Category Archives: Fragile Houses By Nina Lewis

NaPoWriMo Day 16 Downhill From Here

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I never imagined that I would manage NaPoWriMo on Easter Sunday. I was awake early, hours before I needed to be, so I did my writing early on.

Happy Easter everyone! nano rabbit The NaNo Rabbit seemed appropriate! I guess it may even be a hare, for today it is the Easter Bunny!


http://www.napowrimo.net/ Our featured participant today is Paul Scribbles, where the halfway poem for Day 15 explores the complex idea of the middle in deceptively simple language.

Today’s featured interview is with Aimee Nezhukumatathil, the author of three books of poetry, a chapbook of letter-poems with Ross Gay, and the current writer-in-residence at the University of Mississippi’s MFA program. You can find more information on Nezhukumatathil Nezhukumatathil here, and some of her poems here and here.

And now for our prompt (optional, as always). Today I challenge you to take your inspiration, like our featured interviewee did in the chapbook she co-authored with Ross Gay, from the act of letter-writing. Your poem can be in the form of a letter to a person, place, or thing, or in the form of a back-and-forth correspondence.

I wrote a letter to the World, in the form of a Golden Shovel.

broken early on with boundaries,

by borders,

we have time to recover, perhaps.


Carrie Etter prompted us to write a poem with 2 or 3 stresses in a line. I managed to write a very short poem about innocent children in war, Syria for example.

no future here is happy…

I also took this opportunity to revise form and meter.


Jo Bell shares http://www.jobell.org.uk/ The sun has burst the sky By Jenny Joseph.

Jo writes about the feeling captured in Joseph’s poem; “Stop telling the literal truth, and show us how your experience of love /bereavement / shellfish truly feels.” – Jo Bell.

Read the whole discussion and then have a think about your approach to writing, but most of all go and READ.


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The Poetry School Andrew Parkes shared a sonnet prompt today. The word sonnet sends shivers to my brain, I have written some in the past. It is a form that needs careful crafting, some poets really enjoy writing in this form. I am yet to learn to love it!

Day 16: Sonnet Day          

What are the basic bones of a sonnet? 14 lines and a bit of a jink two thirds of the way through? Well today’s the day to flex your formal muscles and show what the sonnet is to you. Whether you go Petrarchan, Shakespearean, Stretched or Submerged, today we want to see the perfect poetic containers of your sonnets.

If you want a little guidance, there’s some info on the sonnet here.

A cheeky classic from Shakespeare here.

And something more modern from Molly Peacock here.


Whatever you do today, have fun! And… don’t eat too much chocolate!

Fragile Houses Receives a Sabotage Review

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saboDelighted to share the review of Fragile Houses by Rachel Stirling on Sabotage Reviews.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

 

March in Review

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March felt like a funny old month. The start of the month was rocky, the usual dips and peaks were replaced with a fairly big dip, which fortunately finished mid-March, the end of the month was full of highs and gathered rollercoaster speed, positively hyperactive.

I missed out on many events I wanted to attend due to lack of time, transport and energy. My writing schedule was full and I continued to work on organising festival events as well as time spent making exciting applications. Keeping my fingers crossed.

In addition to this – we have AN EMPTY ROOM, I managed (finally) to sort the smallest bedroom which is our first redecoration project in the house Mr G and I moved into the year I returned to writing (2013). If I wasn’t writing, I kid myself that we would have finished the entire house by now. But the thing I look forward to the most is nesting new writing spaces! The room has now been empty and awaiting action for three weeks, but in that time Mr G has transformed the front garden (much to the pleasure of the neighbours) and bought a sander in preparation for the next epic challenge- actually doing the room!

WEEK 1:

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V. Press collections: Career in Accompaniment by Alex Reed, Book of Bones by Kathy Gee, Fragile Houses by Nina Lewis and The Old Man in the House of Bone by David Calcutt, with illustrations from Peter Tinkler were reviewed by Sam Smith. You can read the full reviews here http://vpresspoetry.blogspot.co.uk/

Sam Smith – Reviews in The Journal. http://thesamsmith.webs.com/

It was the final Permission to Speak on the 2nd, headlined by Pete the Temp (who I first saw at Verve).

Pete the Temp is a poet, educator and musician. His work has been featured on BBC radio and TV and in 2009 he became the National Poetry Slam Champion. Pete has toured theatres across England with his one man show ‘Pete (the Temp) vs Climate Change’. In 2015 he completed the MA Writer / Teacher Programme at Goldsmiths University. This led him to become one of the world’s first full-time spoken word educators to be embedded in a secondary school. He later went on to pilot the same work in a primary school. He was subsequently invited to do a TED Talk on the subject ‘Why Every School Should Have a Spoken Word Educator’. Pete has toured all over Europe with his art and now works as a poet and street performer. Rob Francis © 2017

We are all gutted that this event (of 2 years) has come to an end. The venue – which is one of the most amazing spaces I have had the pleasure to perform in, is closing. Rob Francis is extremely busy with writing and lecturing, maybe these things are sent by the universe as the timing seems right to free Rob up for other opportunities. He also got engaged recently, so I suspect there will be a busy non-poetry element going on in his life soon too. Fortunately I was tipped off just before the night kicked off, otherwise I would have been in floods when Rob announced it to the packed out room.

As always, it was a good night with an eclectic mix of open mics, poems, stories and extracts. It was fantastic to watch Pete in action again and I enjoyed his set immensely. Several lines have become ear-worms over the past month. I had an interesting conversation with him afterwards about poetry. You cannot help but be swept away on his passion-wave of enthusiasm.

Sadly I missed out on watching him perform again at the Artrix this week as I had a gig in Manchester the next day, work and lots of submission deadlines. If you get a chance to see him, you should grasp it for sure! ‘Keep it Lit!’

RELATED LINKS:

http://www.petethetemp.co.uk/

http://burningeye.bigcartel.com/product/numbered-boxes-by-pete-the-temp-bearder

numbered boxes People who have read this collection rave about it – it is on my list to buy.

I spent the majority of writing time organising, I am currently organising three events for festivals which is keeping me busy.

I also had an opportunity to create work for Mental Health Awareness Week (May). Sarah Leavesley has, for several years posted poetry related to Mental Health during this week. ‘The Magnetic Diaries’ deals with these issues and last year you may remember I attended a workshop at the MAC which was part of the Magnetic Diaries Tour. Sarah mentioned back then that we could share our workshop poetry. As with lots of things at the moment it fell into the ‘to do’ pile. My main focus currently is the house, promoting Fragile Houses and organising festival events. Anyway, long story short, I did eventually manage to create a new poem from the workshop and another written especially for the blog project. More on this in May.

I had a request for a poem and spent the weekend working on editing and writing. I have found this month that I am very last minute. I discovered a submission opportunity the day before deadline (always a challenge) and more recently discovered an entire festival I had missed, a great shame as there was a workshop I would have loved to have attended.

WEEK 2:

The week I forgot to live… so many events missed. I felt the dip this week – my body/mind reacts by sleeping. I spent my writing time beavering away at schedules, organising festival events and generally needed sleep before bedtime. I did wish to be a busy poet and I guess I didn’t consider that I would need to be grown-up with scheduling or with reacting to the events I miss. Be careful what you wish for!

I missed Stirchley Speaks, Headlined by Tom McCann, Steve Pottinger was performing in Ludlow at The Poetry Lounge, I missed Howl – there was a new event in Cannock – Speaking Out Midlands, where all performers were open mic, allocated 10 minute slots. Charlotte had invited me some months ago and then word was spread on social media and it attracted a great crowd and I have read some rave reviews.

