Category Archives: Fragile Houses By Nina Lewis

Review of July

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Week 1: 

Workshop/National Trust Project

Room 204 is involved in the Croome Court project Adam Speaks. We met Chris Alton, the Lead Artist at a workshop at Writing West Midlands Headquarters in the Custard Factory on Saturday 1st July.

1431782527872-adam-speaks-wwm-170701-19-rfw-credit-peter-young  © 2017 Peter Young

This was an epic 6 hr workshop. Chris is working with 4 groups Kimichi School, The Birmingham Institute of Theatre Arts, Writing West Midlands and St Barnabas First and Middle School. It was exciting to know that these workshops will feed Chris’s art.

Adam Speaks has been set up by Rachel Sharpe and Kiki Claxton for the National Trust, following Plumlines last year.

https://www.nationaltrust.org.uk/croome/features/adam-speaks

Chris Alton Rachel Hill

© 2017 Rachel Hill

Chris Alton, from Croydon, is a multidisciplinary artist, whose practice brings together distant, yet connected cultural phenomena. Whether deploying disco music against fascism or playing table tennis in competition with aggressive architecture, he utilises seemingly incongruous juxtapositions to address the multi-layered nature of prevailing social and political conditions. 

© National Trust Croome Court Adam Speaks

Literature Festival

Sunday saw my 3rd official WPL appearance on the Poetry Walk for Evesham Festival of Words. This event had a great turn out and beautiful Sunday morning sunshine for the poetry walk, a gentle stroll across the green park around the Bell Tower in Evesham.

I performed some Evesham poems written especially for the event and enjoyed listening to poetry and prose. It was good to see some people who happened upon our merry group, stay and listen.

It was good to reconnect with Sue Johnson and I booked another event later for this year.

Evesham-Festival-of-Words-Image-1

This festival always has a great programme. They are already booked up for next year.

Radio

On Monday I had my first Radio slot with Tammy Gooding BBC Radio Hereford & Worcester. This was something Maggie Doyle instigated during her WPL tenure (2013/14). It is a tradition picked up by other Laureates and I am happy to continue with it.

I read ‘Gander’ one of the poems written for Evesham Festival of Words. Tammy is amazing at putting you at ease. She was also impressed with an interview which needed no editing! It has been decades since I stepped foot inside a studio. I was nervous, but had such a great time! I am already booked in for August.

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Performances

During the evening I took a guest slot at Licensed to Rhyme, Maggie Doyle & Spoz’s monthly poetry event at the Artrix.

Headlining this month was former WPL Suz Winspear, Claire Walker was the other guest poet and there were a plethora of open mic-ers. It was a fabulous evening.

licensed-to-rhyme-new (1)

And before I start sounding like the Hungry Caterpillar… on Tuesday I took a rest. There were events I would have liked to attend but I was attempting to conserve energy for my Headline slot at Uncorked.

Having pencilled in Ledbury Poetry Festival, Lichfield and Shropshire – we arrive at Thursday.

Headline

I was booked for Uncorked at Bottles a while ago (before WPL), originally scheduled for June, I swapped into July so Charley would have a chance to sell her recently published books. I on the other hand have had my final 5 copies of Fragile Houses for months… this is the way it goes sometimes. I didn’t sell any books but I had a great evening.

Sean Colletti created a masterpiece idea for the introductory sets so instead of the traditional 5 minute teaser from each of the Headline poets we worked together on Sean’s concept of a waiting room & the result was an interesting concoction , especially considering it was unrehearsed.

uncorked-july

Clive Oseman, Jake Scott & Sean Colletti were all wonderful headliners and we had a good range of open floor spots too. Holly has created something magic here, helped by a sensational venue Bottles Wine Bar in Worcester.

Workshop

Up early the next morning (hard to sleep on post-performance adrenaline), I drove to Shrewsbury for a workshop with Helen Ivory and Martin Figura. I would have paid just to meet these two poets who have been on my radar for a long time. So having the bonus of a workshop was superb.

Unfortunately, I missed the performance the night before as I was at Uncorked. It wasn’t a prerequisite to the workshop though. The workshop was based on epistolary poetry. Which is something I have only tried to a few times. Strange because I used to love writing letters, I had 33 international penfriends by 12 years old. I also started writing to an old, re-united friend during my deepest depression. These letters are now even more special to me as she sadly passed away.

The workshop was brilliant and I got some ideas from it, as well as books. Love their work and cannot wait to spend time with the pages.

I recently (28th June) re-wrote one of my workshop poems and took it to stanza. I will do something with it in the future. I am pleased with the result and know I would never have written it without this workshop.

It was at the Severn Theatre in a huge room, necessary as it was a large group. It was lovely to reconnect with the Shropshire crew. I have been busy lately and it has cut me off from many out of county events. I cannot remember the last time I made it to perform in Birmingham beyond Waterstones events. I know how quickly the poetry scene moves there, so it will be full of people I don’t know – which is exciting.

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I was booked in for my first Cathedral Poets Workshop in Worcester the following morning and an action packed day in Ledbury on the Sunday. Reason and experience told me Mr. G and I needed some time and I needed to rest. So regrettably I cancelled the workshop and now have to wait until October. October is an incredibly busy month with Swindon Poetry Festival, Birmingham Literature Festival and school workshops, so I may not get to the Cathedral again.

Ledbury Poetry Festival 

I always want to attend the complete festival, I dream of pitching up a tent and staying. It is like a massive holiday for poets with a daily celebration of words. However, knowing I could only manage one day this year – I chose a day with an action packed programme.

It was amazing. Read the full 21 Years of Gold

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Week 2

After work I was too tired to get to watch Beyond the Water’s Edge at the Artrix and I am very disappointed to miss it. I also missed the WLF Committee meeting (as I was meant to be at the theatre). Where was I? Asleep! Although having read Week 1, I am not surprised. I was also working on an application and some poetry which I used most of my post-Ledbury adrenaline to fuel.

I booked in WPL work and wrote commissioned poetry for Buildings Talk Hospital Histories (a project I spent 3 weeks working on) and got my set for Chapel Lates organised and set some promo for an event in August.

I gave myself some downtime knowing the end of the week was another hectic schedule.

Performance/ Cheltenham Music Festival

Chapel arts

Chapel Lates in Cheltenham, an amazing night of poetry and prose as part of Cheltenham Music Festival curated by Anna Saunders (Founder Cheltenham Poetry Festival). Read all about it here  Chapel Lates Cheltenham-Music-Festival-1

 

This event clashed with HOWL and Outspoken. It is always the way. It has taken 4 years, but I am beginning to come to terms with the fact that I cannot be everywhere at once.

Commission/Performance/Project 

Buildings Talk: Hospital Histories

Charley Barnes asked me to participate in a Medical Museum Project at the end of June. We had access to historical archives (photographs) which are not on general display to the public and from these we created a 10 minute set of poetry.

Buildings Talk

It was a great project to be involved in, I thoroughly enjoyed the experience. Louise Price had the creative vision to intersperse the medical talks with poetry. We performed our poems with the images projected behind us.

The next stage of this project is displaying a selection of our poems alongside archived footage.

Read a full review here Buildings Talk: Hospital Histories


I took a poetry break for a couple of days to work and to reunite with college friends, our two yearly reunions, epic fun! Just imagine Drama students 20 years on!


Performance

I attended Open Poetry which this month was a charity event to raise funds for PIPKA – refugees in Lesvos, Greece.

I performed my refugee poem, now written 4 years ago, this world of ours remains in crisis. Read the full review here

https://awritersfountain.wordpress.com/2017/07/24/open-poetry-for-pipka/

EC This event was organised by Helen Calcutt and David Calcutt and featured Guest Spots from Christina Thatcher, she read from her recent collection ‘More Than You Were’.  more_than_you_were_large

Week 3

Writing

I needed some time at the desk to complete work from the Spring (another book endorsement) and read material that I am reviewing. I also needed lots of Admin time to complete arrangements for Artsfest (working on this since February), future bookings and promotion of other events.

I had as yet not re-awoken my creative muse – not to give a spoiler… but this was the month!

This was also the last week of work before the summer, my contract had finished and although I wasn’t expecting any work I had to remain on call. This meant several bleary-eyed mornings on the computer, just in case.

