Category Archives: Guest Poet

INKSPILL 2018 ARCHIVES Open

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This is the 6th year AWF has hosted INKSPILL. Spend some time delving into our Archives.

From 2014 

Guest Writer Heather Wastie on Editing a Poem.

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-heather-wastie-editing-a-poem/

Heather Wastie headshot

From 2015 

Our Guest Writer interview with this year’s Featured Writer – Alison May. Find out about her latest novel tomorrow.

https://awritersfountain.wordpress.com/2015/10/24/inkspill-guest-writer-interview-with-alison-may/

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From 2016 

Our Guest Writer Workshop with Roy McFarlane – Writing their presence

https://awritersfountain.wordpress.com/2016/10/23/inkspill-guest-writer-workshop-roy-mcfarlane-writing-their-presence/

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INKSPILL 2018 Bookshop

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The INKSPILL Book Shop posts provides you with access to this year’s Guest Writers books and other books featured over the weekend.

Our Guest Writers give their time for free and the whole weekend is free for you to access… so if you are in the market for a book, you have come to the right place.


Kate Garrett

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The Density of Salt

These are poems of journeying, transformation, and growth, woven through with fairytale and myth, forest, sky and sea; they are elaborations of the dark times that make us look for light. This book is a place where love is never the same feeling twice, and neither is revenge.

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You’ve never seen a doomsday like it

These are poems about surviving doomsdays. People use the word doomsday to describe the apocalypse, and apocalypse simply means ‘an uncovering of knowledge’. Every life has its share of apocalyptic moments—not only great catastrophes, but also small secret revelations, and surprise twists of good fortune as well. They leave you with lessons learned, and stories to tell.

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Deadly, Delicate 

Here are fourteen poems circumnavigating the world of historical piracy, presented at a slant where the men are dangerous and the women are lethal. The violence and the sweetness, the freedom and the acceptance of death are all given equal footing. Never straying from the brutality of a lawless life on the seas, Deadly, Delicate welcomes you to the depths…

Three Drops Press and Picaroon Titles can be found here – 4 pages of books.

Spotlight Kate Garrett

 

Bonnie’s Crew Poetry Anthology 

The Bonnie’s Crew poetry anthology is here! Our tiny A6 paperback contains 41 poets and 52 pages of poetry. It’s a limited first print run of 200, and they’ve been flying out my front door – but we do still have plenty available.

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INKSPILL 2018 Guest Writer Workshop with Kate Garrett – Fear of the Known

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INKSPILL GUESTS Kate G

Fear of the Known

What scares you?

The other day my husband remarked that horror films and books, as clever and dark as they are, usually don’t write about the mundane things that really scare and disgust people – aging, speaking in public, listening to people chew, answering telephones, bananas… all the seemingly normal things that get to us in our day to day lives.

So what I would love to see is this:

pick one of your everyday fears – or if you are truly fearless, try to imagine what it would be like to be afraid of a commonplace thing – and write a poem about it in the vein of real hauntings-and-monsters-and-slashers horror.

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INKSPILL 2018 Guest Writer Kate Garrett Interview

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INKSPILL GUESTS Kate G

Kate Garrett talks to us about writing poetry, her influences, books and reading as well as the latest on her current projects.

 

1) When did you realise you were a writer/ poet? 

I realised I was a writer somewhere around age three. I wanted to write my own books (I’d learned to read when I was two) – so my grandma would bind scraps of leftover wallpaper in cardboard, and I’d spend my days drawing Care Bears and My Little Pony fan fiction in them. I recall one of my Care Bears holding a knife, so I think my personal style was set long, long ago…

Poetry came several years later, with reading ‘The Highwayman’ by Alfred Noyes for the first time. It was historical fiction, it was a ghost story, it was full of emotion – it was everything I loved about prose fiction but in ballad form. It made me realise poetry was storytelling, too; it was when I learned ‘poetry’ was not just the amusing rhymes they taught us as small children. From there I moved on to the Beat Generation, then Sharon Olds, all in my teens, and became obsessed with writing it myself. I was 12 when ‘The Highwayman’ got that started. Strangely enough, it was through school that I came to love it – which is what quite a lot of people cite as a turn off.

2) Tell us about your process: Pen and Paper, computer, notebooks … how do you write? 

