Category Archives: Literature Festival

Monthly Review February

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February arrived and I could barely believe January was over! Another month fully booked and brimming with adventure… and more snow! After suffering several lack work years, work came like buses and I said YES to it all. So right from the get go I was aware of pacing myself. I worked full time for a couple of weeks, balanced deadlines with new ventures, took on a new role and celebrated Mr G’s birthday, Valentine’s and other family celebrations and finished the month off with a Poetry Festival! Perfect! This is certainly one of the longest review posts for a while, you may want to munch through it in several sittings!

Week 1:

The first day of the month threw treasure at me, I started a new course with Tawnya RenelleExperimenting with… it was inspiring as ever and started me in a new direction with some material I have been chewing over for a while. I even created a sketch! There is a shiny new website/platform and lots of resources to get my teeth into (especially now I have finished chewing)!

I also had some happy news hit the inbox, after a two year hiatus (health + pandemic) I am back with the DAN team supporting them with an online Poetry Extravaganza again. AND…. last year I completed the Poetry Renewed Project and my commission with Elephant’s Footprint to produce 10 animated Poetry Films. One of these, ‘Territory’ has been shown at the Reelpoetry Festival in Houston this month (24th Feb.) – the joy is abundant! https://awritersfountain.wordpress.com/2021/02/27/reelpoetry-festival-houston-tx/

I made some submissions with close deadlines and applied for more work. Which was time consuming and exciting. I had proof copies of Recoil 12 back from MullaMulla Press, I had a poem accepted by Literary Alchemy Press, an online magazine I discovered last year. They have taken a poem I wrote in an Angela France workshop and one I am particularly fond of. In addition to that, by publishing it they have become an International Press, which is brilliant for them!

You can buy a copy here.

Connect Dudley, (a project I was commissioned for back in May 2020 during the 1st Lockdown) is coming to the third leg. Rick Sanders facilitated community workshops where participants wrote letters over several weeks, in the 2nd leg Rick and I turned these letters into poems and shared them with the participants. We also completed an interview with the funders, CoLab and recorded audio of our work (which is connected to the High Street poems via QR codes).

CoLab – Connect Dudley

Rick is now in possession of some very shiny and graphically exciting posters of the poems which will go up in empty shops in Dudley’s High Street over the next 5-10 weeks and I am booked for a reading later this month which will be a webinar and Q&A. It was a wonderful project that has helped many people and I am honoured to have been a part of it.

https://awritersfountain.wordpress.com/2021/02/21/connect-dudley-launch-event/

I caught an interview with Casey Bailey – Birmingham Poet Laureate, on Midlands News, which made me happy and I had my final workshop class with Zelda Chappel. It was on Life and Death – so not a light subject but it was a wonderful few hours, I have loved being part of this group and the work we have covered has uncovered some of those poems that have been living inside me. Now the hard work begins to get them fully formed.

I would recommend Zelda’s classes they are great fun and she has a wonderful way of facilitating 2 hours of intense writing and reading in such a relaxed and caring way you leave in a state of cleansed tiredness, definitely lighter and happier and with ink that is worth page space. It has been a January/February highlight. You can book the full course of just choose a week that you feel pulls you in. Most of our group did all 4 sessions. I first met Zelda through Jo Bell’s 52 project back in 2014, we read at the same event in London and have been following each other ever since. Do check out her poetry. The Girl in the Dog tooth Coat by Zelda Chappel.

I had the pleasure of attending a Book Launch, Nature at a Cost a first collection for Annie Ellis. I was tired but I wouldn’t have missed this Launch for the world. I am delighted for Annie. It was a lovely to watch her excitement as Guest Readers shared some of their own poetry and read poems picked from new collection. Annie’s Special Guests were Ben Ray, Anna Saunders, Zoe Brooks and Ankh Spice.

I recently discovered we landed in poetry around the same time, when I first met Annie (back in 2015), I thought she was an established writer. Annie’s collection has been described by Ankh Spice as ‘a clarion call to find the edges we have forgotten’, and by Ben Ray as ‘a haunting love letter to the natural world’.

Read all about the Launch here.

The weekend saw more events and workshops with Redwing, Rakaya Fetuga & Sarah L. Dixon. Nine Arches Press celebrated the launch of Jacqueline Saphra‘s One Hundred Lockdown Sonnets. I watched the conception of this back in 2020 and have read a good number of Jacqueline’s sonnets, several poets joined her but most managed 80 something sonnets. This is not just another collection of Lockdown thoughts and poems, these are sonnets that in years to come will form a historical record and someone suggested may linger in our heads like lines of Shakespeare’s sonnets. It was also a treat to hear her Guest Poets: Anja Konig, Miriam Nash, Jacob Sam-La Rose and video readings from Ian McMillan & Naomi Shihab Nye.

If you missed it you can treat yourself now.

Sunday saw a warm gathering for Live from The Butchery and some stunning performances by: Annie Freud, Jane Burn & Anja Konig. I thoroughly enjoyed myself and it felt like the perfect end to the weekend, except there was more!

I have a few favourite landing places in America that I’ve discovered throughout the lockdowns and many offer free events. I am lucky enough to be working again but after the past 2 years the surplus spends are absorbed by previous bills so I am still not in a position to pay booking fees let alone ticket costs. Which is a great shame as there are lots of opportunities around at the moment – including a workshop with Carolyn Forché at the Kendal Poetry Festival. A festival I will get time to write about soon as I’ve spent an amazing 9 days with Clare Shaw and Kim Moore to complete the month!

I spent an inspiring night with Carolyn Forché & Lori Soderlind, thanks to Hudson Valley Writers Center. It was a deeply moving and inspiring event and I loved both readings. I have become a big fan of Carolyn’s work over this pandemic year. I received an order for In the Lateness of the World (Penguin Press, 2020) for Christmas and it should be arriving next week!

https://awritersfountain.wordpress.com/2021/02/16/an-afternoon-with-carolyn-forche-lori-soderlind/

Carolyn Forché is an award winning author of poetry and prose. Renowned as a “poet of witness,” Carolyn Forché is the author of five books of poetry. Her most recent collection, In the Lateness of the World (Penguin Press, 2020), is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death.

Lori Soderlind is author of two memoirs: The Change (My Great-American, Postindustrial, Midlife Crisis Tour) and Chasing Montana (A Love Story). She is director of the MFA Creative Writing Program at Manhattanville College. Lori began her career in print journalism, working as a reporter, editor, and freelancer for newspapers and magazines across New Jersey and New York. Her latest book, The Change, was the fruit of a long drive she took with her dog Colby, setting off to find “the most depressing places I could find in the country,” Lori has explained, though she only had time to scratch the surface. © Hudson Valley Writers Center

I loved discovering Lori and the story behind her work.

