Category Archives: Fragile Houses By Nina Lewis

Review August 2018

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scenic view of beach

Photo by Pixabay on Pexels.com

Well this is the first post this month online but August was packed, PACKED with poetry. I am still catching up on some blog posts from June-July and now will be adding August to the pile.

Here’s the month in snapshot!


Before Perth Poetry Festival I blanked my diary out as much as possible and missed some fine Midlands poetry events.

Week 1: 

I did a lot of research for Perth Poetry Festival and signed up to an anthology which I was lucky enough to be online for when the thread was posted, a project that is so popular it has a reserve list (more on this later).

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The main event this week was a Book Launch in Cheltenham for a charity anthology that I was fortunate to have the shortest poem (apart from short form) I have ever written included in it. The event at Hatherley Manor was dreamy and wonderful and the book raises funds for the cat rescue charity New Start Cat Rescue Centre, Huntley, Gloucestershire.

I will be creating a full blog post soon (and link back here when I am done).

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This anthology ‘All a Cat Can Be’ was the brainchild of Sharon Larkin and I am privileged to be involved. It would make a great Christmas gift for any cat lover.

 

https://www.poetrybooks.co.uk/products/all-a-cat-can-be

“This book is as gloriously varied as the beloved cats it celebrates. Here you will find poems which are witty, thoughtful, moving, and light-footed. ‘All a Cat Can Be’ offers something to please every reader, while helping cats desperate for a good home. And the photographs are irresistible!” – Alison Brackenbury

Edited by Sharon Larkin and Sheila Macintyre.

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I also sent a poem to Lucy Dougan for her Monster Field Workshop.

Week 2 & 3

I started working on INKSPILL – annual online writing retreat right here on AWF. More on this soon. Secured this year’s Guest Writers and started research.

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I worked tirelessly for a fortnight attempting to get the final issue of Contour Poetry Magazine live before flying off to the Southern Hemisphere. I was at this point still waiting for copy, so did what any good editor should do and contacted the poets who had successfully made publication and shelved the remaining editorial until my return.

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COMING SOON!

And then I flew to Perth, WA.

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Where I had an incredible time (lots of posts to follow). It was an amazing festival and I did as much of it as I could!

 

Week 4

Was mainly jet lag and editing… not a workable combination.

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I managed to get myself back into Birmingham – it has been too long – over 12 months I think. I went to the Big White Shed Brum night and it was packed with poetry – wall to wall and heart through heart.

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I am going to write the evening up over the weekend if I have a chance but it was a special night. The fusion of East & West (Midlands). There is a cracking poetry scene in Nottingham and this evening was proof of fine work happening in the region.

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A soft spot for me as I started Spoken Word in the East Midlands in Leicester.

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https://awritersfountain.wordpress.com/2018/09/04/cheltenham-big-white-shed-brum/

And I tie August up nicely with a night at Stanza.

I cannot believe the summer holidays are nearly over!

Flashback April: Bohemian Voices

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I have a whole page in my TO DO List book of missing Blog posts from April – June. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Following Cheltenham Poetry Festival, the next night I was part of Steve Soden’s Bohemian Voices event at the Jinney Ring, Hanbury.

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Steve used to run these events in London and back in November he premiered the evening at the Jinney Ring to a sell out crowd. Music, Comedy and Poetry all in one night.

It was a fabulous evening and a joy to be part of. Another event I wish I had the time to blog about in the moment – because afterwards I felt euphoric!

Tickets for evening included 6 acts, canapes, 2 courses and a welcome drink and I was surprised and delighted when my mum and Aunty showed up! It was sold out and the restaurant was buzzing on the other side of the wall to where we were busy setting up.

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7 – 8PM

It was exciting meeting the other acts and it was special sitting with the other artists, tucked away in the restaurant for the courses. After a brief sound check, whilst canapes were being enjoyed by guests. The evening started… with FOOD! Which was fantastic – the food was fantastic – but also being able to eat, so often with evening gigs you travel during teatime, arrive hungry with little choice of food (if any), leave hungry, arrive home and eat at about midnight.

The menu choices made it really hard to decide on what to have and as we were performing we were allowed to order early, before I had a chance to swipe a look at other diner’s plates!

 

 

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8 – 8:45 PM

The first course ‘The Main Event‘, was followed by 45 mins of entertainment from the first 3 artists on the bill. I think performing on a full stomach is hard and that is exactly what I had to do as I was up first!

Steve fortunately performed a poem and made introductions, but essentially I had the slot no performer jumps at. On the other hand, I was able to enjoy the rest of the show and Steve does know what he is doing with a running order.

Nervous butterflies and Burritos – a curious mix. My set was mainly from Fragile Houses and it went down well.

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© Steve Soden

Then there was music from Danielle Cawdell, which was simply magical.

 

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Comedy from Masai Graham, who won the crowd over and had us all chuckling.

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Then an interval with tea and coffee. ‘The Final Curtain‘ brought us more culinary delights, this time in the form of bite size desserts, which I enjoyed sharing with the talented musicians. I remember a small pink one tasting of heaven. It was great to have an hour for the 2nd course and it gave me time to catch up with my mum and Aunty too.

The Jinney Ring understand that this experience is food with entertainment and want their diners to experience a laid back evening with plenty of time to eat, drink and be merry.

WP_20180427_003 There was even time to read the poetry exhibition from my Sculpture Trail Poetry Workshop too.

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I could have happily stayed in the restaurant for hours chatting to fellow artists but after a much needed coffee (to balance the sugar rush), we were all ushered back into the performance area for the 2nd half.