I had events and meetings to attend this week which did not involve me performing. A welcome treat/break from pressure and nerves. It also gave me some time to gather energy before the Artsfest Day (22nd).

Readings

Summer Party – Nine Arches Press

I thoroughly enjoyed this event with Jane Commane and…9 arches 3

The readings were superb and the atmosphere was definitely set to ‘PARTY’! Read all about it here https://awritersfountain.wordpress.com/2017/07/25/nine-arches-press-summer-party/

Meetings

The following morning I had an early start and a meeting in Birmingham at the Custard Factory with Jonathan Davidson and the other writers involved in Spark Young Writers groups. As ever it was interesting sharing ideas and great to spend some time with other writers/poets.

Book Launch

In the evening I drove to Cheltenham to finally catch a Book Launch from Angela France. DFH4x-NVoAAzcZ2 I was excited to see the multi-media element that I had heard so much about and to listen to Angela read more from this collection I have been following for the past couple of years. Read the full review of this special evening https://awritersfountain.wordpress.com/2017/07/25/the-hill-angela-france-book-launch/

angela france the hill 1

The launch shook my muse awake and for the first time in months, I was writing. For about two hours straight!

Meetings

I had a meeting with the Events Manager at the Jinney Ring to put plans into action for my September workshop using the Sculpture Trail. It was exciting, my list of 8 pointers were all achieved and it is shaping up to be a great WPL project.

Monday 18th September 10:30- 12:30 p.m glass tree

The Sculpture Trail at The Jinney Ring Craft Centre, Hanbury, Worcestershire.

The morning will start with a tour of the trail and some time to write using the sculptures for ekphrastic poetry or initial stimuli. Followed by a writing workshop in the marquee. 
Tea/Coffee and cake is provided as part of the ticket.

There will be opportunities to share writing and participants will be able to send polished work for at exhibition at the Jinney Ring in October.

In addition to all this, there will also be the opportunity to share your work at a reading in November.

For more information please contact me: worcspl[at]gmail.com

Official poster with all booking details out soon. Just awaiting the new trail photograph. 
10:15 meet at the marquee for a 10:30 Tour. 
Tickets £7.00

Festival Artsfest

droitwich artsfest

I need to write a complete blog post for Artsfest – which finishes on the 5th August. I will link back here afterwards.

It was a brilliant day with Poetry in the Square and an evening event Poetry Extravaganza at Park’s Cafe.

Watch Out Worcester! 

watch out worcs

I performed at St. Swithun’s Church at an event created by Suz Winspear. It was a great experience and I loved the building and atmosphere. I will write a blog about this event and link it back to here.

st swithins dancefest

http://www.worcesternews.co.uk/NEWs/15437699.Dancing_in_the_streets_of_Worcester/

Week 4

Writing

I spent a few days chained to the desk with writing and admin. I missed Poetry Bites as I was too pushed for time to get to King’s Heath and extremely tired after the busy weekend.

I researched new material and wrote 3 new poems for 42.

Workshop

I attended a workshop led by Angela France in Stratford, I always enjoy these sessions and listening to the work that is created.

Performance

I performed at Drummonds, 42 in the evening. The theme was Curiosities and I had fun exploring this theme. I wrote about an underground library in Seattle, the hanging coffins of China and fossilised skeletons. I left the Cabinet of… for others.

It was a great night, very entertaining with a Guest Host – Kevin Brooke – who did a sterling job, he made it look easy and we all know, it isn’t!

I missed Caffe Grande Slam for another month, as I needed to conserve energy.

ArtsFest Poet in Residence

On 28th July I was at the library in Droitwich as one of the Artists in Residence for Artsfest. I had a smashing morning talking all things poetry and tested out my Poetry Kit idea. This is something I will make more of at another point.

I took this booking as a poet, but decided as I am WPL it was a good opportunity to raise awareness of this role and promote WLF at the same time as DAN – Network.

DAN Lib

It was a lot of fun and has given me ideas for future events. It was the first outing for my new WPL t-shirt and the tablecloth, bought after the workshop on Wednesday.

DAN Lib 2 Children making Poetry Kits – we were competing with the Summer Reading Challenge who had a sock puppet workshop, or as I saw it, we had a captive audience to come and make Poetry Kits for FREE after.

DAN Rhys  © 2017 Rhys Jones

Poetry

I dropped in two poems to be displayed on the table and wall at The Canal Side Studio. There are more events this summer from there. So watch this space.

DAN Lib3

I finished the month with a Stanza meeting, which was a lovely evening and had some useful editing tips for my Dear Sky – Ivory/Figura workshop poem.

July has been exceptional!

 

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Working on a Poetry Show 30-40-60

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2016-11-24 19.40.20

Back in 2016 I was already planning collaborations to promote my debut pamphlet ‘Fragile Houses’, published by V. Press.

This year I had the opportunity to organise events for festivals and two of these included this body of work. Stourbridge Literature Festival saw a straight reading of pamphlets and collections that I organised with fellow V. Press published poets: David Calcutt, Kathy Gee & Claire Walker. It was fun to do and we sold a couple of books.

The next bid I placed was with Worcester LitFest, although I have been aware of the festival and participated in various events since 2014, I had never discovered the bidding stage. I wrote a synopsis for a collaborative reading.

We heard that our application had been successful in March and set to work on developing the show 30-40-60.

script

We have had several meetings to script and rehearse the poetry side of things and have developed film work to enhance the experience, as well as promoting the show in hope of ticket sales. It is a something we hope to repeat at other festivals/events in the future as there has been an incredible amount of groundwork put in.

It has been one of the most pleasurable projects so far this year. The 3 hour meetings fly by and we have our fingers crossed now that we can make it a success.

30-40-60

Worcester LitFest runs from 9th – 18th June and as you can see 30-40-60 is billed for the 11th June, do come along if you can make it to The Hive, tickets are a festival fiver and if you want to perform poetry, sign up for the open mic beforehand by emailing us at 304060[at]mail.com

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Litfest A5 Programme 2017 30-40-60 page

Review April 2017

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As always NaPoWriMo takes over April and makes it challenging to keep other blog posts up to date. I have made an effort to keep the blog NaPo intentionally this month with a few posts breaking the thread. I have had some amazing experiences this month which deserve a dedicated blogging. I plan to pepper them in throughout May.

 

WEEK 1:

I was asked to co-ordinate an event for a Festival I am already involved with – this task took the best part of a fortnight. But I am happy that it is all now booked and in place for this summer. I spent further weeks this month planning and organising the events for an Arts Festival in July.

I went to an editing workshop. Taking with me a poem from 2014 that has never fully worked. I can safely say it has the treatment now and just in time because it formed part of the set I performed at The Poetry Ballroom.

Poetry Ballroom

I experienced the Poetry Ballroom. Suz Winspear (this year’s Worcestershire Poet Laureate) organised this event in partnership with DanceFest. It was an amazing night. I will be blogging a full write up in May, I was honoured to be an invited performer at the event and had great fun writing some dance poems especially for it. The evening was a sound success and the dancers appreciated the theme of our poetry – not realising that we would focus on dance. As an ex-dancer, it was a pleasure.

I was asked to endorse a book (my 2nd one). The first book I endorsed is due to launch in May, more on that next month too. I am currently reading this manuscript and am delighted that the publishers thought of me.

I was asked to read at a Book Launch next month. I have spent some time this month penning new poems for this occasion. To be honest the poems were also part of NaPoWriMo, but why not make your projects work hard for you. Lots of prompts leant themselves to current project pies I have my thumbs in, so given half a chance…napo2017button1

I went to a reading at The Hive with Sarah Leavesley & Melissa Lee-Houghton. I was really excited by this. Ruth Stacey had arranged it for her students at university and just gave a bit of a quiet shout out. thehiveworcsorg

Being part of an audience of students, listening to their woes made me glad this wasn’t my life anymore. It is all to easy to glamorize the undergraduate/post grad life… but really… as much pressure as the real world.

hive5

I loved hearing Sarah read from Magnetic Diaries again after all this time and it was a real treat to hear Melissa Lee-Houghton, as she sadly couldn’t make Verve festival in the end. It was a great evening and I am glad I managed the post work rush to get there. Had to drive a hire car too – as my window decided to malfunction and I spent over an hour finding a garage willing to help me so late on in the day. The window was stuck in the down position. My lesson: using air con is cheaper in the long run!

