Category Archives: online courses

PROMO Cath Drake 2021 Courses

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My 2020 Lockdown involved writing. I scribbled my way through 14 notebooks (some of them were tiny). After a few weeks I designated it my year for learning. We are always learning.

One of the first highlights was Carolyn Jess-Cooke‘s incredible Stay At Home Festival, back in the days before Zoom security is what it is now. It was here that I came across Cath Drake and her inspiring debut collection ‘The Shaking City’ (Seren, 2020). I love discovering new (to me) poets, especially ones whose work I admire. By the end of 2020 I had a long list! I have never had such time to indulge in poetry and read, other than my isolated 2019 but I was not well enough to ‘use’ my time.

Cath launched her Writing to Buoy Us workshops, 6 weeks of reading, investigating/critiquing and writing poetry. Online workshops in small groups of writers from UK/Europe and Australia. Cath is Australian and has lived in the UK/London for many years now. It was the USP which attracted me, that and her mindfulness coaching. I knew this experience would be a positive (beyond writing) one and I was not wrong.

Shortly after Cath offered a Re-invent the Future course, along the same lines of Buoy Us but covering different content/ outcomes.

Now we are in 2021 and back in Lockdown 3 here in the UK and across the world, the internet is still packed with online courses. Cath Drake has more magic in store, I seriously recommend you go and check out her website. Treat yourself, book a course.

The first course kicks off Sunday 10th

Refresh 2021

– A journaling & mindfulness workshop to press refresh for 2021!

With guided journaling and a sprinkling of mindful meditation we’ll reflect on what we’ve learnt from 2020 and what we want for ourselves, our community and the planet in 2021 and beyond.

Find some inner stillness and connect with what really matters and what the heart desires. © Cath Drake, 2021

Find out more here https://cathdrake.com/refresh-2021/

Photo by Dan Gold on Pexels.com


2021 New Year Writing Shake-up

Start your writing year with a fizz of creativity. In this new year writing ‘marathon’, you’ll be guided through quickfire poetry, visual prompts and wordy challenges to keep your pen moving, outpace your internal critic, and find fresh perspectives & surprising ideas for new poems and stories. It really works for me and it’s loads of fun!

This workshop style is based on what has sparked my best poems last year,  plus prize-winning poems from others and even the beginning of a novel! Give your 2021 creative force! © Cath Drake

Find out more here https://cathdrake.com/new-year-new-writing/

Cath Drake is also offering Masterclasses with Glyn Maxwell, Malika Booker, Mona Arshi, Mimi Khalvati, Dai George, Cath Drake and many more! Find out more information here. https://cathdrake.com/poetry-masterclasses/

About Cath Drake: Cath is an Australian who lives in London. She has been published in anthologies and literary magazines in UK, Australia and US, and performed widely. Sleeping with Rivers won the Mslexia/Seren poetry pamphlet prize and was a Poetry Book Society choice. The Shaking City (Seren Books) was commended by the Forward Prizes for Poetry in 2020. Cath has been short-listed for the Venture Poetry Prize and the Manchester Poetry Prize, and was second in the 2017 Resurgence Poetry School eco-poetry prize.  Her work has included environmental writing, award-winning journalism and teaching mindfulness. Cath was writer in residence at the Albany Arts Centre café in 2012 and The Katharine Susannah Prichard (KSP) Writer’s Centre in Australia in 2018.

An innovative workshop leader and experienced facilitator, Cath has run workshops on creative writing and poetry as well as copywriting, life story, oral history, interviewing, radio and media, delivering workshops and programmes for a range of clients from senior professionals to vulnerable young people and adults; from small specialist or intimate groups to large groups in a festival tent of mixed ages.

Flashback Autumn (Sept)

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September brought the kids back to school and students back to university and huge peaks in cases. After five months off work I was due to go back in as soon as bookings came through. This was a bleak month of no work. Something which is sadly the fate of millions since the beginning of the pandemic. It was a month that left me feeling pretty empty, so I filled it!

Like a new student, I signed up for a new class Hybrid & Experimental Memoir with Tawnya Renelle and looked at courses on Future Learn. I was having to complete Covid related staff training even though there was no work, which I found frustrating – necessary yes, but the only people who could possible struggle with gaining the certificate at the end of it are those who have literally buried their heads in the sand and watched/read no news for the past year!