9:45 – 10:30 PM

The 2nd half started with poetry from Steve Soden, who was also the slick, professional and reassuring host of the evening, followed by Matt Windle (Birmingham’s Current Poet Laureate) his set, as always was phenomenal.

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The evening closed with a cowboy, Rob Brunt – whose set was spellbinding. It took me back to memories of travel and was thoroughly enjoyable.

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It was great catching up with Matt and meeting the other performers. I had a really lovely evening, I enjoyed it equally to Cheltenham Poetry Festival (and I loved that)!

It is rare I survive/manage back to back bookings anymore and to have these two great events booked in my diary in April was a real high way of ending a busy month! It was a late night, but one filled with pleasure from start to finish.

I am grateful to Steve for the booking and would recommend you look out for another Bohemian Voices soon. You are in for a treat!

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RELATED LINKS:

https://bromsgrovestandard.co.uk/news/night-of-music-and-poetry-at-the-jinney-ring-craft-centre-in-hanbury/

https://droitwichstandard.co.uk/lifestyle/bohemian-voices-event-heading-to-hanbury-5981/

 

Flashback April: Cheltenham Poetry Festival

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I have a whole page in my TO DO List book of missing Blog posts from April – June. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

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Photo by Aris Ioakimidis on Pexels.com

Back in April, I performed at Cheltenham Poetry Festival. I was asked to do Cheltenham PF in 2016 but I was too shy about the ‘how to’ and waited on emails, leaving it too late to secure the booking for the 2017 Festival. So I had the pleasure of being in the 2018 Programme instead. Booked way in advance (as these things are), I was gutted when an email from Jill Abram popped up in the inbox asking me to be part of the V.Press Stablemates in London, and of all the dates – YES, you guessed it – 26th April when I was already booked for Cheltenham. Clashes. They will be the undoing of me!

Still, I was very excited to be part of CPF and very much looked forward to it for months.

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I arrived at Smokey Joe’s in time to see the INDIGO DREAMS SHOWCASE and get a pre-launch preview of Anna’s new collection (her 5th) ‘Ghosting for Beginners’.

INDIGO DREAMS SHOWCASE 7-8.30 pm, Smokey Joe’s,

CPF IDP
Indigo Dreams is an award-winning publisher renowned for its beautifully produced
collections of contemporary poetry by both new and established writers. The press was
voted Most Innovative Publisher 2017 at the annual Saboteur Awards. Join us for a
feast of verse as four authors from the press read from their brand-new publications.
Chris Hardy (‘Chris consistently hits the right note’ – Roger McGough), poet, musician
and member of Little Machine, reads from Sunshine At The End Of The World. Chrys
Salt (‘a wonderful and unique poet’ – Bernard Kops), reads from The Punkawallah’s Rope.
Festival Founder and Director Anna Saunders (‘a poet who can surely do anything’ – The
North) reads from Ghosting for Beginners. The showcase also includes a reading by one of the joint winners of the Indigo Dreams 2017 Pamphlet Competition. Amy Kinsman
is a multi-published poet and playwright from Manchester. © Cheltenham Poetry Festival Programme

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It was a cracking event, a packed out venue and a great IDP line-up. I was looking forward to discovering new to me poets and hearing from poets I have only had contact with via social media.

WP_20180426_003 The poets were introduced by Jennie Farley (another IDP poet) and I was held captive by stories in poems for the next hour.

More photos © Sarah Snell-Pym

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CPF Sarah Snell-Pym IDP

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NINA LEWIS – FRAGILE HOUSES
PLUS PETER MCDADE, GUESTS AND OPEN MIC
9-10.30 pm, Smokey Joe’s
‘In our family, minds go missing’. Nina Lewis writes, in one of a series of moving and
poignant poems about family life from Fragile Houses (V. Press), a pamphlet commended
for its ‘tremendous warmth and descriptive power’. In this highly praised volume Nina
Lewis explores the people, places and memories carried through life and deftly
examines the human condition through the lens of family relationships.

Nina is joined by Peter McDade – expect deliciously surreal, and thought- provoking poetry from this talented and erudite poet who has drawn comparisons with Ivor Cutler. This event also includes an open mic. Come and share your poems on the subject of home.

© Cheltenham Poetry Festival Programme

 

I was incredibly nervous, but had worked on a perfect story arc set and despite a mass exodus to the bar in between events, people came back. I thoroughly enjoyed getting Fragile Houses to new ears and it was a pleasure to be back in the venue reading. There were a few last minute additions to the night, poetry from another IDP poet- Ben Ray, who joined Peter & I with a set of poetry before the open mic.

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© Sarah Snell-Pym

It was a wonderful evening of poetry and afterwards, on a complete high I joined Neil Richards (who performed in the first event of the evening, which I was sadly stuck in traffic for) and Ruth Williams in a pub where we were joined by Elvis!

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© Ruth Williams

In Conversation – BMI Poetry Project

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Last night I had the pleasure of a reading in Birmingham at the Birmingham & Midland Institute, a booking which was taken last year.

We were competing with an event at Waterstones (Cinnamon Press Showcase which was postponed from earlier in the year and an event I would have attended myself), final assignment deadlines for Birmingham Universities and the sunshine which made an appearance around 4 PM and again at 8 and probably had most people running for their gardens!

Still we had a good time and it was great meeting new poetry lovers. I was surprised and delighted by the support of Roy McFarlane who is the current Poet in Residence at BMI and fast approaching the launch of his next collection (Nine Arches Press).