Pen and paper first, words and ideas jotted down in stream of consciousness, scribbles, only I know what I am trying to say (and sometimes even I don’t know). Then I take it to the computer, start typing anything that sounded salvageable in my notes, and stronger images and phrasing will come to me as I work. While I write the proper first draft, I must discover something I didn’t know was there – something about a character I’m writing (because much of my poetry is historical fiction or horror or both), or about myself, or a situation/experience. If that doesn’t happen, if I don’t learn something while writing, the poem isn’t working.

3) Which writer would you most like to have a drink with, and why?

Søren Kierkegaard and Albert Camus, because both of their books have helped with my emotional and mental wellbeing over the years… being comfortable with your own anxiety in an absurd world has a lot going for it, and without these guys and their own forms of existentialism, I don’t know if I’d have reached that point.

4) Where do you buy your books? 

Everywhere books are sold! I mean that sounds like an exaggeration, but I buy books literally everywhere I go, as well as from the internet. Two of the books I’m currently reading were purchased from the gift shop at the top of the Great Orme in Llandudno…

5) Who are you reading now? 

It’s more what am I reading than who just now. I’m reading a lot of history books, especially witch and/or occult and/or religion related – nothing new there – and I’m reading Against Nature (À Rebours) by J.-K. Huysmans, because I just love Huysmans’ novels, they hypnotise me a bit. But I tend to have anywhere from 10-25 books on the go at once (not an exaggeration), depending on what I feel like picking up on any given day. I do go through phases of reading poetry book after poetry book, but right now I’m not in one of those – I imagine I’ll be in one again before the new year! The last handful of poetry books I read included Sheffield Almanac by Pete Green, Sunshine by Melissa Lee-Houghton, Killing the Piano by Joe Williams, Moon Milk by Rachel Bower, & by Amy Kinsman, and Somewhere Between Rose and Black by Claire Walker.

6) Tell us about your latest collection. 

It’s called Land and Sea and Turning, and it’s a limited edition (only 100 copies will ever exist) chapbook published by CWP (Cringe-worthy Poets) Collective Press in Buffalo, NY, USA. It’s 22 poems about fate, and free will… and ok, also death. There are mythological, historical, and personal poems, and a few which are horror fiction. I don’t like to say which poems are which. I’m sure people can figure it out…

7) What influenced it?

History, mythology, literature, astrology, and inevitably, life. There are poems about cannibalism in Jamestown during the winter of 1609-1610; medieval belief in revenants in the abandoned Yorkshire village of Wharram Percy; a crime/horror fiction poem narrated by a very superstitious understudy during a run of Macbeth; a poem about The Girl in Blue, a figure of Ohio folklore who really existed, but her identity was a mystery for 60 years. Some of it is based in my own experience, but I’m increasingly weary of focusing on myself. I like giving life to history. I want people to feel those who came before us as fully fleshed out humans, not just names and dates and ideas, because learning history by memorising dates misses the point. More than anything I want to unsettle people in unexpected ways, not just with stories of my childhood abuse and bad choices as a younger adult. And that’s kind of what happened in Land and Sea and Turning – though some of the poems are personal, the need to dig around in other darkness, the stuff outside of myself, that took over.

8) What are your current/future projects?  

I’ve just finished a mini pamphlet of 12 poems called She looks just like you, which is currently under consideration at a press, and my fingers are firmly crossed. This one is very much based in my personal experience, but it’s through the lens of an elf or a changeling in the human world.

I also just finished my four-part poem ‘The fifth & final’ (to be released this winter as a Stickleback micro collection from Hedgehog Poetry Press), which is about magic, and how I blend my Christian and pagan beliefs, and sort of mythologising my youngest daughter Bonnie’s conception/gestation/birth. It’ll be part of my first full-length collection of poetry, The saint of milk and flames, which I’m halfway through writing. It’s full of faith and doubt, ideas about belonging and outsiders, and has a thread of fire running through it while being simultaneously soothing – hence the title, which is after Brigid, who is both Christian saint and pagan goddess.


 

Later we interview Kate Garrett in her role as Editor.

Review September 2018

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September – that rolled around quickly!

This has definitely been a month of admin tasks and preparation, also finding my feet again since coming home to UK soil. It took a while for my head to leave Australia after my incredible summer trip to Perth Poetry Festival. It has also been a month filled by projects, book launches and celebrating successes – other people’s as well as my own.