I spent time writing the brief for a 2nd poetry festival event, involving the other two poets. It is amazing how many days it can take 3 poets to come up with less than 3 lines!

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Back in February (my month of applications), I applied for Room 204 Writer Development Programme run by WWM. They had over 130 applicants this year for 15 places. I am delighted to announce the embargo has lifted and I can share this news. We had our first cohort meeting – what a great year to be in, so much talent. We had a photo shoot (one I wanted a haircut and weight-loss for) – neither happened in the days beforehand, but Paul Stringer is a talented photographer. It was a fun morning, we were all so excited to be part of the 2017/18 cohort and already good things have happened as a result. There is a whole year of mentoring and career development ahead, over £1000 worth. Priceless if you ask me.

room 204

I am extremely excited to be part of Room 204, I discovered it back in 2013 and have been biding my time and developing my writing to the point I thought I was able to qualify for a place on the scheme. I am grateful my application was successful. That my writing stood up to the scrutiny and competition. Here’s the rest of this year’s cohort

https://www.writingwestmidlands.org/room-204-participants-201718/

I also reconnected with a good friend of mine afterwards and we plan to exchange books and do lunch next time I am back in the area. I used to spend more time in Birmingham than I do at the moment. I am spending less time on the road this year and more time at the desk, the natural pattern of a writer. It was good catching up.

WEEK 2

Went to an incredibly exciting meeting at the Custard Factory for this year’s Room 204 programme, which we were embargoed about. The news was finally released on the 11/12th. Rm-204-logo-final-solo-600x328

Started typing NaPo poems, I decided to write longhand this year, which gave me that workshop feeling as much of my writing is straight to screen nowadays. It meant I successfully completed the challenge with 97 poems by the end of the month, however I have typed about 10 to edit so far.

Made a promotional Easter video for Fragile Houses. I was reading advice on marketing and promotion and find it hard to detail what my pamphlet with give you beyond shared experience, memory and space to work through mirrored realities. Which all seems a high promise or at the worst an abstract manifesto. Then I thought about chocolate, the calories (personally delighted this year to have so many eggs and treats). easter Had another 3 eggs after this photo was taken!

I spent half a day making the video. Poetry – less calories than chocolate. Maybe I should have offered a free egg with every book sold.

I booked onto a Room 204 event for later in the month.

Started writing a book review and went to see Kate Bush tribute Cloudbusting with Mr G. katebush

I missed License to Rhyme again as the next day I was going to Swindon. Rick Saunders aka Willis the Poet was headlining and he was happy to take me on the road trip. It was a cracking night at Oooh Beehive – a night that Clive Oseman and Nick Lovell started a while ago. Swindon is quite a way on a school night and it was the early hours by the time I was home, but it was the Easter holidays and I am glad I managed it. Lovely to see Sam Loveless and Edward, who I met at the Poetry Festival last year.

I went to HOWL and watched amazing headline sets from Charley Barnes, Tom McCann and Rhythmical Mike. It was a great night and I was happy I made an open mic spot. It was fabulous to see everyone again. HOWL

I went to SpeakEasy where Gareth Owens was headlining. That was a good night too – rare these days that I manage 3 nights on the hoof like this. I spent the day beforehand making media for an upcoming festival shoe and dealing with programme copy.

It was nice to escape for a few hours and immerse myself in poetry.

The Beltane Anthology for 2017 was published by Three Drops from a Cauldron, which has my Rag Tree poem in it. I know you should never judge a book by the cover – but with this stunning design, who wouldn’t want to see their poetry inside!

beltane.jpg

Featuring poetry and flash fiction by Jane Burn, Rhiannon Hooson, Alison Stone, Denise Blake, Abigail Elizabeth Ottley Wyatt, Eleanor Penny, Tom Moody, Bee Smith, Rebecca Buchanan, Rebecca Gethin, Nina Lewis, Wendy Mannis Scher, Ceinwen E. Cariad Haydon, Sarah Hart, Raquel Vasquez Gilliland, Kitty Coles, Donald Illich, Dennis Trujillo, Lesley Burt, Cynthia June Long, Vivien Jones, Moyra Donaldson, Maggie Mackay, Bethany Rivers, Lewis Buxton, Carmina Masoliver, Nico Solheim-Davidson, R.M. Francis, Linda Goulden, Ilse Pedler, and Joanna Swan.

Edited by Kate Garrett, with the Three Drops from a Cauldron editorial team: Becca Goodin, Loma Jones, Amy Kinsman, Holly Magill, Penny Sharman, Grant Tarbard, and Claire Walker.

http://www.lulu.com/shop/kate-garrett/three-drops-from-a-cauldron-beltane-2017/paperback/product-23143262.html

It is now also available in digital copy.

https://threedropspoetry.co.uk/2017/04/14/three-drops-from-a-cauldron-beltane-2017/

Week 3

I had a free writing webinar with The Writers Academy & Penguin Random House, it was an interesting few hours, although I wrote copious notes not realising they were sending follow up information via email.

I had my first Room 204 1 to 1 session, we get 3 over the course of the year. It was useful and I have already started working on decisions.Rm-204-logo-WITH-WORDS

I spent an entire day co-ordinating and planning for festival events.

Holly Daffurn has started a new venture – at Bottles Wine Bar, ‘Uncorked’ an evening of Spoken Word, there were over 50 tickets sold and the night was divided into 3 parts with 5 headliners and open mic. Ambitious scheduling, beautiful venue and a stellar line up made for a perfect evening. uncorked

I performed on the open mic. Brilliant Headliners: Jasmine Gardosi, Casey Bailey, Holly Daffurn, Leon Priestnall & Joe Cooke

The Spring edition of Birmingham Literature Festival happened and despite a fantastic programme (all well received), I was unable to make it across to the city for any events. I even missed Cynthia Miller’s Primers Launch.

BLF Spring

I had my WWM group which meant I couldn’t attend some of the events/workshops on Saturday. The group went really well, we made our own magazines. I have since planned the final two session, so feel ahead of the game.

Week 4

I booked tickets to go and see Carol Ann Duffy in May, continued to organise festival events. The Stourbridge Literature Festival started. I went to see Emma Purshouse headline at Spoken Trend, saw Carla Rickets headline too. It was a great night, I even went home with 3 daffodils, now that is a good night.

I took a Napowrimo poem to Stanza and it was approved. I have written 97 in total this month as I have followed 2 main prompts, the main site napwrimo.net and joined Carrie Etter’s group where she provided us with 30 optional prompts. Beyond the poems, I have researched and stumbled into new project territory which is most exciting. Carrie’s group was amazing for comradery and support. Jo Bell spent the entire month posting poems for us to read as it is as important as writing and a sure way to learn/ learn about poetry. I have thoroughly enjoyed reading the poems and discussions on her blog and will miss this daily ritual and ponder more than I will miss the onslaught of daily poetry writing.

imgID54935282.jpg.gallery I went to the first talk organised by Room 204 and now have a notebook full of information and ideas.

And the month finished with a flurry of PR for VOICES FROM THE MIDDLE at Stourbridge Literature Festival.

The first of 3 events I have been organising. A combined reading with: vpress sb I will blog about the festival/event over the coming days. Within 24 hours I will be promoting Cheltenham Poetry Festival and over the next 5 days working towards 30-40-60 the collaborative performance booked into this year’s Worcester Literature Festival.

I will not have time to be sad about the end of NaPoWriMo, but I hope to have time to type edit some of the work produced during April.

This was a GREAT month!

 

 

NaPoWriMo Day 16 Downhill From Here

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I never imagined that I would manage NaPoWriMo on Easter Sunday. I was awake early, hours before I needed to be, so I did my writing early on.

Happy Easter everyone! nano rabbit The NaNo Rabbit seemed appropriate! I guess it may even be a hare, for today it is the Easter Bunny!


http://www.napowrimo.net/ Our featured participant today is Paul Scribbles, where the halfway poem for Day 15 explores the complex idea of the middle in deceptively simple language.

Today’s featured interview is with Aimee Nezhukumatathil, the author of three books of poetry, a chapbook of letter-poems with Ross Gay, and the current writer-in-residence at the University of Mississippi’s MFA program. You can find more information on Nezhukumatathil Nezhukumatathil here, and some of her poems here and here.

