Category Archives: Research

Flashback Summer (July)

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Photo by Pixabay on Pexels.com

By July so many events had moved online that there were diary clashes, just as there always has been in real life. I also tried to have a day off screen. Things were still on Lockdown in the UK and although restrictions were eased, I stayed in. I was not working until the Autumn and as someone unable to work outside the home I didn’t think taking the risk to do anything else was sensible either and by now our county area had high percentages of cases and at the centre of that was my hometown, so staying in seemed like the brightest idea!

More wonderful festivals were enjoyed: Ledbury Poetry Festival (which is always amazing) had a weekend at the start of the month and a packed programme, thoroughly enjoyed. I enjoyed Melbourne’s Spoken Word Festival.

Over the summer months I also took advantage of programmes offered by several museums. Some fantastic virtual hikes and lots of historical research of two of my favourite poets from before my time. Walt Whitman (who I only discovered 7 years ago) and a lifetime favourite, Emily Dickinson. Being involved in these programmes has been a joy.

I took opportunities with Wendy Pratt, huge gratitude for The Sea, The Sea – a wonderful course of prompts which gave me lots of new work and PPP started their ‘Arses from Elbows’ weekly sessions, which were great fun and covered a lot of ground. I started Rakaya Fetuga’s Spoken Word workshops.

I took Arts funded workshops with Jemima Foxtrot, Anthony Anaxagorou and Alarum Theatre and got heavily involved with Sheffield Libraries and the programme they have delivered for Reading & Writing during Lockdown. I was also lucky enough to have a 1 to 1 with Anthony, which was superb.

I watched lots of readings including readings from Helen Mort, Ledbury Salon Readings with Romalyn Ante and Liz Berry, online readings from Billy Collins and Carol Frost. Billy has been posted weekly FB videos of readings throughout Lockdown. A real gift to us all. I heard Hannah Stone and Becki Cherriman at Leeds Library.

I started on the Connect Dudley commission.

The Hive Worcestershire Libraries Call out for Poetry Videos, many local poets can be viewed on the channel. Here’s mine. https://www.youtube.com/watch?v=QhCKnVQyU0w

It was the end of Malika Speaks and a relaunch for 62 Gladstone as another business moved wholly online. I read at the the Launch event. https://62gladstonestreet.co.uk/

I was a Guest Poet at Perth Poetry Club – which was a joy! I appeared there in person in 2018 when I was an International Guest Poet Perth Poetry Festival and it has been amazing to reconnect to the Perth crew over Lockdown.

I entered a poem for the Stourbridge Leg of PPP’s Stay Up Your Own End.

Patience received a new book review by Phoebe Walker on Sabotage review – you can read it here.

AND I finally submitted some poems!

Apologies for any formatting issues there have been problems with WordPress this weekend. This post has taken over 4 hours to format and deliver!

A Writing Life – Researching, Planning & Editing

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When you are a writer research, planning and editing are the cornerstones of the process and all go hand in hand. When you are a poet they may not even be connected to the same project! I find myself spinning 13 current projects, all made from something sturdier than porcelain, thank goodness.

Since the beginning of February I have been collating 2 issues of Contour Poetry Magazine, researching several subjects for my own poetry and for workshop preparation. I have been planning a school workshop for the past month (booked in November for March) and recently (a few days ago) decided to organise and promote a workshop to mark the centenary of the Suffragettes based on an exhibition Suffragettes, Voters and Worcester Woman currently on at The Hive.

I also started preparing and promoting my next WMRN Reader in Residence Workshop, which takes place today in Rugby Library.

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https://www.eventbrite.co.uk/e/writing-a-book-review-workshop-at-rugby-library-tickets-41275431928

It is a good job I have given myself the week off from events and performing! I am currently working the final edits for Contour Poetry Magazine Issue 2 – Love. Love Promo 2

 

 

The ATOTC (A Tale of Two Cities) Special Edition of Contour is due out in April. The 47 poets involved in this project are now at the final editing stages and submitting their response poems. The Call poems are all set ready for proof stages and I have until the end of the month to organise the other half of this publication.

There are more plans in action for the next stage of this project, more on this soon.

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I have taken more bookings, one for a festival in October and another for an event in April, more on these soon too.

I am reading a manuscript that I have been asked to endorse, very happily. It is my 2nd reading of it and I have already committed to some words, but need to finish the edit this week and get the wheels rolling on that one.

WPD SUBMISSION

I have started to organise World Poetry Day (21st March), part of my official Poet Laureate remit for Worcester LitFest.

I am currently on the look out for Little Poems (10 lines or less), they can be previously published as long as you retain the copyright and cite where they were first published.

I started work organising the Droitwich Arts Festival (poetry element) again this year. More on this soon, the festival takes place in June/July this year.

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When you dream of being a writer, you dream of writing. This is part of the dream – a very necessary part… but when you obtain that dream, even before then, you quickly realise the reality is layered with the addition of hard work. Being inundated with a plethora of tasks every day just to set the writing right. It is a good job that my career before this was perfect training, an In Tray that always got filled with more IN and was never empty, multi-tasking every minute of the day and having to trudge through a lot of tasks that made you dream of having a PA! Just like in my previous career, they still all need to be done.

Some days the writing is just the time you reward yourself at the end of the day after all your hard work!

If it wasn’t hard work it wouldn’t be worth it though, isn’t that what they say?

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Monthly Review January

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January started with a very Happy New Year and then winter germs got the better of me. Instead of starting back into the world of poetry (after a 3 week break), I had to miss Stanza and Cheltenham and spent the entire weekend in bed!