It clashed with SpeakEasy and when I discovered Adrian Mealing (who I have not seen for years) was headlining, I knew that I was going to save the car some miles. I do not regret this decision, SpeakEasy was a good night and it was lovely chatting and catching up with Adrian. CONFAB Adrian Confab Cabaret with John Hegley (the last time I saw Adrian).

Suffering the dip, being in a familiar environment with people I know was preferable. I was revitalised by the end of the evening. There were lots of new faces and audience, incredibly positive for the LitFest team. Suz performed the Squid Ballroom, part of her Laureate event – more on this next month, I am one of the invited performers.

I spent Friday tying up loose ends and trying to write. I sent my poems to Rick Saunders the brainchild behind Rob’s PTS thank you gift. We (the collective at PTS) have sent writing to Rick who has printed a pamphlet (more like a book at 80 odd pages) to present to Rob on the final night – Permission to Shut Up – at the end of March. I sent my poem about the stage ‘The Secret of Scary Canary’s Stage’ and one I wrote especially for Rob all about what he has achieved with PTS and what it means to the rest of us, originally titled ‘Permission to Speak’. He should be extremely proud of his achievements and hopefully this isn’t the last we have heard from him.

spark I spent an entire evening planning a non-fiction session for my Spark Young Writers group (Writing West Midlands). Inspired by the Royal Society of Photographers exhibition I walked around last month I decided to do Science Journalism. The group thoroughly enjoyed themselves and I am still wiping sweat from my brow – I was worried in case any of them chose to write about the bee’s anus. Which was an amazing piece of photography and incredibly fascinating to look at. I was amazed by the talented articles that came from this session. Some great writing.

It was also the DeMontfort Book Fair in Leicester – States of Independence, not something they hosted when I lived there for 5 years. Leicester is where I broke my performance poetry seal and will always have a little bit of a special place in my heart. Sarah Leavesley was there with her V. Press bookshop, she also launched her new book – a novella published by Mantle Lane Press.

http://www.mantlelanepress.co.uk/product/kaleidoscope available to buy for just £4.00

It always hurts to miss out on events, I dreamed of a busy writing life and I have one, but it means that sometimes I no longer have the freedom to march across the country to be a part of special evenings. There are also the inevitable date clashes where big decisions are made. Never have cloning and teleportation been so necessary in my life!

On Sunday I missed one of the best opportunities since the Verve Festival. Bang Said the Gun – which I have known about since 2014 and watched countless clips of online is touring and they kicked off in Stafford – relatively close (would be closer if the M6 ever flowed properly) with Jo Bell and Jonny Fluffypunk (two of my old time/all time favs) and I missed it! It was Sunday night, Week 3 and 4 are full in my diary, energy was low, as were funds and Mr G and I need to spend more time together and my car is the equivalent of an old broken pull along toy with some bits missing and broken/re-knotted string! I do not trust it on terribly long journeys or car park motorways where you hear it over heat within the first crawling 100 yards.

I missed an amazing night and an opportunity to see friends from that neck of the woods too. Gutted. I did go to check out tickets and look at the rest of the tour and this was the nearest and also had the featured artists I wanted to see. I would say there will be other times, but with something like this – there won’t be. Gutted with a capital G.

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Canterbury never had anything like this when I lived there either!

Week 3:

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I knew I would miss License to Rhyme at the Artrix, featuring Pete the Temp. I had to work and manage Manchester the following evening and I spent part of Monday choosing and rehearsing/timing my set. I also spent time with family, which I hadn’t planned much beforehand and this left me hours behind on writing time. Not that it would be any other way. Family comes first. It just meant the will I /won’t I… became a definite No I won’t!

Again I heard good things about the evening and am particularly disappointed that I missed Fergus McGonigal and Lorna Meehan performing.

I did receive some exciting emails which made a night in with my inbox particularly worthwhile. And have since taken action on these – fingers crossed once again!

On Tuesday I headlined alongside Becky Cheeriman and Mark Pajak in Manchester at Sarah L. Dixon’s Quiet, Quiet Loud. I have known about this booking at Quiet, Quiet Loud for months and the butterflies went tribal. Originally looking to headline in April or May, the gig was brought forward as Sarah L Dixon is on the move and this was to be her final event at The Llyod’s.

Rick Saunders had signed up for the open mic and kindly offered to chauffeur up the M6. Unfortunately, days before his car broke down and so we were left with some last minute arrangements. In the end we hired a car (scared that mine wouldn’t make a 200 mile round trip in a night). The journey there was fine, even passing a Willis milk tanker – Rick’s stage name is Willis the Poet…  we passed the time chatting about the spoken word scene and stopping just once for the most expensive bottle of service station water – I think it was made from diamonds or something! The journey back was horrendous, closed motorways, detours and a SATNAV that was convinced the motorway junction was still open.

The event itself was worth every mile of motorway network and it was a pleasure to headline at the final Quiet, Quiet Loud. You can read my full review here and Rick managed to post his the very next day. https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

Huge thanks again to Rick for the lift.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/manchester-quiet-quiet-loud-headline/

I spent Wednesday morning before work recovering, I found out about the Science and Arts Festival hosted by Birmingham University and a creative writing workshop that I would have loved to attend, although it would have been a lot before work to manage. I have pencilled it in for next year as there were lots of interesting events.

I spent Wednesday night working on submissions and on Thursday mum and I went to see Verve – Northern School of Contemporary Dance. Mr G bought us tickets for Christmas. Verve-web-8-crop-1876x1055

http://www.nscd.ac.uk/verve/

They made me want to dance again, to create dance poetry and to lose myself in costume and movement. The fact that my body could barely manage to sit through a 2 hour production tells me otherwise, but my soul is still very much committed!

I spent the weekend on things other than writing and chiselled out some time at the end of Sunday to write applications and work on my writing action plan. There are some intended submissions to create before the end of the month and three sets to plan for EarthHour (25th March), HerStory (31st March) and Poetry Ballroom (2nd April).

Week 4:

The week started with a flurry of activity organising poetry events and writing. February was a busy month for making applications and devising projects and this month sees more energy focused on these and some fruition.

I spent the first part of the week in rest (working, sleeping, living) and saving energy for a series of 3 days of poeting. Which was easy as only one of them involved performing. Although I left it somewhat late to arrange a set and fine tune the details.

I also agreed to hiding some GOLDEN TICKETS for Birmingham Literature Festival. It is the 20th Anniversary this year and the team have organised a Spring Festival to celebrate. They have sent out Golden Tickets to be found in local bookshops, Art cafes and libraries. I have taken two under my wing and let them fly (and hide).

https://www.birminghamliteraturefestival.org/2017/03/will-you-find-a-golden-ticket/

The lucky finder wins a free ticket (worth at least £10) to an event of their choice. I want to find one of these – but it may cost more petrol money than buying a ticket. Fun idea. Great one. One I may steal in the future! First time I have ever felt like Willy Wonka… it was a good feeling.

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On Thursday I saw Hollie McNish, I love Hollie…  it has been a while since I saw her perform and part of me knew that this book would be difficult for me for personal reasons, this is why I have not yet bought a copy – but watching her breathing magic into the tale and hearing such personal disclosure and truth was wonderful. hollie 2 The event had been organised at The Hive (Library) in partnership with Poetry On Loan – well done to Brenda Read-Brown!

I had been to the basement space once with my writing group and was amazed to find the event not in the studio – that was until I saw the size of the audience! Holly thought, it being a library gig in a small city there may be about 20 people! Multiply that by 10! A smashing night.