There were a few festivals and book launches to keep me buoyant (and more importantly busy). I recorded the audio for Connect Dudley project (hoping to tell you more about this soon). I was Poet in Residence for Cheltenham Poetry Festival and I had a LIVE interview with Kate Justice for BBC Radio Hereford & Worcester. UEA hosted Noirwich, Crime Writing Festival and Worcestershire LitFest hosted a Festival 13-19th. Which was the same time as Tell It Slant Festival over the pond at the Emily Dickinson Museum. And Perth Poetry Festival was 18th -27th they managed to get LIVE events, a hybrid of live and virtual and some virtual all mixed into the programme. It just made me want to be there again!

I went to Kevin Reid‘s Book Launch for Suitcase (4word, 2020). It was a real treat. Discover the book for yourself here. https://eyeosphere.com/ Later in the month was the launch of Carole Bromley‘s new collection The Peregrine Falcons of York Minster (Valley Press, 2020) https://www.carolebromleypoetry.co.uk/books/. I have missed Carole’s readings and it was a joy!

As festival Poet in Residence for Cheltenham Poetry Festival I attended and performed at CPF events this month including: Z.D.Dicks Reading & Open Mic and Across the Oceans with David Hanlon and Elisabeth Horan. I headlined for Cheltenham Poetry Festival alongside Joe Cook, it was good to see/hear him again – a magical experience! And speaking of magic…

One of the workshops I attended was pure magic too – in fact, it was in the title, but we’re writers… we know titles give no guarantee! It was called The Magic of an Ordinary Day and it was mindfully slow paced with an entire offline section for lunch and encouraged wanderings. I met my mum (socially distanced) at the local park and we had a catch up and I took a bounty of pictures to inspire my afternoon writing. Plenty of people watching in amongst nature and for someone who rarely leaves the house now it was a blessing. Sue Emm was the facilitator of this online wandering & writing workshop from Open School East. It was a wonderfully, relaxed and I was certainly glad I’d committed a day to do it. Huge gratitude to Sue Emm.

The Worcestershire LitFest started, as it always does, with the Worcestershire Poet Laureate Competition. This year’s finalists were all worthy of the crown. The new Worcestershire Poet Laureate was announced for 2020-21 as Leena Batchelor – read more here.

Festival posts and links to follow.

I managed to attend a few open mics and events including Philip Gross and Heidi Williamson at Cafe Writers, That Poetry Zoom (Canberra), a Masterclass in writing and publishing, Wordcraft, Jerwood Arts Events, some PPP gigs and I visited the real library building (where the covid measures far outrank some places of work) and returned my 3 loans read by April and borrowed 9 books, fearing they would have to close again. I have PLENTY of books at home I could be reading, but they are mainly chosen and I feel I want to read them in pleasant(er) times. Perhaps now is the time to challenge my genres, pull out those books I would not otherwise attempt and that’s why I use the library. Plus I love the library, most people have been missing the night out, the pub… me, that room full of books none of which are mine.

I fuelled some of my grief into The Loss Project and found solace in a group I have been attending since the summer over in the States with Judith Redwing Keyssar, who has provided Food For Thought Poetry Cafes and Loss, losing, Loosening workshops weekly. https://redwingkeyssar.com/. Just letting it pour out is important and for me, part of the healing. I attended the Collective Trauma Summit, they had an amazing selection of poets/ poetry readings.

By September, Lockdown had lifted, but I was still living very much in isolation. With no money it wasn’t so much a challenge to stay inside. I had to go to hospital in September, they are places some of us need to be brave and use, but it was the biggest challenge I have faced. I had to go alone – the whole experience pre-covid would have been bad, in addition there was the wearing of the mask for hours and the additional safety test requirements. I counted every day after carefully indeed, but looking back I needed something this big because in a few months time there would be much needed work. The first day back was terrifying but it would have been worse without this bridge.

Flashback Summer (Aug)

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Photo by Ylanite Koppens on Pexels.com

August was still patchy with sun and I was able to enjoy the garden. I was beginning to feel the edge of cabin fever. I slowed down online with extra events and focused on writing and reading. It was as strange as all the other months this year. I had hoped my birthday wouldn’t be in Lockdown – I’d seen and attended some awesome, creative celebrations online – I just couldn’t face the extra screen time. Mr G. and I planned to use one of the socially distanced restaurants and go out for the first time since March, but I got too scared.

