Category Archives: Review

A word from Nina…

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The end of a 6 month commission, my longest yet.
Thanks to the team at Rugby Library for ensuring it was an amazing experience.

Thanks also to Roz Goddard for approaching me for an application and the WMRN for making it possible!

I was on a beach in Devon when I found out my bid had been successful and I will always remember how wonderful that news felt.

Warwickshire Libraries

I was delighted to have the opportunity of being a Reader in Residence for WMRN and was excited by the prospect of my 6 month residency at Rugby Library.

Over the residency I ran workshops, wrote blog posts, devised a reading challenge and was invited to close the residency as a Pop-up Poet for Mother’s Day, writing bespoke poems for Library users.

I managed to get an article in the local paper as a way of encouraging non-library users to take advantage of this free Mother’s Day card with unique poem and it was very busy. Demand was so high- I extended my time, ending only when the Library had to close. I was able to offer staff cards and poems as well.

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My links with the library and the team were always positive. It has been a pleasure to work with such enthusiastic, supportive staff.

As Reader in Residence…

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Mighty Force – Poets, Prattlers & Pandemonialists!

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I have had the pleasure of knowing this lot since 2014/15. Back in 2016 Emma Purshouse, Steve Pottinger and Dave Pitt banded together to form Poets, Prattlers & Pandemonialists, a year later their show was created.

It premiered at the Arena Theatre, Wolverhampton in April 2017 before they toured around the country and completed a successful run at the Edinburgh Fringe.

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“This isn’t just poetry, it’s storytelling, and most importantly it’s theatre. Glorious theatre, framed in a manner which gives space for the work to shine but keeps the audience on the edge of their seats throughout.” – Neil Reading, Director of Arena Theatre.

“Excellently framed, excellently delivered. The right amount of peaks, troughs, and misty-eyed bits.” – Matt Panesh, Artistic Director, Edinburgh Free Fringe.
“Chaucer with scratchcards.” – Jimmy Andrex, poet.

Now these three poets are industrious so alongside their show they created Yes We Cant a night of Spoken Word at Pretty Bricks in Walsall,  a pub that does indeed have pretty bricks. 34b10f6f8294900e524a14bf8ffdc85c

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I was fortunate enough to make their opening night back in June, Jonny Fluffypunk and Paul Francis headlined and it was fabulous!

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Fast forward almost a year and this monthly event is still going strong.

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And earlier this year the Wolverhampton Poetry collective announced a new project to raise the profile of poetry in and of the Black Country. They managed to obtain an Arts Council grant which enabled them to roll out a whole programme and get other local artists involved. The Black Country Broadsheet was produced which includes commissioned poems, videos have been made and professional photo shoots have been enjoyed.


CASEY BAILEY • BONES • JEREMY GRANT • R.M. FRANCIS
MOGS • RICK SANDERS • MARIANNE BURGESS

are the other poets commissioned for the project (see Rick, you got your commission, no more writing about fake ones).

 

Poet Steve Pottinger said: ‘This project is all about taking poetry to people who don’t think they like it, who don’t know it’s being written and performed in pubs and clubs around them, and who may never have attended or enjoyed a live event.

So, if you’ve got friends who you think might be interested, please tell them about it. We’re doing everything we can to show them the best local, contemporary performance poetry.’

Black Country Artsfoundry © 2018

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The project showcases the poets across 5 free events and has done just what they hoped it would. New poets have been found, some bravely taking to the mic for the first time (and blowing us out of the water!) and new to poetry people have decided it is not a bad night out after all.

  • Dudley: 9 April, Cafe Grande, 7pm – Jeremy Grant, Rick Sanders aka Willis the Poet, Marianne Burgess, Dave Pitt
  • Walsall: 16 April, The Pretty Bricks, 7pm – Emma Purshouse, R.M. Francis, Mogs, Bones
  • Great Bridge: 19 April, Great Bridge Library, 7pm – Steve Pottinger, Emma Purshouse, Jeremy Grant, Rick Sanders aka Willis the Poet
  • Stourbridge: 9 May, Claptrap, 7pm – R.M. Francis, Mogs, Steve Pottinger, Casey Bailey
  • Wolverhampton: 15 May, The Lighthouse, 7pm – Bones, Casey Bailey, Marianne Burgess, Dave Pitt

Due to a hectic work schedule, editing, writing and NaPoWriMo (I can hear Dave Pitt chuckling), I was not able to make the earlier dates. But watched as the internet steamed away on adrenaline filled reviews and knew that I had to catch this wave.