Read the full review here https://awritersfountain.wordpress.com/2017/03/25/hollie-mcnish-nobody-told-me/

My review of the Verve Poetry Festival went live on Sabotage Reviews. http://sabotagereviews.com/

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Stanza happened on Friday – for the first time in months I thoroughly enjoyed it – and in a strange way all of our poems were love poems (but not the sort you imagine).

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Over the weekend I celebrated Earth Hour and Mother’s Day. Earth Hour was amazing, I went to the event organised by Worcester LitFest at Café Bliss. You can read the full review here

https://awritersfountain.wordpress.com/2017/03/27/earth-hour-with-wlf/

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Week 5

I spent the majority of my spare time writing and editing and planning how an earth I was going to manage this final week of performances and deadlines. The solution was an A4 checklist that I had very little leeway on.

I also had another poem published ‘Rag Tree’ which will be in the Beltane anthology by Three Drops. More news about festival events I am organising/performing in and events that I am just performing in. Future workshops to book and lots of potential festival tickets to be bought. I wrote new work and edited older poems.

Tuesday evening saw the final PTS – Permission to Speak become Permission to Shut Up – as it was a work night I was worried I may not last until the end, but scribbled a new poem especially for the last event (for now), the night before and got a short set ready. I was due to headline in May, potentially Rob may have a new venue by then, but I get the feeling that he needs/wants a mini-break and this would be the time to take it.

It was a great night, all in all and I will mark the occasion with a blog post as soon as I get some spare time. I took lots of pictures and stayed until the end to see Rick present Rob with his pamphlet.

42 in Worcester celebrated it’s 6th birthday and I took a newly scribed poem to celebrate. Rick Saunders headlined Spoken Trend on the same night, which I had to miss. Please someone clone me! Event clashes… every poet’s nemesis! 42 was fun and again, I will mark the occasion with a full blogpost when I have a little time. Polly made an amazing Black Forest Gateaux cake! Makes my mouth water just thinking about it. All the performances were bang on and the celebratory air was sweet.

LINKS TO FOLLOW.

With two days left of March and Easter around the corner, you may think that was it… no, I am playing the game – How much can you pack into 48hours?

Thursday I gave myself a night off from performing/events – missing out on Caffe Grande Slam in Dudley again, I will get there. I spent the evening editing a new poem (my 3rd this week) and submitting work.

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I also received an exciting email from my publisher. Another review of Fragile Houses, this time on Sabotage Reviews. How wonderful to start and end the month with reviews. You can read Rachel Stirling’s incredibly intricate review here.

http://sabotagereviews.com/2017/03/30/fragile-houses-nina-lewis/

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I discovered Claire Walker and Holly Magill have embarked on editing a new Magazine ‘Atrium’, they have both edited for Kate Garrett at Three Drops recently and this new opportunity morphed from that experience. More on Atrium soon.

I saw Heather Wastie’s Nationwide advert – which was as equally exciting as watching Jo Bell’s and what made it special was seeing it first thing before work and in the final adverts before bed. Don’t ask me how I have time to watch TV and complete my mammoth writing tasks!

Holly McNish won the Ted Hughes award (one of the judges this year was Jo Bell – busy as always). Amazing news & recognition!

http://www.thebookseller.com/news/hollie-mcnishs-poetic-motherhood-memoir-wins-ted-hughes-award-518171

https://www.theguardian.com/books/2017/mar/29/hollie-mcnishs-funny-and-serious-poetry-wins-ted-hughes-prize

I received news of another successful Festival bid for this summer. More on this soon.

I completed the month with a Woo Feminista event HerStory at Café Bliss. I will blog and link it up here as soon as I can.

And now I am ready for NaPoWriMo, Poetry Ballroom and a rather-already-regrettable booking of an almost full week of work! I booked Monday off as I have 3 consecutive events this weekend and will be typing until my fingers go numb finishing my writing tasks over the next 24 hours!

I hope you all had a good month too. Leave me some of your highlights in the comments, it would be great to hear from you.

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Keep Writing x

Manchester – Quiet, Quiet Loud Headline

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Last year Sarah Dixon contacted me about headlining in Manchester, originally the booking was set for April/May- but due to Sarah relocating my spot was brought forward to March.

I booked time off work and made arrangements. I was originally going to do an overnight and what I learnt from this experience is how to be sensible… gigging further afield, it is probably best to stay overnight. Fortunately, Rick Saunders (a.k.a Willis the Poet), signed up for the open mic and offered to drive. Unfortunately his car broke down the week before and we ended up hiring a nifty little number to get us Northbound.

Manchester isn’t all that far away, but after a day of work and with butterfly nerves I did not fancy driving. Plus I have an inherent fear of the M6! That pesky Toll road…

Our journey out there was easy, didn’t take long. We found the venue and headed off for some tea before going to the The Llyod’s Hotel. Our journey back was horrendous with motorway closures, traffic jams and a satnav that was convinced the signs suggesting junction closures were wrong.

BUT – it was all worth it!

Quiet, Quiet Loud is an incredible event that Sarah has been running for two and a half years now. I can imagine the loss to the local poetry community (having just experienced the end of PTS at the Scary Canary).

March 14th Quiet, Quiet Loud

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Guests Mark Pajak and Becky Cherriman and Nina Lewis

Mark Pajak was born in Merseyside. His work has been published in Magma, The North and The Rialto (among others), been highly commended in the Cheltenham Poetry Competition and National Poetry Competition and won first place in the 2016 Bridport Prize. He has received a Northern Writer’s Award from New Writing North and was 2016’s Apprentice Poet in Residence at Ilkley Literature Festival. His first pamphlet, Spitting Distance, was selected as a Laureate’s Choice and is published with smith|doorstop.

Becky Cherriman is a writer, workshop leader and performer based in Leeds. Published by Mslexia, New Walk, Envoi, Mother’s Milk, Bloodaxe, Well Versed and in Poets For Corbyn, she was resident poet for Morley Literature Festival in 2013 and lead artist for Altofts Festival In A Day 2016. Becky is a co-writer and performer of Haunt, a site-specific theatre commission for Imove, a project about homelessness. She is currently working on her one woman show with voices, Corseted. Her first poetry pamphlet Echolocation and first collection Empires of Clay were published in 2016 by Mother’s Milk and Cinnamon Press respectively. www.beckycherriman.com

Nina Lewis is widely published in poetry journals and anthologies, including Abridged, Fat Damsel, Take Ten, Hark, Here Comes Everyone (HCE), I am Not a Silent Poet, New Ulster Poetry, Nutshells and Nuggets, Under the Radar and Visual Verse. Worcestershire Poet Laureate Competition 2015/2016 runner-up, Nina often performs at spoken word events and literary festivals. She was commissioned to write and perform poetry on ‘ecology and the city’ at the Birmingham Literature Festival in 2014. Her haiku have appeared in an art installation at the Midlands Art Centre, on the Poetry Fence at Acton Scott Historic Working Farm and in Municipal Bank Vaults for an International Dance Festival. Nina’s work also formed part of the poetry trail for Wenlock Poetry Festival 2014. Fragile Houses, published by V. Press autumn 2016, is her first pamphlet.

I was really excited to meet Becky and see Mark again (who I first saw perform at Waterstones last Autumn with the Poetry Business).
It was a thrill to stand in a room I had seen on social media for years! The standard of poetry was really high and there were plenty of open mic spots. An appreciative, poetry loving audience and bundles of talent. It was lovely to see Sarah again and hear her poems, many from her pamphlet collection (fingers crossed for this to make publication soon). I had the pleasure of reading through a draft copy for her last year. She chose some strong poems to share with us.