I went to Jonathan Davidson‘s Book Launch for Commonplace, Smith | Doorstop, 2020. https://jonathandavidson.net/blog-2/books/a-commonplace/

I read at Polly Stretton‘s launch of The Alchemy of 42, Black Pear Press, 20220. https://blackpear.net/2020/07/31/the-alchemy-of-42-launch/

I read my cathedral poems at the launch of the ‘Call & Response’ anthology compiled by Amanda Bonnick, Poet in Residence at Worcester Cathedral. https://blackpear.net/2020/07/22/an-invitation-to-the-launch-of-call-and-response/

Photo by Lum3n on Pexels.com

I finally made some submissions. I spent hours writing applications, which were unsuccessful in results but updated all my paperwork ready for when the right one does come along!

We had a wonderful International Reading again for Cath Drake‘s Writing course Reinvent the Future – this time with Malika Booker as Guest Poet. It was another wonderful event.

Cath Drake
Malika Booker

Melbourne Spoken Word Festival continued, Army@Fringe hosted a Virtual Festival with lots of programmes about theatre writing, Jinny Fisher hosted another Poetry Pram event, Wendy Pratt hosted one day retreats, and PPP continued with many events and classes. I finally got to some events in New Zealand and made it back to Fire & Dust (Coventry) to see Genevieve Carver, I saw Joelle Taylor and Laura Scott at Cafe Writers. I managed to Zoom to Stafford WORDS Myths & Legends. I started attending some of the creative writing workshops held at Sheffield Libraries, they have raised a whole community online. Wonderful work. I started workshops with Nik Perring , Reader in Residence at Sheffield Libraries, who have all been great and productive. I attended a few seminars and talks.

I joined Celena Diane‘s Poets in Motion and had a great time at the Wirral Poetry Festival with Brian Wake, writing from ‘At the Circus’ prompts and artwork. Love an ekphrastic poem & poet/artists projects. I get involved with them as often as I can. I was asked to be Poet in Residence (virtually) for Cheltenham Poetry Festival.

I finished my Connect Dudley commission and Worcestershire LitFest went online. We held the delayed interviews for the next Worcestershire Poet Laureate.

So, my birthday was quiet – but we are still safe.

Five months into the pandemic and most of us know someone who has suffered. My heart goes out to all the families who’ve lost more than birthdays this year. The Lockdown is difficult to cope with – but suffering from Covid – there are no words, just huge thanks to those tasked with trying to help us.

Flashback Summer (June)

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Photo by Maria Orlova on Pexels.com

For some reason I attempted Yoga again this month, Lockdown has made us all a little crazy, I think I did a fusion of Yoga and Pilates, basically the warm up and then filled in most of the class with exercise my back could manage.

I saw my first human being other than my mum and Mr G. since the beginning of Lockdown. It was my eldest nephew’s birthday. I stood in the garden, he stayed inside. It was the hardest not-hug to give/not give. Delighted I saw him. He couldn’t believe he was only the 3rd person I had seen since the end of March! By the end of the month I shared garden coffee with a few friends.

My actual travel/ life may have diminished to something which resembled 2019 (without the pain) but my screen life was exploding. I stretched my Zoom poetry wings further into Australia, out to New Zealand, Canada, Singapore, America and Coventry – if you have ever driven the route from here you will understand why I include that UK destination in amongst my international travel. Other local events found the wonders of Zoom and FB and moved events online. Library services also extended online content.

Poetry and writing has gone Global this year, writing is also (like baking, making sourdough, planting, painting and photography) one of the hobbies/ escapes people turned to. Even people who never appeared online have probably scribbled journals or feelings down at some points in this Lockdown. There have been wonderful local/ national/ international community projects popping up all over the place. Letter writing has become fashionable again, or at least it did before people realised the dangers of post. The world has creatively adapted. We have held each other (metaphorically) up in a year that made us all feel like we no longer had bones!

Photo by Porapak Apichodilok on Pexels.com

The other thing which began to take seed was the funding artists had applied for through the Arts Council. With this emergency funding came a flurry of projects and workshops. Funding was also received from other revenue sources.

PPP (Poets, Prattlers, and Pandemonialists) celebrated the Black Country/ Lockdown and isolation with Stay Up Your Own End – which offered people both a microscopic and magnified view of their locales as seen through the eyes of people with pens. It encouraged people who had never written before or never openly written before to pick up a pen and write. It was set up as a round of competitions, prizes included a video film produced & £25.

