which I was sadly stuck in traffic for) and Ruth Williams in a pub where we were joined by Elvis!

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© Ruth Williams

Review June 2018

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June this year was definitely a month of transition.

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It saw my final 10 Days as Worcestershire Poet Laureate, the end of 4 years working for Writing West Midlands as a Lead/Assistant Writer for their Spark Young Writers Group in Worcester and although I am not saddened by this particular transition– I have just 3 weeks left in full time employment (which is funding my trip to Australia in the summer).

Week 1: 

I intentionally missed every poetry event this week to conserve energy for the WLF – Worcestershire LitFest & Fringe – the emotional onslaught of watching another poet taking up the mantle of Laureate and the amount of work. work I have to balance meant that there was no time or energy left to support anything else.

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I was desk busy: creating 10 Days – a sequence of films charting my final 10 Days as WPL -reflecting back over the year. These were fun to make but time consuming. Especially after uploading I would spot an incorrect frame and have to go back to the virtual cutting room floor!

Editing the final WPL Anthology Collection of Science/Maths based poems, wrapping up the Twin Town project between Voiron & Droitwich and reading submissions for the final WPL Contour (although perhaps not the final Contour).

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My WPL Twin Town project between Droitwich and Voiron went live on June 7th.

This features 9 poets from England and France exchanging poems on the town and writing responses using something in the original town poem which sparked inspiration.

The collection is bi-lingual and poetry appears in English, French & Portuguese. There is a Food Festival in Droitwich this month and I am hoping to meet Madeleine Silvestri from Voiron Twinning Association, who found the Poet Alain Graz who helped me find our French town poets.

european TT The Anthology can be read here Twin Town.

My poetry films can be found here 10 Days

 

Week 2:

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On Saturday I joined a collective of Stanza Poets in the Forest of Dean for a Heritage Poetry Project organised by Andy Hoaen. After his involvement in survey/heritage work ‘Veteran Tree History Project Speech House Survey’ he decided he wanted to create something. His vision:

I would like to see this as an opportunity for an encounter between two different ways of seeing the world, archaeology with its rigorous approach routed in scientific “objective” description of place and space, and poets with their ability to succinctly capture the essence of things and provide an imaginative subjective view on the world.

It was an interesting and fruitful day for photography and notes and now we all hope to create some tree poetry and more. There may be an exhibition or pamphlet. It was also a great day out and lovely to see some poets who are sadly missed at Stanza meetings.

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I wanted the Science/Maths Anthology (my final WPL Anthology) to go live before the Festival Launch and as I was (I just deleted ‘am’) the 7th Poet Laureate I scheduled the arrival for 7:07 AM!

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You can read the collection here.

Then it was onto the opening of Worcestershire LitFestival & Fringe.

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It was a great Launch – one of the best, although the judging panel missed the Young Writers Competition reading and the Flash Fiction winners as we were interviewing and preparing to judge the WPL competition. My fellow judges were Polly Stretton (former WLF Director), Stephen Wilson (Arts, County) & Rachel Evans (Worcestershire Young Poet Laureate).

The finalists were Peter Sutton, Betti Moretti & Sarah Leavesley and it was a close competition. It was a pleasure to hear them perform poetry  that we judged anonymously just a few weeks ago. Any one of them would have been a worthy winner and done Worcestershire proud. There can only be one winner though and this year it was Betti Moretti.

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Before the winner was announced I performed the poems which won me the Laureateship: Lit Up & Tasseomancy.

 

I couldn’t believe the length of appreciative applause at the end. It was a joyous moment.

 

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I had previously joked (since about March when you have to start promoting the competition) that I was going to be the 1st WPL who refused to step down. It was Betti’s idea (for the record) but we had a little tug ‘o’ war over the award.

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It wasn’t as hard as I thought it would have been to congratulate the new WPL and hand it all over. Some relief even, perhaps.

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© Catherine Crosswell

Coffee and cake wouldn’t have fuelled another year at acceleration and it isn’t as if I am not busy.

It was a delight to be part of the event (although if I could, I would have got out of judging), part of the remit – I knew it was coming. Thought it was nice how we were up on the balcony rather than beside the stage as in previous years. This was possibly easier for the finalists. Although there is nothing easy about being a finalist. It is a hard, emotional competition.

A full review of the Launch and announcement of the New WPL here Launch of WLF 2018

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Worcestershire LitFest & Fringe dominated the week, the festival ran from 10th-16th June and was as fantastic as ever. I had to get used to not posting everything on https://worcestershirepoetlaureateninalewis.wordpress.com/ but at least the waters of the fountain are well and truly active and in full spring again!