Week 1 

Kicked off with being the Half-ender at YES WE CANT in Walsall. The gig I returned to the UK for! It was a cracking night and a pleasure to have been asked to perform.

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It was great meeting Rob Barratt and on top of that I had a winning Lotto ticket (£1 – before you all get too excited) and an order for a fab new Poetry T-shirt… looks like Mr. G will have to get me something else for Christmas this year!

Read a full review here YES WE CANT

I had 3 poems published in a new project – which you can read more about in Week 4 of this review. One of the poems was a piece I wrote in Australia, so it is exciting for me to see it already out there.

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I arranged meetings and made festival bids for ATOTC and 30-40-60. I was invited to a European Arts Festival in France. I looked at several applications, which I subsequently decided against for now.

I was busy managing INKSPILL, working with our Guest Writers. INKSPILL is our FREE online annual writing retreat which always takes place on the last weekend of October.

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Look out for more NEWS on this coming soon!

I had a meeting about Poetry Projects for October and performances in November. I have been asked to take part in two Remembrance events this year, which is an honour.

I went to a Workshop delivered by Emily Wilkinson who is working on The Ring, 21 Miles project. It was a wonderfully creative afternoon which gave me inspiration for poems, so far I have managed to create a poetry film of 9 Haiku which is currently entered in the 21 competition.

 

A new project LitWorld2 Journal – Pic a Pocket Poems and Flashes is underway. Created by Sarah Leavesley it will feature a weekly poem which has been produced with an image, photo poetry and flash fiction. I am curating the Facebook side of the social media campaign. I created the Facebook group ready and Sarah has worked on a publication schedule. It launches before the end of the month and posts will appear on Fridays.

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I am very excited about the overall project and delighted to be able to support Sarah on it.

Unfortunately by the end of the week I was quite unwell but I did manage to get to Birmingham for Helen’s Book Launch.

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Friday saw the first of this month’s Book Launches. Unable Mother By Helen Calcutt – published by V. Press was launched at Waterstones, Birmingham. It was a deeply moving experience, one you can read all about here UNABLE MOTHER

I had a well deserved (and needed – ill) rest over the weekend with Mr. G. Although I was still at the desk proofing an article and dealing with another which had gone to print. I also worked on some poetry for a project which has been simmering away for a while and needs to be sent next week.

Week 2: 

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I was still ill – so much so that I visited the Drs. & got meds. It meant I was not well enough to go to Licensed to Rhyme who were celebrating a 2nd Birthday, I didn’t make it over to Brum Stanza for Jacqui Rowe or PTS for Nellie Cole or SpeakEasy for Kevin Brooke or Hereford for H.Arts Gallery and new exhibition by Molly Bythell (my Ledbury PoArtry partner). Failed on five fronts but was successful at getting better. I spent some time in bed, in lots of pain but resting (which is unusually sensible for me). It was a shame to miss so much poetry but I couldn’t have managed any of the journeys getting across to any of these events so had no choice.

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Some exciting news hit my inbox, something starting in November and something else that I am in awe of and still grinning from.

Saturday saw the launch of ‘Don’t Oil The Hinges’ the new WPL collection from Heather Wastie. It was a great night and having missed 4 poetry events really made up for my week out in ill-health limbo! You can read all about it here Don’t Oil The Hinges

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On Sunday I attended a workshop in Birmingham Waterstones, The Accidental Memoir. It was interesting and gave me two new poems, one new technique and another book for the bookshelf/reading pile.

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The Accidental Memoir workshop was taken by Anthony Cropper and we worked through several exercises in the book he co-produced with Eve Makis.

The Accidental Memoir truly is for all: writers and non-writers, teachers and students, the perfect book for anyone seeking inspiration or imaginative ways to explore their own life story.

This innovative concept was developed as an Arts Council project to help people tap into their own lives. Working with diverse groups from refugees to the elderly and prisoners, it has been a resounding success in unearthing stories that otherwise may never have been told.

Harper Collins © 2018

https://www.harpercollins.ca/9780008302030/the-accidental-memoir/

 

Week 3

This week I missed several Book Launches and Free Verse (London Book Fair), which I read at last year with Stephen Daniels for V. Press.