The judges/prompt writers for each round were local favourites of the Black Country poetry scene Richard Archer, Rick Sanders, Roy McFarlane, Kuli Kohli, and Heather Wastie.

PPP were commissioned by Creative Black Country to run a series of online poetry activities across the region.

Read more about it here: https://www.pandemonialists.co.uk/stay-up-your-own-end/

Louise Stokes provided bi-weekly writing classes under the ‘Let’s Write’ project. http://www.louiseland.co.uk/

I did workshops with Anna Saunders, Adam Horovitz, Liam Brown, Zena Edwards and joined Malika Speaks and Poets In Motion. I went to Book launches including The Estate Agent’s DaughterRhian Edwards (Seren), Wild PersistenceKatrina Naomi (Seren), Pack of LiesRoz Levens (Black Pear Press)

More Festivals and Events: ART IS… Festival, Trim (Ireland), Own It! Online Festival, Wirral Poetry Festival, Cheltenham Poetry Festival, Kit De Waal Creative Writing Wonder Women, Ledbury Poetry Salon with Philip Gross & Lesley Saunders. Sarah L. Dixon moved The Quiet Compere online and created a series of reunion shows. I made video poems for Wordcraft, PASTA, performed at Fire & Dust, 42, That Poetry Zoom, Perth Poetry Club, Poets’ Cafe and watched Dear Listener. Oooh Beehive, Run Your Tongue, Yes We Cant and others. Room 204 continued to support us with opportunities.

Personal highlights for the month (other than braving the company of friends) were:

A reading for the end of Writing to Buoy Us – Reading to Buoy Us with Cath Drake. The courses drew both established and new poets in from across the world.

Read all about it at Cath’s website here.

It was an uplifting event which featured both class groups and Australian poet Mark Tredinnick as the Guest Reader.

Writing and creativity are how most of us are continuing to process this pandemic 6 months later, the connectivity shared at this time was invaluable. It was special.

Cath Drake
Mark Tredinnick
Nina Lewis

Poetry Film Live Relaunched their website and featured one of my animated Poetry Renewed Films ‘Tailspin’ to Launch it. Like every business Elephant’s Footprint have adapted during this pandemic and shifted their courses online.

Exciting talks started with the committee about moving WLF online, we were holding off in the hope the postponed annual festival (mid-June) could be pushed back to early Autumn, by this time it became apparent that Covid was going to be with us for some time.

I took part in my first online SLAM (I don’t really do the SLAM poet thing but this was in Australia and I couldn’t resist). My poems appeared in the keepsake gift book the Art Is Festival released.

I wrote down submission opportunities and promptly missed the deadlines. Seems like I have the horse ready but a little unsure of getting back on!

Flashback Spring (April)

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April was Napowrimo and those of you who follow this blog will know I have done it every year since I discovered it existed (2014), this year – for the first time ever – I was home every day of the prompts and managed it without falling behind. As is tradition, by the end I was left with about 5 decent poems and another 5 to work with. Lots of new notes and scribbles, I did write 32 poems over the month but some are no more than a warm up exercise, you can whittle on after April and collect yourself a good batch of 30 decent poems, but as with all workshops some prompts will speak louder than others. There were some areas I continued to research and develop and other scrap poems I abandoned. Nothing wasted though.

Napowrimo was also the last time I was properly active on the blog. The Stay at Home Lit Festival continued (it was a glorious 2 weeks). I continued to enjoy events which moved online more from the PPP (Poets, Prattlers, and Pandemonialists) team, as another of their brilliant nights Yes We Cant happened online and PASTA (usually at the Wolverhampton Arena Theatre). 42, Worcester and Run My Tongue were other open mic events I joined.

I signed up to Caleb Parkin‘s Napo group and enjoyed weekly sessions with other poets (some of whom I knew) doing Napo. These groups were great fun. Huge gratitude to Caleb for creating such a pleasant space to create from.

Another huge gratitude bundle goes to Cath Drake, who I discovered at the S@HF. Her first collection The Shaking City (Seren) was launched in April. https://www.serenbooks.com/author/cath-drake.

Cath started a writing course for poets in Australia (her homeland) and UK (her home). It was incredible and again I will be posting separately on Writing to Buoy Us.

Discover more about Cath and her work here https://cathdrake.com/.