And now for our prompt (optional, as always). Today I challenge you to take your inspiration, like our featured interviewee did in the chapbook she co-authored with Ross Gay, from the act of letter-writing. Your poem can be in the form of a letter to a person, place, or thing, or in the form of a back-and-forth correspondence.

I wrote a letter to the World, in the form of a Golden Shovel.

broken early on with boundaries,

by borders,

we have time to recover, perhaps.


Carrie Etter prompted us to write a poem with 2 or 3 stresses in a line. I managed to write a very short poem about innocent children in war, Syria for example.

no future here is happy…

I also took this opportunity to revise form and meter.


Jo Bell shares http://www.jobell.org.uk/ The sun has burst the sky By Jenny Joseph.

Jo writes about the feeling captured in Joseph’s poem; “Stop telling the literal truth, and show us how your experience of love /bereavement / shellfish truly feels.” – Jo Bell.

Read the whole discussion and then have a think about your approach to writing, but most of all go and READ.


easter


The Poetry School Andrew Parkes shared a sonnet prompt today. The word sonnet sends shivers to my brain, I have written some in the past. It is a form that needs careful crafting, some poets really enjoy writing in this form. I am yet to learn to love it!

Day 16: Sonnet Day          

What are the basic bones of a sonnet? 14 lines and a bit of a jink two thirds of the way through? Well today’s the day to flex your formal muscles and show what the sonnet is to you. Whether you go Petrarchan, Shakespearean, Stretched or Submerged, today we want to see the perfect poetic containers of your sonnets.

If you want a little guidance, there’s some info on the sonnet here.

A cheeky classic from Shakespeare here.

And something more modern from Molly Peacock here.


Whatever you do today, have fun! And… don’t eat too much chocolate!

Fragile Houses Receives a Sabotage Review

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saboDelighted to share the review of Fragile Houses by Rachel Stirling on Sabotage Reviews.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

 

March in Review

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March felt like a funny old month. The start of the month was rocky, the usual dips and peaks were replaced with a fairly big dip, which fortunately finished mid-March, the end of the month was full of highs and gathered rollercoaster speed, positively hyperactive.

I missed out on many events I wanted to attend due to lack of time, transport and energy. My writing schedule was full and I continued to work on organising festival events as well as time spent making exciting applications. Keeping my fingers crossed.

In addition to this – we have AN EMPTY ROOM, I managed (finally) to sort the smallest bedroom which is our first redecoration project in the house Mr G and I moved into the year I returned to writing (2013). If I wasn’t writing, I kid myself that we would have finished the entire house by now. But the thing I look forward to the most is nesting new writing spaces! The room has now been empty and awaiting action for three weeks, but in that time Mr G has transformed the front garden (much to the pleasure of the neighbours) and bought a sander in preparation for the next epic challenge- actually doing the room!

WEEK 1:

fragile-houses-best

V. Press collections: Career in Accompaniment by Alex Reed, Book of Bones by Kathy Gee, Fragile Houses by Nina Lewis and The Old Man in the House of Bone by David Calcutt, with illustrations from Peter Tinkler were reviewed by Sam Smith. You can read the full reviews here http://vpresspoetry.blogspot.co.uk/

Sam Smith – Reviews in The Journal. http://thesamsmith.webs.com/

It was the final Permission to Speak on the 2nd, headlined by Pete the Temp (who I first saw at Verve).

Pete the Temp is a poet, educator and musician. His work has been featured on BBC radio and TV and in 2009 he became the National Poetry Slam Champion. Pete has toured theatres across England with his one man show ‘Pete (the Temp) vs Climate Change’. In 2015 he completed the MA Writer / Teacher Programme at Goldsmiths University. This led him to become one of the world’s first full-time spoken word educators to be embedded in a secondary school. He later went on to pilot the same work in a primary school. He was subsequently invited to do a TED Talk on the subject ‘Why Every School Should Have a Spoken Word Educator’. Pete has toured all over Europe with his art and now works as a poet and street performer. Rob Francis © 2017

We are all gutted that this event (of 2 years) has come to an end. The venue – which is one of the most amazing spaces I have had the pleasure to perform in, is closing. Rob Francis is extremely busy with writing and lecturing, maybe these things are sent by the universe as the timing seems right to free Rob up for other opportunities. He also got engaged recently, so I suspect there will be a busy non-poetry element going on in his life soon too. Fortunately I was tipped off just before the night kicked off, otherwise I would have been in floods when Rob announced it to the packed out room.

As always, it was a good night with an eclectic mix of open mics, poems, stories and extracts. It was fantastic to watch Pete in action again and I enjoyed his set immensely. Several lines have become ear-worms over the past month. I had an interesting conversation with him afterwards about poetry. You cannot help but be swept away on his passion-wave of enthusiasm.

Sadly I missed out on watching him perform again at the Artrix this week as I had a gig in Manchester the next day, work and lots of submission deadlines. If you get a chance to see him, you should grasp it for sure! ‘Keep it Lit!’

RELATED LINKS:

http://www.petethetemp.co.uk/

http://burningeye.bigcartel.com/product/numbered-boxes-by-pete-the-temp-bearder

numbered boxes People who have read this collection rave about it – it is on my list to buy.

I spent the majority of writing time organising, I am currently organising three events for festivals which is keeping me busy.

I also had an opportunity to create work for Mental Health Awareness Week (May). Sarah Leavesley has, for several years posted poetry related to Mental Health during this week. ‘The Magnetic Diaries’ deals with these issues and last year you may remember I attended a workshop at the MAC which was part of the Magnetic Diaries Tour. Sarah mentioned back then that we could share our workshop poetry. As with lots of things at the moment it fell into the ‘to do’ pile. My main focus currently is the house, promoting Fragile Houses and organising festival events. Anyway, long story short, I did eventually manage to create a new poem from the workshop and another written especially for the blog project. More on this in May.

I had a request for a poem and spent the weekend working on editing and writing. I have found this month that I am very last minute. I discovered a submission opportunity the day before deadline (always a challenge) and more recently discovered an entire festival I had missed, a great shame as there was a workshop I would have loved to have attended.

WEEK 2:

The week I forgot to live… so many events missed. I felt the dip this week – my body/mind reacts by sleeping. I spent my writing time beavering away at schedules, organising festival events and generally needed sleep before bedtime. I did wish to be a busy poet and I guess I didn’t consider that I would need to be grown-up with scheduling or with reacting to the events I miss. Be careful what you wish for!

I missed Stirchley Speaks, Headlined by Tom McCann, Steve Pottinger was performing in Ludlow at The Poetry Lounge, I missed Howl – there was a new event in Cannock – Speaking Out Midlands, where all performers were open mic, allocated 10 minute slots. Charlotte had invited me some months ago and then word was spread on social media and it attracted a great crowd and I have read some rave reviews.

It clashed with SpeakEasy and when I discovered Adrian Mealing (who I have not seen for years) was headlining, I knew that I was going to save the car some miles. I do not regret this decision, SpeakEasy was a good night and it was lovely chatting and catching up with Adrian. CONFAB Adrian Confab Cabaret with John Hegley (the last time I saw Adrian).

Suffering the dip, being in a familiar environment with people I know was preferable. I was revitalised by the end of the evening. There were lots of new faces and audience, incredibly positive for the LitFest team. Suz performed the Squid Ballroom, part of her Laureate event – more on this next month, I am one of the invited performers.

I spent Friday tying up loose ends and trying to write. I sent my poems to Rick Saunders the brainchild behind Rob’s PTS thank you gift. We (the collective at PTS) have sent writing to Rick who has printed a pamphlet (more like a book at 80 odd pages) to present to Rob on the final night – Permission to Shut Up – at the end of March. I sent my poem about the stage ‘The Secret of Scary Canary’s Stage’ and one I wrote especially for Rob all about what he has achieved with PTS and what it means to the rest of us, originally titled ‘Permission to Speak’. He should be extremely proud of his achievements and hopefully this isn’t the last we have heard from him.

spark I spent an entire evening planning a non-fiction session for my Spark Young Writers group (Writing West Midlands). Inspired by the Royal Society of Photographers exhibition I walked around last month I decided to do Science Journalism. The group thoroughly enjoyed themselves and I am still wiping sweat from my brow – I was worried in case any of them chose to write about the bee’s anus. Which was an amazing piece of photography and incredibly fascinating to look at. I was amazed by the talented articles that came from this session. Some great writing.