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I was a little nervous, I have 3 Guest Speaker events under my belt and a string of radio interviews but had never had a live Q&A in front of a theatre audience and I am always mindful of what people probably want to hear and the art of gentle disclosure.

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Photo credits Paul Stringer (Room 204) and PhotoGiraffe

Talking to people during the interval, the insights that came up were from points where I relaxed and answered honestly hiding behind the 4th wall (forgetting we were being watched). It was fun talking about writing and all things poetry.

The event was held in the John Lee theatre, acoustics were great. I had woken up without a voice and used it all day at work.

John Lee Theatre

I enjoyed the reading – the first half was Fragile Houses and the second part a mixture of poems from the book and some newer material. Again, lots of positive feedback and although the audience was not as large as hoped my work has found new ears.

The evening finished with an Open Mic and this was a chance for new performers. The poetry was good, some of it deeply moving and we even managed to convince Roy to treat us to a poem.

The sun was just setting as we made our way back to New Street (now Grand Central).

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Fragile Houses is now housed in the Library at BMI.

Huge thanks to Jo, who stepped into Serena Trowbridge’s shoes, I wish Serena a speedy recovery and look forward to more events the BMI has to offer.

Images © 2017 Birmingham & Midland Institute https://bmi.org.uk/

 

 

 

The Birmingham & Midland Institute Poetry Event

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THURSDAY 10 MAY – IN-CONVERSATION AND POETRY READING WITH NINA LEWIS

The BMI is proudly welcoming Worcestershire Poet Laureate Nina Lewis to discuss her work. Join Nina for an in-conversation about her life through poetry and listen as she shares poems from her pamphlet Fragile Houses (V. Press, 2016) along with some of her new work.

This will be followed by an Open Mic session – spaces are limited and poets will be invited to read their work for no more than 6 minutes. Please contact Serena Trowbridge at serena.trowbridge[at]bcu.ac.uk to reserve your slot to read!

© 2018 Birmingham & Midland Institute

https://bmi.org.uk/product/conversation-poetry-reading-nina-lewis/

Headlining Poetry Bites

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Delighted to announce I will be Headlining Poetry Bites this month alongside Richard Archer. It is sure to be a great evening, so join us if you can.

http://livebrum.co.uk/kitchen-garden-cafe/2018/05/22/poetry-bites

 

 

April Review 2018

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This month saw a return to full time work and as a result I missed a fortnight of poetry I had planned. Which I still haven’t really forgiven myself for.

Week 1: 

Started with the Easter weekend and some time offline. I registered AWF on napowrimo.net and spent most of my time organising the long overdue exhibition at the Jinney Ring of our Sculpture workshop poems.

I am also involved in a Shakespeare Birthplace Trust project with local schools in Stratford-Upon Avon and received letters from two children who I then wrote a peace poem for. I made that sound easier than it was, the one child requested a humorous poem. I have a repertoire includes about 20 funny poems (which sounds a lot, but I have been writing for 4 years now)! I had a 6 day deadline and the poems had to be received by post. I managed 2 poems which I am proud of and hope that they are excited to be working with a Laureate.

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I started the long process of editing and digitally compiling the Special Edition of Contour Poetry Magazine. Proof copies were sent out in March and now I have to fix edits and complete the desk top publishing, due to work commitments I know that it will be May before this issue is live. I had hoped for an April release originally.

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I have worked on ATOTC A Tale of Two Cities since July 2017, one of the first long term Poet Laureate projects, it has been an amazing project which saw poems exchanged between UK and USA partners throughout 2018, all copy was back on my desk by March and after all the hard work of the 47 people involved I want the issue to be the best that it can be. I would rather take more time over it than hash it out this month, I simply no longer have time scheduled for it as other items, events and work have to take priority.

Even when these magazines are seemingly ready they have historically eaten another 14+ hours in the end process of conversion and upload.

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I worked on the Suffragette Anthology – now live over at the Worcestershire Poet Laureate site Suffragettes Anthology.

I had a workshop in Stratford with Angela France, we wrote about trees and it was warm enough to sit in the garden, unfortunately a sunny day + Easter break saw Stratford full of tourists and this meant our usual haunt was not available for lunch. Sitting on a wall opposite the river chatting with Angela was a bonus though.

The following day I was facilitating a workshop with the Basement Project, I booked 3 with this charity back in November as part of my local Laureate work. The charity support young people 16-25 who are or are at risk of becoming homeless. It is a great team there and I have already established work with them post-Laureateship, which is great.

Find out more about them here.

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I started NaPoWriMo and over the weekend took some of my Napo poems for editing treatment.

I finally got to see Idle Women on tour – it had been nearly a fortnight since I inhabited the world of poetry, due to tiredness I missed 42 at the end of March and had not been out to a poetry gig since Earth Hour.

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It was the 2nd time in as many weeks I had had the pleasure of going out with my mum, we saw the ROH ballet at the Artrix the Tuesday before and then shared Idle Women.

Idle Women is theatre/spoken word/poetry/music, read the review here https://awritersfountain.wordpress.com/2018/04/11/not-so-idle-women/

They still have tour dates in May, catch this show if you can. You will not be disappointed.

Week 2

I continued to write a poem a day for NaPoWriMo.

I took the Sculpture Poem Exhibition to the Jinney Ring. It is now on display in the restaurant near the entrance, an entire wall of poetry. They are able to keep it up for the next month and this means that when we have our Hanbury Reading at the Church in May, the poems will still be at the Craft Centre for visitors to go and see. Also I am hoping that this will in turn promote the next Sculpture Trail workshop in September 2018.

https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/09/poetry-exhibition-at-the-jinney-ring/

 

 

I started to write copy for the Worcestershire LitFest Festival Programme, the Poet Laureate Review, traditionally this has been half a page, I requested a full page and still edited out over 200 words! I had a lovely evening out with poetry friends.

