Category Archives: Review

February in Review

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There were many exciting ventures this month including the second festival of the year. This time I had a festival pass (bought in November and reimbursed as a Christmas gift) and I intended to use it – and then use half term to recover.

There were also (as always) clashing events and those I missed out on. The dream of a helicopter, boundless energy and time or the ability to teleport, all somewhat in the future.

Week 1

After the madness of end of month submissions and a 16 hour after work stint on the laptop, the month started with a rare night off (which I mainly slept through of course)!

Then Permission to Speak, the wonderful spoken word event and brainchild of Rob Francis. Everyone was excited about Ira Lightman headlining, unfortunately he couldn’t make it. The night that unfolded was the first (that I know of) without a headline act, swiftly repackaged as a ‘Free For All’ with performers allocated more time. As always we were treated to a wide selection of novel extracts, short stories, music and poetry. It was really enjoyable, relaxing and a great tonic after one of the hardest work weeks I have in a while. We all missed Ira and hope he will be able to book in at the Scary Canary in the future. He really should treat himself.

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I spent my first writing day in a week, writing. I also caught up with family and almost burnt the midnight oil as a result. Two new poems, both need some time to bed down and then be mangled through edits, but I am happy with the initial results. It was a tense morning with an idling brain, so I am glad by the time my head hit the pillow, I had accomplished some work. I also discovered new opportunities, some marked for 2018 and some on my TO DO LIST – more on that in the future, especially if I am successful in my endeavours.

When my head hit the pillow I couldn’t sleep. So I treated myself to a poetry book. There are many in the queue and some were gazumped as I picked ‘Beginning With Your Last Breath’ by Roy McFarlane. I planned to only read a few pages. By page 3 my eyes started leaking surprise tears and by page 17 my breath was caught and I knew I would be reading this story cover to cover… and I did. Jolly glad I did too. I slept well afterwards and will be reviewing his debut collection shortly.

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On Saturday Antony Owen had organised a Peace Vigil at Coventry Cathedral, where invited poets were performing 15 minute sets. I was disappointed not to be able to make it as I had a prior booking in Cheltenham. It looked like an amazing experience and I am keeping my fingers crossed that I can be part of another one later this year. I did have a couple of poems read on my behalf. I think it was one of those unique, special events that would have filled heart and mind to abundant levels and I cannot wait to hear all about it.

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Antony Owen was joined by invited poets: Mike Alma, Josephine Allen, Mal Dewhirst, Jacqui Rowe, Ruth Stacey & Janet Smith.

Antony said of the event it is an event for poetry to act as a witness to current world events and respond in acts of articulated remembrance.

antony-owen-by-mal-dewhirstMal Dewhirst © 2017

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Peace Curtain.

Janet Smith © 2017

Saturday night I missed Hannah Teesdale’s Special Open Mic Event in Birmingham as my brain and body had had a full work out and my little car had already driven to Gloucestershire. Both events had a lot of positive social media coverage and it would have been great to reconnect and catch up with people in Birmingham.

And I FINALLY started to read Ash Dickinson’s latest collection ‘Strange Keys’, which I had promised myself would be my Christmas book. I read three Christmas novels over the fortnight and ran out of snug time with poetry. Have made up for that since. Mr G bought me a couple of books for Christmas and I have spent the first part of the year battling through a novel. Which in concept was perfect and I see why he risked the gift. It was hard going both in terms of subject matter and chronology. Now I am on a book break for a bit unless the book contains poetry. I am too busy to catch more than snatches of time and poetry is perfect for that. I thought I had better read the collection before I see Ash again next week. Then I can delight in him performing from it.

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A conversation we had last month inspired an idea for a new poem that I managed to get to draft form this weekend. If I can work through it I think it will make a good performance poem. I love it when poets and their poetry connect to my mind in such a way that they just sow treasure. Plenty of wealth in my pad ready to go when I have a minute.

Week 2

Was set to be a corker. Poetry Alight in Lichfield on Tuesday night with Ruth Stacey (who I missed at the Cathedral) and Ash Dickinson, HOWL on Wednesday in Birmingham with Bethany Slinn, Sean Cottelli and Luke Kennard and SpeakEasy on Thursday with Matt Windle. Followed by important deadlines and Writing West Midlands.

It was a corker indeed. I had one main writing focus this week and all my spare time went into it, most of Monday, late Wednesday night and early Thursday morning before work. I managed to hit the deadline and now am keeping my fingers crossed.

Poetry Alight celebrated a 5th birthday, Gary Longden hosted an extra night this year to celebrate the 5th and the event took place downstairs in the back bar which was lovely. It was brilliant to catch up with everyone and watch in awe as Ruth Stacey and Ash Dickinson performed their headline sets. See the full review here https://awritersfountain.wordpress.com/2017/02/10/poetry-alight-happy-5th-birthday/

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I had a great time at Poetry Alight, fully absorbed and inspired to write more poetry and to edit the Funeral Pyre one.

HOWL was my next poetry feast, Wednesday evening. It was great to see lots of people I haven’t seen in a while and to watch incredible sets from Bethany Slinn, Sean Colletti and Luke Kennard. The night was on fire and made me feel like I didn’t want to ever extinguish the flame. Leon Priestnall was celebrating too. Howl’s 2nd birthday!

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Read the full review here https://awritersfountain.wordpress.com/2017/02/11/when-beat-poetry-howls-howl-8-2-17/

My poetry week was not done there, the following evening I went to Worcester for SpeakEasy, Matt Windle was headlining. The night was raucous fun. A wild enticing whirlpool atmosphere that in the end took everyone with it. Some great open mic spots and Matt Windle blew everyone away. He even brought a tear to my eye, a poem I had heard him perform before,  moved me so much tonight. Again a delight to watch the audience who hadn’t seen him before, enjoy his work. Poet with punch indeed, as I said on social media ‘ a w e s o m e – if you look carefully enough you will find Matt between those letters’. He is this year’s Birmingham Poet Laureate and it is great to see him back on the circuit.

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Read the full review here https://awritersfountain.wordpress.com/2017/02/12/speakeasy-with-matt-man-windle/

To complete my writing week I worked with Writing West Midlands, Spark Writers Group in Worcester at The Hive, where a new Assistant Writer joined us for a one off session, thanks Mollie Davidson.

I also FINALLY read Fergus McGonigal’s first collection cover to cover. It is a great read and it has made me look forward to his next collection even more. Fergus is back on the Spoken Word scene and I hope to catch him soon. fergus-mBuy your copy here.

http://www.burningeye.bigcartel.com/product/the-failed-idealists-guide-to-the-tatty-truth-by-fergus-mcgonigal

Fergus McGonigal takes Ogden Nash’s notion of a poem being an essay which rhymes and targets the unsentimental truth about parenthood, pseudo-intellectual pretentiousness and pomposity, and what happens when the idealism of youth has given way to the disappointment of middle-age. © 2015 Burning Eye Books

Week 3

Mr G’s birthday, Valentines and the much awaited (since the launch party in November) Verve Poetry Festival. verve-pass Unfortunately the weekend clashed with an event at the Swan Theatre in Worcester facilitated by Ben Parker (Poet in Residence). I am hoping he will do a third event as I had to pull out.

I missed Matt Windle and a plethora of other Laureates at the Artrix on Monday as it was Mr G’s birthday and we were celebrating in Birmingham. There were other events but with submission deadlines and an all immersive 4 day festival at the weekend I felt the need to pace myself this week.

I also missed a night of poetry at Smokey Joe’s in Cheltenham.

Thursday couldn’t come soon enough! After work I made my way into the city on the train and arrived at Waterstones for a perfect opening night of the Verve Poetry Festival.

Read the whole story of the Poetry Parlour with Daljit Nagra and Hit the Ode here.

https://awritersfountain.wordpress.com/2017/02/17/verve-poetry-festival-opening-night/

I would love to stay in the city, but home really is less than an hour away and I want some book spending money. I want to suggest a poet basement next year though. Sleeping bags at the ready! I had a great night with poetry friends and had to wait less than 24hours for the top up!