It was also the DeMontfort Book Fair in Leicester – States of Independence, not something they hosted when I lived there for 5 years. Leicester is where I broke my performance poetry seal and will always have a little bit of a special place in my heart. Sarah Leavesley was there with her V. Press bookshop, she also launched her new book – a novella published by Mantle Lane Press.

http://www.mantlelanepress.co.uk/product/kaleidoscope available to buy for just £4.00

It always hurts to miss out on events, I dreamed of a busy writing life and I have one, but it means that sometimes I no longer have the freedom to march across the country to be a part of special evenings. There are also the inevitable date clashes where big decisions are made. Never have cloning and teleportation been so necessary in my life!

On Sunday I missed one of the best opportunities since the Verve Festival. Bang Said the Gun – which I have known about since 2014 and watched countless clips of online is touring and they kicked off in Stafford – relatively close (would be closer if the M6 ever flowed properly) with Jo Bell and Jonny Fluffypunk (two of my old time/all time favs) and I missed it! It was Sunday night, Week 3 and 4 are full in my diary, energy was low, as were funds and Mr G and I need to spend more time together and my car is the equivalent of an old broken pull along toy with some bits missing and broken/re-knotted string! I do not trust it on terribly long journeys or car park motorways where you hear it over heat within the first crawling 100 yards.

I missed an amazing night and an opportunity to see friends from that neck of the woods too. Gutted. I did go to check out tickets and look at the rest of the tour and this was the nearest and also had the featured artists I wanted to see. I would say there will be other times, but with something like this – there won’t be. Gutted with a capital G.

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Canterbury never had anything like this when I lived there either!

Week 3:

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I knew I would miss License to Rhyme at the Artrix, featuring Pete the Temp. I had to work and manage Manchester the following evening and I spent part of Monday choosing and rehearsing/timing my set. I also spent time with family, which I hadn’t planned much beforehand and this left me hours behind on writing time. Not that it would be any other way. Family comes first. It just meant the will I /won’t I… became a definite No I won’t!

Again I heard good things about the evening and am particularly disappointed that I missed Fergus McGonigal and Lorna Meehan performing.

I did receive some exciting emails which made a night in with my inbox particularly worthwhile. And have since taken action on these – fingers crossed once again!

On Tuesday I headlined alongside Becky Cheeriman and Mark Pajak in Manchester at Sarah L. Dixon’s Quiet, Quiet Loud. I have known about this booking at Quiet, Quiet Loud for months and the butterflies went tribal. Originally looking to headline in April or May, the gig was brought forward as Sarah L Dixon is on the move and this was to be her final event at The Llyod’s.

Rick Saunders had signed up for the open mic and kindly offered to chauffeur up the M6. Unfortunately, days before his car broke down and so we were left with some last minute arrangements. In the end we hired a car (scared that mine wouldn’t make a 200 mile round trip in a night). The journey there was fine, even passing a Willis milk tanker – Rick’s stage name is Willis the Poet…  we passed the time chatting about the spoken word scene and stopping just once for the most expensive bottle of service station water – I think it was made from diamonds or something! The journey back was horrendous, closed motorways, detours and a SATNAV that was convinced the motorway junction was still open.

The event itself was worth every mile of motorway network and it was a pleasure to headline at the final Quiet, Quiet Loud. You can read my full review here and Rick managed to post his the very next day. https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

Huge thanks again to Rick for the lift.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/manchester-quiet-quiet-loud-headline/

I spent Wednesday morning before work recovering, I found out about the Science and Arts Festival hosted by Birmingham University and a creative writing workshop that I would have loved to attend, although it would have been a lot before work to manage. I have pencilled it in for next year as there were lots of interesting events.

I spent Wednesday night working on submissions and on Thursday mum and I went to see Verve – Northern School of Contemporary Dance. Mr G bought us tickets for Christmas. Verve-web-8-crop-1876x1055

http://www.nscd.ac.uk/verve/

They made me want to dance again, to create dance poetry and to lose myself in costume and movement. The fact that my body could barely manage to sit through a 2 hour production tells me otherwise, but my soul is still very much committed!

I spent the weekend on things other than writing and chiselled out some time at the end of Sunday to write applications and work on my writing action plan. There are some intended submissions to create before the end of the month and three sets to plan for EarthHour (25th March), HerStory (31st March) and Poetry Ballroom (2nd April).

Week 4:

The week started with a flurry of activity organising poetry events and writing. February was a busy month for making applications and devising projects and this month sees more energy focused on these and some fruition.

I spent the first part of the week in rest (working, sleeping, living) and saving energy for a series of 3 days of poeting. Which was easy as only one of them involved performing. Although I left it somewhat late to arrange a set and fine tune the details.

I also agreed to hiding some GOLDEN TICKETS for Birmingham Literature Festival. It is the 20th Anniversary this year and the team have organised a Spring Festival to celebrate. They have sent out Golden Tickets to be found in local bookshops, Art cafes and libraries. I have taken two under my wing and let them fly (and hide).

https://www.birminghamliteraturefestival.org/2017/03/will-you-find-a-golden-ticket/

The lucky finder wins a free ticket (worth at least £10) to an event of their choice. I want to find one of these – but it may cost more petrol money than buying a ticket. Fun idea. Great one. One I may steal in the future! First time I have ever felt like Willy Wonka… it was a good feeling.

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On Thursday I saw Hollie McNish, I love Hollie…  it has been a while since I saw her perform and part of me knew that this book would be difficult for me for personal reasons, this is why I have not yet bought a copy – but watching her breathing magic into the tale and hearing such personal disclosure and truth was wonderful. hollie 2 The event had been organised at The Hive (Library) in partnership with Poetry On Loan – well done to Brenda Read-Brown!

I had been to the basement space once with my writing group and was amazed to find the event not in the studio – that was until I saw the size of the audience! Holly thought, it being a library gig in a small city there may be about 20 people! Multiply that by 10! A smashing night.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/hollie-mcnish-nobody-told-me/

My review of the Verve Poetry Festival went live on Sabotage Reviews. http://sabotagereviews.com/

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Stanza happened on Friday – for the first time in months I thoroughly enjoyed it – and in a strange way all of our poems were love poems (but not the sort you imagine).

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Over the weekend I celebrated Earth Hour and Mother’s Day. Earth Hour was amazing, I went to the event organised by Worcester LitFest at Café Bliss. You can read the full review here

https://awritersfountain.wordpress.com/2017/03/27/earth-hour-with-wlf/

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Week 5

I spent the majority of my spare time writing and editing and planning how an earth I was going to manage this final week of performances and deadlines. The solution was an A4 checklist that I had very little leeway on.

I also had another poem published ‘Rag Tree’ which will be in the Beltane anthology by Three Drops. More news about festival events I am organising/performing in and events that I am just performing in. Future workshops to book and lots of potential festival tickets to be bought. I wrote new work and edited older poems.

Tuesday evening saw the final PTS – Permission to Speak become Permission to Shut Up – as it was a work night I was worried I may not last until the end, but scribbled a new poem especially for the last event (for now), the night before and got a short set ready. I was due to headline in May, potentially Rob may have a new venue by then, but I get the feeling that he needs/wants a mini-break and this would be the time to take it.

It was a great night, all in all and I will mark the occasion with a blog post as soon as I get some spare time. I took lots of pictures and stayed until the end to see Rick present Rob with his pamphlet.

42 in Worcester celebrated it’s 6th birthday and I took a newly scribed poem to celebrate. Rick Saunders headlined Spoken Trend on the same night, which I had to miss. Please someone clone me! Event clashes… every poet’s nemesis! 42 was fun and again, I will mark the occasion with a full blogpost when I have a little time. Polly made an amazing Black Forest Gateaux cake! Makes my mouth water just thinking about it. All the performances were bang on and the celebratory air was sweet.

LINKS TO FOLLOW.

With two days left of March and Easter around the corner, you may think that was it… no, I am playing the game – How much can you pack into 48hours?

Thursday I gave myself a night off from performing/events – missing out on Caffe Grande Slam in Dudley again, I will get there. I spent the evening editing a new poem (my 3rd this week) and submitting work.