Week 2

I wrote a proposal which took a lot longer than I expected. I’ve written a few applications this year and one of these was for Mass Poetry Festival in May. I was keeping my fingers crossed for a positive outcome on this and gathering some of the poets together again. Unfortunately it was rejected via a very kind email. Four years ago I started my Laureate Legacy Project (2017), a Transatlantic poetry exchange with Worcester, UK and Worcester MA, A Tale of Two Cities. You can read all about it here. And read the publication, Special Issue of Contour here. Many of the poets have gone on to republish their poems in other anthologies and collections.

In the UK we launched the project at Droitwich Arts Festival 2018 as part of the Poetry Extravaganza event, USA had an event at The Sprinkler Factory in September and then in 2019 it was part of the Evesham Festival of Words. I had hoped to role out a lot more with this massive project, there were plans but due to health issues and then COVID nothing has happened since. Evesham was booked in the summer of 2018 when I was 100% fit and not expecting an operation, it was only through the support of friends that I managed to get to the Festival and undertake the organisation of the event. So when I saw the call for MASS Poetry Festival I thought it was destiny! The application took some time, I was delighted to obtain a reference and all was well. I have been checking the inbox for a while. Maybe more opportunities will present themselves. Due to the pandemic I am back in touch with the WCPA who provided the rich American pool of poets for this project. So maybe when I am less busy I can organise something myself.

I missed the Cafe Writers Competition Winner Readings with Helen Ivory (Judge), I thought I had booked a ticket, I had registered interest in the event but not got a ticket. I was a actually double booked so would have missed the start of it, but kicked myself for not keeping tabs. This is overwork tiredness. It continued the next day. I had booked for a presentation (one which was recorded) and decided by the time I made it home I was too tired for any screen time. I forgot I have a Tuesday night class at 9PM (in USA) and was asleep before 7:30 pm. This week I have been putting the finishing touches together for Mr. G’s Lockdown birthday and Valentine’s Day as well as working on projects, writing applications and advertising copy.

Midweek I managed to attend Sheffield Libraries workshop, it was a writing week filled with food. Tawnya’s Experimenting with… class on Monday was Food and this Recipes and Memories workshop, facilitated by the wonderful Central Librarian, Claire Walker, links to a project later in the month. I spent a couple of hours in good company recollecting all sorts of stories that were decades thick in dust. It was inspiring and I hope to write up a couple of poems. It was also nice to see some of my 52 Poetry friends at the workshop and everyone shared such inspiring memories that many of us left with pages and pages of notes after the 2 hour workshop finished. At Midnight there was a USA reading, but I was asleep long before then.

On Thursday it was Worcester SpeakEasy, it was a wonderfully tender and entertaining evening, which included an impromptu ‘hat off’, bountiful love, valentine and non-valentine poems and we had a band too! I finished working full time and celebrated with Wolverhampton Literature Festival, Food for Thought poetry cafe, Poet’s Cafe featuring Corrupted Poetry a collective of writers, Nic Stringer, Michelle Penn & Fiona Larkin.

My 2nd proposal written and sent a week ago was acknowledged with an incredibly kind rejection email. They have kept my contact details and had over 3000 applications, they said my detailed pitch was well written, so some upskill desk time & pitching if nothing else. It’s a shame as it sounded like an exciting project to be involved in. Hopefully it has future-paved something!

This weekend was Mr G’s birthday and Valentine’s so I originally avoided booking anything in, until a conversation made me realise that 48 hours with me was not the way he planned to mark the weekend (harsh), so I booked a few bits into the last days of the week. On Saturday I went to Rakaya Fetuga‘s workshop and then the Annual Lucille Clifton Celebration: Today We Are Possible. It was a moving event full of tenderness and power – the best combination, stories and poems and memories of Lucille.

I was glad not to miss Charley Barnes‘ Book Launch for her Poet Laureate Collection, Lore. A collection which feeds more than her obsession with flowers and footnotes. I will be adding a post about this soon.

WEEK 3:

The Worcestershire LitFest competitions opened and I spent several hours web-building. This week was marked to work on one main project. I managed a few last minute submissions and was looking forward to Cheltenham Poetry Festival who had Kim Addonizio & Christina Thatcher booked. It was an incredible event. Epic in the truest sense of the word. I will be writing February blogposts long into March!

I had a project (which has been postponed) booked in for this week so hadn’t filled the diary. I am spending most of the week working on a manuscript which is due to be submitted. Looming deadlines are always a good reason to set to work. I have been working on this since last year, but decided not to sub it out in the end in the Autumn as I had originally planned. The poems involved have been written since 2019 and I am keeping my fingers crossed. It feels strange as in pre-pandemic times there would have been bountiful events to sell my previous book Patience and I am aware I have stock upstairs, I have sent any interest since March 2020 to the publisher website.

I recently discovered these lunch time readings, PM for UK. A lovely way to finish a day of one workshop, one class and one group. Jennica Harper tender poems touched us all deeply and listening to Frances Boyle force with nature, family, grief was fantastic. I thoroughly enjoyed listening to these two Canadian poets. The Q&A was interesting, I love listening to the poet’s process.

Frances Boyle’s first poetry collection, Light-carved Passages was published by Buschek Books in 2014, and her second, This White Nest, by Quattro Books in 2019. She also writes fiction and has published a collection of Short Stories and a Novella.

Jennica Harper is the author of three previous books of poetry: Wood (Anvil Press, 2013), which was shortlisted for the Dorothy Livesay prize, What It Feels Like for a Girl (Anvil Press, 2008), and The Octopus and Other Poems (Signature Editions, 2006).

I often miss Cafe Muse nowadays due to work, Canadian events tend to be on in the early hours here in the UK. But I was still awake so I went to listen to the reading series Poets Vs the Pandemic. And I was glad I did, because I got to hear some great poetry from all three poets. Some of the poems were amazing.

Grace Cavalieri is Maryland’s Tenth Poet Laureate. She’s written 22 books and chapbooks of poetry; and 26 produced short-form and full-length plays. Her newest poetry publications are What The Psychic Said (2020;) Showboat,(2019;) and Other Voices, Other Lives (ASP Pub. 2018.) Her latest play was “Quilting The Sun,” Theatre for The New City, NYC, 2019. Grace founded and still produces “The Poet and the Poem” on public radio, celebrating 44 years on-air in 2021. The show’s recorded at the Library of Congress and transmitted via Pacifica Network.

Diane Wilbon Parks founded The Write Blend collective in 2018. She is a visual poet and artist who has published two collections of poetry, and has read widely as a featured poet, radio show guest poet and interviewee on The Poet and the Poem national broadcast from the Library of Congress. Her artwork has been displayed widely. She lives in Prince George’s County, MD.

ROSE SOLARI is the author of three collections of poetry, The Last Girl, Orpheus in the Park, and Difficult Weather, the one-act play, Looking for Guenevere, and the novel, A Secret Woman. She has lectured and taught writing workshops at many institutions, including the University of Maryland, College Park, MD; St. John’s College, Annapolis, MD; and the University of Oxford’s Centre for Creative Writing in Oxford, England. Her awards include the Randall Jarrell Poetry Prize, an EMMA award for excellence in journalism, and multiple grants. In 2010, she co-founded Alan Squire Publishing. Rose Solari lives in Bethesda, MD.