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The top up came with a wonderful evening of poetry and a bizarre Dice Slam, I loved the concept of this slam. This is the kind of slam I would feel comfortable entering. You can read the full review of the Readings and Dice Slam here. https://awritersfountain.wordpress.com/2017/02/20/verve-poetry-festival-day-2-part-1-kim-moore-mona-arshi-and-katrina-naomi/

https://awritersfountain.wordpress.com/2017/02/22/verve-poetry-festival-day-2-part-2-dice-slam-with-apples-snakes/

https://awritersfountain.wordpress.com/2017/02/27/verve-poetry-festival-day-3/

The weekend was immensely satisfying for my poetry soul and I will add more links when I have reviewed the events. An exciting opportunity arose from this experience too. I am writing a review for Sabotage Reviews. I have included events which I have not yet blogged about, this is another reason why I haven’t gone mad this week attempting to review the remaining events, that and I finally started work on the house. This needs to take priority this year, I will be busy as I started to organise events to perform at two festivals in January and this month took on some marketing/support for another two festivals.

Week 4

I finally read ‘The Glassblower Dances’ by Rachel McCrum, bought at Hit The Ode in 2014, I am slowly working my way through my poetry bookcase! The good news for you is it is back in print, so you could have a copy for yourselves, if you need more persuading it won the Callum Macdonald Award in 2013.

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http://www.kickingparis.bigcartel.com/ copies are just £6.00. I am hoping to write some proper reviews early summertime, so look out for those. I read some of it on the train to get my mind set for Verve.

A couple of treats to finish the month I was going to 42 in Worcester but I discovered Tom McCann (who hit the scene last September and is headlining in Stirchley next week), started a Spoken Word night in Kings Norton this year ‘Spoken Trend’. Jan Watts was one of the three headline acts and it has been forever since I saw her. She is busy producing her theatre performances of ‘Holding Baby’, widely acclaimed as brilliant and a must see. I headed over to Birmingham and performed on the open mic, alongside some well established poets and then sat back to enjoy the featured artists James Kearns, Clive Oseman and Jan Watts.

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It was a superb night. A definite recommend.

On Thursday there was a slam night in Dudley featuring Emma Purshouse and in Birmingham a reading at Foyles with Roy McFarlane & Gregory Leadbetter (which I had tickets for) and  Wine & Poetry Evening, the second of its type, organised by Emma Press & Cynthia Miller. In the end I didn’t make it to any of them, my car has been poorly for 6 months and is now finally fixed. I spent the day helping family, by the time I hit home it was gone 6pm and I was out of energy and time.

And finally, I mentioned the Nuclear Impact anthology by Shabda Press in my January Review, now it is available for you to buy. It is an amazingly huge collection of poetry and has been a real labour of love for Teresa Mei Chuc. It is available for $25.00 and proceeds will be donated to charity. If you are in America, there are book launch readings taking place all across the country, Philadelphia, New York and in California, check those out.

http://www.shabdapress.com/nuclear-impact-anthology.html

NUCLEAR IMPACT: BROKEN ATOMS IN OUR HANDS
NUCLEAR IMPACT: BROKEN ATOMS IN OUR HANDS $25.00 USD

Proceeds from sales of the Nuclear Impact: Broken Atoms in Our Hands anthology will be donated to the Women’s Center in Downtown Los Angeles. www.downtownwomenscenter.org/
nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol

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There are talks currently for a reading in the UK, I will keep you posted.

I am already organising two festival events for V. Press poets and my next headline is in Manchester in a fortnight, plus I am working on submissions and reviews and in addition to all this am now rallying the troops for another Arts Festival happening in early Summer. Oh, and I may be marketing for another MAJOR festival soon too. So my plate is pretty full and I still have 8 lingering poems from my weekend at the Verve Festival to work on, (as well as a house to sort – note for Mr. G.) and it is back to work, work next week too!

I am happy busy but busy all the same. Blogs posts will be low priority now (with the exception of review posts for Verve and promotional drops) for a while, but there is plenty of historic posting in these waters so go and fill your buckets!

Keep writing!

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Verve Poetry Festival: Day 3 Poetry Breakfast

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Verve Poetry Festival had nearly 40 events, I spent the whole day at the festival both Saturday and Sunday, missing only the children’s events some workshops and some performances (because of workshops).

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POETRY BREAKFAST

Saturday kicked off with Roz Goddard and Cynthia Miller treating us to a Poetry Breakfast. Free pastries and Philip Larkin Jazz – what is there not to like? Roz opened the event with her love poem to Birmingham.

Cynthia talked about the programme and how the festival evolved from an enthusiastic tweet. One the rest of the city is grateful she sent. They hoped for an accessible poetry festival and that is exactly what they created with Verve. They wanted to reflect the spirit of Birmingham, the passion and drive and they certainly accomplished that too.

Cynthia is one of the new Primers poets (Primers Vol. 2) from The Poetry School and Nine Arches Press and will see her poetry published soon. She shared ‘Anthem for a Nasty Woman’.

Roz talked candidly about falling out of love with poetry and then falling back in love for it with the help of this festival. We all lose confidence and fall out with poetry from time to time, for me it is a weekly occurrence. It always feels good to hear others talk about what you experience, as it answers that question – is it just me? – with a resounding NO!

I really enjoyed waking early and catching a bus into town to catch this FREE event, it was definitely worth it. Even though the decision not to do a writing activity stung (my brain was ready), instead we did Speed Dating (hold onto your hat Mr.G, not like that)! It was a genius idea as it got us mingling and talking to each other about the festival and the future of poetry. We swapped three times, discussing a cue question given to us by Cynthia and moved on at the sound of a Tibetan Singing Bowl (perfect for the early hours). It was fun watching Birmingham wake up behind the screen (festival marquee).

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A great way to greet a full on day of poetry and workshops.

And it was FULL ON. The team have realised that scheduled breaks are necessary, especially as they had certain hard-core participants (Dean Atta, I may be looking at you and Angi Holden) who did 3 back-to-back workshops, that is 6 hours of focus. That is beyond most of us.

 

RELATED LINKS

Reviews of the Dice Slam and reading from Friday Night, Outspoken and Nine Arches – read them here: http://createdtoread.com/poetic-delights-verve-poetry-festival/

https://burningeyebooks.wordpress.com/2017/02/22/verve-poetry-and-diversity/

 

Verve Poetry Festival Day 2 – Part 2: Dice Slam with Apples & Snakes

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What Verve did really well and the secret behind the magic of the festival was the fusion between Spoken Word and Poetry. I always knew this was possible and the team proved it. What I really loved was people’s reaction to Spoken Word – those who had not experienced it before or wouldn’t brave a city event, found that they loved it.

There was plenty of talk over the weekend of the age demographics for both types of event but by the end of the weekend the spaces were filled with a wide range and people began to understand that it doesn’t matter. They stopped seeing it. If poetry is to thrive we need to have this commitment and enthusiasm for bridging a gap that technically doesn’t have to exist. It of course depends on what you like and I am just happy that I immerse in both forms comfortably.

To come from the relative quiet of the 2nd floor Festival Marquee to the loud, riotous mouth of the 1st floor Bar Stage and immerse ourselves in foot stamping, witness the clicking of appreciate and the howls after every poem performed was, even for a veteran of the spoken word scene, a bit of a culture shock. Like hitting London after a long weekend in the Isle of Wight!

I have been to slams, I have even braved one as a contestant. Now that I know work by heart I may brave some in the future. I had never been to a Dice Slam and I appreciate the Dadaism of scoring through chance, a roll of the dice. It made me feel sorry for the contestants with scores as low as 3 when their performances were clearly double figures, but on the other hand it took away that horrible scoring process that is always subjective at such events.

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Toby Campion, Vanessa Kissule, Skye Hawkins, Charley Genever and Kareem Parkins-Brown were the contestants and I looked forward to every performance as none are names I know. My experience of Spoken Word is bound to the city and some of the big names who headline throughout Poetryville. I love festivals for the potential of meeting and watching new to me poets.

This was an incredibly lively event, hosted by Amerah Saleh, who is a poet I know from her days with Beatfreaks and on the circuit of Birmingham. I first saw her perform at Mouth & Music on home turf. She was also one of four Podium Poets at this year’s festival. The others were Helen Calcutt, Jasmine Gardosi & Geraldine Clarkson.