April was the start of crazy, for me it was a coping mechanism and also I was coming from that post-book release-writing-slump https://ninalewispoet.wordpress.com/books/, which followed on the back of the medicated break from writing, which I was convinced (at the time), had broken the camel’s back, so a certain amount of my packed scheduling was a liberation, a dance with words. It was also a sure fire way to bury my thoughts from what was really happening for a few hours most days. I was also trying to get over having to cancel all my real life bookings for a 2nd year running.

I read a lot, every writer should. But I have to say 2020 has opened me to more new writing and new to me poets than any year so far. So readily accessible at a touch of a button. The whole world at my writing desk.

Sarah L. Dixon needs another shout out of gratitude, she started to run workshops online, which were always fun and successful for me – as in I would always have a nearly completed poem by the end of it – I may have even submitted some of these out to the world and I have barely submitted anything anywhere since 2018.

A big shout out of gratitude to Zelda Chappel too – who it has been a pleasure to reconnect with. She offered a series of wonderful prompts which in the beginning refreshed my love for this gift of writing and over the weeks gave space for some different writing.

A big shout out to Mab Jones too who created Lockdown Writers’ Club and provided us all with in depth prompts and created a creative community.

I went to the book launch of Play – by C. S Barnes, The Shaking City by Cath Drake and Mutton Rolls by Arji Manuelpillai.

I started doing Yoga with Allison Maxwell who is another gratitude shout out, I helped people and artists learn how to use Zoom effectively, we celebrated the first birthdays online, never expecting we would still be doing the same by the end of the year! I started doing my pilates classes at home.

I finally joined INSTA as there were poets I admire doing things on this platform. My INSTA account is still nothing to shout about and I probably won’t be joining the INSTA Poetry movement anytime soon, but it is a great platform for short video/ workshops and has been fun exploring this year.

I took opportunities offered by Room 204 on developing characters, huge thanks to Stephanie Hatton for letting us be your guinea pigs, I hope the roll out went well. I enjoyed the National Ballet online, a workshop with The Poetry Business and started recording video performances for events. And I discovered the Cuirt Festival of Literature AND more importantly an Irish poet I had read in my teens, Michael Gorman – it was like being reunited with an old friend.

I also had the pleasure of watching Kei Miller and Carolyn Forché with Poets House and Roger Robinson with Writing East Midlands, all poets I have read and admire. I’m lucky enough to have seen Kei and Roger in action several times. These three poets started the pack of recurring poets who became a big part of my lockdown.

I was also working hard completing an animation commission from Elephant’s Footprint for the Arts Council funded ‘Poetry Renewed Project’. I wrote a poem for Rick Sanders PoARTry/ the digital version of his project. My ekphrastic poetry response was based on an artwork created by Alan Glover. I watched most deadlines zoom past and wrote covid and non-covid journals.

It was an action packed month which taught me: I was happy we’d had haircuts the week before the news of Lockdown, the forever-wanted GHDs probably weren’t going to be the most used Christmas present, that I was unlikely to run out of notebooks for a while, that the world is trying to hold itself together, that a smile goes a long way, that facetime and online platforms are a great way to stay connected, what it feels like to spend 5 weeks travelling no more than 1.5 miles from your home.

June – Review of the Month

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June – what a busy month,  brimming with challenges, competition, festivals and longer term projects, as well as taking stock half way through the year.

My MOOC course How Writers Write Poetry with the University of Iowa finished and I enjoyed an incredibly busy month of performing, writing and getting published. The sparkly, golden bits most people get to see instead of being aware of all the hard work and ground work that caused the success in the first place! CN-1780-logo-uofiowa