Week 1:

I usually break these posts into weeks and there is nothing to report for Week 1 other than I managed some time at the desk and whizzed off all the business emails which needed to be sent. There are several Worcestershire Poet Laureate projects I am working on: a couple of exhibitions to organise and a Transatlantic Poetry Project. I am also researching funding for the summer and have several events to prepare for.

I had my first successful submission for the MIND anthology, who are publishing ‘Human’.

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Week 2: 

Mr G. gifted me the Mslexia Diary (which I have wanted for years) and it was full of work this week. I saw Casey Bailey headline at Licensed to Rhyme on Monday and practised my ‘Light’ poetry set for the event in Stratford-Upon-Avon later this month.

It was a lovely evening, even if I wasn’t 100% better. It was good to reconnect with everyone after Christmas. It was a good evening of poetry and my spirits were lifted.

On Wednesday I went to Permission to Speak where Claire Walker was headlining with her new pamphlet Somewhere Between Rose and Black

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A good evening with a mixture of poetry and prose and again lovely to reconnect to Black Country poets and the PTS crowd. Rob Francis was on top form and there was a good amount of audience as well as performers. A thoroughly enjoyable and lively evening.

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Claire is a well-known poet throughout the West Midlands. With poetry published in various online and in-print collections, AND two solo publications to her name (The Girl Who Grew Into A Crocodile and Somewhere Between Rose and Black), Claire has a wealth of heartfelt material to draw from. Her poetry is intricate, gentle, and beautiful – and she’s the perfect antidote to your January blues.

On Thursday I went to SpeakEasy where Claire Walker was headlining – it was fabulous to see a good crowd and lots of new faces. I enjoyed listening to all the sets and also had a sneak preview of Suz Winspear’s new collection ‘The Awkward People’ – her Book Launch is on Sunday and I am one of the Guest Poets.

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On Friday I discovered a writing opportunity that I wish I could have applied for but looking at next week’s schedule would have had to let a lot of people down, so I resisted the temptation. Needless to say it would have been a wonderful experience, but after Christmas it is equally important to earn some money. Arvon, is all I am saying!

I missed an application for a commission/project which was also a paid opportunity, it involved doing some work in London and the dates that were offered were once again already fully booked, so I did the sensible, honest thing and didn’t apply.

I am hoping that the holes created by these two lost opportunities will be plugged later this year with shiny, new ones, when the good karma coach comes back around.

I did discover two new opportunities that I could get my teeth into, one is an electronic study course that I should start receiving emails from tomorrow and the other is a Roadshow which may be beneficial to my funding research. This clashed with  the Cinnamon Press Showcase at Waterstones, frustratingly on the opposite side of the city but it was postponed, so I haven’t missed it after all.

I was due to spend part of the weekend at a Room 204 Talk but it has been postponed due to the facilitator having what I had at the beginning of the month.

On Sunday I received news of another 3 poems being published. One ‘A Hands-on Approach’ is a strange duck from NaPoWrimo 2017 is to be published in the Diverse Verse Anthology later this year. Deborah Alma put a call out for #Me Too poems and although mine did not make the collection (due to being too similar to work already accepted), they will appear online on the website. Vik Bennett – editor of Wild Women Press is working with Deb compiling a digital legacy for the project. I received two proof copies to read through and just had time to get my ‘Akward People’ set compiled and rehearsed for Suz’s Book Launch.

Suz Winspear’s Book Launch for The Awkward People was a fabulous afternoon, plenty of people turned out on this cold, wintery day to enjoy her work. Guest Poets included myself, Holly Magill & Kevin Brooke and Kieran Davies was MC. After a short introduction from Rod Griffiths (Black Pear Press Publisher) we had an entire afternoon of poetry to enjoy. Suz was in her element and it was great to hear her read from this new collection.

I of course bought myself my very own shiny book and had Suz sign it. A thoroughly enjoyable book launch and I cannot wait to read it cover to cover.

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Week 3: 

Cheltenham Poetry Festival Marketing got underway. I will be performing in the festival April 26th. Nina Lewis

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It is the 8th year and Anna Saunders has produced the biggest programme yet. Booking information here.

Read the first promotion post.

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There were a few events I missed this week which I would have liked to attend, but I am busy writing and producing projects, so I think a Radio Slot, a Roadshow, a writing group and a performance at a special event is enough for one week. I am also preparing for Wolverhampton Literature Festival (WoLF) next week.

I worked hard on trying to secure a funding bid for a Summer project. I finally managed to book a WPL Radio Slot on BBC Hereford and Worcester, due to work October was my last broadcast.

On Tuesday I headed over to Birmingham City University for the British Council Literature Roadshow presented by Writing West Midlands. The evening included a presentation from Cortina Butler, the British Council’s Director of Literature and was a good opportunity to network. I am keeping my fingers crossed now for my funding application.

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Saturday saw my WWM Sparks Young Writers Group in Worcester where I planned the session around more generous Christmas gifts from Mr. G. We looked at Science Fiction and created our own alien characters in preparation for longer writing in our February session.

Sunday saw a special event at the Kempe House Studios in Stratford-Upon-Avon with Cordula Kempe and Angela France. I sent three themed poems in December and two were picked, one of which was written in Angela’s December Workshop on Light and Colour. It was an inspiring evening, read more about it here.

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Week 4+:

Again there were events I would have liked to attend, but this year is all about balance and focus and when you are in training no distractions can compete. I had a meeting planned to follow up Workshop work from last year WPL and the possible next leg of the project, unfortunately I have had to postpone it due to paid work.