THE JUDGES

We were introduced to the judges who all performed. Anna Freeman, a lecturer in Creative Writing at Bath Spa University, she is also a multi-winning slam poet and if that wasn’t enough she is also a novelist. http://www.annafreemanwriter.com/

verve-goodreads-anna-freeman © 2017 Goodreads

I loved her ‘My Little Pony Poem’… ‘My Unicorn Friend, branding is a capitalist concept – so I explain this to the other six year olds…’

Dan Simpson is a poet and a producer and has a Doppelgänger working behind the café/bar in Waterstones and is published by Burning Eye. http://www.dansimpsonpoet.co.uk/verve-2-dan-simpson

© 2017 Dan Simpson (I presume)

In a peak of genius which was in keeping with the Dadaism of Dice Slamming, Dan brought this book along with him to use as a judging tool. requesting page numbers from the audience before scanning the page for relevance or reading non-relevance to justify the scores. Sometimes the universe worked and the reading was as apt as a fortune cookie fortune… other times more of a Christmas cracker joke.

Memorable, surrealistic performance… ‘what kind of 90s feminist, Disney character sandwich filler are you?’

Luke Kennard

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Who after years of not getting to see seems to be in my life right now as much as full meals. (Yesterday I had my first proper dinner for a week, so I am suggesting Luke pops up in my schedule weekly/monthly and not everyday… his family would have something to say about that I am sure!) If you haven’t discovered Luke yet, please do.

He is the new canal laureate and a Senior Lecturer in Creative Writing at Birmingham University. He has published collections for more than 10 years, the most recent ‘Cain’ published by Penned in the Margins and has also just published a novel ‘The Transition’. transition-topping-books© 2017 Topping Books

https://www.toppingbooks.co.uk/events/bath/novelist-luke-kennard/

They had the tough job of validating dice scores and they did so with hilarious monologues/comments of worth and woe. As entertaining as the performers, although the performers threw us some very serious poem curve balls too.


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The five featured poets are all ridiculously talented writers and performers, and will converge on Birmingham from every corner of the country. It will be the first time Sky Hawkins (the North), Toby Campion (the Midlands), Kareem Parkins-Brown (London), Charley Genever (the South East), and Vanessa Kisuule (the South West) share the same stage. You may have seen some of them individually, of course, but the Dice Slam at Verve Festival really is a rare opportunity to check the pulse of poetry on a national scale at a single event. And to stop you feeling homesick, the local touch will be provided by our host, Birmingham’s own poetry powerhouse Amerah Saleh.

© 2017 Verve Team

Toby Campion reminded me of my time living in Leicester, he was very excited to be part of the Slam and grabbed hearts with his Midlands Poem. A conversation with the North and South… ‘you never acknowledge the Midlands, despite having been attached for thousands of years!’

Sky Hawkins opened the night with spectacularly hard hitting poetry. ‘Do not let the wolves teach your sons… especially if your sons are half wolves themselves.’ She was the overall winner. Receiving a massive 11 points from the dice.

Charley Genever stormed it- her Meal Deal poem went down particularly well. I liked the darkness of her poetry and that stunning flame/net mesh dress. (I know we shouldn’t belittle women by commenting on their fashion. I will mention Kareem’s bright orangey puffer jacket for balance here.) ‘A woman consumes in shades…’

Kareem Parkins-Brown performed his cake poem to great response. ‘I’d risk it for some lemon drizzle..’ and of course it opened the debate over Jaffa Cakes (biscuit)! Listen to it here: https://soundcloud.com/kareempb/cake (WARNING: Contains swearing, but you will hear how much the audience enjoyed his set).

Vanessa Kissule also pulled incredible set out of the bag having already enjoyed all other performances. I was immersed in the moment and was delighted to get to meet her briefly after the show. ‘Youth is made for bright colours and hemlines that hug upper thighs’

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It was a fantastic second night at the festival.


Dice Slam originated in the Netherlands when Bernhard Christianssen tried the format for the first time. There has only ever been one in the UK before and that was 6 years ago. (Before I hit the poetry scene or even started writing again.) No doubt it was brought to you by Apples & Snakes/ Bohdan Piasecki.

Photography unless otherwise stated © 2017 Waterstones/ Verve Team

Poetry Alight – Happy 5th Birthday!

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I have had a great week of poetry. It isn’t often (anymore) that I go to events back to back, but this week there was a run of three events, none of which I wanted to miss. They were all headlined by poets I know, whose work I know. (Warning: Some Fangirl moments may be included.)

The week kicked off with Poetry Alight, a night hosted by Gary Longden in Lichfield. We celebrated 5 years of PA and were treated to the room behind the main bar where the atmosphere was definitely set to ‘party’. Complete with handmade bunting and delicious interval cakes, this night was roaring. It was great to see poetry friends, some I haven’t seen for a while and those I saw a few weeks ago.

The open mic spots were wonderful. Steve Pottinger and Emma Purshouse treated us with floor spots. I was really looking forward to the headliners – Ruth Stacey and Ash Dickinson. It has been too long since I watched Ruth perform. Her set was amazing. Gary splits the headliners, so we get to hear them before the interval and at the end of the evening. Ash treated us to a mixed set from Slinky and Keys and threw in some new poems too.

I love watching the audience react to poets I know, who are new to them. I love hearing poets perform their words, words that I have on my bookshelf that they breathe ultimate life into. This is where the ‘power’ of poetry begins. The fusion of ideas stirred by the vocal chords that conceived them.

Ruth performed some of her Foxboy poems. This was her debut pamphlet published by Dancing Girl Press and is one close to her heart. Based on real people and real issues faced. It is deeply moving and resonate, even though I have never suffered from issues or opinions of ethnicity I key into the emotions in place in this collection. The wandering and the wilderness. I am glad Gary Longden requested her Bear poem too.

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It was lovely catching up with Ruth and hearing all about what she is currently busy with. There are some people I really miss seeing regularly and Ruth is one of them.

Ash was brilliant too. He has very recently performed in Derby, Burton and Stourbridge so he was endeavouring to deliver a set without repeated material. He had a set list that after his first half he had hardly touched, this relaxed approach (I blame the bunting), worked because we got to hear poems he may not have performed otherwise. I fell in love with his Camden notebook, a work of middle earth art itself. It was a delight to hear some newly penned poems as well as gems from his  collections. I want posters* of his Coffee poem, ‘If I Miss A Coffee’ and Fridge poem, ‘Chiller Queen’ and I love ‘Method Poet’ particularly as I trained as a method actor.

*And I don’t even have posters anymore!

“She never loved me more than when I was a flower.”

 

Ash Dickinson is a writer, poet and comedy performer.

A multiple slam champion- including Edinburgh and Cheltenham- Ash won the BBC Radio 4 Midlands Slam in 2009. In the previous BBC National Slam in 2007 he progressed through the Scottish heats, eventually finishing among the top 8 in the UK. Ash was runner-up in the 2011 UK All Stars Slam.
In the summer of 2011 Ash embarked on a six-date feature tour of Canada, a country where he also performed in 2006 (including the Winnipeg Fringe Festival). He has performed in Australia, the United States and New Zealand where he was invited to perform at the 2002 New Zealand Festival. In 2012, Ash was flown out to both Spain and Jordan for literature events, and in 2013 he headlined a show in Berlin, Germany. In 2016 he was flown out to Prague, Czech Republic to run workshops.

Ash had a four-star rated one-man show at the 2004 Edinburgh Fringe Festival and the following year formed part of Scotland’s renowned Big Word during its run there. He has appeared at the Cheltenham Literature Festival, the Glasgow Comedy Festival, the Bristol Poetry Festival, The Larmer Tree, In The Woods, The Wickerman, the Stratford Poetry Festival and The Camden Crawl among many others. He has headlined shows throughout the UK and performed at venues such as Ronnie Scott’s (London), the Colston Hall (Bristol), Oran Mor (Glasgow), Jupiter Artland (West Lothian), Stowe House (Bucks) and The Jazz Cafe (London). He has shared bills with many national and international poets as well as comedians such as Frankie Boyle, Miles Jupp and Andy Parsons.

Ash has been widely published in newspapers, magazines and poetry presses. He has compered busy cabarets and music nights, performed at private and corporate functions and supported bands. He is in heavy demand to run poetry workshops. His media appearances include BBC Radio, The Times, The Scotsman, The Guardian, Metro and Sweet TV.
Ash’s debut collection, “Slinky Espadrilles”, was published in 2012 by Burning Eye Books. His follow-up, “Strange Keys”, was released in April 2016.

Ruth Stacey is a writer, artist, and lecturer. Her debut collection, “Queen, Jewel, Mistress”, was published by Eyewear July, 2015. Her pamphlet, Fox Boy, was published by Dancing Girl Press, June 2014. She designs the covers for V Press poetry pamphlets and was part of the Vaginellas; a collective of female poets re-imagining classic forms of poetry.