I had my final workshop at the Basement Project planned and got up early to prep for it, unfortunately it was cancelled as some of the mums who had booked their children onto it were unable to make it. I will hold another Junior workshop in October half term.

I wanted to go to Scary Canary for Permission to Speak as Natalie Burdett – a poetry friend from 2014/15 who is now doing a Phd in Manchester and has just had her pamphlet published by the Poetry Business. http://www.poetrybusiness.co.uk/natalie-burdett I missed her set and the entire evening as Mr. G was on a course in Worcester and I met up with him afterwards for a Cinema date, we weren’t home in time, plus we had just been on a date. ‘Lovely date, thanks darling – just going out poeting now.’ wouldn’t have gone down too well!

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I missed SpeakEasy which Tony Judge was headlining due to a backlog of work. I am currently writing an evaluation for the WMRN and was prepping for poetry festivals and working on ATOTC.

I am also involved in a poetry/art (PoARTry) project in Ledbury which is being led by Rick Sanders, it is his 2nd time running this project. He partners poets and artists – like the football pools, I was paired with Molly Bythell, a talented young graduate who creates amazing collages and paints in oil. Her work screams story and it has been a great collaboration so far. https://mollybythell.com/

I missed Stanza for the 2nd month (my poor unedited poems) as I was too tired and was actually asleep by 8 PM which would have been rather impolite on someone else’s settee!

I spent my final weekend of freedom with Mr G. and did some work on the house and a little editing on ATOTC. 

Week 3

Full time work (my first time in 5 years) arrived kicking and screaming on my doorstep.

I continued to write a poem a day for NaPoWriMo.

I missed the Me Too event at The Hive, Case Bailey in the Jewellery Quarter, and Sean Colletti at Dear Listener.

Most of my free time in the evening was spent recouping from the day. Emotionally and physically! I managed to write a review for BMAG on the Hackathon experience and started writing my Verve Review for Sabotage. I was also asked to do a Poetry Surgery at the Anchor Gallery in Birmingham as part of the work Nellie Cole is doing there.

I managed to get to Jenna Plewes Book Launch, it was a sunny evening and very pleasant to spend an hour or so listening to her poetry from her new V. Press pamphlet Against the Pull of Timejenna pullI will be writing a review of the Launch in May.

 

 

 

 

 

I had my Sparks Young Writer group (WWM) at The Hive on Saturday which saw the welcome return of members to the group and we were also witness to a group of Librarians helping move a gigantic fish through the ground floor of the library. There was a procession of some sort down to the river, elements of which found there way into our writing.

Week 4

I finally got the European Twin Town project between Droitwich Spa and Voiron off the ground. I had been working on this WPL project since July, mainly at a committee level and like with all these projects it was a slow start, but perseverance pays and by the beginning of 2018 I had a french contact who put me in touch with a poet, Alain Graiz. Alain helped me find other poets from Voiron and by February/ March I had communicated with all involved. Again I had hoped to get the exchange up and running by March.

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I am happy to say that it is now in full swing, some poems have already been exchanged. It is a much smaller project than ATOTC and the full collection of poems should be live before the end of my Laureateship (10th June).

Read more here.

I received news of my Grant Application but have so far been locked out of the system. So I have no idea if my bid was successful yet or not.

I spent the week preparing for Cheltenham Poetry Festival and Bohemian Voices and getting incredibly nervous over the fact I have not performed poetry for a month! That must be the longest length of unintentional abstinence ever! But what I have learnt is it is hard to facilitate projects, write new poetry, edit magazines, teach and still find the time to perform! I needn’t have worried. What I did is over rehearsed and then I don’t think anyone would have thought – she clearly hasn’t read for a month!

I have been doing NaPoWriMo throughout this whole month, occasionally falling behind a few days and playing catch up. To produce 30 poems in a month in no mean feat. I am also working on something more too.

I researched the Nation’s Laureates for a post over at the WPL site for St. George’s Day. https://worcestershirepoetlaureateninalewis.wordpress.com/2018/04/23/st-george-the-poets/

I missed the Bare Fiction Launch and 42 (for the 2nd month running). I wanted to save my energy for Cheltenham Poetry Festival and the last fortnight at work has been exceedingly hard going, so I had little energy to spare to travel to events.

Cheltenham Poetry Festival arrived, funny when you are booked so far in advance it seems forever in the diary as coming up… then suddenly one week it is days to go. I was slightly gutted that I had been invited to do Stablemates with Jill Abram in London and missed it because it was on the same night. Sarah went in my place and it sounds like they had a great time.

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Cheltenham Poetry Festival was excellent, as it always is. Just a shame work meant that I wasn’t able to get to much other than on the day I was booked. Cheltenham Poetry Festival I made it for the Indigo Dreams Showcase which was at the same venue before my Fragile Houses reading. I will write a full review post next month.

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The following evening (events are like buses) I had the pleasure of being one of 5 artists involved in Bohemian Voices, organised and MCed by Steve Soden, he used to run these events in London and the experience at the Jinney Ring was probably as far from his original nights as you can imagine. It was a great night and I will link the review back to this post. (That goes for all the promised reviews of…)

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I had a fantastic evening and was delighted by the surprise appearance of my mum and Aunty.

With little time to recover from a 2 night fix of poetry (which certainly made up for missing a month of it), I had a Book Launch.