I spent a large amount of time preparing for applications and working on AToTC – A Tale of Two Cities, my current Transatlantic WPL Project. I also had a lot of work on (after a drought of 5 months this is no bad thing but typically comes at a very busy period).

I managed to get to Poetry Bites which is now hosted by Elaine Christie and Matt Nunn after Jacqui Rowe bowed out at the end of 2017 after running the event for a long time. It was a wonderful, successful evening with Guest Poets Casey Bailey & Claire Walker.

Claire Walker is a Worcestershire poet, her poetry has appeared in magazines, online and in anthologies such as The Chronicles of Eve, her first pamphlet, The Girl Who Grew Into a Crocodile, Claire is a Poetry Reader for Three Drops Press, and Co-Editor of Atrium poetry. Casey Bailey is a poet, rapper, songwriter and a secondary school senior leader from Birmingham. He runs Bailey’s Rap and Poetry, as well as workshops in rap, poetry, music and song writing. Waiting at Bloomsbury Park is Casey’s first collection. © Live Brum 2018

 

 

 

Casey Bailey                                                                              Matt Nunn

 

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© Elaine Christie

 

Wolverhampton Literature Festival (WoLF) was my main focus this week, I started promoting across social media. The festival is in the 2nd year with an amazing Arts Programme. Friday 26th – Sunday 28th.

I performed as part of a 5 person collective organised by the Wolverhampton Arts Festival Team. Our reading was in the Art Gallery on Saturday 27th 3:30 PM

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

WoLF COLLECTIVE: NINA LEWIS, LAURA LIPTROT, MAURICE MALCOLM, SOPHIE SPARHAM & ROSINA TROTMAN

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http://www.wolvesliteraturefestival.co.uk/

http://www.wolvesliteraturefestival.co.uk/poetry/4593175102

 

 

A full review can be found here.

 

Week +

And finally the last few days of January were filled with desk work. Organising the final submissions for Contour Poetry Magazine, the deadline is the 1st February.

Working on my response poem as part of the ATOTC project and collating the work coming in as well as managing the 20+ poetry partnerships involved. In a moment of pure inspiration I decided to approach the Mayor of Worcester and ask if he would write the Foreword for the digital publication, he agreed. I am delighted. The project celebrates the cities.

I started planning the only official WPL event on my remit – World Poetry Day 21st March, seeking venue, securing performers, devising crazy (erm, I mean creative) ideas for the event.

Preparing for school workshops and meetings about them.

Researching and writing poems for 42, this month’s theme (chosen by Tim Stavert) Rag and Bone Man… I loved the idea, then I started trying to write… left it a fortnight, did a little background work, searched my memories and finally have a fairly rounded set including a spectacular 42-ish Haiku, political commentary wrapped up in a Tanka and a wonderful poem which is actually an acrostic. Happy with a couple of them.

42 Worcester was the final event of the month. Next month apart from the Verve Festival of Poetry and Spoken Word I will mainly be working from the desk. I have a billion things to do and prepare with workshops in February and March and writing schedules to keep. Contour magazine coming out and the special edition to work on.

I knew this time was coming and feel now, it has very much arrived. Of course, if you want to see me – you can always book me for your event.

 

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My Poet Laureate work this month involved planning and booking workshops, working on the Transatlantic Project – A Tale of Two Cities – managing the promotion and progression of the project, writing and collating poetry, working on Issue 2 of Contour – Love, completing  interviews, compiling a favourite poem list for the issue (out in February), having my first BBC Hereford & Worcester Radio Interview since October and organising the next steps of several projects started in 2017.

My next mission is to allocate enough time for the rest of my ideas over the next 5 months. I realise some of the WPL work will continue after Worcestershire gets a new Laureate, I always knew this would be the case. There are certain things I want to complete before I become a former Poet Laureate though (shivers). The team are already on the look out for the next Poet Laureate, applications are open until March. Check https://worcestershirepoetlaureateninalewis.wordpress.com/ for more details if you reside in the county.

 

 

And finally, I started work on planning my World Poetry Day event for March. Very exciting!

WPD 2                        Love Promo 2

INKSPILL Library

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The Library will be open throughout the weekend. I will add archived INKSPILL links for you to delve into at your leisure. Enjoy.

INKSPILL Library

INKSPILL 2013

 

HISTORICAL FICTION AND RESEARCH – Nina Lewis 

Historical Fiction and Research

Historical Fiction Part 2

 

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INKSPILL 2014

 

Guest Writer William Gallagher tells us

HOW TO GET REJECTED

https://awritersfountain.wordpress.com/2014/10/25/inkspill-how-to-get-rejected-guest-writer-william-Gallagher/

 

 

MAKING TIME TO WRITE 

https://awritersfountain.wordpress.com/2014/10/25/inkspill-making-time-to-write-guest-writer-williamgallagher/

 

A VIDEO ON DIALOGUE

https://awritersfountain.wordpress.com/2014/10/25/inkspill-a-video-from-guest-writer-william-Gallagher/

 

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EDITING A POEM 

With Guest Writer Heather Wastie 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-heather-wastie-editing-a-poem/

 

 

WRITING & EDITING

With Guest Writer Charlie Jordan 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-editing-part1/

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-and-editing-part-2/

 

WRITING MOTIVATION

includes video – Nina Lewis 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-good-morning-come-and-watch/

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INKSPILL 2015

 

I had the great pleasure of FINALLY seeing Inua Ellams perform in Birmingham this Spring, he also did a blinding set at the Swindon Poetry Festival this Autumn. 