A lot of groundwork for INKSPILL started this week. I had an invitation to be part of a panel which I really wanted to do but the date in October is already booked up, I am hoping to be considered for the next one. I still feel angst when dates clash, October is an exceptionally busy month in the poetry calendar and there are several overlapping events.

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I worked on promotion for the American A Tale of Two Cities reading, happening at the Sprinkler Factory, Massachusetts on Friday 28th. Very excited to hear how it all goes and hopefully by next year there will be some bigger plans in progress for this project.

I had several project poems to complete and managed to meet deadlines on these. We have all seen the workings of the next part of this project and I will be sharing it with you when I can.

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I also did a lot of editing and FINALLY made some submissions. I made the first of several films creating a montage of the Perth Poetry Festival, which will go live before INKSPILL (27th/28th October).

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This week also saw my Jinney Ring Sculpture Trail Workshop. This is the 2nd year I have facilitated poetry on the Trail and with some exceptional sculptures our inspiration was easily tapped.

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Unicorn – Priscilla Ham

It was a great morning and the techniques/forms I chose to explore were enjoyed by participants. We are now working on our poems for two months and the next stage will be preparing an exhibition at the Jinney Ring which will be up by December.

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An invite to perform next month dropped into my Inbox.

I spent the weekend writing to deadlines and working on the next new project for October.

Week 4:

Another week of preparation for INKSPILL and other writing deadlines and missed events like Poetry Bites. I started to promote National Poetry Day (4th October), I am sad to miss an event in Birmingham with Liz Berry, Roy McFarlane & Jane Commane.

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This event is also the night the new Birmingham Poet Laureate will be appointed. Still cannot believe Matt Windle has finished this two year role, but we all know how time like this flies! Birmingham Literature Festival National Poetry Day

I am delighted to be booked to perform alongside former and current Worcestershire Poets Laureate, as part of the Autumn Malvern Festival for National Poetry Day.

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https://awritersfountain.wordpress.com/2018/09/24/national-poetry-day-2018-change/

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Back in July I had an invite to read at Livres à vous – A Festival of the Arts in Voiron, France. I wasn’t sure it would be possible and it took a while to make the decisions about travel. Coach and train is fairly cheap but takes a long time and I have to be available for work most days. Today I booked my tickets to fly.

When I was Worcestershire Poet Laureate I completed a project called Twin Town between Droitwich and Voiron and some of the poets involved in that will hopefully be there. I am looking forward to it.

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My poetry film entry for The Ring was found and several poems Unlocked and .. submitted for the competition. You can see all the entries here https://thering21miles.wordpress.com/.

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A last minute booking came in to work with Year 7 pupils at Blessed Edwards in October,  fortunately I was free to accept. This will involve 4 poets looking at 4 elements and group writing with the pupils. I am doubly excited as I got FIRE! My Leo-heart burns!

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The first week of October is looking packed. A week of several double bookings another event I was invited to do A Night with… panel interview/performance/ relaxed Q & A which looks really good – I hope to make it on a different date. This in turn clashed with a book launch and that isn’t viable either. I have an open mic with an amazing headline/line up and the NPD and Swindon Poetry Festival to look forward to.

This week I wrote 4 new poems based on Masks and performed them at 42.

I took another 2 bookings for December. Wrote lots. Edited lots. AND…became the newest Director of Worcestershire LitFest! WLF Welcomes a New Director

LitWorld2 Journal was also released. This is Sarah Leavesley’s Photography/Art/Poetry Project and the first poem to be published is by Kathy Gee.

I followed up the USA performance of A Tale of Two Cities – there was certainly a lot of pre-event news coverage and it seems to have gone really well.

https://awritersfountain.wordpress.com/2018/09/30/a-tale-of-two-cities-worcester-usa-uk-a-poetry-event-at-sprinkler-factory/

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I also got organised for Swindon Poetry Festival next week! Whoop! Ready to run at October full pelt now!

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National Poetry Day 2018 ~ Change

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It’s nearly here!

This year I have been invited to perform on National Poetry Day as part of the Autumn Malvern Festival.

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I performed as part of Credo last year at Elmslie House and it is a lovely venue. This year five Poets Laureate, including this year’s Worcestershire Poet Laureate Betti Moretti, will be performing on 4th October. This event was organised by Tim Cranmore.

Autumn In Malvern Festival

The Autumn in Malvern Festival is a renowned series of artistic events & exhibitions held annually in the surroundings of the glorious Malvern Hills. Some of the most prestigious musicians, poets, writers, film makers and other artists perform during Autumn every year.