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Becky Cherriman was the first Guest Poet to take to the floor. I love it when I do not know a poet and have no idea what to expect.
I was moved by Becky’s set and need to buy her book, she was a wonderful performer and her poetry ran a gauntlet of emotions. An incredibly powerful set. It was good to meet her.

I would have bought her book on the night but with hire charges and petrol/drinks etc. my cash was a little light. I will catch her again and you should too. A gifted poet who deals with all shades of life. I still have her poetry in my head a fortnight later.

http://www.beckycherriman.com/

Mark Pajak took us into his world after the interval. I was looking forward to hearing his work again and thoroughly enjoyed his set. It was good to hear more from him. He is talented performer and an engaging poet. He writes about some seemingly bizarre incidents and is not afraid to share them, despite being advised not to. I appreciate that rebellious side. His work is like nothing I have read or heard from anybody else, unique. Prizewinning and extra special.

Mark Pajak

I was nervous having watched these masters at work and really wanted to change my set – but having timed it I didn’t think it was appropriate to cast last minute changes. I find my pamphlet fairly difficult to share as I want to give the audience enough of the sizzle and taste but don’t want to take them on the whole chronological journey or indeed read all the poems in the book. I have seen other headliners (with pamphlets) sharing several newer poems too, this may be the way forward – but I am not entirely sure. It may be like when you see a band and want them to play the albums and they slip in several B sides… I have always been a fan of the B side.

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It was a pleasure to be invited to the final Quiet, Quiet Loud and read in Manchester. It was an inspiring evening filled with poetry buzz.

If you want to read a review of my set, check out Rick’s blogpost below.

RELATED LINKS:

https://willisthepoet.wordpress.com/2017/03/15/quietly-does-it/

January in Review

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typewriter-1227357_1280 2017 started well with lots of diary dates, events and writing time. Of course it was also back to work after a fortnight (unpaid) break. Much needed. I made it back to Ludlow to support Claire Walker who was one of the Headline poets alongside Matt Black. A little like not realising two years had passed since I last watched Ash Dickinson perform, I cannot believe a year has passed since I last went to the Poetry Lounge in the Sitting Room! This time warp has to do with working for 18 months on Fragile Houses I think. Months slip by fast and the first thing that has to go when you shackle yourself to the desk to write is faraway events.

Week 1:

Poetry Lounge in the Sitting Room with Jean Atkin in Ludlow, it was lovely to see everybody again and I hope to make it back before 2018. Matt Black (who I first years ago at a special event we both performed at The Ort in Birmingham  (2014), more recently we shared the floor in Birmingham at Stirchley Speaks (my Headline, back in October). headline-stirchley-speaks-oct

He was entertaining and as we had all had a conversation about vegetarianism on the journey over, apt poems in his set made us giggle.

Claire Walker was amazing, I do not think I will ever tire of hearing her perform from The Girl Who Grew into a Crocodile. She also treated us to some new poems from her next pamphlet collection.sitting room

I completed a lot of research for current writing projects and groups. I also completed a collaborative project set up in December and worked hard on submitting poetry. I had fun writing about Leonard Cohen and am keeping my fingers crossed that the editors will enjoy the results.

I missed Buzzwords in Cheltenham.

Week 2:

In December I submitted to 7 places and the rejections rolled in from 3 of them this week. We all learn to handle this but one publication in particular was dealing with a subject close to my heart and it made me a little glum that they hadn’t taken my work. They did send feedback including details of the process that the poem they nearly took went through. I will not be perturbed. Another rejection cited that the pieces weren’t best fit this time but encouraged resubmission.

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Back in 2015 I had three poems accepted for an anthology by Shabda Press on Nuclear Impact. We all signed contracts in 2016 and it has been a real labour of love for Teresa Mei Chuc who has now got the project to final proof stages. All proof read and returned and I cannot wait to see the result. The readings are all taking place in the States but I am currently looking at the logistics of video performance.

The cover has been revealed featuring the Artwork of John Sokol. Cover Art: “On the Road to Perilous” nuclear-impact-front-cover-final-cover-art-on-the-road-to-perilous-by-john-sokol I could write more poems just from a glance. This book will hopefully be in our hands later this year.

I went to SpeakEasy – where Brenda Read-Brown was headlining and what a set she treated us to. New work, powerful work, emotive (I nearly cried twice), honest and filled with passion. I was really glad that I was able to make it and witness such a performance.

I shared some new poems and gave Fragile Houses a rest, most of Worcester have bought it already and as I headlined last month and read most of it and as the last poem in there was written in 2015, I fancied sharing something newer.

I went to Stanza although I was so tired I was not much use to others and the poem I had written half an hour before leaving didn’t quite work. I do not see the point of taking perfectly polished work to groups – unless perhaps it’s a poem that has been unsuccessfully submitted a few times, in which case new eyes are good. However, I need to give my writing a chance to sit and simmer for a bit so perhaps I should try this year to get a poem ready the week before. Give it some breathing space. It is hard when you feel so attached to something, too vulnerable.

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Sadly at the weekend I said goodbye to Sally Grainger who has been my Assistant Writer for WWM Spark Writers group for the past 9 months. We had a full house for her final session and ran a great group on Scriptwriting. It was fun. I am sad to see her go.

I received exciting news about a new Literature Festival which I am currently organising a showcase/event for.

Week 3:

I spent my time mainly at work, in spare hours I was organising the festival event, missing deadlines, proof reading and writing comic poetry.

Last year I was invited to take part in a one off (now to be repeated as it was so successful) Baldy Poems presents Kings and Queens of Comedy in association with WLF (Worcester LitFest). I love the idea that WLF are fundraising via event charge at one off events throughout the year to help fund/pay for the summer festival. It is a great idea and I have loved the events that have popped up so far.

I was honoured to be one of the 6 performers (we had 8 on the night with Kieran Davis and a Special Surprise Guest joining us). I have only written about 5 funny poems and the two I had ready for this event have not seen the light of day since 2015, so I decided to emulate BaldyPoems style and kick out 6 new ones. That and I needed the material to cover a 10 minute set. More on this later.

I missed David Calcutt at Smokey Joes in Cheltenham – Poetry Refreshed and sadly I missed Clive Osman’s Waterstones book launch for his debut collection ‘Happy’. Both nights looked to be good. I had taken on extra work and with a gig Thursday night and Friday needed to sleep.

After almost 2 weeks of working full-time, I finally finished on Thursday at 5:30 and then headed over to Birmingham with Mr G and a friend, in birthday celebration mode. We went to see THE BLUE AEROPLANES at the Hare and Hounds (where UB40 played their first gig) and it was exceptional. I am so glad that I was filled with the charm of performance because it set me up for the following evening for Kings and Queens of Comedy.

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I was so nervous – worried that the audience wouldn’t find the dusted off material funny, But I forgot the universal appeal of my moustache poem, the magic of proto-type props and the delight of people who have never heard this one before. It was also funny because people who know me know that I am funny, I just do things that amuse people as I have no logical bone in my body and I have a quick, dry, wordy wit… in fact there was a turning point once upon a time between poet and comedian. The world breathes a sigh of relief.

Anyway because a lot of people now on the scene weren’t back in 2014 when I played the clown a little more, they didn’t see me as a funny poet and were quite shocked at the billing. There are now at least two people who will never take me seriously again!

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To read a full review of the evening click here

And then I had a well deserved weekend off to catch up with Mr G and writing.