RELATED LINKS: http://www.gracecavalieri.com/poetLaureates/featuredpoet_dianewilbonparks.html

https://www.pgahc.org/diane-wilbon-parks

You can find a couple of poems from Grace Cavalieri on the Cafe Muse website.

I attended the On This Day She Book Launch, which was a wonderful hour.

A fantastic event – read all about it here https://awritersfountain.wordpress.com/2021/02/19/25121/.

I booked tickets for Rita Dove and Terence Hayes and fell asleep before Jane Hirshfield‘s event Poetry and the Wild with the Natural History Institute. I caught up with a recording of it, another event which deserves an entire blogpost. It’s on the list!

I received some very sad news about our Poets In Motion teacher Celena Diana Bumpus, who passed away along with her mother, Shirley Bumpus. It has been an honour to have known Celena for almost a year, she was a creative person full of light and such a connector in these difficult times. Memorials have been organised. Words are the only fitting way for me to remember her and her generous spirit, spreading love and vision, globally. Her emails bore the signature ‘Be the inspiration the world needs‘. At the end of month I was reunited with classmates via email and we’ve decided to complete the collective unity poem Celena was working with us on.

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I recently discovered Live Canon’s Lunchtime Reading Series, I went to the 4th one (I missed the 5th one, which had a great line up as I was at work). I am hoping there may be more in the future. They are just an hour and a perfect poetry lunch. I listened to with Adham Smart, Robin Houghton, Gillie Robic and Laura Theis

Friday night saw the Launch of Kendal Poetry Festival, a fabulous reading from Bernadette Mayer, followed by listening to the winning poems from the Pre-Ralphaelite Society.

The weekend saw the beginning of 9 days of early morning light workshops alternating between Clare Shaw and Kim Moore. These have been wonderful and productive. This weekend saw the first one with Clare followed by a morning with Kim on Sunday. I had a rehearsal for Connect Dudley. I went back to Kendal Poetry Festival for a Workshop and two readings: Hafsah Aneela Bashir, who I discovered last year through the Jerwood Arts events and Jackie Hagan who I have had the pleasure of watching LIVE several times before. Both were incredible events and will appear in my KPF post when I get around to working through the February list!

I finished my Saturday night with Rakaya’s weekly workshop and the Oystercatcher reading, which I was especially pleased to be available to attend as I was missing Vahni Capildeo at KPF. It was a powerful night of work with: Lee Duggan, Zoe Skoulding & Vahni Capildeo.

Sunday saw me back at Kendal Poetry Festival for the early morning writing session with Kim Moore and a reading from These Are the Hands the NHS anthology which came out last year. I will write more on this event. I spent the day building websites, workshops and going to Claire Dyer‘s Book Launch of Yield and trying to squeeze every last drop of freedom from the night. Then that was my week off work, gone.

Week 4:

I was back at work, missed deadlines, completed a week at Kendal Poetry Festival, made a performance/event video (not done one of those for a while), did some classes, had an emotional Worcester 42 in tribute to Kieran Davis, we all shared some of his poems and our memories of him, it was a moving experience. By Wednesday it was all I could do to stay awake after work, I had a fun reading event with Rick Sanders to launch the Connect Dudley Exhibition and had an animation shown in the REELpoetry Festival the same day.

On Thursday I managed to get to a Finding the Words, to hear readings from Gaia Holmes, Natalie Rees and Miles Salter.

It was a great reading and I listened to some inspiring, humour filled and new (to me) poetry which I loved. Kirsten Luckins also had her Book Launch with Guest Readers, it was a real treat to see her in a real book shop!

After work on Friday I managed to get to a panel discussion at Kendal Poetry Festival – Rising to the Challenge: Poetry in the Age of Covid, which was brilliant. I had a workshop and a reading cancelled and was relieved as I needed some time away from the desk. Saturday and I FINALLY made it back to Australia to the Perth Poetry Club – that had been a long time coming too. It will be no surprise that most weekends involve waking up later than 6 AM and so I often miss these by the time I surface after a late Friday night (or even an early one). Still just to wound off the month perfectly, I made it! After a great morning of poetry I joined Kim Moore for her final KPF early morning write. I spent most of the time offline and popped on for Rakaya Fetuga‘s workshop and to be WOWed by the UoB Slam Team! More to follow.

Sunday marks the last day of Kendal Poetry Festival and I got up to write (for the final festive writing) with Clare Shaw. I have a workshop this evening and plan to spend the rest of the day as Sunday’s should be! Feels like I need a big lie down in March! I am taking a more relaxed approach to filling the diary as it is already full with a desk schedule I need to keep and the last month of contracted work.

Wolverhampton Literature Festival 2021

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12-14 February
Showcasing the very best of writers, speakers, performers,
thinkers, activists and artists from across the UK.

The Wolverhampton Literature Festival is already howling away. Enjoy a weekend of Literature online. See the full programme here. https://wolvesliteraturefestival.co.uk/index.html

Wolverhampton Literature Festival returns for its fifth year in February 2021. Hosted by City of Wolverhampton Council the festival aims to amplify the voice of authors, poets, writers, storytellers, puppeteers, podcasters, vloggers, publishers across the UK. Celebrating our creative communities living and from the Black Country and further!

Over a three-day period, taking place on the 12-14 of February, our programme of events features a variety of entertainment, which consist of talks, performances, readings, and practical workshops. We provide a high-quality experience for visitors by delivering engaging, exciting and thought-provoking events within our spectacular venues across and the city and, for 2021, online.

Our programme this year, will be providing something for everyone to enjoy, engage with and feel empowered by. Re-lighting Wolverhampton through the power of literature. Copyright © 2017-2021 City of Wolverhampton Council

I was lucky enough to be part of the Wolverhampton Literature Festival in 2018, the region is bursting with talent and I loved the arty/creative outlook of combining the arts and how much was centred on Family. Since then it has gone from strength to strength. This year they are navigating through an online feast with lots to choose from and many FREE events, some are Live streamed and can be watched later. I have just enjoyed readings from R. M Francis & Helen Calcutt.

Celebrating their recent publication successes, R. M. Francis and Helen Calcutt will read from their most recent poetry collections: Subsidence (Smokestack Books) and Somehow (Verve Poetry Press). Their collections deal with issues of loss, grief, anger and love, both in terms of the personal and communal, so this reading will be a chance to explore the difficult, often unspoken aspects of sense of self and sense of place.