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I also received an exciting email from my publisher. Another review of Fragile Houses, this time on Sabotage Reviews. How wonderful to start and end the month with reviews. You can read Rachel Stirling’s incredibly intricate review here.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

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I discovered Claire Walker and Holly Magill have embarked on editing a new Magazine ‘Atrium’, they have both edited for Kate Garrett at Three Drops recently and this new opportunity morphed from that experience. More on Atrium soon.

I saw Heather Wastie’s Nationwide advert – which was as equally exciting as watching Jo Bell’s and what made it special was seeing it first thing before work and in the final adverts before bed. Don’t ask me how I have time to watch TV and complete my mammoth writing tasks!

Holly McNish won the Ted Hughes award (one of the judges this year was Jo Bell – busy as always). Amazing news & recognition!

http://www.thebookseller.com/news/hollie-mcnishs-poetic-motherhood-memoir-wins-ted-hughes-award-518171

https://www.theguardian.com/books/2017/mar/29/hollie-mcnishs-funny-and-serious-poetry-wins-ted-hughes-prize

I received news of another successful Festival bid for this summer. More on this soon.

I completed the month with a Woo Feminista event HerStory at Café Bliss. I will blog and link it up here as soon as I can.

And now I am ready for NaPoWriMo, Poetry Ballroom and a rather-already-regrettable booking of an almost full week of work! I booked Monday off as I have 3 consecutive events this weekend and will be typing until my fingers go numb finishing my writing tasks over the next 24 hours!

I hope you all had a good month too. Leave me some of your highlights in the comments, it would be great to hear from you.

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Keep Writing x

Manchester – Quiet, Quiet Loud Headline

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Last year Sarah Dixon contacted me about headlining in Manchester, originally the booking was set for April/May- but due to Sarah relocating my spot was brought forward to March.

I booked time off work and made arrangements. I was originally going to do an overnight and what I learnt from this experience is how to be sensible… gigging further afield, it is probably best to stay overnight. Fortunately, Rick Saunders (a.k.a Willis the Poet), signed up for the open mic and offered to drive. Unfortunately his car broke down the week before and we ended up hiring a nifty little number to get us Northbound.

Manchester isn’t all that far away, but after a day of work and with butterfly nerves I did not fancy driving. Plus I have an inherent fear of the M6! That pesky Toll road…

Our journey out there was easy, didn’t take long. We found the venue and headed off for some tea before going to the The Llyod’s Hotel. Our journey back was horrendous with motorway closures, traffic jams and a satnav that was convinced the signs suggesting junction closures were wrong.

BUT – it was all worth it!

Quiet, Quiet Loud is an incredible event that Sarah has been running for two and a half years now. I can imagine the loss to the local poetry community (having just experienced the end of PTS at the Scary Canary).

March 14th Quiet, Quiet Loud

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Guests Mark Pajak and Becky Cherriman and Nina Lewis

Mark Pajak was born in Merseyside. His work has been published in Magma, The North and The Rialto (among others), been highly commended in the Cheltenham Poetry Competition and National Poetry Competition and won first place in the 2016 Bridport Prize. He has received a Northern Writer’s Award from New Writing North and was 2016’s Apprentice Poet in Residence at Ilkley Literature Festival. His first pamphlet, Spitting Distance, was selected as a Laureate’s Choice and is published with smith|doorstop.

Becky Cherriman is a writer, workshop leader and performer based in Leeds. Published by Mslexia, New Walk, Envoi, Mother’s Milk, Bloodaxe, Well Versed and in Poets For Corbyn, she was resident poet for Morley Literature Festival in 2013 and lead artist for Altofts Festival In A Day 2016. Becky is a co-writer and performer of Haunt, a site-specific theatre commission for Imove, a project about homelessness. She is currently working on her one woman show with voices, Corseted. Her first poetry pamphlet Echolocation and first collection Empires of Clay were published in 2016 by Mother’s Milk and Cinnamon Press respectively. www.beckycherriman.com

Nina Lewis is widely published in poetry journals and anthologies, including Abridged, Fat Damsel, Take Ten, Hark, Here Comes Everyone (HCE), I am Not a Silent Poet, New Ulster Poetry, Nutshells and Nuggets, Under the Radar and Visual Verse. Worcestershire Poet Laureate Competition 2015/2016 runner-up, Nina often performs at spoken word events and literary festivals. She was commissioned to write and perform poetry on ‘ecology and the city’ at the Birmingham Literature Festival in 2014. Her haiku have appeared in an art installation at the Midlands Art Centre, on the Poetry Fence at Acton Scott Historic Working Farm and in Municipal Bank Vaults for an International Dance Festival. Nina’s work also formed part of the poetry trail for Wenlock Poetry Festival 2014. Fragile Houses, published by V. Press autumn 2016, is her first pamphlet.

I was really excited to meet Becky and see Mark again (who I first saw perform at Waterstones last Autumn with the Poetry Business).
It was a thrill to stand in a room I had seen on social media for years! The standard of poetry was really high and there were plenty of open mic spots. An appreciative, poetry loving audience and bundles of talent. It was lovely to see Sarah again and hear her poems, many from her pamphlet collection (fingers crossed for this to make publication soon). I had the pleasure of reading through a draft copy for her last year. She chose some strong poems to share with us.

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Becky Cherriman was the first Guest Poet to take to the floor. I love it when I do not know a poet and have no idea what to expect.
I was moved by Becky’s set and need to buy her book, she was a wonderful performer and her poetry ran a gauntlet of emotions. An incredibly powerful set. It was good to meet her.

I would have bought her book on the night but with hire charges and petrol/drinks etc. my cash was a little light. I will catch her again and you should too. A gifted poet who deals with all shades of life. I still have her poetry in my head a fortnight later.

http://www.beckycherriman.com/

Mark Pajak took us into his world after the interval. I was looking forward to hearing his work again and thoroughly enjoyed his set. It was good to hear more from him. He is talented performer and an engaging poet. He writes about some seemingly bizarre incidents and is not afraid to share them, despite being advised not to. I appreciate that rebellious side. His work is like nothing I have read or heard from anybody else, unique. Prizewinning and extra special.

Mark Pajak

I was nervous having watched these masters at work and really wanted to change my set – but having timed it I didn’t think it was appropriate to cast last minute changes. I find my pamphlet fairly difficult to share as I want to give the audience enough of the sizzle and taste but don’t want to take them on the whole chronological journey or indeed read all the poems in the book. I have seen other headliners (with pamphlets) sharing several newer poems too, this may be the way forward – but I am not entirely sure. It may be like when you see a band and want them to play the albums and they slip in several B sides… I have always been a fan of the B side.

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It was a pleasure to be invited to the final Quiet, Quiet Loud and read in Manchester. It was an inspiring evening filled with poetry buzz.

If you want to read a review of my set, check out Rick’s blogpost below.

RELATED LINKS:

https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

January in Review

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typewriter-1227357_1280 2017 started well with lots of diary dates, events and writing time. Of course it was also back to work after a fortnight (unpaid) break. Much needed. I made it back to Ludlow to support Claire Walker who was one of the Headline poets alongside Matt Black. A little like not realising two years had passed since I last watched Ash Dickinson perform, I cannot believe a year has passed since I last went to the Poetry Lounge in the Sitting Room! This time warp has to do with working for 18 months on Fragile Houses I think. Months slip by fast and the first thing that has to go when you shackle yourself to the desk to write is faraway events.

Week 1:

Poetry Lounge in the Sitting Room with Jean Atkin in Ludlow, it was lovely to see everybody again and I hope to make it back before 2018. Matt Black (who I first years ago at a special event we both performed at The Ort in Birmingham  (2014), more recently we shared the floor in Birmingham at Stirchley Speaks (my Headline, back in October). headline-stirchley-speaks-oct

He was entertaining and as we had all had a conversation about vegetarianism on the journey over, apt poems in his set made us giggle.

Claire Walker was amazing, I do not think I will ever tire of hearing her perform from The Girl Who Grew into a Crocodile. She also treated us to some new poems from her next pamphlet collection.sitting room

I completed a lot of research for current writing projects and groups. I also completed a collaborative project set up in December and worked hard on submitting poetry. I had fun writing about Leonard Cohen and am keeping my fingers crossed that the editors will enjoy the results.