This is a poetry film, featured as part of 2015 INKSPILL writing retreat. 

REFUGEE STORIES 

Nigerian-born Inua Ellams, a London-based writer, created the story “Dolphins” as part of “The Refugee Tales”, works about the journeys of refugees and migrants seeking safety in Britain. Ellams worked with children who have made treacherous journeys across desert and sea, and wrote the stories based on their experiences.  © Film for Action

http://www.filmsforaction.org/watch/refugee-stories-retold-by-nigerianborn-poet-inua-ellams/

 

THE TERRIBLE

Guest Poet Interview with Daniel Sluman on his 2nd collection 

https://awritersfountain.wordpress.com/2015/10/25/inkspill-guest-poet-interview-with-daniel-sluman/

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Come back to the Library tomorrow where we will have more links for you from INKSPILL 2015 & 2016.

INKSPILL Taster or Teaser

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INKSPILL SHARE BUTTON

The full programme including this year’s Guest Writers will be revealed on the 27th. We have a new feature for 2017 – The INKSPILL Library where you will have instant access to selected archives from 2013 -2016 Writing Retreats.

INKSPILL Library

The Library will be open on Saturday afternoon and again on Sunday when it features additional archived material. 

We are featuring 2 Guest Writers this year.

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They will be revealed on the 27th. 

There will be short writing tasks, exercises and workshop activities, creative tests, exclusive interviews with our Guest Writers, book promotion (the INKSPILL Bookshop will be open all weekend), monologues, Inspiring Women Writers, a look at Thomas Hardy, Rupert Brooke, Wilfred Owen & Siegfried Sassoon, Goal Setting, an interview with Zadie Smith, writing advice from Novelist Jill Dawson, an interview with Lee Child, editors discussing modern writing and the Launch of Contour WPL Magazine. As well as rich pickings from the archive featuring previous guests: Charlie Jordan, William Gallagher, Heather Wastie, David Calcutt, Alison May, Deanne Gist, Daniel Sluman, Gaia Harper & Roy McFarlane and more. 

 

 

Review of July

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Week 1: 

Workshop/National Trust Project

Room 204 is involved in the Croome Court project Adam Speaks. We met Chris Alton, the Lead Artist at a workshop at Writing West Midlands Headquarters in the Custard Factory on Saturday 1st July.

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This was an epic 6 hr workshop. Chris is working with 4 groups Kimichi School, The Birmingham Institute of Theatre Arts, Writing West Midlands and St Barnabas First and Middle School. It was exciting to know that these workshops will feed Chris’s art.

Adam Speaks has been set up by Rachel Sharpe and Kiki Claxton for the National Trust, following Plumlines last year.

https://www.nationaltrust.org.uk/croome/features/adam-speaks

Chris Alton Rachel Hill

© 2017 Rachel Hill

Chris Alton, from Croydon, is a multidisciplinary artist, whose practice brings together distant, yet connected cultural phenomena. Whether deploying disco music against fascism or playing table tennis in competition with aggressive architecture, he utilises seemingly incongruous juxtapositions to address the multi-layered nature of prevailing social and political conditions. 

© National Trust Croome Court Adam Speaks

Literature Festival

Sunday saw my 3rd official WPL appearance on the Poetry Walk for Evesham Festival of Words. This event had a great turn out and beautiful Sunday morning sunshine for the poetry walk, a gentle stroll across the green park around the Bell Tower in Evesham.

I performed some Evesham poems written especially for the event and enjoyed listening to poetry and prose. It was good to see some people who happened upon our merry group, stay and listen.

It was good to reconnect with Sue Johnson and I booked another event later for this year.

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This festival always has a great programme. They are already booked up for next year.

Radio

On Monday I had my first Radio slot with Tammy Gooding BBC Radio Hereford & Worcester. This was something Maggie Doyle instigated during her WPL tenure (2013/14). It is a tradition picked up by other Laureates and I am happy to continue with it.

I read ‘Gander’ one of the poems written for Evesham Festival of Words. Tammy is amazing at putting you at ease. She was also impressed with an interview which needed no editing! It has been decades since I stepped foot inside a studio. I was nervous, but had such a great time! I am already booked in for August.

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Performances

During the evening I took a guest slot at Licensed to Rhyme, Maggie Doyle & Spoz’s monthly poetry event at the Artrix.

Headlining this month was former WPL Suz Winspear, Claire Walker was the other guest poet and there were a plethora of open mic-ers. It was a fabulous evening.

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And before I start sounding like the Hungry Caterpillar… on Tuesday I took a rest. There were events I would have liked to attend but I was attempting to conserve energy for my Headline slot at Uncorked.

Having pencilled in Ledbury Poetry Festival, Lichfield and Shropshire – we arrive at Thursday.

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I was booked for Uncorked at Bottles a while ago (before WPL), originally scheduled for June, I swapped into July so Charley would have a chance to sell her recently published books. I on the other hand have had my final 5 copies of Fragile Houses for months… this is the way it goes sometimes. I didn’t sell any books but I had a great evening.

Sean Colletti created a masterpiece idea for the introductory sets so instead of the traditional 5 minute teaser from each of the Headline poets we worked together on Sean’s concept of a waiting room & the result was an interesting concoction , especially considering it was unrehearsed.

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Clive Oseman, Jake Scott & Sean Colletti were all wonderful headliners and we had a good range of open floor spots too. Holly has created something magic here, helped by a sensational venue Bottles Wine Bar in Worcester.