R. M. Francis is a lecturer in Creative and Professional Writing at the University of Wolverhampton where he completed his PhD. He’s the author of five poetry pamphlet collections. His novel, Bella, was published by Wild Pressed Books, and Smokestack Books published his poetry collection, Subsidence, in December 2020. In 2019 he was the David Bradshaw Writer in Residence at the University of Oxford and is currently Poet in Residence for the Black Country Geological Society.

Helen Calcutt’s poetry, journalism, and critical writing features in publications such as the Guardian, The Huffington Post, The Brooklyn Review, Poetry London, Poetry Scotland, Wild Court, and The London Magazine. Her first pamphlet ‘Sudden rainfall’ (Perdika, 2014) was a PBS Choice. Her second, ‘Unable Mother’, was published by V. Press in 2018. She is creator of poetry anthology ‘Eighty-Four’, produced in aid of the male suicide prevention charity CALM. It was a Poetry Wales Book of the Year, 2019, and was shortlisted for the Saboteur Awards, Best Anthology 2019. Helen’s newest pamphlet, ‘Somehow’ was published by Verve Poetry Press in September 2020. © 2017-2021 City of Wolverhampton Council

Flashback Summer (Aug)

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August was still patchy with sun and I was able to enjoy the garden. I was beginning to feel the edge of cabin fever. I slowed down online with extra events and focused on writing and reading. It was as strange as all the other months this year. I had hoped my birthday wouldn’t be in Lockdown – I’d seen and attended some awesome, creative celebrations online – I just couldn’t face the extra screen time. Mr G. and I planned to use one of the socially distanced restaurants and go out for the first time since March, but I got too scared.

I went to Jonathan Davidson‘s Book Launch for Commonplace, Smith | Doorstop, 2020. https://jonathandavidson.net/blog-2/books/a-commonplace/

I read at Polly Stretton‘s launch of The Alchemy of 42, Black Pear Press, 20220. https://blackpear.net/2020/07/31/the-alchemy-of-42-launch/

I read my cathedral poems at the launch of the ‘Call & Response’ anthology compiled by Amanda Bonnick, Poet in Residence at Worcester Cathedral. https://blackpear.net/2020/07/22/an-invitation-to-the-launch-of-call-and-response/

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I finally made some submissions. I spent hours writing applications, which were unsuccessful in results but updated all my paperwork ready for when the right one does come along!

We had a wonderful International Reading again for Cath Drake‘s Writing course Reinvent the Future – this time with Malika Booker as Guest Poet. It was another wonderful event.

Cath Drake
Malika Booker

Melbourne Spoken Word Festival continued, Army@Fringe hosted a Virtual Festival with lots of programmes about theatre writing, Jinny Fisher hosted another Poetry Pram event, Wendy Pratt hosted one day retreats, and PPP continued with many events and classes. I finally got to some events in New Zealand and made it back to Fire & Dust (Coventry) to see Genevieve Carver, I saw Joelle Taylor and Laura Scott at Cafe Writers. I managed to Zoom to Stafford WORDS Myths & Legends. I started attending some of the creative writing workshops held at Sheffield Libraries, they have raised a whole community online. Wonderful work. I started workshops with Nik Perring , Reader in Residence at Sheffield Libraries, who have all been great and productive. I attended a few seminars and talks.

I joined Celena Diane‘s Poets in Motion and had a great time at the Wirral Poetry Festival with Brian Wake, writing from ‘At the Circus’ prompts and artwork. Love an ekphrastic poem & poet/artists projects. I get involved with them as often as I can. I was asked to be Poet in Residence (virtually) for Cheltenham Poetry Festival.

I finished my Connect Dudley commission and Worcestershire LitFest went online. We held the delayed interviews for the next Worcestershire Poet Laureate.

So, my birthday was quiet – but we are still safe.

Five months into the pandemic and most of us know someone who has suffered. My heart goes out to all the families who’ve lost more than birthdays this year. The Lockdown is difficult to cope with – but suffering from Covid – there are no words, just huge thanks to those tasked with trying to help us.

Flashback Summer (July)

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By July so many events had moved online that there were diary clashes, just as there always has been in real life. I also tried to have a day off screen. Things were still on Lockdown in the UK and although restrictions were eased, I stayed in. I was not working until the Autumn and as someone unable to work outside the home I didn’t think taking the risk to do anything else was sensible either and by now our county area had high percentages of cases and at the centre of that was my hometown, so staying in seemed like the brightest idea!

More wonderful festivals were enjoyed: Ledbury Poetry Festival (which is always amazing) had a weekend at the start of the month and a packed programme, thoroughly enjoyed. I enjoyed Melbourne’s Spoken Word Festival.

Over the summer months I also took advantage of programmes offered by several museums. Some fantastic virtual hikes and lots of historical research of two of my favourite poets from before my time. Walt Whitman (who I only discovered 7 years ago) and a lifetime favourite, Emily Dickinson. Being involved in these programmes has been a joy.

I took opportunities with Wendy Pratt, huge gratitude for The Sea, The Sea – a wonderful course of prompts which gave me lots of new work and PPP started their ‘Arses from Elbows’ weekly sessions, which were great fun and covered a lot of ground. I started Rakaya Fetuga’s Spoken Word workshops.

I took Arts funded workshops with Jemima Foxtrot, Anthony Anaxagorou and Alarum Theatre and got heavily involved with Sheffield Libraries and the programme they have delivered for Reading & Writing during Lockdown. I was also lucky enough to have a 1 to 1 with Anthony, which was superb.

I watched lots of readings including readings from Helen Mort, Ledbury Salon Readings with Romalyn Ante and Liz Berry, online readings from Billy Collins and Carol Frost. Billy has been posted weekly FB videos of readings throughout Lockdown. A real gift to us all. I heard Hannah Stone and Becki Cherriman at Leeds Library.

I started on the Connect Dudley commission.

The Hive Worcestershire Libraries Call out for Poetry Videos, many local poets can be viewed on the channel. Here’s mine. https://www.youtube.com/watch?v=QhCKnVQyU0w

It was the end of Malika Speaks and a relaunch for 62 Gladstone as another business moved wholly online. I read at the the Launch event. https://62gladstonestreet.co.uk/

I was a Guest Poet at Perth Poetry Club – which was a joy! I appeared there in person in 2018 when I was an International Guest Poet Perth Poetry Festival and it has been amazing to reconnect to the Perth crew over Lockdown.

I entered a poem for the Stourbridge Leg of PPP’s Stay Up Your Own End.

Patience received a new book review by Phoebe Walker on Sabotage review – you can read it here.

AND I finally submitted some poems!

Apologies for any formatting issues there have been problems with WordPress this weekend. This post has taken over 4 hours to format and deliver!

Flashback Summer (June)

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For some reason I attempted Yoga again this month, Lockdown has made us all a little crazy, I think I did a fusion of Yoga and Pilates, basically the warm up and then filled in most of the class with exercise my back could manage.