WEEK 1

  • Voting closed for Worcestershire’s Poet Laureate poems. I reached the final along with 5 other talented poets.
  • I did a workshop with David Calcutt and the Caldmore Garden Poets, they were scheduled to perform a group poem at the carnival day on the 13th, which I couldn’t attend as I was working the final Writing Group for Writing West Midlands. Due to the weather this performance has been rescheduled and I can now take part on the 21st July!
  • A recent poem of mine from the workshop where e.e. cummings was our starting point – ‘Late Spring’ has been published on David’s blog you can read other poems there too. http://naturalhistoriesblog.com/others-writing/
  • My term ‘poeting’ coined last year is becoming widely used by many poets! Hoping to get it into OED next year!
  • Jess Davies had her opening night of a new spoken word event in Stirchley at the P Café, it was packed and well attended. Stirchley Speaks – and it certainly did!
  • Scary Canary hosted another Permission to Speak, Rob Francis’s fantastic night – NOW FREE!! This month saw Brenda Read-Brown and PTR Williams headline.
  • I went to Debbie Aldous’s Spoken Word at The Ort and shared a lovely meal and some Tennis with Tessa Lowe beforehand.
  • I spent a very enjoyable Sunday afternoon at Cannon Hill Park, The Mac (Birmingham) with a collective of poets – we took over the storytelling tent whilst they all went for lunch and performed to some greatly enthusiastic children. We are also hoping to get some of our poems hung on trees down by the lake, later this year. We had a special guided tour to this secret location. MAC With Frankie Ryan, Tony Fox, Syrac Citam, Timothy Scotson, Callum Bate and Nina Lewis at Cannon Hill Park.

© Jasmine Gardosi 2015

All of these events can be read in further detail in my Poetry Wrap post. Enjoy!

Poetry Wrap 5 (A Brief Introduction on Exhaustion)

 

WEEK 2

  • The 2nd week of June saw a performance at HOWL and a great packed night of poetry, hosted by Leon Priestnall. Fantastic headliners and I met two poets who I have only seen around and never spoken to before, Luci Hammans and Sipho Eric Dubepart, A.K.A ‘Unhindered Reign’ – one of three headliners, the others being Glyn Phillips and Jess Davies. I met with Sipho a week later at workshop with Candy Royalle.

I spent most of this week on tender hooks and full of nerves and butterflies as it was the WPL final and the Launch of this year’s Worcester Lit Fest. I spent most of the week preparing for it and missed some previous diary entries for open mics due to energy levels, it was a full on week of work, work for me too.

  • Friday 12th June was the Poet Laureate Finals, the winner this year was Heather Wastie.

WLF Heather WPL

Heather receiving her engraved award with Maggie Doyle at Worcester’s SpeakEasy Lit Fest Special.

© WLF Team 2015

Suz Winspear was the runner up and I came in 3rd position.  WPL

© Betti Moretti 2015

Read all about the experience here WLF 2015 The Launch & Poet Laureate Final even typing this has my heart set on edge again!

  • The WLF took over my life for the next 10 days, this week I saw Ben Parker, Todd Swift and Chloe Clarke (Young Poet Laureate) performing at the Royal Porcelain Museum, where Ben has just finished his residency and Todd is taking over.

BP Chloe Chloe

BP Dr Todd Swift Todd

BP Ben Ben

© WLF Team 2015

It was a super night of poetry. I treated myself to Ben’s collection, I love his work. Ben Parker From Porcelein

  • I had my final session at The Hive as Assistant Writer to Ian MacLeod, from September I take over the senior writing group as Lead Writer for Writing West Midlands. We invited the parents to come and take part with the end of the session, it was great fun!

 

WEEK 3  

  • The week started well with news that my poem ‘Beyond Gas Street Basin’ is to be published in an upcoming anthology of city poems called ‘Birmingham Bound’. It was a poem I was commissioned to write last year by Naked Lungs for Birmingham Literature Festival. I am delighted to be in a book all about Birmingham as it is a city that has opened it’s poetry doors for me since the tail end of 2013.
  • WLF continued and I had the delight of watching John Hegley at Confab Cabaret, Malvern. A SELL OUT Fringe event.
  • WLF I performed at the 42 WLF Special and met Adam Millard for the first time.
  • WLF I performed at WLF SpeakEasy Special and thoroughly enjoyed Brenda Read-Brown‘s set.
  • WLF I watched the Offa Press Poets, Bert Flitcroft & David Bingham at the Institute before seeing Jonny Fluffypunk return from his Austerity March experience in London to perform for us again. A highlight for me.
  • WLF Bert and Jonny joined us on the Summer Solstice Walk up the River Severn, where we all performed poetry at locations along the walk. A super, magical experience.
  • I was asked to perform at a fundraiser next month for Arts All Over the Place.
  • I attended a workshop with Candy Royalle, the international act at this month’s HTO (Hit the Ode) – which I missed as I was performing at the WLF Special SpeakEasy. It was amazing, she is a forceful spirit, driven and dazzling in her buoyant enthusiasm. Great to meet her, gutted I missed her set. I created 3 poems, in the 3 hours as well as picking up some great performance tips. Mainly driving home some things I already know. It was lovely to work alongside friends too!
  • I was invited to be a featured poet, but was unable to accept as I will be at Ledbury Poetry Festival, I am hoping this booking may happen later this year instead. Something else to look forward to!