Workshop

Up early the next morning (hard to sleep on post-performance adrenaline), I drove to Shrewsbury for a workshop with Helen Ivory and Martin Figura. I would have paid just to meet these two poets who have been on my radar for a long time. So having the bonus of a workshop was superb.

Unfortunately, I missed the performance the night before as I was at Uncorked. It wasn’t a prerequisite to the workshop though. The workshop was based on epistolary poetry. Which is something I have only tried to a few times. Strange because I used to love writing letters, I had 33 international penfriends by 12 years old. I also started writing to an old, re-united friend during my deepest depression. These letters are now even more special to me as she sadly passed away.

The workshop was brilliant and I got some ideas from it, as well as books. Love their work and cannot wait to spend time with the pages.

I recently (28th June) re-wrote one of my workshop poems and took it to stanza. I will do something with it in the future. I am pleased with the result and know I would never have written it without this workshop.

It was at the Severn Theatre in a huge room, necessary as it was a large group. It was lovely to reconnect with the Shropshire crew. I have been busy lately and it has cut me off from many out of county events. I cannot remember the last time I made it to perform in Birmingham beyond Waterstones events. I know how quickly the poetry scene moves there, so it will be full of people I don’t know – which is exciting.

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I was booked in for my first Cathedral Poets Workshop in Worcester the following morning and an action packed day in Ledbury on the Sunday. Reason and experience told me Mr. G and I needed some time and I needed to rest. So regrettably I cancelled the workshop and now have to wait until October. October is an incredibly busy month with Swindon Poetry Festival, Birmingham Literature Festival and school workshops, so I may not get to the Cathedral again.

Ledbury Poetry Festival 

I always want to attend the complete festival, I dream of pitching up a tent and staying. It is like a massive holiday for poets with a daily celebration of words. However, knowing I could only manage one day this year – I chose a day with an action packed programme.

It was amazing. Read the full 21 Years of Gold

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Week 2

After work I was too tired to get to watch Beyond the Water’s Edge at the Artrix and I am very disappointed to miss it. I also missed the WLF Committee meeting (as I was meant to be at the theatre). Where was I? Asleep! Although having read Week 1, I am not surprised. I was also working on an application and some poetry which I used most of my post-Ledbury adrenaline to fuel.

I booked in WPL work and wrote commissioned poetry for Buildings Talk Hospital Histories (a project I spent 3 weeks working on) and got my set for Chapel Lates organised and set some promo for an event in August.

I gave myself some downtime knowing the end of the week was another hectic schedule.

Performance/ Cheltenham Music Festival

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Chapel Lates in Cheltenham, an amazing night of poetry and prose as part of Cheltenham Music Festival curated by Anna Saunders (Founder Cheltenham Poetry Festival). Read all about it here  Chapel Lates Cheltenham-Music-Festival-1

 

This event clashed with HOWL and Outspoken. It is always the way. It has taken 4 years, but I am beginning to come to terms with the fact that I cannot be everywhere at once.

Commission/Performance/Project 

Buildings Talk: Hospital Histories

Charley Barnes asked me to participate in a Medical Museum Project at the end of June. We had access to historical archives (photographs) which are not on general display to the public and from these we created a 10 minute set of poetry.

Buildings Talk

It was a great project to be involved in, I thoroughly enjoyed the experience. Louise Price had the creative vision to intersperse the medical talks with poetry. We performed our poems with the images projected behind us.

The next stage of this project is displaying a selection of our poems alongside archived footage.

Read a full review here Buildings Talk: Hospital Histories


I took a poetry break for a couple of days to work and to reunite with college friends, our two yearly reunions, epic fun! Just imagine Drama students 20 years on!


Performance

I attended Open Poetry which this month was a charity event to raise funds for PIPKA – refugees in Lesvos, Greece.

I performed my refugee poem, now written 4 years ago, this world of ours remains in crisis. Read the full review here

https://awritersfountain.wordpress.com/2017/07/24/open-poetry-for-pipka/

EC This event was organised by Helen Calcutt and David Calcutt and featured Guest Spots from Christina Thatcher, she read from her recent collection ‘More Than You Were’.  more_than_you_were_large

Week 3

Writing

I needed some time at the desk to complete work from the Spring (another book endorsement) and read material that I am reviewing. I also needed lots of Admin time to complete arrangements for Artsfest (working on this since February), future bookings and promotion of other events.

I had as yet not re-awoken my creative muse – not to give a spoiler… but this was the month!

This was also the last week of work before the summer, my contract had finished and although I wasn’t expecting any work I had to remain on call. This meant several bleary-eyed mornings on the computer, just in case.

I had events and meetings to attend this week which did not involve me performing. A welcome treat/break from pressure and nerves. It also gave me some time to gather energy before the Artsfest Day (22nd).

Readings

Summer Party – Nine Arches Press

I thoroughly enjoyed this event with Jane Commane and…9 arches 3

The readings were superb and the atmosphere was definitely set to ‘PARTY’! Read all about it here https://awritersfountain.wordpress.com/2017/07/25/nine-arches-press-summer-party/

Meetings

The following morning I had an early start and a meeting in Birmingham at the Custard Factory with Jonathan Davidson and the other writers involved in Spark Young Writers groups. As ever it was interesting sharing ideas and great to spend some time with other writers/poets.