Carolyn Jess-Cooke wrote of her debut collection thus : “The significance of this book (Queen, Jewel, Mistress) as a work of art, however, is in its reclamation of history from the female perspective. That the poems themselves are brilliant, almost all of them adroitly executed, makes me want to stand up and give the book a round of applause. There is mastery here, boldness, and a lively assertion of what poetry can give to the historical imagination. This is a book that deserves widespread acclaim.”

Gary Longden © 2017

It was a fantastic night and I thoroughly enjoyed myself. I liked being described as a poet on the great conveyor belt of Worcestershire’s talented poets and the whole event inspired me to get scribbling new material. The cakes were gorgeous and to top off the wonderfulness that was Tuesday evening, Ash bought a copy of Fragile Houses. Beam.

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January in Review

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typewriter-1227357_1280 2017 started well with lots of diary dates, events and writing time. Of course it was also back to work after a fortnight (unpaid) break. Much needed. I made it back to Ludlow to support Claire Walker who was one of the Headline poets alongside Matt Black. A little like not realising two years had passed since I last watched Ash Dickinson perform, I cannot believe a year has passed since I last went to the Poetry Lounge in the Sitting Room! This time warp has to do with working for 18 months on Fragile Houses I think. Months slip by fast and the first thing that has to go when you shackle yourself to the desk to write is faraway events.

Week 1:

Poetry Lounge in the Sitting Room with Jean Atkin in Ludlow, it was lovely to see everybody again and I hope to make it back before 2018. Matt Black (who I first years ago at a special event we both performed at The Ort in Birmingham  (2014), more recently we shared the floor in Birmingham at Stirchley Speaks (my Headline, back in October). headline-stirchley-speaks-oct

He was entertaining and as we had all had a conversation about vegetarianism on the journey over, apt poems in his set made us giggle.

Claire Walker was amazing, I do not think I will ever tire of hearing her perform from The Girl Who Grew into a Crocodile. She also treated us to some new poems from her next pamphlet collection.sitting room

I completed a lot of research for current writing projects and groups. I also completed a collaborative project set up in December and worked hard on submitting poetry. I had fun writing about Leonard Cohen and am keeping my fingers crossed that the editors will enjoy the results.

I missed Buzzwords in Cheltenham.

Week 2:

In December I submitted to 7 places and the rejections rolled in from 3 of them this week. We all learn to handle this but one publication in particular was dealing with a subject close to my heart and it made me a little glum that they hadn’t taken my work. They did send feedback including details of the process that the poem they nearly took went through. I will not be perturbed. Another rejection cited that the pieces weren’t best fit this time but encouraged resubmission.

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Back in 2015 I had three poems accepted for an anthology by Shabda Press on Nuclear Impact. We all signed contracts in 2016 and it has been a real labour of love for Teresa Mei Chuc who has now got the project to final proof stages. All proof read and returned and I cannot wait to see the result. The readings are all taking place in the States but I am currently looking at the logistics of video performance.

The cover has been revealed featuring the Artwork of John Sokol. Cover Art: “On the Road to Perilous” nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol I could write more poems just from a glance. This book will hopefully be in our hands later this year.

I went to SpeakEasy – where Brenda Read-Brown was headlining and what a set she treated us to. New work, powerful work, emotive (I nearly cried twice), honest and filled with passion. I was really glad that I was able to make it and witness such a performance.

I shared some new poems and gave Fragile Houses a rest, most of Worcester have bought it already and as I headlined last month and read most of it and as the last poem in there was written in 2015, I fancied sharing something newer.

I went to Stanza although I was so tired I was not much use to others and the poem I had written half an hour before leaving didn’t quite work. I do not see the point of taking perfectly polished work to groups – unless perhaps it’s a poem that has been unsuccessfully submitted a few times, in which case new eyes are good. However, I need to give my writing a chance to sit and simmer for a bit so perhaps I should try this year to get a poem ready the week before. Give it some breathing space. It is hard when you feel so attached to something, too vulnerable.

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Sadly at the weekend I said goodbye to Sally Grainger who has been my Assistant Writer for WWM Spark Writers group for the past 9 months. We had a full house for her final session and ran a great group on Scriptwriting. It was fun. I am sad to see her go.

I received exciting news about a new Literature Festival which I am currently organising a showcase/event for.

Week 3:

I spent my time mainly at work, in spare hours I was organising the festival event, missing deadlines, proof reading and writing comic poetry.

Last year I was invited to take part in a one off (now to be repeated as it was so successful) Baldy Poems presents Kings and Queens of Comedy in association with WLF (Worcester LitFest). I love the idea that WLF are fundraising via event charge at one off events throughout the year to help fund/pay for the summer festival. It is a great idea and I have loved the events that have popped up so far.

I was honoured to be one of the 6 performers (we had 8 on the night with Kieran Davis and a Special Surprise Guest joining us). I have only written about 5 funny poems and the two I had ready for this event have not seen the light of day since 2015, so I decided to emulate BaldyPoems style and kick out 6 new ones. That and I needed the material to cover a 10 minute set. More on this later.

I missed David Calcutt at Smokey Joes in Cheltenham – Poetry Refreshed and sadly I missed Clive Osman’s Waterstones book launch for his debut collection ‘Happy’. Both nights looked to be good. I had taken on extra work and with a gig Thursday night and Friday needed to sleep.

After almost 2 weeks of working full-time, I finally finished on Thursday at 5:30 and then headed over to Birmingham with Mr G and a friend, in birthday celebration mode. We went to see THE BLUE AEROPLANES at the Hare and Hounds (where UB40 played their first gig) and it was exceptional. I am so glad that I was filled with the charm of performance because it set me up for the following evening for Kings and Queens of Comedy.

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I was so nervous – worried that the audience wouldn’t find the dusted off material funny, But I forgot the universal appeal of my moustache poem, the magic of proto-type props and the delight of people who have never heard this one before. It was also funny because people who know me know that I am funny, I just do things that amuse people as I have no logical bone in my body and I have a quick, dry, wordy wit… in fact there was a turning point once upon a time between poet and comedian. The world breathes a sigh of relief.

Anyway because a lot of people now on the scene weren’t back in 2014 when I played the clown a little more, they didn’t see me as a funny poet and were quite shocked at the billing. There are now at least two people who will never take me seriously again!

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To read a full review of the evening click here

And then I had a well deserved weekend off to catch up with Mr G and writing.

Week 4:

Saw happy news and my first acceptance of 2017. That collaborative project I mentioned earlier was with Claire Walker. The result was a meeting about prompts, shared ideas, word lists and after writing editing together. After a few weeks we had a poem written by each of us from working with the other and a joint poem written line by line. The acceptance was a the poem Claire Walker wrote called ‘The Puzzle of an Ending’, a beautiful title and a hard hitting poem. It was the strongest of the collaboration.

It delights me that it exists because of an opportunity I found and a risk I took (asking another poet to partner me and risk rejection, that lack of self-belief/inner critic we all have to deal with). Fortunately, Claire was only too happy and we enjoyed this rather intense poetry pocket in our otherwise Christmassy/family orientated holidays. There will be more to come. And I am doing something here I first dreamed of in 2014. Happy.

I spent the night, along with many poetry friends at the Kitchen Garden Café, Birmingham for Jacqui Rowe’s ‘Poetry Bites’. The featured poets were David Calcutt & Claire Walker (fellow V. Press poets) and Jacqui announced (which most of us already knew) that they are going to publish her first collection this year too. Her ‘Ransom Notes’ was the first pamphlet of the run in 2015 from the round I applied successfully for in 2014.

ransom Poetry Bites was a packed out night, it is so sad that this is Jacqui’s final year, but it is a phenomenal achievement to have hosted and supported such an abundant amount of poets over the years. The atmosphere was great and there were some top class floor spots as well as a V. Press collective, Kathy Gee was also reading from her collection Book of Bones.

I really enjoyed reconnecting with Brumside poets I had not seen in a while, as well as listening to some inspiring and thought provoking sets.

Maybe it was the double dose of Americano coffee, or the Kitchen Garden cake… I came away buzzing and refuelled with an extra layer of poet-y energy!