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So Stourbridge was penned in the diary and despite being truly creamed by work, I went! They were all in a similar state having lived the highlights of Swindon the night before at Oooh Beehive.

beehive Despite this, energy was not lacking as Dave MCed us through an incredible night of words.

I have not made a PTS for some months and it was great to be back in this wonderful venue, sitting next to Rob who was enjoying a night off from jumping up and down on stage and instead was able to enjoy the evening.

Everyone performed phenomenally well and it was great to see/hear new talent too.

Mogs performed a brilliantly funny set as always, treating us to some of the best from his book of children’s poetry. pypwl-front-cover

It was great to catch a whole set from R.M. Francis, thoroughly enjoyed and I realised it had been a while since I experienced Rob’s poetry back to back, good to hear him in full flow again.

Steve Pottinger performed some of my favourite recent poems of his, I love his train journey to Mars, no spoilers… okay, they terminate in Wolves…

Casey Bailey was his usual, incredible self. Playing his adopted by Wednesbury card to pacify the Brummie in the room situation and celebrated his latest collection ‘Adjusted’.

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https://caseybailey.bigcartel.com/

It was an incredible night and I am so glad Claire Walker sent a message saying she was going because it has been ages (or at least feels that way) since we caught up and was lovely sharing such a special night with friends. Plus Claire and I are booking some special work of our own in, we hope before the summer. I shared 3 of my 30 NaPo poems and a t-shirt quip. Shame I wasn’t wearing a poetry t-shirt, that would have won battle of the bands for sure!

Great to catch up with a room full of poetry friends and to be back in the Black Country, to see first hand one of the 5 events in this programme and to be able to tell them what an epic group of poets they are on feedback forms (well, if you do go and get Arts Council funding). I may not have written the word epic but I said some very pleasant things that I know someone else magpied (stole) for their feedback form.

If you can, catch the next one on the 15th May, you will NOT be disappointed!

And if you want to catch their original show head over to Stoke-on-Trent.

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April Review 2018

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This month saw a return to full time work and as a result I missed a fortnight of poetry I had planned. Which I still haven’t really forgiven myself for.

Week 1: 

Started with the Easter weekend and some time offline. I registered AWF on napowrimo.net and spent most of my time organising the long overdue exhibition at the Jinney Ring of our Sculpture workshop poems.

I am also involved in a Shakespeare Birthplace Trust project with local schools in Stratford-Upon Avon and received letters from two children who I then wrote a peace poem for. I made that sound easier than it was, the one child requested a humorous poem. I have a repertoire includes about 20 funny poems (which sounds a lot, but I have been writing for 4 years now)! I had a 6 day deadline and the poems had to be received by post. I managed 2 poems which I am proud of and hope that they are excited to be working with a Laureate.

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I started the long process of editing and digitally compiling the Special Edition of Contour Poetry Magazine. Proof copies were sent out in March and now I have to fix edits and complete the desk top publishing, due to work commitments I know that it will be May before this issue is live. I had hoped for an April release originally.

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I have worked on ATOTC A Tale of Two Cities since July 2017, one of the first long term Poet Laureate projects, it has been an amazing project which saw poems exchanged between UK and USA partners throughout 2018, all copy was back on my desk by March and after all the hard work of the 47 people involved I want the issue to be the best that it can be. I would rather take more time over it than hash it out this month, I simply no longer have time scheduled for it as other items, events and work have to take priority.

Even when these magazines are seemingly ready they have historically eaten another 14+ hours in the end process of conversion and upload.

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I worked on the Suffragette Anthology – now live over at the Worcestershire Poet Laureate site Suffragettes Anthology.

I had a workshop in Stratford with Angela France, we wrote about trees and it was warm enough to sit in the garden, unfortunately a sunny day + Easter break saw Stratford full of tourists and this meant our usual haunt was not available for lunch. Sitting on a wall opposite the river chatting with Angela was a bonus though.

The following day I was facilitating a workshop with the Basement Project, I booked 3 with this charity back in November as part of my local Laureate work. The charity support young people 16-25 who are or are at risk of becoming homeless. It is a great team there and I have already established work with them post-Laureateship, which is great.

Find out more about them here.

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I started NaPoWriMo and over the weekend took some of my Napo poems for editing treatment.

I finally got to see Idle Women on tour – it had been nearly a fortnight since I inhabited the world of poetry, due to tiredness I missed 42 at the end of March and had not been out to a poetry gig since Earth Hour.