Book Launch

In the evening I drove to Cheltenham to finally catch a Book Launch from Angela France. DFH4x-NVoAAzcZ2 I was excited to see the multi-media element that I had heard so much about and to listen to Angela read more from this collection I have been following for the past couple of years. Read the full review of this special evening https://awritersfountain.wordpress.com/2017/07/25/the-hill-angela-france-book-launch/

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The launch shook my muse awake and for the first time in months, I was writing. For about two hours straight!

Meetings

I had a meeting with the Events Manager at the Jinney Ring to put plans into action for my September workshop using the Sculpture Trail. It was exciting, my list of 8 pointers were all achieved and it is shaping up to be a great WPL project.

Monday 18th September 10:30- 12:30 p.m glass tree

The Sculpture Trail at The Jinney Ring Craft Centre, Hanbury, Worcestershire.

The morning will start with a tour of the trail and some time to write using the sculptures for ekphrastic poetry or initial stimuli. Followed by a writing workshop in the marquee. 
Tea/Coffee and cake is provided as part of the ticket.

There will be opportunities to share writing and participants will be able to send polished work for at exhibition at the Jinney Ring in October.

In addition to all this, there will also be the opportunity to share your work at a reading in November.

For more information please contact me: worcspl[at]gmail.com

Official poster with all booking details out soon. Just awaiting the new trail photograph. 
10:15 meet at the marquee for a 10:30 Tour. 
Tickets £7.00

Festival Artsfest

droitwich artsfest

I need to write a complete blog post for Artsfest – which finishes on the 5th August. I will link back here afterwards.

It was a brilliant day with Poetry in the Square and an evening event Poetry Extravaganza at Park’s Cafe.

Watch Out Worcester! 

watch out worcs

I performed at St. Swithun’s Church at an event created by Suz Winspear. It was a great experience and I loved the building and atmosphere. I will write a blog about this event and link it back to here.

st swithins dancefest

http://www.worcesternews.co.uk/NEWs/15437699.Dancing_in_the_streets_of_Worcester/

Week 4

Writing

I spent a few days chained to the desk with writing and admin. I missed Poetry Bites as I was too pushed for time to get to King’s Heath and extremely tired after the busy weekend.

I researched new material and wrote 3 new poems for 42.

Workshop

I attended a workshop led by Angela France in Stratford, I always enjoy these sessions and listening to the work that is created.

Performance

I performed at Drummonds, 42 in the evening. The theme was Curiosities and I had fun exploring this theme. I wrote about an underground library in Seattle, the hanging coffins of China and fossilised skeletons. I left the Cabinet of… for others.

It was a great night, very entertaining with a Guest Host – Kevin Brooke – who did a sterling job, he made it look easy and we all know, it isn’t!

I missed Caffe Grande Slam for another month, as I needed to conserve energy.

ArtsFest Poet in Residence

On 28th July I was at the library in Droitwich as one of the Artists in Residence for Artsfest. I had a smashing morning talking all things poetry and tested out my Poetry Kit idea. This is something I will make more of at another point.

I took this booking as a poet, but decided as I am WPL it was a good opportunity to raise awareness of this role and promote WLF at the same time as DAN – Network.

DAN Lib

It was a lot of fun and has given me ideas for future events. It was the first outing for my new WPL t-shirt and the tablecloth, bought after the workshop on Wednesday.

DAN Lib 2 Children making Poetry Kits – we were competing with the Summer Reading Challenge who had a sock puppet workshop, or as I saw it, we had a captive audience to come and make Poetry Kits for FREE after.

DAN Rhys  © 2017 Rhys Jones

Poetry

I dropped in two poems to be displayed on the table and wall at The Canal Side Studio. There are more events this summer from there. So watch this space.

DAN Lib3

I finished the month with a Stanza meeting, which was a lovely evening and had some useful editing tips for my Dear Sky – Ivory/Figura workshop poem.

July has been exceptional!

 

Buildings Talk – Hospital Histories

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Buildings Talk

Back in June, Charley Barnes extended an invitation to be one of the poets for this project with the Medical Museum. I jumped at the chance as I enjoy writing ekphrastic poetry and working with archived photographs would be a pleasure.

The whole project happened over the space of just three weeks. The Medical Talk was for any interested parties and open to the public. It was attended by retired employees, medical staff, students and even some former patients. The conversations and interactions we had in the evening were wonderfully insightful and interesting. As was the information gained by the two main lectures.

Louise Price, Curator at the George Marshall Medical Museum, was the driving force behind the injection (excuse the pun), of creativity in this programme and I think it broke up the lectures well.

CHECGMMM© 2017

Charles Hastings Education Centre

The project gave us time to spend with archived footage not available to the general public and consider the stories it connected for us. I spent time choosing my photos. Then I had to cull the selection back further as we had 8-10 minutes to produce and the number of photos I had selected would need at least twice that performance time!

The other poets were Mike Alma, Charley Barnes and Polly Stretton. We all did some research into the hospitals and people/situations depicted in our chosen photographs. We had a meeting with Louise Price before the event where we all talked about the images we had chosen and listened to her knowledge of the archived material. On the night we performed with the images projected behind us.

I spent time composing and editing a series of poems from 7 photos. Several of which pleased me.

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On the evening we had a chance to look around the Medical Museum displays. Some grizzly, some fascinating. I popped in alone initially and was glad of the company of Polly & Mike the second time. I am terribly squeamish!

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The Museum is open Monday to Friday 9-5pm and is free to enter

Louise is hoping to display a selection of our poems from this event soon.

 

RELATED LINK

https://medicalmuseum.org.uk/georgemarshallmuseum/

There are some summer holiday family activities available, starting with this one.