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I wrote new poems for Burn’s Night, which was celebrated at 42, in Worcester on the 25th. I even made a badge – Lewis tartan, of course. I have thoroughly enjoyed finding out more about this 18th Century rascal. It was a great night, intimate and full of heart – but not lungs or liver (haggis pun)!

I missed a workshop with Ash Dickinson, that had I not been performing in the Quiet Compere/ Wolverhampton Literature Festival the following night, I may have tried to get to. It was just a little out of range geographically and no way I could have got myself there on time after work without the help of a helicopter and pilot… neither of which I have. Oh, to be a rich girl! So I just have to brush away the disappointment and hope for another opportunity in the future.

This brings us to the finale of the poeting week – the first literature festival to be held in Wolverhampton and a great line up of events across all genres. I was lucky enough to be one of the ten poets on the bill for Sarah Dixon’s Quiet Compere Event at the Art Gallery on Friday evening.

What an evening it was. Fabulous line-up, including two poets who are new to me (always a pleasure), Tom McColl & Gerry Potter. What a venue, the room was majestic and had one of the best backdrops to poetry I have ever seen. The setting was incredible. It was a wonderful night and I was still buzzing the next day. You can read the full review of the event and find out more about the performers here https://awritersfountain.wordpress.com/2017/01/28/quiet-compere-wolverhampton-literature-festival/

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I got home to find emails about up and coming books and spent a while chatting to the other buzzing poets online. A fine night.

walsall-arboretum I finished my weekend at Open Poetry at Walsall Arboretum with David Calcutt and an amazing number of poets on Sunday. Despite the horrible rain, bad driving conditions and leaving a ton of work on the To Do List, I headed out for some poeting fun.

It was a great couple of hours, lots of moving and humorous work was shared. I met some new poets and saw John Mills, who had battled the unnavigable roads of Walsall to experience David’s event for the first time. walsall-arb © 2016 Walsall Arboretum

Then I spent a horrendous amount of time sorting out unread and unmanaged emails instead of completing applications which I now need to do tomorrow after work. There are lots of deadlines in the next 72 hours and I plan to hit them all.

Wolverhampton Literature Festival finished with a Poetry Slam that Nick Lovell won and Willis – a.k.a Rick Sanders came 2nd and Rob Francis, 3rd. Well done, boys! An all male sweep. I was sad not to be able to go to the festival this year. Other plans had already been made. Hopefully they will do another one next year.

The Extra Few (Writing) Days

Mainly spent Monday night at the computer pulling a 6 hour shift (after a day at work), writing new material, researching, organising events, writing applications and submitting. There are so many end of month submissions and I have been busy enjoying myself and thinking the end of the month was a while away yet and here we are. I am pleased that I have managed a few more submissions as I have not been keeping the resolution of weekly output, as advised by another poet.

Obviously there is a certain amount of selectivity both in terms of material, feel, attitude, time etc. My aim is for monthly submissions, which should be entirely achievable – as the months missed last year were to do with the final editing process of the pamphlet.

I will spend the final day of the month (in the evening, after work) getting productive with my next To Do List and making final submissions too.

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There are so many exciting things planned for February already, I can hardly believe we have reached the end of January!

I hope you had a good one, filled with spirit and joy …. oh and writing!

 

The Quiet Compere – Wolverhampton Literature Festival

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I am excited whenever new festivals pop up, especially when they are not too far from home. Due to busy plans and the Verve Festival in a few weeks, I am not able to go to all the events I would like to this weekend. If I had a magic wand and teleporting superpowers I would also go to:wolves-lit AFTERNOON TEA – WITH WIN SAHA & BERT FLITCROFT, ARUN KAPUR + ABDA KHAN + ROMALYN ANTE + SABBI KAUR & MARTIN SHONE, BLACK COUNTRY VOICES – Dave Reeves & The Nailmakers’ Daughters, BONES PRESENTS……. A LIL SOMETHING DIFFERENT, ROY MCFARLANE and THE LIFE & TIMES OF THE TAT MAN by DAVID CALCUTT and possibly more.

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Tonight was brilliant, it was great to be part of an event on the opening day of the festival (27-29th). The Quiet Compere – conceived and hosted by Sarah Dixon.

THE QUIET COMPERE

with Sarah L Dixon, Leanne Bridgewater, Jess May Davies, Kathy Gee, Nina Lewis, Holly Magill, Tom McColl, Gerry Potter, Steve Pottinger, Polly Stretton & Heather Wastie

It was such an enjoyable night. The room in the gallery was very impressive. I really want to go back to the Gallery to just take a look at all the work on display. We had to walk through the Art and Writing space, I took a quick look at the exhibition during the interval.

It was great that an audience showed up and there weren’t too many empty chairs. During the first half the mics were set up quite a distance from the audience, this was changed by request during the interval. I just presumed cable length shackled us to the back of the room. It has to be the best backdrop ever though!

It was such a fantastic night and lovely to hear comments about my set, which went down well… despite last minute nerves of ‘I have chosen all the wrong poems!’. The 10 minutes flew by and I really enjoyed performing. I was very nervous before, but think I covered those nerves well once I had the mic in front of me.

I really appreciate having the opportunity to perform in the Quiet Compere again, we did one in Worcester in 2015. https://awritersfountain.wordpress.com/2015/08/01/quiet-compere-tour-2015-stop-6-worcester/


All photography © 2017 Sarah Dixon

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Sarah Dixon, Poet, Quiet Compere, Amazing Lady! I had the privilege of reading the workings of her new pamphlet that she shared poems from this evening. It was the first time I had heard her read them though, always adds to the power.

qc-polly-robinson Polly Stretton kicked off the evening (Sarah always goes first, knowing how we all hate that opening slot) the first of ten poets – sharing fairy poetry (she has many) and once again I had the inside track on part of her set as she tested it out at 42 this week. She opened her set with a poem about Evelyn Glennie and a tambourine. Fine set.

Next came Holly Magill. qc-holly-m I love Holly’s poems (and wardrobe). It was a great set and good to hear the audience reaction from those who had not heard her before and didn’t know what to expect. As always the serious mixed with a good measure of fun.

Then it was my turn Nina Lewis.qc

I thought long and hard about which poems to read. For a week I carried my notebook and pamphlet in my work bag. I had such a shocking week at work that both stayed in my bag as I didn’t have a moment to ponder through them.

Then I had my Burns set to be ready for the 25th. Fortunately I chiselled out some time on Friday to get myself ready. We were performing in the Art Gallery so I wanted to use some of my artefact/art inspired poetry. There was also a table filled with goodies (all of our books and wares) so performing from Fragile Houses also seemed like a good idea.

I shared the runner up poem from Worcester Porcelain Museum Competition ‘The Unfading Cornflower’, then my poem for Marina Abramovic ‘Unfolding’, then one of the Arthur Rackham inspired poems ‘Buckled Air’ before moving onto the pamphlet and ‘Fabricious Avenue’ (my only 52 poem on colour), Fortori and Your Gift to finish the set with a poem about my parents.

qc-leanne-bridgewater Next came Leanne Bridgewater who threw fruit into the mix (literally)! I was looking forward to watching Leanne’s set as it has been a long while since I have seen her performing her own work. She educated us all about Veganuary. Veganuary aims to reduce the suffering of animals by inspiring and supporting people across the globe to go vegan for the month of January. She handed out fruit in support of this gesture. Then she read from her book, Confessions of a Cyclist, which has such playful content inside.

To complete the five in the first half was Tom McColl.

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Tom stepped in to fill Bobby Parker’s spot. Tom is based in London and was one of the new to me poets. A good mix of serious and amusing. I really enjoyed the humorous material included in his set.

During the interval I was able to catch up with people and whizz around the gallery downstairs. I was really looking forward to the second half.

Which after more from Sarah was started by Heather Wastie.

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Now, I have always loved watching Heather, for the past year she has been busy working on Idle Women and also let Mouth & Music go after facilitating the Open Mic night for many years, so with the exception of a performance here and there it has been ages since I have had the pleasure of watching her on stage. I thoroughly enjoyed the set and so did everyone else.

Then Gerry Potter, who was the other new to me poet.

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Gerry is from Liverpool originally and is a lively spoken word performer. His material took me back to my birthday trip to Liverpool last summer and I started scribbling all sorts of things in my notebook, whilst watching his set (I can write without looking at the page) and my brain can just about listen and write if I don’t focus on the writing. I have not re-read these notes but if they become poems ever, they were inspired by Gerry’s set which encapsulated life, childhood and the city.