I saw my first human being other than my mum and Mr G. since the beginning of Lockdown. It was my eldest nephew’s birthday. I stood in the garden, he stayed inside. It was the hardest not-hug to give/not give. Delighted I saw him. He couldn’t believe he was only the 3rd person I had seen since the end of March! By the end of the month I shared garden coffee with a few friends.

My actual travel/ life may have diminished to something which resembled 2019 (without the pain) but my screen life was exploding. I stretched my Zoom poetry wings further into Australia, out to New Zealand, Canada, Singapore, America and Coventry – if you have ever driven the route from here you will understand why I include that UK destination in amongst my international travel. Other local events found the wonders of Zoom and FB and moved events online. Library services also extended online content.

Poetry and writing has gone Global this year, writing is also (like baking, making sourdough, planting, painting and photography) one of the hobbies/ escapes people turned to. Even people who never appeared online have probably scribbled journals or feelings down at some points in this Lockdown. There have been wonderful local/ national/ international community projects popping up all over the place. Letter writing has become fashionable again, or at least it did before people realised the dangers of post. The world has creatively adapted. We have held each other (metaphorically) up in a year that made us all feel like we no longer had bones!

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The other thing which began to take seed was the funding artists had applied for through the Arts Council. With this emergency funding came a flurry of projects and workshops. Funding was also received from other revenue sources.

PPP (Poets, Prattlers, and Pandemonialists) celebrated the Black Country/ Lockdown and isolation with Stay Up Your Own End – which offered people both a microscopic and magnified view of their locales as seen through the eyes of people with pens. It encouraged people who had never written before or never openly written before to pick up a pen and write. It was set up as a round of competitions, prizes included a video film produced & £25.

The judges/prompt writers for each round were local favourites of the Black Country poetry scene Richard Archer, Rick Sanders, Roy McFarlane, Kuli Kohli, and Heather Wastie.

PPP were commissioned by Creative Black Country to run a series of online poetry activities across the region.

Read more about it here: https://www.pandemonialists.co.uk/stay-up-your-own-end/

Louise Stokes provided bi-weekly writing classes under the ‘Let’s Write’ project. http://www.louiseland.co.uk/

I did workshops with Anna Saunders, Adam Horovitz, Liam Brown, Zena Edwards and joined Malika Speaks and Poets In Motion. I went to Book launches including The Estate Agent’s DaughterRhian Edwards (Seren), Wild PersistenceKatrina Naomi (Seren), Pack of LiesRoz Levens (Black Pear Press)

More Festivals and Events: ART IS… Festival, Trim (Ireland), Own It! Online Festival, Wirral Poetry Festival, Cheltenham Poetry Festival, Kit De Waal Creative Writing Wonder Women, Ledbury Poetry Salon with Philip Gross & Lesley Saunders. Sarah L. Dixon moved The Quiet Compere online and created a series of reunion shows. I made video poems for Wordcraft, PASTA, performed at Fire & Dust, 42, That Poetry Zoom, Perth Poetry Club, Poets’ Cafe and watched Dear Listener. Oooh Beehive, Run Your Tongue, Yes We Cant and others. Room 204 continued to support us with opportunities.

Personal highlights for the month (other than braving the company of friends) were:

A reading for the end of Writing to Buoy Us – Reading to Buoy Us with Cath Drake. The courses drew both established and new poets in from across the world.

Read all about it at Cath’s website here.

It was an uplifting event which featured both class groups and Australian poet Mark Tredinnick as the Guest Reader.

Writing and creativity are how most of us are continuing to process this pandemic 6 months later, the connectivity shared at this time was invaluable. It was special.

Cath Drake
Mark Tredinnick
Nina Lewis

Poetry Film Live Relaunched their website and featured one of my animated Poetry Renewed Films ‘Tailspin’ to Launch it. Like every business Elephant’s Footprint have adapted during this pandemic and shifted their courses online.

Exciting talks started with the committee about moving WLF online, we were holding off in the hope the postponed annual festival (mid-June) could be pushed back to early Autumn, by this time it became apparent that Covid was going to be with us for some time.

I took part in my first online SLAM (I don’t really do the SLAM poet thing but this was in Australia and I couldn’t resist). My poems appeared in the keepsake gift book the Art Is Festival released.

I wrote down submission opportunities and promptly missed the deadlines. Seems like I have the horse ready but a little unsure of getting back on!

Flashback Spring (May)

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If I thought April had been a whirlwind, I wasn’t quite buckled in for May!

I was enjoying off screen time in the garden, had already taken photos of the blossom and enjoyed the early Spring flowers.

You know it is easy to misremember how it was? I closed the last flashback with the realisation I had not travelled more than 1.5 miles from my home – actually my perimeter was a lot smaller in April. I hadn’t started walking outside of my home and the supermarket is not that far away so thinking back, the frame of my life was caught in a circle of 3 roads, just one small block of life!

This was the month it expanded to 1.5 miles.

I do remember I stayed in, if I wasn’t in the garden I was in the house. Most of the street were out in the back gardens, enjoying the sun, building new sheds, cabins, garden furniture, slides and swings whilst I was indoors fighting the good fight for Furlough or burying my head in the sand of a writing world that became my Narnia.

Photo by Pixabay on Pexels.com

May started with more festivals: Avon Book Festival, Stay at Home Fringe Festival (organised by the Students/graduates of Glasgow Uni), The Urban Tree Festival and of course HAY (which I managed to blog in a timely fashion). Huge gratitude to everyone who has worked so hard to give creatives access to platforms and festivals at this time.

Big gratitude to Julia Webb for the prompt/course she ran this month. To Kim Moore for braving the online world of workshops and furthering my year of learning. To Carys Hannah who started a Golden Girls Watch Party, which reminded us what laughter is and made us all hope we get to grow old.

To Anna Saunders and the team at Cheltenham Poetry Festival for delivering a feast of poetic pleasure with numerous events and a great line up of poets. To Seren for creating a series of reading events, AWP for giving us a night with Joy Harjo (Poet Laureate of USA). For the universe for keeping my neighbour safe the morning she climbed up on our conservatory roof to clean and I couldn’t stop her!

Thanks to Helen Ivory & Martin Figura for events at the Butchery and to Jinny Fisher for her Poetry Pram Party. Thanks to Jane Commane at Nine Arches Press for videos, live readings and Book Launches, to Emma Wright at the Emma Press for Book Launches and webinar readings/Q&A. To Phillipa Slinger and Chloe Garner who moved Ledbury Poetry Festival and the Salons online.

This month I also enjoyed the Saboteur Awards and Book Launches for The Unmapped Woman by Abegail Morley (Nine Arches Press), Dorothy by Briony Hughes (Broken Sleep Books), Apple Fallen by Olga Dermott-Bond (Against the Grain).

Photo by Jason Toevs on Pexels.com

And I finally realised online events meant we could travel after all… and travel I did, first stop back to Australia. I headed back to Perth and Freo. Thanks to all at VoiceBox. I reunited with some of the Perth crew at Zoomouth, which was brilliant!