Read about these events on fine detail here Poetry Wrap 6 & WLF – Worcester Lit Fest & Fringe 2015 – A Wrap! which includes links to individual WLF posts I created throughout the festival.

 

Week 4

  • I had 2 writing days at the beginning of the week, it has been a while since I have been able to dedicate time to actually writing. I did a lot of market research too and drew up a list of submissions to hit before the end of the month – as I realise I have hardly sent any work out there this year.
  • I took part in an open mic as part of my town’s current Festival.
  • I went to the Two Towers Brewery to perform as part of Debbie Aldous’s new night Spoken Word and More.
  • Droitwich Summer Festival invited 9 performers to entertain with poetry and music at a magical Live Lit event hosted at Park’s Café and organised by Malcolm Wakeman and MC-ed by Fergus McGonigal (everything he touches, turns to gold)! Performers included;

Fergus McGonnigall (previous Worcestershire’s poet laureate) & MC

Heather Wastie (Worcestershire Poet Laureate )

Jenny Hope

Math Jones

Mike Alma

Bridget & Malcolm Wakeman

John & Pauline Franks

Nina Lewis

Polly Robinson

Ruth Stacey

Holly Magill

Sarah James (runs the Poetry Society’s Worcestershire Stanza) & Val.

It was lovely to go for a meal with people afterwards too and chat away the night. I finally got to bed at 2:30 a.m after I had worked off the adrenalin! I have been looking forward to this event since Sarah James launched her new book The Magnetic Diaries, KFS Press. Since then she has had Hearth published, a collaborative book (Mother Milk Books) and is about to have PlentyFish – her new collection published with Nine Arches Press.

  • New opportunities for training presented themselves and I was fortunate to be online at the time. Looking forward to telling you all about this latest venture in September.
  • I also continued work on my own collection.
  • I had a poem published on Visual Verse – ‘Shame in the City’.
  • News of the 52 ANTHOLOGY published by Nine Arches Press – Out soon!
  • I performed at Sunday Xpress just before coming home to pack my suitcase! They have found a new home at The edge Artspace, Foundation Arts, a great venue in Digbeth. The room was as crowded as outside (it was a hot day – the beginning of this heat-wave, just in time for my holiday! Loved performing this afternoon, it is the first time I have felt this great after Sunday Xpress, fabulous venue, great people, new faces, abundant talent – just a marvellous mix. Unfortunately I missed the bands this time as I have to make some submissions and pack a suitcase. I will be back over there over the summer though. Fabulous success, deserved after years in the pubs of Digbeth. (There are some gems of bars in Digbeth, just noisy and full of local life that is great for a pint but not so accommodating for a poem!)

All this and more can be found in Poetry Wrap 7

inkspill holidayAnd now I am going on holiday for a much deserved rest!

 

THE WRITE YEAR WILL BE UPDATED ON MY RETURN

The Things to Come…. Marvellous May

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The Hay House Summit has finished, missed most of the final sessions as I was busy with workshops and performances. My MOOC course ‘How Writers Write Poetry’ – University of Iowa is in its final few days, I am mainly saving resources and completing some of the internal projects which I encountered during the 7 weeks. I take a lot away from this course including 10 decently edited and possibly ready (although currently resting in that metaphoric drawer) poems.

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Both elements of April/May have been great fun and have served me well. I have a whole notebook from Hay House and several print outs and saved websites and resources to refer back to and explore more when I have the time.

hay house logo

I have also 48hours off from performing – in which time I will be catching up, blogging and possibly working on more writing.

It is an exciting time and you have these posts to look forward to (some may appear in Poetry Wraps);

  • The WLF Programme – Worcester LitFest 2015
  • Ledbury Poetry Festival 2015
  • Longlisted for WPL – Worcestershire Poet Laureate 2015-16
  • SpeakEasy with Angela Topping and Sarah James
  • Published by Paper Swans
  • Stanza
  • Tickets for John Hegley
  • 42, Fairies & Pixies
  • Writing a poem inspired by Jonathan Edwards (Costa Award winning poet)
  • Workshop with Angela France
  • Word Up
  • Opus Club with Hannah Silva

and of course the monthly review.

So I had best get writing, keep reading!

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