Jess Davies followed.

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Like Heather, Jess is another poet who hosted an open mic event, so although I saw a lot of her last year I had not heard her poems for a long while. I was delighted to hear new poetry and witness a brilliant performance. I really enjoyed her set.

Kathy Gee was next.

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She treated us to poems from her Book of Bones and some from The Suite for the Fallen Soldier, a choral project Phil Mountford was commissioned to create. Kathy wrote the narrative suite. I love Kathy’s poetry too, thought provoking and highly crafted. Words you muse over long after the final line. She bravely risked a newer, political poem too. It was a great set.

The Suite for the Fallen Soldier

http://suiteforthefallensoldier.com/

And finally to complete the great night of poetry we heard from Steve Pottinger.

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Again I have seen Steve perform recently but it has been a long while since I saw him headline at Mouth & Music. It is always great to hear a longer set from performers like Steve. Like listening to a whole album rather than enjoying a few tracks. I thoroughly enjoyed the set and he did a grand job closing the night. Like Kathy, he bravely performed a very freshly penned poem too, less than a day old.

It was a fantastic evening, I am still buzzing from the atmosphere now. It was great to meet new people and see old friends and to experience the incredible Wolverhampton Art Gallery. exterior_wolverhampton-art-gallery1536ls

© 2016 Artfund.org Artfund

Also incredibly grateful to have shared the journey with Kathy Gee, who saved me from facing the prospect of driving to the city. We spent the first part of the evening enjoying the wonderful interior of the Posada. An incredible Real Ale pub steps away from the gallery. Well worth a visit the_posada_wolverhampton_4327682633 © 2010 Wikimedia Commons

wolverhampton-posada-publicbar1 especially if you like Heritage pubs or real ale!

Congratulations Sarah Dixon on another fine QC Event, I hope you enjoy the rest of the festival and all the city has to offer.

RELATED LINKS:

http://www.wolvesliteraturefestival.co.uk/the-quiet-compere/4593202795

http://www.wolvesliteraturefestival.co.uk/

BaldyPoems Presents the Kings & Queens of Comedy

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An extra special event created by Kieran Davis, A.K.A Baldy in association with Worcester Lit Fest happened Friday 20th January at St Swithun’s. It was a magical night of fun, I have not laughed so much at poetry EVER! My face hurt, there was not one act that didn’t raise a smile and often snorts, groans and full on belly laughter.

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It was a brilliant gig to be a part of and I am grateful to Kieran for allowing me to be part of it. People who weren’t around the scene in 2014 missed my brief dabble with funny poems. My repertoire is small, about 5 poems – so for this set I emulated the style of BaldyPoems and wrote 6 new ditties.

Kieran started the night in style he was the compere for the evening and not only treated us to Baldy Poems in between acts but also some stand-up, one liners too. We started in black out darkness with an exceptionally funny joke and after a few Baldy Poems we moved on to the opening act:

John Lawrence kicked off the evening, his set was brilliant and even performed my favourite poem about DIY. John is a clever writer and I have always loved his lighter side poems.

Neil Laurenson was next, I miss hearing Neil’s poems, his wry, sometimes dry sense of humour. He made us all laugh (and many of us panic – who goes for a run before a gig?!), it was a pleasure.

Nina Lewis I was next I performed two poems written in 2014 for Mouth & Music. Adjectives Poem – Online Dating (which I think I managed the backwards pose with a little help from the mic stand) and the ever famous Moustache Poem. In between I used my new little ditties, the charity collection one became an audience favourite. It was great performing comic material, not being serious and liberating to wear a big moustache.

 

Unfortunately I didn’t take any photos until the 2nd half (apologies to John and Neil) and the quality of my phone camera has a lot to be desired.

Baldy kicked off the second half of the evening, sharing some of my favourite BaldyPoems and one or two that produced gasps rather than groans. He performed my all time favourite ‘Vase’ poem. Kieran was a great MC and should be very proud for pulling off such an entertaining evening.

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Our Super Secret Surprise Guest was Peter Sutton who treated us to a walk through his family album where we did our best to guess the rhyme, with some hilarious results.

Mark Kilburn, who is another favourite poet of mine, introduced his set as serious and depressing, I knew he was pulling our leg but there was a concerned murmur in the air as his initial poem started in a serious way. He was off course, only joking and treated us to laugh after laugh and a slightly different persona in his final poem.

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Catherine Crosswell who I recommended as a Queen of Comedy delighted the audience with her wordy magic and some French thrown in for good measure, not to forget the singing. She has such a beautiful voice. I was delighted that Catherine came to join this event, for the past few years her heart has been stolen by theatre and since the passing of our good friend Clive Dee, there has not been a Confab event in Malvern. I have really missed Catherine and it was lovely to see her at a happy occasion. The audience loved her.

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And to top the bill the featured performer, Mogs. Who is a master at comic poetry and was an excellent choice for King Headliner. I loved hearing his Panda poem again and The Fart that ended the World. With some passing reference in introduction to Trump.

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It was a stellar line up and a successful, enjoyable night. I for one cannot wait to do it again. Well done, Baldy! What was also super is that there was a good turn out – events need audiences and this one was a winner.

 


The Wonderful Promotional Work of Baldy Poems.

JOHN LAWRENCE

Folks, the time has come for us to announce our first poet in our Kings and Queens line up. A drum roll, please…

Shout, cheer, and get wildly excited for the wonderful… John Lawrence!

Who? Oh, that John Lawrence! The chap of advancing years who pops up now and again with gently funny verse, then hides away in his fortified castle in Redditch, writing occasionally, until the next time he ventures out on his white steed.

Isn’t he also the author of The Secret Five and the Stunt Nun Legacy, that mirthful/irksome (delete as appropriate) Blyton parody? Yes, that’s the one.

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NEIL LAURENSON

Folks, stop what you’re doing and perk up your ears because we’re about to announce the second poet for our comedy line-up. John Lawrence will be joined by the humour, wit, and satire of… Neil Laurenson!

Neil has read at poetry events across the region, including the Wenlock Poetry Festival and Ledbury Poetry Festival. His debut pamphlet Exclamation Marx! was published by Silhouette Press last April, and you can find details of the book – including how to purchase your own copy – in the following link: http://silhouettepress.co.uk/shop/exclamation-marx-by-neil-laurenson/

A round of applause, please, for our latest poet to join the line-up!

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NINA LEWIS

Ahem! We have another announcement to make, folks! Joining our stellar line-up of laugh out loud performers we have the wonderful, the talented, the hilarious… Nina Lewis!

Nina is widely published in poetry journals and anthologies, including Abridged, Fat Damsel Take Ten, Hark, Here Comes Everyone (HCE), I am Not a Silent Poet, New Ulster Poetry, Nutshells and Nuggets and Under the Radar.

Nina was a runner-up in the Worcestershire Poet Laureate Competition 2015/2016 and often performs at spoken word events and literary festivals. She was commissioned to write and perform poetry on ‘ecology and the city’ at the Birmingham Literature Festival in 2014.

Nina’s work also formed part of the poetry trail for Wenlock Poetry Festival, and can be be found in the vaults of the Municipal Bank as part of an International Dance Festival and 21 Haiku, used for an Art Installation at the MAC. Her debut pamphlet ‘Fragile Houses’, was published by V. Press last autumn.

A round of applause, please, for the lovely Nina!
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MARK KILBURN

We’re going to need you to stop what you’re doing and perk up your ears, ladies and gents, because we have another announcement to make. Joining our court of comedians this week we have the hugely talented Mark Kilburn!

Mark Kilburn was born in Birmingham and lived for a number years in Scandinavia before returning to the West Midlands in 2004. Between 1994-6 he was writer in residence at the City Open Theatre, Arhus, Denmark, and in 2002 was a recipient of the Canongate prize for new fiction.

Between 2004 and 2005, Mark was on attachment at the Birmingham Repertory Theatre and in 2012 his poem about the London riots, Milton Friedman Talks Disaster Capitalism in a Burning Hackney Diner, won the AbcTales.com poetry competition.

Most recently, Ballad of a Claret and Blue Boy, a poem celebrating Aston Villa, was featured across the club’s digital media prior to the 2015 FA Cup final. Mark’s novel, Hawk Island, is available from electronpress.com

Clap, cheer, show your excitement for Mr. Mark Kilburn!