Week 4:

Saw happy news and my first acceptance of 2017. That collaborative project I mentioned earlier was with Claire Walker. The result was a meeting about prompts, shared ideas, word lists and after writing editing together. After a few weeks we had a poem written by each of us from working with the other and a joint poem written line by line. The acceptance was a the poem Claire Walker wrote called ‘The Puzzle of an Ending’, a beautiful title and a hard hitting poem. It was the strongest of the collaboration.

It delights me that it exists because of an opportunity I found and a risk I took (asking another poet to partner me and risk rejection, that lack of self-belief/inner critic we all have to deal with). Fortunately, Claire was only too happy and we enjoyed this rather intense poetry pocket in our otherwise Christmassy/family orientated holidays. There will be more to come. And I am doing something here I first dreamed of in 2014. Happy.

I spent the night, along with many poetry friends at the Kitchen Garden Café, Birmingham for Jacqui Rowe’s ‘Poetry Bites’. The featured poets were David Calcutt & Claire Walker (fellow V. Press poets) and Jacqui announced (which most of us already knew) that they are going to publish her first collection this year too. Her ‘Ransom Notes’ was the first pamphlet of the run in 2015 from the round I applied successfully for in 2014.

ransom Poetry Bites was a packed out night, it is so sad that this is Jacqui’s final year, but it is a phenomenal achievement to have hosted and supported such an abundant amount of poets over the years. The atmosphere was great and there were some top class floor spots as well as a V. Press collective, Kathy Gee was also reading from her collection Book of Bones.

I really enjoyed reconnecting with Brumside poets I had not seen in a while, as well as listening to some inspiring and thought provoking sets.

Maybe it was the double dose of Americano coffee, or the Kitchen Garden cake… I came away buzzing and refuelled with an extra layer of poet-y energy!

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I wrote new poems for Burn’s Night, which was celebrated at 42, in Worcester on the 25th. I even made a badge – Lewis tartan, of course. I have thoroughly enjoyed finding out more about this 18th Century rascal. It was a great night, intimate and full of heart – but not lungs or liver (haggis pun)!

I missed a workshop with Ash Dickinson, that had I not been performing in the Quiet Compere/ Wolverhampton Literature Festival the following night, I may have tried to get to. It was just a little out of range geographically and no way I could have got myself there on time after work without the help of a helicopter and pilot… neither of which I have. Oh, to be a rich girl! So I just have to brush away the disappointment and hope for another opportunity in the future.

This brings us to the finale of the poeting week – the first literature festival to be held in Wolverhampton and a great line up of events across all genres. I was lucky enough to be one of the ten poets on the bill for Sarah Dixon’s Quiet Compere Event at the Art Gallery on Friday evening.

What an evening it was. Fabulous line-up, including two poets who are new to me (always a pleasure), Tom McColl & Gerry Potter. What a venue, the room was majestic and had one of the best backdrops to poetry I have ever seen. The setting was incredible. It was a wonderful night and I was still buzzing the next day. You can read the full review of the event and find out more about the performers here https://awritersfountain.wordpress.com/2017/01/28/quiet-compere-wolverhampton-literature-festival/

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I got home to find emails about up and coming books and spent a while chatting to the other buzzing poets online. A fine night.

walsall-arboretum I finished my weekend at Open Poetry at Walsall Arboretum with David Calcutt and an amazing number of poets on Sunday. Despite the horrible rain, bad driving conditions and leaving a ton of work on the To Do List, I headed out for some poeting fun.

It was a great couple of hours, lots of moving and humorous work was shared. I met some new poets and saw John Mills, who had battled the unnavigable roads of Walsall to experience David’s event for the first time. walsall-arb © 2016 Walsall Arboretum

Then I spent a horrendous amount of time sorting out unread and unmanaged emails instead of completing applications which I now need to do tomorrow after work. There are lots of deadlines in the next 72 hours and I plan to hit them all.

Wolverhampton Literature Festival finished with a Poetry Slam that Nick Lovell won and Willis – a.k.a Rick Sanders came 2nd and Rob Francis, 3rd. Well done, boys! An all male sweep. I was sad not to be able to go to the festival this year. Other plans had already been made. Hopefully they will do another one next year.

The Extra Few (Writing) Days

Mainly spent Monday night at the computer pulling a 6 hour shift (after a day at work), writing new material, researching, organising events, writing applications and submitting. There are so many end of month submissions and I have been busy enjoying myself and thinking the end of the month was a while away yet and here we are. I am pleased that I have managed a few more submissions as I have not been keeping the resolution of weekly output, as advised by another poet.

Obviously there is a certain amount of selectivity both in terms of material, feel, attitude, time etc. My aim is for monthly submissions, which should be entirely achievable – as the months missed last year were to do with the final editing process of the pamphlet.

I will spend the final day of the month (in the evening, after work) getting productive with my next To Do List and making final submissions too.

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There are so many exciting things planned for February already, I can hardly believe we have reached the end of January!

I hope you had a good one, filled with spirit and joy …. oh and writing!

 

The Quiet Compere – Wolverhampton Literature Festival

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I am excited whenever new festivals pop up, especially when they are not too far from home. Due to busy plans and the Verve Festival in a few weeks, I am not able to go to all the events I would like to this weekend. If I had a magic wand and teleporting superpowers I would also go to:wolves-lit AFTERNOON TEA – WITH WIN SAHA & BERT FLITCROFT, ARUN KAPUR + ABDA KHAN + ROMALYN ANTE + SABBI KAUR & MARTIN SHONE, BLACK COUNTRY VOICES – Dave Reeves & The Nailmakers’ Daughters, BONES PRESENTS……. A LIL SOMETHING DIFFERENT, ROY MCFARLANE and THE LIFE & TIMES OF THE TAT MAN by DAVID CALCUTT and possibly more.

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Tonight was brilliant, it was great to be part of an event on the opening day of the festival (27-29th). The Quiet Compere – conceived and hosted by Sarah Dixon.

THE QUIET COMPERE

with Sarah L Dixon, Leanne Bridgewater, Jess May Davies, Kathy Gee, Nina Lewis, Holly Magill, Tom McColl, Gerry Potter, Steve Pottinger, Polly Stretton & Heather Wastie

It was such an enjoyable night. The room in the gallery was very impressive. I really want to go back to the Gallery to just take a look at all the work on display. We had to walk through the Art and Writing space, I took a quick look at the exhibition during the interval.

It was great that an audience showed up and there weren’t too many empty chairs. During the first half the mics were set up quite a distance from the audience, this was changed by request during the interval. I just presumed cable length shackled us to the back of the room. It has to be the best backdrop ever though!

It was such a fantastic night and lovely to hear comments about my set, which went down well… despite last minute nerves of ‘I have chosen all the wrong poems!’. The 10 minutes flew by and I really enjoyed performing. I was very nervous before, but think I covered those nerves well once I had the mic in front of me.

I really appreciate having the opportunity to perform in the Quiet Compere again, we did one in Worcester in 2015. https://awritersfountain.wordpress.com/2015/08/01/quiet-compere-tour-2015-stop-6-worcester/


All photography © 2017 Sarah Dixon

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Sarah Dixon, Poet, Quiet Compere, Amazing Lady! I had the privilege of reading the workings of her new pamphlet that she shared poems from this evening. It was the first time I had heard her read them though, always adds to the power.

qc-polly-robinson Polly Stretton kicked off the evening (Sarah always goes first, knowing how we all hate that opening slot) the first of ten poets – sharing fairy poetry (she has many) and once again I had the inside track on part of her set as she tested it out at 42 this week. She opened her set with a poem about Evelyn Glennie and a tambourine. Fine set.