Family+Fun+Day+2017+GMMM

NaPoWriMo – The BIG Catch Up – Day 22

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I think Day 22 was one of the most enjoyable writing I have experienced this year. As a vegetable lover and ex-allotment owner with a green-fingered (I would go as far as Green -God), Mr G. – how could I resist the material from today.

napo2017button1 http://www.napowrimo.net/

Our featured participant today is Arash’s Poetry, where the overheard poem for Day 21 is a wonderful rendering of speech in a busy cafe.

Our interview today is with Kyle Dargan. Originally from New Jersey, Dargan now lives in Washington, DC, where he directs the creative writing program at American University. He is the author of four books of poetry that explore the intersection of the personal and the political, with a twist of science fiction. You can learn more about Dargan and find some of his poems here, and find an additional poem here.

Last but not least, here is our prompt for the day (optional, as always). In honor of Earth Day, I’d like to challenge you to write a georgic. The original georgic poem was written by Virgil, and while it was ostensibly a practical and instructional guide regarding agricultural concerns, it also offers political commentary on the use of land in the wake of war. The georgic was revived by British poets in the eighteenth century, when the use of land was changing both due to the increased use of enlightenment farming techniques and due to political realignments such as the union of England, Scotland, and Wales.

Your Georgic could be a simple set of instructions on how to grow or care for something, but it could also incorporate larger themes as to how land should be used (or not used), or for what purposes.

Well, I had never heard of the form before, so with my research head still on my shoulders I delved into discovering the Georgic. After this some Agricultural research which was scribbled all over my notebook and finally a list of the most grown crops internationally. It was good to see some of our allotment fodder on our list – and there went my muse again, setting off fireworks. There is still a mountain of untapped ideas waiting for exploration over the summer.

I eventually calmed down enough to pen a poem, back in the notebook after several days at the keys. I wrote two short poems and a longer Georgic about growing tomatoes (the 8th most valuable crop in the world).

Accept that neighbours will pinch the odd one or two,

eat a healthy quota when hanging out the washing,

Sample a few whilst watering the garden.

And YES, I know tomato is a fruit, a berry in fact.


Carrie Etter’s prompt for Day 22 was also vegetable related…

Write an ode to your favourite vegetable. For inspiration, here’s Pablo Neruda’s “Ode to the Artichoke”: http://www.versedaily.org/2013/odetotheartichoke.shtml

the cabbage

devoted itself

to trying on skirts,

….

who fearlessly

picks out

an artichoke,

looking at it, examining it

against the light as if it were an egg.

From Pablo Neruda’s “Ode to the Artichoke”

Having just come up for air after my agricultural research, I had a million (well, 5 or 6) ideas from this prompt as well. I also had fun (yes, I said – FUN) revising the Ode. The Pindaric, Horatian and Meditation Odes.

In the end I swung vegetable odes for a Fruit ode and wrote about my favourite to plant and eat, strawberries.

….we reaped you fast, gobbled you up, greedily.


Jo Bell http://www.jobell.org.uk/ encouraged us to read… if any poet can, it would be Kei Miller – go and read him if you haven’t!

When Considering the Long, Long Journey of 28,000 Rubber Ducks by Kei Miller

I remember this story being news. Jo’s discussion is filled with consideration. Treat yourself.


The Poetry School offered a prompt from Julia Bird. The Golden Shovel – featured in past Napowrimo and a firm favourite amongst the poets in Carrie Etter’s NaPo Prompt group. I have written several already this month. 58d3e6b0bba6c-bpfull

Day 22 The Golden Shovel

A modern form, which has really taken off since it was invented by Terrance Hayes. Take a line from a poem you admire, then use each word in that line as the end word in your own line, keeping them in order. If all goes well, you should be able to read the original poem down the right hand margin of your poem.

Remember Gwendolyn Brooks’ poem ‘We Real Cool’ from a few prompts ago? Well, read down the right margin of Terrance Hayes’ ‘The Golden Shovel’, after which the form was named.

(Hayes’ poem uses all of Gwendolyn Brooks’ poem and does so twice but you only need to use one line, and to do it once!)

https://poetryschool.com/courses/masterclass-patricia-smith-malika-booker/

https://www.poetryfoundation.org/poems-and-poets/poems/detail/55678

NaPoWriMo – The BIG Catch Up – Day 21

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As I have said – I managed to keep up to date with writing poetry for the NaPoWriMo challenge, but the blog posts have lacked due to generally being extremely busy over the past week.

I am back at work now and my schedule is all about attempting balance. I have events booked for the next 5 days though, so I am trying to catch up with blogposts this evening.

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I can tell you where I went… researchland – and I got stuck there for almost an entire day.

The reason… I started with Carrie Etter’s prompt today and not napowrimo.net. Carrie’s 21st prompt required finding a photo/image online of the place you live, fifty years ago. At first I thought that was ages ago, then I keyed into how old I am and that these images wouldn’t be that historical.

I started my mammoth search and from the hunger of image came video exploration and a whole new obsession about our town twinning and the expeditions of local swimming clubs, then to the German town we are twinned with – as it was then and is now – then back to a Local Historian Society, more images… some quick scribbles, fleeting muse and then the seed of a huge, enormous post-Napo idea.

A visit to the reference section of the library, more notes… scaffold poems… more ideas. Once home some forgotten memories of my own and a local search in pursuit of an image of a building, long since demolished.

Another seedling idea.

This took me to a site where people film in derelict places and another local story. Needless to say it was late when I started my poem, I chose an earlier image I had collected before all my ideas started to explode like firecrackers.