More information on Autumn Malvern Festival.

This video is from 2009 and includes Peter Smith – Artistic Director & Founder.

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This year’s beautiful design is the work of Chie Hosaka.

https://nationalpoetryday.co.uk/education/free-education-resource-downloads/

This year’s NPD anthology can be bought here. https://www.otterbarrybooks.com/poetr-for-a-change

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Yes We Cant -PPP, Rob Barratt and Me Somewhere in the Middle of it All as the Half-ender!

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Yes We Cant was back after a summer break. It marks my final booking this side of National Poetry Day – I guess I have to get proactive. I have never gone in search of gigs before, but after 4 years I may have to.

There were new t-shirts, bags of cooking apples, bottles of Rhubarb and Custard cider and lots of poems!

It was a brilliant night and worth every minute of motorway nightmare (roadworks). The night was MCed by Steve Pottinger & Dave Pitt, there were lots of open mic and a good mix of poets, one first timer who nervously took to the stage. She was fab and also won the Poetry Competition.

Yes We Cant is always a fantastic night. It takes place upstairs at The Pretty Bricks Pub in a room which is always hot with energy & words.

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PPP – Steve Pottinger, Dave Pitt and Emma Purshouse (reading the winning poem).

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The exceptional performers on the Open Mic.

Yes We Cant always have a Headliner and a Half-ender. I was delighted when Emma asked me to be the September Half-ender and it also guaranteed I used my return ticket from Australia. I did a set from Fragile Houses, a couple of new ones (including one I wrote during Aaron Lee’s Workshop in Perth) and an old, old one.

It was lovely to chat to people in the interval and I think the mix of poems I chose from humorous to heart-tugging went down well.

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Rob Barratt finished the night with an incredible set. He was entertaining and even got the room singing a selection of popular songs, no easy feat… but of course Walsall was up for it! I love watching performers I have not have the pleasure of meeting before and this was no exception.

I now have Rob’s book to re-read the poems he performed at a powerful pace, at leisure and he really hit the nail on the head with his poem about Education and ‘Distressed’.

Here’s an interview with Dave & Rob.

Rob Barratt who was a bag of awesome wrapped in a bow of wonder. – Dave Pitt

http://www.robbarratt.co.uk/

I also received received a PPP lotto ticket and won! £1.00 – but as Emma pointed out I could buy another ticket!

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Walsall, you were wonderful – thanks for having me!

And just to put the scratchcards in context… here’s the 1st Birthday Party clip!

Review August 2018

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Well this is the first post this month online but August was packed, PACKED with poetry. I am still catching up on some blog posts from June-July and now will be adding August to the pile.

Here’s the month in snapshot!


Before Perth Poetry Festival I blanked my diary out as much as possible and missed some fine Midlands poetry events.

Week 1: 

I did a lot of research for Perth Poetry Festival and signed up to an anthology which I was lucky enough to be online for when the thread was posted, a project that is so popular it has a reserve list (more on this later).

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The main event this week was a Book Launch in Cheltenham for a charity anthology that I was fortunate to have the shortest poem (apart from short form) I have ever written included in it. The event at Hatherley Manor was dreamy and wonderful and the book raises funds for the cat rescue charity New Start Cat Rescue Centre, Huntley, Gloucestershire.

I will be creating a full blog post soon (and link back here when I am done).

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This anthology ‘All a Cat Can Be’ was the brainchild of Sharon Larkin and I am privileged to be involved. It would make a great Christmas gift for any cat lover.

 

https://www.poetrybooks.co.uk/products/all-a-cat-can-be

“This book is as gloriously varied as the beloved cats it celebrates. Here you will find poems which are witty, thoughtful, moving, and light-footed. ‘All a Cat Can Be’ offers something to please every reader, while helping cats desperate for a good home. And the photographs are irresistible!” – Alison Brackenbury

Edited by Sharon Larkin and Sheila Macintyre.

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I also sent a poem to Lucy Dougan for her Monster Field Workshop.

Week 2 & 3

I started working on INKSPILL – annual online writing retreat right here on AWF. More on this soon. Secured this year’s Guest Writers and started research.