Next came Holly Magill. qc-holly-m I love Holly’s poems (and wardrobe). It was a great set and good to hear the audience reaction from those who had not heard her before and didn’t know what to expect. As always the serious mixed with a good measure of fun.

Then it was my turn Nina Lewis.qc

I thought long and hard about which poems to read. For a week I carried my notebook and pamphlet in my work bag. I had such a shocking week at work that both stayed in my bag as I didn’t have a moment to ponder through them.

Then I had my Burns set to be ready for the 25th. Fortunately I chiselled out some time on Friday to get myself ready. We were performing in the Art Gallery so I wanted to use some of my artefact/art inspired poetry. There was also a table filled with goodies (all of our books and wares) so performing from Fragile Houses also seemed like a good idea.

I shared the runner up poem from Worcester Porcelain Museum Competition ‘The Unfading Cornflower’, then my poem for Marina Abramovic ‘Unfolding’, then one of the Arthur Rackham inspired poems ‘Buckled Air’ before moving onto the pamphlet and ‘Fabricious Avenue’ (my only 52 poem on colour), Fortori and Your Gift to finish the set with a poem about my parents.

qc-leanne-bridgewater Next came Leanne Bridgewater who threw fruit into the mix (literally)! I was looking forward to watching Leanne’s set as it has been a long while since I have seen her performing her own work. She educated us all about Veganuary. Veganuary aims to reduce the suffering of animals by inspiring and supporting people across the globe to go vegan for the month of January. She handed out fruit in support of this gesture. Then she read from her book, Confessions of a Cyclist, which has such playful content inside.

To complete the five in the first half was Tom McColl.

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Tom stepped in to fill Bobby Parker’s spot. Tom is based in London and was one of the new to me poets. A good mix of serious and amusing. I really enjoyed the humorous material included in his set.

During the interval I was able to catch up with people and whizz around the gallery downstairs. I was really looking forward to the second half.

Which after more from Sarah was started by Heather Wastie.

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Now, I have always loved watching Heather, for the past year she has been busy working on Idle Women and also let Mouth & Music go after facilitating the Open Mic night for many years, so with the exception of a performance here and there it has been ages since I have had the pleasure of watching her on stage. I thoroughly enjoyed the set and so did everyone else.

Then Gerry Potter, who was the other new to me poet.

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Gerry is from Liverpool originally and is a lively spoken word performer. His material took me back to my birthday trip to Liverpool last summer and I started scribbling all sorts of things in my notebook, whilst watching his set (I can write without looking at the page) and my brain can just about listen and write if I don’t focus on the writing. I have not re-read these notes but if they become poems ever, they were inspired by Gerry’s set which encapsulated life, childhood and the city.

Jess Davies followed.

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Like Heather, Jess is another poet who hosted an open mic event, so although I saw a lot of her last year I had not heard her poems for a long while. I was delighted to hear new poetry and witness a brilliant performance. I really enjoyed her set.

Kathy Gee was next.

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She treated us to poems from her Book of Bones and some from The Suite for the Fallen Soldier, a choral project Phil Mountford was commissioned to create. Kathy wrote the narrative suite. I love Kathy’s poetry too, thought provoking and highly crafted. Words you muse over long after the final line. She bravely risked a newer, political poem too. It was a great set.

The Suite for the Fallen Soldier

http://suiteforthefallensoldier.com/

And finally to complete the great night of poetry we heard from Steve Pottinger.

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Again I have seen Steve perform recently but it has been a long while since I saw him headline at Mouth & Music. It is always great to hear a longer set from performers like Steve. Like listening to a whole album rather than enjoying a few tracks. I thoroughly enjoyed the set and he did a grand job closing the night. Like Kathy, he bravely performed a very freshly penned poem too, less than a day old.

It was a fantastic evening, I am still buzzing from the atmosphere now. It was great to meet new people and see old friends and to experience the incredible Wolverhampton Art Gallery. exterior_wolverhampton-art-gallery1536ls

© 2016 Artfund.org Artfund

Also incredibly grateful to have shared the journey with Kathy Gee, who saved me from facing the prospect of driving to the city. We spent the first part of the evening enjoying the wonderful interior of the Posada. An incredible Real Ale pub steps away from the gallery. Well worth a visit the_posada_wolverhampton_4327682633 © 2010 Wikimedia Commons

wolverhampton-posada-publicbar1 especially if you like Heritage pubs or real ale!

Congratulations Sarah Dixon on another fine QC Event, I hope you enjoy the rest of the festival and all the city has to offer.

RELATED LINKS:

http://www.wolvesliteraturefestival.co.uk/the-quiet-compere/4593202795

http://www.wolvesliteraturefestival.co.uk/

Welcome 2017

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Welcome 2017

I think it is a little late to be wishing you all Happy New Year – so welcome to 2017, I hope it has started well for you.

I took my annual break over Christmas and although I still need to tie up some monthly reviews and pages there really was little action as everything calms down a bit in December. Poets, like bears, enjoy hibernation.

This year I am spending the majority of my time writing and promoting ‘Fragile Houses’. Three new exciting opportunities have landed on my lap and in addition to these some new Literature Festivals have sprung up that I am busy organising events for. I do not plan to do 107 gigs this year, but there are still several events a month to keep me in the performance circuit/loop.

I am very excited about 2017 and have harnessed the sense of ‘new dawn’ we all experience on the 1st January and I intend to keep it. Which is ironic as I have had some wobbles already this month. So running on the pure scent of the beginning of the year… let’s get stuck in!

Be brave

be bold

and keep writing!

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Fragile Houses The Book Launch

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On October 3rd Fragile Houses, my debut poetry pamphlet was launched at Waterstones Birmingham.

It was a fantastic night and I felt like ‘Christmas Eve’, the next morning it felt like a dream. The morning after felt whimsical and I had to pinch myself to tell that I was awake. This is how a great book launch should feel.

I cannot believe I didn’t blog it straight away, that I didn’t show you all how I felt. That you have had to wait two months for this post.

There was a lot to do before the event and next year I will be blogging about this side of things as I found, through countless hours of research a gap on the practicalities of organising launch events.

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I got to Birmingham with a travel bag of books. I was a bag of nerves, but fortunately had Maggie Doyle and Spoz with me, taking my mind off it.

I wish I had taken a photo of the room and another of the audience. When I stepped into the space, my breath was taken away. We had four comfy, green chairs ready for us at the front (Hays Festival style staging) and more chairs had to be put out for the audience, always a good sign. There were over 25 people there and I was delighted that family and friends had also come to support me. There were three audience members who had seen the advertising and turned up for a free night of poetry and one of them kindly bought my book. So I was able to tick off the unwritten checklist of selling the book to a stranger on the evening of it launching. Happy dance.

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I had asked for Roy McFarlane, Antony Owen and Claire Walker to come and read at the event. Claire started proceedings with a lovely set. I have always been a fan of her poetry (and Roy’s and Antony’s) – one of the many reasons I asked if they would read at the launch.

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My publisher, Sarah Leavesley was also there and made a short and delightful speech that I had to speak after (and she nearly made me cry). I read a selection of poems from the pamphlet, signed and sold lots of books and we all celebrated with wine and cake.

It was an incredible night. It still feels like a dream.

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Signing my first book. The books sold on the launch evening were all numbered as well.


 

Official Launch Photographs were kindly taken by Bernard Davis.

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Here is my post-launch social media message;

A very quick, adrenalin filled THANK YOU to everybody who came to celebrate the launch tonight. Family, friends, poets & general public. Couldn’t have asked for a better event. Room was perfect. Fell in love with that space as soon as I saw the backs of the chairs. Slightly awkward explaining to the general public, who had rushed in that the first half hour was mingle time. Poets never get to chat (learnt that if it is your launch you don’t get to chat either) but think I managed to hug and welcome everyone. Sold more books than no. of people in attendance, thanks for the generosity.