I missed Buzzwords in Cheltenham.

Week 2:

In December I submitted to 7 places and the rejections rolled in from 3 of them this week. We all learn to handle this but one publication in particular was dealing with a subject close to my heart and it made me a little glum that they hadn’t taken my work. They did send feedback including details of the process that the poem they nearly took went through. I will not be perturbed. Another rejection cited that the pieces weren’t best fit this time but encouraged resubmission.

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Back in 2015 I had three poems accepted for an anthology by Shabda Press on Nuclear Impact. We all signed contracts in 2016 and it has been a real labour of love for Teresa Mei Chuc who has now got the project to final proof stages. All proof read and returned and I cannot wait to see the result. The readings are all taking place in the States but I am currently looking at the logistics of video performance.

The cover has been revealed featuring the Artwork of John Sokol. Cover Art: “On the Road to Perilous” nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol I could write more poems just from a glance. This book will hopefully be in our hands later this year.

I went to SpeakEasy – where Brenda Read-Brown was headlining and what a set she treated us to. New work, powerful work, emotive (I nearly cried twice), honest and filled with passion. I was really glad that I was able to make it and witness such a performance.

I shared some new poems and gave Fragile Houses a rest, most of Worcester have bought it already and as I headlined last month and read most of it and as the last poem in there was written in 2015, I fancied sharing something newer.

I went to Stanza although I was so tired I was not much use to others and the poem I had written half an hour before leaving didn’t quite work. I do not see the point of taking perfectly polished work to groups – unless perhaps it’s a poem that has been unsuccessfully submitted a few times, in which case new eyes are good. However, I need to give my writing a chance to sit and simmer for a bit so perhaps I should try this year to get a poem ready the week before. Give it some breathing space. It is hard when you feel so attached to something, too vulnerable.

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Sadly at the weekend I said goodbye to Sally Grainger who has been my Assistant Writer for WWM Spark Writers group for the past 9 months. We had a full house for her final session and ran a great group on Scriptwriting. It was fun. I am sad to see her go.

I received exciting news about a new Literature Festival which I am currently organising a showcase/event for.

Week 3:

I spent my time mainly at work, in spare hours I was organising the festival event, missing deadlines, proof reading and writing comic poetry.

Last year I was invited to take part in a one off (now to be repeated as it was so successful) Baldy Poems presents Kings and Queens of Comedy in association with WLF (Worcester LitFest). I love the idea that WLF are fundraising via event charge at one off events throughout the year to help fund/pay for the summer festival. It is a great idea and I have loved the events that have popped up so far.

I was honoured to be one of the 6 performers (we had 8 on the night with Kieran Davis and a Special Surprise Guest joining us). I have only written about 5 funny poems and the two I had ready for this event have not seen the light of day since 2015, so I decided to emulate BaldyPoems style and kick out 6 new ones. That and I needed the material to cover a 10 minute set. More on this later.

I missed David Calcutt at Smokey Joes in Cheltenham – Poetry Refreshed and sadly I missed Clive Osman’s Waterstones book launch for his debut collection ‘Happy’. Both nights looked to be good. I had taken on extra work and with a gig Thursday night and Friday needed to sleep.

After almost 2 weeks of working full-time, I finally finished on Thursday at 5:30 and then headed over to Birmingham with Mr G and a friend, in birthday celebration mode. We went to see THE BLUE AEROPLANES at the Hare and Hounds (where UB40 played their first gig) and it was exceptional. I am so glad that I was filled with the charm of performance because it set me up for the following evening for Kings and Queens of Comedy.

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I was so nervous – worried that the audience wouldn’t find the dusted off material funny, But I forgot the universal appeal of my moustache poem, the magic of proto-type props and the delight of people who have never heard this one before. It was also funny because people who know me know that I am funny, I just do things that amuse people as I have no logical bone in my body and I have a quick, dry, wordy wit… in fact there was a turning point once upon a time between poet and comedian. The world breathes a sigh of relief.

Anyway because a lot of people now on the scene weren’t back in 2014 when I played the clown a little more, they didn’t see me as a funny poet and were quite shocked at the billing. There are now at least two people who will never take me seriously again!

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To read a full review of the evening click here

And then I had a well deserved weekend off to catch up with Mr G and writing.

Week 4:

Saw happy news and my first acceptance of 2017. That collaborative project I mentioned earlier was with Claire Walker. The result was a meeting about prompts, shared ideas, word lists and after writing editing together. After a few weeks we had a poem written by each of us from working with the other and a joint poem written line by line. The acceptance was a the poem Claire Walker wrote called ‘The Puzzle of an Ending’, a beautiful title and a hard hitting poem. It was the strongest of the collaboration.

It delights me that it exists because of an opportunity I found and a risk I took (asking another poet to partner me and risk rejection, that lack of self-belief/inner critic we all have to deal with). Fortunately, Claire was only too happy and we enjoyed this rather intense poetry pocket in our otherwise Christmassy/family orientated holidays. There will be more to come. And I am doing something here I first dreamed of in 2014. Happy.

I spent the night, along with many poetry friends at the Kitchen Garden Café, Birmingham for Jacqui Rowe’s ‘Poetry Bites’. The featured poets were David Calcutt & Claire Walker (fellow V. Press poets) and Jacqui announced (which most of us already knew) that they are going to publish her first collection this year too. Her ‘Ransom Notes’ was the first pamphlet of the run in 2015 from the round I applied successfully for in 2014.

ransom Poetry Bites was a packed out night, it is so sad that this is Jacqui’s final year, but it is a phenomenal achievement to have hosted and supported such an abundant amount of poets over the years. The atmosphere was great and there were some top class floor spots as well as a V. Press collective, Kathy Gee was also reading from her collection Book of Bones.

I really enjoyed reconnecting with Brumside poets I had not seen in a while, as well as listening to some inspiring and thought provoking sets.

Maybe it was the double dose of Americano coffee, or the Kitchen Garden cake… I came away buzzing and refuelled with an extra layer of poet-y energy!

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I wrote new poems for Burn’s Night, which was celebrated at 42, in Worcester on the 25th. I even made a badge – Lewis tartan, of course. I have thoroughly enjoyed finding out more about this 18th Century rascal. It was a great night, intimate and full of heart – but not lungs or liver (haggis pun)!

I missed a workshop with Ash Dickinson, that had I not been performing in the Quiet Compere/ Wolverhampton Literature Festival the following night, I may have tried to get to. It was just a little out of range geographically and no way I could have got myself there on time after work without the help of a helicopter and pilot… neither of which I have. Oh, to be a rich girl! So I just have to brush away the disappointment and hope for another opportunity in the future.

This brings us to the finale of the poeting week – the first literature festival to be held in Wolverhampton and a great line up of events across all genres. I was lucky enough to be one of the ten poets on the bill for Sarah Dixon’s Quiet Compere Event at the Art Gallery on Friday evening.

What an evening it was. Fabulous line-up, including two poets who are new to me (always a pleasure), Tom McColl & Gerry Potter. What a venue, the room was majestic and had one of the best backdrops to poetry I have ever seen. The setting was incredible. It was a wonderful night and I was still buzzing the next day. You can read the full review of the event and find out more about the performers here https://awritersfountain.wordpress.com/2017/01/28/quiet-compere-wolverhampton-literature-festival/

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I got home to find emails about up and coming books and spent a while chatting to the other buzzing poets online. A fine night.

walsall-arboretum I finished my weekend at Open Poetry at Walsall Arboretum with David Calcutt and an amazing number of poets on Sunday. Despite the horrible rain, bad driving conditions and leaving a ton of work on the To Do List, I headed out for some poeting fun.

It was a great couple of hours, lots of moving and humorous work was shared. I met some new poets and saw John Mills, who had battled the unnavigable roads of Walsall to experience David’s event for the first time. walsall-arb © 2016 Walsall Arboretum

Then I spent a horrendous amount of time sorting out unread and unmanaged emails instead of completing applications which I now need to do tomorrow after work. There are lots of deadlines in the next 72 hours and I plan to hit them all.

Wolverhampton Literature Festival finished with a Poetry Slam that Nick Lovell won and Willis – a.k.a Rick Sanders came 2nd and Rob Francis, 3rd. Well done, boys! An all male sweep. I was sad not to be able to go to the festival this year. Other plans had already been made. Hopefully they will do another one next year.