I finished the 6 weeks Writing to Buoy Us course with Cath Drake and writers from Europe and Australia. I started a Hybrid Experimental course with Tawnya Renelle https://tawnyaselenerenelle.com/ , who I also met through the Stay at Home Fringe Festival. And who also needs a huge shout out of gratitude. I was glad to help where I could at the beginning and have loved watching the take-off!

I completed work on the animations for Poetry Renewed with Elephant’s Footprint and wrote lots in journal form and a few poems. Covid had crept into the writing and I was attempting to not write about it in the beginning. And the BIG conservation started about the artists place in all this, whether it is our job or not to almanac the times (which is what a lot of writers/artists do). I believe most of us do, but also agreed that writing books about it probably wouldn’t even make it to the slush pile, of course I am sure there will be some, there already are. But I’m still processing last year and things which happened at the beginning of this one (pre-Covid).

May was the month: I realised my back can’t manage Yoga and gracefully I saluted the sun for one last time, started to walk in nature, used my walking stick for the last time (hadn’t needed it for 3 months), I blamed the yoga but looking at this it was more likely all that sitting at the desk! It marked the milestone of my first submission in 5 months! I have been very slow to get back on that horse!

Flashback Spring (April)

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April was Napowrimo and those of you who follow this blog will know I have done it every year since I discovered it existed (2014), this year – for the first time ever – I was home every day of the prompts and managed it without falling behind. As is tradition, by the end I was left with about 5 decent poems and another 5 to work with. Lots of new notes and scribbles, I did write 32 poems over the month but some are no more than a warm up exercise, you can whittle on after April and collect yourself a good batch of 30 decent poems, but as with all workshops some prompts will speak louder than others. There were some areas I continued to research and develop and other scrap poems I abandoned. Nothing wasted though.

Napowrimo was also the last time I was properly active on the blog. The Stay at Home Lit Festival continued (it was a glorious 2 weeks). I continued to enjoy events which moved online more from the PPP (Poets, Prattlers, and Pandemonialists) team, as another of their brilliant nights Yes We Cant happened online and PASTA (usually at the Wolverhampton Arena Theatre). 42, Worcester and Run My Tongue were other open mic events I joined.

I signed up to Caleb Parkin‘s Napo group and enjoyed weekly sessions with other poets (some of whom I knew) doing Napo. These groups were great fun. Huge gratitude to Caleb for creating such a pleasant space to create from.

Another huge gratitude bundle goes to Cath Drake, who I discovered at the S@HF. Her first collection The Shaking City (Seren) was launched in April. https://www.serenbooks.com/author/cath-drake.

Cath started a writing course for poets in Australia (her homeland) and UK (her home). It was incredible and again I will be posting separately on Writing to Buoy Us.

Discover more about Cath and her work here https://cathdrake.com/.

April was the start of crazy, for me it was a coping mechanism and also I was coming from that post-book release-writing-slump https://ninalewispoet.wordpress.com/books/, which followed on the back of the medicated break from writing, which I was convinced (at the time), had broken the camel’s back, so a certain amount of my packed scheduling was a liberation, a dance with words. It was also a sure fire way to bury my thoughts from what was really happening for a few hours most days. I was also trying to get over having to cancel all my real life bookings for a 2nd year running.

I read a lot, every writer should. But I have to say 2020 has opened me to more new writing and new to me poets than any year so far. So readily accessible at a touch of a button. The whole world at my writing desk.

Sarah L. Dixon needs another shout out of gratitude, she started to run workshops online, which were always fun and successful for me – as in I would always have a nearly completed poem by the end of it – I may have even submitted some of these out to the world and I have barely submitted anything anywhere since 2018.

A big shout out of gratitude to Zelda Chappel too – who it has been a pleasure to reconnect with. She offered a series of wonderful prompts which in the beginning refreshed my love for this gift of writing and over the weeks gave space for some different writing.

A big shout out to Mab Jones too who created Lockdown Writers’ Club and provided us all with in depth prompts and created a creative community.

I went to the book launch of Play – by C. S Barnes, The Shaking City by Cath Drake and Mutton Rolls by Arji Manuelpillai.

I started doing Yoga with Allison Maxwell who is another gratitude shout out, I helped people and artists learn how to use Zoom effectively, we celebrated the first birthdays online, never expecting we would still be doing the same by the end of the year! I started doing my pilates classes at home.

I finally joined INSTA as there were poets I admire doing things on this platform. My INSTA account is still nothing to shout about and I probably won’t be joining the INSTA Poetry movement anytime soon, but it is a great platform for short video/ workshops and has been fun exploring this year.

I took opportunities offered by Room 204 on developing characters, huge thanks to Stephanie Hatton for letting us be your guinea pigs, I hope the roll out went well. I enjoyed the National Ballet online, a workshop with The Poetry Business and started recording video performances for events. And I discovered the Cuirt Festival of Literature AND more importantly an Irish poet I had read in my teens, Michael Gorman – it was like being reunited with an old friend.

I also had the pleasure of watching Kei Miller and Carolyn Forché with Poets House and Roger Robinson with Writing East Midlands, all poets I have read and admire. I’m lucky enough to have seen Kei and Roger in action several times. These three poets started the pack of recurring poets who became a big part of my lockdown.

I was also working hard completing an animation commission from Elephant’s Footprint for the Arts Council funded ‘Poetry Renewed Project’. I wrote a poem for Rick Sanders PoARTry/ the digital version of his project. My ekphrastic poetry response was based on an artwork created by Alan Glover. I watched most deadlines zoom past and wrote covid and non-covid journals.

It was an action packed month which taught me: I was happy we’d had haircuts the week before the news of Lockdown, the forever-wanted GHDs probably weren’t going to be the most used Christmas present, that I was unlikely to run out of notebooks for a while, that the world is trying to hold itself together, that a smile goes a long way, that facetime and online platforms are a great way to stay connected, what it feels like to spend 5 weeks travelling no more than 1.5 miles from your home.

Flashback Spring (March)

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March Lockdown was only a week – but those 7 days felt like a lifetime!

I was one of the many people who actually found life online a blessing, it was a way of staying connected during Lockdown and after a week I realised the Writing Community had gone full throttle into Teams, Crowdcast, Webinar platforms, Zoom (of course) and suddenly INSTA and FB were brimming with events, workshops, performances and festivals. I was a little slower to fill my diary as I was adjusting and juggling concerns for family, finances, future etc. (as we all were).

I realised having suffered depression and my year of incapacity last year (where I couldn’t be online for 6 months due to not being able to concentrate/focus/work/ use a desk/chair and was off social media for a while longer as by the time I finally reached the desk the manuscript was 5 months overdue an edit)! That this online connection is essential for some of us.

It was also a blessing as my body had time to heal, I wasn’t running ragged or trying to push driving distances. I also hadn’t found a solid way back into the poetry community after a year away. This exodus online, bridged that gap and gave me the ability to travel again – although it was a while (months) before I realised international waters were open!