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I worked tirelessly for a fortnight attempting to get the final issue of Contour Poetry Magazine live before flying off to the Southern Hemisphere. I was at this point still waiting for copy, so did what any good editor should do and contacted the poets who had successfully made publication and shelved the remaining editorial until my return.

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COMING SOON!

And then I flew to Perth, WA.

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Where I had an incredible time (lots of posts to follow). It was an amazing festival and I did as much of it as I could!

 

Week 4

Was mainly jet lag and editing… not a workable combination.

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I managed to get myself back into Birmingham – it has been too long – over 12 months I think. I went to the Big White Shed Brum night and it was packed with poetry – wall to wall and heart through heart.

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I am going to write the evening up over the weekend if I have a chance but it was a special night. The fusion of East & West (Midlands). There is a cracking poetry scene in Nottingham and this evening was proof of fine work happening in the region.

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A soft spot for me as I started Spoken Word in the East Midlands in Leicester.

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https://awritersfountain.wordpress.com/2018/09/04/cheltenham-big-white-shed-brum/

And I tie August up nicely with a night at Stanza.

I cannot believe the summer holidays are nearly over!

Review July 2018

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July

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Week 1:

July – the season of Festivals. Ledbury Poetry Festival (30th June – 8th July) kicked off with a weekend of events I had hoped to manage. Work has been exceptionally busy and I have grabbed any time I can at the weekend to just recoup a little. My Ledbury Saturday (which was also a reason I couldn’t make this year’s National Writing Conference) was much diminished.

Sunday saw the morning at Evesham Festival of Words and Polly Stretton’s final Poetry Walk Event. It was lovely that she acknowledged those of us who have managed all three of these. It was also great that I had time to stay for the extra reading which takes place in the Almonry Gardens after the walk. http://www.almonryevesham.org/

Read the full review here https://awritersfountain.wordpress.com/2018/07/30/evesham-festival-of-words/

I booked events for the Autumn and promoted several current projects. I also started firming up plans for Australia and the Perth Poetry Festival in August.

On Tuesday I went to Ledbury to the Homend Poets – who were launching the 11th anthology and a small collective of PoARTry poets promoted the Launch (11th) by reading some of our exhibited poetry. It was a great night – slightly soured by the M50 slip roads being closed for Roadworks and adding time onto my journey home. I had recorded the match (World Cup) and had to avoid using the radio and sadly, the 1.5 hour round the rigging route home meant I was met by revellers leaving the pub and rather giving the result away! I did witness an amazing sunset with the Malvern Hills which I would have missed if the roads had been open.

I managed to secure at least one musician for our Launch event. Bonus.

Much as I wanted to go to Ledbury for Pascale Petit and Tishani Doshi*  I had no energy after work for a mid-week jaunt across for an hour. *Tishani was part of the inspiration behind one poem in my debut pamphlet ‘Fragile Houses’.

I also wanted to go back the following evening to see Martin Figura –Dr Zeeman’s Catastrophe Machine. I spent a few days buckling down promoting events and organising shows and magazines from my desk in the evenings.

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The week finished with a rehearsal for our poetry show 30-40-60. Which was brilliant and made the three of us want to do this show again. None of us can quite believe it has been a year since the premiere event at Worcestershire LitFest 2017!

 

Week 2

Much as the first week of the month work kept me busy with report writing and assessments. I received an exciting invitation for November, more news on that once plans get firmed up.

My main focus was PoARTry at Ledbury. We had our launch night on Wednesday 11th July (another England World Cup game… this time slightly given away by the raucous cheers from the pub next door)!

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© Rick Sanders

It was a great event, mainly the Artists and Poets attended but some of us brought guests so there was an audience. The Exhibition itself did really well.

A more detailed review can be found here.

Thursday saw Ben Banyard Headline SpeakEasy in Worcester, a poet (from our 52 gang) who I wanted to meet and hear in person. It was a great evening in a new venue and the first time this event has been hosted outside. The garden was set for a wedding the next day and was beautiful. It was a fun night! Read more here.

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Friday saw a staff meal (nice to be invited) and then Saturday there was a workshop I wanted to attend in Walsall but after a full week of work and 3 nights out on the trot I needed a breather before Charley Barnes’ Book Launch in the evening.