This weekend also saw Birmingham Literature Festival Spring Edition, which I totally missed due to bookings and other commitments.

The Book Launch on Saturday was in Walsall at Southcart Books for Diverse Verse 3, a charity anthology edited by Richard Archer, it was a beautifully relaxed event with plenty of opportunity to catch up with friends and Richard, myself and Rick Sanders were interviewed for the West Midlands Magazine, more on that soon I hope. Click the link for the full review.

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https://awritersfountain.wordpress.com/2018/05/15/diverse-verse-3-charity-anthology-book-launch/

I finally finished the month with a submission – not sent any poems anywhere since March!

I also had to write Q&A for Australia – Western Australia Poetry Festival – for the promotion and marketing and complete my review of Verve Poetry Festival and my evaluation for WMRN. That is a lot of midnight oil after a day at work!

 

NEXT MONTH:

Priorities in May include: Finishing WPL projects, tying up the reviews for WMRN Reader Residency for Warwickshire Libraries, organising poets for Artsfest events, performing and discussion at Midland Arts Institute, possible participation in a Heritage Project, a workshop with Ash Dickinson, a poetry judge at Sarah Leavesley’s Book Lauch for How to Grow Matches, being a poet at the Living Library, Headlining Poetry Bites (my first Headline for a while) and more, including new writing and Ledbury Poetry Festival – oh, yes and work!

 

Monthly Review January

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January started with a very Happy New Year and then winter germs got the better of me. Instead of starting back into the world of poetry (after a 3 week break), I had to miss Stanza and Cheltenham and spent the entire weekend in bed!

Week 1:

I usually break these posts into weeks and there is nothing to report for Week 1 other than I managed some time at the desk and whizzed off all the business emails which needed to be sent. There are several Worcestershire Poet Laureate projects I am working on: a couple of exhibitions to organise and a Transatlantic Poetry Project. I am also researching funding for the summer and have several events to prepare for.

I had my first successful submission for the MIND anthology, who are publishing ‘Human’.

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Week 2: 

Mr G. gifted me the Mslexia Diary (which I have wanted for years) and it was full of work this week. I saw Casey Bailey headline at Licensed to Rhyme on Monday and practised my ‘Light’ poetry set for the event in Stratford-Upon-Avon later this month.

It was a lovely evening, even if I wasn’t 100% better. It was good to reconnect with everyone after Christmas. It was a good evening of poetry and my spirits were lifted.

On Wednesday I went to Permission to Speak where Claire Walker was headlining with her new pamphlet Somewhere Between Rose and Black

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A good evening with a mixture of poetry and prose and again lovely to reconnect to Black Country poets and the PTS crowd. Rob Francis was on top form and there was a good amount of audience as well as performers. A thoroughly enjoyable and lively evening.

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Claire is a well-known poet throughout the West Midlands. With poetry published in various online and in-print collections, AND two solo publications to her name (The Girl Who Grew Into A Crocodile and Somewhere Between Rose and Black), Claire has a wealth of heartfelt material to draw from. Her poetry is intricate, gentle, and beautiful – and she’s the perfect antidote to your January blues.

On Thursday I went to SpeakEasy where Claire Walker was headlining – it was fabulous to see a good crowd and lots of new faces. I enjoyed listening to all the sets and also had a sneak preview of Suz Winspear’s new collection ‘The Awkward People’ – her Book Launch is on Sunday and I am one of the Guest Poets.

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On Friday I discovered a writing opportunity that I wish I could have applied for but looking at next week’s schedule would have had to let a lot of people down, so I resisted the temptation. Needless to say it would have been a wonderful experience, but after Christmas it is equally important to earn some money. Arvon, is all I am saying!

I missed an application for a commission/project which was also a paid opportunity, it involved doing some work in London and the dates that were offered were once again already fully booked, so I did the sensible, honest thing and didn’t apply.

I am hoping that the holes created by these two lost opportunities will be plugged later this year with shiny, new ones, when the good karma coach comes back around.

I did discover two new opportunities that I could get my teeth into, one is an electronic study course that I should start receiving emails from tomorrow and the other is a Roadshow which may be beneficial to my funding research. This clashed with  the Cinnamon Press Showcase at Waterstones, frustratingly on the opposite side of the city but it was postponed, so I haven’t missed it after all.

I was due to spend part of the weekend at a Room 204 Talk but it has been postponed due to the facilitator having what I had at the beginning of the month.

On Sunday I received news of another 3 poems being published. One ‘A Hands-on Approach’ is a strange duck from NaPoWrimo 2017 is to be published in the Diverse Verse Anthology later this year. Deborah Alma put a call out for #Me Too poems and although mine did not make the collection (due to being too similar to work already accepted), they will appear online on the website. Vik Bennett – editor of Wild Women Press is working with Deb compiling a digital legacy for the project. I received two proof copies to read through and just had time to get my ‘Akward People’ set compiled and rehearsed for Suz’s Book Launch.

Suz Winspear’s Book Launch for The Awkward People was a fabulous afternoon, plenty of people turned out on this cold, wintery day to enjoy her work. Guest Poets included myself, Holly Magill & Kevin Brooke and Kieran Davies was MC. After a short introduction from Rod Griffiths (Black Pear Press Publisher) we had an entire afternoon of poetry to enjoy. Suz was in her element and it was great to hear her read from this new collection.

I of course bought myself my very own shiny book and had Suz sign it. A thoroughly enjoyable book launch and I cannot wait to read it cover to cover.

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Week 3: 

Cheltenham Poetry Festival Marketing got underway. I will be performing in the festival April 26th. Nina Lewis

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It is the 8th year and Anna Saunders has produced the biggest programme yet. Booking information here.