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CATHERINE CROSSWELL

Ladies and gentlemen, it’s about time that we announced another poet! Joining our stellar line-up now we have the wonderful… [pause for dramatic effect]…Catherine Crosswell!

Catherine Crosswell is co-organizer of ConFab Cabaret, a Malvern-based cabaret night with lashings of poetry. She is an untidy wife, bidet doubter, list lover, writer and performer. Catherine lives in Malvern where she was the 2013 Poetry Slam champ and also the 2014 Runner-up in Ledbury.

November 2016 saw her poetry published in Voices of 1919 and Doctor Who, A Time Lord for a Change, in an exciting adventure with the Drabbles. She is a proud Vaginella and is currently writing two musicals.

For more information on Catherine and her work, you can check out the following links: catherine.crosswell.co.uk catherinecrosswell.wordpress.com

Whoop, cheer, and brace yourselves for laughter with Catherine!!

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MOGS

With just a handful of days left before our poetry-packed night of comedy, it’s about time we let you folks know who your headliner for the evening will be. None other than the glorious, the hilarious, the much-loved… Mogs!

Mogs was a teenager when he wrote his first poem and song. By the time he retired, he had a smallish collection of what he refers to as ’tripe’. Since leaving work he has joined three writing groups and writes as often as he can. So he now has a large collection of tripe (much to the delight of us all, as Mogs’ ‘tripe’ is a true treasure).

A few years ago he discovered that he could make people listen to his tripe, so for the past decade or so he says he’s been inflicting his poetry on open mic audiences. Luckily for them he rarely sings.

Mogs, a well-loved poet and performer in the Worcestershire area, has audiences in tears (of laughter) with his witty and well-worded, pun-riddled poetry. As a winner of the Worcestershire Literary Festival’s Rubber Sword, Mogs truly is a King of Comedy.

Ladies and gents, we give you your headliner – give it up for Mogs!

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RELATED LINKS:

https://kdavisfanclub.wordpress.com/

https://worcslitfest.co.uk/2017/01/19/baldypoems-presents-are-you-ready-for-him/

And what Kieran didn’t mention is last year he was the winner of the Rubber Swordplay. WLF Comedy Award.

https://worcslitfest.co.uk/2016/06/14/rubber-sword-won-by-kieran-davis/

 

December Review of the Month

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Everything starts to wind down in my writing world during December, which is lucky as everything else winds up to Christmas and I think I would pop if something didn’t give.

Week 1: (which was only 4 days)

I put in a bid to review an anthology which a few poetry friends appear in, it looks like a great quality publication and I am gutted I knew nothing of the submission for it. I do not think my application was successful as they had the launch in December, but I tried.

I also went to Permission to Speak, Rob Francis’s night in Stourbridge at the Scary Canary. Rob booked Ash Dickinson as the headline act, it has been over a year since I’ve seen him perform.1 Ash DickinsonPerhaps longer. Last time was Digbeth, Birmingham. I was also doubly excited because he has a new book out and I was able to grab a copy – which I then saved to be my Christmas read, but also borrowed 3 Christmassy novels from the library and with actually celebrating festivities and catching up with family and friends, I ran out of time to read it. It has become my New Year book instead… now my January book. It is my next read and has overtaken a whole shelf of poetry still on my must read radar.

Thanking Jonathan Davidson for teaching me to support poetry by buying books (back in Sept. 2013), I would love time to read them all. One day I will have my landing book nook and an hour a day to indulge.

It was an exceptional night, (despite the mic stand completely playing me up). Part of my set was ‘Fragile Houses’ which is a serious book and it made Ash feel comfortable to step away to his more serious work too. Which went down a storm. So I was glad that my set persuaded him to mix his up a bit. Very brave.

What I did manage to do was re-read his previous collection – (bought last time I saw him in Digbeth), I love having the poet’s voice in mind as I read their words. I had forgotten how stonkingly good ‘slinky espadrilles’ was. It was a delight to hear some poems from this, his first collection at PTS.

adameve It was actually 2014 when I last saw Ash perform. How time flies when you’re writing poems. The photos I took of Ash are trapped on an old phone, so you can make do with a 2014 lazy Sunday version of me instead.

If you fancy ordering a copy of Slinky Espadrilles (2012), which remains one of the top selling titles, you can follow the links below. Or maybe you would rather treat yourself to the latest collection Strange Keys (2016) … both published by Burning Eye books.

http://burningeye.bigcartel.com/product/slinky-espadrilles-by-ash-dickinson

http://burningeye.bigcartel.com/product/strange-keys

A great night at ScaryCanary and I also picked up a copy of Rob’s new pamphlet ‘Orpheus’ published by Lapwing. It was his first reading from it. orpheus-1st-reading

I have since watched him perform from it at SpeakEasy and he has a few more dates in the Midlands, up North  and soon down South too.

28th Jan – Wolverhampton Literature Festival @ Wolverhampton Art Gallery
16th Feb – Stanza @ The Exchange, North Shields
25th Feb – The Black Light Engine Room, Middlesbrough

More dates may be added soon in Folkestone, Leeds and London

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Rob is also donating all of his profits for this book to charity. £25 was raised by initial sales for the village School feeding scheme in Namibia. I am not entirely sure if this campaign has now closed as the crowdfunding page has finished. Know that if you buy a copy, Rob has donated profits so far to this cause.

Ordering Orpheus – please contact R. M Francis https://www.facebook.com/RMFrancisPoet/

I also returned Heather’s projector which I had used for the Book Party event to show my Fragile Houses Poetry Films. Over Christmas I discovered my mum had been given a projector through a contact in education (they were upgrading), after it served no use to my mum she gifted it forwards – not releasing her poetry daughter was about to embark on Poetry Films… so if any of you know of anyone getting rid of a working projector at any point I would be very interested. My car has also gone over the clock (100,000) with all these poetry gigs, so if anyone has a decent 2nd or 3rd hand car to sell also let me know!

My friend Caution Poet had a couple of events at the Anchor Gallery, Birmingham where he was generously selling artwork and giving away copies of his latest collection of poems. On the same night there were Christmas Spoken Word events at The Ort. But my relatives were up from London and it was my Gran’s birthday so I missed all the poetry and went to celebrate with them instead.

I was asked to perform at the Mistletoe Festival in Tenbury Wells. In the end Myfanwy and Peter Sutton made it and I am in conversation about 2017.

I had my winter solstice poem ‘Burn All the Clocks’ accepted by Three Drops From a Cauldron at the end of November, but don’t think I mentioned it on the last review. It is going to be published in the Midwinter Anthology.

Week 2:

I continued to make Poetry Films and missed Hatstand – I have missed all the events hosted this year under this new night. I hope they continue in 2017 and that I may make them. Monday night is a tricky one with teaching the next day.

I worked on the Writing West Midlands December session, prep and planning. I missed Gary Longden’s Poetry Alight and Roz Goddard’s Stanza Christmas Party to go to Stirchley Speaks, which was a great night.

I also worked on two projects which at this time were in initial planning stages. The one has been signed, sealed and delivered and is already forging new developments into 2017. The other is ready to start in February, on a date that I have been asked to perform as part of a Peace Day at Coventry Cathedral. Both events are geographically too far apart to manage in the same day. I hope to get involved with Antony Owen’s next event in the summer. In the meantime I am writing poems to be read on the day.

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December sees the return of SpeakEasy at the beautiful Cafe Bliss and, to rid you of your Winter blues, we’re bringing along with us the wonderful Nina Lewis!

Nina has had poetry published in many publications over the years and has recently celebrated her first solo publication, Fragile Houses, published by V. Press. A wonderful poet with a back catalogue of hard-hitting and beautifully crafted verses, Nina Lewis is definitely an act worth seeing.

I headlined SpeakEasy in Worcester. It was a great night – there are some photos I need to track down. My non-poetry friends came to support me and Café Bliss was packed. It was a great night although one of the most nervous I have been (home crowd and all that) and there were about 8 close poetry friends (and regulars at this event) who couldn’t make it so I was supressing the paranoid part of myself for most of the evening. I did manage to enjoy the open mic spots and the atmosphere was brilliant.

My set went well and I sold quite a few copies of Fragile Houses. I even performed one of the poems I didn’t envisage ever being able to perform in public. That may be the only time I do. So for all the people who were there that was a first and last.

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As with all things the 8th December when I headlined clashed with other events, The Grizzly Pear where I missed Bohdan Piasecki and Leon Priestnall and also the Nine Arches Press Christmas Party.