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It was the 2nd time in as many weeks I had had the pleasure of going out with my mum, we saw the ROH ballet at the Artrix the Tuesday before and then shared Idle Women.

Idle Women is theatre/spoken word/poetry/music, read the review here https://awritersfountain.wordpress.com/2018/04/11/not-so-idle-women/

They still have tour dates in May, catch this show if you can. You will not be disappointed.

Week 2

I continued to write a poem a day for NaPoWriMo.

I took the Sculpture Poem Exhibition to the Jinney Ring. It is now on display in the restaurant near the entrance, an entire wall of poetry. They are able to keep it up for the next month and this means that when we have our Hanbury Reading at the Church in May, the poems will still be at the Craft Centre for visitors to go and see. Also I am hoping that this will in turn promote the next Sculpture Trail workshop in September 2018.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/09/poetry-exhibition-at-the-jinney-ring/

 

 

I started to write copy for the Worcestershire LitFest Festival Programme, the Poet Laureate Review, traditionally this has been half a page, I requested a full page and still edited out over 200 words! I had a lovely evening out with poetry friends.

I had my final workshop at the Basement Project planned and got up early to prep for it, unfortunately it was cancelled as some of the mums who had booked their children onto it were unable to make it. I will hold another Junior workshop in October half term.

I wanted to go to Scary Canary for Permission to Speak as Natalie Burdett – a poetry friend from 2014/15 who is now doing a Phd in Manchester and has just had her pamphlet published by the Poetry Business. http://www.poetrybusiness.co.uk/natalie-burdett I missed her set and the entire evening as Mr. G was on a course in Worcester and I met up with him afterwards for a Cinema date, we weren’t home in time, plus we had just been on a date. ‘Lovely date, thanks darling – just going out poeting now.’ wouldn’t have gone down too well!

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I missed SpeakEasy which Tony Judge was headlining due to a backlog of work. I am currently writing an evaluation for the WMRN and was prepping for poetry festivals and working on ATOTC.

I am also involved in a poetry/art (PoARTry) project in Ledbury which is being led by Rick Sanders, it is his 2nd time running this project. He partners poets and artists – like the football pools, I was paired with Molly Bythell, a talented young graduate who creates amazing collages and paints in oil. Her work screams story and it has been a great collaboration so far. https://mollybythell.com/

I missed Stanza for the 2nd month (my poor unedited poems) as I was too tired and was actually asleep by 8 PM which would have been rather impolite on someone else’s settee!

I spent my final weekend of freedom with Mr G. and did some work on the house and a little editing on ATOTC. 

Week 3

Full time work (my first time in 5 years) arrived kicking and screaming on my doorstep.

I continued to write a poem a day for NaPoWriMo.

I missed the Me Too event at The Hive, Case Bailey in the Jewellery Quarter, and Sean Colletti at Dear Listener.

Most of my free time in the evening was spent recouping from the day. Emotionally and physically! I managed to write a review for BMAG on the Hackathon experience and started writing my Verve Review for Sabotage. I was also asked to do a Poetry Surgery at the Anchor Gallery in Birmingham as part of the work Nellie Cole is doing there.

I managed to get to Jenna Plewes Book Launch, it was a sunny evening and very pleasant to spend an hour or so listening to her poetry from her new V. Press pamphlet Against the Pull of Timejenna pullI will be writing a review of the Launch in May.

 

 

 

 

 

I had my Sparks Young Writer group (WWM) at The Hive on Saturday which saw the welcome return of members to the group and we were also witness to a group of Librarians helping move a gigantic fish through the ground floor of the library. There was a procession of some sort down to the river, elements of which found there way into our writing.

Week 4

I finally got the European Twin Town project between Droitwich Spa and Voiron off the ground. I had been working on this WPL project since July, mainly at a committee level and like with all these projects it was a slow start, but perseverance pays and by the beginning of 2018 I had a french contact who put me in touch with a poet, Alain Graiz. Alain helped me find other poets from Voiron and by February/ March I had communicated with all involved. Again I had hoped to get the exchange up and running by March.

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I am happy to say that it is now in full swing, some poems have already been exchanged. It is a much smaller project than ATOTC and the full collection of poems should be live before the end of my Laureateship (10th June).

Read more here.

I received news of my Grant Application but have so far been locked out of the system. So I have no idea if my bid was successful yet or not.