You can read write ups of the events I was involved in:

Tuesday 12th – Night at the Museum IV – a wonderful night organised by Worcestershire Poet Laureate (2016-17), Suz Winspear – featuring Young Worcestershire Poet Laureate Rachel Evans, Former YPL Chloe Clarke, Nina Lewis Worcestershire Poet Laureate (2017-18) and the NEW Worcestershire Poet Laureate Betti Moretti in the first half and Suz Winspear in the 2nd half with her poems from the Archives to celebrate the end of her 2 year Residency at Royal Worcester. It was a marvellous evening.

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Wednesday 13th 42 Festival Special – A wonderful evening that saw the Antipoet back in Worcester, with their new book – C:/Users/HP/Documents/Writing Projects/Black Pear/Does My Bass/D published by Black Pear Press.

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© Donna Ray

In the second half a plethora of 42 regulars took to the stage for a themed night ‘The Bewitched Worcestershire Inn’.

Thursday 14th June SpeakEasy Special at Worcester Arts Workshop. Headlined by the amazing Dub Thieves, it was also Betti Moretti’s official WPL hand-over with her newly engraved WPL award. A superb night of performances and some who were new to SpeakEasy too.

 

Week 3:

Festival By The River – LitFest Take Over.

An exciting opportunity arose in the Spring to be part of the festival happening at the Weorgoran Pavilion on South Quay, Worcester. The events for the 10 day festival have been programmed by Cat Roberts. The Festival launched on Friday 15th

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and on the 16th Peter Sutton and I took to the stage and what a sparkly, wondrous stage it is!

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I spent a while creating a water based set and wrote some long awaited poems from our Canal trip (Poet’s Day Out) 2017. I had great fun compiling the half hour set.

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It was a brilliant end to my week.

I spent some time over the weekend planning the next couple of events and promoting ATOTC, 30-40-60, ARTSFEST and PoARTry. I also had a rare day off from poetry.

 

Week 3:

Started with an evening organising the Launch/ Reading Event for PoARTry Ledbury with Leena Batchelor. We already have 12 people interested in reading at the event. The next stage is to confirm dates and then we can get on with creating the schedule and marketing the event.

POARTry Ledbury coming soon

 

I finally managed time to create answers for the remaining four questions sent to me to market the Perth Poetry Festival and I started working on an interview for a new article. More on that news soon.

I promoted 30-40-60 which is soon to be rehearsed and performed again (July).

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I promoted the UK/USA readings for ATOTC which I am very excited by.

 

Ludlow Fringe Festival

logo ludlow fringe Dirty Laundry Launch with Deb Alma & Guest Poets.

I was one of Deb’s Guest Poets at this Launch along with Angela Topping, Roz Munro Derry, Holly Magill & Ruth Stacey. It was a fantastic evening and lovely to share a meal in The Blue Boar first and have a good catch up.

A full review can be found here.

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During the week I worked on interviews and poetry, organised my final WWM session and promoted Festival events.

I attended a Room 204 Workshop in Birmingham at Evolve (which back in the day was the Adam & Eve and venue for Sunday Xpress). Creative Writing to Promote Wellbeing workshop by Emma Marks & Sandra Griffiths of The Red Earth Collective CIC, was a half day event on Creative Writing in the Mental Health Setting.

A half day course for writers who want to develop or improve creative writing workshops for people with a lived experience of mental health problems. The workshop will be an experimental and engaging reflection on ideas and issues associated with running creative writing workshops within a mental health setting. © Red Earth

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It was an intense and useful workshop with plenty of participation. I have more ideas now than ever and a good network of support for future ventures in this direction.

Having missed 1.5 days of work to attend Festivals & training I hit the ground running and had a backlog of assessment marking which came home with me and sadly meant I missed Rob Francis at Dear Listener, the fault of my work schedule. test marking and the lack of time to reach the city. No guilt here – only frustration!

This is the weekend I missed 2 events I was supposed to attend and had a clash of two events too. This always makes me feel low. I wish I could clone myself and attend everything!

On Friday night I had hoped to make it to Birmingham Waterstones for the Verve Poetry Press Book Launch of Leon Priestnall and Nafeesa Hamid’s Debut collections.

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Sadly I missed it, you can read about it and find out more about these new collections here When You Miss Something BIG!

 

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BUY A COPY Leon Priestnall is something quite rare on the Spoken Word circuit – a romantic, a lost soul, with so few of the right answers and so many of the wrong ones. His poems are full of questions, not solutions, or even a step further back from that – are asking the question of what questions to ask. © Verve Poetry Press

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BUY A COPY Besharam – Nafeesa Hamid’s glorious debut collection – asks this and many other questions. When does a girl become a woman? When does her world allow her to become a woman? And what kind of woman should she be? The answers aren’t readily forthcoming. © Verve Poetry Press

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There was also a welcome return of Confab Cabaret in Malvern and they had Elvis McGonagall Headlining and I had a chance to get to Stratford Poetry Festival to see Tony Harrison. Of course neither of these events were possible as I was already committed to the Book Launch. Exhaustion is a hard thing to forgive.