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I was delighted to be a Guest Poet alongside Claire Walker, Sarah Leavesley and Holly Magill. As it fell during Droitwich Artsfest they advertised it as an Artsfest event. It was well attended and an exceptional evening. A pleasure to welcome Charley to the V. Press family. Read more about this sparkling evening here

https://awritersfountain.wordpress.com/2018/07/30/a-z-hearted-guide-to-heartache-by-charley-barnes-book-launch/

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I had the day off on Sunday – except I didn’t – I spent 6 hours sorting and editing film for our 30-40-60 performance. As well as working on a current Stanza project, sorting Issue 4 of Contour and organising paperwork for the trip to Australia.

 

Week 3 

On Monday night I spent another 5 hours in the cutting room, editing the new film for our event the next day.

On Tuesday 17th July Kathy Gee, Claire Walker and myself performed 30-40-60 in St. Andrew’s Church as part of the Artsfest. We had a small but mighty audience, it was a wonderful evening and lovely to hear people on the Open Mic and see poets visit Droitwich for the first time. Lots of people commented on the venue and of course the show.

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Read more about it here.

Also if you missed it – there is a review here. With thanks to Mad Hatter Reviews.

https://awritersfountain.wordpress.com/2018/07/31/30-40-60-performance-review/

One of the exciting things about an International Guest Poet is I get to attend plenty of workshops throughout the festival. I have had the schedule for a few months but now the programme is out was able to book into them. I am as excited about this as I am about being part of Perth Poetry Festival!

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I also had more exciting news – again under wraps for now.

Work finished – another splatter of excitement after a 3 month lock in! It was lovely working with such a great team. As everyone met in the pub to celebrate I stayed in and got an early night because my weekend was a wild one! Poetry WILD that is!

ArtsFest traditionally have a poetry day and for the past 2 years I have had the honour of organising it!

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We started at 2 PM with Poetry in the Square – my guests this year were John Mills and Liz Mills, two poets I met through 52. They put me up for the night before Stafford Festival – it was a welcome return to Stone for me – I lived there for a few years – and we have been friends ever since!

They are also brilliant poets and between us we managed the 2 hour stint in town.

Then I rushed off to Worcester to Guest Poet at Kieran Davies’ Book Launch for Legacy, published by Black Pear Press. Which was a great event, a true celebration – read more about it here.

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Then back to Park’s Cafe for Poetry Extravaganza and the first UK reading of ATOTC. It was a delightful evening of poetry.

ATOTC ME © Rhys Jones – Droitwich Arts Network

Read about it in full here https://awritersfountain.wordpress.com/2018/07/31/artsfest-2/

 

Week 4

At this point my diary suggested (because I pencilled it in – in May), taking the first 2 weeks of my summer holiday off from poetry events and prepare for Australia… to a certain extent I have missed events I would have otherwise attended, but as always there were some which slipped through that I couldn’t possibly miss.

The week started in Ledbury collecting work from the Exhibition. PoARTry was a great project and I know I will be staying in touch with my artist, Molly Bythell.

I got everything organised for my trip except money and mini-toiletries! It took a while to find cabin luggage small enough for the airline restriction and a while longer after that to choose just 1 piece! I also invested in a large but extremely lightweight suitcase… mine date back to when wheels were first introduced and the handle extends only 6 cm from the corner… they work like a supermarket trolley with a wonky wheel and have mainly been used for storage. Travelling with soft bags and backpack ever since! However, I am not backpacking and the last time I used that on Long Haul it caused a few problems, so decided to do the respectable suitcase thing!

Tuesday saw Poetry Bites at the Kitchen Garden Cafe with Jonathan Edwards and Holly Daffurn headlining. 

Thursday I was in Stratford at a workshop and Friday I went to Stanza, where there was even more exciting news.

A flurry of poetry-Poetry Bites-workshop-stanza

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This weekend I received my copy of Hex – by Jennie Farley, published by IDP Indigo Dreams. Jennie was kind enough to ask me for an endorsement. It is the third book I have endorsed and it was a pleasure reading it. It is a mesmerising collection and I look forward to the official Launch in December!

Hex – Jennie Farley IDP

I also approached Guest Writers for this year’s INKSPILL online writing retreat and both have confirmed (exciting), so I spent a little time on this promotional film to encourage you to book it into your diaries NOW!

Find out more INKSPILL 2018.

I am now spending the rest of the month working on 3 writing projects, editing and organising myself ready for Perth!