I spent the week preparing for Cheltenham Poetry Festival and Bohemian Voices and getting incredibly nervous over the fact I have not performed poetry for a month! That must be the longest length of unintentional abstinence ever! But what I have learnt is it is hard to facilitate projects, write new poetry, edit magazines, teach and still find the time to perform! I needn’t have worried. What I did is over rehearsed and then I don’t think anyone would have thought – she clearly hasn’t read for a month!

I have been doing NaPoWriMo throughout this whole month, occasionally falling behind a few days and playing catch up. To produce 30 poems in a month in no mean feat. I am also working on something more too.

I researched the Nation’s Laureates for a post over at the WPL site for St. George’s Day. https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/23/st-george-the-poets/

I missed the Bare Fiction Launch and 42 (for the 2nd month running). I wanted to save my energy for Cheltenham Poetry Festival and the last fortnight at work has been exceedingly hard going, so I had little energy to spare to travel to events.

Cheltenham Poetry Festival arrived, funny when you are booked so far in advance it seems forever in the diary as coming up… then suddenly one week it is days to go. I was slightly gutted that I had been invited to do Stablemates with Jill Abram in London and missed it because it was on the same night. Sarah went in my place and it sounds like they had a great time.

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Cheltenham Poetry Festival was excellent, as it always is. Just a shame work meant that I wasn’t able to get to much other than on the day I was booked. Cheltenham Poetry Festival I made it for the Indigo Dreams Showcase which was at the same venue before my Fragile Houses reading. I will write a full review post next month.

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The following evening (events are like buses) I had the pleasure of being one of 5 artists involved in Bohemian Voices, organised and MCed by Steve Soden, he used to run these events in London and the experience at the Jinney Ring was probably as far from his original nights as you can imagine. It was a great night and I will link the review back to this post. (That goes for all the promised reviews of…)

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I had a fantastic evening and was delighted by the surprise appearance of my mum and Aunty.

With little time to recover from a 2 night fix of poetry (which certainly made up for missing a month of it), I had a Book Launch.

This weekend also saw Birmingham Literature Festival Spring Edition, which I totally missed due to bookings and other commitments.

The Book Launch on Saturday was in Walsall at Southcart Books for Diverse Verse 3, a charity anthology edited by Richard Archer, it was a beautifully relaxed event with plenty of opportunity to catch up with friends and Richard, myself and Rick Sanders were interviewed for the West Midlands Magazine, more on that soon I hope. Click the link for the full review.

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https://awritersfountain.wordpress.com/2018/05/15/diverse-verse-3-charity-anthology-book-launch/

I finally finished the month with a submission – not sent any poems anywhere since March!

I also had to write Q&A for Australia – Western Australia Poetry Festival – for the promotion and marketing and complete my review of Verve Poetry Festival and my evaluation for WMRN. That is a lot of midnight oil after a day at work!

 

NEXT MONTH:

Priorities in May include: Finishing WPL projects, tying up the reviews for WMRN Reader Residency for Warwickshire Libraries, organising poets for Artsfest events, performing and discussion at Midland Arts Institute, possible participation in a Heritage Project, a workshop with Ash Dickinson, a poetry judge at Sarah Leavesley’s Book Lauch for How to Grow Matches, being a poet at the Living Library, Headlining Poetry Bites (my first Headline for a while) and more, including new writing and Ledbury Poetry Festival – oh, yes and work!

 

NaPoWriMo 2018 A Review of a Week of Poetry 3

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This was my first week back at work and a week that saw 3 performance events, all of which I missed (due to lack of energy and work). I held it together just enough to manage a poem a day. I found my time with NaPo prompts therapeutic, a small part of the day carved out just for me.

Week 3: 

  1. (19) Not of Eve (Written about the White Witch)
  2. (20) Rules of the Game (A poem based on the rules of Badminton)
  3. (21) Wið færstice – For a Sudden Stitch (A Poetry Spell)
  4. (22) On Display (Reverse text)
  5. (23) Contrast (Erasure)
  6. (24) A State of Disobedience
  7. (25) Narcissus Flower

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Week 1 Poetry 

  1. Best Before
  2. The Sea Jewel
  3. The Home at Christmas
  4. Apology
  5. Bring Me The Shoes
  6. Wordle Band Name
  7. Pudding Protest
  8. In the Park
  9. Picking Blackberries
  10. Note at Preached/ Preached to Neat / A Taped Coherent / Open at Detacher