Huge, huge thanks to Claire Walker, Roy McFarlane and Antony R Owen who made me swell with heartfelt sets and lots of appreciated sign language from the green chairs. How ‘Hay’ was that?

Thanks to V. Press for publishing Fragile Houses & Sarah Leavesley for her generous words and all the hard work. I managed not to cry the poems, but after that speech it was hard to do the next intro.

Thanks to Maggie Doyle who had my camera and captured that magic writer- editor/ publisher moment, gave me a lift and has been there from almost the very beginning. Thanks to Giovanni Spoz Esposito for the extra lift relay, for supporting the launch and for the delivery of my words elsewhere. Hope they serve well.

Thanks to John who enabled me to tick ‘sell your book to a stranger’. Thanks to everyone. Next stop, headlining Stirchley Speaks tomorrow, along with the wonderful Carl Sealeaf, P Cafe 7.30pm. Signed pamphlets will be available, minus the free muffins & wine.

Also thank you to Waterstones Birmingham and Bernard Davis who stepped in to catch everything through his camera lens. I cannot wait to see the shots!

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As you can see from this photo – the pamphlet costs £5.50 and makes Christmas shopping REALLY easy.

V.Press have currently got Christmas bundles on SALE. Which means for just £7.50 you can be the owner or giver of two pamphlets.

Festive Offer 3: The way home

2 illustrated poetry pamphlets: David Calcutt’s The Old Man in the House of Bone and Nina Lewis’ Fragile Houses for just £7.50 (including P&P in the UK only)

Review of the Month – November (let’s get one blogged in time) UPDATED

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UPDATED

I cannot believe it is the end of November already. I have marked it with a great night in Worcester at an ‘Arthur Rackham’ themed 42. Great to see some new faces too.

This month has been abundant with opportunities and I am witnessing the domino effect. There is a lot to review and I am busy with end of month submissions, so this post has recently been updated and completed.

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REVIEW OF NOVEMBER

Week 1

I finally managed to get back over to Permission to Speak, where David Calcutt was headlining with his V. Press Pamphlet ‘The Old Man in the House of Bone’. d-cal-old-man

It was a great night and I performed some new work written from An Atomic Sun Workshop facilitated by Antony Owen that I attended earlier this year. Writing about Hiroshima takes time and finding places where it is comfortable enough to know you can perform it, is the next challenge. They worked. People were reminded.

Antony Owen and myself (along with many other writers) have work in a Shabda Press anthology. Accepted a while ago, contracts signed in Spring, we are happily approaching proof and publication and it should be out February time. There are big issues that we must not shy away from, but it can be a lonely place, it is great to meet like-minded writers. I have to say that Antony writes from the heart and everything he writes matters socially, whereas my political poems come and go.

Writing about such horrific histories can be hard without support of those around you.

I did lots of writing this week and with working, found I was too exhausted after October to manage evening events on top. I missed them. Forgave myself and spent time at the desk.

I had my writing group, which over the past fortnight has taken time preparing. I spent hours researching for topical writing tasks for the Writing West Midlands group and structuring the session and resources, they all seemed to enjoy it and we had some new members too. Even treated them to some time in the book booth windows to write outside of the space. My group discovered an interesting Jukebox on display and created all sorts of ideas about what it was really.

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Mr G. and I went to another big gig.

 

Week 2

I completed an interesting challenge set by Helen Calcutt and was rewarded with two new poems, one that stands out well, was performed at SpeakEasy and will be published.

I attended my first Birmingham Stanza at Waterstones, run by Roz Goddard. Jane Commane was the invited guest talking about publishing. It was an enjoyable evening and I was able to take another recently penned poem for some editing support. In fact I spent most of my week at Waterstones.

I missed HOWL as I was working and already had 48 hours with double events. Let me state – I am too old for double event nights!

I went to SpeakEasy in Worcester to see Ben Parker Feature and buy his new book. bp-seIt was a great night of poetry, thoroughly enjoyed and lovely to see Ben again. I missed the last chance to see him as Mr G and I were away when he organised his poetry event at the Swan Theatre, where he is poet in residence. I first met Ben at the end of his poetry residency at Royal Worcester Porcelain Museum at his Worcester LitFest event two years ago.

I cannot wait to read his new collection ‘The Amazing Lost Man’, which was released November 1st.

In this startling and energetic first collection, Ben Parker explores real and imagined territories and reports back in poems that are both darkly funny and vividly descriptive. Combing concision with a surreal lyricism, the worlds of The Amazing Lost Man are at once strange and familiar, while the central sequence of ‘Insomnia Postcards’ is a joyous clash of the quotidian and the bizarre. These poems have a subtle music, and a confident voice that draws the reader in. (cover)

cover_parker_1024x1024 I know the rule is never judge a book by the cover and I tend not to. Fortunately there is no rule about falling in love with a cover and I have. It is much brighter in reality – buy one and see. https://store.eyewearpublishing.com/products/the-amazing-lost-man

More from Ben here http://www.benparkerpoetry.co.uk/about

My recent poetry book buys have been piling up as I have spent the past few months invested in a crime novel with a bitterly disappointing ending (I still do not know who the murderer was)! Back to poetry for a while.

It is also good to hear when your poetry inspires others;

Big thank you to Suz Winspear, Nina Lewis and Lauren Hill. Those poems of heartbreak inspired me to write my first new prose in five months, while sat in the audience!

Afterwards I rushed out to the sticks to celebrate a friend’s birthday, made it in time for cake and just before the bar closed for drinks.

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The following night I went to the Poetry Business – Poet Laureate Choice Readings at Waterstones Birmingham. The Poetry Business publish under smith/doorstop imprint.

“One of the most vital and vitalising literature organisations in the country”
Andrew Motion
The Laureate’s choice 2016, picked by (of course) Carol Ann Duffy.
The four winning pamphlets are:
Geraldine Clarkson’s ‘Dora Incites the Sea-Scribbler to Lament’
Zeina Hashem Beck’s ‘There Was and How Much There Was’
Mark Pajak’s ‘Spitting Distance’
Tom Sastry’s ‘Complicity’
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I am lucky enough to know Tom through Jo Bell’s 52 project (2014) and have met Geraldine a few times since this new life started in 2013, although this was the first time we had properly met for some time. Nice to be remembered though.
It was wonderful to meet Mark and always good to expand the world of known poets, he was smashing to talk to and I will remember his early morning running and the bear. When in the states (Yosemite), 2015 I had a running mantra ‘Let me see a bear, let me be at a point of safety’… I did see a bear and her cub, I was on one of many transport buses at the time (thank goodness) – as up close and personal as I wanted to get!
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Zeina’s video performance from Dubai kicked off the evening, impressive, soul-driven poetry and from there we enjoyed a live set from the PB poets. It was a pleasant evening and they have since celebrated again in Bristol and I have only heard good things about that event too.
There is currently a special offer – just in time for Christmas – you can buy all 4 pamphlets for just £20.00
‘Geraldine Clarkson’s poems are musical, often playful incantations that delight in the power of words. Formally inventive and vivid with natural imagery.’ – Carol Ann Duffy
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Zeina Hashem Beck’s ‘There Was and How Much There Was’
‘Whether drawing on myth or fairytale, or writing directly from women’s experience, these are powerful poems by a new writer with a remarkable gift for storytelling.’  – Carol Ann Duffy 
‘Mark Pajak’s skilful poems keep themselves open, especially to childhood and adolescent experience.  Even so, they are far from frail – their insight and imaginative verve make them robust as well as eloquent.’ – Carol Ann Duffy 
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‘Tom Sastry navigates the mysterious everyday in this honest and often funny collection, making friendships and love affairs new and strange.’ – Carol Ann Duffy
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Mark also won the Bridport Prize this year with ‘Spitting Distance’.
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After this event I rushed to the other side of Birmingham to perform from Fragile Houses, my own pamphlet at Spoken Word at the Ort. It was a fabulous night, run by Debbie Aldous. It always feels like coming home.