Read the first promotion post.

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There were a few events I missed this week which I would have liked to attend, but I am busy writing and producing projects, so I think a Radio Slot, a Roadshow, a writing group and a performance at a special event is enough for one week. I am also preparing for Wolverhampton Literature Festival (WoLF) next week.

I worked hard on trying to secure a funding bid for a Summer project. I finally managed to book a WPL Radio Slot on BBC Hereford and Worcester, due to work October was my last broadcast.

On Tuesday I headed over to Birmingham City University for the British Council Literature Roadshow presented by Writing West Midlands. The evening included a presentation from Cortina Butler, the British Council’s Director of Literature and was a good opportunity to network. I am keeping my fingers crossed now for my funding application.

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Saturday saw my WWM Sparks Young Writers Group in Worcester where I planned the session around more generous Christmas gifts from Mr. G. We looked at Science Fiction and created our own alien characters in preparation for longer writing in our February session.

Sunday saw a special event at the Kempe House Studios in Stratford-Upon-Avon with Cordula Kempe and Angela France. I sent three themed poems in December and two were picked, one of which was written in Angela’s December Workshop on Light and Colour. It was an inspiring evening, read more about it here.

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Week 4+:

Again there were events I would have liked to attend, but this year is all about balance and focus and when you are in training no distractions can compete. I had a meeting planned to follow up Workshop work from last year WPL and the possible next leg of the project, unfortunately I have had to postpone it due to paid work.

I spent a large amount of time preparing for applications and working on AToTC – A Tale of Two Cities, my current Transatlantic WPL Project. I also had a lot of work on (after a drought of 5 months this is no bad thing but typically comes at a very busy period).

I managed to get to Poetry Bites which is now hosted by Elaine Christie and Matt Nunn after Jacqui Rowe bowed out at the end of 2017 after running the event for a long time. It was a wonderful, successful evening with Guest Poets Casey Bailey & Claire Walker.

Claire Walker is a Worcestershire poet, her poetry has appeared in magazines, online and in anthologies such as The Chronicles of Eve, her first pamphlet, The Girl Who Grew Into a Crocodile, Claire is a Poetry Reader for Three Drops Press, and Co-Editor of Atrium poetry. Casey Bailey is a poet, rapper, songwriter and a secondary school senior leader from Birmingham. He runs Bailey’s Rap and Poetry, as well as workshops in rap, poetry, music and song writing. Waiting at Bloomsbury Park is Casey’s first collection. © Live Brum 2018

 

 

 

Casey Bailey                                                                              Matt Nunn

 

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© Elaine Christie

 

Wolverhampton Literature Festival (WoLF) was my main focus this week, I started promoting across social media. The festival is in the 2nd year with an amazing Arts Programme. Friday 26th – Sunday 28th.

I performed as part of a 5 person collective organised by the Wolverhampton Arts Festival Team. Our reading was in the Art Gallery on Saturday 27th 3:30 PM

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

WoLF COLLECTIVE: NINA LEWIS, LAURA LIPTROT, MAURICE MALCOLM, SOPHIE SPARHAM & ROSINA TROTMAN

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http://www.wolvesliteraturefestival.co.uk/

http://www.wolvesliteraturefestival.co.uk/poetry/4593175102

 

 

A full review can be found here.

 

Week +

And finally the last few days of January were filled with desk work. Organising the final submissions for Contour Poetry Magazine, the deadline is the 1st February.

Working on my response poem as part of the ATOTC project and collating the work coming in as well as managing the 20+ poetry partnerships involved. In a moment of pure inspiration I decided to approach the Mayor of Worcester and ask if he would write the Foreword for the digital publication, he agreed. I am delighted. The project celebrates the cities.

I started planning the only official WPL event on my remit – World Poetry Day 21st March, seeking venue, securing performers, devising crazy (erm, I mean creative) ideas for the event.

Preparing for school workshops and meetings about them.

Researching and writing poems for 42, this month’s theme (chosen by Tim Stavert) Rag and Bone Man… I loved the idea, then I started trying to write… left it a fortnight, did a little background work, searched my memories and finally have a fairly rounded set including a spectacular 42-ish Haiku, political commentary wrapped up in a Tanka and a wonderful poem which is actually an acrostic. Happy with a couple of them.

42 Worcester was the final event of the month. Next month apart from the Verve Festival of Poetry and Spoken Word I will mainly be working from the desk. I have a billion things to do and prepare with workshops in February and March and writing schedules to keep. Contour magazine coming out and the special edition to work on.

I knew this time was coming and feel now, it has very much arrived. Of course, if you want to see me – you can always book me for your event.

 

Copy of Spring Event Flyer Template (2)

My Poet Laureate work this month involved planning and booking workshops, working on the Transatlantic Project – A Tale of Two Cities – managing the promotion and progression of the project, writing and collating poetry, working on Issue 2 of Contour – Love, completing  interviews, compiling a favourite poem list for the issue (out in February), having my first BBC Hereford & Worcester Radio Interview since October and organising the next steps of several projects started in 2017.

My next mission is to allocate enough time for the rest of my ideas over the next 5 months. I realise some of the WPL work will continue after Worcestershire gets a new Laureate, I always knew this would be the case. There are certain things I want to complete before I become a former Poet Laureate though (shivers). The team are already on the look out for the next Poet Laureate, applications are open until March. Check https://worcestershirepoetlaureateninalewis.wordpress.com/ for more details if you reside in the county.

 

 

And finally, I started work on planning my World Poetry Day event for March. Very exciting!