Week 2 Poetry

  • 11. Cotton To 
  • 12. The Tiny Objects of a Vast Mind
  • 13. World Going
  • 14. White Matter Change
  • 15. Apple
  • 16. The Difficult House – Poem Beginning with a line from Sean Nevin
  • 17. Keep the Light
  • 18. Remover

NaPoWriMo 2018 A Review of a Week of Poetry 2

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Nearly halfway through NaPoWriMo 2018 and here’s how it looks:

Week 1 Poetry 

  1. Best Before
  2. The Sea Jewel
  3. The Home at Christmas
  4. Apology
  5. Bring Me The Shoes
  6. Wordle Band Name
  7. Pudding Protest
  8. In the Park
  9. Picking Blackberries
  10. Note at Preached/ Preached to Neat / A Taped Coherent / Open at Detacher

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Week 2 Poetry

  1. 11. Cotton To 
  2. 12. The Tiny Objects of a Vast Mind
  3. 13. World Going
  4. 14. White Matter Change
  5. 15. Apple
  6. 16. The Difficult House – Poem Beginning with a line from Sean Nevin
  7. 17. Keep the Light
  8. 18. Remover

 

RESOURCES:

 

NaPoWriMo Week 2 Review

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WPL Wordle 3 Napo small I certainly had less time for writing this week with a diary full of doing. This made it very important to carve out some time for NaPo Writing, often just before the day’s end (which is a good time for my creative thinking).

I enjoyed the resources, articles, example poems, interviews and ideas that came from this week’s NaPoWriMo prompts and they have enabled a range of completed poems and a few I need to spend more time with.

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When I had time and the prompts appealed, I managed more than one poem, which is all in preparation of having to fit full-time work in, starting next week. It has been a couple of years since I last worked a full week and my poetry schedule has not diminished because of it. I have a Poetry Surgery to run, a special edition magazine to edit, reviews to write, sets to rehearse, I am performing at Cheltenham Poetry Festival and as 1 of 5 performers at Bohemian Voices this month too. There are also some book launches and event nights I hope to manage.

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I started the week with 2 missing days (Day 6 & 7) from Week 1, so I had to catch up with those poems too, which I managed by Day 9.

Day 6 used ‘Poetic Lines’ (Alberto Ríos’s article on the Poetic Line), I wrote Picking Blackberries, which is a poem I have carried in my head since the end of March when I started my poetry/Art collaboration with Molly Bythell.  I enjoyed this experiment, I tend to write in short lines, so it was a challenge.

Day 7 explored different layers of identity, I had my powerful and vulnerable voices talk to each other, a contest between the former teacher and the poet, the poet wins of course! I played with anagrams to find the final title – Open at Detacher (which has several meanings to me).

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  • Cotton To 
  • The Tiny Objects of a Vast Mind
  • World Going
  • White Matter Changes
  • Apples
  • The Difficult House – Poem Beginning with a line from Sean Nevin

Day 8 I wrote a dedication to Mr. G who puts up with the poetry me. Cotton To.

Day 9 A poem in which something big and something small come together. I spent a long while exploring the art of  Atlanta-based Desirée De León and not writing the first poem I had (learning from ’52’). I sat on it for a while before creating  The Tiny Objects of a Vast Mind.

Day 10 Saw another PoArtry/ Dementia Poems surface. One was an anagram rhyme which was fun to play around with World Going.

Day 11 used number sequencing and resulted in White Matter Changes.

Day 12 I used both the Naponet and Poetry School prompts. I wrote a haibun about where I live called Apples and a poem borrowing the first line from Sean Nevin The Difficult House. I enjoyed both techniques. I am happier with my 2nd poem.

This summer I will be travelling a lot and the history of the Haibun being used to almanac travel has given me an idea though!

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Day 13: Keep the Light – a poem using syllabic pattern.

Day 14: Remover – A redux/Chain poem.

 

Week 1 Poetry 

  1. Best Before
  2. The Sea Jewel
  3. The Home at Christmas
  4. Apology
  5. Bring Me The Shoes
  6. Wordle Band Name
  7. Pudding Protest
  8. In the Park
  9. Picking Blackberries
  10. Note at Preached/ Preached to Neat / A Taped Coherent / Open at Detacher

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Week 2 Poetry:

  1. (11) Cotton To 
  2. (12) The Tiny Objects of a Vast Mind
  3. (13) World Going
  4. (14) White Matter Changes
  5. (15) Apples
  6. (16) The Difficult HousePoem Beginning with a line from Sean Nevin
  7. (17) Keep the Light 
  8. (18) Remover

Verve Poetry Festival Live Blog

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Verve Poetry Festival Poetry Parlour

http://vervepoetryfestival.com/poetry-parlour-with-imtiaz-dharker-live-blog-nina-lewis/

and Verve Poetry Festival Hit the Ode Tech Special

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Verve Day 1 Thursday 15th Feb.