Week 4:

On Saturday I headed to The Hive for my last Spark Young Writer group. It has been a pleasure to work for WWM for the past 4 years, 3 of those as a Lead Writer and I shall miss this part of my writing life a lot!

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Afterwards I planned to go to Stratford Poetry Festival to The Black Box event, which was part of a schools/education project I worked on this Spring. My eldest nephew also had a very important birthday – plans for Sunday were rearranged to Saturday and I was already late as they started whilst I was still in my WWM session. I decided I couldn’t miss his momentous occasion and so instead bailed on watching the children perform at the festival. If there is one thing guaranteed to make you feel more guilty than exhaustion it is letting children down!

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Saturday also saw a 10th Birthday Summer Party for Nine Arches Press, having attended their celebrations before for a few years, I was gutted when I discovered this clashed with WWM and my nephew’s birthday party!

I knew I was never able to go – this did not stop me wanting to be there. Again, I have heard wonderful reviews. Sharing photos that have been shared on social media.

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#TenforNine: Nine Arches Press celebrates ten years of publishing

Join us to celebrate ten years of publishing with a series of birthday events on Saturday 23rd June at the Royal Birmingham Conservatoire.

Saturday 23rd June at the Royal Birmingham Conservatoire

© Nine Arches Press will publish new work by ten poets in 2018.

(Top: l-r Aviva Dautch, Romalyn Ante, Sarala Estruch, Robert Peake, Josephine Corcoran. Bottom: l-r Riche McCaffery, Deborah Alma, Roy McFarlane, Suzannah Evans, Isobel Dixon)

There will be something for everyone:‘The Big Read In’ is a chance for readers’ groups to hear TS Eliot Prize shortlisted poet Jacqueline Saphra (All My Mad Mothers) discussing her work, followed by an exclusive writing workshop with former Canal Laureate Jo Bell as well as the launch of Josephine Corcoran’s debut collection, What Are You After? The evening will see a ‘Birthday Mixtape’ event in the conservatoire’s jazz club, co-hosted by Nine Arches Driector and Editor Jane Commane and Rishi Dastidar (Ticker-Tape) featuring favourite readings from a range of Nine Arches Press poets. © Nine Arches Press

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I missed the WLF Poetry Picnic in Cripplegate Park as I had to finish marking before I could journey to Cheltenham for Anna Saunders Book Launch. I also had an opticians appointment earlier in the week and needed to take Mr. G. into town to help me decide which frames to buy. I was walking around with 9 pairs at one point!

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Anna’s Book Launch at The Retreat Wine Bar was amazing, a pure night of celebration. Her guests were David Clarke and Jonny Fluffypunk and there was an open mic section with Ghost themed poems to start proceedings. It was packed and the open mic list read like ‘Beautiful South Lyrics’.

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Full review COMING SOON.

The main focus this week was the PoARTry Ledbury project, my own writing and Book Launches, more family birthdays and Poetry Festivals. I attempted to keep my schedule free of evening events as this is the busiest time at work with lots of deadlines to meet by the beginning of July and in the current heatwave all I really want to do is feast on ice lollies and sleep!

 

The date was finally set for the PoARTry event, we decided it then spent a week trying to match schedules before finding an AGM clash with the date and reverting back to the original one, which sadly means Rick Sanders won’t be there.

We have had about half the collective sign up to say they are coming so it looks to be a great evening shaping up. Leena and I now have our work cut out developing a running order/ details of the evening. I am looking forward to it and getting extremely excited about seeing my artist’s work in the flesh. Molly Bythell was my extremely talented partner on this project and our collaboration has been bountiful. I am only framing 2-3 poems but have written close to 20!

Ledbury PoARTry SHARE

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On Thursday evening I made my way into Birmingham to David Calcutt’s Book Launch at Waterstones, which was in the Art Room, where I had my own Launch back in 2016. It was great to catch up with people and was a lovely evening. Full review here.

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Ledbury Poetry Festival is also underway, I am hoping to get across there at some point. I am definitely there on Tuesday 3rd July.

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All in all, an incredible month of ‘not being —— anymore’, getting used to just being again.

WLF 2018 SpeakEasy Special

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So the world goes World Cup Mad but here we are, all about the Poetry!

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So the amazing monthly Poetry night SpeakEasy (usually held on the 2nd Thursday of the month) does a Festival Special. It was held at Worcester Arts Workshop and I only knew of one cellar area – like the Cavern and wondered how they were ever going to fit the band in… well, I needn’t have worried because there was another area (now the theatre part makes sense). The stage was fully kitted out ready for the Dub Thieves in the 2nd half and a Poet’s mic was placed on the step, central to the stage – preventing us from impromptu sessions on the instruments. (As if Poets misbehave!)