I didn’t leave my home territory for the first month of lockdown and after that was only brave enough for one nature walk a week (it was still restricted back then that you can’t drive to walk and we live in an urban area), there are trees lining the dual carriageway, but we have a garden so I sat with nature rather than walking.

Photo by Tatiana on Pexels.com

Looking back, I knew even then it was a gift that we had Lockdown in the Spring, for much of the world it wasn’t as warm or abundant with nature. A few months into lockdown I was one of two people wearing a mask to supermarket shop and only once or twice a month. Mr G. had to work throughout lockdown so there was always a possibility even when I was keeping myself from the world. So thank goodness for life online.

Of course there were strains and worries, fears and concerns, waking every day for months… well we all lived it right, it has been tough financially and I know people who were very ill with Coronavirus. I am choosing not to address it in these posts (other than excusing myself for not mentioning it in this first one).

At first my online meets were just for virtual coffees and a few regular events I attend which had moved online. I want to give a big shout out to Poets, Prattlers and Pandemonialists https://www.pandemonialists.co.uk a.k.a. Emma Purshouse, Steve Pottinger and Dave Pitt who have grown to adapt to many platforms this year but immediately moved events online and were making them fully accessible no matter what your situation, lots of hard work.

© 2018 Poets, Prattlers and Pandemonialists.

I am delighted that after putting the hours in and giving so generously they have maintained working status with lots of projects online. They always are busy people and it doesn’t look like they are about to let a pandemic stop that ethic!

Polly Stretton immediately moved 42 online, a regular event in Worcester that we have been enjoying on Zoom since March.

I was writing for a Worcester Cathedral Poetry Project, organised by their poet in residence, Amanda Bonnick.

And then Carolyn Jess-Cooke gave us the STAY AT HOME FESTIVAL – https://stayathomelitfest.co.uk/about/ the first in a long line of festivals online – it was brilliant and on a massive scale and conceived (as many things are) on Twitter.

I unfortunately missed the call (as I was working F/T until lockdown) but I attended most of the festival weekend and was lucky enough to be one of the showcase poets.

I will write an entire post about the festival, I was hugely grateful and it was also the beginning of filling my notebooks – (2 over this weekend), avoiding household chores and unpacking boxes!

Hay Festival Digital 2020 The Outstanding Moments

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I am delighted that Lockdown has brought Creatives out in force, there have been so many festivals, workshops and opportunities and it is also a way of supporting each other (those millions of self-employed, some of whom are artists) and a way of rallying together to lift spirits and improve people’s mental health during this isolation, during this fear of the pandemic, during this strange time that none of us have experienced before. And this week was the turn of Hay.

HAY culturewhisper

The Hay Festival is one of the world’s top literary festivals, staged in the small town on the Wales-England border. ©2011 BBC 

It is well known to be a particularly pricey festival, it is epic and brilliant if you have a chance to experience it in real life – I have always loved Hay-on-Wye (famous for all the bookshops – Richard Booth is credited with transforming the town into a global attraction for second-hand book lovers after opening his first shop in 1962) and I love the Hay Festival, the tents, events, atmosphere, joy and buoyancy you will experience there cannot be compared to many things other than a sugar rush! Some others have said it more eloquently!

Memorable quotes at the festival: “The Woodstock of the Mind” – former US President Bill Clinton.

“In my mind it’s replaced Christmas” – former Labour cabinet minister Tony Benn.

“One of the finest, most thought-provoking literary gatherings I’ve ever attended” – Junot Díaz, Dominican-American writer and creative writing professor. © BBC

HAY BANNER

However, it is not one I can afford to attend every year. I fully expected the events to be ticketed so waited expectantly for the programme to be released and was OVERJOYED (Yes! I’m shouting) when they provided it all for FREE! That in itself is astonishing.

I know they all wished it could be happening as normal, but let’s face it – there is not much that is normal anymore. I honestly didn’t feel like I was screen bound and experiencing a digital festival. It had the real Hay feeling. It helps that they could use the HAY music and screens that would have been playing in the tents as we found our seats. Although HAY is a HUGE festival, the tents don’t take 100,000 visitors and they had an international audience of over 10,000 at the big events and on average I was watching with around 5000 other people, some of whom will never experience Hay and so have had a true blessing to get a little of the 2020 action digitally. Hay has over 250,000 during the course of the week, but I think data for this year will sky rocket that!

I know a whole team was involved in decision making but using Crowd Cast was a good move, chat can be turned off and the screen can (as with the entire internet) be full screen, our lounge furniture is infinitely more comfortable than auditorium seating (although it’s not bad), refreshments were free and MOST importantly sessions were short (suiting the human attention span) and there were intervals between. Perfect.

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I missed some events I wanted to see but hope to subscribe to the Hay Player later in the year when I have a cash flow that can be spent beyond mortgage, household bills and food.

The events I saw were well worth it and because the programme was open and unlimited I attended talks I wouldn’t have chosen, extending my learning and experience//field. It was a most enjoyable week, a busy one already – but busy right now, is good!

I had some particular favourite events and moments from the week. Some real highlights and gold-dust and I realise how subjective this list is – but here it is anyway, in chronological order because trying to do an actual Top 10 is an impossible feat and those who read on will notice it is a less-than-Top-10-Top-list!  The dates link back to the AWF blog reviews:

MY GOLDEN HAY

Friday 22nd May

Wordsworth 250: A Night in with the Wordsworths

ALL STAR CASTintroduced by Shahidha Bari with readings by Simon ArmitageMargaret AtwoodBenedict CumberbatchMonty DonLisa DwanInua EllamsStephen FryTom HollanderToby JonesHelen McCroryJonathan Pryce and Vanessa Redgrave.

 

 

 

Saturday 23rd May 

Jonathan Bate

THE POET WHO CHANGED THE WORLD: WILLIAM WORDSWORTH AND THE ROMANTIC REVOLUTION

 

 

 

Sunday 24th May 

Without hestitation…

Inua Ellams

AN EVENING WITH AN IMMIGRANT IN A TIME OF PANDEMIC – OR AT LEAST A HALF HOUR

and watching this multiple award winning poet win another one – The Hay Poetry Prize – was a very special treat! I love that he had no idea and thousands of people watched his expression of shock and felt his words of gratitude.

The film itself is amazing and another book for the birthday wish list. I am delighted that he was honoured/recognised by Hay, much deserved for this immensely hardworking poet.

 

 

 

Wednesday 27th May

Jackie Morris

PAINTING THE LOST WORDS

 

 

hAY JACKIE MORRIS HARE

Thursday 28th May

Claudia Hammond talks to Guto Harri

THE ART OF REST

 

 

I got a chance to try it the next day (which was extremely busy) I had 10 minutes of absolute rest and it powered me through a whole afternoon’s list of To Do.