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WOW! What an amazing night that was. I was up until the early hours writing my first Verve Festival Blog posts, high on post-event adrenalin. I will share the links as soon as the posts go live. Until then enjoy these harvested clips and shots!

Poetry Parlour with Imtiaz Dharker and Hit the Ode Technology Special were superb< understatement!

Poetry Parlour with Imtiaz Dharker

Cynthia Miller Pat Edwards Cynthia Miller © Pat Edwards 2018

Imitiaz Dharker Jane Commane Pat EdwardsPat Edwards © 2018

Imtiaz Dharker in conversation with Jane Commane

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Cynthia Miller © 2018

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Hannah Swings © 2018


Hit the Ode Verve Technology Special

Our three featured poets for the Hit the Ode Tech Special – Tomomi Adachi, Yomi Sode & Hannah Silva – all use technology in their performances. These poets bend technology to their will, using it to inform, enhance and warp their words. They achieve what Tomomi Adachi describes as ‘an intermediary between poetry and music, and it doesn’t mean poetry plus music, its something in between.’ 

Verve Poetry & Spoken Word Festival © 2018

HTO Gaia Harper

Bohdan Piasecki Hosting HTO – Gaia Harper © 2018

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Tomomi Adachi pre-wearable tech. Verve Team © 2018

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Tomomi Adachi – Hannah Swings © 2018

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Hannah Silva & Tomomi Adachi -Bringing the magic. Hannah Swings © 2018

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Yomi Sode – Hannah Swings © 2018

And for those who missed it all, snippets from the amazing HTO! Enjoy!

I went home after nearly 5 hours at Waterstones with this ringing in my ears…

Verve Official Blogger Links to be shared soon.

#verve2018

 

Verve Ready!

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For the next 4 days I will mainly be living at Waterstones, Birmingham for the Verve Festival of Poetry & Spoken Word.

It was a delight last year and I am ready for the pleasure again this year. It will be amazing!

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A packed programme awaits.

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I cannot begin to express my excitement! Hoping the exclamation marks will do.

I am also this year’s official blogger for the Festival, so watch out for links to the Verve blog over the next few days, I promise it will make you feel you are there too!

Post festival I will be shutting myself away in a dark room to write a review of the entire Festival for Sabotage Reviews (as I did in 2017), all incredibly brilliant.

Come hear world-class poetry and write your own poems at our workshops and masterclasses at Verve, Birmingham’s Festival of Poetry and Spoken Word, taking place Thursday, February 15th – Sunday, February 18th, 2018 at Waterstones Birmingham. For full details of our programme and the poets that will light up the Verve stage.

© Verve Poetry Festival 2018

Thursday 15th February

18:30 – 20:00
Poetry Parlour with Imtiaz Dharker
20:30 – 22:30
Hit The Ode: Verve Technology Special
Our three featured poets for the event – Tomomi Adachi, Yomi Sode & Hannah Silva – all use technology in their performances. These poets bend technology to their will, using it to inform, enhance and warp their words. 

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http://vervepoetryfestival.com/

Monthly Review January

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January started with a very Happy New Year and then winter germs got the better of me. Instead of starting back into the world of poetry (after a 3 week break), I had to miss Stanza and Cheltenham and spent the entire weekend in bed!

Week 1:

I usually break these posts into weeks and there is nothing to report for Week 1 other than I managed some time at the desk and whizzed off all the business emails which needed to be sent. There are several Worcestershire Poet Laureate projects I am working on: a couple of exhibitions to organise and a Transatlantic Poetry Project. I am also researching funding for the summer and have several events to prepare for.

I had my first successful submission for the MIND anthology, who are publishing ‘Human’.

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Week 2: 

Mr G. gifted me the Mslexia Diary (which I have wanted for years) and it was full of work this week. I saw Casey Bailey headline at Licensed to Rhyme on Monday and practised my ‘Light’ poetry set for the event in Stratford-Upon-Avon later this month.

It was a lovely evening, even if I wasn’t 100% better. It was good to reconnect with everyone after Christmas. It was a good evening of poetry and my spirits were lifted.