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The first half of the night was book-ended in the traditional way of outgoing Laureate (who could that be?) and new Poet Laureate with a plethora of performers in between including some prose and a former Poet Laureate too. A truly, special evening hosted by the marvellous Charley Barnes (one of the LitFest Directors).

There will be more photos to follow, but here is a taster.

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I kicked off the evening with a 10 minute set, I included a poem I wrote for Credo, as it has been a year since Grenfell and although a Festival Special may not appear to the right place for such a poem, I spent my journey listening to the news of the silent walks and ceremonies being held for the first anniversary in memory of the 72 who lost their lives. I also included some new writing, poems I have written over the past few months and finished a fairly serious set with the poem written especially for WLF 2018, for Suz Winspear’s Night at the Museum IV ‘Art Attack’.

Stevie Quick performed a dramatic set including poems about Newton and Thank You Mr Donald. Kevin Brooke apologised for bringing prose to a poetry gig but definitely didn’t need to apologise for the prose, a war story from WW1. Fay Whitfield made her SpeakEasy debut with a stunning set, Sometimes I’m Not Okay was moving and her political poem Skin packed a punch. Tim Stavert performed a poem based on the WPL ‘Future echoes’ theme, his poem Stresses had important things to say about Mental Health. James Burr brought more prose. As a performing artist, I loved Man on the Street. Neil Richards performed several short poems and an emotionally charged poem inspired by ‘Burial’ by Cathy Linh Che.

Then came more Poets Laureate. Suz Winspear treated us to 3 new poems, including some she had written about the canal especially for her Weorgoran Pavilion Festival event on Tuesday 19th June. I loved her poem about the Theatrical Boarding House for actors from the Worcester Theatre Royal.

The first half was closed by the NEW Worcestershire Poet Laureate, Betti Moretti. We were treated to a 10 minute set which included her winning poems and amongst others: A Napple a Day, 13 and Genetic Wealth, which is a beautiful poem. A heartfelt and superb set.

And before she had chance to leap off the step Charley presented me with her newly engraved WPL Award and Betti and I had the handover photos. There will never be a serious photo shoot if Betti and I have anything to do with it. I cannot wait to see what we have come up with this time!

The SpeakEasy Special was fantastic fun and a band to finish the night, was perfect. The Dub Thieves were a great band, amazing. They transported the Worcester Arts Workshop to somewhere far away, there was dancing, singing and even some writing. Lots of chatter and laughter… like someplace else I know…

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That is nearly it from me for the Worcestershire LitFest & Fringe. I do have one final performance at the Weorgoran Pavilion Festival on Saturday 16th from 12 – 1 PM.

Peter Sutton (WPL 2018 Runner Up) and I will be taking to the stage to share our Worcester poems and more.

 

WLF 2018 Night at the Museum IV

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A Night at The Museum

is always a great event for WLF. In recent years organised by Suz Winspear (Worcestershire Poet Laureate 2016-17) and Poet in Residence at Royal Worcester (2016-18).

The night included many poets laureate, including former Young Poet Laureate Chloe Clarke, who is now at university.

Featuring the Museum’s Poet-in-Residence Suz Winspear and friends, including the former Worcestershire Young Poet Laureate Chloe Clarke, Worcestershire’s current Young Poet Laureate Rachel Evans and the Worcestershire Poet Laureate Nina Lewis.

There is also a chance to have a private view of the newly-refurbished galleries of the Museum of Royal Worcester and to enjoy an evening of poetry.

A plethora of poets, including Worcestershire Poets Laureate and Young Poets Laureate past and present, will be performing their work, and Suz will showcase her new poetry inspired by a year’s work in the museum’s archives, discovering its remarkable collection of rare nineteenth century Japanese books, illustrations and photographs.

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I spent Monday night working on my set. It included ‘Art’ based poetry from 2017, my Royal Worcester competition poem ‘The Unfading Cornflower’ – which won 2nd place in 2016 when Suz created her WPL competition with the Museum, as well as poems written during NaPoWriMo 2018 and a new piece which started in historic Royal Worcester research and ended in L.A!

It was fun to try to create a new piece of work for this event.

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The night was magical. An adventure around the newly refurbished Museum plus hours of wonderful poetry. Royal Worcester was always a Museum with heart, I loved the old place – but now, it is shiny, modern & inviting and hasn’t lost any of the original charm. I arrived in time to explore, Suz organised a half hour interval to allow the audience Museum time.

The porcelain is well lit and is really shown off amongst complimenting colours and new interactive displays. I particularly love the 70s kitchen. It is definitely family friendly and ready for the 21st Century. Do go and visit. (Details below.) And I think, especially for us there was a display of some of the Archive photos alongside Suz’s poems.