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A Z-hearted Guide to Heartache by Charley Barnes – Book Launch

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Sometimes in the writing world you have to keep secrets, occasionally even official embargo’s are placed on you. I knew Charley Barnes was joining V. Press and I was delighted (but wasn’t allowed to announce my joy)!

So when Charley asked me to be one of her Guest Poets I felt doubly honoured. During the evening Claire Walker and I discovered just how influential we had been supporting Charley’s dive into the publication of poetry. It is wonderful when you realise the impact you have made on someone’s writing goals. I am in debt to those who have helped me realise mine and know how it feels. There were nearly tears!

So let’s backtrack a little. Charley has just published her debut collection with V. Press ‘A Z-hearted Guide to Heartache’ and it is a fabulous pamphlet, full of life, love, difficulties and lessons.

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It was released on the 11th July and the Book Launch took place on the 14th. Charley’s Guest Poets were myself, Holly Magill, Claire Walker and Sarah Leavesley.

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It was a fantastic celebration of life and poetry and all took place (as many V. Press launches do), at the wonderful Park’s Cafe in Droitwich. It was made extra special by falling into the Artsfest and being advertised as part of the Festival programme.

Which also meant Rhys Jones (Droitwich Arts Network) was in attendance with his camera to capture some spectacular moments throughout the evening.

All photographs © Rhys Jones Droitwich Arts Network, unless otherwise stated.

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After an introduction which nearly made me blub I was the first Guest Reader. I had compiled a set which was my own A Z-hearted Guide through heartache and hoped that Charley enjoyed it. I did think (afterwards) that I should have done some of her favourite poems of mine. Hindsight…

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My set included a brand new poem and some I had not performed before.

Next was Holly Magill who treated us to a set from her own debut pamphlet, The Becoming of Lady Flambé’, published by IDP Indigo Dreams. Another strong collection of Poetry.

the becoming holly magill More information here. The book was published in June and Holly’s official launch happens later this summer.

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Then Charley treated us to poems from her NEW book!

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Before an interval of book sales and signing! Although I had plenty of opportunities to buy the pamphlet, I made myself wait until the launch. It is a bit like waiting for Christmas and is something I tend to force myself to do whenever possible!

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You can buy a copy for yourselves here and can also read a sample poem from the collection.

“The poems in A Z-hearted Guide to Heartache will make you re-think your relationship with pizza, garlic bread and your mobile phone. These sharp, sad and wry observations – on the reality of living with mental illness and disability, the heartbreak of the everyday, and perseverance despite everything – capture what it is to be twenty-something, in love, and healing through food. This is an exciting debut pamphlet from a new and honest voice.” Jenna Clake

“In her debut pamphlet, Charley Barnes examines the reality of heartbreak and its different forms, highlighting how aspects of modern society can play – often brutally – on our insecurities: the wish to be prettier, more popular, more lovable. These poems deftly explore the bitter, lasting sting of loss and how it shapes us. Yet there is also the tenderness of possibility at play – a sweetness to offset the sharpness encountered by a young woman trying to navigate her way; a knowing, self-deprecating humour that shines through, even in dark experiences. There is a wisdom of the importance of nurturing here, accompanied by the will that, whatever happens, ‘you have to keep going, don’t you?’ (‘The lie my mum told me’).” Claire Walker

Then came the second half of the evening with Guest Poet, Claire Walker. I always enjoy listening to Claire’s work and those hindsight fairies made it to her door, as she delivered a set including some of Charley’s favourite poems.

Additional treasure came from her recount of the love her girls have for Charley… or Charley Barnes as they call her.

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It all starts with an acorn‘, a poem in Charley’s pamphlet will reveal a little more to you.

Sarah Leavesley a prolific poet in her own right and editor/publisher at V. Press was the final Guest Poet. It was good to hear some poems from her latest collection again, having recently enjoyed her own launch of How to Grow Matches – published by Against the Grain Poetry Press.

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This collection was shortlisted for the  International Rubery Book Award 2018.

The evening concluded with another wonderful set from Charley, who had mainly shared her more lighthearted work in the first half and waited for the end to take our breath away with the more serious poems in her book.

A true gift of an evening. Thoroughly enjoyed by us all, as captured here in this group shot!

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© Harriet Barnes – whose direction made this photo what it is.

A fantastic night – five poets on a high for sometime after the Launch!