On Wednesday I went to Permission to Speak where Claire Walker was headlining with her new pamphlet Somewhere Between Rose and Black

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A good evening with a mixture of poetry and prose and again lovely to reconnect to Black Country poets and the PTS crowd. Rob Francis was on top form and there was a good amount of audience as well as performers. A thoroughly enjoyable and lively evening.

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Claire is a well-known poet throughout the West Midlands. With poetry published in various online and in-print collections, AND two solo publications to her name (The Girl Who Grew Into A Crocodile and Somewhere Between Rose and Black), Claire has a wealth of heartfelt material to draw from. Her poetry is intricate, gentle, and beautiful – and she’s the perfect antidote to your January blues.

On Thursday I went to SpeakEasy where Claire Walker was headlining – it was fabulous to see a good crowd and lots of new faces. I enjoyed listening to all the sets and also had a sneak preview of Suz Winspear’s new collection ‘The Awkward People’ – her Book Launch is on Sunday and I am one of the Guest Poets.

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On Friday I discovered a writing opportunity that I wish I could have applied for but looking at next week’s schedule would have had to let a lot of people down, so I resisted the temptation. Needless to say it would have been a wonderful experience, but after Christmas it is equally important to earn some money. Arvon, is all I am saying!

I missed an application for a commission/project which was also a paid opportunity, it involved doing some work in London and the dates that were offered were once again already fully booked, so I did the sensible, honest thing and didn’t apply.

I am hoping that the holes created by these two lost opportunities will be plugged later this year with shiny, new ones, when the good karma coach comes back around.

I did discover two new opportunities that I could get my teeth into, one is an electronic study course that I should start receiving emails from tomorrow and the other is a Roadshow which may be beneficial to my funding research. This clashed with  the Cinnamon Press Showcase at Waterstones, frustratingly on the opposite side of the city but it was postponed, so I haven’t missed it after all.

I was due to spend part of the weekend at a Room 204 Talk but it has been postponed due to the facilitator having what I had at the beginning of the month.

On Sunday I received news of another 3 poems being published. One ‘A Hands-on Approach’ is a strange duck from NaPoWrimo 2017 is to be published in the Diverse Verse Anthology later this year. Deborah Alma put a call out for #Me Too poems and although mine did not make the collection (due to being too similar to work already accepted), they will appear online on the website. Vik Bennett – editor of Wild Women Press is working with Deb compiling a digital legacy for the project. I received two proof copies to read through and just had time to get my ‘Akward People’ set compiled and rehearsed for Suz’s Book Launch.

Suz Winspear’s Book Launch for The Awkward People was a fabulous afternoon, plenty of people turned out on this cold, wintery day to enjoy her work. Guest Poets included myself, Holly Magill & Kevin Brooke and Kieran Davies was MC. After a short introduction from Rod Griffiths (Black Pear Press Publisher) we had an entire afternoon of poetry to enjoy. Suz was in her element and it was great to hear her read from this new collection.

I of course bought myself my very own shiny book and had Suz sign it. A thoroughly enjoyable book launch and I cannot wait to read it cover to cover.

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Week 3: 

Cheltenham Poetry Festival Marketing got underway. I will be performing in the festival April 26th. Nina Lewis

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It is the 8th year and Anna Saunders has produced the biggest programme yet. Booking information here.

Read the first promotion post.

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There were a few events I missed this week which I would have liked to attend, but I am busy writing and producing projects, so I think a Radio Slot, a Roadshow, a writing group and a performance at a special event is enough for one week. I am also preparing for Wolverhampton Literature Festival (WoLF) next week.

I worked hard on trying to secure a funding bid for a Summer project. I finally managed to book a WPL Radio Slot on BBC Hereford and Worcester, due to work October was my last broadcast.

On Tuesday I headed over to Birmingham City University for the British Council Literature Roadshow presented by Writing West Midlands. The evening included a presentation from Cortina Butler, the British Council’s Director of Literature and was a good opportunity to network. I am keeping my fingers crossed now for my funding application.

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Saturday saw my WWM Sparks Young Writers Group in Worcester where I planned the session around more generous Christmas gifts from Mr. G. We looked at Science Fiction and created our own alien characters in preparation for longer writing in our February session.

Sunday saw a special event at the Kempe House Studios in Stratford-Upon-Avon with Cordula Kempe and Angela France. I sent three themed poems in December and two were picked, one of which was written in Angela’s December Workshop on Light and Colour. It was an inspiring evening, read more about it here.