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The night was opened by Suz Winspear and then Worcestershire YPL Rachel Evans shared a couple of her poems including the winning YPL poem. Despite exam time she joined us all for a night of poetry, true dedication and a delight to watch perform again.

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Then I shared my Art set,

the new poem ‘Art Attack’ went down well and got more laughs than I had expected.

Next Chloe Clarke took to the floor – we have not seen each other since LakeFest, 10 months ago! It was a joy to hear Chloe’s poems again and her self-assured performance was a treat and her Key poem, just funny & fabulous! It was lovely to reconnect.

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To finish the first half, our new Worcestershire Poet Laureate, Betti Moretti treated us to her winning poems and one from her first WPL Final (where she came 2nd) and more besides.

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This was Betti’s first official WLF/WPL event although she did have a Guest Spot Monday at Licensed to Rhyme. Betti is in that early onset whirlpool stage of being bombarded with all things Laureate. It was a great set and thoroughly enjoyed!

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After our extended interval where we all went to view the museum and Chloe and I fell in love with the big chair…

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Suz Winspear performed the 2nd half. A half hour of poetry from the Porcelain Museum Archives. It was brilliant hearing the history and her residency experience first hand and she set our minds to places before sharing the connected poetry which made us all feel that we had been with her when she made discoveries in the books that cannot be displayed.

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I loved her poems and hearing about her research and experiences was enchanting. I know Suz has a deep affiliation with Japan and all things Japanese so this interconnection has been thrilling for her.

It was a superb evening! I am still on a LitFest high!

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Visit Royal Worcester

royal worcs  £5.50/£6.50 – children under 15 FREE.

http://www.museumofroyalworcester.org/your-visit/opening-times/

INFORMATION & RELATED LINKS:

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Museum of Royal Worcester

Severn Street, WORCESTER, WR1 2ND

The Museum of Royal Worcester is situated in the city’s Historic Quarter, within two minutes walk of the Cathedral, Commandery, Birmingham Canal and River Severn. An informative and entertaining audio tour featuring Henry Sandon and skilled craftsmen is free with entry and tells the story of the factory’s history, its famous customers, the talented workforce and everyday life. Gallery displays from 1751 to the 20th century include Oriental simplicity and Victorian extravaganza and offer a glimpse of times past, taking the visitor on a memorable journey from 1751 to the present day.

The Museum Shop is a treasure trove where you will find an abundance of vintage and antique Royal Worcester china and porcelain that was made in Worcester on the Severn Street factory site.

http://www.museumofroyalworcester.org/

 

Suz’s 2016 WPL Competition

http://www.worcesternews.co.uk/news/14946284.Dinner_service_inspires_success_in_porcelain_museum_poetry_competition/

A word from Nina…

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The end of a 6 month commission, my longest yet.
Thanks to the team at Rugby Library for ensuring it was an amazing experience.

Thanks also to Roz Goddard for approaching me for an application and the WMRN for making it possible!

I was on a beach in Devon when I found out my bid had been successful and I will always remember how wonderful that news felt.

Warwickshire Libraries

I was delighted to have the opportunity of being a Reader in Residence for WMRN and was excited by the prospect of my 6 month residency at Rugby Library.

Over the residency I ran workshops, wrote blog posts, devised a reading challenge and was invited to close the residency as a Pop-up Poet for Mother’s Day, writing bespoke poems for Library users.

I managed to get an article in the local paper as a way of encouraging non-library users to take advantage of this free Mother’s Day card with unique poem and it was very busy. Demand was so high- I extended my time, ending only when the Library had to close. I was able to offer staff cards and poems as well.

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My links with the library and the team were always positive. It has been a pleasure to work with such enthusiastic, supportive staff.

As Reader in Residence…

View original post 230 more words

Mighty Force – Poets, Prattlers & Pandemonialists!

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I have had the pleasure of knowing this lot since 2014/15. Back in 2016 Emma Purshouse, Steve Pottinger and Dave Pitt banded together to form Poets, Prattlers & Pandemonialists, a year later their show was created.

It premiered at the Arena Theatre, Wolverhampton in April 2017 before they toured around the country and completed a successful run at the Edinburgh Fringe.

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“This isn’t just poetry, it’s storytelling, and most importantly it’s theatre. Glorious theatre, framed in a manner which gives space for the work to shine but keeps the audience on the edge of their seats throughout.” – Neil Reading, Director of Arena Theatre.

“Excellently framed, excellently delivered. The right amount of peaks, troughs, and misty-eyed bits.” – Matt Panesh, Artistic Director, Edinburgh Free Fringe.
“Chaucer with scratchcards.” – Jimmy Andrex, poet.

Now these three poets are industrious so alongside their show they created Yes We Cant a night of Spoken Word at Pretty Bricks in Walsall,  a pub that does indeed have pretty bricks. 34b10f6f8294900e524a14bf8ffdc85c

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I was fortunate enough to make their opening night back in June, Jonny Fluffypunk and Paul Francis headlined and it was fabulous!