The Extra Few (Writing) Days

Mainly spent Monday night at the computer pulling a 6 hour shift (after a day at work), writing new material, researching, organising events, writing applications and submitting. There are so many end of month submissions and I have been busy enjoying myself and thinking the end of the month was a while away yet and here we are. I am pleased that I have managed a few more submissions as I have not been keeping the resolution of weekly output, as advised by another poet.

Obviously there is a certain amount of selectivity both in terms of material, feel, attitude, time etc. My aim is for monthly submissions, which should be entirely achievable – as the months missed last year were to do with the final editing process of the pamphlet.

I will spend the final day of the month (in the evening, after work) getting productive with my next To Do List and making final submissions too.

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There are so many exciting things planned for February already, I can hardly believe we have reached the end of January!

I hope you had a good one, filled with spirit and joy …. oh and writing!

 

The Quiet Compere – Wolverhampton Literature Festival

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I am excited whenever new festivals pop up, especially when they are not too far from home. Due to busy plans and the Verve Festival in a few weeks, I am not able to go to all the events I would like to this weekend. If I had a magic wand and teleporting superpowers I would also go to:wolves-lit AFTERNOON TEA – WITH WIN SAHA & BERT FLITCROFT, ARUN KAPUR + ABDA KHAN + ROMALYN ANTE + SABBI KAUR & MARTIN SHONE, BLACK COUNTRY VOICES – Dave Reeves & The Nailmakers’ Daughters, BONES PRESENTS……. A LIL SOMETHING DIFFERENT, ROY MCFARLANE and THE LIFE & TIMES OF THE TAT MAN by DAVID CALCUTT and possibly more.

QC tour

Tonight was brilliant, it was great to be part of an event on the opening day of the festival (27-29th). The Quiet Compere – conceived and hosted by Sarah Dixon.

THE QUIET COMPERE

with Sarah L Dixon, Leanne Bridgewater, Jess May Davies, Kathy Gee, Nina Lewis, Holly Magill, Tom McColl, Gerry Potter, Steve Pottinger, Polly Stretton & Heather Wastie

It was such an enjoyable night. The room in the gallery was very impressive. I really want to go back to the Gallery to just take a look at all the work on display. We had to walk through the Art and Writing space, I took a quick look at the exhibition during the interval.

It was great that an audience showed up and there weren’t too many empty chairs. During the first half the mics were set up quite a distance from the audience, this was changed by request during the interval. I just presumed cable length shackled us to the back of the room. It has to be the best backdrop ever though!

It was such a fantastic night and lovely to hear comments about my set, which went down well… despite last minute nerves of ‘I have chosen all the wrong poems!’. The 10 minutes flew by and I really enjoyed performing. I was very nervous before, but think I covered those nerves well once I had the mic in front of me.

I really appreciate having the opportunity to perform in the Quiet Compere again, we did one in Worcester in 2015. https://awritersfountain.wordpress.com/2015/08/01/quiet-compere-tour-2015-stop-6-worcester/


All photography © 2017 Sarah Dixon

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Sarah Dixon, Poet, Quiet Compere, Amazing Lady! I had the privilege of reading the workings of her new pamphlet that she shared poems from this evening. It was the first time I had heard her read them though, always adds to the power.

qc-polly-robinson Polly Stretton kicked off the evening (Sarah always goes first, knowing how we all hate that opening slot) the first of ten poets – sharing fairy poetry (she has many) and once again I had the inside track on part of her set as she tested it out at 42 this week. She opened her set with a poem about Evelyn Glennie and a tambourine. Fine set.

Next came Holly Magill. qc-holly-m I love Holly’s poems (and wardrobe). It was a great set and good to hear the audience reaction from those who had not heard her before and didn’t know what to expect. As always the serious mixed with a good measure of fun.

Then it was my turn Nina Lewis.qc

I thought long and hard about which poems to read. For a week I carried my notebook and pamphlet in my work bag. I had such a shocking week at work that both stayed in my bag as I didn’t have a moment to ponder through them.

Then I had my Burns set to be ready for the 25th. Fortunately I chiselled out some time on Friday to get myself ready. We were performing in the Art Gallery so I wanted to use some of my artefact/art inspired poetry. There was also a table filled with goodies (all of our books and wares) so performing from Fragile Houses also seemed like a good idea.

I shared the runner up poem from Worcester Porcelain Museum Competition ‘The Unfading Cornflower’, then my poem for Marina Abramovic ‘Unfolding’, then one of the Arthur Rackham inspired poems ‘Buckled Air’ before moving onto the pamphlet and ‘Fabricious Avenue’ (my only 52 poem on colour), Fortori and Your Gift to finish the set with a poem about my parents.

qc-leanne-bridgewater Next came Leanne Bridgewater who threw fruit into the mix (literally)! I was looking forward to watching Leanne’s set as it has been a long while since I have seen her performing her own work. She educated us all about Veganuary. Veganuary aims to reduce the suffering of animals by inspiring and supporting people across the globe to go vegan for the month of January. She handed out fruit in support of this gesture. Then she read from her book, Confessions of a Cyclist, which has such playful content inside.

To complete the five in the first half was Tom McColl.

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Tom stepped in to fill Bobby Parker’s spot. Tom is based in London and was one of the new to me poets. A good mix of serious and amusing. I really enjoyed the humorous material included in his set.

During the interval I was able to catch up with people and whizz around the gallery downstairs. I was really looking forward to the second half.

Which after more from Sarah was started by Heather Wastie.

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Now, I have always loved watching Heather, for the past year she has been busy working on Idle Women and also let Mouth & Music go after facilitating the Open Mic night for many years, so with the exception of a performance here and there it has been ages since I have had the pleasure of watching her on stage. I thoroughly enjoyed the set and so did everyone else.

Then Gerry Potter, who was the other new to me poet.

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Gerry is from Liverpool originally and is a lively spoken word performer. His material took me back to my birthday trip to Liverpool last summer and I started scribbling all sorts of things in my notebook, whilst watching his set (I can write without looking at the page) and my brain can just about listen and write if I don’t focus on the writing. I have not re-read these notes but if they become poems ever, they were inspired by Gerry’s set which encapsulated life, childhood and the city.

Jess Davies followed.

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Like Heather, Jess is another poet who hosted an open mic event, so although I saw a lot of her last year I had not heard her poems for a long while. I was delighted to hear new poetry and witness a brilliant performance. I really enjoyed her set.

Kathy Gee was next.

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She treated us to poems from her Book of Bones and some from The Suite for the Fallen Soldier, a choral project Phil Mountford was commissioned to create. Kathy wrote the narrative suite. I love Kathy’s poetry too, thought provoking and highly crafted. Words you muse over long after the final line. She bravely risked a newer, political poem too. It was a great set.

The Suite for the Fallen Soldier

http://suiteforthefallensoldier.com/

And finally to complete the great night of poetry we heard from Steve Pottinger.

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Again I have seen Steve perform recently but it has been a long while since I saw him headline at Mouth & Music. It is always great to hear a longer set from performers like Steve. Like listening to a whole album rather than enjoying a few tracks. I thoroughly enjoyed the set and he did a grand job closing the night. Like Kathy, he bravely performed a very freshly penned poem too, less than a day old.

It was a fantastic evening, I am still buzzing from the atmosphere now. It was great to meet new people and see old friends and to experience the incredible Wolverhampton Art Gallery. exterior_wolverhampton-art-gallery1536ls

© 2016 Artfund.org Artfund

Also incredibly grateful to have shared the journey with Kathy Gee, who saved me from facing the prospect of driving to the city. We spent the first part of the evening enjoying the wonderful interior of the Posada. An incredible Real Ale pub steps away from the gallery. Well worth a visit the_posada_wolverhampton_4327682633 © 2010 Wikimedia Commons

wolverhampton-posada-publicbar1 especially if you like Heritage pubs or real ale!

Congratulations Sarah Dixon on another fine QC Event, I hope you enjoy the rest of the festival and all the city has to offer.

RELATED LINKS:

http://www.wolvesliteraturefestival.co.uk/the-quiet-compere/4593202795

http://www.wolvesliteraturefestival.co.uk/