On Friday I had one of the most exciting meetings of the year and some delicious cake! I missed Caution Poet’s second event and Clive Osman Performing from his new book ‘Happy’ at the P Café as I had a lot of writing work to submit and a WWM to prepare.

On Saturday we celebrated the end of term with a workshop on Fiction and a slightly Christmassy session for WWM. To prove how talented the writers are in my group there was an entire page of the plan I discarded as they were already there. Great when young writers don’t need all the input. They, like me, are passionate about learning the craft.

Week 3:

My final week of real world work and I booked workshops for the Verve Poetry Festival (Feb.) with Kim Moore and Sarah Howe, I met both these talented poets this year and cannot wait for this treat – which was a Christmas present from my Mum – even better when these experiences are free! I missed the booking at Swindon on Kim’s workshop due to getting a little lost finding the new venue. So I am doubly looking forward to the magic.

I helped organise accommodation for the Quiet Compere (January) Wolverhampton Literature Festival.  I started working on a collaborative project which will see 3 new poems written (and submitted) in as many weeks. I worked on general submissions, getting the last bit of writing done before the Christmas break.

I had also been asked (in October) to produce a writing prompt for Squiffy Gnu (an online writing/ poetry group). The deadline was the 14th and although it had been on my radar for a while I couldn’t start to work on it until after I had headlined SpeakEasy.

I am really proud of myself for coming up with an original idea and not copying someone else’s groundwork. I have yet to actually attempt the writing myself and have only read a few of the outcome poems, but again I plan to carve some time out to do this next month. It was fun to be a guest poet and an honour to be the last one of the year. Thanks to Chris Hemmingway for this opportunity.

I missed Luke Wright and Jasmine Gardosi headline at Howl, again next year HOWL is already in the diary for February, it has been a shame to miss this events as it is always a great night. Once again I will blame work and distance.

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There was a Christmas Party for the Walsall Arboretum poets which I couldn’t attend originally because of work. However, that day work was cancelled and I had hoped to make it after all. I was buried under a self created submission mountain though and it was in the middle of the day. I heard they had a good time.

Instead, the following day, I treated myself to the Poet Christmas Party (like a works do but better), just three of us meeting up for lunch and pretending it was our annual do really! I made the mistake of drinking a glass of wine as I wasn’t driving, but I had forgotten that I skipped breakfast and hadn’t yet lined my stomach. So I guess I was entertaining.

I missed Attila The Stockbroker and Caution Poet Man Down on Friday night as it was Stanza and I had missed the previous two months and really wanted to go.

It was a great and Christmassy evening.

Week 4:

Christmas and my hibernation from my poetry skin.

In the Greenwood Shade – my poem about the Frog Prince (initially started at a workshop with Angela France) was published by Three Drops From a Cauldron in the December Issue.

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https://threedropspoetry.co.uk/2016/12/23/three-drops-from-a-cauldron-issue-ten/

Update – The Write Year – Summer is here

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I have updated The Write Year page to include reviews of June to August.

https://awritersfountain.wordpress.com/the-write-year/

 

 

A Month and a Half of Hindsight. Review of August

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Another late review.

August was filled with lots of celebrations, it was my birthday (for about 3 weeks), in fact my final official celebration is in a few weeks, unfortunately I have since found out I have double booked the last day of Stratford-Upon- Avon poetry festival to visit a unique seafood restaurant where you cook on volcanic rock. Which will be just as fabulous as watching 10 poets perform and possible just as sizzling!

Review of August

Week 1:

I had 5 poetry events lined up back to back and only managed one, mid-week (I think I was still in recovery from all the driving on Welsh roads). It was a poetry canal boat trip, which I even experienced being the tiller and we were fine until one of the pirate captains aboard announced I was steering and then I lost it and freaked out. In my defence I had relinquished control to pirate no.2 by the time we hit the bank and it was a narrow bit! It was great fun and lovely to meet new people. I scribbled a lot in a notebook, but have only managed one poem so far.

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I continued to organise INKSPILL and got stuck into house things – all of which are (for the 3rd year) ongoing. There is so much to do, it can be hard to see the effort making any difference. But I am beyond scratching the surface now, which is good.

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Linda Bromyard © 2016

Week 2:

I used Skype for the first time to have a face to face editorial meeting with my publisher. I cannot believe I haven’t skyped before, but there you have it!

I also organised for some poetry friends to come and perform at my family birthday do, I was thinking they may refuse the idea, but were all delighted and it was wonderful to share part of the party with them and part of that side of my new life with my family.

I sent messages of gratitude to all poets acknowledged in my pamphlet. There are many people who inspire me and have done from the start. People who knew about my book in 2015 and recognised (being more experienced) that the eagerness and drive to get it completed was going to need some nurture and explanation and acceptance on my part.

I went to HOWL, performed a poem from my pamphlet *am I mentioning the book again? Had lots of positive feedback on the power of the piece. Which was great because I am only 100% sure of the power of the ending. Good to know the rest works too. To be fair, if it didn’t, it would never have been selected and accepted as part of the collection.

Charley Barnes was performing her 2nd in as many months featured slot. I remember how exciting this was for me at the tail end of 2014 when bookings started to roll in and I love Charley’s reaction to it all. I remember the feeling and it is lovely to share that time with any poet, especially one you are close to.

I watched Mike Alma and Pip feature at SpeakEasy, they have been enjoying a new-lease-of-life collaboration, even recorded their work. Having the backing of Pip’s guitar and the words of some of Mike’s most powerfully emotive poems, is a treat. I performed a set that went down well, lots of great performers on the night. A thoroughly enjoyable event and a packed one at that.

speakeasy Mary Davis © 2016

Final editing proofs were signed off and I started the next lesson, seeking endorsements.

I was absolutely delighted to hear back from both poets within 24 hours and doubly excited to hear they both accepted the proposition.

I had a meeting at Shakespeare’s Birthplace in Stratford-Upon- Avon, with Roy MacFarlane, who is currently the poet in residence there. I got to look around the house and everything. I was also inspired to write in the gardens and have one poem that I have written from those notes.

Finally, even as I write this, I can’t believe this is all just one week, Kieran Davis launched his debut poetry collection ‘Laguna’, with Black Pear Press. Kieran’s take over of Worcester in promoting this event was phenomenal, that man has feet, will travel and knows a thing or two about marketing. Worcester News Poet’s Dream Year

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Week 3:

Saw Ben Parker arrange a poetry night at The Swan Theatre, where he is the Poet in Residence. Unfortunately I couldn’t attend as Mr G and I were going away again, this time for my birthday, this time to Liverpool to celebrate The Beatles. Life is never going to be the same again after The Cavern sing you Happy Birthday, not sure even volcanic rock will top that one!

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We had a great whistle stop tour, including the Magical Mystery Tour, saw all we wanted to see, did everything we wanted to do and had one recovery day before my family party and the great poetic performances from Kathy Gee and Maggie Doyle, who I am so glad came and celebrated and showed my family how great this not-so-secret-world of mine can be!

 

Week 4:

Saw the endorsements for my pamphlet returned and the final stages of production were put in place.

I attended a workshop facilitated by Angela France, where we used historical documents to generate writing, I could have happily sat there and read them all day. This was a really great source of inspiration and I have a notebook brimming with ideas to tackle when I next manage some writing time.

I sent an unbelievable email out to try and entice another Guest Writer to INKSPILL (currently still in negotiation). My bravery fuelled by my post-Liverpool/ birthday high!

I started researching website development and builders. I was told in 2014 to get a webpage, every writer needs one and my head cannot even come up with any excuses as to why it has taken 2 years to action this, I think I was waiting until I knew I had something to offer.

I met up with fellow poet and friend, Claire Walker for tea and cake to celebrate my birthday. On our birthdays we indulge each other in writery gifts and I have a particularly funky pen, which she suggested I should use at my book signings. I just might!

I took a new poem to our Stanza group, we had a lovely evening, so balmy that we left the front door and garden doors open for air.

I discovered Brian Patten is visiting in October and was tempted to book a ticket, although it is festival season and I haven’t as yet, but I just might have to.

Worcester LitFest took over the book benches in Crowngate over the weekend and I really wanted to join the team to write poetry on demand. But I had a busy week and lacked energy. This was the week I painted the summer house, it took 3 days.

A full on month on every scale. I love August!

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