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Fast forward almost a year and this monthly event is still going strong.

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And earlier this year the Wolverhampton Poetry collective announced a new project to raise the profile of poetry in and of the Black Country. They managed to obtain an Arts Council grant which enabled them to roll out a whole programme and get other local artists involved. The Black Country Broadsheet was produced which includes commissioned poems, videos have been made and professional photo shoots have been enjoyed.


CASEY BAILEY • BONES • JEREMY GRANT • R.M. FRANCIS
MOGS • RICK SANDERS • MARIANNE BURGESS

are the other poets commissioned for the project (see Rick, you got your commission, no more writing about fake ones).

 

Poet Steve Pottinger said: ‘This project is all about taking poetry to people who don’t think they like it, who don’t know it’s being written and performed in pubs and clubs around them, and who may never have attended or enjoyed a live event.

So, if you’ve got friends who you think might be interested, please tell them about it. We’re doing everything we can to show them the best local, contemporary performance poetry.’

Black Country Artsfoundry © 2018

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The project showcases the poets across 5 free events and has done just what they hoped it would. New poets have been found, some bravely taking to the mic for the first time (and blowing us out of the water!) and new to poetry people have decided it is not a bad night out after all.

  • Dudley: 9 April, Cafe Grande, 7pm – Jeremy Grant, Rick Sanders aka Willis the Poet, Marianne Burgess, Dave Pitt
  • Walsall: 16 April, The Pretty Bricks, 7pm – Emma Purshouse, R.M. Francis, Mogs, Bones
  • Great Bridge: 19 April, Great Bridge Library, 7pm – Steve Pottinger, Emma Purshouse, Jeremy Grant, Rick Sanders aka Willis the Poet
  • Stourbridge: 9 May, Claptrap, 7pm – R.M. Francis, Mogs, Steve Pottinger, Casey Bailey
  • Wolverhampton: 15 May, The Lighthouse, 7pm – Bones, Casey Bailey, Marianne Burgess, Dave Pitt

Due to a hectic work schedule, editing, writing and NaPoWriMo (I can hear Dave Pitt chuckling), I was not able to make the earlier dates. But watched as the internet steamed away on adrenaline filled reviews and knew that I had to catch this wave.

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So Stourbridge was penned in the diary and despite being truly creamed by work, I went! They were all in a similar state having lived the highlights of Swindon the night before at Oooh Beehive.

beehive Despite this, energy was not lacking as Dave MCed us through an incredible night of words.

I have not made a PTS for some months and it was great to be back in this wonderful venue, sitting next to Rob who was enjoying a night off from jumping up and down on stage and instead was able to enjoy the evening.

Everyone performed phenomenally well and it was great to see/hear new talent too.

Mogs performed a brilliantly funny set as always, treating us to some of the best from his book of children’s poetry. pypwl-front-cover

It was great to catch a whole set from R.M. Francis, thoroughly enjoyed and I realised it had been a while since I experienced Rob’s poetry back to back, good to hear him in full flow again.

Steve Pottinger performed some of my favourite recent poems of his, I love his train journey to Mars, no spoilers… okay, they terminate in Wolves…

Casey Bailey was his usual, incredible self. Playing his adopted by Wednesbury card to pacify the Brummie in the room situation and celebrated his latest collection ‘Adjusted’.

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https://caseybailey.bigcartel.com/

It was an incredible night and I am so glad Claire Walker sent a message saying she was going because it has been ages (or at least feels that way) since we caught up and was lovely sharing such a special night with friends. Plus Claire and I are booking some special work of our own in, we hope before the summer. I shared 3 of my 30 NaPo poems and a t-shirt quip. Shame I wasn’t wearing a poetry t-shirt, that would have won battle of the bands for sure!

Great to catch up with a room full of poetry friends and to be back in the Black Country, to see first hand one of the 5 events in this programme and to be able to tell them what an epic group of poets they are on feedback forms (well, if you do go and get Arts Council funding). I may not have written the word epic but I said some very pleasant things that I know someone else magpied (stole) for their feedback form.

If you can, catch the next one on the 15th May, you will NOT be disappointed!

And if you want to catch their original show head over to Stoke-on-Trent.

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April Review 2018

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This month saw a return to full time work and as a result I missed a fortnight of poetry I had planned. Which I still haven’t really forgiven myself for.

Week 1: 

Started with the Easter weekend and some time offline. I registered AWF on napowrimo.net and spent most of my time organising the long overdue exhibition at the Jinney Ring of our Sculpture workshop poems.

I am also involved in a Shakespeare Birthplace Trust project with local schools in Stratford-Upon Avon and received letters from two children who I then wrote a peace poem for. I made that sound easier than it was, the one child requested a humorous poem. I have a repertoire includes about 20 funny poems (which sounds a lot, but I have been writing for 4 years now)! I had a 6 day deadline and the poems had to be received by post. I managed 2 poems which I am proud of and hope that they are excited to be working with a Laureate.