I am too old for consecutive nights of double bookings though.

The next evening I was back in Waterstones (told you I need a bed there) for a wonderful evening with Indigo Dreams poets, also doing a whistle stop reading tour.

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It was a fabulous evening and a pleasure to meet Kate, Mab and Bethany W Pope, all of whom I knew of but hadn’t met and the lovely Bethany Rivers, who I met at a Writers Network event hosted by WWM back in 2013 and know from poeting in Shropshire, where she does a lot of work. I can highly recommend all their pamphlets. I am currently reading ‘Off the Wall’ By Bethany Rivers.

This evening was delightful, a magical experience and a thoroughly enjoyable Q & A after the readings. Powerful poets doing what they do best.

I shared the evening with Claire Walker and Holly Magill and it was special.

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I also received news that I had won 2nd place in the Museum of Royal Worcester Poetry Challenge and I had to keep this a secret, even the judges didn’t know as it truly was judged anonymously by the panel. It was so hard not telling anyone and slightly awkward as I was going to see Claire Walker headline at Poetry Café Refreshed in Cheltenham on the same night as the awards/reading. This wasn’t quite as hard as keeping my publishing opportunity quiet, but I just wanted to celebrate the success openly!

 

Week 3

I made some submissions, finally! And enjoyed Licensed to Rhyme, where Emma Purshouse was headlining.  She has just won a book award too.

I Once Knew a Poem who Wore a Hat Emma Purshouse and Catherine Pascall Moore
Lots of wonderful imaginative and outrageous poems in this collection which is full of the charms and idiosyncrasies of childhood.  It’s easy to see how children could love these breezy poems and become attached to them.  One could easily imagine them being learnt by heart and repeated in playgrounds.  The illustrations by Catherine Pascall Moore are quirky and appropriate.  The hints about, for example, the best way to learn a poem or how to speak a poem aloud, are unusual in a book of this sort and never patronising. 

 

A first was VIP invite to the Verve Poetry Festival Launch – I will be telling you lots more about the festival throughout the coming months. verve12 Luke Kennard

I love watching Luke perform, dynamic doesn’t cover it – you may notice a group of us chatting – we are not talking through his set – here he is preparing to dive in!

The event was everything I hoped my first VIP experience would be and along with brilliant performances from Luke and Amerah Saleh. verve11

I spent the evening eating divine V cakes and mingling with many people, also had the pleasure of meeting some people for the first time.

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The tickets were live within 24 hours and I have already bought my festival pass for February. I also plan on doing as many workshops as I can and all of this has happened just in time –  for Christmas I have asked for Verve to be gifted back to me… so although with transport etc. I will be running up a bill, the tab is already paid for. Result. verve5

Find out all about the festival and buy tickets here http://vervepoetryfestival.com/

verve-pass

 

 

 

 

The night after this was the Poetry Challenge event at the Museum – Royal Worcester Porcelain Museum. Which was a lovely event facilitated by Suz Winspear (Poet in Residence) and the Museum.

cup Prize winning treats – unexpected and beautiful.

It was an absolute joy to surprise all the judges who had chosen the winning poems without knowing who wrote them. I was delighted to be placed and loved the fact the winner and my fellow runner up, Shelagh Wain (from Burton-on-Trent), were poets I did not know.

Georgina Byrne (first place – Winner) had never written a poem before. Here is the article Worcester News

You can read Georgina Byrne’s poem here http://www.museumofroyalworcester.org/winner-of-the-poetry-challenge/

paper-1100254_1280 The event was a lovely, relaxing evening of poetry and it was great to have the judges perform alongside the poetry challenge winners. The museum was also open to have a browse around, a treasure trove of porcelain. I love it there, it gives me the same feeling libraries do. (Imagine – chocolate cake…)

The next night was the Poetry Parlour at Waterstones, I had planned to go but after work and the busy month so far – I missed it. Roy McFarlane was the Poetry Parlour this month, once again I have heard positive reviews about this evening from the open mic-ers.

I spent time writing a current piece that cannot yet be disclosed. Looked over a manuscript for someone and finally, on Sunday went to perform at Open Poetry Walsall Arboretum. Which was a great way to finish a ram-packed week! Relaxing to poetry and afterwards having a quick drink in a pub with poets.

 

Week 4

Missed Shrewsbury Literature Festival completely having only found out about it a few weeks ago. I made it back to Poetry Bites which I have not been able to go to for a long time.

Prepped for The Book Party. Post-book launch open mic event where I showed 4 exclusive poetry films and one that has already been shared publically, from Fragile Houses. It was an intimate affair and a great night. Sadly a lot of people couldn’t make it in the end, but it was a perfect evening of poetry and friends. We all enjoyed each other’s poems and I am (as always) delighted when my poetry circles meet for the first time. Glad I have given some more people Lesley Ingram and John Mills and some more Worcestershire poets are now known to them.

a-fh I was touched by everyone supporting and participating in this evening of poetry, had a gorgeous bouquet (thanks Anne Milton), a poem written about Fragile Houses (thanks Charley Barnes) and good friends who travelled great distances to be there.

Suz Winspear & Mogs performing – photography Charley Barnes

The next night I had to miss Stanza (for the 2nd month running) as I was at  a Book Launch in Birmingham. For ‘Womanly Words’ an anthology of poetry (20 female poets) produced by Shakti Women.

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It was an incredibly absorbing evening – I missed a lot of readings whilst driving around in circles trying to park. A relaxed affair around a huge conference table laden with scrabble, sweets, cakes, champagne and soulful women. It was great that a people came just to listen and that so many of the 20 poets in the anthology were able to make the event. It was lovely reconnecting with everyone.

I was unable to participate throughout the year as much as I would have liked due to working on editing Fragile Houses. There are plans afoot already for 2017 though. It was great meeting some of my fellow anthology poets and just spending time chatting with like-minded activists.

I am a little in love with this book. Well done to Zara Walker for her impressive design work on this gem.

http://www.shaktiwomen.co.uk/

Siobhan and Cheryl even sent us away with goodie bags!

After this event, I was asked to do Radio (for the 2nd time this year), I would have loved to have read my poem on air, but after the excitement of this week’s events and my need to be at home and with Mr.G, added to the fact that it wasn’t local and everybody has started Christmas shopping on Saturdays, I sadly passed up this opportunity. I am kicking myself now a bit.

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I spent the weekend at home with Mr G and fitted in a little poetry writing and film making time.

I also received news of 2 exciting opportunities for 2017, that for now I have to keep quiet. (There is a pattern emerging here!)

And I have finished off the month at 42 with an inspiring evening of writing on the theme of ‘Arthur Rackham’s Brain’. Many of us had completed enjoyable research into the works of this artist. As a child I experienced his Wind in the Willows and my poems were written whilst considering his artwork ‘Mischief’, illustrations for ‘The Old Lady in the Wood’ and ‘Undine’. I was pleased with the resulting poems and had some positive feedback on them. A fabulous event to complete the month – literally – on the 30th!