 

And another absolute gem. The deliverer of gold-dust himself, Roger Robinson. I think if there was a Top 10 there would be a joint winner!

Peter Frankopan and Roger Robinson

THE ROYAL SOCIETY OF LITERATURE ONDAATJE PRIZE

 

 

An additional joy of this event was the feed – people who have never read Roger or heard him talk/read. Reading their reactions was like discovering rain has turned to gold. Such a rich experience. And I knew, having met the man, spoken with him, read him, I was buckled in and ready!

 

Saturday 30th May

Allie Esiri, Helena Bonham Carter and Dominic West

SHAKESPEARE FOR EVERY DAY OF THE YEAR

 

 

 

This event, Inua Ellams and Roger Robinson were all re-watched. They just had to be!

 

What an incredible week of Digital Hay 2020 it has been!

 

RELATED LINK:

Hay Festival Blog

Hay Festival The Final Weekend

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Once again I had the joy of catching events in real time. Starting with Hilary Mantel – which was an audio only event. Hay have been great at managing all sorts of event set ups digitally this year. It is wonderful to see people from all over the world too and over 10,000 people watching and that doesn’t include the overflow for these popular weekend events!

It will be released as a podcast next week if you miss the Overstream on You Tube or were unable to view. It was magical to hear her talk about her characters and the tricks of memories. Giving characters worthy opponents.

‘Finding an imaginative truth’ (Peter on using History). Hilary talks about the inventions used in the story, the personal and private life historic figures as well as dealing with multiple and differing accounts.

It was a fascinating and well structured interview. Love Hilary for admitting that she is a ‘paper cook’ (reading the recipes and not cooking them). me too! Although I don’t fancy most of the historical dishes I know of.

“If you knock on those doors your characters are always there waiting for you.”

Hilary Mantel talks to Peter Florence

THE MIRROR AND THE LIGHT

Virtual venue: Baillie Gifford Digital Stage

The novelist discusses the final volume of her Thomas Cromwell trilogy. Both Wolf Hall and Bring Up The Bodies won the Booker Prize. Spoiler alert – please save this gig for when you’ve finished the book…

You can hear Hilary Mantel discuss Bring Up the Bodies at Hay 2012 on HayPlayer

IT WILL BE RELEASED AS THE HAY FESTIVAL PODCAST ON THURSDAY 4 JUNE

This event will be audio only in a special edition of the Hay Festival Podcast
HAY Day 12 Hilary Mantel
Hilary, like Inua Ellams(Poetry) earlier in the week also picked up the Hay Prize for Prose, unfortunately as this was pre-recorded audio we didn’t get to witness her response, but she did send a message.
I was really looking forward to take a break today with this one, recorded and beamed again to over 10,000 people and Allie was live with us on chat, which was special – like Jackie Morris the other day.
Great idea for Shakespeare every day of the year. Allie was amusing and informative and she was reading from her book, I know a fair bit and still learnt more. This is a read anybody who enjoys Shakespeare will cherish. It is also clever how the calendar days and chosen text reflect significant modern events. I cherished this event.
Dominic West brought Shakespeare alive for us and made it look easy! Helena as Shylock was brilliant – I am so glad that they did it this way, after all in Shakespeare’s day boys had to play the female roles.
And they included sonnets!
I had to miss part of the live event due to overlapping double bookings (even in Lockdown)! But I planned to re-watch it all again anyway. It was a highlight event – superb!
And I now have another book to add to my Birthday wish list!
‘Shakespeare anchors us to our humanity.’

Allie Esiri, Helena Bonham Carter and Dominic West

SHAKESPEARE FOR EVERY DAY OF THE YEAR

Virtual venue: Baillie Gifford Digital Stage

Take a journey through the year with Shakespeare, and join curator Allie Esiri and acclaimed actors for this illuminating celebration of the greatest writer in the English language. The show will include insights into Shakespeare’s work and times alongside dazzling readings of some of his best-loved – and lesser known – scenes, soliloquies and sonnets.

IF THE CROWDCAST REGISTRATION FOR THIS EVENT IS FULL. It was also streamed LIVE on the You Tube channel. 

 

 

I knew I would already be in a different place on the internet when this started but I decided to catch some of it live and then do a catch up watch later – because a new book from David Mitchell is a treat.

 

David Mitchell talks to John Mitchinson

UTOPIA AVENUE – EXCLUSIVE HAY PREVIEW

Virtual venue: Baillie Gifford Digital Stage

‘The great rock and roll novel – an epic love letter to the greatest music ever made and the book the music has always deserved’ Tony Parsons.

Utopia Avenue might be the most curious British band you’ve never heard of.

Emerging from London’s psychedelic scene in 1967, folksinger Elf Holloway, blues bassist Dean Moss, guitar virtuoso Jasper de Zoet and jazz drummer Griff Griffin together created a unique sound, with lyrics that captured their turbulent times. The band produced only two albums in two years, yet their musical legacy lives on.

This is the story of Utopia Avenue’s brief, blazing journey from Soho clubs and draughty ballrooms to the promised land of America, just when the Summer of Love was receding into something much darker – a multi-faceted tale of dreams, drugs, love, sexuality, madness and grief; of stardom’s wobbly ladder and fame’s Faustian pact; and of the collision between youthful idealism and jaded reality as the Sixties drew to a close.

Above all, this bewitching novel celebrates the power of music to connect across divides, define an era and thrill the soul.

David Mitchell’s novels include Number9Dream, Cloud Atlas, Black Swan Green, The Bone Clocks, Slade House and The Thousand Autumns of Jacob de Zoet. Q&A.

John Mitchinson is the founder of the innovative publisher Unbound.

 

 

 

I have been looking forward to this since I booked tickets but the buffering made it almost impossible to watch in real time. Considering it was a recorded event it didn’t feel like it and I enjoyed the readings and music.

Polly Samson and David Gilmour

A THEATRE FOR DREAMERS

Virtual venue: Baillie Gifford Digital Stage

A special performance and Q&A with the novelist and guitarist celebrating A Theatre for Dreamers.  1960. The world is dancing on the edge of revolution, and nowhere more so than on the Greek island of Hydra, where a circle of poets, painters and musicians live tangled lives, ruled by the writers Charmian Clift and George Johnston, troubled king and queen of bohemia. Forming within this circle is a triangle: its points the magnetic, destructive writer Axel Jensen, his dazzling wife Marianne Ihlen, and a young Canadian poet named Leonard Cohen.

Into their midst arrives teenage Erica, with little more than a bundle of blank notebooks and her grief for her mother. Settling on the periphery of this circle, she watches, entranced and disquieted, as a paradise unravels.

Burning with the heat and light of Greece, A Theatre for Dreamers is a spellbinding novel about utopian dreams and innocence lost – and the wars waged between men and women on the battlegrounds of genius.

This event is prerecorded, but there will be a  live Q&A afterwards.