The idea of Carrie’s prompt was to write as if you were there now. The photograph was a family picnic, in the background a special building central to our town (which is a lot older than I imagined)… the town not the significant building.

I picked my narrative from the youngest child (I am a middle child). It was nice to wear the baby shoes!

As with Day 20, I wrote straight onto the laptop and messed with the form of the poem with ease.

Dad’s car, our windbreaker,

I licked my fingers

as an hors d’oeuvre to chicken legs


napo2017button2 http://www.napowrimo.net/

Our featured participant for the day is rhymeswithbug, where the sports poem for Day 20 imagines poetry as a game of golf!

Today’s interview is with Eileen Myles, a longtime New Yorker and erstwhile presidential candidate, whose poems exhibit a direct, punk sensibility. You can read more about Myles in this brief New York Times profile, and you can find a number of her poems here.

Today, I’d like to challenge you to write a poem that incorporates overheard speech. It could be something you’ve heard on the radio, or a phrase you remember from your childhood, even something you overheard a co-worker say in the break room! Use the overheard speech as a springboard from which to launch your poem. Your poem could comment directly on the overheard phrase or simply use it as illustration or tone-setting material.

I have a carry about notebook filled with overheard speech, but decided to listen out for something fresh. This meant that my poem was written after the 21st day (but as I am following 2 prompts and producing more than 60 poems, I can forgive myself). It was worth the wait. Overheard siblings.

I wrote two Haikus.

… meanness, fault shifted.


Jo Bell http://www.jobell.org.uk/ encouraged us to read And by Alison Brackenbury. I have met Alison several times, but this poem was a new read for me.


58d3e6b0bba6c-bpfullThe Poetry School offered writing in the style of someone else.

Day 21: In the Style of…

Morning poets! Today I’d like you to write in the style of another poet. Study their subject matter, the way they phrase things, the way they break lines, their vocabulary, their world view. Try not to do this from memory, but to actually read your chosen poet.

Do not say whose style you are writing in because I would like you to try to guess each other’s. Because they have such distinctive and easy to guess styles the following poets are banned: Emily Dickinson, ee cummings, Sharon Olds. Contemporary poets preferred please!

As an example, I have quickly written the following in the style of a contemporary American poet. Can you guess who?

Ringers

Leaving our beds

in the thick dark

and walking

to the light switch

on the wall

we have to just step

out and trust

there’ll be a floor

beneath us

as bell ringers

pull their ropes hard

before they’ve heard

the note before

the note before.


Feel free to solve this in the comments below.

Happy writing NaPo-ers!

NaPoWriMo Day 1

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As we are a participating blog, I thought it sensible to keep up to date with NaPoWriMo. So far it has been a busy weekend with an event in a neighbouring County and the Poetry Ballroom. I have managed my writing time but am only just now finding a space to blog about it.

Unlike previous years (where I have more or less gone alone), this year I am in several groups and have even joined in at The Poetry School. I am using prompts from various sources to kick-start the writing. So far I have managed dual prompts from www.napowrimo.net and prompts from Carrie Etter, from her Facebook group – where we are not sharing poems (that is what the Poetry School enrolement is for), instead we are discussing some of our favourite poems and how it feels to be embarking on a crazy month of a poem a day. Carrie added a page of 30 prompts and poets have been dipping into them in random order. Out of 7 poems written so far I have 4 that I shall keep to edit and mould later in the year.

I do a draft/edit/rewrite – move on – 30 in 30 days is a pace of a thing but generally you get a sense for the ones to revisit and no writing is wasted time (in my opinion). I enjoy the challenge of this craziness and also carving out some daily writing time.

For the first time since discovering this challenge (2014), I am writing longhand in notebooks. That in itself makes a change to my normal practise.

DAY 1: SATURDAY

http://www.napowrimo.net/day-one-it-begins/ napo2017button1

I wrote Day 1 in the early hours of Day 2, I learnt a few years back that when you are busy FORGIVE yourself for not writing to deadline, the world will not collapse.

The main prompt at Naponet was a Kay-Ryan-esque poem: short, tight lines, rhymes interwoven throughout…

I negated mentioning animals and I think my sharp philosophical conclusion may have to be added in later edits, in was in the style as far as line/rhythm. A poem about our house, more honestly the state of our house my lifestyle has created.

I think ‘Home’ works as a complete poem but looking to post a flavour here (as blogging it in full is considered publication), I cannot choose lines that will give you much taste at all.

This year’s links from NaPo are all interviews with a poet, whether you are joining in writing this year or not I would urge you to check out the links and interviews found on the official site. Spend the month reading instead.

Today’s interview came from the Paris Review and is with Kay Ryan https://www.theparisreview.org/interviews/5889/kay-ryan-the-art-of-poetry-no-94-kay-ryan

All Your Horses By Kay Ryan https://www.poetryfoundation.org/poetrymagazine/poems/detail/57401

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The featured participant for DAY 1 was gloria-logo-02http://www.gloria-gonsalves.com/glopowrimonapowrimo-early-bird-spring-wedding/ with a special Early Bird prompt (Haibun) inspired by wilting tulips in her writing space.


My 2nd effort came from Carrie Etter’s first prompt, I am tackling hers in order. I wrote about a badge collection that I had almost forgotten collecting, lots of childhood memory resurfaced.

Day 2 napo2017button2 suggested using a recipe for inspiration, I found an Ancient Roman recipe and rewrote it as a couple attempting to conceive. An interesting exercise.

Over at The Poetry School the prompt was to write a long thin poem.