WPD 2                        Love Promo 2

WoLF for the Day

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Wolverhampton Literature Festival (WoLF) was my main focus this week. The festival is in the 2nd year with an amazing Arts Programme. Friday 26th – Sunday 28th.

I performed as part of a 5 person collective organised by the Wolverhampton Arts Festival Team. Our reading was in the Art Gallery on Saturday 27th 3:30 PM

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

WoLF COLLECTIVE: NINA LEWIS, LAURA LIPTROT, MAURICE MALCOLM, SOPHIE SPARHAM & ROSINA TROTMAN

 

 

 

In an ideal world I would have been able to stay in Wolverhampton and immerse myself in the full festival experience. I really wanted to go to Liz Berry and Bones Presents on Friday night, but only had Saturday free.

I made the most of my time by attending events at the Lych Gate Tavern, organised by Poets, Prattlers, and Pandemonialists – (Steve Pottinger, Dave Pitt and Emma Purshouse) before heading over to the Art Gallery for 3 PM.

I had hoped to arrive in time to catch Music for Dogs.

Written by Paula Meehan (former Ireland Professor of Poetry), Directed by Patricia Kessler, Performed by Carol Caffrey

I missed it, which made me sad, it has had some fabulous reviews. At least I managed to see Carol before she headed off.

I saw MY CLOTH-EARED HEART BY MELANIE BRANTON

Melanie Branton is looking for a boyfriend. And it’s not going well. In her first full-length spoken word show, My Cloth-Eared Heart, she charts a thirty-year epic quest that has included a brush with a psychopath, stalking various strangers on the internet, and a turbulent relationship with a verb. A show about love, failure, stubbornness and being single in a couple-centric world.

wolf melanie branton © WoLF Programme

I first saw Melanie Headline Uncorked – Holly Daffurn’s night in Worcester, last year. It was great to see the whole show.

I caught most of Jonny Fluffypunk’s new show, had to slip out early to get to the Gallery. He is one of my favourite poets (I feel connected to his surrealism, punk driven imagination and love for coffee) it was a shameful to miss the end, but I had to set up for our performance,  such are the perils of clashing performance programmes.

HOW I CAME TO BE WHERE I NEVER WAS

BY JOHNNY FLUFFYPUNK

Jonny Fluffypunk grew up where nothing ever happened. This is a story about finding yourself, when you find yourself somewhere you don’t belong. It’s about unrequited love and the importance of a good record shop. it’s also about trains and memory and tiny magical moments and letting go. It’s lo-fi stand-up spoken word theatre for anyone who has ever loved, owned a vinyl record or just been alive.

wolf jfp © WoLF Programme

The theatre of the imagination blew me away!

 

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Then it was time for the WoLF collective, 90 minutes of music, poetry, books and life shared by five very different voices. It was fun and great to chat with the audience about poetry afterwards. It was lovely to meet Laura Liptrot, Maurice Malcolm and Rosina Trotman and reconnect with the ever-wonderful Sophie Sparham.

Before the Slam there was time to go for a bit of food and a bunch of us headed off to try amazing cuisine, Indian Street food in Zuri Coffee. A real gastro experience.

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Then I got lost wandering around the streets of Wolverhampton in completely the wrong direction. (Anyone surprised by this has not been reading my blog long enough!)

Poets, Prattlers, and Pandemonialists presented the second Wolverhampton Original Literature Festival Poetry Slam. MCs, Steve Pottinger, Dave Pitt and Emma Purshouse.

Brenda Read-Brown won the slam with Rick Sanders and Ezra Poundland taking second & third place.

Another great year for WoLF – may the howl continue. You never know by the 3rd or 4th year, I may even know my way around!

 

 

My gratitude to Amarjit Nar for making yesterday possible.

 

And finally… this post wouldn’t be complete without mentioning Sophie’s boots… having spent a while in conversation it was time for the event to kick off and it wasn’t until she took to the mic that I looked at her feet! I had the beginning of my set all prepared but seeing her feet really threw me. Love these DM’s.

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So my opening line: ‘I have just lost all my words & fallen in love with Sophie’s Boots!’ is going to find its way into a poem sometime soon!

 

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RELATED LINKS:

http://www.wolvesliteraturefestival.co.uk/

http://www.wolvesliteraturefestival.co.uk/poetry/4593175102

December Review

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The end of the year has rolled around fast this year. I feel like my feet have hardly hit the ground! There are so many highlights to 2017, I am gifting them a separate blog post!

I promised myself I would wind poeting down a little in December, especially with Christmas preparations and a house to sort. Plus I have not spent much time with family & friends this year. Now is the perfect time to reconnect. It didn’t quite work out this way, as you can imagine…

Week 1:

The end of November was busy and tiring, so I spent most of my writing day (1st December) resting and completing necessary admin tasks: I completed my next Reader in Residence activity – compiling a list of 12 Reading Challenges for 2018 for Rugby Library users, wrote a blog review for my Writing A Book Review Workshop and booked a repeat of this session for February 2018.

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I continued to work on applications, wrote a few new poems and opened Contour submissions. I got creative with cover design and started prepping the layout (issue 1 took about 4 days to master)!

Contour – the WPL digital magazine is open for the next round of submissions – February Issue.

Contour Issue 2 Preview

Contour Open Submissions

That was just day 1, week 1!