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I started the long process of editing and digitally compiling the Special Edition of Contour Poetry Magazine. Proof copies were sent out in March and now I have to fix edits and complete the desk top publishing, due to work commitments I know that it will be May before this issue is live. I had hoped for an April release originally.

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I have worked on ATOTC A Tale of Two Cities since July 2017, one of the first long term Poet Laureate projects, it has been an amazing project which saw poems exchanged between UK and USA partners throughout 2018, all copy was back on my desk by March and after all the hard work of the 47 people involved I want the issue to be the best that it can be. I would rather take more time over it than hash it out this month, I simply no longer have time scheduled for it as other items, events and work have to take priority.

Even when these magazines are seemingly ready they have historically eaten another 14+ hours in the end process of conversion and upload.

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I worked on the Suffragette Anthology – now live over at the Worcestershire Poet Laureate site Suffragettes Anthology.

I had a workshop in Stratford with Angela France, we wrote about trees and it was warm enough to sit in the garden, unfortunately a sunny day + Easter break saw Stratford full of tourists and this meant our usual haunt was not available for lunch. Sitting on a wall opposite the river chatting with Angela was a bonus though.

The following day I was facilitating a workshop with the Basement Project, I booked 3 with this charity back in November as part of my local Laureate work. The charity support young people 16-25 who are or are at risk of becoming homeless. It is a great team there and I have already established work with them post-Laureateship, which is great.

Find out more about them here.

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I started NaPoWriMo and over the weekend took some of my Napo poems for editing treatment.

I finally got to see Idle Women on tour – it had been nearly a fortnight since I inhabited the world of poetry, due to tiredness I missed 42 at the end of March and had not been out to a poetry gig since Earth Hour.

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It was the 2nd time in as many weeks I had had the pleasure of going out with my mum, we saw the ROH ballet at the Artrix the Tuesday before and then shared Idle Women.

Idle Women is theatre/spoken word/poetry/music, read the review here https://awritersfountain.wordpress.com/2018/04/11/not-so-idle-women/

They still have tour dates in May, catch this show if you can. You will not be disappointed.

Week 2

I continued to write a poem a day for NaPoWriMo.

I took the Sculpture Poem Exhibition to the Jinney Ring. It is now on display in the restaurant near the entrance, an entire wall of poetry. They are able to keep it up for the next month and this means that when we have our Hanbury Reading at the Church in May, the poems will still be at the Craft Centre for visitors to go and see. Also I am hoping that this will in turn promote the next Sculpture Trail workshop in September 2018.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/09/poetry-exhibition-at-the-jinney-ring/

 

 

I started to write copy for the Worcestershire LitFest Festival Programme, the Poet Laureate Review, traditionally this has been half a page, I requested a full page and still edited out over 200 words! I had a lovely evening out with poetry friends.

I had my final workshop at the Basement Project planned and got up early to prep for it, unfortunately it was cancelled as some of the mums who had booked their children onto it were unable to make it. I will hold another Junior workshop in October half term.

I wanted to go to Scary Canary for Permission to Speak as Natalie Burdett – a poetry friend from 2014/15 who is now doing a Phd in Manchester and has just had her pamphlet published by the Poetry Business. http://www.poetrybusiness.co.uk/natalie-burdett I missed her set and the entire evening as Mr. G was on a course in Worcester and I met up with him afterwards for a Cinema date, we weren’t home in time, plus we had just been on a date. ‘Lovely date, thanks darling – just going out poeting now.’ wouldn’t have gone down too well!

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I missed SpeakEasy which Tony Judge was headlining due to a backlog of work. I am currently writing an evaluation for the WMRN and was prepping for poetry festivals and working on ATOTC.

I am also involved in a poetry/art (PoARTry) project in Ledbury which is being led by Rick Sanders, it is his 2nd time running this project. He partners poets and artists – like the football pools, I was paired with Molly Bythell, a talented young graduate who creates amazing collages and paints in oil. Her work screams story and it has been a great collaboration so far. https://mollybythell.com/

I missed Stanza for the 2nd month (my poor unedited poems) as I was too tired and was actually asleep by 8 PM which would have been rather impolite on someone else’s settee!

I spent my final weekend of freedom with Mr G. and did some work on the house and a little editing on ATOTC. 

Week 3

Full time work (my first time in 5 years) arrived kicking and screaming on my doorstep.

I continued to write a poem a day for NaPoWriMo.

I missed the Me Too event at The Hive, Case Bailey in the Jewellery Quarter, and Sean Colletti at Dear Listener.