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Week 4+:

Again there were events I would have liked to attend, but this year is all about balance and focus and when you are in training no distractions can compete. I had a meeting planned to follow up Workshop work from last year WPL and the possible next leg of the project, unfortunately I have had to postpone it due to paid work.

I spent a large amount of time preparing for applications and working on AToTC – A Tale of Two Cities, my current Transatlantic WPL Project. I also had a lot of work on (after a drought of 5 months this is no bad thing but typically comes at a very busy period).

I managed to get to Poetry Bites which is now hosted by Elaine Christie and Matt Nunn after Jacqui Rowe bowed out at the end of 2017 after running the event for a long time. It was a wonderful, successful evening with Guest Poets Casey Bailey & Claire Walker.

Claire Walker is a Worcestershire poet, her poetry has appeared in magazines, online and in anthologies such as The Chronicles of Eve, her first pamphlet, The Girl Who Grew Into a Crocodile, Claire is a Poetry Reader for Three Drops Press, and Co-Editor of Atrium poetry. Casey Bailey is a poet, rapper, songwriter and a secondary school senior leader from Birmingham. He runs Bailey’s Rap and Poetry, as well as workshops in rap, poetry, music and song writing. Waiting at Bloomsbury Park is Casey’s first collection. © Live Brum 2018

 

 

 

Casey Bailey                                                                              Matt Nunn

 

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© Elaine Christie

 

Wolverhampton Literature Festival (WoLF) was my main focus this week, I started promoting across social media. The festival is in the 2nd year with an amazing Arts Programme. Friday 26th – Sunday 28th.

I performed as part of a 5 person collective organised by the Wolverhampton Arts Festival Team. Our reading was in the Art Gallery on Saturday 27th 3:30 PM

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

WoLF COLLECTIVE: NINA LEWIS, LAURA LIPTROT, MAURICE MALCOLM, SOPHIE SPARHAM & ROSINA TROTMAN

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http://www.wolvesliteraturefestival.co.uk/

http://www.wolvesliteraturefestival.co.uk/poetry/4593175102

 

 

A full review can be found here.

 

Week +

And finally the last few days of January were filled with desk work. Organising the final submissions for Contour Poetry Magazine, the deadline is the 1st February.

Working on my response poem as part of the ATOTC project and collating the work coming in as well as managing the 20+ poetry partnerships involved. In a moment of pure inspiration I decided to approach the Mayor of Worcester and ask if he would write the Foreward for the digital publication, he agreed. I am delighted. The project celebrates the cities.

I started planning the only official WPL event on my remit – World Poetry Day 21st March, seeking venue, securing performers, devising crazy (erm, I mean creative) ideas for the event.

Preparing for school workshops and meetings about them.

Researching and writing poems for 42, this month’s theme (chosen by Tim Stavert) Rag and Bone Man… I loved the idea, then I started trying to write… left it a fortnight, did a little background work, searched my memories and finally have a fairly rounded set including a spectacular 42-ish Haiku, political commentary wrapped up in a Tanka and a wonderful poem which is actually an acrostic. Happy with a couple of them.

42 Worcester was the final event of the month. Next month apart from the Verve Festival of Poetry and Spoken Word I will mainly be working from the desk. I have a billion things to do and prepare with workshops in February and March and writing schedules to keep. Contour magazine coming out and the special edition to work on.

I knew this time was coming and feel now, it has very much arrived. Of course, if you want to see me – you can always book me for your event.

 

Copy of Spring Event Flyer Template (2)

My Poet Laureate work this month involved planning and booking workshops, working on the Transatlantic Project – A Tale of Two Cities – managing the promotion and progression of the project, writing and collating poetry, working on Issue 2 of Contour – Love, completing  interviews, compiling a favourite poem list for the issue (out in February), having my first BBC Hereford & Worcester Radio Interview since October and organising the next steps of several projects started in 2017.

My next mission is to allocate enough time for the rest of my ideas over the next 5 months. I realise some of the WPL work will continue after Worcestershire gets a new Laureate, I always knew this would be the case. There are certain things I want to complete before I become a former Poet Laureate though (shivers). The team are already on the look out for the next Poet Laureate, applications are open until March. Check https://worcestershirepoetlaureateninalewis.wordpress.com/ for more details if you reside in the county.

 

 

And finally, I started work on planning my World Poetry Day event for March. Very exciting!

WPD 2                        Love Promo 2