The weekend was just as busy with was a family birthday celebration, an editing group in Cheltenham, the Victorian Christmas Fayre with Mr G. and a trip to Walsall for Yes We Cant with Elvis Mcgonagall, who I haven’t had the pleasure of seeing since 2014! Long overdue. It was a fantastic night, you can read all about it here. (LINK to follow)

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http://www.elvismcgonagall.co.uk/about.htm

Monday Mr G. had a rare day off booked so we accomplished some work around the house.

Tuesday I was back to poeting and a fabulous new Spoken Word event created by Charley Barnes in Worcester, it was a good mix of poetry, spoken word and story. Polly Stretton was the delightful headliner with an assured set of eclectic mix of her work. A warm, exciting atmosphere, a good turn out and a lovely venue. Perfect. Delighted there will be more.

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Wednesday saw a workshop in Stratford which will hopefully lead to something else in January and definitely gave me two working poems which would both be suitable for my next writery idea. I thoroughly enjoy this group and the workshops always deliver some new work for me. I had planned to go to Permission to Speak in the evening, The Black Country Anthology compiled by Emma Purshouse/Offa Press was being compiled and I was really looking forward to several of the billed performers and Roy McFarlane was headlining.

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By the time I got home it was a strain to keep my eyes open and with a fully booked end of week ahead (radio, work, gig, work, stanza, book launch) I felt that I needed to give myself recovery time. Which I did… it may have taken 4 years, but my ‘sensible’ is developing. I did some prep for the Radio and had an early night.

If I forget the journey to the train station, my Thursday was an exceptional one. Helen Calcutt asked me to do Brum Radio back in 2016, we were tried to make a booking which became impossible as I was contracted to work on the days of recordings. Fast forward a few presenters and Rick Sanders has taken on the role of host. He asked me to be a guest a while back and has been busily creative matching poets up together for his shows. Today was the day. It was great fun and I have given the experience a blog post. Read all about it here. (Link to follow)

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Then after getting home I went back to Birmingham – well as far in as Selly Oak for Grizzly Pear. This night usually clashes with SpeakEasy so it took me about 3 years to make it to one and I had not made it back since. At the Verve Launch back in November I discovered Liz Berry would be headlining and immediately put the date in my diary. Unfortunately, it still clashed with a Worcester event, this time Uncorked at Bottles with Bethany (now Beff) Slim, Nick Lovell & Mike Alma headlining. I did go to Uncorked last month, so although I was sad to miss these 3 in headline spots I know I can hear them regularly on the circuit. I am glad to know Holly is better and back in her hosting role. I am sure I will get to hear all about this night soon.

grizzly pear

Having already made the commitment to go, I was delighted to discover Jenna Clake and Susannah Dickey on the same bill. It was tremendous to see the Shropshire contingency out in full force too as well as catching up with local poetry friends. They also had a Haiku Poetry Slam and I came 2nd. The prize was a Verve Festival Workshop – delighted! I have booked 2 already but the chance to do a 3rd, epic! I have written an entire blog here. (Link to follow)

 

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Week 2:

Friday – a day of snow and an evening of poetry, except by the time I was home I knew my mind was too tired to critique poetry so I missed our Christmas Stanza, I hate missing Stanza, but I also dislike it when I am too tired to participate properly and feel like I cannot be of assistance to others. It was the right decision as I fell asleep at 7 PM. I also wanted to be fresh for Claire Walker’s Book Launch the following evening. I think I was suffering after only managing 5 hours sleep after Grizzly Pear and a day of work in the only school that didn’t close for snow!

Saturday saw the much anticipated Book Launch of ‘Somewhere Between Rose & Black’ by Claire Walker, her 2nd V. Press pamphlet.

cwalker rose The Book has already been on sale and I resisted the urge to buy/pre-order my copy. I like to support the launches and buy one on the sizzle of the evening.

Tuesday 12th December was the Michael Marks Awards with V. Press nominated for the Publishers Prize.

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There was a Room 204 party organised in Birmingham, which I would have loved to go to. This was actually cancelled due to the snow.

Thursday SpeakEasy in Worcester, saw Sharon Carr Headline.

 

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Week 3:

Saturday was my last WWM Spark Writers Group for the year. It was also the end of Poetry Events for me before a Christmas Break. Work finished too… not that there has been a lot this term, I can count the days I have had on both hands and still have fingers left over!

I plan to spend my Christmas break preparing for an International Festival, workshops and getting some work done (writing), as well as sorting out the house.

 

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Week 4:

I did indeed manage a fortnight break from all things writing with the exception of organising The Tale of Two Cities, a Poet Laureate Transatlantic Poetry Project.

I read Cherry Pie – Holly McNish’s debut collection. I read it back in 2014 when I went to Wenlock and watched her perform for the first time. I saw her perform twice this year, once at The Hive in Worcester and once at the Town Hall in Birmingham. Love her. I thoroughly enjoyed reading this book again. I read a couple of novels I borrowed from the library and started my Christmas read. For the past few years I have chosen a Christmas themed novel for the holidays. This one had all the promises of chick lit… but before the end of the first few chapters I found myself in a whole world of serious issues. About as unchristmassy as you can get! A good read though.

I sent a few poems to Angela France for an event that takes place in January, where I hope to read my poems and set about updating blog posts so when the December Review goes live (later today) there can be active links.

I also had to schedule meetings for early January with regards for several poet laureate events which will all take place before March.

It is hard to believe that I have less than 6 months left in this position! Although a lot of writing time and preparing for the International Festival is set in place post laureateship.

My desk had an annual clean up as we needed the table for Christmas Day! The laptop had a 10 day rest.

Now I am doing the final family visits before New Year and getting organised for a smooth launch into 2018.

I hope you all had a great Christmas.

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Mr G’s snowman.