Most of my free time in the evening was spent recouping from the day. Emotionally and physically! I managed to write a review for BMAG on the Hackathon experience and started writing my Verve Review for Sabotage. I was also asked to do a Poetry Surgery at the Anchor Gallery in Birmingham as part of the work Nellie Cole is doing there.

I managed to get to Jenna Plewes Book Launch, it was a sunny evening and very pleasant to spend an hour or so listening to her poetry from her new V. Press pamphlet Against the Pull of Timejenna pullI will be writing a review of the Launch in May.

 

 

 

 

 

I had my Sparks Young Writer group (WWM) at The Hive on Saturday which saw the welcome return of members to the group and we were also witness to a group of Librarians helping move a gigantic fish through the ground floor of the library. There was a procession of some sort down to the river, elements of which found there way into our writing.

Week 4

I finally got the European Twin Town project between Droitwich Spa and Voiron off the ground. I had been working on this WPL project since July, mainly at a committee level and like with all these projects it was a slow start, but perseverance pays and by the beginning of 2018 I had a french contact who put me in touch with a poet, Alain Graiz. Alain helped me find other poets from Voiron and by February/ March I had communicated with all involved. Again I had hoped to get the exchange up and running by March.

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I am happy to say that it is now in full swing, some poems have already been exchanged. It is a much smaller project than ATOTC and the full collection of poems should be live before the end of my Laureateship (10th June).

Read more here.

I received news of my Grant Application but have so far been locked out of the system. So I have no idea if my bid was successful yet or not.

I spent the week preparing for Cheltenham Poetry Festival and Bohemian Voices and getting incredibly nervous over the fact I have not performed poetry for a month! That must be the longest length of unintentional abstinence ever! But what I have learnt is it is hard to facilitate projects, write new poetry, edit magazines, teach and still find the time to perform! I needn’t have worried. What I did is over rehearsed and then I don’t think anyone would have thought – she clearly hasn’t read for a month!

I have been doing NaPoWriMo throughout this whole month, occasionally falling behind a few days and playing catch up. To produce 30 poems in a month in no mean feat. I am also working on something more too.

I researched the Nation’s Laureates for a post over at the WPL site for St. George’s Day. https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/23/st-george-the-poets/

I missed the Bare Fiction Launch and 42 (for the 2nd month running). I wanted to save my energy for Cheltenham Poetry Festival and the last fortnight at work has been exceedingly hard going, so I had little energy to spare to travel to events.

Cheltenham Poetry Festival arrived, funny when you are booked so far in advance it seems forever in the diary as coming up… then suddenly one week it is days to go. I was slightly gutted that I had been invited to do Stablemates with Jill Abram in London and missed it because it was on the same night. Sarah went in my place and it sounds like they had a great time.

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Cheltenham Poetry Festival was excellent, as it always is. Just a shame work meant that I wasn’t able to get to much other than on the day I was booked. Cheltenham Poetry Festival I made it for the Indigo Dreams Showcase which was at the same venue before my Fragile Houses reading. I will write a full review post next month.

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The following evening (events are like buses) I had the pleasure of being one of 5 artists involved in Bohemian Voices, organised and MCed by Steve Soden, he used to run these events in London and the experience at the Jinney Ring was probably as far from his original nights as you can imagine. It was a great night and I will link the review back to this post. (That goes for all the promised reviews of…)

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I had a fantastic evening and was delighted by the surprise appearance of my mum and Aunty.

With little time to recover from a 2 night fix of poetry (which certainly made up for missing a month of it), I had a Book Launch.

This weekend also saw Birmingham Literature Festival Spring Edition, which I totally missed due to bookings and other commitments.

The Book Launch on Saturday was in Walsall at Southcart Books for Diverse Verse 3, a charity anthology edited by Richard Archer, it was a beautifully relaxed event with plenty of opportunity to catch up with friends and Richard, myself and Rick Sanders were interviewed for the West Midlands Magazine, more on that soon I hope. Click the link for the full review.

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https://awritersfountain.wordpress.com/2018/05/15/diverse-verse-3-charity-anthology-book-launch/

I finally finished the month with a submission – not sent any poems anywhere since March!

I also had to write Q&A for Australia – Western Australia Poetry Festival – for the promotion and marketing and complete my review of Verve Poetry Festival and my evaluation for WMRN. That is a lot of midnight oil after a day at work!

 

NEXT MONTH:

Priorities in May include: Finishing WPL projects, tying up the reviews for WMRN Reader Residency for Warwickshire Libraries, organising poets for Artsfest events, performing and discussion at Midland Arts Institute, possible participation in a Heritage Project, a workshop with Ash Dickinson, a poetry judge at Sarah Leavesley’s Book Lauch for How to Grow Matches, being a poet at the Living Library, Headlining Poetry Bites (my first Headline for a while) and more, including new writing and Ledbury Poetry Festival – oh, yes and work!